On the run, Shell and Denny decide to pay the Hollambys a surprise visit. Back at Larkhall, Fenner continues to cover his tracks as the investigation into the escape gets underway
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00:30All right, that'll be £9.50, girls.
00:34Oi!
00:36Have this one on us.
00:38The whole prison's been searched.
01:00There's no sign of them.
01:02Terrific.
01:03Dockley, Blood and Wylie.
01:05You reckon this was all planned in advance?
01:06Oh, it's got to have been.
01:07Even the exterior door was unlocked.
01:09And how did they get their hands on a cage?
01:11That's anybody's guess.
01:12And the documentary team's van has gone.
01:15This just gets better and better.
01:26Oi!
01:27Gary!
01:28How's business, mate?
01:29Bloody hell.
01:30I thought you was banged up.
01:31Yeah, that's right.
01:32You must be dreaming.
01:33Who's your mate?
01:34Kel.
01:35All right, Shel.
01:36Then it's just you and her old mates.
01:37Yeah, we've had some good times, haven't we, then?
01:38Yeah.
01:39But, see, the thing is, Gary, we've done a runner.
01:40What, from Nick?
01:41Nick.
01:42Nick.
01:43Nick.
01:44Nick.
01:45Nick.
01:46Nick.
01:47Nick.
01:48Nick.
01:49Nick.
01:50Nick.
01:51Nick.
01:52Nick.
01:53Nick.
01:54Nick.
01:55Nick.
01:56No shit.
01:57And we need somewhere to crash.
01:58What, my place?
01:59Oh, come on, Gary.
02:00Please.
02:01Danny said you and her were really good friends.
02:02I'd like to be your friend too.
02:03Yeah, well, I'm all for helping out an old mate.
02:04Here you go.
02:05Here's a kiss.
02:06Oh, and, er...
02:07Someone to help you settle in.
02:08All right?
02:10Cheers.
02:11Cheers.
02:12Cheers.
02:13Cheers.
02:14Cheers.
02:15Cheers.
02:16Cheers.
02:17Cheers.
02:18Cheers.
02:19Cheers.
02:20Cheers.
02:21Cheers.
02:22Cheers.
02:23Cheers.
02:25Cheers, mate.
02:35I'd say Chris the TV salmon had a bit of a thing for our show.
02:39That's interesting.
02:40Looks like it was his van they got away in.
02:47Hello.
02:49Dear diary.
02:51Here.
02:52You want to have a look?
02:53Yeah. Like she's gonna write her escape plan in her diary.
02:57Sunday. Must escape.
02:59This place is gonna get red-hot once Aria starts asking questions.
03:03I don't want us to have missed a thing, right?
03:05If you say so.
03:06I do. So look everywhere.
03:24Well, how about that, then?
03:29Bloody hell.
03:34The media have already got wind of it.
03:36Simon, there are escapes largely down to them in the first place.
03:40That documentary team was a bad idea from the start.
03:43There's absolutely no value in hindsight here.
03:45Cheryl Dockley was getting far too friendly with her sound man.
03:48I've no doubt the police will be asking the same questions.
03:52What we have to worry about are the questions Aria fire on us.
03:56Yeah, well, someone will be up against the wall, that's for sure.
04:02Well, this was the man on the spot.
04:05You're not saying it's Jim's fault, are you?
04:07He was in charge.
04:10I thought you might be interested in this.
04:12Found it under Dockley's mattress.
04:14Oh, good.
04:17I always fancied being a blonde.
04:19Why? Cos gentlemen prefer them?
04:21I ain't never met no friggin' gentleman.
04:24I've always wanted to be a redhead.
04:26Deadhead, more like.
04:28Where's that mirror?
04:33Members of the Raccoon family.
04:35They're equals. They don't have to be.
04:37They don't have to be.
04:39They don't have to be.
04:41They don't have to be.
04:43Members of the Raccoon family.
