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00:00♪ Un desuerto y un futuro ♪
00:03♪♪
00:07We've all been left in shambles in the house.
00:13Oh.
00:15Here are the two manzanillas.
00:18What are you up to?
00:20Oh.
00:21Are you writing the will of Amiargo?
00:24How can you not want them in water?
00:26No, it's fine.
00:27I don't have a waist or legs of a dancer.
00:29I was writing him a letter of my virtues.
00:32Oh.
00:34Maybe it's a memento of me.
00:36And of Recabe when he gives us a visit with Chiquillo.
00:39That's the first thing I've asked him.
00:42And now I was telling him everything that happened with Doña Pia.
00:46I don't know if he's going to believe it.
00:48It's all very flamboyant.
00:50It's still hard for me.
00:52Yes, because it's like a foyer.
00:54But look, at least it didn't end badly.
00:56And the important thing is that Doña Pia is alive.
00:59It's one of the greatest joys I've had in recent years.
01:02I'm sure Virtudes is happy because she appreciates it a lot.
01:05Like everyone.
01:07Except for Marimandrago.
01:09The Marquess doesn't have much affection either.
01:11The Marquess has no affection for anyone.
01:13Except for herself.
01:15Petra must be smoking with the news.
01:18Because she's fed up.
01:20And after that, Doña Pia is alive and kicking.
01:23And soon she'll be here.
01:25Let's see how it goes.
01:27Because he didn't have a good time with all this mess.
01:31What a bad drink he had to live.
01:33Pretending to be dead in front of everyone.
01:35What a piece of paper.
01:37Well, apparently he was half-adopted.
01:39With that mess that he wanted.
01:43He had to be very desperate to do something like that.
01:47Imagine.
01:49He was afraid for his life and for his little one's.
01:51And in such a hurry, well ...
01:53One does whatever.
01:55Although, look.
01:57Now he has a grave in his town.
01:59That he has already given up, right?
02:01Seen like that.
02:03Although, the date of death will have to be changed.
02:05Because he is no longer married.
02:07You always have to look for the good in everything, Simona.
02:10Even in misfortune.
02:13Poor Doña Pia.
02:15If the world were better.
02:18And it wasn't full of Petras and Gregorios.
02:21But the world is how it is.
02:23You have to be careful.
02:25You have to face those people.
02:27Although, well ...
02:29Doña Pia rather fled.
02:31She hid her head in a hole, like a bird.
02:33She hid her head in her body.
02:35Because it's weird that she knows.
02:37Well, I'm going to finish my daughter's letter.
02:39I want to send it to you tomorrow when I go to town.
02:41Wait, wait.
02:43I'm going to give you some words for Virtudes.
02:45Write it down.
02:47But don't run.
02:49I want to make good handwriting and I go very slowly.
02:51Dear Virtudes.
02:53Dear.
02:55No, not dear.
02:57Dear.
02:59Dear Virtudes.
03:01Here I am, with your mother in the bedroom.
03:03Life is the promise.
03:05Keep going.
03:07One day passes.
03:09Then another follows.
03:11Then another comes.
03:13You know what I'm telling you?
03:15If you want to tell my daughter something, you write it.
03:17Well, you send the memory of my part.
03:19That's it.
03:21I was going to do it, even if you didn't tell me anything.
03:25Good afternoon, Sergeant Woblin.
03:27Come in.
03:29Sit down.
03:35Do you have any news?
03:37Mr. Manuel.
03:39I don't have any news.
03:41I just came to ask a few questions.
03:43Again?
03:45This time it was an interrogation.
03:47Do you like informal talks?
03:49Ask me whatever you want.
03:51Anything I can help you with.
03:53I won't beat around the bush.
03:55Why did you lie to me?
03:57Me?
03:59A few days ago you told me that you were the one who gave the envelope to Mr. Castillo
04:03in the Lujan tavern and it wasn't like that.
04:05You're right.
04:07I wasn't clear on that matter.
04:09It was all for ...
04:11so that Mr. Manuel would not be involved in such a sordid matter.
04:15I see. A faithful servant.
04:17It's my job.
04:19I wanted to save you that bad drink.
04:21At the cost of lying to a representative of the law.
04:23I'm sorry.
04:25But I couldn't allow an innocent man to be accused.
04:27Your innocence is to be determined and you are not the one to decide it.
04:33In fact, as the days go by, you seem more guilty.
04:37Do you have any evidence against him?
04:39Don't you think it's enough with the ones you already have?
04:41Well ...
04:43A letter in a tavern and little else.
04:45Two letters.
04:47And Mr. Manuel's statement that he spoke with Mr. Castillo.
04:49But I suppose that Mr. Castillo would also speak with other people in the town.
04:53I have to assume that those people are also suspicious.
04:57As far as I know, the others did not offer him money or met with him in a remote place.
05:01Right where the body appeared.
05:03Who doesn't go out with a guy of such audacity in front of everyone?
05:09On the contrary.
05:11If one sees a criminal, he always tries to have witnesses of that meeting.
05:15I don't see it that way.
05:17You will not see anything that can harm Mr. Manuel.
05:23Tell me.
05:25Are there weapons in La Promesa?
05:27Do you know of a palace where there are no weapons?
05:31What kind of weapons do you have?
05:33The Marquis is a great hunter.
05:35He has shotguns for smaller hunting and rifles for larger hunting.
05:38And where do you keep them?
05:40In the armory.
05:42It is a room with a reinforced door from which I only have the key.
