• last year
- "at 5 (minutes) to (the hour)" is a Greek idiom, equivalent to "at the last minute".
- The city of Larissa is situated in a very large plain. It's not near the sea.
- The village lady has a strong accent, which causes her words to be misunderstood.
- "More on Sunday" was a Greek entertainment show on Mega Channel, hosted by showman Grigoris Arnaoutoglou.
- Mega Channel is one of the biggest private TV channels in Greece, and it is the one that produced this TV series.
- The name of Fotis' TV channel, Televoas, means loudhailer. But it can also be interpreted as Tele-boa (ie. the snake).
- "Duduka" and "Televoas" are synonyms, and they both mean loudhailer. Duduka is a word of Turkish origin.
- Eliza Vozemberg is a Greek lawyer and politician who has been serving as a Member of the European Parliament (MEP) since 2014.
- In Greece, the symptoms of being afflicted with the evil eye are considered as: headache, nausea, fatigue, weakness, sleepiness and generally feeling unwell. Dalia speaking nonsense is attributed by Koula to the evil eye.
- There is Greek custom related to sneezing. When someone sneezes, someone else gives them a number. The digits of this number are added up, to form another number. Then the nth letter of the alphabet is calculated. It is then said that someone whose name starts with that letter is thinking of the person that sneezed.
- Greeks use diminutive nouns quite often, to make something more attractive/positive/endearing. Of course never to the extend that Frida does or with the particular nouns that she uses!
- In Greek, the same word is used for "work" and "movie" (the actual meaning is "human creation"). Hence, Theopoula's confusion.
- Garbi and Karafotis are Greek singers. There are always posters advertising live appearances of various singers.
- New Democracy and PASOK are the two major political parties of Greece.

All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.

Category

📚
Learning
Transcript
00:00KEVIN SHAPIRO'S IAPP
00:12Hello.
00:13What's up, Shapiro?
00:15Amalia!
00:16Where have you been?
00:19How are you?
00:20Shapiro, I abandoned him!
00:23Who?!
00:23Vangelis.
00:24Vangelis who?
00:25Vangelis who owns the Zaterra fountain.
00:29I left you, we broke up.
00:33Are you shocked?
00:35I didn't even know you had them, Vangeli.
00:38Didn't we have them, Vangeli? The one and only Vulcanizer Vangelis?
00:42Since when?
00:43Vulcanizer has had them for four years. We had them for two and a half weeks.
00:47Maybe because we've been together for three months, that's why I didn't know.
00:52Yes?
00:53I'm talking.
00:54But Larissa knew everything.
00:55You had them in Tripoli, Larissa. Where is she?
00:57What Tripoli? I'm in Larissa.
01:00What are you doing there?
01:01I thought I had found my port.
01:03In Kampos?
01:04Yes.
01:05Nothing.
01:06You were in Tripoli, but a few months ago you were going to visit half of your friends,
01:10and in the end you ended up in Vulcanizer, in Larissa.
01:13Spiros never loved me.
01:15He played with me to make himself and his rich friends laugh.
01:19Who?
01:20What's his name?
01:22How are you?
01:23Good. I just gave the last lesson about success.
01:27Good, good. That's how I asked. For the eyes of the world.
01:30I can't see anything but my own drama.
01:34Spiros.
01:35Amalia.
01:36I packed all my things in a suitcase and I'm coming to Athens.
01:41I also got you some rings from the store. Italian, amazing. You'll go crazy.
01:47It's for the car.
01:49Why? Would it be for the screening?
01:51Can you pick me up from the station in the afternoon?
01:54Amalia, I don't even know if I'll be in Athens in the afternoon.
01:58And where will you be?
01:59Wait, I'll look at the map and I'll tell you.
02:21I was an angel of Charlie, of Charlie, of Charlie.
02:23I was wearing golden earrings in my eyes.
02:25I was an angel of Charlie, of Charlie, of Charlie.
02:28I was chasing thieves in the mountains.
02:36In my sleep I saw him drinking tea.
02:39And he was calling me the boss.
02:42And they told me how much he loved me.
02:45And how I would travel to the peaceful.
02:47I was an angel of Charlie, of Charlie, of Charlie.
02:50I was wearing golden earrings in my eyes.
02:52I was an angel of Charlie, of Charlie, of Charlie.
02:54Are we here?
02:55Yes.
02:56I was chasing thieves in the mountains.
02:58What are we going to do now?
03:00How are we going to find Venetopoulos' house?
