La Promesa Ep 445 Completo - La Promesa Cap 445 Completo - La Promesa RTVE Serie
La Promesa Ep 445 Completo:
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La Promesa Ep 445
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La Promesa 445 Completo
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La Promesa Ep 445 Completo:
La Promesa Cap 445 Completo
La Promesa Cap 445
La Promesa Ep 445
La Promesa Ep Completo
La Promesa 445 Completo
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FunTranscript
00:00It's pretty low, isn't it?
00:21Look how little we need, Osvaldo.
00:23I'm exhausted, Fernandez.
00:24Thank goodness I didn't come here to stay.
00:26Otherwise we'd never have gotten out of this.
00:28What are you saying? Something would have happened to us.
00:30Do you think Mr. Pellicer would have gone out to eat?
00:32Surely. Get rid of the fear of the body, sister.
00:34Marcelo, don't be naïve.
00:36These are the ones hidden in the office of the mayordomos.
00:38They would have put us on the streets of Ipso facto.
00:41At least things have gone well.
00:43Let's hope so.
00:45We have managed to tear down the pages of both newspapers.
00:48And it seems that before anyone saw my portrait.
00:50You said it yourself, it seems.
00:52But we have no certainty.
00:54And don't you think that if someone had recognized me, we would have realized?
00:57No, Marcelo, not necessarily.
00:59That person could have gone straight to the civil guard.
01:01I don't know. They would look at us differently.
01:03We would notice something.
01:06Let's hope you're right.
01:08Now the most important thing is not to go down to the guard.
01:10Do you hear me?
01:11Yes, woman.
01:12The important thing is to stay here, but without drawing attention.
01:15Understood?
01:16I already told you yes.
01:17Well, the most important thing now is that you honor what you have said.
01:21Let's get out of here.
01:23Come on.
01:28A few hours later
01:41You have to forgive me for arriving so late.
01:43I was busy with the shopping and you know what time it is.
01:46Don't worry, we have excused you from dinner because of your absence.
01:52Did I miss something?
01:55No.
01:56It was a very normal dinner.
02:00Are you sure?
02:01You don't seem very happy.
02:06It's just that ...
02:10something happened that I didn't expect.
02:13And it is?
02:16I don't know if it's convenient to talk about it with you, not because I don't trust you,
02:21but because it concerns the family and third parties and ...
02:26Well, talking about things is always good.
02:28And doing it with someone from outside sometimes gives us a perspective that we had not contemplated before.
02:37Well ...
02:39In short,
02:41Don Pelayo didn't come to dinner until it was already started.
02:45And when he appeared, he was in ...
02:48a very worrisome state of drowsiness.
02:51But what are you telling me?
02:53And the worst of all was not that state of drowsiness, but ...
02:57the announcement he wanted to make to the whole family.
03:00What?
03:04That ...
03:05That Catalina is pregnant.
03:09And what did Catalina say?
03:12Has she confirmed it?
03:13No.
03:14No.
03:15Has she denied it then?
03:16No, not at all. Not one, not the other.
03:18She got up and threw Pelayo out of the dining room, pushing him and ...
03:23My goodness, what a situation.
03:25And if what the count says is true ...
03:29I don't want to tell you the consequences of a pregnancy out of wedlock for ...
03:33the reputation of the Lujan family.
03:35And for the life of my cousin Catalina, which is the most important thing.
03:38That goes without saying, yes.
03:39I know your cousin a little, but I value her.
03:43Let's hope the pregnancy thing is not true.
03:46It would be a very bitter trance for her.
03:48I just hope this has been a delirium of Pelayo because of the drunkenness and that's it.
03:53I hope it's just a delirium.
03:57And about ...
04:00the pregnancies out of wedlock ...
04:04I wanted to talk to you about the conversation we had about ...
04:09that Hanna and Curro could be brothers.
04:12It's not that they could be, it's just that, according to Curro, they are.
04:16The more I think about it, the less I can believe it.
04:20I don't know them as much as you do, but ...
04:22I do believe it.
04:25Could you tell me everything you know again?
04:29If I know, I don't know much either, Martina.
04:32What Curro told me, that ...
04:34he and Hanna are brothers.
04:36Both sons of Don Lorenzo, but of different mothers.
04:40And Hanna is the daughter of ...
04:42the captain of the Mata with a maid from La Promesa.
04:48It's just ...
04:49It seems so strange to me.
04:52It seems impossible to me.
04:54But why?
04:55It's not because of Don Lorenzo's moral rectitude, because ...
04:58he does much worse things, we already know that.
05:01So what?
05:04Hanna is Curro's four years.
05:07Four or five years before Curro was born?
05:11The captain could not seduce any maid from La Promesa,
05:14because he did not step on La Promesa.
05:16Come on, he hardly even stepped on Spain.
05:18How can you be so sure?
05:20Because as I understand,
05:22the captain was living in Cuba several years before the war.
05:25But when it started, he wanted to escape the conflict.
05:30So Hanna had to be born before the war started?
05:34Exactly.
05:35And I know all this because my uncles are always recriminating Lorenzo
05:39for escaping wars.
