バズマンTV 2024年10月04日 【やす子、憧れの人に会いに行く】「刃牙」シリーズの作者・板垣恵介先生の作業場に潜入！
バズマンTV 2024年10月04日 【やす子、憧れの人に会いに行く】「刃牙」シリーズの作者・板垣恵介先生の作業場に潜入！
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00BuzzBuzz TV
00:02Editor-in-Chief Mimura, please give us a hint!
00:06Got it!
00:08If you interview a famous manga artist, you should be able to find a hint!
00:16Reporters love manga, don't they?
00:19I'm Editor-in-Chief Mimura, Yasuko!
00:22Today, we're visiting the home of the author of the Baki series, Keisuke Itagaki!
00:30Thank you very much!
00:31This is amazing!
00:32Itagaki-sensei of the Baki series has published a manga that is said to be amazing.
00:38What are the three amazing manga he has chosen from the perspective of a manga artist?
00:42The work is careful.
00:44It was really interesting.
00:48He's been doing this for a long time, right?
00:51It's been a long time.
00:52Grappler, Baki...
00:53Grappler, Baki... It's still going on.
00:56He's still the Weekly Shonen Champion.
00:59I don't even know the title of the Baki series.
01:04Itagaki-sensei used to be in the Self-Defense Force, right?
01:06That's right. He used to be in the Self-Defense Force.
01:08And he was the strongest in the Air Force.
01:11Honestly, I'm more nervous than when I met Mimura-san.
01:14His face is different from when I met him.
01:17It's like when he first appeared on TV.
01:21The two have a long history of being in the Self-Defense Force.
01:26Let's find out why they continue to write hit manga.
01:30Today's editors are Kasuga Odori and Akihisa Shiono, who is also a popular actor in the Taiga drama.
01:37Nice to meet you.
01:39Nice to meet you, too.
01:41You're doing well.
01:44Continuity is power.
01:46The people are waiting for you.
01:49Shiono-san, what do you think of Baki?
01:51Of course, I've read it.
01:53My acquaintance's daughter...
01:58For example, when I order food on Uber Eats,
02:01I hear that the delivery man is a little suspicious of the name of the girl.
02:12So I changed my name to Kaori Hanayama.
02:18Kaori can take both names.
02:21Excuse me.
02:22Excuse me.
02:23Excuse me.
02:26There's Baki all of a sudden.
02:30Wow.
02:32A bear?
02:34There's a bear.
02:36Wow.
02:38It's true.
02:40It's my first time seeing a bear in someone else's house.
02:43I don't know how to react.
02:45There's a bear, too.
02:46That's a good point.
02:48There's a scene in Baki.
02:50There's a big bear.
02:52It's an impressive scene.
02:54I'm sure you've already seen it.
02:56There's a big bear in the background.
02:58It's the beginning.
02:59Excuse me.
03:00There's a bear in the back, too.
03:03Excuse me.
03:05He's here.
03:07There's a big bear.
03:09Wow.
03:10There's a big bear.
03:14Good morning.
03:18I'm Keisuke Itagaki.
03:20Good morning.
03:23Excuse me.
03:24I'm Yasuko Waregin.
03:28Nice to meet you.
03:29I know who you are.
03:32He knows me.
03:33This year, the Baki series has finally surpassed the goal of 100 million copies.
03:42There are many fighters who have been influenced by this manga.
03:45There are a lot of them.
03:46As for the Natsukawa angel,
03:48he will show off the Triceratops sword created by Baki in a match.
03:55Please watch with Yasuko, who is nervous and looks strange in front of Mr. Itagaki, a former member of the Self-Defense Force.
04:02I'm a member of the Self-Defense Force.
04:06Where are you from?
04:07I'm from Okubo, Kyoto.
04:09Kyoto?
04:10Yes.
04:11I'm a member of the Self-Defense Force.
04:13Me, too.
04:14Really?
04:15Nice to meet you.
04:17I'm really busy today.
04:19Thank you for letting me film at your home.
04:22This is my workplace.
04:23Oh, it's your workplace.
04:24Thank you for letting me film at your workplace.
04:27No problem.
04:30You look very nervous.
04:31I can't move because I don't have a maid.
04:34I'm really busy today.
04:36I'm sorry.
04:38Can I smoke the G-Pen?
04:43Oh, it's a cigarette.
04:44I'm sorry. I smoke.
04:49By the way, what are you drawing now?
04:52I had a very good expression.
04:54I want to use this expression for my character.
04:58I see.
05:00Is this a G-Pen?
05:01What do you use it for?
05:05I've been using this since my debut.
05:09Oh, really?
05:10It's dirty.
05:11I'm so happy.
05:13Oh, it's a pen.