03:02Aha! The letter has a fake name.
03:05Ledaki Stylianos. But it doesn't say the address.
03:08But that's the problem with the villages. They don't have an address.
03:10Can I ask you something?
03:11On the way here, there were some big white dogs with a lot of hair.
03:15They were climbing the mountain all together.
03:17Sheep.
03:18Sheep?
03:19Have you seen them before?
03:21What are we going to do with two dogs in the village?
03:23We are ten people. We know each other. We are friends.
03:26But you need them now. How are we going to find the house?
03:28Some other dogs. They have two things on their heads.
03:31Goats.
03:32Goats?
03:33Very nice.
03:34When a letter comes to the village, where does it come from?
03:37From the community.
03:38If it's a big issue, it comes with a cocktail.
03:40Good. Let's go to the community.
03:42Maybe we should knock on the house's door?
03:44Who knows? Maybe someone can tell us something.
03:46Another dog. In chocolate color.
03:47Let me finish.
03:49We have two sheep.
03:51Ten goats.
03:53Another one with a lot of hair.
03:55A donkey.
03:56And some other dogs with two legs.
03:58They eat seeds and look up at the sky.
04:00They call themselves goats.
04:01Goats.
04:02Thoti, listen.
04:03So we don't get late.
04:04We split up into two teams.
04:06I take Zoumbi and you take Dalia.
04:08That's great. We'll be together.
04:10You don't understand. Why should you take Zoumbi?
04:12You take Dalia and I'll take Zoumboulia.
04:14That's great. We'll be together.
04:16No, no, no.
04:17I'll tell you what.
04:18We split up into two teams.
04:21That's great. We'll be together.
04:23You don't get along.
04:24You won't leave me alone with Zoumboulia.
04:26Who says?
04:27You don't understand.
04:28What I do understand is that we all want me in their team.
04:31There are three of us now.
04:32Get ready to go to the fourth team.
04:34Angela, you and Zoumboulia in one team.
04:36I live alone in a second team.
04:37And Dalia alone.
04:38Let's keep our heads together.
04:39And what am I going to do?
04:40A team on my own?
04:41I don't know, Dalia.
04:42Anyway, I'm not taking you with me.
04:44Let's go.
04:45Let's go.
04:46A team!
04:49He's mad.
04:55Ledakis-Tilianos, right?
04:56Yes.
04:59It must be a small village.
05:01We'll find him easily.
05:02The point is to clear it easily.
05:04Are we close?
05:07We'll be there in an hour.
05:10Be patient.
05:15It will be spring.
05:18It will be the end of the sky.
05:21Good morning.
05:23You too.
05:27Are you from the bird?
05:29Which bird?
05:30The Sunday bird.
05:31Are you Grigoris?
05:32No.
05:34Are you the son of the new dad?
05:37No, he's not my dad.
05:38He has a channel.
05:39A TV channel?
05:41A TV channel.
05:42I thought you were Grigoris.
05:44Is Grigoris that old?
05:46Don't mention Grigoris again.
05:48Are you on TV?
05:49No, I'm not on MEGA.
05:51Why don't you ask your father to put you on?
05:53If I ask him, he will.
05:54Isn't Grigoris going to put you on MEGA?
05:56Listen to me carefully.
05:59We have put Grigoris in our conversation.
06:02But he shouldn't.
06:04Do you understand?
06:05Who are you?
06:06Who is your dad?
06:08My dad is...
06:09My dad is...
06:11My dad is my dad.
06:12And he has a small channel that you can't find up here.
06:15And they call it TV.
06:17What is TV?
06:19It has two meanings.
06:20It's both snake and snore.
06:22What we shout.
06:23Or doudouka?
06:24That's right.
06:25I'm lost.
06:26Why do you call the channel doudouka and you call it TV?
06:31In the end, it's better to talk about Grigoris.
06:33Whatever you want.
06:34Let me tell you.
06:35Do you know a man named Ledakis Stylianos?
06:39Ledakis.
06:40Ledakis.
06:41Yes, Ledakis.
06:42Tell him.
06:44Which series does he play?
06:45None.
06:46He lives here in the village.
06:47Ah, Ledakis Stylianos.
06:49We don't know him.
06:51It doesn't matter.
06:53Do you mean Stelios Mungos?
06:55Is he Mungos?
06:56No.
06:57That's how we call him here.
06:58Oh, I got it.
07:00I have a friend who knows them.
07:01That's how he calls them.
07:02Go ahead.