05:46And if he is going to ask me if Mr. Manuel asked me for a weapon, I will tell him no.
05:50Let's go see that armory.
05:54And I want you to give me a complete list with all the weapons in the house.
05:58Of course.
06:04Do you keep the keys to the armory together with the rest of the keys?
06:06Yes, yes, yes.
06:08They are usually stored in good order.
06:10And yes, only I have the key.
06:14And does it always have that box open?
06:18No, it is usually closed, yes.
06:22Yeah, usually.
06:26Let's go see the armory.
06:28Please.
06:36Come in.
06:54Are you moving?
06:56Well, yes, but don't be impatient.
06:58It takes hours to move each piece.
07:00Because I have to think about the next move.
07:02The next move ...
07:04Hey, that woman ...
07:06What woman?
07:08That one over there.
07:10No?
07:14I don't know.
07:16Martina, don't be a child.
07:18My tower.
07:20What tower?
07:22Martina.
07:24Okay.
07:28Your tower.
07:30Look, if you don't want to play, we'd better leave it.
07:32There is no need to be stupid.
07:34I'm working. It was a joke.
07:36Don't get like that. I'm moving.
07:52You know, there is one thing that ...
07:54I wanted to talk to you about for a long time.
07:58About what? That this game is getting longer?
08:02That is obvious, but no.
08:04No, it's not that.
08:06Well?
08:08So?
08:13Lately, I notice you are very ...
08:16dry with me.
08:20Let's see, now I just wanted to try to play a game on conditions.
08:23No, I'm not referring to this.
08:26Yesterday, for example, we were talking about poor Manuel.
08:31You were more concerned about how Julia was doing than how I was doing.
08:35No. No, that's absurd, Martina.
08:37No, it's not. It's not.
08:39As far as I know, I'm the one who is Manuel's family.
08:41How many times has she talked to him? Two? Three times?
08:46Look, you told me you didn't want to look like a jealous girlfriend.
08:51I'm serious.
08:55Lately, I notice you ...
08:57very changed.
08:59As if you had gone far away from me.
09:01As if I didn't know you at all.
09:11I don't know, Martina.
09:15You know that talking to Julia has made me remember everything I experienced in the war.
09:21And ...
09:22Paco's death ...
09:24I will never forget it.
09:29It's just that ...
09:31If only you let me help you.
09:34It hurts me a lot to see you suffer like this.
09:37It's what I have to do now.
09:39I have to suffer.
09:41But it doesn't have to be like that.
09:44I don't know, ask me for anything. If there's anything I can do, ask me for whatever you want.
09:49Look, yes. There is something you can do.
09:54You could ...
09:56stop being so aware of me.
09:59Of ...
10:00watching who I'm talking to,
10:02or who I stop talking to.
10:04What I do ...
10:06or what I stop doing.
10:11Is that what you want?
10:14Yes.
10:17I already told you, Martina.
10:19I need ...
10:21distance.
10:23At least for a while.
10:26I don't know, you have to understand.
10:30I understand.
10:44Well, let it burn.
11:12Do you need more?
11:13It's fine like this.
11:15This is Manuel's favorite liqueur.
11:17We could have a toast.
11:18I'm not in the mood for a toast, Lorenzo.
11:20Well, I'm not surprised.
11:22I wouldn't be either if I had my son in the dungeon.
11:24It's not true, it looks like he's looked at a fool.
11:26I don't believe in superstitions.
11:28Well, it's to start doing it.
11:30First, those accidents with the plane,
11:32his wife's death,
11:33and now the three-to-the-fourth maid who embellishes it.
11:35He's dead, he's going to end up.
11:37I hope so.
11:38Because one thing can end the good name of this family.
11:41And if what happens to him were not enough, now this sergeant from Pacotilla comes and accuses him.
11:44Nothing more and nothing less than murder.
11:46The truth is that I don't know what else could happen to him.
11:49Whatever you want.
11:51You can shut up, please.
11:53If you have nothing positive to say, silence is the best option.
12:00Yes, yes, I'm still here.
12:04He can't.
12:05What do you mean no?
12:08But you couldn't tell him?
12:14I understand.
12:15Good night.
12:17Isn't the governor coming?
12:19It seems that he is very busy to dedicate five minutes to me.
12:22Yes, busy, of course.
12:24But he told you that he is going to attend you, right?
12:26His secretary told me that he will call me in the next few days.
12:28Let's see.
12:29What a bunch of living people this country leads.
12:31Have you been able to talk to someone?
12:33I was trying to do it with the Minister of Grace and Justice, but so far nothing.
12:37And the calls to your friends?
12:39Some have answered me.
12:41But I think more than to help.
12:43To know what had happened to Manuel.
12:45Whistleblowers.
12:46Well, look at it on the bright side.
12:49At least that way you can know who your real friends are.
12:52I don't see anything positive in what is happening.
12:54And I don't think anyone can see it.
12:56Don't you think?
12:57I mean that a situation like this makes people withdraw.
13:00You're right about that.
13:02I'm checking who really wants to help.
13:04And who, like you, is enjoying all this.
13:06I don't enjoy the misfortunes of others.
13:08Alonso, please.
13:10I'm being honest.
13:11I think your friend Ignacio is having a great time with all this.
13:14That's nonsense.
13:15It's obvious that the situation doesn't let you think clearly.
13:18Very well.
13:19Thank you for being condescending with me.
13:21That's it.
13:22I'm over the circumstances.
13:23I think...
13:24I think...