05:14I've never seen a pen like this.
05:16Manga artists often develop their own pen.
05:20Why is this pen easy to hold?
05:24This pen has a lot of pressure.
05:27So I can't hold it for a long time.
05:32So I use a cushion.
05:33I see.
05:34Huh?
05:36There's a gym equipment outside.
05:38Oh, really?
05:40It looks like a gym.
05:42Do you work out here?
05:45It's my favorite.
05:47You use it sometimes, right?
05:50I'm still nervous.
05:54How many assistants do you have now?
05:58I have 12 assistants.
06:00Wow.
06:01That's a lot.
06:02I think I have the most assistants.
06:04You have the most assistants.
06:06That's amazing.
06:08Are you completely analog?
06:11No.
06:12My staff uses various tools.
06:14Oh, I see.
06:16I use my handwriting.
06:17Oh, I see.
06:19I like to draw.
06:21Of course, I draw.
06:23I'm not an artist, but I like to draw.
06:28Wait, I found it.
06:30There's a fish sausage here.
06:33In the Self-Defense Force,
06:35you put fish sausage in your pocket when you train.
06:38You can eat it with one hand.
06:40You can eat it right away.
06:41It's easy to carry around.
06:43Is that why?
06:45No.
06:46Oh, no.
06:47I'm sorry.
06:49I'm sorry.
06:50You can eat it right away.
06:52I'm sorry.
06:53Yasuko is nervous.
06:57She didn't say yes or no at all.
07:00Everyone in that room was nervous.
07:02She was standing like this in front of the door.
07:11Yasuko, who loves manga,
07:13sneaked into Mr. Itagaki's office.
07:17What a great space.
07:19What kind of room is this?
07:21It's a name room.
07:22A name room.
07:25I don't know if I can touch it,
07:27but there are a lot of swords.
07:30What do you think about it?
07:31I think it's good.
07:32Do you have a sword?
07:33No, I don't.
07:35When I was in elementary school,
07:37I watched period dramas and movies.
07:43I wanted to get a sword.
07:46You wanted a sword.
07:49Mr. Itagaki, the author of the Baku series,
07:53will answer questions from the perspective of a big hit manga artist.
07:58First, he will choose three manga that he thinks are great.
08:06Please tell us the manga that you think are great.
08:11When can I be nervous?
08:14BAKABONDO by Takehiko Inoue.
08:18I'm reading the original, but it's more interesting than the original.
08:23BAKABONDO by Takehiko Inoue, a slumdunk manga.
08:29It's a big story about the life of a swordsman, Musashi Miyamoto.
08:35Why did you choose this manga?
08:37Because the work is polite.
08:40The story is already decided.
08:45The way the story is told is very polite.
08:49In the middle of the story, there is a fierce duel between Ichimon Yoshikawa and Ichimon 70.
08:59It's a fierce battle scene between Ichimon Yoshikawa and Ichimon 70, who are enemies of Musashi.
09:06Mr. Itagaki said he felt the greatness of the author in this scene.
09:11In this scene, the way the line of expression is drawn is not one-dimensional.
09:22All the characters are cut.
09:25But even the characters that are cut are standing.
09:29They have feelings.
09:32It's a way of drawing that makes you feel the life of a character with no name.
09:38It's not realistic at all.
09:41If you don't show it here, it's not cool.
09:46Even so, you can't move forward.
09:49I think I have this side.
09:54Speaking of Musashi Miyamoto,
09:56In the Baki series, Musashi Miyamoto has revived and appeared.
10:02This is also Musashi Miyamoto.
10:04What is the difference between your work and Musashi Miyamoto's work?
10:09Yoshikawa Eiji's Musashi Miyamoto is very dynamic and stoic.
10:18But his work is too dynamic and not human.
10:23What about you?
10:26I make a life judgment.
10:29As a result of the life judgment, I found out that he is not that kind of person.
10:37It's more like a tribe.
10:40I want to be praised more and more.
10:44I want to be praised.
10:46There are a lot of my words in Musashi Miyamoto's words.
10:49I want to be praised more and more.
10:51I want to be praised.
10:54I also want money.
10:56I want to be praised.
10:57I want to be praised for the rest of my life.
11:00Have you made a life judgment about your character?
11:04Yes, I did it from the middle.
11:07Biscuit Oliver?
11:09No, that's Katakana.
11:11I'm sorry, I'm sorry.
11:14Itagaki-sensei is a big fan of Bagabond.
11:18I think I'm better at action scenes.
11:23No, no, no.
11:25I can't say anything.
11:27You can't say anything.
11:29If you watch the scene where Musashi Miyamoto cuts, you'll understand.
11:34The scene where Musashi Miyamoto cuts his opponent in Bagabond.