07:03Yes, yes.
07:04They call him Ledakis.
07:05What can I tell you?
07:06He is a quiet man.
07:07He neither talks nor shouts.
07:08And he has a soft heart.
07:10He doesn't get angry or grumpy.
07:13But he is a lonely man.
07:16Does he live here in the village?
07:17Once upon a time.
07:18How old is he?
07:19Fifty, fifty-five.
07:20Somewhere around there.
07:21That's him.
07:22Where does he live?
07:24There are two goats back there.
07:26Two goats is a bit difficult.
07:27One goat and a rooster.
07:29Another animal?
07:35Get in!
07:36Get in!
07:37Get in!
07:39Hurry up!
08:08Good morning.
08:10Are you Mr. Ledakis?
08:13Who are you?
08:15My name is Fotis.
08:17Mr. Venetopoulos.
08:37Good morning.
09:07All right.
09:26I know I'm to blame.
09:28I know you were sentenced to a crime you never committed.
09:32Who are you?
09:33I was there when Stavrianidis died, and the four of us.
09:38What he couldn't complete, because someone humiliated him,
09:43we decided to do it ourselves.
09:46I know, I mean, I imagine it's not easy to trust someone,
09:51but I can get through it.
10:04What are you doing here?
10:06Me or you?
10:07Me!
10:08No, really, we came here alone.
10:09Shut up! Confess!
10:11What did I confess, my girl?
10:12Stop it, Maraki, stop it!
10:14Because if you talk...
10:15I confess.
10:16No, you're lying!
10:17Shut up!
10:18And you, will you talk?
10:20What the fuck do I have to tell you, Fedos?
10:22Who did you write to, my brother?
10:24My cat, at least!
10:25Watch it, what are you saying?
10:27Watch it!
10:28Because I have nothing to clear up, and they want it too!
10:31But why, Fedos?
10:32Shut up, you!
10:33Okay, but remind me later, I'll ask you again.
10:36What are you going to do with the paintings?
10:38Are you going to eat them?
10:39Why? What are you going to do?
10:41I have kids to marry!
10:43And with the paintings, you're going to marry your ugly kid?
10:46And when you miss him, you talk like this!
10:48And when you miss him, he talks like this!
10:50Oh, great!
10:51What are these two kids, sisters?
10:53That's what it looks like.
10:54Why are they fighting?
10:55And you?
10:56You're lying!
10:58As soon as you got the money, you ran like wolves!
11:01Did you give it to the lawyers from Athens?
11:04Worse!
11:05Do we look like lawyers from Athens to you?
11:08Look!
11:09That's how Rosenberg is.
11:11What?
11:12Who's Rosenberg?
11:13Come on, don't talk like that.
11:15You're going to kill him!
11:16Let her talk.
11:17How are you talking to me?
11:18Stop it, I don't understand what's going on.
11:20What don't you understand?
11:21They're fighting over the paintings.
11:22Do you know how many sisters have been killed over the paintings?
11:25The man and his sister are so jealous.
11:27He's living off his brother's daughter.
11:30The man and his sister?
11:32Are they jealous?
11:33Yes, yes.
11:34And then they decorate a big tree.
11:36What do you mean jealous?
11:37They're killing each other!
11:38Come here, you!
11:41I'm going to kill you all!
11:43I can't believe what I'm seeing.
11:44You're not going to live long!
11:46Why not, sir?
11:47We didn't do anything!
11:48Shut up!
11:49Don't talk like that, you don't know us!
11:51No!
11:52Whatever I had to say, I said it.
11:53Adulmayn Aspiropolis!
11:55Why?
11:56Do you think I can?
11:57I'll show you!
11:58I can!
11:59I can or I can't?
12:00Of course you can!
12:01Can you?
12:02Can you?
12:03Great!
12:04What do you think, can I?
12:05No, you can't.
12:06I can't.
12:07What do you think, can he?
12:08He just said the same thing.
12:09I can't!
12:10I don't know.
12:11I'm worried about the paintings.
12:13Sir, we got away from so much.
12:16It's a shame.
12:17We'll be killed for the paintings.
12:18The paintings are not the paintings!
12:20Great!
12:21They're not the paintings.
12:22What do you mean?
12:23Let's sit down and talk about it.
12:26It was very beautiful.
12:29And I wanted it.
12:32I wanted it a lot from the first moment.
12:36Of course, it wasn't easy.
12:41Because even she couldn't look at someone easily.
