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00:00But how is it that Marcelo and you are brothers?
00:09That is the pure truth.
00:10But why didn't you make me believe that you were married?
00:14Well, because we thought it was for the best, Maria.
00:16It's best to never go with lies for life, and more to your friend, Teresa.
00:20I know.
00:21I'm sorry.
00:22Don't worry.
00:23Yes, I already knew that I couldn't have forgotten you, Feliciano, so quickly.
00:30Never.
00:31But tell me what this lie is about, come on, explain it to me better, so that I understand.
00:39Well, the fact is that I had no other alternative if I wanted Marcelo to be hired on the promise.
00:44I had no references and no experience either, and that's why we thought it was best to pretend
00:49that we were married.
00:52And I also trust everyone's good faith.
00:55And I was not wrong.
00:57Well, of course you were not wrong.
00:59We were not going to let you go, Teresa.
01:02What I don't understand is the need you had to look for a job at the same place.
01:08Wouldn't it have been easier for Marcelo to get a job of his own?
01:13Yes.
01:14Yes, but it was not possible.
01:16Why?
01:17Because no, Maria, I'm sorry, but I can't tell you.
01:20So you keep more secrets.
01:23But this does not belong to me.
01:26I'm sorry.
01:28All I can tell you is that neither of us acted in bad faith and that my only intention
01:32was to help my brother.
01:35I have no doubt about that.
01:37Because if you had acted in bad faith, they would have replaced me with my Teresa.
01:41Well, your Teresa is still the same.
01:45And Marcelo is a peculiar boy.
01:48But he has a good heart.
01:50Well, of course he does.
01:52He has your blood.
01:54I love him very much.
01:56Although he doesn't stop getting in my way and getting me out of my box.
02:02You have to love your brothers the way they are.
02:06Anyway, I think the best thing is that you tell the rest the truth.
02:11What if they don't take it well?
02:14If you tell them how you told me, they have nothing to fear.
02:18Besides, I think Marcelo is going to end up taking the easy way out of this.
02:24I don't know, Maria.
02:28I'll tell you what I think.
02:32And if I don't, will you report me?
02:34Of course not.
02:35If you tell me that John is hiding your secret, I'll keep quiet.
02:41Even if I die of curiosity, I will not ask more questions about Marcelo.
02:46Whatever is going on between you two.
02:49And do you think you will be able to?
02:51Look, it's hard for you to keep your mouth shut.
02:54Of course.
02:55If I propose it, I can be the most discreet maiden in your Andalusia.
02:59It will be less.
03:01And I tell you that I don't leave the first ten.
03:03I have experience, John.
03:05Who hears you?
03:11You.
03:16May I?
03:18It depends.
03:20If you're going to argue like last night, you better go back where you came from.
03:24That's not my intention.
03:26In fact, I apologize.
03:30I shouldn't have left like that.
03:32That's right.
03:34You have every right to be against Ariadna.
03:36I'm sorry.
03:38Apologies accepted.
03:41It's true that I was taken aback, but ...
03:43I also ask you to try to put yourself in my place.
03:46I do.
03:47And I understand how complicated all this has to be for you.
03:50Well, yes.
03:52It's not easy for the woman you're deeply in love with ...
03:55to act that way, so ...
03:58You better save yourself the qualifier if it's going to be hurtful.
04:02Your silence is already quite expressive.
04:07I put myself in your shoes, but you put yourself in mine.
04:11Time passes.
04:13And sooner or later, Miriam, the pregnancy will be noticed.
04:16Then it will no longer be a secret to anyone.
04:18I prefer that we are the ones who guide the course of our lives.
04:24And what do you want me to do, Catalina?
04:27Well, tell me if we are going to face this new stage together or ...
04:31or if I'm going to have to face it alone.
04:36Well, I don't know, I still don't have an answer.
04:39Understand it.
04:41It is not a decision that can be taken lightly.
04:44Neither can nor should.
04:46A child is for the rest of our lives.
04:52Maybe you should act like when you approached my palace.
04:56What do you mean?
05:00That just like you talked to me, you should talk to that man, Adriano.
05:04Don't go back to that again, please.
05:07He is the father of the child and he has the right to know.
05:09No matter how simple the cover.
05:11It would not be prudent.
05:12It is not a matter of prudence, Catalina, but of right.
05:16It is not a decision of two people, but of three.
05:19The father of the child you have inside has to be aware of everything.
05:25Look, you asked me to put myself in your shoes.
05:30And that's what I'm trying to do.
05:32But I also put myself in the shoes of that Adriano.
05:35If it were me, I would like to be informed.
05:41Okay.
05:43Okay, I'll look for him and talk to him.
05:46Good.
05:47So we can move forward on this matter before your belief is evident.