11:38Itagaki-sensei has a particular commitment here.
11:43There is a swordsman I like.
11:45After the swordsman cuts,
11:48what usually ends here
11:51comes up to here.
11:54Like this.
11:55The red thing.
11:57The red stick.
11:58It's dangerous with the stick.
12:01But it looks like a proper sword.
12:03It doesn't cut.
12:04It ends here.
12:08But if you look at Takizaburo Nakamura,
12:11he cuts up to here
12:13and swings it like this.
12:16He swings it like this.
12:18When you think about it,
12:20humans swing their swords so recklessly.
12:25I feel better when I watch it.
12:31The next great manga chosen by the hit manga artist Itagaki Keisuke is...
12:36It is...
12:38The anime manga, Uotosaku.
12:41It is about the movement of Earth.
12:46Is there any aesthetics you want to pass on
12:48even if you turn the world against you?
12:51The time is the 15th century Europe.
12:54A great female poet who depicted people
12:58who were executed just by investigating.
13:02Recently,
13:05I had to write a message to her.
13:10So I thought I had to watch it.
13:14But it was really interesting.
13:16Amazing!
13:17The way she faced the theory of the Earth
13:23was really interesting.
13:26Here are the comments Itagaki-sensei sent to Uoto-sensei.
13:32When you look at the manga,
13:34there are a lot of mistakes.
13:35It's already cool.
13:36There are a lot of numbers.
13:38There is something wrong with the composition.
13:40It's unclear how the characters are drawn.
13:42But!
13:43But!
13:44Danko is interesting!
13:46Amazing!
13:47It's a style to give at the end.
13:50What Itagaki-sensei is particularly interested in
13:53is the skillful composition that makes the reader want to turn to the next page.
13:58It's a way to make the reader turn to the next page.
14:03It makes me feel good when I read it.
14:05That's right.
14:06I want to do this when I turn to the next page.
14:11The way to make the reader turn to the next page
14:14is amazing.
14:17For example,
14:20the scene where the protagonist accidentally falls
14:23and realizes that the Earth is rotating.
14:28In this scene, there is a question about the last frame.
14:31In this scene,
14:32when the protagonist thinks that the Earth is rotating,
14:36in the next frame,
14:37there is a big frame.
14:39The composition is made to make the reader turn to the next page.
14:42If you turn to the next page, you will definitely be rewarded.
14:45Amazing!
14:47Itagaki Keisuke chooses a great manga to be a big hit.
14:51Next,
14:52a very popular pro-wrestling manga.
14:57Agnes Kamen.
15:01Agnes Kamen is a manga by Minoru Hiramatsu
15:04that was serialized in Big Comic Spirits
15:07from 2001 to 2006.
15:12The pro-wrestler Jingo Yamamoto,
15:14who returned from overseas training,
15:16was told that his pro-wrestling organization was bankrupt.
15:20He decided to join his rival organization
15:23and challenge the president, Marverous Torajima.
15:28Itagaki Keisuke pays attention
15:30to the awakening of Marverous Torajima,
15:32not the protagonist.
15:36There is a character
15:38with the motif of Antonio Inoki.
15:43At a certain moment,
15:44when a certain condition is met,
15:46he changes his mind.
15:47Wow!
15:48I'm curious about the setting.
15:50The way he changes his mind is very good.
15:58After retiring from pro-wrestling,
16:00Marverous Torajima,
16:01who was on the management side
16:03to liven up the industry,
16:06However,
16:07in a match between the protagonist Agnes Kamen and Matilda Kamen,
16:10it happened.
16:13When I was about to get off the ring,
16:16I got a strong kick in my butt.
16:21I got a strong kick in my butt.
16:25And I got several kicks like this.
16:29The two kicked the president all over the place.
16:33However,
16:34they noticed something strange about Marverous Torajima.
16:37Then I changed my mind.
16:39I felt like I changed my mind.
16:42Really?
16:43I changed my mind from the previous work.
16:46Wow!
16:49You've changed a lot.
16:51I've changed completely since then.
16:53It looks interesting.
16:54Wow!
16:56You've become like a monster.
16:58Yes.
16:59The previous work was good, too.
17:01I changed my mind.
17:04I changed my mind so much.
17:09My work is the same.
17:11No matter how hard the protagonist tries,
17:13he can't catch up easily.
17:15Even if the protagonist doesn't win,
17:17the work will continue.
17:21Is there any character you want to see
17:23in the next work?
17:26Raoh.
17:28What?
17:29Raoh?
17:30Raoh?
17:32Who do you want to fight?
17:34Yuujirou.
17:35Wow!
17:37Raoh and Yuujirou.
17:39I think it would be interesting if they face each other.