05:41In fact, when he returned to Spain, he was sent to Morocco
05:43and practically the same thing was done.
05:46So what Curro told me ...
05:50It has to be a ...
05:52It has to be a hoax.
05:55And this surprises me a lot, because I know that Curro hates lies.
06:06Oh my God, what a face! What's up?
06:08Has something happened up there or what?
06:10Something, Candela, something little.
06:13Marimorena is bad, come on.
06:14This has happened, it has happened, unbearable.
06:17María, why don't you tell us all at once?
06:19Well, since they don't have any money ...
06:21Count Dañi, who showed up at the dining room
06:23when everyone was already having dinner.
06:25Let's see, María.
06:26I don't know if I can tell you,
06:28but I don't know if I can tell you,
06:30but I don't know if I can tell you,
06:32when everyone was already having dinner.
06:34Let's see, María.
06:35Arriving late is rude, but come on.
06:38Not only that, Mrs. Simona,
06:40who has shown up disorganized in the dining room
06:44and with a merlisa ...
06:46With a merlisa ...
06:47What am I waiting for?
06:48Drunk.
06:49Drunk, drunk, but drunk.
06:51Come on, I'll open it.
06:52What a shame!
06:53Let's see, yes.
06:54It's not right to arrive late and in a drunk state to a dinner,
06:58but come on, it's not that bad either.
07:00It's not that bad either, Mrs. Simona.
07:02He has come to the dining room, drunk, disorganized,
07:06and on top of that ...
07:07That he sat at the table as if nothing.
07:09No, no, he didn't sit down.
07:10He dropped a bomb.
07:11Since you don't know what I said about Miss Catalina ...
07:16Hold on, I'm coming.
07:18Oh, mother.
07:19She's pregnant.
07:24Mrs. Simona, you had to know something about all this.
07:27That you tell you everything?
07:29No, no, no, no.
07:30I didn't know anything.
07:31Well, even if I had known, I wouldn't have told you either.
07:35A single pregnancy.
07:37Come on, what the gentlemen were missing, just as it is.
07:40Now you will see how long it takes to get married.
07:42Well, let's see, let's see,
07:44we don't know if the pregnancy is true, right?
07:46Exactly.
07:47And also, as you said, Maria,
07:49Don Pelayo was very drunk.
07:51Yes.
07:56Does it take a little to set up a colloquium or not?
07:59Come on, everyone to work.
08:01Don't you like us to talk, Mr. Pellicer?
08:05Don't look for the tickles, Mrs. García.
08:08And why, if I don't think I have them?
08:12What do you think if we go back to work?
08:14A great idea.
08:15Great, top notch.
08:17Well, come on.
08:19Hey.
08:20Come on.
08:21If you go.
08:23Let's go.
08:41Thank you very much for the lover, Mr. Pellicer.
08:44But you didn't have to worry about these things.
08:49Of course I'm worried, sir.
08:53And I feel like I'm wasting my time.
08:55What?
08:56For not looking for you.
08:58So what do you mean?
09:01I mean that the investigation is moving forward.
09:03The days go by and you are still locked up here unfairly.
09:07And surely the murderer is still out there.
09:10Who knows if he's thinking of killing again.
09:12No, no, just that the investigation is stopped, sir.
09:15Well, that's what I think.
09:17And?
09:18And why do you say that?
09:32Because I was talking to Sergeant Burdin.
09:35And he made me understand that the investigation is practically concluded.
09:38And do you know why?
09:39I can't imagine.
09:41He says that with his testimony and the evidence gathered, he can close the case if he wants.
09:45Well, that's good news then.
09:46No, it's not.
09:47Yes, yes, that's better.
09:48Mr. Baeza, your attitude is desperate.
09:50You know that.
09:51Sir, don't get angry.
09:53And less with Sergeant Burdin.
09:55If he came to this conclusion, it was because I made it easier for him.
09:59I know.
10:00And very badly done on your part, I already told you.
10:02Well, I rectify.
10:03No, if he gets angry, it's better that he doesn't.
10:11Mr. Baeza, the real murderer is still out there.
10:14Well, that's according to your conviction, not the sergeant's.
10:19I know.
10:21I, that the sergeant does not want to do what he has to do, we will have to be the others who do it.
10:25No, sir, that seems to me an unfortunate idea.
10:27Well, not unfortunate, crazy, I would say.
10:29I'm not going to give up.
10:35Mr. Baeza, cover yourself now that you can, okay?
10:39The cold of this tent can get into your bones, especially at night.
10:44I don't know.
10:53Does the lady prefer to eat something else?
10:56The lady could not eat without a piece of wind.
10:59As you like, sir.
11:02And on top of that, they make us wait.
11:04Where will Catalina and Pelayo be?
11:07Something tells me that one of the two is sleeping at the Mona.
11:10Well, they better show up here, both of them, the Mona and Catalina.
11:14Especially her, who did not even dare to return to the dining room after last night's fright.
11:18Well Cruz, she will give you the appropriate explanations.
11:22Do you think so?
11:23No, I don't think so, nor am I overpatient.