05:50And then it's too late.
06:00What do you mean the Civil Guard has detained Don Manuel?
06:05But the barracks?
06:06Yes, Mrs. Martínez.
06:08But he has accused you of something.
06:10It seems suspicious of the murder of Gregorio Castillo.
06:14Those assholes.
06:17But if the gentleman is unable to do something like that,
06:20that is, that sergeant does not know Don Manuel.
06:24The question is not whether he knows him more or less, but whether there is evidence.
06:29And apparently there are clues against him.
06:32Yes, you have to have faith in justice.
06:34I suppose they will interrogate the gentleman and all this is clarified.
06:38It is a nonsense.
06:40Besides, Don Manuel barely had a deal with that bastard Gregorio.
06:45I give faith. That man always dispatched directly to Mr. Marquis.
06:49From what I say, that bad bug is going to be giving problems until after he dies.
06:55And we can know in what evidence such a drastic measure is sustained.
06:58I suppose it is serious.
07:01To detain the heir of the Marquis of Luján is very daring.
07:07And scandalous.
07:08If this transcends, Mrs. Marquise will scream into the sky.
07:12Unfortunately, I cannot give you more details.
07:15The information I have is scarce and confusing.
07:19Yes.
07:20Better keep that information, we are all quite confused.
07:24Yes, let's trust that everything is a misunderstanding and Don Manuel will return soon to the palace.
07:29May God hear you.
07:30In the meantime, I ask you to inform your subordinates.
07:34Please, keep an exquisite discretion on this matter.
07:40Of course.
07:46Well, Manuel is out of place.
07:50Apparently the parents are not going to give their third arm.
07:53It is that it did not have to be very clever to know that they were going to tear the dress.
07:56Well, Mrs. Cruz for granted.
07:59But the Marquis, well ...
08:01Manuel did not expect him to attack him in such a furious way.
08:04He was more hurt than Mrs. Marquise.
08:06Well, if he surpassed Mrs. Marquise, he had to ride a bullfighter.
08:12Of course, Manuel is not having a good time.
08:15Ay, Hanna.
08:17I was naive when I tried to go up and talk to the Marquise.
08:21Well, yes.
08:22That one should not get into the lion's cage.
08:24And less to gentile bodies.
08:25But I wanted to explain my reasons and see if I could understand it better.
08:28Yeah, but you can't reason with beasts, Hanna.
08:30And less when they are furious.
08:32The best thing you can do is get in touch with the Marquise as little as possible.
08:36If you at least let me explain ...
08:37Well, Hanna, it's not the time either.
08:39Because Mrs. Marquise, the only thing she understands now is that her little son
08:43has wanted to marry a whore and not a lady from Alcúrnia.
08:46Well, that's exactly what she has to understand and accept it once and for all.
08:49Yeah, but it will be so unnatural for the Marquise
08:52as if her son had fallen in love with a chair or a mountain goat.
08:58What you have to do now is be quiet and wait for him to escape.
09:03The worst part of all this is that after talking to the Marquise, I told Manuel everything.
09:07Hmm, the other one.
09:09As if the water were not stirred, you go with Dime and with Direte.
09:12I know, I know.
09:14And Mrs. Marquise told you about everything but Bonica, right?
09:18She told me that she had been blackmailed for my own interest and ...
09:21and that I only wanted her money.
09:24And you told Mr. Manuel all that?
09:27Yes. And the only thing I got is to irritate him more.
09:31And that he wants to confront his mother.
09:34And?
09:36Well, I think I managed to contain him and it seems that the blood will not reach the river.
09:40Well, now the important thing is that you speak little and you love each other a lot.
09:43We are already doing that.
09:45But more than that, Bejana, you have to be united.
09:48More united than ever.
09:50And if your love is strong, you can do anything.
09:53We will fight against anyone as long as we are together.
09:57I will be here with you to cheer you up.
09:59It is what I need.
10:02Although I can hardly do anything, apart from cheering you up.
10:06That is already a lot.
10:10Manuel?
10:13Teresa?
10:15Teresa, what's going on?
10:18The civil guard has arrested Mr. Manuel.
10:32No one could do anything to prevent the arrest of Manuel.
10:35Not my uncle, not the captain saying he knew the governor.
10:39That agent Burdina is one of those who do not let himself be intimidated.
10:42I see.
10:44The more I think about it, the weirder it seems to me.
10:47Why would Manuel want to kill that mayor?
10:50Let's see, we know that this Gregorio was arrested for trying to kill Mrs. Pia.
10:56It is obvious that he is not clean wheat.
10:58And not even after he died, that he has taken Manuel, who is innocent, ahead.
11:12Martina, are you listening to what I'm telling you?
11:14Of course, yes.
11:15What happens is that all this has me very shocked.