13:25that arguing among us will not prevent Manuel from ending up in jail.
13:28I just wanted to say that a situation like this
13:31makes you know who your real friends are.
13:33Normally you can count them with the fingers of one hand.
13:36But you have five left.
13:38And I understand that.
13:42But what's wrong with this man?
13:58Sir.
14:06How is he?
14:07Fine.
14:09Well, sometimes he's bored.
14:12Other times he's a little angry because of this injustice.
14:15And...
14:16Other times, not one thing or the other.
14:18And even so, I see him whole.
14:20I try to keep a good mood.
14:23Although...
14:25it's difficult in this pestilent hole.
14:27Yes.
14:28Of course you see it.
14:29Yes, I could imagine this a little.
14:31I've brought a few clothes
14:33so that he doesn't have to wear the same clothes all the time.
14:37Well, he doesn't know how grateful he is to have clean and well ironed clothes here.
14:41I've also brought him a lavender soap pill.
14:44I don't know if there would be a place to bathe, although I doubt it.
14:48He's doing well.
14:50Bathing here, I don't think it will be possible.
14:52I'll have to settle for a bucket to be able to clean myself.
14:55I can imagine.
14:56Well, let's hope it's for a short time.
14:59And I've also brought him some freshly made cinnamon cookies
15:03that Mrs. Martínez and Mrs. García send you.
15:05They give you a lot of encouragement.
15:09You don't know how much I miss your stews.
15:13I would give it now for a good potage of pumpkin.
15:16There's no good food here.
15:19Calling food what they serve here is too much for him.
15:34No, no, no.
15:35You have to get out of here through the door with your head held high.
15:38Yes, that would be ideal.
15:40But if I tell you the truth, right now I'm content with going out through any hole,
15:46even if it's a drag.
15:47I'm glad to see that you haven't lost the good humor.
15:50It's no use bittering me.
15:52I don't know.
15:53I don't know.
15:54I don't know.
15:55I don't know.
15:56I don't know.
15:57I don't know.
15:58I don't know.
15:59I don't know.
16:00I don't know.
16:01I don't know.
16:02I just don't know how to end up bittering myself.
16:03That is a good philosophy that I would have to take into account.
16:07Because, well, I have a feeling that this is all my fault.
16:10In the end I all the more I am the one who'll get bitter.
16:13What a coincidence that you have nothing to blame for.
16:15No, I've lett you get involved in this matter.
16:18I am a grown-up, Romulo.
16:20No one pushed me and helped me because I wanted to.
16:22Yeah, but knowing you that way,古
16:24you didn't have to have allowed me to go that far.
16:26Then I wouldn't have gone to that inn to look for that rascal Gregorio.
16:31Yes, in the tavern, Peque de Torpe.
16:34Yes, no, we weren't close, neither of us, but I wasn't.
16:39You should have pointed out that I wasn't there because it was dangerous.
16:43Mr. Benza almost reminded me of him every day.
16:46And you don't care.
16:47You already know me.
16:48Yes, yes.
16:50He had a good heart and the will to help others.
16:55No, I know.
16:58What I did is that now I have ended up harming myself and my whole family.
17:03How are my parents?
17:04Well, imagine it.
17:05His mother is very upset.
17:07His father, well, moving to Rome with Santiago to get him out of here.
17:10Today he was trying to talk to a minister.
17:12I hope his friends can help me.
17:14Yes, I trust that this will be the case.
17:18And Hanna?
17:19She's not poor, she's very sad.
17:23When you see her, tell her that ...
17:26that I'm in a good mood and that I really want to ...
17:32that I miss her a lot.
17:34That way she will neglect him.
17:35I hope Sergeant Borena stops looking where there is no one and releases him.
17:39Knowing him as I know him, that man is not going to get tired.
17:45But that is something that can benefit me.
17:47Why?
17:50Because that man is so stubborn that he will not stop until he finds something to incriminate me with.
17:55No.
17:56And since I am innocent, he will not find anything at all.
17:59And if he keeps looking, in the end he will find a thread to pull that will lead him to the real culprit.
18:04That's it.
18:06And he will have to set me free at once.
18:11The next day.
18:15What a rest I've had now that everyone knows that Mrs. Pía is alive.
18:20Well, yes, it has been a relief.
18:22Well, yes, because before I was always afraid that they would catch me in a resignation when it came to talking.
18:28That's true.
18:30And before I had to measure my words a lot.
18:32And you already know that if there is something that I don't like to measure, it's the words.
18:36True.
18:38And I was also afraid that ...
18:41that someone would cross paths with Mrs. Pía and think that she had seen a ghost.
18:44What a scare, huh?
18:46Yes, yes.
18:49Hanna, are you in what you are?
18:51Well, of course I'm in what I am.
18:53No, because I'm talking to you and you're drunk.
18:57María, if I'm answering everything to you ...
18:59Yes, with a yes, with a no, with a it's not true.
19:02Hanna, please, I know you, huh?
19:04What's wrong with you?
19:06Do you have bad news about your Manuel?
19:09No, it has nothing to do with that.
19:13The Marquis has tried to buy me.
19:16Buy you what? Buy me?
19:19Offer me money so that I forget about Manuel and leave here.
19:23How much?
19:25What else, María? The gesture is the important thing.
19:27Yes, yes, the gesture and two quarters.
19:31You're right, she's ugly.
19:33She's ugly. You buy furniture, you buy a piece of land, but you don't buy people.
19:41Well, honestly, I was expecting the Marquis, but not the Marquis.
