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La Promesa Ep 432 Completo - La Promesa Cap 432 Completo - La Promesa RTVE Serie

La Promesa Ep 432 Completo:
La Promesa Cap 432 Completo
La Promesa Cap 432
La Promesa Ep 432
La Promesa Ep Completo
La Promesa 432 Completo
La Promesa Completo
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Transcript
00:00And it had to be in front of everyone.
00:08Father, I have nothing to hide.
00:10Manuel, things are not done like that.
00:12You should have spoken first with your mother and with me.
00:15And would they have listened to me?
00:17Would they have accepted my wedding with Hanna?
00:20No.
00:22Father, you are understanding.
00:24But the reality is that neither you nor mother have stopped interfering in my life,
00:28denying me what I really want.
00:30A father has to care for the well-being of his children and look for the best for them.
00:33So marrying Gemena de los Infantes was the best thing for me?
00:37One day I gave you the option not to marry her.
00:41It is very easy to blame Toro Pasado.
00:43You are right.
00:45But this time there will be no guilt to share.
00:48Because I plan to make my own decisions.
00:51And what I want is to marry Hanna, father.
00:54Love is much more than a desire, passenger.
00:56Someday you will understand.
00:58What I feel for Hanna is not a passenger.
01:00And our love will never end.
01:03And it will not, no matter how much you and mother oppose each other.
01:09If you don't want to listen to our advice because of the affection we have for you,
01:13at least trust our experience.
01:16Experience?
01:18Do you dare to set yourself as an example?
01:20I do not allow you to doubt my marriage to your mother.
01:23Do you know what was the opposite that prevented my marriage to Hanna?
01:26Do you know?
01:31He asks me to be honest with you when you hide everything.
01:36That is not the issue now.
01:38Of course it is not the issue.
01:40Here the only issue is that we are too used to living in front of the gallery, father.
01:45In this house, the opinion of a stranger is more important than that of anyone who lives under this roof.
01:51The important thing is that you are still in time to recapacitate.
01:55There is nothing or anyone who makes me change my mind.
02:00Manuel, for God's sake.
02:03Grow up, son.
02:05Assume your responsibility.
02:07You are the heir to the Marquis of Lujan.
02:09I don't care about the Marquis.
02:12I don't care about the promise, father.
02:14I never wanted it.
02:16But it's your duty.
02:19I would also have liked things to have been different.
02:23That Tomás would still be with us.
02:27But now you must watch over our legacy. You.
02:36I don't want you to be a substitute.
02:40Because I plan to renounce the title.
02:43And I plan to renounce my last name if necessary, and that prevents me from being with Hanna.
02:51It is useless to continue with this conversation.
02:53Let's calm down so that we can all think more clearly.
02:58You're right.
03:01You're right.
03:05But, father ...
03:08Remember that I have had more time to think than you.
03:14And I am very clear about what I want.
03:38And you don't know anything, Mr. Ricardo?
03:40About what, Mrs. García?
03:43Well, about what it's going to be, Mr. Pellicer.
03:45About the screaming that the gentlemen brought at dinner.
03:48What a hard-of-hearing, but a little more.
03:50And she knows everything because of how much effort she put in.
03:52I have also heard the screams.
03:54How not to hear them?
03:56Stop getting your noses into the matters of the gentlemen.
03:59Because they are not. It is not an incumbency.
04:02Well, nothing. We will have to wait for Teresa to arrive and tell us.
04:05We will have to wait for Teresa to arrive and tell us.
04:10For what?
04:12What happened to you? It seems that a ghost has come.
04:15Sit down. Teresa is going to give you a slap.
04:27So?
04:29Mrs. García, Mr. Arcos is right.
04:32The matters of the gentlemen should not be discussed by the service.
04:35But it is that ...
04:37In this case ...
04:39It's not just about the gentlemen.
04:42They fired someone.
04:44When I see your neighbor's beard cut ...
04:47No, that's not it.
04:49The point is that ...
04:53The point is that Mr. Manuel was in the dining room and ...
04:56Well, that's the point.
04:58And then ...
05:01Hannah arrived.
05:03And that?
05:05Didn't she have to serve dinner?
05:10Mr. Manuel and Hannah announced ...
05:14They announced that they were going to get married.
05:23Did they really say that?
05:25That's what Mr. Manuel told the Marquis.
05:27But something happened that prevented the wedding.
05:29Wait a minute.
05:31This has no head or foot.
05:33No, no, Teresa, this can't be.
05:35Hannah would never hide something like this from us.
05:37Look, for so long that a wedding is not organized from night to morning.
05:39I can't believe it.
05:41That Hannah is Mr. Manuel's mistress.
05:43I don't know why it surprises you so much.
05:46It is clear to me that Hannah has always had a lot of ambition.
05:49And very few scruples.
05:51He gave the pan to the case.