11:18I know that Manuel could not do something like that.
11:21Yeah, that's obvious.
11:24And I know what's happening to him is horrible.
11:27And believe me, I'm very worried, but ...
11:30We can't do anything.
11:34No.
11:35No, I'm sure there's something we can do.
11:37Well, yes, let the guys take care of it and pray that everything goes well.
11:42No, because that's frustrating.
11:47I know.
11:52I'm sorry, Curro, I just can't ...
11:55I just can't stop thinking about the conversation we had in the gardens, talking about Julia.
12:03What do you mean?
12:08I don't want to look like a jealous girlfriend, because I'm neither the first nor the second.
12:17But I can't help but feel excluded every time the three of us are together.
12:23Martina.
12:25You know the nature of my relationship with her.
12:28Yes.
12:30It's different.
12:32Almost unfathomable.
12:35And that, I feel like it's something very special.
12:39And it makes me see ours as something ...
12:44vulgar.
12:46And I felt that we were in a very sweet moment, taking steps to recover what we had a long time ago.
12:54And that's what we are, right?
12:57Or we were.
12:59Before Julia arrived, that's what I feel.
13:01Before Julia arrived, that's what I feel.
13:08Martina.
13:11I don't know where you want to go.
13:12You're the one who has to make it clear to me.
13:15Curro, I need to know what to do.
13:18I don't know if what's going on between Julia and you is putting an end to our story.
13:22No.
13:23Not at all.
13:24Be honest with me, please.
13:26I'm being honest, Martina.
13:29The only thing I can tell you is what I've already told you.
13:32I don't know how far I owe her.
13:34I don't know what to do to give her back the happiness that fate snatched from her.
13:38You have to get rid of that guilt.
13:41It's not just that.
13:43There's a bond between her and me that ...
13:46I can't describe.
13:48And that no one could understand.
13:50Because it has to do with love, with death, with friendship.
13:55I think you're magnifying it all.
13:57Yes, maybe.
13:59But I can't stop thinking about Paco dying in my arms.
14:02And that I was taking the place that Matilde should have taken.
14:09Besides, Martina.
14:11It's as if ...
14:12that trance ...
14:14would have stopped an unbreakable relationship between her and me.
14:21I just don't quite understand it.
14:25I don't intend to.
14:27Because I don't understand it either.
14:35Martina.
14:37Give me time.
14:39Please.
14:42You have had stages where you have needed distance
14:45to think and clarify your feelings, right?
14:51Well, now it's me who needs that distance.
14:54I'm sorry.
14:56Please.
15:06I don't know exactly what Manuel would have found
15:08because the sergeant didn't tell me anything.
15:10But they must have something.
15:11Yes, the Civil Guard must have found a thread to pull.
15:15And what could it be?
15:16I don't know, but we have to be patient.
15:18And let the events continue in their natural course.
15:22What if that sergeant has something clearly incriminating against Manuel?
15:26Because Manuel was going to meet that criminal to ...
15:29to try to make a deal with him and not get close to Doña Pia again.
15:32Well, but that meeting didn't take place, did it?
15:35No, because Gregorio appeared dead before, but ...
15:37Manuel had already seen himself alone with him.
15:40I know Manuel didn't do it, he's innocent,
15:42because I know he wouldn't kill anyone.
15:44If he's innocent, then there's nothing to fear.
15:46We have to wait for his innocence to come to light.
15:49And when?
15:50I don't know.
15:51But you, like Don Manuel, will be released soon.
15:53Free and without charges.
15:55Besides, he is the son of the Marquis of Lujan.
15:57I don't think the sergeant would dare to accuse him of murder
16:00if he doesn't have irrefutable and definitive evidence.
16:04I hope you're right.
16:06Time will tell.
16:07Besides, knowing Gregorio Castillo,
16:10I'm sure he had a long list of enemies who wanted to see him dead.
16:15I hope he finds that culprit as soon as possible.
16:45I'm sorry.
17:01Sergeant.
17:03A sausage sandwich and something to drink.
17:09For me?
17:10You'll have to eat something.
17:12You're under arrest, but we don't intend to starve you.
17:17I appreciate it, I admit I'm hungry.
17:20I don't think it's the kind of food you're used to tasting in your palace.
17:25But here everyone eats the same thing without distinguishing.
17:30But I'm sure I taste blessed glory.
17:43I appreciate the treatment you're giving me, sergeant.
17:47You have a cell for me alone, it's a luxury.
17:51I assure you that we only do it for your safety and to save us a problem.
17:57The people who are locked up here are scammers of the worst kind.
18:02With them, their titles would be useless to save their skin.
18:07It's better alone than badly accompanied.
18:10I'm surprised how calm you are.
18:14Would the opposite be useful?