19:45Well, maybe it was her idea.
19:47Because she will be angry that her son wants to marry a maid.
19:51Yes, I understand that they don't have to be amused.
19:56They would like another Ximena for their son.
19:59But another that lasts longer.
20:01Because this one lasted very little.
20:03María, for God's sake, don't be stupid.
20:04Well, is it a lie or what?
20:06They want a good family lady for their son.
20:10Because that's how the world works.
20:13Well, Manuel and I love each other and we can't help it.
20:16Well, if you two have to be together.
20:18Come on, because I'm like the screw and its nut.
20:22That's not very romantic, but I understand you.
20:26What I mean is that I was born to be together.
20:29That's what Manuel says.
20:31He says that now we have to be selfish.
20:33We have to think about ourselves.
20:36Of course.
20:38And who doesn't like it when they whistle at you?
20:40You two get married.
20:42Each bullet holds its candle.
20:44I don't know if Manuel is going to get out of jail soon.
20:47Well, he will.
20:49Because he hasn't done anything.
20:53I don't trust justice very much.
20:55Neither do I, but they are rich.
20:58And justice works better for the rich.
21:00That's also unfair, Maria.
21:02Well, but the important thing is that he gets out.
21:05And in the meantime, you can go visit him at the barracks.
21:10And that way, the wait is shorter.
21:12I'm not going.
21:15Why?
21:17Because Manuel doesn't want me to go.
21:19And who told you that?
21:21The Marquis.
21:23Well, let's see if it's going to be the Marquis who doesn't want you to go.
21:27Because I say that Manuel will be wanting you.
21:30Well, you know what? I think you're right.
21:32I'm going to have to find out better.
21:39Good night.
21:51Hey, how much did the Marquis want to buy you?
21:53Maria, for God's sake.
21:56Well, I just want to know the price.
21:58In case they ever want to buy me.
22:00No.
22:22I'm afraid that at any moment the news will reach Madrid
22:25and a newspaper will publish that my son is in prison.
22:29Well, it won't be because we've kept our mouths shut.
22:31I haven't said anything.
22:32And I'm not going to.
22:34Catalina says that being innocent, Manuel, it doesn't matter what people think.
22:38But I don't think that.
22:40The less known, the better.
22:42Enough with all those who have found out because of our requests for help.
22:46Well, let's hope that at least it works.
22:50It's just that an accusation like that about Manuel is ...
22:52It's a misunderstanding that we can't afford.
22:55And more with everything that has happened in this house.
22:57The death of Ximena,
22:59the young people in the war in Europe, the murder of the mayor ...
23:02It is not necessary for you to disgrace all our miseries, dear.
23:05Well, forgive me, Cruz, because I didn't want to bother you.
23:07You are getting it.
23:09Well, I think that all these inconveniences must be faced with patience and resignation.
23:15How easy it is to talk about patience when it is not your son who is in prison.
23:19I don't know.
23:20It's just that I put myself in your place and ...
23:23I can't even imagine the suffering.
23:25In addition, people go to gossip like ...
23:27Like the vultures to the carrion.
23:29Well, some do.
23:31But I'm sure that with Manuel,
23:33many of those who are interested are simply because they value him.
23:36It's just that my cousin is loved by everyone who has met him.
23:39That's true.
23:41Which makes it even more inexplicable that he is accused of such a crime.
23:44Dear.
23:47Are you coming to talk to the cook of our wedding?
23:50A fool without shame.
23:52You have to see the little word that some have.
23:54You!
23:56I have never found anyone like you.
23:58But what happened?
24:00A scoundrel. A scoundrel.
24:02No, don't tell me anymore.
24:04I'm sure he has asked for more money.
24:06It is very difficult to find someone like him.
24:08I don't know.
24:11I'm sure he has asked for more money.
24:13It is very difficult to find serious people in this country.
24:15No, no, no. Much worse than that.
24:17He gave me back the signal I gave him.
24:19We don't have a cook.
24:21But why? If he was going to earn some good quarters, right?
24:23Well, because he says he has to go to America
24:25for the rest of the year and that he can't cook for us.
24:27But ... I think they are vultures.
24:30So why do you think it is?
24:32Well, let's see.
24:34Maybe another banquet has come out and they pay him better.
24:36Maybe it's because of everything that happened to Manuel.
24:41Yes.
24:43Yes, it must be because of that.
24:45After all, he cooks for the best houses in the country.
24:47And a matter as ugly as this ...
24:49Are you insinuating that what happened to Manuel
24:51is spreading out there?
24:53I wouldn't be surprised.
24:55The bad news flies.
24:57And the people of the town surely saw him enter the barracks
24:59but not leave.
25:01I'm sure that's why
25:04this cook is scared.
25:06Yes, but it's unfair.
25:08We have nothing to do with this matter.
25:10More unfair is that my son is in prison for being innocent.
25:12I don't deny it.
25:14But for me to be without a cook for something like this ...
25:16You know how people are, Ignacio.
25:18They care more about what is said about them
25:20than anything else.
25:22Well, dear.
25:24Don't get like that.
25:26These inconveniences,
25:28the best thing is to face them
25:30with a lot of patience,
25:32with a lot of love.
25:34And what are we going to do about this, Ignacio?
25:36Because now it is very difficult
25:38to find a cook who is up to the task.
25:40The very unfortunate has offered
25:42to leave everything in the hands of his assistant.
25:44Does he have good references?
25:46I don't care about his references.