11:27What? Do you think the time has come for you to call Catalina or do we not deserve an explanation?
11:32Yes, I think so.
11:35Teresa.
11:36Yes, sir.
11:37Please, let my daughter know that we are waiting for you.
11:41She and Don Pelayo.
11:43Right now, sir.
11:46Since when are things asked for favor at the service?
11:49It's not too much.
11:51Sure, that's why things happen later.
12:04Do you know what we're going to do, miss?
12:06I can imagine. I've been coming down to see you for years.
12:12I'm sure if you eat a little, you'll calm down.
12:16Have you had breakfast yet?
12:18No, and not because I'm hungry.
12:21In its natural state.
12:25It's just that I didn't want ... I didn't want to go down to the dining room.
12:28To avoid them all, I couldn't face the truth and ...
12:34Well, it's useless.
12:36Pelayo left last night.
12:38Yeah, yeah, I know.
12:42What that man did has no justification.
12:46Well, he drank, Simona.
12:47And luckily he didn't say everything, because otherwise ...
12:50Let him say it, well.
12:52But let him say it, no.
12:53And now that they don't stop, that the alcohol made him sing.
12:57No, because it's to hit him with the ... the knee on all sixes.
13:01Neither good nor good, miss.
13:03Because you have to take responsibility for your actions.
13:05And if you are so brave to fight uncontrollably,
13:07you are also to assume the consequences. Come on, I say!
13:13And now she laughs?
13:15No, Simona, you are very funny.
13:19The clown Simona.
13:22If I laugh because I don't cry.
13:26That's what scares her, miss.
13:28You know it perfectly.
13:31All this overwhelms me.
13:32It's just that it's all so strange.
13:35It's as if I had to go up a very high tower and ...
13:38and feel the vertigo even before going up.
13:42And don't tell me that I already told you, please.
13:45I hate to be told that.
13:47Okay.
13:49If you don't want to hear it, I won't tell you, but ...
13:52Whether you tell him or not, you have to breastfeed him.
13:56Excuse me, miss.
13:58Your father demands you in the dining room.
14:01I'm going now.
14:05Yes.
14:18How can one present himself like this in front of those who pretend to be his future in-laws?
14:23By presenting yourself like this, do you mean the truth in front of you?
14:26I mean Ebrio.
14:27Smoking, come on.
14:29Well, because what Ayala said is not the time.
14:32Anyway, you should be right about that.
14:34It is true that Pelayo has never been a saint in my devotion, but beyond that,
14:38last night was ...
14:40an unjustifiable defection.
14:42An absolute indelicacy.
14:44Please, we were having dinner.
14:46And suddenly he stands here, that pedimetric, and lets loose what he lets loose.
14:49And in a regrettable state.
14:57I am willing to tell the truth.
15:01Well, daughter.
15:02That's something.
15:05I wanted to apologize for what happened last night.
15:10But only for the forms, because what Pelayo said is ... is true.
15:15I'm pregnant.
15:19Very well.
15:21You let it go like that and you have an orange?
15:24Well, it's ...
15:26It's a pregnancy, it's something natural, right?
15:28Yes, yes. Very natural.
15:30Very much.
15:31You just need a little detail.
15:34And it is that you are the daughter of the Marquis of Lujan and you are single and uncompromising.
15:39Well ...
15:40There are still more details than you can imagine.
15:43Do you want me to tell you?
15:45For God's sake.
15:48Daughter.
15:49Can you tell us everything?
15:53Because you are making me understand that there is something else.
15:57Yes, there is something else.
16:00I need an apology.
16:02My apologies.
16:03For the disgusting behavior I had last night.
16:06I beg you to forgive me, I was overwhelmed because ...
16:09Because neither Catalina nor I know that we have not acted in the best way.
16:15But there is no more remedy.
16:17And the reality is that we are expecting a child.
16:20Both.
16:24And I wanted to take the opportunity to apologize to you, Catalina.
16:28For embarrassing you in front of your family.
16:31I promise you, and I also promise all of you,
16:34that I am willing to amend my mistake.
16:36I love you.
16:59And what is that?
17:00Money.
17:02But it's not for you.
17:04It's for Mrs. Adarre.
17:06It's a lot, but ...
17:08Well, for now, it's all I've been able to get.
17:12I don't know if I understand you, Mr. Pellicer.
17:17Mr. Marqués has confirmed the order given by his wife.
17:21Mrs. Adarre will not be able to work in the province again.
17:24What a surprise.
17:26The Marquis doing what the Marquess wants.
17:29Don't worry, I don't think Mrs. Pia will keep the hope that her luck will change.
17:33I can imagine.
17:36And anyway, why don't you give him the money?
17:39I don't see why.
17:41Well, because you are the one who managed to get the Marquis out.
17:45And I'm sure you're glad to see him.
17:49No.
17:50If you limit yourself to fulfilling the task I just gave you, that would be enough.
17:56Are you sure?
17:58Yes.
18:01I don't want Mrs. Adarre to be deceived.
18:03I'm not the one giving you this money. It's the Marquis.
18:06As an apology for not being able to return your job.
18:09And ... and also as ... as an act of goodwill.