04:45They're equally...
04:47From Larkhall Prison.
04:49Front line, fast.
04:51Michelle Dockley is currently serving a life sentence for murder.
04:54And Daniela Blood has a history of extreme violence and arson.
04:57Shut the fuck up! You've got to see this, man!
04:59Officers have described both women as dangerous.
05:01I feel like a bloody puppy!
05:03Details of how the prisoners were able to leave the high-security prison
05:06are still unknown.
05:08Any sightings or information should be reported to the police immediately.
05:12Well, at least I'll be out of it tomorrow.
05:14And I don't care what anyone from area management has to say about it.
05:17It's my day off, and I've earned it.
05:19Twice over after this fiasco, if you ask me.
05:23Well, there's nothing more we can do now.
05:25The night gang can take over.
05:28You look done in.
05:30Thanks for the compliment.
05:32I reckon I could come up with something to help you unwind.
05:35Maybe that's not such a good idea.
05:37What?
05:38It's not that I don't want to, Jim,
05:40but maybe right now it's best if we keep things purely professional.
05:43Whatever you say. After all, you are the boss.
05:47We've had a phone call. Shez Wali's turned up.
05:50What? Where?
05:51St. Martin's Hospital.
05:57On the floor again
06:00And I feel like...
06:03Look at you!
06:05Under a sun
06:10Have yourselves at home, then, girls.
06:18You having a good time?
06:20Everything's cool, mate. Cheers.
06:22Great party, Gary.
06:26So, what's shit ensue?
06:28Oh, Gazza, baby.
06:30Don't be angry.
06:32Jesus Christ, you're on the telly.
06:34Yeah, been on all night. It's cool, innit?
06:37They're both described as dangerous.
06:39Michelle Dockley was sentenced in 1996...
06:41I hate frigging Michelle!
06:43...for the murder and torture of Lisa Smith.
06:45Murder and torture?
06:47What the bastard hell did you do?
06:49There's no need to go all puke-faced over it.
06:51I didn't hurt her any more than she had come into her.
06:53Look, I reckon the old Bill's on to me, you know?
06:56I've seen him.
06:58So, shit, this ain't really the safest place to hang about.
07:01Yeah, he said nothing before.
07:03Yeah, he was after a shag before, wasn't he?
07:05What's the matter, Gary? Your bollocks giving your brain the night off?
07:08You what?
07:09I liked you better when your dick did the thinking.
07:12Look, you can stay the night.
07:14And you're out of here. All right?
07:29Well, I suppose at least there's one good thing about today.
07:32Not seeing the back of Shell Dockley.
07:34I'm sure Jim more than anybody's glad to see the back of her.
07:39What's that supposed to mean?
07:41The last thing I want is an escaped murderer running around out there.
07:44I just meant...
07:45Oh, I'm sorry, darling, I'm sorry.
07:49It's just that it's been a long day and, well...
07:52I was in charge when Dockley and the others licked it, wasn't I?
07:55Don't worry. It's not down to you that Dockley got away.
07:59I blame Helen Stewart and her life as unit.
08:02If I were you, Sylvia, I'd leave it to area management to work out who's to blame.
08:06It's just my opinion, ma'am.
08:10I think I'm entitled to one.
08:12Of course. But when area management speak to you,
08:15I'd prefer it if you confined yourself to the facts.
08:19Did you get a chance to read that diary of Dockley's yet?
08:22No, not yet. Well, there might be something useful in it.
08:25Here, let me have it.
08:28Well, I'll make a change from Patricia Cornwall.
08:31See you in the morning.
08:42What are you after?
08:43Looking up an old friend of mine.
08:45Who's that, then?
08:48There.
08:50R.J. Hollombie. Funeral directors.
08:53Body bag.
08:54Going by the 24-hour number. That's our home address.
08:57Last place anyone's gonna look for us, eh?
08:59You haven't gone yet, then?