18:16Of nothing.
18:18It's a good attitude, no doubt.
18:21I've been reviewing your history and I see that it's not the first time you've been in these detentions.
18:32No.
18:39The first time I was here was for my brother's death, Tomás.
18:45But I was released soon after they found the alleged culprit.
18:54Ah, yes.
18:56It turns out that he was killed by an old lover, right?
19:01If you don't mind, I would like to review the statements you made this afternoon when you arrived at the barracks.
19:11I've already told you that I have nothing to hide.
19:15Well, I'm sorry to tell you that you have more and more evidence against you.
19:23Really?
19:25Like what?
19:27Like what?
19:29The innkeeper not only confirms that you delivered that letter to Mr. Castillo, but that you did it not only once, but twice.
19:46Yes, that's right.
19:49It's no use lying to us, Manuel.
19:51What is that gun exchange between you and the victim due to?
19:55In those envelopes there were quotes to reunite me with him.
19:59Twice?
20:01Since he didn't come to our first meeting, I insisted.
20:04And did he come to that second meeting?
20:07Yes.
20:09And it was at that meeting that I offered him a generous amount of money in exchange for letting Pía go once and for all.
20:15And it was just that day, the day he was murdered.
20:19Coincidence?
20:22The only thing I can tell you is that I didn't kill him.
20:25In fact, we agreed to meet another day to make the final delivery of the money.
20:32I would say it was a violent meeting.
20:37It was ...
20:39It was ...
20:41It was ...
20:43unpleasant.
20:45And very tense.
20:48Tense enough for Mr. Castillo to carry a knife with him?
20:54Yes.
20:56Was he armed? You too?
21:01Yes.
21:03I've already told you that I have nothing to hide.
21:06He was carrying a gun.
21:07He was carrying a gun.
21:10And he didn't use it?
21:11No.
21:12I didn't even take it out.
21:16I have to admit that Gregorio took out his knife to intimidate me, but ...
21:21I kept calm and I think I convinced him to accept the money and leave Wuhan so as not to return.
21:27And as I have already told you, when I left there, Gregorio was still alive.
21:38Manuel shouldn't be back by now.
21:41It seems that things are going for a long time.
21:43That Sergeant Burdina is a tough nut to crack.
21:46Do you mean Íntegro?
21:48Yes, that impression has given me.
21:50Then Manuel has nothing to fear.
21:53I am completely convinced of his innocence.
21:56Well, we are all convinced of it.
21:58Ask the Marquess to excuse him.
22:00She is exhausted.
22:02I am not surprised.
22:03Too many emotions.
22:04Wouldn't it be better if she came with us to distract herself a bit?
22:07She is not in the mood.
22:09Well, I'm with Margarita.
22:11Being alone, all she's going to do is turn her head.
22:14Yeah, but when she's like that, it's better not to insist.
22:17You say it from experience.
22:22I want to call the Governor again by phone.
22:25Have you managed to talk to him?
22:27I've been trying all afternoon and there's been no way.
22:30He's on a trip, but I've talked to his assistant.
22:32He's been receptive and kind.
22:34And apart from good words,
22:36has he committed to get Manuel out of the dungeon?
22:39Well, he says that first he has to be well informed about the matter.
22:43But yes, it seems that he is willing to help in whatever is necessary.
22:47Good words, then.
22:50We should think about going to the high spheres of the Civil Guard.
22:54I have a good relationship with Officer General Don Gabriel Pita.
22:57Although it is late, I can try to contact his house right now.
22:59Lorenzo, I appreciate your good intentions,
23:02but I think that at this moment it is better to leave things as they are
23:05and not spend all the cartridges in one go.
23:08You're right.
23:10If the management we've done doesn't work,
23:13we'll think about knocking on other doors to free Manuel.
23:16That's right.
23:18I hope he soon realizes that all this is a terrible misunderstanding.
23:21And that it doesn't transcend.
23:23The last thing that was missing from the promise is another scandal.
23:25We don't win by fright.
23:27When all this is over, someone will have to pay for this mess.
23:30Well, it wouldn't be bad.
23:33Let's go to the dining room.
23:55A few hours later
24:17What are you doing here?
24:19I saw you coming up, ma'am, and I thought you might need my help.
24:23And why would I need it?
24:25Because you never go into these rooms.
24:32You're right.
24:34In fact, I don't even know what I'm doing here.
24:40In fact, it brings me bad memories.
24:43The last time I came up here was
24:46to have an unpleasant discussion with Manuel.
24:48On that occasion, it was because he didn't want to accompany me to a conference in Lujan.
24:54A mess compared to everything that has come after.
25:03Why is my son so determined to lock himself in this mess instead of being with his family?
25:09I don't know, maybe he needed to find some peace after all this mess.