25:48I want a first-class cook, not a fucking ...
25:50Well, yes, you're right.
25:52For a cloth, we already have the cooks of the promise.
25:54Hey, my kitchen is one of the best
25:56of these places, huh?
25:58Well, I don't deny it, Cruz.
26:01This is just the beginning.
26:03You don't see it.
26:05Now maybe some guest
26:07will back out, but still,
26:09they will talk among themselves and no one will come.
26:11This can only get worse, much worse.
26:13How different it is
26:15when it is one who is bitten, right?
26:17I don't want your scandals
26:19to affect our wedding.
26:31Do you have a second?
26:33For what?
26:35Have you already spoken to the man
26:37who left you in the state?
26:39You don't have to be so direct.
26:41Have you spoken to him, yes or no?
26:43Because I've heard he left the farm
26:45overnight.
26:47That's right, and that's precisely why
26:49I haven't been able to talk to him.
26:51Are you sure that man didn't know
26:53what he had done?
26:55Well, of course I am.
26:57The only one who could tell him
26:59that he had found out somehow
27:01and that's why he left.
27:03Are you sure Tadeo didn't tell him anything?
27:05No, Tadeo doesn't know, period.
27:07And what are you going to do
27:09to make Adriano find out?
27:11I'm not going to talk to him
27:13and I'm not going to go crazy looking for him.
27:15Catalina, he's going to be a father.
27:17I said no.
27:19You have to tell him.
27:21We weren't dating,
27:23nor did we have a serious relationship.
27:25For God's sake, you're expecting his child.
27:27I can't raise a child with a stranger.
27:29That man has the right to know he's going to be a father
27:31and you have the obligation to tell him.
27:33No. My only obligation is to raise
27:35that child as best I can.
27:37By yourself? Aren't you going to give
27:39that poor creature a father?
27:41I already told you, Pelayo.
27:43I want to give him a father, but I don't want it to be him.
27:49Look, this isn't easy.
27:51I've already made a decision.
27:53Now it's your turn to make it.
27:55I already told you, it's not a decision
27:57that can be made overnight.
27:59And I asked you not to make it too long,
28:01because if not, I'll have no choice
28:03but to deal with it on my own.
28:05You'd be a bitch.
28:07I already know that.
28:09But I'd rather have to marry a man
28:11I barely know.
28:13Catalina, that's insensitivity.
28:15What would be insensitivity would be to give my life
28:17to a man I don't love.
28:19Pelayo, now it's your turn to make the decision.
28:22And you'd better take it soon.
28:44Don Manuel.
28:47Doña Pia.
28:50I'm so happy to see you.
28:52I'm also very happy to see you.
28:54I had to solve a matter
28:56with Sergeant Burdina
28:58and I asked him for permission
29:00to visit him for a moment.
29:02Don't tell me you also have problems
29:04with justice.
29:06Well, let's say less serious than his.
29:08He made me sign a sworn statement
29:10explaining the reasons
29:12why I pretended to be dead.
29:15Of course.
29:18Knowing how scrupulous that man is,
29:20it's strange that he didn't make you sign
29:22a document in which he testified that you were alive.
29:24Of course, he's capable.
29:26You don't know how meticulous he is.
29:28Believe me, I do.
29:30He made me detail the days I was in the cave,
29:32how my life was there,
29:34the visits I had, everything.
29:36Questions for an hour.
29:38An hour?
29:40Doña Pia, if I told you...
29:43Well, in any case, I wanted to...
29:45I wanted to thank you
29:47for what you've done for me,
29:49for everything, Don Manuel.
29:51You don't deserve it.
29:53What I feel is that
29:55now you're in this situation.
30:03Doña Pia, actually,
30:05you're very wrong.
30:07Wrong in what?
30:09The world is a better place without that bastard.
30:11But I have nothing to do with his death.
30:13So you don't have to feel bad for me
30:15because I'm not in this jail for you.
30:17I'm locked up here
30:19for a series of, let's say,
30:21misunderstandings
30:23that will soon be resolved.
30:27The truth is that it relieves me to know.
30:29Although I also feel sorry
30:31that you are here
30:33for an injustice.
30:37Don't worry.
30:39I'm convinced that sooner or later
30:41you'll face the truth and the murderer.
30:43I'm sure I will.
30:47Well, now I'm leaving
30:49because I promised Sergeant Burdina
30:51that I'd be a few minutes and I'll be late.
30:53Yes, of course.
30:55Ma'am,
30:59if Diahana can tell you
31:01that I've missed her.
31:05Of course.
31:07It will be very hard for you to be apart from her.
31:09Yes.
31:11Yes.
31:13Especially knowing that we should be married by now.
31:15I've heard something like that.
31:17But I'm sure she'll be out soon and they can get married right away.
31:19You'll see.
31:21I assure you that it's the first thing I'll do as soon as I get out of here.
31:23Say what my parents say.
31:25Well, as long as they say
31:27and
31:29don't do anything.
31:33I'm also afraid that my mother will retaliate against her.
31:35But you know what?
31:37No matter how many obstacles you face,
31:39they won't be able to separate us.
31:41I'm very glad to see you so excited,
31:43Mr. Manuel.
31:45I have a woman who loves me
31:47and I love her madly.
31:49And I think love is the most powerful weapon
31:51that exists.
32:05I love you.
32:29What are you up to?
32:31You seem very thoughtful.
32:33I was half asleep
32:35and
32:37I tried to clear myself with the piano but
32:39without success.