09:01Don't worry, Gary. We're out of this shit hole.
09:04But if you tell anyone we was here, I'll be back...
09:08for these.
09:09Could you just get the shit out of him, shall we?
09:33This ain't gonna work, shall we?
09:35Not if they've got the cops coming.
09:37They're gonna find us sooner or later.
09:39Listen, remember last night you asked me if I had a plan, right?
09:43Well, guess what.
09:46No, I've got one.
09:47Where did you get that?
09:49In a shoebox in your dopey mate's bedroom.
09:51He deserves to live in a bloody nook.
09:57And what steps did you take to ensure the prison's security?
10:00Every step possible.
10:02I don't understand why you'd want to do that.
10:05I don't understand why you thought it a good idea
10:08to give a film crew access to all parts of the prison.
10:11To show we have nothing to hide.
10:13Larkhall is a well-run facility.
10:15The escape of three prisoners.
10:17Look, I don't see what you're trying to get at here.
10:20The documentary team's presence was approved by area management.
10:24In fact, I spoke to you about it, Mrs Warner.
10:27If the blame for this escape lies with permission for the documentary,
10:31just remember the final decision wasn't mine.
10:34Nevertheless, this prison is your responsibility.
10:38Of course Larkhall is my responsibility,
10:41and he's one I take very seriously.
10:43But I'm only human. I can't be here 24 hours a day.
10:47Sometimes I have to rely on other people.
10:49Occasionally they might make a mistake.
10:52And that's clearly what happened yesterday.
10:55Well, thanks for your time.
11:04Get out of here! This ain't right, this!
11:08Yeah, and you're not right neither, idiot.
11:10So keep the noise down.
11:12I'm tired of it! You've got to be sorry!
11:14Yeah, of course.
11:17Come on, Babs.
11:19Aren't you the lucky one? Officer's tea duty.
11:22Well, of course. The prisoners all get banged up in their cells,
11:25but God forbid the officers should have to make their own tea.
11:28You might be posh, Babs, but you've still got a bog pan for a gob.
11:31Now put the seat down and get on with it.
11:33Just tell me, why is it when the screws screw up, it's the prisoners who suffer?
11:37Because you broke the law and we didn't.
11:43I read Shell's diary last night.
11:45Oh?
11:46Doesn't look good for Helen.
11:48Gives the impression her regime was slack, to say the least.
11:51I never thought she'd risk compromising the wing's security, though.
11:54I suppose I'll have to hand it over to the police.
11:56Any developments?
11:58No, nothing.
12:04Right. Come on, you.
12:10I could do with a rest. It's exhausting, all this escaping lark.
12:15Right.
12:17In you go.
12:18On my own? Can't I go back on to the dorm?
12:21Not yet. Not after what you've done.
12:23Not my fault if you're gonna let us do a runner, is it?
12:34I can't wait to see her bloody face.
12:42That's him. Her husband.
12:45Bobby.
12:47Are you coming, or what?
12:52I'm sorry.
12:54I'm sorry.
12:56I'm sorry.
12:58I'm sorry.
13:00I'm sorry.
13:03I'm coming, I'm coming.
13:06Shit.
13:07She's going shopping in her house, man.
13:25This is it.
13:33Come on.
13:46Come on, get in there and get that door open.
13:48There's bleeding glass everywhere.
13:50Can't be some sort of bloody ribbons.
14:02Watch it, Shell. Nice place she's got it in.
14:05You'd think she'd take better care of it, wouldn't you?
14:07Not putting the stud and alarm on.
14:11I know this show ain't gonna be long.
14:13Better hurry up and have a scat around, then.
14:16Let's check out the bedrooms.
14:18We can.
14:33Hey, look at this.
14:35Do you think her old man likes her to dress up for him?
14:42Bloody hell.
14:44You never know. Shell.
14:48Kinky bitch.
14:49No, not on me.
14:52I bet she makes him dip it in disinfectant before he gives the woman.