18:14An addition to the maintenance that I already received by right.
18:19As you say.
18:22Do you want anything else?
18:23No, no, that's all.
18:25Thank you very much, Miss Fernanda.
18:37It seems that you have proposed to return me, among all, with such a visit.
18:41I have some things for you.
18:42If you want, this is endless.
18:44Let's see, what is your excuse for coming?
18:47Well, look, I had to do some errands in Lujan.
18:49And that's why I went to see Mrs. Pia, who, by the way, sends her a lot of affection and ...
18:55And I happened to come to see you.
18:56Oh, and how is the boy?
18:59Very well.
19:00That's the important thing.
19:04I brought you some piñatas.
19:05Do you want some candy? I encourage you.
19:08Very good.
19:09Thank you very much.
19:12Encourage me, right?
19:13I'll tell you in advance that I'm going to eat them anyway.
19:17Hey, and why don't we talk about the circumstance that is not mine?
19:21Tell me, for example, about your relationship with Don Manuel.
19:23How are things going?
19:25Well, there is not much news.
19:29Oh, yes.
19:31Oh, yes.
19:32Well, but has something happened?
19:35No, nothing in particular, but ...
19:38Manuel seems to have to go to a social event and wants me to accompany him as his partner.
19:42And what social event are we talking about?
19:45It must be a small thing, as Manuel told me.
19:48Like an intimate snack that I have organized with Don Jacobo, the son of the Marquises of Moguer,
19:53and with the rest of my friends.
19:54Yes, I know them, yes, yes.
19:55The Moguer and the Lujan are very appreciated.
19:58And the idea of Don Manuel is wrong.
20:01It seems to me that ...
20:03that an intimate meeting is the perfect scenario for you to debut as the promised one.
20:10Besides, it's going to happen.
20:12As you believe.
20:13The truth is that I don't know if I fit among all those people.
20:17You know how to get involved anywhere.
20:19You know how to be there and you have an intelligent and pleasant conversation.
20:22Well, it's between service, but ...
20:24Intelligence does not understand surnames, miss.
20:27Be yourself.
20:28You'll see how it's going well for you. Enjoy.
20:30Thank you, sir.
20:31And if you don't know what to do, well, don't tell me anything.
20:34Just sit down and smile.
20:38I hope everything goes well for you.
20:41I hope.
20:43This is ridiculous.
20:44You are here, in prison, and I'm telling you all this about the snack.
20:48No, not at all.
20:49Besides, if you're doing it, it's because I asked you to go.
20:54Anyway, I'm going to have to go.
20:55I don't want Mrs. Petra to give me a good scolding.
20:57No, yes, of course.
20:58Go, go.
20:59Don't provoke the beast for my fault.
21:03I want you to know that all the service people send you memories.
21:06And many kisses and many hugs.
21:08Very good.
21:09Go, go.
21:10Don't be too late.
21:12Don't lose hope.
21:14I won't.
21:25I won't.
21:39Come on, what's up with you?
21:40What's wrong with you?
21:42I was thinking about Mrs. Pia.
21:44Oh, come on.
21:46It's very unfair, Candela.
21:47It was already unfair when she stopped being a key master.
21:50It's even more unfair that they don't let her come back, not even as a maid.
21:53There is no right.
21:54This issue has made me very angry.
21:57It's just that my poor thing is going through a calvary and I'm even ashamed to take this from her.
22:02And what is that?
22:03Money.
22:04I'm going to give it to Mr. Pellicer from the market so that Mrs. Pia can get it.
22:07As if that were going to fix something.
22:10Look, Maria.
22:12In everything before, I have to give you the reason because you take it.
22:15But not the money.
22:18And why is that?
22:19Well, I'm going to explain it to you in a well-explained way.
22:21And go ahead.
22:22I think it's good that Mrs. Darre has all the good things because she's going to win.
22:27And this is good news.
22:30Oh yeah?
22:31Yes, miss.
22:32Because you say that that money is not going to fix anything.
22:35And I don't agree with that.
22:37You think that Mrs. Pia already receives an assignment from the Marquis.
22:42A good quarter.
22:43To pay for Diego's education.
22:46And thank goodness.
22:48And now with the help of the Marquis.
22:50Well, he's not going to get any more while he's looking for something.
22:54Yeah, Mrs. Candela.
22:55And I was going to tell you something else.
22:58Mrs. Darre doesn't have any more suitors because she doesn't want them.
23:01And what does that have to do with it?
23:02Like me.
23:03She's a pretty woman.
23:05A figure to look at.
23:07And a hair that draws attention.
23:09Come on.
23:10Mrs. Pia is not going to have a problem finding love either.
23:13Yes, yes.
23:14If that's true.
23:15Although she has a career that I wouldn't want for myself.
23:18With how wise she is.
23:19And the bad eye she has for men.
23:21You're right about that.
23:23What do you want?
23:24That she had to go through death to get rid of her husband.
23:27And then resurrect as Jesus Christ.
23:30Give me the money.
23:31If you want, I'll take it to the house of Beni.
23:33And in the meantime, I can go to Diego.