32:43And that little smile you have
32:45something funny happened?
32:49Do you think that if someone is happy
32:51about other people's misfortunes,
32:53they become a bad person?
32:57It depends on who is suffering badly.
32:59And when from Ayala.
33:01It is that
33:03he has run out of money for the wedding banquet
33:05and you don't know how he is.
33:07You are a bit malicious.
33:09But why are you so happy?
33:11I know that the count is not a saint of your devotion
33:13but in the end he is going to marry your mother.
33:15Yes.
33:17And I want my mother to be happy
33:19and I understand perfectly that she doesn't want to be a widow
33:21forever.
33:23So?
33:25Well, I've never trusted
33:27that man's intentions, to be honest.
33:31But apparently your mother does trust
33:33and against that you can't do much.
33:35I think that
33:37my mother was so sad
33:39for my father's death that
33:41she didn't see it coming
33:43at the time and now it's too late.
33:45And you couldn't do anything to open her eyes before?
33:47No.
33:49And look, I tried a thousand ways.
33:51What did you do?
33:55Right now I don't feel like talking about that
33:57but I assure you that I did everything
33:59Well, I don't blame you anymore.
34:01You know that whoever does what he can
34:03is not forced to do more.
34:05Well, yes, let's think about that.
34:07Besides, your mother is a sensible woman.
34:09If she is going to marry that man
34:11it is because she thinks he will make her happy.
34:13And I hope so.
34:15My God!
34:17Lately weddings have taken us by surprise
34:19in this palace.
34:21For me, my mother's wedding with the count of Ayala
34:23and for my uncles, Manuel's wedding with Hanna.
34:25Do you think she will marry that maid?
34:27If my cousin has gotten between eyebrows
34:29I assure you that yes.
34:31I see.
34:33And what do you think of her?
34:35Have you treated her a lot?
34:37Well, what can be treated to a maid
34:39but she is a good girl.
34:41And to trust her?
34:43I would say yes.
34:45I see.
34:47And does she get along with Manuel?
34:49Yes.
34:51And does she get along with Manuel?
34:53Yes.
34:55And does she get along with everyone in La Promesa?
34:57With Catalina?
34:59With Curro?
35:01As far as I know, yes.
35:03Well, I hate Petra
35:05but she is a very difficult woman to deal with.
35:07You see her dressed like that.
35:09Although it is true that right now
35:11my uncles will not be able to see Hanna.
35:13Look, my aunt
35:15never swallowed her.
35:17And that?
35:19Because my aunt is like that.
35:21If something happens to her, there is nothing to do.
35:23And Hanna went through it from the first moment.
35:25She said she was a
35:27shameless.
35:29And she gets along with Curro.
35:33If you have asked me.
35:35Oh yes.
35:37Sorry, I'm still half asleep.
35:39I think I need a coffee.
35:41But answering your question,
35:43I think Curro gets along better than well.
35:45Because, well,
35:47he was hurt in an accident
35:49during a hunt.
35:51And she donated her blood to save him.
35:53Wow.
35:55And she even helped the doctor during the operation.
35:57So you could say
35:59she almost owes him her life.
36:01Of course.
36:03Well, then it is
36:05understandable that they get along so well.
36:09Come on.
36:11Let's go for that coffee.
36:13Because I don't notice you very well.
36:15Let's go.
36:17And that's what you're going to do, Catalina.
36:19Don't tell your son's father anything.
36:21I guess you understand
36:23my temper.
36:25I'll take care of it, sir.
36:29What would you do in my place?
36:31Well, I don't dare to advise you
36:33on such a delicate matter, sir.
36:35I don't think it's the right person.
36:37But I'm interested in knowing your opinion.
36:39All right, then.
36:41If I had to tell you something,
36:43well,
36:45whatever you decide,
36:47think about it.
36:49It's a step that will mark the rest of your life, sir.
36:51I'm aware of that.
36:53Becoming the father of
36:55someone else's son is not easy.
36:57No.
36:59At least not for me.
37:01No, not for anyone.
37:03Think that when you look at that child,
37:05you won't see his features.
37:07And that will remind you that he's someone else's son.
37:09I know, I know.
37:11And paternity itself is complicated.
37:13I'm telling you from experience.
37:15Do you have problems
37:17with your son Santos?
37:19Well, we could get along better.
37:21That doesn't mean
37:23that I'm not willing to do anything for him.
37:25Well, I guess
37:27like all parents.
37:29Well, look at the madness
37:31that Mrs. Adarre has committed.
37:33Go on, go on.
37:35No, I wasn't going to say anything of interest, sir.
37:39Don Ricardo, if you think I'm not aware
37:41of Mrs. Adarre's mess,
37:43you're wrong.
37:45You know that.
37:47News like that runs like the dust.
37:49I suppose you'll be happy on the ground floor, right?
37:51Yes, of course.
37:53And you're not happy?
37:55Of course.
37:57I just wish
37:59Mrs. Adarre had told me
38:01what was going on.
38:05You look hurt.
38:07Because I am, sir.
38:09Well, don Ricardo, think about it.
38:11Few people should know about it,
38:13or it wouldn't be feasible.
38:15I know, I know, sir.
38:17But I think I deserved to be one of those few people
38:19who were aware of it, and I saved myself
38:21suffering everything I've suffered thinking I was dead.
38:23Did you have a lot of friendship
38:25with Mrs. Adarre?
38:29Let's say
38:31it was more than friendship.
38:35She wasn't aware of it.
38:37Well, all of this happened
38:39when you had already left.