05:54What do you say, Mrs. García?
05:56Nothing, nothing. You are absolutely right.
05:59But, Teresa, and in the end, why wasn't there a wedding?
06:02Mr. Manuel didn't say it.
06:05It was Mrs. Marquesa herself who put an end to such a scruple.
06:10But you already knew it and you didn't tell us anything.
06:13Mrs. García, there are many reasons why you are a simple kitchen assistant and I are the key to this house.
06:21And without a doubt, one of them is discretion.
06:26And one more smile, Mrs. García, and I'll kick her out myself.
06:36So, Teresa, you had to put together the one of God is Christ, didn't you?
06:40Yes. Poor Hannah.
06:43That woman doesn't deserve your compassion.
06:45Because you say so.
06:48Because she has been deceiving you for months.
06:50And who knows? Maybe for years.
06:53Never having sex with a man.
06:56Look, Mrs. Petra.
06:58Leave him alone.
07:00None of us think what you are saying.
07:05Really, Simona?
07:07And tell me, what do you really know about Hannah?
07:11Because what is evident is that this woman came here with a very clear goal and finally she has known what it really is.
07:17A reality.
07:19An ordinary one.
07:20It's over.
07:23Silence and eat.
07:47Silence and eat.
08:17Silence and eat.
08:26Come in, Mario.
08:29How are you?
08:42Sit down.
08:47Sit down.
08:53I don't know. I don't know how I am.
08:56I thought I was going to feel relief when our love stopped being a secret.
09:02Hannah, it's not your fault.
09:04It's them who don't understand.
09:06They have made it very clear that they will never understand.
09:09Well, you'll give them time.
09:11Maybe with my aunt Cruz a miracle is needed, but with my father ...
09:16Have you heard Don Alonso? He will never change his mind.
09:19He will.
09:21He is the one who can best understand you and Manuel.
09:25That's not true.
09:27Because the relationship he had with his mother he kept it a secret.
09:30Yes, but I remind you that he was married to Aunt Cruz.
09:34Because if not, things would have been very different.
09:39I feel powerless here, locked up.
09:42I just want to be with Manuel.
09:44Little sister.
09:47Believe me, it's better this way.
09:51But it's not fair that they have to be fighting for our love and me here.
09:55Well, what do you think?
09:57That I wouldn't have told Aunt Cruz four things in the dining room?
10:01That they would have served?
10:03Of nothing.
10:05In this family things work like this and you have to respect them.
10:08For Manuel.
10:10You're right.
10:12But I'm not going to sit idly by.
10:14Hanna, don't intervene, please.
10:16It's going to be worse.
10:22I wasn't going to intervene.
10:27And what do you think? That praying will solve it?
10:30You yourself told me that we needed a miracle.
10:33But it was a saying.
10:37Do you know the story of this virgin?
10:40Yes.
10:42I know she was a mother and that Ramona gave birth to her.
10:46And I haven't been separated from her since then.
10:49Only twice.
10:50When you gave her to me for the exams.
10:54And the first time was at Don Teodoro's house.
10:58He had a patient called Doña Asunción.
11:01She was very old.
11:03But also very sick.
11:06And did this cut heal her?
11:09No.
11:11But her greatest desire was to meet her grandson.
11:16But it took weeks for her daughter to give birth.
11:20And the woman was desperate because Dr. Teodoro had told her that she only had a few days left.
11:27So I, innocent of myself, gave her the image.
11:34I saw her again a month later.
11:36The baby had been born at night and she had held him in her arms until dawn.
11:41So you could say that she was the happiest woman in the world.
11:44Well, then what she wanted was fulfilled.
11:48I went back to Don Teodoro's house to give her back.
11:51And also to tell me to take good care of her.
11:53Because this virgin had worked a miracle.
11:56That night she died.
12:02Hanna.
12:05I'm sure that you will also have your miracle.
12:13Hanna, come here.
12:35Come here.
12:51Isn't it too early to shake the carpet?
12:54You have to do it sooner or later.
12:56What's the point of doing it now?
12:58Well, you're not the first one to vent with a carpet.
13:03Look.
13:05What's going on?
13:07Everything, Lope.
13:09Everything is happening.
13:17Is it because of Don Manuel and Hanna?
13:20It's for them, it's for us.
13:23Why can't everything be much easier?
13:27I don't know.
13:29But it's useless to turn against the world.
13:32Then tell me what I have to do because I have no idea.
13:35First you have to convince yourself.
13:37And then think about Don Manuel and Hanna.
13:39Yes, it's true.
13:41They don't have it easy.
13:43But that is preventing them from fighting for their love.
13:45Let's see how that story ends.
13:47Well, it will end well.
13:49Because they love each other.
13:51As you and I love each other.
13:53If you think about it a little, they have it more complicated than we do.