14:56Oh, whatever they get up to,
14:59I reckon we could be on for a bit of role reversal.
15:01What do you say?
15:16Come on, lunch.
15:20Look. Look what you've done to me.
15:22I ain't done nothing to you. You've done that yourself, you soft cow.
15:25Eat your lunch.
15:29Come on.
15:53What did you mean, I let you do a runner?
15:56Let's face it.
15:58If I'd gone to the job, we wouldn't have got as far as that van.
16:01Never mind clear off into town.
16:03Just tell me how you did it, where you got the key from.
16:06Forget it. I'm not a grass.
16:10Look, Chas, I know it wasn't your idea to do a runner.
16:13Come clean with me.
16:15Tell me what you know, and I'll have a word with the governor.
16:18No way.
16:20All right? Suit yourself.
16:29Yep.
16:31Jim.
16:35This is DS Culver and DC Brown. They've come to talk to Chas Wiley.
16:38Well, good luck, boys. But I don't think she knows anything.
16:41If you ask me, Chas just hitched a ride.
16:43I'm sure the police will make up their own minds about that, Jim.
16:46Of course.
16:59Must be right under the bedroom.
17:01Imagine bunking over the top of this place.
17:03Always said she was weird.
17:05Hey.
17:07What do you reckon?
17:09No way, mate.
17:11Come on. I ain't tossing Transylvania.
17:13Yeah, but they might have been in a car crash or something.
17:16I don't want to see that.
17:18Hey, I thought you was meant to be hard.
17:22Ah!
17:27It's empty!
17:34That's funny.
17:36The lifers unit is in the best interest of both the prisoners and the prison.
17:40It wasn't met with universal support, though, was it?
17:43There's always someone that doesn't like change.
17:45And in my experience, not usually for the best.
17:48Some of your colleagues feel you are...
17:50shall we say, overly understanding of the prisoners.
17:53I care.
17:55Some people don't like that.
17:57Perhaps you care too much.
17:59Is that possible, Miss Stewart?
18:01I don't believe it is.
18:03Now, what's your point?
18:05There's nothing wrong with caring, but this is a prison.
18:08What we can't afford is carelessness.
18:10This diary belongs to Michelle Dockery.
18:13It's her diary.
18:16This diary belongs to Michelle Dockery.
18:19Her comments about the lifers unit
18:21suggest the way it was run was lax, careless.
18:24I can assure you there's never been anything lax or careless
18:27about my lifers meetings.
18:29And there's never been anything about my work with the unit
18:32that's been anything other than professional.
18:34I'm glad to hear it.
18:36Well, don't take my word for it.
18:38Ask any of the prisoners on the unit.
18:40That doesn't seem to be Michelle Dockery's impression.
18:43I don't see how you can trust the word of an escaped prisoner,
18:46Mrs Warner.
18:48If I was given to conspiracy theories,
18:50I might almost begin to think that I was being set up.
18:53Come on, Miss Stewart.
18:55Michelle Dockery keeps grudges,
18:58not diaries.
19:00Now, if she did get a key copied
19:02from the impression on that tablet of soap,
19:05she must have got it done on the outside.
19:07So?
19:09So it was found in her cell,
19:12under her mattress.
19:14Now, are you telling me
19:16that she wanted the soap back again for bath time?
19:42DOOR SLAMS
20:12DOOR OPENS
20:14DOOR CLOSES
20:26SCREAMING
20:28SHE LAUGHS
20:35You've been set up.
20:37Michelle's diary, soap under the bed.
20:39Come on, it's just so perfect.
20:41All right, then. So who?
20:43I don't know. A prisoner, maybe.
20:46Or an officer.
20:48Someone forged Shell's handwriting
20:50and logged six weeks of entries in her diary to set you up.
20:53That's Hollywood, Helen.
20:57Sorry, I'll come back.
20:59No, Jim, come in.