12:45I'm not saying she was a snob.
12:49But she was somehow distant.
12:54Of course, this gave her a special charm.
12:59I don't know.
13:05That night we stayed late in a cafe.
13:10And when we were leaving, we were going to the bus stop.
13:14We were alone.
13:17And I...
13:21kissed her.
13:25For the first time.
13:27For the first and last time.
13:32She didn't say anything. She just smiled.
13:39I got on the bus and went home.
13:43I remember that night.
13:44The only thing I did was to wait for the next day and see her again.
13:53Of course, if you asked me now...
13:57I wish I could...
14:00freeze time.
14:03I wish that day would never come.
14:08The next day, no matter how much I looked for her...
14:13I couldn't find her anywhere.
14:15Neither in her school, nor in her house.
14:17Nowhere.
14:21After four days, they picked me up.
14:25All of a sudden?
14:28All of a sudden.
14:32There was supposed to be a meeting.
14:36And I was the last one to see her alive.
14:39What kind of evidence did they have?
14:42This.
14:48And what they didn't have, they made up.
14:51I told you, someone had to see her alive.
14:54Yesterday, in a crime, she couldn't stay unpunished.
15:01She was almost...
15:05What?
15:09She was in a bad condition.
15:11They showed me some pictures.
15:14I...
15:16I didn't believe that a person could do something like that.
15:22But how?
15:25What?
15:27Were you expecting something complicated?
15:30A perfectly organized plan?
15:32A well-planned conspiracy?
15:36Yes.
15:39It happened later.
15:41After my arrest.
15:42I told you.
15:44From the moment they found someone, they had to take care of him.
15:50And that's when Vangelis gets involved.
15:54Stavrianidis?
15:56He impressed you.
15:57Such an important case, and they put him in a new and endless trial.
16:02Because he didn't even have time to work when he took the case.
16:07Who did that?
16:09What kind of question is that?
16:11The real question.
16:14Because I was constantly giving him new information.
16:16Constantly.
16:20Here is a...
16:23a so-called self-evident witness.
16:26Who said that he wanted me to leave the place of the crime.
16:34They paid and bought one lie over the other.
16:41And then they sold them everywhere.
16:57That's how you look at it all at the same time.
17:02All at the same time.
17:05They fooled the guy.
17:08The guy.
17:10He wanted to be fooled.
17:11Or maybe he wanted to sell.
17:15Because selling the truth is easier.
17:19And it sells more.
17:21Because the truth is binding.
17:24While with the lie you have the ability to plan it.
17:28You can let your imagination work freely.
17:32Isn't that right?
17:34Isn't that true for everyone?
17:37Look and tell me about someone I didn't trust.
17:42You have to understand something, my boy.
17:45There is no logic in things.
17:48Everything has its own logic.
17:51Here you want to sell a case and you have to get permission from five different ministries.
17:57While the last stranger has the right to say and write whatever he wants about anyone's life.
18:04Without judgment, without consequences.
18:07And above all, without shame.
18:21Tell me, what are we doing?
18:22I'm going to ask where his house is.
18:24Someone might see you like that.
18:25What do you want me to do? We don't have any orders.
18:27You go.
18:28Where should I go?
18:29Close by. Just make sure the car is not in sight.
18:31And if necessary, be ready to intervene.
18:32Okay.
18:33And be careful.
18:34What?
18:35Don't let these five people show up.
18:36From where to where?
18:37You have to expect everything from them.
18:39Keep that in mind.
18:48Look now, Mr. Fedona, the way I see it.
18:51It's a good share.
18:53Because indeed, Mrs. Koula might have taken the largest part of the fields.
18:56But you have this here, the land.
18:59This is the man for the land.
19:01Help me out a bit.
19:03The land is the goats.
19:05And the man is the one they put inside.
19:07And the land, what is it?
19:09Mine.
19:11Ah, I get it.
19:13We have to share the land, too.
19:15And the horses.
19:16Ah, the horses. Why, guys?
19:18Yes, there are five of them.
19:19Everyone will take one.
19:20The horses, I mean.
19:22But it's made.
19:24I get it.
19:25How do we talk about the horses?
19:26In pairs?
19:27In pairs, if possible.
19:28Because in pairs, I wouldn't understand.
19:30Our forgiven barber has shared them quite a lot.
19:33Before he died, he sat down and wrote them all down,
19:37piece by piece.
19:38And I have to do that at some point.
19:40And I have a lot of them, you know.
19:42But you see, the lady here says that these papers don't exist.