17:43Mr. Itagaki has created many strong characters.
17:49Next, let's look at the birth date of the characters
17:52that Mr. Itagaki is particularly impressed with.
17:57The moment I was born,
18:00I was born at that moment.
18:04It's Piccolo.
18:06Piccolo.
18:08The mysterious primordial beast Piccolo
18:10suddenly appeared in the world of Baki.
18:14Katsumi, Retsukai, Jackhammer,
18:17and other famous warriors were defeated one after another.
18:20The fans were terrified
18:22when their favorite characters
18:24would be eaten by his strength.
18:30Why is he so strong?
18:32Mr. Itagaki was convinced
18:34when he watched a documentary
18:36that he happened to watch one day.
18:41There was a primordial beast
18:43that hadn't moved for hundreds of millions of years
18:45in a TV documentary.
18:47This is a white-eye primordial beast.
18:51That's interesting.
18:53It was found that the white-eye primordial beast
18:55hadn't moved for hundreds of millions of years.
18:57When an expert looked at it,
18:59he saw grains in the translucent.
19:02When he took out the grains,
19:04the microorganisms remained as they were.
19:08As they were at that time?
19:10Yes, as they were at that time.
19:12When he stimulated it
19:14in an appropriate environment,
19:18almost all the microorganisms began to move.
19:22They were alive.
19:24When he saw that,
19:26he thought,
19:28there's one here.
19:30The young man who was alive at that time
19:33had become a white-eye primordial beast.
19:36He thought,
19:38it's already standing.
19:40The character is standing.
19:42The primordial beast of ancient times
19:44became the strongest character in modern times.
19:47As an episode to show his strength,
19:50when he looked at his stomach,
19:53he saw the meat of a tyrannosaurus.
19:58The theory that he was eating the meat of a tyrannosaurus
20:03came true.
20:05In an era without weapons.
20:07Amazing.
20:09It's the strongest.
20:11Not the strongest in the world,
20:13but the strongest in the history of mankind.
20:15It was said that such a time would come.
20:18That's when Piccolo was born.
20:22Did you say,
20:23here it comes?
20:25No, I didn't.
20:27But I thought,
20:29this is amazing.
20:31I can win.
20:33Amazing.
20:35There was a scene where he was eating
20:37when he fought against humans.
20:39He was eaten.
20:41Modern people want to do it as a test of strength,
20:46but they are prepared to be eaten if they lose.
20:49Interesting.
20:50It's interesting just to listen to the story.
20:53At the end,
20:54we asked Mr. Itagaki how he became a cartoonist.
20:58Why did you decide to become a cartoonist?
21:01When I was 21,
21:04I read a book called Nariagari by Ekichi Yazawa.
21:09At that time,
21:11he was a famous person.
21:13He said that people who get money
21:16say that what is really important is not money.
21:20I didn't find it interesting.
21:23What do you mean?
21:25I wasn't like that.
21:27I was a person who said that the world was money.
21:30You hit the reality and said what you really wanted to say.
21:33That was cool.
21:37I wanted to get money that I could use.
21:40Did you get it?
21:42Yes.
21:44Amazing.
21:45I want to say it.
21:47Why do you continue to draw now?
21:52Because I like drawing.
21:54I like making works.
21:56There is nothing else I can be praised for.
22:00I want to be praised all the time.
22:04You are greedy.
22:05There is a story called the naked king.
22:08I think that is ideal.
22:10Even if you know you are naked, you can praise it.
22:14I am satisfied with myself.
22:17Amazing.
22:18I want to be deceived until the end.
22:20That's cool.
22:23You can read the manga I introduced today at the book live.
22:26Please search for it and read it.
22:28Yes.
22:30October 5th is the special night of BLUE ROCK.
22:33From 10 o'clock at night, the theater version of BLUE ROCK will be broadcast for the first time on TV.
22:38And from midnight, the second TV series will start.
22:44In addition.
22:46Make Honey Trap, a serialized manga from Buzzman TV.
22:50Wedding dress a year later.
22:52Up to the latest episode, it will be broadcast at the book live.
22:58I saw a lot of things.
23:00The only thing I remember is Miyamoto Musashi's comparison of BAKABOND.
23:06He shook his sword like this.
23:11He shook his sword firmly.
23:13I remember that surprisingly.
23:16Here is an announcement from Shiono.
23:19The story of TAKANO TSUMEKO, a new employee, will start at 11.15 p.m. next Friday.
23:24The story is about TAKANO TSUMEKO, a new employee, who looks good but is very weak inside.
23:33I am TAKANO's colleague.
23:35I play the role of MICHITO HIWADA, who is good inside but is weak inside.
23:41Please take a look.