21:01Maybe you should hear this.
21:03What?
21:05Area management are now investigating
21:07a possible conspiracy against Helen.
21:09Come again?
21:11Well, it's possible that diary that you and Gina found is a fake.
21:14You what? Fake by who?
21:16She doesn't know.
21:18I'm surprised she does it, Jim. Someone could be out to discredit me.
21:21Now, hang on.
21:23I thought area management were here to investigate an escape.
21:26Looks like things have moved on.
21:28Now they're checking the handwriting in Shell's diary to verify that it's hers.
21:32Well, that sounds like a good use of taxpayers' money.
21:35And that it was written when it was supposed to have been.
21:38Forensic tests can prove if the entries were made day by day
21:41or if they were written all at once.
21:43It's amazing what they can do in a lab these days,
21:46but, like I say, it's a waste of time and money.
21:50Yeah. Yes, Culver, Mum.
21:52Just wanted to let you know we've finished with Wylie.
21:55And?
21:56She likes to pretend she's not letting on to protect her mates.
21:59If you ask me, she just doesn't know anything.
22:01So no clue where Dockley and Blood were headed, then?
22:04Afraid not.
22:05Well, we'll check known associates, friends and family.
22:08But my guess is they'll be lying low with some pal.
22:13You know what, Shell?
22:15If he was a screw-up lark-hole, I'd shag the arse off you.
22:18Well, there's nothing stopping you now, is there?
22:29Can't you keep frigging quiet for five frigging minutes?
22:32SHE SCREAMS
22:34Make another noise, as much as a whimper,
22:37and I'll hack your tits off and feed them, you right?
22:43Good.
22:46Thought you was clever, did you?
22:48Chucking me in a cell with my aunt Tessa,
22:50getting me beat up by Podgepam.
22:52You have a good laugh, did you?
22:54You'll be laughing the other side of your face
22:56by the time I've finished with you, old cow.
23:05It's the old man, Shell.
23:08Right.
23:19Just keep quiet.
23:21I've got the message.
23:29Sylvie!
23:35Hello?
23:40Sylvie?
24:01Nice one, eh, Sylvie?
24:05GUNSHOT
24:10If you've killed him,
24:12you'll never see the outside of Lark Hall again, I promise you.
24:16Of course I ain't killed him. He's still breathing.
24:19You clouted him around the head.
24:22He may need a doctor.
24:25Look, he's all right.
24:27Bobby's never done anything to you.
24:31It's me you want to hurt, isn't it?
24:33No-one's gonna get hurt, so long as you do like we say.
24:37Of course.
24:39I'll do whatever you want.
24:41That's a good body bag.
24:44And the old fart woke up yet?
24:46Wakey, wakey, Grandad!
24:48I hope you burn in hell.
24:50Yeah. So I'm gonna have my fun while I can, aren't I?
24:54Look what I found.
24:56I found this upstairs and this here in the ironing pile.
24:59Get them on.
25:01What?
25:05He's coming round, Cheryl.
25:08Bobby!
25:11Don't worry, Mr Olinby.
25:14We're just mates of Sylvie's from work.
25:19It'll be all right, Bobby.
25:21If we just do as they say.
25:23So you best get them clothes on, eh?
25:28You heard her.
25:30You heard her.
25:32Get changed.
25:37Or do you want me to send Bobby bye-byes again?
25:43Get up!
25:52We're gonna have our very own French maid, Denny.
25:57Hang on, Cheryl.
25:59She might be hiding something.
26:01Maybe we should give her a full body search.
26:06You all right, Den?
26:08Leave her alone.
26:10Don't worry, Grandad. You won't see nothing you ain't seen before.
26:15Please.
26:17No.
26:18Oh, it's all right, Syl.
26:21We've all done it.
26:24Yeah.
26:26Strip.
26:29Everything off.
26:31Then spread them.
26:52Very good.
26:55And a body bag.