25:15What better place to heal those wounds than next to those who love him?
25:22I love my son more than anything else in the world, Petra.
25:25I'm sure of it, ma'am.
25:28And it hurts me that he doesn't appreciate my love.
25:32My son can't even imagine everything I've suffered because of his whims.
25:36Ma'am, the stronger the love, the stronger the pain.
25:41First, with his obsession with aviation
25:44and his subsequent accidents that almost cost him his life.
25:49Then, with his marriage failure with Ximena.
25:54Then, the absurd decision to go to war following the work boy.
26:00And now, with my son's death.
26:04I don't know what to do.
26:07I don't know what to do.
26:10I don't know what to do.
26:13I really didn't think things could have gone worse.
26:18Much less now that he comes to me and wants to marry that whore.
26:23And on top of that, he says it's pure and true love
26:26when it's nothing more than a hot bed with a maid.
26:29I assure you that I understand his disgust.
26:35But they took him, Petra.
26:38They took him.
26:41And it's the worst thing they could do to me.
26:44At least you're lucky to know that your son is still alive.
26:52Leave me alone.
27:07Leave me alone.
27:14I'm sorry, ma'am.
27:16I saw the light on and I thought it was Manuel.
27:20I thought he was back.
27:22You shouldn't be here.
27:24Unless you're here to clean up,
27:26which is the only task you have in this palace.
27:28Ma'am, I...
27:30I don't want to listen to you.
27:32Leave.
27:37Leave.
28:04Julia.
28:06I left the dining room in a hurry because I had something to tell you.
28:09You could have done it during breakfast.
28:12No, I'd rather do it in front of everyone.
28:16Besides, the atmosphere is a bit strange
28:19after my cousin Manuel's arrest.
28:21Yeah.
28:23Maybe my presence at the prom, given the circumstances,
28:26is more than inopportune.
28:28No, no, not at all.
28:30I already told you that you could stay here as long as you want.
28:32Well, then, what is it about?
28:36You know,
28:38you're very beautiful in red.
28:40Paco was right when he said that color
28:43favored you especially.
28:47Yes, he always told me.
28:50I have his words engraved in my head.
28:58Why did it take you so long to tell me everything that happened?
29:01Why didn't you come to find me when you came back from the war?
29:03Wasn't that what you promised Paco in his last moments?
29:07Yes.
29:09That's right.
29:15I confess that
29:18I didn't dare.
29:22I was a coward.
29:25I couldn't face the loss
29:28of my friend again.
29:34And there's another reason.
29:38What?
29:42I didn't want to face Jose Juan.
29:44I knew he would continue to blame me for everything that happened.
29:49Well,
29:51he's still digesting everything that happened.
29:53It's not easy.
29:55You told me yourself.
29:57Since Paco died,
29:59he hasn't missed a chance to face me.
30:01And imagine,
30:03if it already hurt me to see him die in my arms.
30:06And on top of that, to carry the blame.
30:13But
30:15I promise you for the most sacred thing,
30:17that since I came back,
30:19every day I thought of going to see you.
30:21Only that
30:23I needed to gather the courage to do it.
30:27Well, it took you so long that I was the one who had to come see you.
30:31Yeah.
30:34I'm sorry.
30:36That wasn't my intention.
30:56The cops haven't eaten anything.
30:57The trays are as they were.
30:59They haven't even filled the buns with what's left.
31:02There's no appetite for buns up there, Candela.
31:05And with Don Manuel's arrest,
31:07he's lost all his appetite.
31:09I haven't eaten anything since yesterday.
31:11What?
31:12But that can't be. You have to eat something.
31:14Here.
31:15I don't know, Lope.
31:16Here.
31:18Oh.
31:23Oh.
31:25Ana, you can't be on fasts.
31:27You're going to run out of strength.
31:29Besides, how have these sweets been?
31:35I don't know what's going to happen to Manuel.
31:38And I don't know what's going to happen to me either, because
31:41yesterday I met Mrs. Marquesa at the studio
31:44and she made me feel like I was alone again.
31:46What you should have done was turn around as soon as you saw her
31:49and take your hands to your ears.
31:51Because in other words, deaf ears.
31:54I understand you, Hanna.
31:56Because you're still serving in the palace
31:59and you're not in a position to face Mrs. Marquesa.
32:02But I have no right.
32:05And you're the Lord's fiancée.
32:08But Manuel is not here now.
32:11Cheer up, Hanna.
32:12You'll see how Mr. Manuel will be back very soon.
32:16Everyone who knows Mr. Manuel knows that he has nothing to do with Gregorio.
32:20Why would he want to kill him?
32:22If Mrs. Pia were still alive,
32:24but with Mrs. Pia dead and Dieguito far away from Lujan,
32:28that man is no longer a danger to anyone.