38:41And we didn't get very far.
38:43But I thought it was special.
38:47Although after discovering
38:49what Mrs. Adarre had done
38:51and that she had left me aside,
38:53well,
38:55I think I was wrong.
38:57I understand you perfectly.
39:01It's not always balanced in couples
39:03what they feel about each other.
39:05I feel
39:07betrayed, sir.
39:11We are both, don Ricardo.
39:13We are both.
39:21Miss Expósito,
39:23have you seen
39:25Mr. Pellicerijo?
39:27I'm looking for him to send him a message,
39:29but I can't find him.
39:31No, no, sir.
39:33Let's see if he's there.
39:35Has something happened?
39:37No, no, but well,
39:39I want to take the opportunity
39:41to give you a message.
39:43A message? From whom?
39:45From Mr. Manuel.
39:47Have you visited Mr. Pellicerijo?
39:49Yes, I have.
39:51And I've seen him.
39:53And he asked me to tell you
39:55that he misses you very much.
39:59And how did he find you?
40:01In a good mood, given the circumstances.
40:03Mr. Manuel is a strong man.
40:05It will be very difficult for him to leave.
40:07I wish I had his temper.
40:09I think you have it, miss.
40:11Well,
40:13lately not much.
40:15Has something happened?
40:17You know you can
40:19trust my discretion.
40:21It's ...
40:23It's the Marquis.
40:25I would never have imagined
40:27that he was going to get so bad
40:29if he married me.
40:31That's because he doesn't know the world of gentlemen.
40:33In that world they are dedicated
40:35to looking for good marriages
40:37for their children, to get alliances
40:39and secure their pots.
40:41And I have squandered all his plans.
40:43That's it.
40:45I've been an illusion.
40:49You know that Mr. Marquis has tried
40:51to buy me and offer me money
40:53so that I leave here and forget about Manuel.
40:55And I've also tried not to lie about one thing.
40:57About what?
40:59He told me that Manuel doesn't want to see me.
41:01I think he told me to separate from him.
41:03I think in this case you are wrong,
41:05Miss Espósito.
41:07The Marquis has told you the truth.
41:09Why wouldn't Manuel want to see me?
41:11I insisted on allowing him
41:13to visit him,
41:15but you know how proud he is.
41:17He didn't want to be seen in that circumstance.
41:19But if I just want
41:21to be with him, that's all.
41:23Soon you will be together.
41:25He's innocent,
41:27and this can't last long.
41:29God forbid.
41:31And I hope they find that man soon.
41:33Because they will, won't they, Mr. Hueso?
41:37It's possible.
41:39More than possible,
41:41I think it's certain.
41:43I'm leaving.
41:54So we've become cooks.
41:56You can see how little seriousness people spend.
41:59Look, girl, it's a problem, but
42:01compared to everything that's going on at La Parmesa,
42:03I think it's a detail.
42:05Amen, cousin.
42:07Well, I know it's not serious, but we can't spend the day
42:09talking about Manuel.
42:11You're the only one interested.
42:13And Count Ayala.
42:14Don't be insolent, please.
42:15No, I'm being honest.
42:17And also, let me tell you that this wedding is
42:19a bit cursed.
42:21Because everything that can go wrong, goes wrong.
42:23Martina, don't be silly.
42:24I'm serious.
42:25I think it's a sign that the universe is sending it
42:27to make it think better.
42:29Turns out you believe in superstitions.
42:31Call it whatever you want, but
42:33I would give more thought to that wedding of yours.
42:35No, don't go back with that Martingala.
42:37Are you listening, Catalina?
42:39Well, it's just that ...
42:41What?
42:43Do you think the same as your cousin?
42:45No, not exactly, but seeing how the Count
42:47reacted when he found out he wasn't going to have a cook,
42:49well ...
42:51I remembered a story by Doña Emilia Pardo Bazán.
42:53Wow, what kind of story is that,
42:55that has to do with me?
42:57I'll summarize it for you.
42:59It's about a good family girlfriend
43:01who, on the wedding day,
43:03says no to her boyfriend.
43:05I like how it starts, hey?
43:07Well, daughter, shut up.
43:09Let's see how that story continues.
43:11Well, it's a good scandal.
43:13Because no one knows
43:15why she refused to marry.
43:17More than anything because she did not give explanations at the time.
43:19But she would end up giving them at some point,
43:21I say.
43:23Yes, at the end of her life she confessed that
43:25before the wedding they had told her that her boyfriend was a choleric man.
43:27But she had never seen him angry.
43:29So she thought they were infidels.
43:31And ...
43:33wasn't he?
43:35On the day of the wedding, she put on the wedding dress
43:37that he had given her,
43:39got hooked and tore part of the lace.
43:43And he didn't take it well?
43:45He became a basilisk.
43:47Then she was able to prove that everything they had told her
43:49about him was true.
43:51And she refused to marry him.
43:53Are you comparing me to Ayala's anger
43:55for losing the cook with this?
43:57Well, yes, aunt.
43:59In addition, in comparison, the count is losing
44:01because a dress on the day of the wedding,
44:03I don't know how to fix it.
44:05But from now on, if you get married,
44:07you will find another cook.
44:09Very well said.
44:11Think about it for a moment.
44:13If she gets like this because of that animosity,
44:15what will she do when the real evil comes?
44:33Let's go.
44:59What do you think?
45:03I don't know.
45:21Let's go.
45:33Hi, Maria.
45:35Hi.