13:55At least I'm not going to inherit any title.
13:57Well.
13:59With titles or without them, you are going to be the most wonderful woman in the world.
14:05The point is that I'm not mad at Don Manuel and Hanna.
14:10I can't get my mother out of my head.
14:14Your mother.
14:16Leave me this shaker because I'm going to ...
14:19Stab.
14:30I've told you many times that I can't condition you like that.
14:36There's something I haven't told you.
14:40What?
14:42Did something happen yesterday when you were talking to yourselves?
14:44My mother asked me again for the money I took from my father.
14:49Well, it's normal, right?
14:51I don't know why so much alarm.
14:53Do you want to know where the partner is?
14:55No, I know there's something else behind all this.
14:58I'm getting clearer and clearer that all this book and recipe farce
15:01is not to get Mami back.
15:03And it's to get the suitcase back.
15:05Because she's my mother, Lope.
15:07I know her.
15:09But I don't understand it.
15:11I don't understand why they are so interested in getting that money back.
15:13They have plenty of money.
15:15Well, Vera, but you took a lot of fortune.
15:17I'm telling you, those little pieces don't mean anything to my parents.
15:20Why don't you tell your mother what happened to the suitcase?
15:23So what?
15:25Imagine that my mother thinks about complaining to the Marquis.
15:27Well, they'll see.
15:29That's not your problem.
15:31Yes, it is my problem, Lope.
15:32The Marquis will start asking questions
15:34and all the answers lead to the same thing.
15:37To reveal who you really are.
15:39And don't you think that if you tell your mother,
15:42she'll cover for you in front of the Marquis?
15:44My mother has been benefiting from my father's shady affairs
15:47for a long time.
15:49At this point, I don't know if I can trust her anymore.
15:52Vera, but you can't get worse.
15:55Listen to me.
15:57Your mother won't stop insisting
15:59until she knows what happened to that suitcase.
16:03So you think I should tell her?
16:07I think so.
16:09If you want her to leave you alone, yes.
16:11Well, leave us alone, both of us.
16:26Have you seen Manuel?
16:28After talking to my father,
16:29he went to his bedroom.
16:31And this morning he hasn't come down yet.
16:34Do you know anything about Hanna?
16:36No.
16:38No.
16:40Good morning.
16:42Speaking of the King of Rome.
16:44What's at the door?
16:46We didn't know if you were going to come down for breakfast.
16:49Leaving yesterday's dinner for lunch?
16:51I'm starving.
16:53You can have breakfast, don't worry.
16:55Your parents won't come down to the dining room.
16:56Let them do what they want.
16:58I have nothing to hide.
17:00No, not anymore.
17:03Yesterday I understood why you asked me to defend you.
17:15My sister, I apologize for asking you to trust me blindly.
17:19But as you can see,
17:21I couldn't explain the reasons.
17:22What I don't forgive you is that you doubted that I would support you.
17:26No matter what happened.
17:29Yes, Hanna and you can count on me too.
17:34Although now that there are no more secrets, you have to explain many things.
17:37That's right.
17:39Because you had it very well hidden.
17:41First of all, congratulations.
17:44Hanna is a great woman.
17:48Hanna.
17:50Hanna is a great woman.
17:53I think Manuel doesn't need us to tell him the virtues of his fiancée.
18:02What's wrong, Martina?
18:06Aren't you happy for Manuel?
18:08Of course, of course I'm happy.
18:11It's just that...
18:12What?
18:17It's just that...
18:22It seems that everything is reduced to a battle between Manuel and Hanna.
18:26And the guys, right?
18:28Well, it is undeniable that they have put little or nothing on their part.
18:33But that's precisely what I mean.
18:35It's like we're assuming that they are the ones who have to change completely.
18:40But they do have some reason.
18:47Seriously?
18:49Are you really saying this?
18:51After what happened to you with Antonio de Carvajal and Cifuentes because of your parents?
18:55That wasn't the same thing.
18:57Because he was the son of a duke and I was a slave.
19:01And Hanna is a maid.
19:03That's it.
19:05Let's see, I'm not saying at all that she's on the guys' side.
19:08What I'm saying is that we live in a society that has its rules.
19:12Although we don't like those rules.
19:14But there are rules.
19:16And you suddenly want to dynamite them all.
19:19All at once.
19:22Yes.
19:24I know.
19:28What's the point of following rules that are retrograde and make us unhappy, cousin?
19:33For your parents?
19:35All over the world.
19:38Maybe.
19:40But you'll see, the last time I followed the rules, I ended up marrying Ximena.
19:52I don't want you to misinterpret me.
19:55I'm infinitely happy for you and Hanna.
19:59I know.
20:01And you can count on me for anything you need.
20:05Thank you?
20:08I think it was the strangest way to support someone.
20:12Hey, yes, a little more and ask them to lock Hanna in a tower and throw the key into the river.