32:31Right?
32:36Let's finish picking up.
32:38Take this.
32:40Don't touch it.
32:43Okay.
32:45Thank you, sir.
33:12May I know what is so emotional that you are reading?
33:16The news of a couple from Paris.
33:19And what happened to that couple from Paris that has moved you so much?
33:24Well, it turns out that Miss Potion, who was a school teacher,
33:28was engaged to Messier Cantera,
33:30who was an employee of the prefecture of Marseille.
33:32But he was mobilized to the front
33:34and they had to separate in a very tragic way.
33:36So far a story like so many others.
33:38Are you going to let me finish, Lorenzo?
33:40Messier Cantera is true that he showed great courage in the battle.
33:44He even received the cross of the Legion of Honor for his heroic attitude.
33:48That honors him.
33:50But well, bad luck wanted him to reach a grenade
33:53and not only did he go blind,
33:55but they also had to amputate his left arm.
33:57Those wounds will credit his courage for the rest of his days.
34:02Well, given the circumstances,
34:04he decided to break the engagement with his beloved, but she refused.
34:06So they ended up contracting a marriage in Paris,
34:09surrounded by other crippled soldiers and a large audience.
34:16Well, you've been interrupting me all the time and now you can't think of saying anything.
34:20It seems like a beautiful love story.
34:22Yes, it's very moving, but from there you start to shed tears.
34:27Well, that's what it's like to be a sensitive person.
34:30It's impressive what can be done for love.
34:33Margarita, don't let yourself be carried away by sentimentalism.
34:36Lorenzo, I'm talking about pure love.
34:39Sincere love.
34:41Like the one my nephew Manuel Porjana has.
34:44Do you also call love the refuge between a man and a maid?
34:47Look, really, you can't talk to yourself.
34:49It's like talking to a wooden doll that neither feels nor suffers.
34:52Hey, we military people feel and we military people suffer.
34:56But inside.
34:59Changing the subject,
35:01I'm struck by the frequency with which the Duchess of Carril visits us.
35:07Do you know something?
35:09Well, she does it with Cruz's permission. She's talking to the cooks.
35:12Well, I've been told.
35:14That she's making a recipe book.
35:16She's writing a book about the best recipes in the area.
35:19Emilia Pardo Baza style, yes.
35:21Yes.
35:23I don't think there's enough boredom in the world to do something like that, honestly.
35:26It's true that it's an eccentricity, but it doesn't hurt anyone.
35:30No, no, stupidity only hurts oneself.
35:32Cooking recipes.
35:34What's next?
35:36Competitions on how to starch a shirt?
35:39Of course, you're not going to see me there.
35:43It's strange that the Duchess has lost her mind in such a way.
35:47So much so that ...
35:49I'm surprised that the interest in recipes is what has attracted her to the promise.
35:53What are you insinuating, Lorenzo?
35:55No, I'm not insinuating anything, I'm just emphasizing how strange the situation is.
35:58So much so that it's hard for me to believe that I don't have a hidden goal.
36:02If it were a trick, you would have come up with a smarter excuse, don't you think?
36:06It depends on the goal, right?
36:08Besides, what other interest besides that can have such a distinguished Duchess to be in the kitchens?
36:16It seems so.
36:23Well.
36:25Quiet, stop. Where are you going?
36:28Well, I have laundry clothes in the laundry.
36:30Put it in the laundry.
36:32But why? Do you need something?
36:34Yes.
36:36And are you going to tell me?
36:38Hanna, why don't we tell the truth about Doña Pia?
36:41It's hard for me to hide every time they talk about her.
36:44I know.
36:46Someday I'm going to shit my pants without realizing it.
36:48With Simona before, I had to bite my tongue and almost bleed.
36:51I've noticed.
36:53But you have to calm down and not advance the events.
36:56The biggest event is that the bastard Gregorio is already dead.
36:58There is no point or reason to maintain this farce.
37:02Maybe I know.
37:04Why don't we tell the truth about Doña Pia?
37:07Hanna, if it's going to be a relief for everyone to know that she's still alive.
37:11It would be a relief and a good scare.
37:13That the people who see her will think that she has resurrected from among the dead.
37:17Well, yes.
37:19If she's going to shit her pants.
37:21That's why it's something you can't say just like that.
37:23I know.
37:24I know.
37:26But at some point we'll have to put the cat to the test, right?
37:29We can't do anything on our own.
37:32This is a very delicate matter.
37:34Hanna.
37:36No, Maria, no.
37:38This has to be consensual with Mr. Baeza.
37:40And we have to respect the times he sets.
37:42Yes or no?
37:54Yes.
38:01Father, can I talk to you for a moment?
38:05May I know why Mr. Baeza says that my mother did not die of tuberculosis?