45:37I'm going to rest for a while.
45:39You know,
45:41this morning I read a joke in the newspaper yesterday.
45:43Can I tell you?
45:45Well, if you're excited.
45:47Well, look, there was a couple talking
45:49and the woman said to her husband,
45:51My God, what a strong character my sister has.
45:53She just likes to argue.
45:55To which the husband replies,
45:57Well, if she likes to argue so much, why doesn't she get married?
45:59No, it's funny.
46:03It's not bad.
46:05It doesn't seem like it because she hasn't laughed at you.
46:09I don't know, it's just that...
46:11I'm not in the mood.
46:13And that?
46:15Did Mrs. Hercos give you a slap in the face?
46:17No.
46:19It's just that today is one of those days
46:21when I had to meet my boyfriend Salvador
46:23to see us.
46:25And in the end, nothing, nothing.
46:27And why did you meet?
46:29Well, because it happened to me to sign,
46:31and one thing led to another.
46:33And it's been a long time since you've seen him?
46:35Too long.
46:37Last week we were also going to see each other
46:39and it couldn't be.
46:41And that?
46:43Well, because he only had a free time
46:45and I didn't have a good time either
46:47and we let him be.
46:49And I don't know if it was out of laziness
46:51or laziness, but
46:53the point is that we don't see each other.
46:55Well, what you have to do is
46:57set a date and respect it.
46:59Yes, of course.
47:01If María Mandrajo respected the shifts
47:03and didn't show up from one day to the next
47:05with a new task,
47:07then yes.
47:09Well, I'm sure you'll meet
47:11next Sunday.
47:13I hope so.
47:15If he doesn't have a dinner or a meal
47:17or a trip.
47:21That's it.
47:23I'm going to see what they send me now.
47:25Wait.
47:29I wanted to thank you.
47:31For?
47:33Well, I know
47:35Teresa has told you about...
47:37You know.
47:39Yes, I know.
47:41Well, that's what I wanted to thank you for.
47:43That you haven't said anything
47:45and that you're so discreet.
47:47Of course I haven't said anything,
47:49I'm not even going to say it.
47:51I'm not naturally quiet, but I know how to keep a secret.
47:53Teresa already told me
47:55that she could trust you.
47:57Teresa is a very good friend of mine.
47:59I do anything for my friends,
48:01I deserve it.
48:03I'm glad to see that Teresa has good friends.
48:05She deserves it.
48:07She's a gem.
48:09Yes, I know that perfectly well.
48:19Do you rich people think
48:21that I'm not rich?
48:23But how dare you come into my room
48:25like that, shameless?
48:27I've come to return your rooms.
48:29Not everything is so slow, Marquesa.
48:31Of course I'm not.
48:37Good morning, Mrs. Arcos.
48:39What a surprise.
48:41I thought I would never see you again.
48:43Well, I'm very sorry to have disappointed you.
48:45I don't understand why
48:47you had to come and make the whole service lighter.
48:49And you shouldn't have been welcome at La Promesa.
48:51Even if it was just because
48:53you and Mr. Baeza kept us all fooled.
48:55You saw it just like me.
48:57It took Vera a long time
48:59to make the Duchess of Carril fall from a donkey.
49:01I don't know about that.
49:03But I admit that there is something strange about Vera.
49:05It's as if she had an eye for the Duchess of Carril.
49:07I'm going to get it.
49:09I'm going to get Manuel out of this dungeon
49:11and I'm going to find a way for Hanna to leave La Promesa.
49:13At the rate you're going, you just need to send him to the mercenary
49:15to give him a scare.
49:17A scare?
49:19But you just showed him the letters we have.
49:21I need you to talk to Miss Julia
49:23and make things clear.
49:25Now they can't find out that we are brothers.
49:27Yes, I know.
49:29Just now, with Manuel arrested, it's not good for us to open new fronts.
49:31A network of lies has been woven
49:33around Mrs. Darre in this palace.
49:35Don't be silly.
49:37It has nothing to do with you.
49:39Why do you say that?
49:41It is evident that you were the one
49:43who brought here the undesirable Gregorio.
49:45Do you know what I'm telling you?
49:47That boy should kiss the ground
49:49that you step on, okay?
49:51It's just that...
49:53things have happened that you don't know.
49:55I've made a very serious mistake.
49:59I say, why do you always have to
50:01cover everything around you?
50:03You told your son that his mother...
50:05I know exactly what I told my son.
50:07Why do you have to get involved
50:09in a matter that neither goes nor comes to you?
50:11Do you need me this time?
50:13Well, you'll see, Mr. Lujan,
50:15there are a couple of matters
50:17that attract my attention.
50:21You'll see.
50:23I'm serious.
50:25Look, I was with Manuel in the front.
50:27And I know what he's capable of.
50:29And I would never do something like that.
50:31Unless you have no other choice.
50:33And it would have been logical
50:35if I had done it.
50:37I shouldn't have allowed you to get so involved in this matter.
50:39No, not this matter, Mr. Baeza.
50:41My life and that of my son were in danger.
50:43And now I'm worried about the luck
50:45that Mr. Manuel may have.
50:47Let's trust justice, although sometimes
50:49it doesn't give reasons for it.
50:51Are you insinuating something?
50:53I am stating that they have been
50:55carrying out management at the highest level.
50:57And I don't want them to get in the way.
50:59What do you mean exactly by that?
51:01Whatever they do,
51:03their son Manuel may spend
51:05a long time in jail.
51:11That's what I'm saying.