26:59Don't forget to curtsy.
27:15That stuff'll kill you, you know.
27:19It's not quick enough.
27:21Be quiet, Bobby.
27:23It's only after the business, isn't it, Bobby?
27:28So tell me.
27:30What was it that made you first want to be an undertaker?
27:33Getting a big car.
27:35Giving the odd bod a quiet poke.
27:37You are sick.
27:41Leave him alone!
27:49He's banging up. Time for you.
27:54Ah! Ah!
27:59None of this is going to help you, you know.
28:01Not when they catch you.
28:03Why don't you just take what you want and go?
28:06Because we're not finished with you yet.
28:08Get in.
28:13What's this?
28:15An anniversary present from my daughter.
28:19Oops.
28:23Oh.
28:34Let's put her to bed for the night.
28:38You enjoying yourself, Bobby?
28:41I need to go to the bathroom.
28:44You can piss yourself.
28:46I'm not having him stinking the place out, Mum.
28:48I'll take him myself.
28:53Don't forget to make him wash his hands.
28:55Hello. This is R.J. Hollombie, Funeral Directors, at your service
29:00at this sad time.
29:03Please leave a message after the beep.
29:08Hello.
29:10Hello.
29:12Hello.
29:14Hello.
29:16Hello.
29:18Hello.
29:20Hello.
29:23Hello? Mum? Dad? It's me.
29:25It's me!
29:27I suppose you're off dancing.
29:29Just to say sorry, can't make it tomorrow.
29:31Little concerts have come down with the tummy back.
29:34Still, give us a call.
29:36Say bye-bye to Grandma and Grandma.
29:38Bye.
29:39Bog off.
29:42There. That'll stop you wanking.
29:45Look, why don't you just make a room for it?
29:48Now, while it's dark.
29:51I'll give you some money.
29:53There's 500 a pound in a drawer upstairs.
29:56Yeah, we already found it.
29:59Is he finished yet?
30:01I reckon he'll be comfortable off for the night.
30:04I reckon he'll be comfortable off for the night.
30:07I reckon he'll be comfortable off for the night.
30:10Good.
30:11So we're going to get comfy ourselves, aren't we?
30:17Just remember, you, no noise...
30:20or you'll end up pissing through a tube.
30:23Night-night.
30:28Just keep an eye on him.
30:30Yeah, I think this thing's going to run and run.
30:33Karen?
30:35Him.
30:36Night, Simon.
30:38He could tell what he was thinking.
30:40What are you talking about?
30:42They're sharpening their knives and I reckon there's a target on my back.
30:46You're imagining it.
30:48I can smell it.
30:50I was in charge that night. There's no way Simon's going to go down for it.
30:53You're starting to sound as paranoid as Helen.
30:56Go home, Jim. Have a drink and forget it.
30:59Well, if you hear anything...
31:01I'll tell you. Good night.
31:04Good night.
31:09DOOR OPENS
31:27Are you going to come in?
31:29It's a prison, Miss. You can do what you want.
31:39I hope you realise how stupid you've been, Chas.
31:42I know that, Miss.
31:44Denny were the only person I ever loved, who ever loved me.
31:48I've lost her now, haven't I?
31:50Possibly. Though probably the police will find them.
31:53No, they won't.
31:55Do you know where they are, then?
31:57No.
32:03You know if the police do find them, they'll bring them straight back here?
32:07What, to G-Wing?
32:09You could see Denny again after all.
32:11You want me to grass on him?
32:13The police will find them anyway.
32:15Not in a million years.
32:17Oh, why's that, then?
32:19Cos the pigs will be checking up on all their mates.
32:22Where you usually go when you go on the run?
32:24Yeah. Well, not Shell.
32:26Really?
32:28Someone's going to get a surprise visit.
32:30Who?
32:32Put it this way. An old friend's going to be sorry she pissed Shell off.
32:35She?
33:06Come.