20:17Or for me to be unlocked without titles or properties.
20:36Have you thought about what would happen if Manuel were to be your brother-in-law?
20:41No, and I don't want to think about it.
20:43Come on, it's just a game.
20:45I know what you're up to, Ignacio.
20:48And I don't think it's an innocent entertainment.
20:51Anyway, I want you to know that my children are very far from that title.
20:54Not so much.
20:56Leonor is in New York and after having enjoyed the metropolis,
20:59I doubt she wants to return to the quiet life of the Andalusian countryside.
21:02And Catalina?
21:03That's right.
21:05Only Catalina interferes between us and the Marquis of Luján.
21:09It seems to me that you are forgetting Alonso's sisters.
21:12It's true.
21:14I had forgotten about those harps.
21:16Well, we'll take care of them when the time comes.
21:19Assuming that Alonso disinherits his son Manuel.
21:22I'm telling you, it won't happen.
21:25Alonso is not a vehement man.
21:29And he will have the whole court against him.
21:31Well, maybe.
21:33All this, what surprises me the most is the little touch of your nephew.
21:37Please.
21:39Of course, that play he set up is putting the poor girl in front of everyone.
21:43No, I don't mean that.
21:45All his life, the nobility has sought its relief in the peasants and the maidens.
21:49Don't be scandalized.
21:51I'm not uncovering the wheel for you.
21:53No, I'm not.
21:55Well, to put it plainly,
21:57that Manuel wants to eat a fillet does not mean that he has to buy the whole cow.
22:02For God's sake, Ignacio, don't be vulgar.
22:04The situation is the most vulgar.
22:06His brother stumbled with the same stone.
22:09At least he knew how to hide it.
22:12At least until his lover lost his head.
22:16I don't know, all this has made me think that maybe yes.
22:19Maybe love can exist between lords and servants.
22:24It's impossible.
22:25There are too many things that separate us.
22:28Or are you going to compare what we have with what Manuel has with that whore?
22:34No.
22:36Have I ever told you how much I want to marry you?
22:39The same as I have.
22:41I'm eager to decorate my palace to our liking.
22:44I mean, to the liking of the three of us.
22:49What's going on?
22:51You don't?
22:52You don't?
22:54No, yes, for me, of course.
22:57But my doubt is Martina.
23:00Have you spoken to her?
23:02No.
23:04Well, don't worry.
23:06After everything we've been through,
23:10I've understood how much you need each other.
23:13And don't worry about me.
23:15I know I'll be able to win her affection.
23:23I know you washed it, that's why I'm showing it to you.
23:26Well, I don't see what's wrong with it. Does it have a stain?
23:29What else did you do besides wash it?
23:31Well, everything.
23:33Tending it, sanding it, ironing it, changing the buttoning.
23:36Very good. And?
23:38The sanding is wrong.
23:40I did it as you told me.
23:42Do you see it?
23:44Firm, but not stiff.
23:46It's not because of the sanding.
23:48It's because of the ironing, then.
23:49But you have eyes in your face, Marcelo.
23:52As much as I look, I don't see where the error is.
23:54The buttons.
23:56I see them as always.
23:59Put it on.
24:01I can't wear a shirt of gentlemen.
24:03This time, yes.
24:05You'll have to start with her from the beginning.
24:07I have to wash it again.
24:20It's done.
24:22Put it on.
24:28Now I understand. I sewed the buttons inside.
24:31This shirt was in the basket of clean clothes,
24:34about to be uploaded to the dependences of the gentlemen.
24:37Well, but you realized it in time.
24:39But you don't understand, Marcelo,
24:41that my obligation is not to follow you,
24:43solving your problems.
24:45Wait, Teresa.
24:46No!
24:47Leave Teresa alone. Don't get her involved in this.
24:49The error was yours.
24:51I'm very busy.
24:53But, Teresa...
24:54I'm sorry, but I have a lot of work to do.
24:59Get dressed.
25:01Don Pelayo wants you ready for dinner.
25:17I'm sorry.
25:37Rosa,
25:39get my sportswear ready
25:41so they don't have to dress me up.
25:45Martina.
25:48Look, I was just looking for you.
25:50Is it so urgent that I couldn't wait for you to come down?
25:53Well, you're playing the lucky badminton.
25:56Well, if you came to ask me about Manuel,
25:58I wouldn't know anything.
25:59I would have found out the same time as you.
26:01No, no. I have no doubt
26:03that you kept the secret until tonight.
26:05No, it's...
26:07It's something else that worries me, daughter.
26:10Well, you know that
26:12my marriage to Count de Ayala is approaching.
26:14And you want to know what my plans will be
26:16after they get married, right?
26:18Exactly.
26:20Well,
26:21I'll repeat what I already told you at the time.
26:23That I accept that marriage, but...