19:45Come on, Mr. Fedona.
19:47That's why you got us in trouble.
19:48We?
19:49Who are you?
19:50We can't find them.
19:51I've searched the whole house.
19:53Did you look in the attic?
19:55No.
19:56Did you look in the attic?
19:57No, I didn't.
19:58Once, my husband, Makaritsos Charalambas,
20:00hid his mother's entire pension.
20:02Where?
20:03Where?
20:04In the attic.
20:05In the attic.
20:06Was he a good man?
20:07He wasn't.
20:08When I come home,
20:09and I see all the horses with their beards on their mouths,
20:12going for a walk,
20:13I get a headache.
20:14They were ready for the shopping.
20:16They just missed the bag.
20:17Really?
20:18I swear to you.
20:19Oh, so it's true.
20:20Oh, my God.
20:21So, you know what I'm saying?
20:23As we are all together,
20:24let's go to the attic and...
20:26No one gets out of here unless I say so.
20:29I see.
20:30And what's going to happen now?
20:32Oh, calm down, man.
20:34How much do the gardens cost, my love?
20:36Eh?
20:37There's no eh.
20:38You've been bothering us all this time.
20:40We've got work to do.
20:41Tell us how much.
20:42We'll finish it.
20:45Here, for the gardens.
20:47Here, and for the daisies.
20:49Rhododendron.
20:50Rhododendron.
20:51And I don't eat them anyway.
20:52Here, for the...
20:53Pears.
20:54Pears.
20:55And for the daisies.
21:07Now!
21:10Four years later,
21:11I received a visit at the prison.
21:14I saw Pangelis.
21:16A black circle in front of his eyes.
21:18He was in the middle of the night.
21:20As if he had killed someone.
21:25But when he saw me, he started crying.
21:27I didn't remember him.
21:29Of course, I saw in his eyes that it was for the best.
21:32He explained to me who he was.
21:34I remembered him.
21:35And I asked him why he came.
21:38And he answered me,
21:39to save you.
21:42To save you and me.
21:45Did he discover anything?
21:46No.
21:47He had seen himself,
21:48the witness of my case,
21:50now being placed in another case,
21:52with a different name,
21:53a different appearance.
21:54He also showed me some photos.
21:57I didn't recognize him.
21:58But he was sure.
22:00Since then, he started looking.
22:03And what did he find?
22:05His brother.
22:06Kastelis?
22:08We talked to him.
22:09He told us that he killed Eleftheria.
22:12I made him believe.
22:15And he did it.
22:16There was no way he had set up
22:18all this myth that followed.
22:20What was Kastelis now?
22:21The last car driver.
22:23An innocent man.
22:24That's what Vakidis called him.
22:26A man for the interests of others.
22:29The most dangerous thing that night
22:31was that he was holding a gun
22:33when I caught him.
22:34Who were those others?
22:35Did Stavrianidis find them?
22:37He didn't tell me everything.
22:39Especially after my interrogation.
22:41Did he organize it?
22:42Yes.
22:44And as you understand,
22:45we had a difficult communication.
22:47I knew that he was looking for his brother,
22:50in his friends, in his school.
22:54And when he got closer,
22:55the problems started.
22:58What do you mean?
22:59I lost him for a year.
23:01He stopped sending me letters.
23:03I was afraid that he had stopped completely.
23:06But he was trying to protect me.
23:08He had hit a nail,
23:09and that bothered someone.
23:11I started to like watching him.
23:15Do you know that they had tried
23:17to murder him again?
23:18When?
23:19In 1999.
23:21He resigned from the government.
23:23He was a minister then.
23:24And when he calmed down,
23:26he gave up everything.
23:27Politics.
23:29And he was only concerned with that.
23:31To find the truth.
23:32To find the truth,
23:33to save his life.
23:35And I want to hope for mine.
23:38Or did they kill the brother of freedom?
23:42What are you talking about?
23:44They are looking for him together.
23:46Him, Angelis and Pavlos.
23:49Pavlos is the only one who can help you now.
23:52Who is Pavlos?
23:55You don't know anything about him?
23:57No.
23:59Who is he?
24:00Where can I find him?
24:01Basically, who is he?
24:05The first time Angelis started looking for him,
24:09Pavlos...
24:19...
24:21...
24:23...
24:25...
24:27...
24:30...
24:33...
24:35...
24:38Ah!
24:39This way, this way!
24:40There's a big web.
24:41This way!
