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La Promesa Ep 423 Completo:
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La Promesa Ep 423
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00:00But we don't know where Gregorio is, do we?
00:08I don't know who has located him.
00:10And in fact, he has mentioned him in the old slaughterhouse.
00:13A lung infection is very serious and we must not make a mistake in the diagnosis or treatment.
00:19For now, we will do what Dr. Guillén has indicated.
00:22But a second opinion ...
00:23It is that it has not been clear enough.
00:26War is destruction and pain.
00:30I'm very sorry.
00:32I have been insensitive to asking you to remember something so horrible.
00:35Can you forgive me too?
00:40A food poisoning that has left 56 soldiers in Africa hospitalized.
00:45And the suspicion that the cause is our products.
00:47You said it, the suspicion.
00:49How long do you think it will take to confirm it?
00:52They can't.
00:53Those bastards were living in mousetraps.
00:56Without hygiene.
00:57Drinking stagnant water.
00:58There is no human way to prove that this has been our fault.
01:01If you allow me ...
01:05Here ...
01:08I don't know if this infallible trick is going to be the best way, huh?
01:14There it is.
01:17We did it.
01:18Yes.
01:19Now, this one ...
01:20I'll put it on.
01:21I feel like I'm living a dream.
01:23It is as if God had rewarded me for all the suffering I have experienced and ...
01:27And he has given me the nicest person there is.
01:30This won't sound like a wedding bell, will it?
01:35Hanna, it wasn't good when you were going to tell me.
01:38I don't like it either that your mother appears here when she likes it.
01:42But we have to keep calm.
01:44Now.
01:46How long will this nightmare last?
01:48I don't know.
01:49But what I do know is that I want to be by your side.
01:51And what we have to live, we are going to live together.
02:00Gregorio!
02:20Gregorio!
02:38Manolo!
02:41But what are you doing here?
02:42I came because I don't want you to be alone.
02:45Hanna, but don't you realize that Gregorio is very dangerous?
02:47Have you gone crazy?
02:48I don't know, Manuel, but I want to help you, please.
02:51Come on, get out of here right now.
02:53Manuel, I want to, let me go.
02:55Don't you realize?
02:57My love, I have come alone because I don't want anyone to take a risk and you are not well.
03:01Listen to me.
03:02I come from being with Doña Pia and I have not stopped thinking that something bad could happen to you, so I have come.
03:06Please.
03:09Okay, hide at least.
03:11Come on.
03:12I'm not going to hide.
03:13I'm not afraid of anything, do you understand me or not?
03:15I know, Hanna, but you don't realize.
03:17If Gregorio sees you here, he will think that we have prepared a trap for him and he will run away.
03:20But let's see, Manuel.
03:22There are no buts that are worth it, please.
03:24You're going to ruin everything.
03:26I need you to trust me.
03:28Put the guard down.
03:30Please.
03:33Okay.
03:36Come on.
03:47Let's go.
04:17Let's go.
04:47Let's go.
04:48Let's go.
04:49Let's go.
04:50Let's go.
04:51Let's go.
04:52Let's go.
04:53Let's go.
04:54Let's go.
04:55Let's go.
04:56Let's go.
04:57Let's go.
04:58Let's go.
04:59Let's go.
05:00Let's go.
05:01Let's go.
05:02Let's go.
05:03Let's go.
05:04Let's go.
05:05Let's go.
05:06Let's go.
05:07Let's go.
05:08Let's go.
05:09Let's go.
05:10Let's go.
05:11Let's go.
05:12Let's go.
05:13Let's go.
05:14Let's go.
05:15Let's go.
05:17Let's go.
05:22Nothing.
05:23We've been waiting for almost an hour, and that bastard won't appear around here.
05:27But there's no point in us staying here anymore.
05:32Yes, you're right.
05:35It would be better if we returned before the night falls on us on the way.
05:39If Mrs. Petra misses me when it's time to prepare dinner, I will have it with her, so ...
05:44Let's go.
05:49If you're going the right way, you'll be there before dinner.
05:51But aren't you coming with me?
05:58I'll be there later.
06:02Why?
06:04Because when we cross the village, I'm going to get closer to the tavern.
06:08And I have to do it alone.
06:10Nea, I imagine that a maid can't go with the son of the marquis to the tavern.
06:15We'll do it soon.
06:17No matter what they say.
06:21And why do you need to go there?
06:23I'm going to get closer to ask for Gregorio.
06:27And find out why he hasn't come to our date.
06:31And won't it be dangerous for him to come back alone at night?