26:26I'm not going to live with you at the count's palace.
26:28Martina, your mind is more relaxed.
26:30Couldn't you give him a chance?
26:32Don't get confused.
26:33If I'm tolerating Count de Ayala,
26:35it's because I know he's a person who makes you happy, but that's it.
26:37Well, he would like to make a new account.
26:39Well, great for him,
26:40but I can't forget all the things he's done to me.
26:42No, me neither.
26:44And I'm not asking you to forget it, but...
26:47to forgive him.
26:49Well, if that's what worries him,
26:52I forgive him.
26:53But I'm not going to live at his palace.
26:55Well, his palace, which will now also be ours.
26:58He wants you to be able to decorate your rooms as you wish.
27:01He has a sincere interest in you feeling comfortable there.
27:04That you feel like it's your own home.
27:06Why are you asking me this
27:07if you know perfectly well that I'm not going to change my mind?
27:09In fact, why did you ask me first
27:11if you already know my answer beforehand?
27:13No, I don't understand.
27:16Did he ask you to talk to me?
27:18No, no.
27:20Well, yes, but he simply suggested it to me.
27:25Look, Martina,
27:27I didn't come here for him,
27:29but for me.
27:30Because you are my daughter.
27:32And you and I have always been together, always.
27:35But that's not going to change.
27:36I don't know.
27:38If we are so far away,
27:39and hundreds of kilometers away, yes.
27:41And I don't understand, I just don't understand
27:43why you want to stay here in La Promesa.
27:49Remember that you are the one who wants to leave.
27:53Respect that I want to stay here.
27:57Are you sure you can stay?
28:00Have you talked to your uncles?
28:01Yes.
28:09And what have your parents told you?
28:13Well, I haven't seen my mother all day.
28:15She avoids me deliberately.
28:18And the Marquis?
28:20The Marquis is still thinking
28:21that what is ours is a temporary whim,
28:24and he wants me to fulfill my obligation
28:26as heir to La Promesa.
28:31What they don't know is that you are the first for me.
28:34And that I am willing to give up the title
28:36if that prevents me from being with you.
28:39Manuel, I don't want you to give up anything for me.
28:42And you are not the one who forces me that dilemma.
28:46I expected it from my mother.
28:49But from my father?
28:52I don't know how he dares to face me
28:53after the romance he had with your mother.
28:57You haven't told him anything, have you?
28:58No, of course not.
29:01Well, thank goodness,
29:02because that is something that belongs only to Curro,
29:04and that he will only have to tell him
29:05when he thinks it is necessary.
29:07I know.
29:10Anyway, I'm fed up with so many secrets.
29:14That our love is finally known
29:15has taken a great load off my shoulders.
29:18Really?
29:22Of course.
29:24Of course it has.
29:28Well, I wish I could live it exactly like you.
29:34Right now you have too many emotions.
29:37And that's all.
29:39Maybe.
29:41But not all emotions, Manuel.
29:43There are facts.
29:45Your family, your friends, your acquaintances,
29:48will never accept
29:50that we are all together.
29:51Well, you and I are going to try to convince them.
29:55And if they don't want to accept it, it's their business.
29:58But let's face it, Manuel,
29:59we can't live the rest of our lives
30:00with our backs to the world.
30:02That's why we stayed here.
30:04That's why we got married somewhere else.
30:06Because we can't live on a deserted beach.
30:08I know.
30:10I am fully aware of that.
30:12And that's why I'm going to try.
30:16But not at any cost.
30:17But not at any cost.
30:20Hanna, I love my family.
30:23But if they make me choose, I will always choose you.
30:35Although I think being locked up here
30:37doesn't suit you at all.
30:40I'm not going anywhere.
30:44I'm not asking you to go too far.
30:47La cabaña de las Ramones.
30:48I'm not going anywhere, Manuel.
30:49My place is here with you.
30:51I know.
30:52But Hanna, look at yourself.
30:55Being on those four walls,
30:56turning things around,
30:57is going to end up destroying you.
31:00Tomorrow I'm going to go back to work.
31:05What?
31:06Today Don Romulo has given me the day off, but...
31:09Tomorrow I'm going back.
31:14My love,
31:15now everyone knows we're engaged.
31:19So you're not going to have to serve again.
31:22Nor clean, nor wash.
31:25What if it's what I want?
31:30I don't think it's adequate.
31:32Why?
31:33Because now you're ashamed of me, of what I am?
31:34Of course not.
31:37I've been cleaning and serving in this house for more than two years, Manuel,
31:39and it looks like you're realizing it now.
31:41Hanna, calm down, please.
31:43Don't ask me to calm down, Manuel.
31:45Everyone has the right to have an opinion about my future,
31:48and no one asks me what I want.
31:50No one asks me how I feel, Manuel.
31:52I understand.