24:42There's a guy in black jacket.
24:43What?
24:44This way!
24:45Who are you, pedophile?
24:48Please contact the person on the phone.
24:52Dalia, Dalia, Dalia.
24:54Leave a message after the beep.
24:57Hey, where are you?
24:59I'm outside the village, I've been walking around and I don't know where to go.
25:03Call me when you hear the message. Bye.
25:15Dalia, Dalia, Dalia.
25:45Dalia, Dalia, Dalia.
26:04What's that?
26:05Something from Pizzeria.
26:07Get out of here!
26:15Get out of here!
26:22Spiros! Spiros!
26:27Where is he?
26:28Here.
26:33I'm sorry.
26:35It's okay.
26:36Come on.
26:46What if the train stops?
26:48It will be late.
26:49I don't know how many kilometers it will take to stop.
26:55That's what I wanted to ask.
27:00What was that?
27:01Where is it coming from?
27:03From me!
27:15Dalia, Dalia, Dalia.
27:17Dalia, Dalia, Dalia.
27:19Dalia, Dalia, Dalia.
27:21Dalia, Dalia, Dalia.
27:23Dalia, Dalia, Dalia.
27:25Dalia, Dalia, Dalia.
27:27Dalia, Dalia, Dalia.
27:29Dalia, Dalia, Dalia.
27:31Dalia, Dalia, Dalia.
27:33Dalia, Dalia, Dalia.
27:35Dalia, Dalia, Dalia.
27:37Dalia, Dalia, Dalia.
27:39Dalia, Dalia, Dalia.
27:41Dalia, Dalia, Dalia.
27:43We traveled together, we traveled together
27:45We took the train together, we flew together
27:52But tonight, the cloudy night
27:56You will leave, I will leave, we will change trains
28:05The trains whistle
28:08People get together
28:11People get together
28:13They kiss in the night
28:16And the trains leave
28:20For you, Greece
28:23The moon for me
28:25The moon for me
28:39One night in the night
28:42We lost the train
28:45We hear the pain
28:48Lonely we passed
28:51They kiss in the night
28:53Their hearts ache
28:56They roll, they roll
28:58The human waves
29:00The kisses and kisses
29:02The silent steps
29:05The trains whistle
29:08People get together
29:11People get together
29:13They kiss in the night
29:16And the trains leave
29:20For you, Greece
29:23The tears for me
29:26For you, hope
29:29The tears for me, for me, for me, for me
29:36What happened?
29:39He crashed.
29:41The train is here?
29:44That's probably how it works.
29:46You die, and when you open your eyes,
29:48the first thing you see is the last second on earth.
29:52It's a miracle.
29:55It's a miracle.
29:58It's a miracle.
30:01It's a miracle.
30:03The first thing you see is the last second on earth.
30:06Are you sure?
30:07It's a coincidence.
30:09If we're born, it's a coincidence.
30:11A cologne?
30:12Where will I find it?
30:14We're dead.
30:15To make sense of it...
30:18So, right now, I'm dead?
30:20Yes, you are.
30:21What? How can I talk?
30:23You might be a zombie.
30:25The zombie is the zombie.
30:27We might live, after all.
30:29What did he say?
30:30Zombie!
30:31What is that?
30:32Is it good?
30:33It's not good for the living.
30:35For the dead, it might be valuable.
30:37I don't know.
30:39What was that?
30:40I farted.
30:41Guys, we live!
30:42You can't fart and be dead!
30:44Are you crazy?
30:45Make a decision, after all.
30:47Do we live or do we die?
30:49I'd suggest we make sense of it and not get excited.
30:52Let's not let this fart blow our minds.
30:55That's what I'm going to do.
30:57I think I'm dead.
30:59Let me tell you a number.
31:01628.
31:03We live!
31:04Is it possible for a dead person to say so many stupid things?
31:07Who is the zombie talking about?
31:09No one, you don't know her.
31:11But the train is stopped, can't you see?
31:13And who stopped it?
31:17I can't believe it.
31:19How did they do it?
31:21A thousand forces.
31:23I'm so ashamed.
31:25Excuse me.
31:28Where is the front?
31:30This way?
31:31I'm sorry.
31:32I'm sorry.
31:35Driver!
31:36Driver!
31:39I'm so sorry.
31:40I didn't understand what happened.
31:42I was walking with my suitcase.
31:44I lost my balance.
31:46And I got caught somewhere.
31:48What should I tell you now?
31:50I don't know.