06:35While that man is still free, everything is dangerous.
06:39But don't worry, I'll be careful.
06:40I promise you.
06:51Let's go.
07:10Let's go.
07:33Cousin.
07:35I didn't hear you coming.
07:37I'm sorry.
07:40What are you doing here alone?
07:43Nothing.
07:49Looking at the darkness that comes through the window.
07:54I was getting carried away.
07:56I think it's time to go to sleep.
07:58Have a good night.
08:00Wait.
08:03Are you okay?
08:05Of course.
08:07I noticed you a little serious during dinner.
08:11Are you sure everything is fine?
08:13Very sure.
08:17Didn't it bother you that we read the news about Manuela's request that you came with Pelayo?
08:22Why would something like that bother me?
08:25Well, I don't know, but it gave me that feeling.
08:28Did you both leave in a hurry?
08:32Because we were going for a walk.
08:33No.
08:35Besides, what they talk about, they don't stop talking about.
08:37I don't care.
08:39So it didn't bother you?
08:41Don't you give importance to what you don't have?
08:44Well, thank goodness, because I didn't want to be the one to offend you.
08:48I can't stand what?
08:50Not that you were the one who wrote the social news of the newspapers.
08:53No.
08:55But anyway, this time they didn't say anything bad about you.
08:58They just commented on the surprise of seeing you together again at a social event.
09:01I don't know what the content was, right?
09:04Well, they even praised you.
09:07Yes, that's their game.
09:09That you lower your guard.
09:11And then hit you again.
09:14But I don't care if they mock me or make me look bad, really.
09:19Man, it's better if they flatter you, right?
09:23If I tell you the truth, the best thing would be that they ignore me.
09:26That they don't talk about me, neither good nor bad.
09:28Well, but that's impossible because you're the cousin of the Marquis of Lujan.
09:31I'm afraid of that.
09:33That I'm going to have my whole life behind the press.
09:37And that I will never be able to get rid of that San Benito.
09:50Good evening, mother.
09:54Are you going to rest?
09:56Yes, it's late.
09:58Good evening.
09:59Good evening.
10:01Are you leaving without giving her a good night kiss?
10:04No one understands you, son.
10:06Now you want a good night kiss, but you leave without saying goodbye to me.
10:11Mother, but I told her I was leaving.
10:14You didn't tell me you were coming back at this time.
10:17Yes, you're right about that.
10:22I stopped. I was going to come back earlier.
10:24I'm sorry.
10:26And why? If you can tell me.
10:27Nothing important.
10:29Nothing important? It won't be because of a woman?
10:34No.
10:36I was with the engineers, as I already told you.
10:39And later I waited for a book I was in charge of and it didn't arrive.
10:43And what book is that?
10:45One about airplane designs.
10:48You're never going to get tired of those things, are you?
10:50No.
10:52So the sooner you add it, the better for everyone.
10:53Well, in any case, that has nothing to do with you not saying goodbye to me when you leave.
10:58Mother, I told her I was leaving.
11:00And I remember you were pretty dry.
11:04How could I not be?
11:06You allowed yourself the luxury of giving me lessons on what my marriage should be like.
11:10You're absolutely right.
11:12I'm no one to talk to you about those things.
11:15As the saying goes, I sell advice that I don't have.
11:18A saying full of wisdom.
11:20Thank goodness you at least recognize it.
11:21Yes, I do.
11:23And I want to make it up to you with a little gift.
11:28You've let me down.
11:31You know I love these pastas.
11:34Well, now you can taste them.
11:36Thank you, son.
11:38It's all a detail.
11:40Do you like the disgust you have with me?
11:42Do you think you're going to buy me with some simple pastas?
11:45Mother, I want to be good to you.
11:47I suffer a lot when you're angry with me.
11:49And what do you think?
11:51We're not bad.
11:53Then why don't we hug and forget all the arguments we've had these days?
12:00Come on, come here.
12:03My son.
12:05Oh, Manuel.
12:10And Simona made Perallo cook.
12:12He's never cooked before.
12:14But what did he cook?
12:16Well, he tried to make a snack.
12:18Yes, yes.
12:19Come on, look.
12:21Here's the great cook.
12:23Apprentice and thanks.
12:25Excuse me if I bother you, but I wanted to tell you something, Catalina.
12:29A telegram arrived for us this afternoon.
12:31And who sends it?
12:33The same newspaper that published the news about the handwriting in which we appeared.
12:37And what do they want?
12:39Nothing bad, quiet.
12:41They just want to do an interview with us and take a few pictures for their society notes.