31:55But we both knew this moment was going to end up coming.
31:57No.
31:59We both knew we were going to get married,
32:01and that we were going to go to Madrid.
32:02And then when we came back, everything would have changed
32:04and there would be no turning back, do you understand?
32:06There isn't.
32:08For me, there is no turning back.
32:10That hasn't changed.
32:14I don't know if it's enough for me.
32:23For me.
32:26I want you to leave me alone.
32:33Leave me alone.
32:43Leave me alone.
32:59Well, of course it was surprising.
33:01But only because of the inappropriate part of the announcement.
33:03The wedding announcement?
33:05Let's see.
33:06How strange is it that a man with Manuel's position,
33:09but above all, with his age,
33:10would be capricious about a maid?
33:12I don't think it's capricious.
33:14Don't tell me, Catalina.
33:16For you, it's love.
33:17No, not for me. For them.
33:19A complete nonsense.
33:21It's not like that, Lorenzo.
33:23It's not the first time a noble falls in love with a woman of humble origin.
33:26That only happens in fairy tales.
33:27No, look at Anita Delgado.
33:29The princess of Caportada.
33:31What an example you've been looking for.
33:32Well, one that doesn't fail.
33:34Because she was a coupletist in Madrid
33:35and coincided with the Marajan at Our Majesty's wedding.
33:37And she deceived him vilely.
33:38Well, what a curious way to call love.
33:41I mean the letter that made her arrive in Paris.
33:44I don't know if you remember that the girl was a poor illiterate.
33:46Yes, Lorenzo, I remember.
33:48And I also know that Samisíbala wrote Ramón del Valle in clan with a friend.
33:51Well, there you have the deception.
33:52No, because they simply put words to her feelings.
33:55That they made her go through someone who wasn't Margarita.
33:58Oh yeah? Then why are they still together after seven years?
34:01Time to time.
34:02Everything will go back to its place, you'll see.
34:05I think it's useless to talk about other romances
34:07between noble ladies.
34:08Even if it was the first one in history.
34:11Manuel loves Hanna and is going to marry her.
34:14Touching, Catalina.
34:16But don't forget that the Marquises will never accept such a betrayal.
34:20As if they were the last word.
34:22Well, actually, that's how it is.
34:25I'm with Catalina.
34:27Even if the Marquises oppose,
34:28Manuel will end up marrying that girl.
34:31In secret and without honor?
34:33I understand that this brings them carelessness.
34:35Well, it's easier to say it than to do it.
34:39Of course, but if I understood your explanations about last night's dinner well,
34:42it seems to me that such a passionate statement
34:44is precisely a statement of intentions.
34:46They can say whatever they want.
34:48That doesn't mean it's going to come true.
34:50Allow me to doubt it, Captain,
34:51because we are talking about love.
34:53Sincere love.
34:55Oh, it seems that you have more details
34:57than all of us who were present.
34:59No, I don't think so.
35:00But still, if I think so, it's because, for me,
35:02the most important thing in a couple relationship
35:05is trust.
35:06The trust that comes from the most absolute sincerity.
35:09Well, a virtue without which no marriage is impossible.
35:12For me, totally overrated.
35:14Yes, we already know that, Lorenzo, we already know that.
35:16But I'm glad that the Count of Aguililla
35:18has it as a pillar of his own relationship,
35:20given his background.
35:23Uh ... I do apologize.
35:26Uh ... I do apologize.
35:44Can we talk?
35:47Take them to my bedroom.
35:48Take them to my bedroom.
35:52What? Have you managed to get Manuel to come to his senses?
35:56No.
35:57I don't know why I'm not surprised.
36:00You knew about the wedding.
36:02You should have let me know.
36:05And you should have thanked me
36:07instead of whining like a little boy.
36:09Manuel is also my son.
36:11I managed to stop that nonsense for minutes, Alonso.
36:15That whore was already wearing her wedding dress
36:17and your son's pamphlet willing to give her the yes I want.
36:21But then what did you do?
36:25To have a marriage, you need a priest.
36:28Did you talk to the parish?
36:30Uh-huh.
36:31I told him that they had deceived him,
36:34that in that couple of vulgar sluts
36:37was the future heir to the marquise.
36:41But that decision is not going to be cheap for you.
36:43Well, I promised to help him
36:45with the financing of the repair of the hermitage roof.
36:48So I've already done my part.
36:50Now it's your turn.
36:51Wait.
36:53This matter is very serious.
36:55If we want to really get it done,
36:57we'll have to be united.
37:00Okay, but don't get confused.
37:02This union is just to prevent Manuel
37:04from compromising the family's last name.
37:06Between us, everything remains the same.
37:08I've interrupted you, haven't I?
37:10No, don't worry.
37:13What do you want?
37:15I know it's not the best time.
37:18Don't worry.