31:51I'm so sorry again.
31:52Did you pull the brake?
31:54Yes, I pulled a brake.
31:56You didn't tell me.
31:57I swear on my mother.
31:59I was just holding my suitcase in one hand.
32:01And in the other...
32:11It's a therapy.
32:17Piratoulis, Piratoulis.
32:19Electoral Piratoulis.
32:21Hurry up and go to your polling station.
32:25And cast your vote in the ballot box.
32:28Because how are we going to find out who our new governess is?
32:33Who will be the prime minister?
32:36I'm so anxious.
32:38Today we have elections.
32:41And our show will be all about this.
32:45Let's go to two ads.
32:48And then we'll come back here.
32:51For a little talk and analysis.
32:55What was that?
32:58Because we have elections.
33:00I won't suppress my artistic commitment.
33:04Yes.
33:05Who are you because your weddings are coming up?
33:08Twenty-six.
33:09For the tenth time.
33:10Get lost.
33:11Idiot.
33:13Don't go away.
33:14The ads are ending.
33:19Electoral Piratoulis.
33:31Yes?
33:32Did you cast your vote?
33:34What?
33:35Did you vote?
33:36Now, in the polling station.
33:38What's wrong?
33:39I can't tell you.
33:41Why?
33:42Because I can't.
33:43Who is it?
33:45Is it true about tonight?
33:47No.
33:48It's late, but it's in.
33:50Okay, I'll go.
33:51Bye.
33:54Say it.
33:55No.
33:56Why?
33:57Because I don't want to.
33:58But we gave our vote to Georgia.
33:59You gave it, not me.
34:00Yes, but the girl is waiting for three votes.
34:02I know you vote in this polling station.
34:04Grandma, for the first time in Greece, things are not so complicated.
34:08For the first time, three parties are calling for the prime minister.
34:11And now that every vote counts,
34:13I'm going to vote for the revolutionary movement for the salvation of the planet,
34:18because it's under Georgia's vote.
34:20What do you think of the photo?
34:22I won't vote for anyone, because it's nice.
34:25But why would you vote for her?
34:27For her work.
34:28Boy, you'll never see her work.
34:31It's just a photo.
34:33What work have you seen in our neighborhood?
34:35Let's go to the cinema, now that you mention it.
34:38Wait a minute, Theopoula.
34:40We're serious now.
34:42But you've seen the posters.
34:43And don't tell me that Georgia's daughter is not pretty.
34:46I liked the garden a lot.
34:48Not those posters.
34:49And the boat.
34:51Anyway, because I've seen the posters,
34:54and I've read about the programmable statements of the party,
34:57God will make it a party, of the party, of Georgia's daughter,
35:01I can't go and vote for a candidate
35:04who talks about four pages about rabbits and their protection.
35:07But you love rabbits.
35:09But I won't vote for rabbits, I'll vote for Georgia's daughter.
35:11Yes, but the party has rabbits as its symbol.
35:14Grandma, I don't want to vote for a candidate
35:16who talks about four pages about rabbits and their protection.
35:18What do they call him?
35:20I'm sorry.
35:22I'm getting jealous.
35:24You're going to eat a rabbit in Tifano tomorrow.
35:26Why?
35:27Either you vote for it or you eat it.
35:29I was going to make you a banya.
35:32You're going to make me jealous in the neighborhood.
35:35I've told everyone three votes.
35:37I'm going to vote for three in Benetea.
35:39And then Georgia hugs me and says,
35:41are you going to do such a good thing for my daughter?
35:43Yes, I tell her.
35:45And she starts crying.
35:49I'm going to make a banya.
35:51And?
35:52I'm going to throw two rabbits in the box.
35:54You can't.
35:55I'll try.
35:56Grandma's family will catch you and we'll have you in court.
35:58You don't listen to them.
36:00You're going to make me jealous in the neighborhood.
36:02In the neighborhood, wherever you want.
36:04Remember that.
36:10Three votes are waiting.
36:11I told her.
36:12Three votes.
36:13She tells me, are you going to make me jealous?
36:14I tell her, I'm going to make you jealous.
36:15And I take the rabbit.
36:17I remember her crying.
36:19And I take the rabbit.
36:20Yes, yes, yes.
36:21And you kiss it and you cry.
36:22Because Grandpa gave it to you before he went to war,
36:24and so on, and so on.
36:25Have mercy on this rabbit.
36:26I'm not going to vote for it.
36:28Really?
36:30What kind of rabbit is this?