38:09What's that about?
38:11Don't answer me with another question.
38:13I heard Mrs. Arcos tell Mr. Baeza.
38:17Mrs. Arcos told you?
38:19I don't want any more questions, I want answers.
38:21The important thing about that version
38:23is that it contradicts what you've always told me.
38:25According to Mr. Baeza, my mother did not die of tuberculosis,
38:28but of appendicitis.
38:30I have to give this correspondence.
38:32No, really, you're not going to tell me anything?
38:34Yes.
38:36That you shouldn't let yourself be influenced by bad companies.
38:38It's not convenient for you to be so close to Mrs. Arcos.
38:40No.
38:42Don't charge against the messenger.
38:44But don't you realize that the only thing that woman is looking for is to separate us?
38:46But that's a lie.
38:47Mrs. Arcos is good to me and she cares about me.
38:49And I can't say the same about you.
38:51Besides, I don't want to talk about Mrs. Arcos with you.
38:53I want to talk about my mother.
38:55Okay.
38:57What do you want to know exactly?
38:59The truth.
39:01You already know the truth.
39:03You've always known it.
39:05And if Mr. Baeza has mentioned another disease,
39:07it's a mistake you don't have to pay attention to.
39:09And now, if you don't mind, I have things to do.
39:11And you too.
39:13Pick up that table.
39:17Yes.
39:30Yes, I'm very sorry.
39:32I promise I'll call again to fix a new appointment.
39:37Well, thank you very much.
39:41Mother, what time did we have the bride's dress test?
39:44Well ...
39:46I just canceled the appointment right now.
39:49And that? I thought you were already excited about the meeting.
39:52Well, because all this Manuel has put my body upside down.
39:56I have no strength or desire, daughter.
39:58It's more than trying on a bride's dress, it has to be fun and exciting.
40:03And right now it's neither one nor the other.
40:06Well, I confess that I didn't want to either, so ...
40:09Well, don't think you're going to get rid of yourself.
40:11When I try on the dress, you're going to have to come with me.
40:14Well, yes. I gave him my word.
40:17I don't know. All this about Manuel has me very confused.
40:20But I don't want to ask the Marquises either, so as not to worry them any more.
40:24It's just that the uncles are the ones who have to be going through the worst.
40:27But what is it that you don't dare to ask them?
40:29Well, if they know how that Gregorio got out of jail with everything he did.
40:33I just can't understand it.
40:35No, it's very disturbing that they release a criminal like that.
40:38I don't understand, daughter.
40:40Being how he was, obsessed with Mrs. Pía.
40:44And besides, I don't think Manuel had any dealings with him either.
40:48From what I've heard, they didn't have a relationship,
40:51nor did they see each other together while he worked here at La Promesa.
40:54Yes, it's very strange.
40:56What worries me the most is not having news of Manuel since last night.
41:01But I know that the uncle is moving heaven and earth to get him out of jail.
41:05That he has been making phone calls to very influential people.
41:08Yes, but he hasn't gotten anything.
41:11What's going to happen to Manuel?
41:13I don't know, daughter.
41:15But I don't want to lie to you either.
41:17I think very serious problems are coming his way.
41:21I don't know, I have mixed feelings.
41:24But why?
41:26Are you suggesting that Manuel may have something to do with the death of that old man?
41:30Because he is not a murderer.
41:32Of course not.
41:34But that you and I believe it means nothing.
41:36Because we have to prove his innocence.
41:37Well, it will be done.
41:39It's not that simple, Martina.
41:41It seems that the Civil Guard has evidence that incriminates him directly.
41:45Yes, I've heard that too.
41:47But it has to be a mistake.
41:49Well, whatever it is,
41:51we can only wait and pray that we can't do anything else.
42:08Ramulo.
42:10Oh, Ricardo, I don't have time right now.
42:12Can I know who and why you told him that Santos' mother died of appendicitis?
42:17Lower your tone. I can't talk to you in those terms.
42:20I'm sorry. You're right. Forgive me.
42:22Answer my question, please.
42:24I'm not a psychic. I don't know what you're talking about.
42:26Well, I know you've been talking about it.
42:28And someone heard you and told my son the story.
42:31That someone is Mrs. Arcos.
42:33That's it, Mrs. Arcos. Yes, sir.
42:34So answer me, please.
42:36What story do you have to tell about my late wife?
42:40Yes, it was an interspersed conversation.
42:42Mrs. Martina asked me about Santos' mother.
42:45And I simply told her.
42:47And I didn't tell her anything.
42:49You told her that she died of appendicitis, not tuberculosis.
42:52Maybe. It was a confusion.
42:54But what does that matter?
42:56Well, look, she has it. She has it for me and for Santos too.