23:35I really want to hit him.
23:36Well, one, two, three.
23:37Whatever you want.
23:39Well, if you don't mind.
23:40Of course I don't mind.
23:42And now, another thing I'm going to tell you.
23:44As unfair as it seems to you.
23:46We have to thank the Marquis.
23:48For not having left Mrs. Pia helpless.
23:50Because that would have been the easiest thing for him.
23:53It was just missing.
23:54Of course.
23:55Because all this story of going through death of Mrs. Pia.
23:58Mr. Marquis gave him his blessing.
24:00Another thing is that now the Marquise doesn't want Mrs. Pia back.
24:02And the Marquis is drunk.
24:04You'll see how they find out about that.
24:06He would be ashamed.
24:08That's what the truth has today when it leaves you bad.
24:11I mean.
24:12Do you think this envelope is because the man feels guilty?
24:16What do you mean?
24:18What do you mean?
24:42What do you mean?
24:47What do you mean I come in peace?
24:51I need to fix our relationship.
24:59But do you really think what I've done is so serious?
25:03Do you think it's Mrs. Simón and Mrs. Candela?
25:05I trust them.
25:09I don't know if the solution is that we are angry forever.
25:13Tell me something.
25:14Please.
25:17You're not going to tell me the word again.
25:20You want to stop talking about all this as if I were a little girl.
25:25I'm sorry.
25:27What you did was very serious.
25:32I know.
25:33And I've explained it to you.
25:35Yes.
25:37And you didn't convince me.
25:40And you didn't convince me.
25:43There are no enough arguments to justify the betrayal you've done to me.
25:47I haven't betrayed you, my love.
25:49Of course you have.
25:50I haven't done that.
25:55You can put all the nuances you want.
25:58It wasn't a premeditated betrayal.
26:00It was an abrupt betrayal.
26:02But it was a betrayal.
26:07Look.
26:08I don't know where I read it or who said it.
26:11But I think it's true.
26:15Trust is won with a thousand acts and lost with just one.
26:18Please.
26:19No.
26:22Lope, you betrayed the trust I had placed in you.
26:27And that trust was everything to me.
26:29Do you understand?
26:38Maybe you're right.
26:43And the most logical thing is to be together forever.
26:47What are you saying?
26:50Are you saying we won't talk to each other anymore?
26:53Are you saying we should ignore each other? Is that what you want?
26:57Yes.
27:03Look, you're aware of what you're saying.
27:08I'm sorry.
27:14I've been thinking about leaving La Promesa.
27:18No.
27:19Don't say that.
27:21Say something that's already been decided.
27:25I'm leaving in a few days.
27:39LA PROMESA
27:49You look half as good as you really are.
27:52Of course.
27:53Did they have to cost you a fortune?
27:55Well, the occasion deserves it. I think so.
27:57Of course.
27:59And you're going to look perfect in the dress.
28:01The dress is so ugly.
28:02But I love it.
28:04We've already done the final arrangements and you have to try it again.
28:08Well, I don't think it's necessary.
28:10Come on, you're just going to show off.
28:11Besides, you're going to look like a glove.
28:13You're going to look beautiful.
28:14We haven't talked about the hairstyle yet.
28:17Oh, well, it's true.
28:18Well, I think you're going to look very good like this, backwards.
28:20That way, they'll discover your sweet face.
28:24Well, I think I'd look more loose.
28:26Loose, Teresa, daughter? You're poor.
28:29But I'm not rich either, Maria.
28:31Well, for now.
28:33I meant that you should wear a loose part.
28:35Because that way, when the sun hits you, well ...
28:38You'll appreciate your golden color more.
28:39My God.
28:40Between Dulce's face and the sun, I don't know what to tell you.
28:43Do you want to stop talking nonsense?
28:45It's such a blessed glory.
28:46Well, it's just that I'm very tired.
28:49Let's see.
28:56You look beautiful.
29:01Good afternoon.
29:03Manuel.
29:05What's going on?
29:08The snack has been suspended.
29:16Apparently, my friend Jacobo has suffered an indisposition.
29:24I'm sorry.
29:33This is almost done.
29:35Almost, almost.
29:37Two minutes and that's it.
29:41But what are you doing?
29:42I'm going to pee.
29:43Where to?
29:44First to change, and then I'm going to see Doña Pia.
29:47Because today I have an afternoon off.
29:50To end, love.
29:52I'm crazy to see her and the child, I won't even tell you.
29:54Normal.
29:55I'm also going to take some money.
29:57And that?
29:58Don Alonso, who wanted to give her a compensation
30:00for the fact that his wife has refused Doña Pia to come back.
30:04Well, you have to say it.
30:05You have to.
30:06Well, yes.
30:08Give her a very strong hug from me.
30:10I'll give it to her.
30:11And don't stop telling her that she can count on us for whatever she needs.
30:15I'll tell her.
30:16The truth is that things are not that easy.
30:19But at least if she knows that she can count on us, then ...
30:23Something else is happening to you, right?
30:25What things do you have?
30:26Come on.
30:27What is it?
30:29You know.
30:30It's for Miss Catalina, right?