33:10You know, life's so different away from that place, isn't it?
33:14You noticed.
33:19I mean, what I do there, it's just a job.
33:25I have to do what I'm told.
33:31You understand, don't you?
33:36I don't enjoy any of it.
33:42I mean...
33:45I just want to say... sorry.
33:52Hello, TV. This is R.J. Hullam,
33:55a fellow director's at your service at this sad time.
34:00Please leave a message after the beep.
34:05Sylvia, it's Karen Hertz.
34:08Are you there? Are you coming into work today or not?
34:12Ring me.
34:18Shit. Bad start to the day?
34:20Bloody Sylvia.
34:22I've got enough with prisoners going AWOL without officers joining them.
34:25She didn't call in sick?
34:27No. Just no sign of her.
34:29She's not even answering her phone.
34:33What?
34:35Look, I know it's a long shot.
34:50Sorry. Were you having a crap?
34:53No.
34:55Me and Denny's clearing out now, but I want your watch.
34:58Might be worth a few quid.
35:01Hey, don't go getting a stiffy.
35:06Oi!
35:08Oh, those screws are always loose.
35:11Lying bastard!
35:13Denny! Get in here!
35:17I told you. No funny stuff or you'd regret it.
35:23Right then, Bobby.
35:26There you go.
35:31Shh.
35:46What are you going to do?
35:48Us?
35:50I'm not going to do anything, Sylvia.
36:01If...
36:03No. No, I won't.
36:09Yes, you will.
36:23I'm sorry, Bobby.
36:26I'm sorry, Bobby.
36:32OK, officer.
36:34I know.
36:37I'm sure he thought I was a complete wally.
36:39Don't worry, I'll take the blame.
36:41Anyway, the police are sending a car round on the off chance.
36:56Done a good job, buddy bag.
37:14Oh, come on.
37:16This has gone far enough. You've had your fun.
37:21Fun?
37:23Fun?
37:25You must be joking.
37:27We haven't even started yet.
37:35I got here.
37:37Oh, my God!
37:40You won't...
37:47Come on, Nasha. This is getting serious, man.
37:51Of course it is.
37:59Cremations ain't no laughing matter.
38:08No!
38:10No! Don't do it!
38:12No!
38:14Bobby! Bobby!
38:16Bobby!
38:20Police!
38:22No! Bobby!
38:24Help me!
38:27Help!
38:29Help, Bobby!
38:38Over here!
38:41Bobby! Help!
38:46No! No!
38:48No! Bobby!
38:50Help me!
39:12Poor Sylvia. It'd take her a while to get over something like that.
39:16Oh, I've no doubt.
39:18It's a good thing you got something out of Wylie, Helen. Well done.
39:24Fenner.
39:26Yes, of course.
39:30Mr Casey and Mrs Warner want to see me.
39:33Well, you can tell them's the truth, Jim.
39:39Some chance.
39:47You were shitting Nutter, show.
39:49You could have killed him back there.
39:51Yeah, so? I'm a killer, ain't I? I've got a reputation to keep up.
39:55Shitting Nutter.
39:58How much are we worth?
40:06Still got the cash from Gary's place and all.
40:08And I've got Bobby to watch.
40:10We've got to dump this tub. I've got to go.
40:13How about Crystal's place?
40:16Crystal frigging Gordon.
40:20Gordon frigging Bennet.
40:25So you were in charge at the time of the escape?
40:27Yes.
40:29But I wasn't actually in the chapel.
40:32Not when everything kicked off.
40:34So where were you actually?
40:36I was in the chapel.
40:38I was in the chapel.
40:41So where were you actually?
40:43I was in the office, sorting paperwork.
40:45There was no need for me to be in the chapel.
40:47Although the television crew was there?
40:49The officers present were perfectly capable
40:51of keeping an eye on them and the prisoners.
40:53We're looking for an inside job here, Mr Fenner.
40:56Possible corruption.