12:44How fun, with photographs and everything.
12:46I don't want to know anything about journalists.
12:47And less after what they did to us.
12:50What the newspapers want is to sell.
12:53And they don't care about looking for morbidity and misfortune, even if it's a lie.
12:56But I've already told you that in the last news there were no lies and they even made fun of you.
13:00Well, I prefer not to tempt fate by allowing them that chronicle.
13:03I think it would be a golden opportunity to end once and for all with the rumors about us.
13:08But I don't care what people say.
13:11Well, I don't.
13:13And neither do you.
13:14And if not, remember the discomfort we felt when we arrived at the party and saw that everyone was looking at us.
13:20Maybe.
13:22Maybe, but then I forgot.
13:24Well, not me, Catalina. And I tried.
13:26Come on, think that it would allow us to give our opinion on what happened.
13:30Because so far the world has only heard curses and slander.
13:33Pelayo is right.
13:35And it will also be very entertaining to have the house full of journalists and photographers.
13:40Come on, Catalina, think about it, at least calmly.
13:42Okay, I'll think about it.
13:44But that doesn't mean I'm going to say yes.
14:13Manuel?
14:15But what are you doing in my room?
14:18Don't you think you could have surprised me?
14:20Undress.
14:22I wouldn't see anything I haven't seen yet.
14:26Even so, it's not convenient and you know it.
14:30Get up, Truant.
14:33You can't keep coming in like this because they're going to find out.
14:36So what?
14:38You don't care.
14:39My love, in a few days we're going to be husband and wife.
14:42So what else do we have?
14:46They should find out when we get married.
14:49Yeah.
14:52Well, come on, tell me.
14:54Have they told you anything about Gregorio at the tavern?
14:56Yes.
14:58In fact, I was coming to that.
15:01You see, apparently there was a fight outside the town.
15:04And Gregorio had to see it?
15:06Judging by the description made by those who were present, yes.
15:10Maybe that's why he didn't go to the meeting.
15:13It could be.
15:15Because it was a fight of the fatties.
15:17In fact, the civil guard had to come.
15:19And there was some injured.
15:21And they didn't stop anyone?
15:23No. They just limited themselves to dissolving the noise.
15:25Well, it's a shame.
15:27Because they could have put Gregorio back in the dungeon.
15:29Yes.
15:31And you don't know where he stops?
15:33Neither.
15:34He won't be able to fall through the tavern again.
15:36That's why...
15:41I'm going to leave this letter to the tavern keeper.
15:43So he can give it to him as soon as he sees it.
15:45And what have you written?
15:47Nothing new. It's the same location as last time.
15:49And I'm not going to tell you when.
15:51No, because you can show up there again.
15:53But let's see, Manuel, the only thing I...
15:55There are no buts that count.
15:57Hanna.
16:00And why do you think he's coming back?
16:01After this fight, maybe he doesn't feel like it.
16:03I hope so.
16:05But as long as he feels that Doña Pia is here,
16:07he won't go far.
16:10Unfortunately, you're right.
16:12I hope this time he comes to the meeting.
16:14And we can forget about this nightmare once and for all.
16:17I'm afraid it won't be that easy, Manuel.
16:20Gregorio has only one purpose,
16:22which is to take Doña Pia's life.
16:25And I don't want him to die.
16:27I don't want him to die.
16:29I don't want him to die.
16:31And it's going to cost us blood, sweat and tears
16:33if he doesn't get it.
16:39And now, please,
16:41tell me when.
16:46No.
16:57Santos.
16:59Santos, can you hear me?
17:02God.
17:04You're burning.
17:06I have to take this fever down.
17:11Mrs. Hercules.
17:13Mrs. Hercules, what's wrong with me?
17:15I can't see well.
17:17I have tears in my eyes, Mrs. Hercules.
17:19What's wrong with me?
17:22I can't see well.
17:24Nothing's wrong with your eyes, Santos.
17:26Don't worry, you're fine.
17:28I can't see well.
17:29Don't worry, you're fine.
17:31It's just the fever.
17:36What a bad time.
17:38What a bad time for you to fall to your knees.
17:54How are you, son?
17:55How are you, son?
17:59I've been in better times.
18:04Can you do me a favor
18:06and put the pillow back on me?
18:12Hug me, please.
18:26We should have hugged more.
18:30It's a wonderful feeling.
18:33Yes.
18:35It's good that you call me that.
18:38Mother.
18:42I don't know why I didn't do it more often.
18:46Why did I insist on reproaching him so much?
18:51It's my fault, Felicia.