30:33That's right.
30:35Last night I lied.
30:36Oh, Simona.
30:39I had known for a long time that Miss Catalina was waiting for me.
30:44I was surprised that you didn't know.
30:46You know everything.
30:47Don't worry.
30:48I don't take it badly.
30:50Thank you, Candela.
30:52I understand perfectly well that you won't tell anyone.
30:54Candela couldn't fail Miss Catalina.
30:57Of course not.
30:59And now the truth is that ...
31:00It doesn't matter because everyone already knows it, but ...
31:03But I suffer.
31:04Because ...
31:05You already know that I love her like a daughter.
31:08And I'm worried about her future.
31:10Well, what do you want me to tell you, huh?
31:11It doesn't seem so serious to me either.
31:12Because look.
31:13The young lady is healthy.
31:15She has money.
31:16And she has the father of her child by her side.
31:19In addition.
31:21That she is not going to be the first girlfriend to get married.
31:25Nor will it be the last.
31:26And as Reza has said.
31:28When passion squeezes.
31:30There is no baguette.
31:32Still, Candela.
31:33I'm worried.
31:35I can't help it.
31:37When things start to go wrong.
31:39Then ...
31:40No one understands them.
31:43Come on, girl.
31:45I'm going.
31:46Don't go without taking care of yourself.
31:47Goodbye.
31:48A kiss to Dieguito.
31:49Yes.
31:57Well, don't let it get to you either.
31:59It's not worth it.
32:00Well, it will pass.
32:01Nothing happens.
32:02Of course.
32:04And you will see that when Don Manuel's friend recovers.
32:07He will organize another snack.
32:09And if it's not a snack.
32:10It will be any other party.
32:12But the important thing is that Mr. Manuel wants to introduce you to society.
32:15And with that, you have to stay.
32:17I mean.
32:18You are better.
32:20Me more.
32:21Teresa not so much.
32:22Hey.
32:23Thank you very much.
32:24And not only for helping me so much.
32:26But for ...
32:27For always being evil.
32:47I understand that you will not be able to go to that meeting.
32:50I understand that you will not be able to go to that meeting.
32:54What a shame.
32:57Although you shouldn't be sad.
33:00Because believe me, it's much better this way.
33:03What do you mean?
33:05That this is great for you, Hanna.
33:09You don't care about that.
33:11No.
33:12I don't care.
33:13But.
33:14I really tell you for your own good.
33:16Because not a few lectures.
33:19Nor the advice of your friends.
33:21Not even that dress.
33:22They're going to turn you into something you're not.
33:24And you'll never be.
33:27And really.
33:28It's better not to have gone.
33:29Than to go and make a fool of yourself.
33:31And what do you know, Mrs. Petra?
33:33Well, I know what the whole town knows, writer.
33:36And the referee says it.
33:38Although the mop is dressed in silk.
33:41The mop stays.
33:44Well, now yes.
33:47No.
33:56Don't listen to her, Hanna.
33:59It's complicated.
34:00This wolf is very good at cleaning.
34:03The only talent he has.
34:14Manuel.
34:17Right now I'm not the best companion.
34:21You never are.
34:23But we love you.
34:25I prefer to be alone.
34:29Do you want another coffee?
34:35It's clear that it doesn't matter what I say, right?
34:37No.
34:38No, of course not.
34:43Why are you like this?
34:44Why are you like this?
34:48Because the snack my friend was celebrating ...
34:52Jacobo, in a week his palace has been canceled.
34:56What?
34:57I mean, are you like this for a snack?
35:01No.
35:03I'm like this because that snack was important.
35:06Hanna was going to accompany me.
35:07It was going to be our first social act.
35:10And how beautiful she was going to be with Leonor's dress.
35:14And do you know why it was canceled?
35:19For an abdominal indisposition.
35:25I feel sorry for her.
35:27Yes, I miss her.
35:32Do you miss her? Why?
35:38Well, it doesn't matter. They are my things.
35:40I work.
35:42Do you miss her? Why?
35:44Let's see ...
35:45I find it strange that a meeting scheduled for next week has been canceled.
35:50Because today, the host has had an abdominal indisposition.
35:55That is, they have seen it so badly that they already know that it will not be good for next week.
36:01Yes, I think Curro just walked me.
36:05It's just that I'm very good at walking.
36:07Please.
36:09Walk where?
36:10Walk where?
36:13It's just that I heard Aunt Cruz talking on the phone.
36:17I didn't want to pay attention to her because I didn't hear what she was saying or who she was talking to, but ...
36:24Now I think it makes sense.
36:30Do you mean that my mother has been maneuvering behind my back
36:33so that Jacobo's family would withdraw from his invitation?
36:36It's what it seems.
36:41So that snack has been canceled.
36:45No.
36:48They have decided not to invite us thanks to my mother.
37:06Pass me a hammer, please.
37:11Here it is.
37:12Thank you, López.
37:23Those are the umbrella rods you were talking about, María.
37:26There you have them, Simona.
37:27I turned them into lightning bolts.
37:29In radios, María.
37:30That's what I say, lightning bolts.