37:20Your cousin's slander
37:21doesn't prevent the rest of us
37:23from continuing to take care of us.
37:25So tell me, what do you need?
37:30It's just that...
37:33I don't want to break my promise.
37:35I don't want to break my promise.
37:39And for what reason should you leave?
37:43Well, because I've assumed that after my mother's wedding
37:45with the Count of Ayala,
37:46I'll have to live with them.
37:48Darling,
37:50you can stay here as long as you want.
37:52The doors of the promise are always open to you.
37:54Really?
37:55Of course.
37:57Besides, you don't even have to tell us the reasons.
38:00This is your house whenever you want.
38:03Thank you, aunt.
38:06And thank you too.
38:10You're the best people I've ever met.
38:14I'm sorry I interrupted you.
38:15Don't worry.
38:16Come on, run.
38:24Remember to talk to the priest
38:25to ask him for the cost of the arrangement.
38:27I don't want us to break our promise again.
38:36How is your son doing with the instruction of Mr. Rogelio?
38:39Does he manage to get that boy to behave?
38:42Well, I'm afraid everything is still a mess.
38:44Ah, no news then.
38:48I don't know what will be the reason for your concerns.
38:53And if that's the other reason,
38:55why don't you share it, Ricardo?
38:58It's not a professional matter.
39:01Ah, well,
39:02you're still getting close to Mrs. Arcos and your son.
39:07She treats him as if he were family.
39:10Look, since the first time you told me,
39:12I confess that I've been watching both of them.
39:15The only thing I've been able to see
39:16is that the influence of that woman
39:18acts like a revolution
39:20that makes your son do his homework.
39:22Yes, you know that I don't deny that I have aroused that ambition in him.
39:26But I don't trust her.
39:29But what's going to happen?
39:30No, no, not yet.
39:31But every day he spends with Mrs. Arcos,
39:33I see that Santos moves away more and more from me.
39:36And you think it's because of Mrs. Arcos' influence?
39:38Of course.
39:40Have you talked to your son?
39:41I've tried.
39:42But nothing, we always end up the same.
39:45Santos defies my authority.
39:47And I've also talked to Mrs. Arcos,
39:49but it's impossible to deal with her.
39:52I would like to help you, really, but ...
39:55I would like to help you, really, but ...
40:00In this case, I have my hands tied.
40:02I know.
40:03Well, you don't have to see the glass half empty.
40:06The relationship between Mrs. Arcos and your son is temporary.
40:10That woman changes the course of her loyalties
40:12as if it were a ticket.
40:13Remember Mrs. Villamil.
40:15Well, I understand that his relationship failed me
40:17because of his marriage to Marcelo.
40:19That's it.
40:20Do not doubt that at any time your son will do something that displeases him
40:25and then he will repudiate him.
40:27I hope soon.
40:28Well, or not.
40:29Or not, because at the moment,
40:31the truth is that the influence of that woman
40:33has yielded positive results for your son.
40:38Go up and see if Mr. Espeta and Santiago,
40:40from Don Manuel's club,
40:42everything is messed up up there.
40:44Yes.
40:45And maybe some of your Tizana will be fine.
40:51You knew, didn't you?
40:53About what?
40:54What do you mean?
40:55The romance between Mrs. Esposito and Mr. Espeta.
40:58Hence your behavior a few weeks ago.
41:00Meet here, at De Sobras, with them.
41:03In due time.
41:04He may have had some suspicions about the relationship,
41:06but come on, this has been confirmed in the last few days.
41:09Enough to make you his accomplice behind his back.
41:12Maybe, yes.
41:13But of course, I did not suspect that he had wedding plans.
41:15And much less with so much love.
41:17It is possible that, well,
41:19that with age I am becoming somewhat romantic.
41:24I am telling you this in confidence.
41:27I hope you keep the secret from me,
41:29and that no one else finds out about this.
41:31You can count on my discretion, of course.
41:33I thank you.
41:47Well, who goes?
41:48Well, we said the loser.
41:50So it's your turn.
41:52I don't know why it happens to me,
41:53that even if I had won, it would have been my turn.
41:55Nadia, get the lemonade and stop complaining already.
41:57That's it, I'm dying of thirst.
41:59It's fine.
42:03Oh, my God.
42:05Oh, my God.
42:06Oh, my God.
42:07Oh, my God.
42:08Oh, my God.
42:09Oh, my God.
42:10Oh, my God.
42:11Oh, my God.
42:12Oh, my God.
42:13Oh, my God.
42:14Oh, my God.
42:15Oh, my God.
42:16Oh, my God.
42:17I'm glad you left the palace.
42:19The atmosphere there is so rare.
42:22Yes, yes.
42:24But one ends up getting used to the fact that
42:26the promise, when it's not a thing, is the one next door.
42:29Although it is true that
42:30Manuel doesn't care about all this.