36:32A cross that...
36:34A cross that my grandpa gave her before he went to war in Korea.
36:37She gave it to him.
36:38I'm carrying it.
36:40And if I ever find out that it's not Grandpa's cross,
36:43it's someone else's cross.
36:45What does someone else's cross have to do with it?
36:47Didn't she give it to you?
36:49Wasn't her husband a goldsmith?
36:50No, he wasn't.
36:51No, he wasn't.
36:52But I know what I've done to this cross since I was a child.
37:00Go on. It's your turn.
37:07In the end, all the family members
37:10get their grandmothers out of bed,
37:12give them a piece of paper,
37:14and they go to vote.
37:15And then they go to bed.
37:17We do the exact opposite.
37:20Did you want me to be in bed?
37:22I wanted to vote.
37:23You should have voted.
37:24I voted.
37:25I voted.
37:26I voted.
37:27I voted.
37:28I voted.
37:29I voted.
37:30I voted.
37:31I voted.
37:32I voted.
37:33I voted.
37:34I voted.
37:35I voted.
37:36I voted.
37:38I voted.
38:02Why didn't you vote?
38:04Why did you vote for Melvetida?
38:06Because I'm wanted.
38:09Are you a zombie?
38:11I'm a rat.
38:13I'm out of here.
38:15Who's out?
38:17Do you want to know?
38:19Why did you vote for her?
38:21Forget it.
38:23So, what do we do?
38:25What we're doing now.
38:27But Venetopoulos is dead now.
38:29Are we giving up?
38:31I didn't say that.
38:33I'll never give up.
38:35Should I tie myself to the train and leave it like this?
38:37I'm not stopping either.
38:39I didn't say that I lost and was giving up.
38:42What did she say?
38:44Exactly.
38:45As much as I think that they could be out there and making fun of us because they think they won,
38:49the more I go nuts.
38:51Disgusting.
38:52That's what's going to happen.
38:54That's what has to happen tonight.
38:55What do you mean?
38:56We're going to call him.
38:57Who?
38:58The guy in black.
38:59I don't agree with that.
39:00We have to keep it a secret, not to reveal our intentions,
39:03so we can keep the advantage of the referendum.
39:05Are we going to let him rejoice because he thinks he won?
39:08No way!
39:09She's speaking English.
39:11She's speaking English.
39:12Shut up, Zoubi!
39:16I guess the results of the elections have come out.
39:21There is no official reaction from New Democracy or PASOK.
39:25Meanwhile, in all the election centers of the Greek democratic struggle,
39:29there have been outrageous protests.
39:31The Greek democratic struggle has come out.
39:33That's better!
39:34They all hate each other.
39:35The rabbits, anyway.
39:37What?
39:38Nothing.
39:39Come on, tell me, what are we going to do?
39:41There's nothing to do.
39:42We're going to make a phone call.
39:44If the phone call that Zana gave us is valid.
39:46It will be valid.
39:47And I tell you, OK, we lost it the first half.
39:50What are we going to do?
39:51Are we going to let it go like this?
39:55No.
40:00No.
40:05No.
40:09No.
40:12With a very small difference, the Greek democratic struggle has won so far.
40:18And the new prime minister, it seems, is Mr. Aris Pavrinos.
40:23In the offices of the other two big parties, he is holding an ice cream.
40:28While not even Mr. Pavrinos has taken part in the polls,
40:32due to the failure of the election result.
40:46That was it.
40:49Do you believe it?
40:50Congratulations, Mr. President.
40:52Congratulations.
40:54What do the others say?
40:56Have they come out to make statements?
40:58Aren't you going to come out first?
41:00I'll wait to see what they'll say.
41:03They gave us a third party.
41:06The journalist is already in the office and is waiting.
41:09Let them wait.
41:13Leave me alone, please, and then we'll start the press conference.
41:57A few days later.
42:07Me.
42:10You know how you get out of here, don't you?
42:12In secret.
42:14Exactly.
42:17That doesn't change.
42:21Yes?
42:22Hi.
42:23Who is it?
42:24Who is it?
42:25Don't you understand who it is?
42:27No. Who are you?
42:31Fotis.
42:32Angela.
42:33Dalia.
42:35Spyros.
42:36Zumbulia.
42:37How did you find my phone? What do you want?
42:40We came to tell you, don't think you got lost.
42:43What?
42:44What you heard.
42:45We'll be back.
42:47What did you say, Marie?
42:48What?
42:49Now the good starts.