37:32And this more than fixing the bike, haven't you just destroyed it?
37:36Absolutely, Candela.
37:37What you have to understand is that the wheel has to be perfectly circular,
37:43so that the lightning bolts fit there.
37:44Lightning bolts.
37:45That's it, lightning bolts.
37:46What a thing, anyway.
37:47I'm leaving.
37:48There are many bicycles and not so many free afternoons.
37:51Goodbye.
37:52Enjoy.
37:53Goodbye.
37:59This is known to be like weaving a metal spiderweb, Simona.
38:03Totally.
38:04Now that it takes time ...
38:07I think so.
38:08I didn't think doing something so simple would cost us so much work.
38:11Me neither.
38:12What I do know is that if the wheel is not completely circular,
38:15we have wasted time.
38:25And there are some ...
38:28that don't fit.
38:30Let's see.
38:32No.
38:33Let me do it.
38:35Be careful not to stain me.
38:41Olé!
38:42There we are.
38:44Thank you, Lope.
38:46Well done, well done.
38:47As my mother used to say.
38:48This is getting rounder than Mrs. Simona's empanadas.
38:51My empanadas?
38:53I've been surrounded by Andalusians for so long,
38:55and I'm still surprised how exaggerated you are.
38:57No exaggeration, Mrs. Simona.
38:59Expressive.
39:00Ah.
39:01That must be it.
39:02And do you think that's going to hold up
39:04the weight of the bike or the one that goes up?
39:06Man, not like that.
39:07We still need to put the camera and the roof.
39:10No.
39:11Well, yes, it's tiring.
39:12Have you fixed a bike?
39:13No, no.
39:14It's just that Marcelo is not fixing a bike.
39:15He's building it again.
39:17Be careful.
39:18Lope is right.
39:19It's not the same.
39:20Exactly, Lope.
39:33What?
39:43The last thing I needed was Fuster's visits.
39:48You asked me to focus on controlling
39:50that everything goes well in the promise,
39:52and that's what I'm doing.
39:53Within the possibilities.
39:54I knew I could trust you.
39:57The cooks miss you too.
39:59Of course, between each other,
40:01you're going to end up fattening me up in here.
40:04How are you?
40:05Good.
40:06Good, but good, good, or good to get out of the way?
40:09No, good.
40:10Given the circumstances,
40:11which you see what they are,
40:13here one is governed by other things.
40:15You have no choice.
40:16What things?
40:17Today I had a good day.
40:19I have not only received Mr. Manuel's visit,
40:21he has also come to see me,
40:23Miss Expósito,
40:24and now you introduce yourself.
40:26I have no complaints.
40:27And if I had, I would be ungrateful.
40:29That's why.
40:33All this has me very upset.
40:36Romulo, I confess, I'm not going to lie to you.
40:39What do you mean by all this?
40:41Well, you're here, in prison,
40:43accused of something very serious,
40:44awaiting trial,
40:45and you don't seem to care.
40:47Yes, yes, I care.
40:49But I'm not worried about my luck,
40:51because it's clear that it doesn't depend on me,
40:54so why would I worry?
40:56No, you know what worries me?
40:59I keep thinking about Mrs. Darre and her luck,
41:03and I've found out that the Marquise
41:05doesn't want me to work at the house again.
41:07That's right, unfortunately.
41:10Can I ask you something?
41:11Whatever you want.
41:13Intercede for her before Mr. Marquise.
41:16I've already done it, Romulo.
41:18And what?
41:19Well, it's no use.
41:21Don Alonso has come to say that,
41:23very sad.
41:25He can't contradict his wife.
41:27In those words?
41:28Maybe not, but similar.
41:30Yes.
41:31He felt so frustrated by the situation
41:33that he even gave me money to give it to Pia
41:35so that I could get ahead until I find a new job.
41:38It's something.
41:39No, it's something more than that.
41:41Because Pia has already received money
41:42from the Marquises
41:44who help her take care of Dieguito.
41:46No, this new help from the Marquise,
41:48this is an act that honors her.
41:50Of course it is.
41:52Don Alonso is a good man.
41:55And you are also a good man, Ricardo.
41:59If you say so.
42:03Hey, are you okay?
42:04Because you have a bad face.
42:05Yes, don't worry.
42:07Nothing strange happens to me.
42:08It's just that I'm here,
42:09the air doesn't run and I can't move.
42:11Well, if that's all.
42:13Yes.
42:16And how are things going with your son?
42:20I don't know what to tell you.
42:21Bad.
42:22As always.
42:24Well, right now he's doing the job you gave him
42:26before they locked you up.
42:29What job?
42:30Yes.
42:31For Mr. Marquise.
42:32It's a job for which he has to go to Puebla de Tera
42:35and to Vialquino.
42:37Ricardo,
42:39I don't know what you're talking about.
42:52Santos.
42:55How was your trip?
42:58Let's go.
43:01I wasn't expecting you back so soon.
43:05Well.
43:08I find you tired.
43:10I'm going to the kitchen,
43:11until they bring you something to eat.
43:12No, no, no.
43:13Don't worry, Mr. Arcos.