42:32And how do you take it?
42:36Well, with my heart divided,
42:38to be honest.
42:39Because, on the one hand,
42:41I know that the love that my cousin professes to that maid
42:43is completely sincere.
42:46But, on the other hand,
42:47I am aware of the situation
42:49my uncle is putting me in.
42:52I am more than aware of what I would do in his situation.
42:55What?
42:56I would give up my degrees and go live my love.
42:59Really.
43:00Really?
43:01Well, you didn't have it for a romantic woman.
43:04I think love is above anything else.
43:07I wish it were.
43:08But right now it seems impossible to me.
43:11I don't know.
43:12This is the life we have had to live.
43:14By the way you talk,
43:15it seems that he has had to live something similar.
43:17Well, don't be surprised,
43:18because this is the daily bread for any housewife.
43:21I see.
43:22And what happened?
43:26That he broke up with me
43:29because I didn't meet his mother's minimums
43:32to be a good wife.
43:34And he accepted it like a lamb.
43:36Without joking.
43:38I don't know, in the end,
43:39they are also going to be victims of social norms.
43:41Oh, yes.
43:42Victims, but with more privileges.
43:45Like wearing pants.
43:47Traveling around the world without permission.
43:49Being able to smoke in the smoking rooms of the casinos.
43:52I hate the smell of tobacco.
43:53But they can be deputies and mayors.
43:55I hate politics.
44:03I confess that I envy him.
44:06Me? Why?
44:07For how united his family is.
44:09I mean his cousins.
44:11I have never had that
44:12and seeing the way they support each other
44:15I had never thought it like that.
44:17Believe me, you are a privileged woman.
44:20Martina, a privileged woman.
44:22You don't know how much, Julia.
44:23But you don't even know what we were talking about.
44:25Possibly that you are the consent of the uncles.
44:27No.
44:28Yes.
44:29Well, the time has come.
44:32Come on, come on.
44:44The African woman.
44:48Come with me to Aragon.
44:52And so the Jota, which is glory,
44:57we will sing to each other.
45:01You are here, Ana.
45:04Well, yes.
45:05I couldn't take it anymore in the room.
45:06How are you?
45:08I haven't seen you.
45:09Hey, I'm glad you're going to see me
45:10because I have to upload this to ...
45:11Well, I have to upload it upstairs.
45:13I'll tell you later.
45:14Maria.
45:16Are you avoiding me?
45:17Me? No.
45:18So much of what?
45:19No.
45:20Well, I don't know.
45:21It's just that last night I didn't see your hair
45:23and you arrived at a thousand
45:24and then you left early in the morning, so ...
45:25Well, Mrs. Petra's notebook.
45:27You know.
45:28It's just that in the notebook it said
45:29that you didn't have to do anything.
45:31So tell me what's wrong.
45:33Nothing's wrong with me.
45:36Maria, please.
45:40It's just that you're not angry with me.
45:42Angry with you? Why?
45:45Because of Marra's notebook.
45:48Now she would be a married woman
45:49if she didn't ...
45:50if she didn't get to get her feet in the corbejón.
45:52Maria, that wasn't your fault.
45:54A magical one, yes.
45:56What a bad time I gave it to you as a literate.
45:58Literature is for Mrs. Litinga,
46:00not for two nobodies like me.
46:03Well, for me you are the best writer there is.
46:07And also the best friend.
46:09Oh, Janilla.
46:13Come here.
46:15This wasn't your fault.
46:19Yes, it was.
46:34Bella and I have to talk.
46:36Now is not a good time.
46:39The newspaper is so interesting
46:40that you don't even have a moment to talk to me.
46:44Do you think you can leave
46:45after everything you've said?
46:49I've only told you what I think.
46:51With the intention of hurting me.
46:53Look, I'm sorry if you've been reflected in my words,
46:55but that's because you have reasons.
46:58Can we talk like two adults?
46:59No.
47:02I know I've hurt you, but let me explain.
47:05Tell you the truth about what happened.
47:10Are you okay?
47:11I don't know.
47:12Deep down, I want to hear your reasons.
47:14Because no matter how many times I think about it,
47:15I can't find an explanation for what happened.
47:17I get nauseous just thinking about it.
47:21Come on.
47:22I'm listening.
47:31I told you to listen to Jana's voice.
47:33But you have less hearing than a shoe!
47:38What can I get you?
47:41We've only...
47:43We've only come to see how you're doing, Jana.
47:45That's right, woman.
47:46It's no big deal what people say in the palace.
47:49But I don't care what people say about me.
47:51And about us.
47:53That's why we're here,
47:54to find out what really happened.
47:56Well, it won't come out of my mouth.
47:57Hey, don't worry about that, girl.
47:59You're going to tell us everything,
48:01because, I say,
48:02we'll have the right to know what happened.

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