40:58Conspiracy to let Michelle Dockley escape.
41:01I'd have her swinging from a tree after what she did to me.
41:04You sound overwrought, Mr Fenner.
41:08Are you certain you're able to perform your prison duties
41:11to the same standards as before the assault?
41:20All right, Crystal?
41:26You can't stay here.
41:28How did you know where I was?
41:30Josh told me.
41:31Look, I'm sorry, but there's no way.
41:33Oh, look, come on, man. Just to know. I promise.
41:36No way, man.
41:37Josh is at college doing his prison officer's course.
41:40Shame. It could have been a bit of homework for him.
41:43We're all over the telly. If the cops find out you're here,
41:46Josh will be in it up to his neck.
41:48Look, no-one's gonna find us here, are they?
41:50This'll do fine.
41:52Not as comfy as body bags, please.
41:54Bet it'll do.
41:55What do you mean?
41:57What about body bag?
42:07I've given 20 years of my life to this job.
42:1120 years for what?
42:14To end up a bloody scapegoat.
42:17Don't get yourself worked up over something that might not happen.
42:21You didn't see the look in Warner's eye.
42:27I see what you mean about Helen.
42:30I think she's got it in for you.
42:33Looks like she's gonna get her way, doesn't it?
42:42I'm knackered.
42:44Skin is a spliff up, then.
42:46That's it. If you got drugs with you, you're out of here now.
42:49She's having you on, mate. We ain't got nothing, have we, Shell?
42:52Course we ain't. It's like coming to church, isn't it?
42:55Stopping with you. What do you take us for?
42:57I'm warning you, Shell. I don't want to get you involved.
43:00What do you take us for?
43:02I'm warning you, Shell. I don't want drugs in this house.
43:05Yeah, yeah, it does let your tits on fire.
43:11I've had enough. I'll see you in the morning.
43:14All right, Shell.
43:21You've got to help me, then.
43:23You've got to get out of here. Please.
43:26I know she's got drugs with her, and she's nothing but trouble.
43:29And more than that, she's evil. I don't want her under this roof.
43:32Look, just calm down. It's just tonight. I promise you.
44:00The police have charged the television sound man, Chris Bissett,
44:03with aiding and abetting in the escape.
44:05I see. Well, who could have foreseen such an abuse of our openness?
44:10Indeed.
44:12It's our opinion, Mr Stubberfield, that there need to be some changes at Larkhall
44:16to ensure this doesn't happen again.
44:19Changes... at the top.
44:22At the top?
44:25Thanks for the clothes, Crystal.
44:27Yeah, thanks for last night and all. You were a real mate.
44:30Yeah, well, you're welcome.
44:32I thought we'd head up for Scotland now. Got an arty up there.
44:36Well, good luck. Top.
44:38Oh, shit. I nearly went and left the money behind, didn't I?
44:43Might be a minute.
44:45Good luck with that, then.
44:57I'm going.
45:12Police.
45:14Yeah. Them women escaped from prison.
45:17I know where they are.
45:19Frank's a goon, yeah?
45:21God be with you.
45:24Come on, then. We've got to catch that bus to Haggisland.
45:28Say hello to everyone for us.
45:43Hi, Al.
45:45Morning, Nick.
45:47You're all right, Simon. You look awful.
45:50This is how a man looks when made to fall on his own sword.
45:53What?
45:55Area management needed a scapegoat, and I'm it.
46:05All right, I'm coming.
46:08Once we were in the Costa del Sol,
46:10his son, sangria and sex.
46:13We can get rid of these friggin' wimps.
46:15Too right.
46:19Hey, hope you got your passport, Miss Babs Hunt.
46:22No worries, Miss Nicola Wade.
46:24Worth every penny.
46:26Hasta la vista, baby.
46:29I'll be back.
46:31I'll be back.
46:33I'll be back.
46:35Hasta la vista, baby.
47:05Hasta la vista.