43:15Really, I'm not hungry.
43:18Really, I'm not hungry.
43:20I'm just tired.
43:23No.
43:24I wasn't expecting you back yet.
43:28I see.
43:32I also expected
43:35that my trip would last longer.
43:38That means something went wrong.
43:43You found out something about your mother,
43:44something you didn't like.
43:46Is that true?
43:52Son, what's going on?
43:55What have you found out?
44:04You won't believe it, Mr. Arcos.
44:17Why didn't you come to dinner with us?
44:19We don't waste time with frivolities, do we?
44:21And on top of that, you're insolent.
44:22I don't allow you to talk to me like that.
44:24Does she deserve something better?
44:25Don't treat your mother like that.
44:26Can I know what you have against me?
44:32If we stick to the last thing,
44:35this afternoon I found out
44:36that my friend Jacobo canceled his snack.
44:40And why is that?
44:41His life is in danger.
44:43Wow, I'm so sorry.
44:45I hope he recovers soon.
44:47I doubt it.
44:49Because the snack will be in a week.
44:51So if they've canceled it now,
44:53it's because they expect a long convalescence.
44:56So it seems.
44:58Don't play dumb, Mother.
45:00And don't take me for a fool.
45:01We both know that indisposition is a lie.
45:04I don't understand anything.
45:06What are you talking about?
45:08I don't understand anything.
45:10Indisposition is a lie.
45:12I don't understand anything.
45:13What are you talking about?
45:14What I'm talking about, Father,
45:15is that this supposed illness doesn't exist.
45:17What nonsense is that?
45:18It's not nonsense.
45:20It's clear.
45:21That convalescence is just an excuse
45:23to cancel the invitation.
45:24And it's also clear that it was my mother
45:26who called the Marquess
45:27to ask her to cancel that invitation
45:29and thus avoid introducing Hannah in society.
45:32That's a lie.
45:34What first actress has missed the scene?
45:36No.
45:38You don't believe what he's saying, do you?
45:40The truth is that I don't care.
45:42I'm delighted that the introduction
45:43won't happen in Hannah's society.
45:45Because that would be the ultimate nonsense.
45:47We agree on that.
45:49Manuel, when are you going to understand
45:51that if you insist on being with that young woman,
45:53you'll always have your mother and me in front of you?
45:55That's not going to change.
45:56So don't insist.
45:57I insist and I will insist, Father.
46:00And don't use euphemisms of bad death.
46:02I'm not with that young woman.
46:03Hannah is my fiancée.
46:05And I'm going to marry her,
46:06no matter who she marries.
46:07No matter who she marries.
46:11And so you can see that my determination is firm,
46:13I'm going to inform you of the decision I've made.
46:15I'm scared.
46:16I'm not scared anymore.
46:19I want Hannah to abandon her duties as a maid
46:22and move in with us to the noble family.
46:25No.
46:26No.
46:34Your father has deceived you.
46:36In a deliberate way.
46:38And you're right, Santos.
46:39If you go face to face with him,
46:41he will try to deceive you again.
46:43So what you have to think about very well
46:45is the next step.
46:46Right now we have to be very smart
46:48if we don't want to risk losing our son forever.
46:51Get that into your head.
46:52Those who sow winds reap storms.
46:54And now it's time to bite the hand that feeds them.
46:57I'd like to tell him I'm quitting.
47:00Are you saying goodbye?
47:02Yes, I'd rather see it that way.
47:04Yes.
47:05Until recently, I didn't know you,
47:06and now we're getting married.
47:09That's how relationships are.
47:12Yes, it has strongly affected me.
47:15But even so,
47:16there are many things about you that I don't know, Ignacio.
47:19But after everything you've done to me,
47:20you can't ask me to trust you.
47:23So what's going to happen to us?
47:26Does it mean the end of our relationship?
47:28The fact that my secret can come to light changes everything.
47:31Are you going to throw away everything we have for nothing?
47:33For a mistake?
47:34Marcelo, what was so serious that it happened?
47:36Why did you have to take refuge in the promise
47:38and pretend to be married?
47:40Don't even try it, Maria.
47:43Something very big has to be done
47:44to keep that silence.
47:46What can I tell you?
47:48I'm not a criminal,
47:50and I've never hurt anyone on purpose.
47:52I don't have any special affection for Mrs. Margarita either,
47:55but that woman must know things she doesn't know.
48:00This wedding is not good for anyone,
48:02especially not for her.
48:05Really?
48:08I know too well how to keep my mouth shut.
48:10You'll find it very funny to have lied to me
48:12about all this about Hanna,
48:14but it's not funny at all.
48:15Look, Julia ...
48:16I'm not looking at anything, I'm working.
48:17You'll find it very funny to laugh at me like that,
48:19but I think it's a terrible pleasure.
48:20How are you so sure I'm cheating on you?
48:22You were able to fulfill the order that Mr. Baeza gave you.
48:24That's right.
48:25I was thinking of getting closer to the block
48:27to put it in order.
48:29Yeah.
48:30It's true that I have a lot of work to do.
48:32I don't know if I'll find the space to do it today.
48:34Stop lying.