42:58And this innocent conversation of yours has aroused the boy's suspicions.
43:02And now he accuses me of lying to him.
43:04It wasn't my intention.
43:06Well, whether it was or not, the truth is that you've got me in a big problem.
43:09Look, I can't keep talking now because I have to go to town.
43:13There are some things that I'm in a hurry.
43:15What things?
43:17Some things. Besides, we're here.
43:19You can leave at any time. We'll talk about this later.
43:21Well, when are you coming back?
43:23When I come back, I'll let you know.
43:34I'll let you know.
43:42A lackey has just informed me that you have canceled your visit to the modesto.
43:46Yes.
43:48I didn't feel like trying on a wedding dress.
43:53You didn't feel like it.
43:55Are you aware of how much it has cost this modesto to accept the commission?
44:00I don't know, but I just didn't have the time.
44:02It seems to me that anything that happens around you is more important than your own wedding.
44:06No, no, of course not.
44:08But I don't understand why you get like this either.
44:10Because neither the modesto nor the seamstresses have taken it badly.
44:13In addition, they have told me that I could delay the test of the dress for a week or, well, as long as I go to Menester.
44:18What are they going to tell you?
44:20Ignacio, frankly, I think you're taking everything too seriously.
44:24You're taking things out of context.
44:26Come on, we don't even have a wedding date.
44:28Almost all preparations are organized.
44:29Your attitude seems to me to be an absolute lack of respect for the people who are taking care of everything being prepared.
44:35And the truth is, it hurts me.
44:39Well, I'm sorry.
44:42But put yourself in my place a little.
44:44It seems an absolute lack of delicacy.
44:47While the family is broken, I'm going to see the modesto.
44:51I'm sorry.
44:59I'm sorry.
45:21Hanna?
45:23I swear to God, my heart almost came out of my mouth.
45:25Sorry, I didn't mean to scare you.
45:29I thought you were Mrs. Marquesa.
45:32Last night I found her here.
45:34Here? And what did she do?
45:36Well, I guess the same thing I'm doing.
45:38She misses Manuel.
45:41I see.
45:43Yes, we are all very affected after Manuel's arrest.
45:47But I imagine you miss her more.
45:50Do you know anything new?
45:53No.
45:55I've been looking for you all morning.
45:57I wanted to know how you were.
46:00It's bad.
46:02But now that you're here, I feel a little better.
46:06I have tried to avoid the area of the gentlemen at all costs.
46:10Because I don't want to see anyone.
46:12And the truth is that without Manuel here, I feel alone and helpless.
46:19Hanna, I'm here to protect you.
46:22If you are close to me, nothing bad will happen to you.
46:25But you have to be strong.
46:26You have to be strong.
46:28And don't let yourself be overcome by pessimism.
46:30I know, Curro, but it's very difficult.
46:32I know.
46:34But I also know that this story has a happy ending.
46:37I hope you're right.
46:39I'm convinced.
46:41You have no proof that I incriminated Manuel.
46:44Manuel is innocent.
46:46He is not a murderer, Curro.
46:48Of course not.
46:50Do not doubt it.
46:53And now what will happen to me?
46:56I'm afraid, Curro.
46:58I'm very afraid.
47:00Come here, sister.
47:11Thank you for coming to my call, Mr. Baeza.
47:14It must not have been easy to break the promise.
47:16It doesn't matter. The important thing is to see it too.
47:19I brought you some Atahona donuts.
47:21Come on.
47:24They smell good.
47:26Sit down, please.
47:28Well, tell me.
47:30How was Badajoz?
47:32Well, it was wonderful.
47:34To hug my little girl again.
47:36Your smile says it all.
47:38Of course it does.
47:40Besides, I won't have to go back to Badajoz,
47:42because Beni and the boy, Alojan, have come back with me.
47:44And so you can see them very often.
47:46Every day and every hour.
47:48I really want to go back to normal
47:50and leave this nightmare behind.
47:54And what are you going to do?
47:56Well, Beni offered me to go with them
47:58to live with them for a season at their house.
48:01That woman is a blessing.
48:03Of course, she is an angel from heaven.
48:05But I think it's better if I stay in the cabin for now.
48:08Yes, I think it's a very good idea.
48:10At least until everything is cleared up.
48:12Well, yes. You have to think that in theory I'm dead,
48:14so I prefer that people don't see me for Lujan
48:17until all this is cleared up.
48:19But let's stop talking about me and tell me,
48:21how's everything going for the promise?
48:23Well, bad. Very bad.
48:26The Civil Guard has arrested
48:29Don Manuel, accused of the murder of Gregorio.
48:32But that can't be.
48:34Well, it is.
48:36But why? What evidence do you have against him?
48:38Well, at first ...
48:56To be continued ...