18:53It's my fault, Felicia.
18:56I shouldn't have left you by my side, son.
19:22I'm sorry.
19:38Aren't you going to ask me about your son Manuel?
19:41I know he's here.
19:43I heard him pass by his room last night.
19:46And you don't care to know where he was?
19:48I imagine you're going to tell me.
19:50Yes, because it seems I'm the only one here
19:53who cares about those things.
19:56He told me he went to talk to some engineers.
19:59Good.
20:01And what's the problem?
20:03Stop doubting him.
20:05I have my reasons.
20:07He's been very cold with me.
20:09And when he behaves like that,
20:11I know he's hiding something from me.
20:13Maybe he's just fond of his mother.
20:15No, I know him well and I know there's something else.
20:17Cruz, stop looking for trouble.
20:20You have to trust people more,
20:22especially when it's about your son or me.
20:24You wouldn't have given me a reason to trust you.
20:28Besides, I say that someone will have to worry
20:30if our children come or go.
20:32What's this about now?
20:34That Manuel comes and goes.
20:36And you don't even bother to ask where he could be.
20:41Of course, we don't even talk about asking for explanations.
20:44I think he's too old to go where he wants.
20:45It's not necessary for you to ask anything, Alonso.
20:48I'm not surprised that the family is like this.
20:51I don't understand you. Where do you want to go?
20:53That we haven't become everyone's food, Alonso.
20:56Catalina, for example,
20:58is going to look for Pelayo and comes back with him
21:01without asking anyone's permission.
21:03But what's this about now?
21:05You're jumping from one subject to another.
21:07And besides, your dear daughter decides to go to a party
21:09with her old fiancé so that everyone knows
21:11how stupid he is.
21:13And you, instead of stopping him,
21:15you don't even open your mouth.
21:17It's just that my dear daughter can decide
21:19what to do with her life.
21:21Yes, while ours is ruined.
21:23You're taking things out of context again.
21:25I'm not taking anything out of context, Alonso.
21:27All I want is for this to be a decent house
21:29and for there to be no more scandals.
21:31But you don't care.
21:33And then you come to me with what you want to fix things.
21:35Between you and me.
21:37But I can see that you're trying to get my children in the way
21:39to mess everything up.
21:46Let's go, Mrs. Candela.
21:48I need the walls fixed so I can put them up.
21:50The day has just begun
21:52and we're working like chickens without heads.
21:54And you, Mrs. Simona, how is Clara doing?
21:56Is she ready for the snow?
21:58One or two minutes to go.
22:00Good morning.
22:02Good morning.
22:04Why are you so busy?
22:06Good morning.
22:08We want to get things done
22:10so that Lope and Simona have more time in the afternoon.
22:12Another visit from the Duchess?
22:13No, we have to take care of that later.
22:15So...
22:17are we going to have dinner with the porters?
22:19It is what it is.
22:21Well, no.
22:23Because they're making you work more than you can handle.
22:25And on the same day.
22:27Don't think that no one here has given up on the issue of the porters.
22:29I think it's very bad.
22:31They should complain to end this nonsense.
22:33Leave it.
22:35If the Duchess comes to the kitchens,
22:37it's because the Marquess has granted it.
22:39And if the Marquess grants it,
22:41we have no choice but to shut up
22:43because they're making you work too much
22:45and without any compensation.
22:47And even if it's a one-day thing,
22:49that Duchess is constantly coming here.
22:51Yes, it seems that she likes it.
22:53One day, they'll be on the promise.
22:55Yes.
22:57And if they keep working like this,
22:59they'll start to have trouble with the daily dishes.
23:01And the Marquess will end up reprimanding them.
23:03What does she want us to do, girl?
23:05Vera is right.
23:07Besides, she's having to work a lot more with all this.
23:09We have to complain, Mrs. Simona.
23:10With education,
23:12but we have to complain.
23:14And who does it?
23:16Who's going to blame the cat?
23:18Who's going to blame the Marquess?
23:20Of course not me.
23:22It's true that we work more,
23:24but we're already used to it.
23:26Besides, everything will pass.
23:28Even the visits of the Duchess.
23:30Of course, she'll get tired of so many recipes
23:32and so much going and coming here.
23:34Mrs. Simona, we don't have to put up with this.
23:36We've worked all our lives.
23:38We haven't worked more in the kitchens.
23:40And they fill the palace with guests.
23:42We've always had to work.
23:44This may seem different,
23:46but in the end, it's the same thing.
23:48Work.
23:50Work for many, work for one,
23:52but work.
23:54That's what we've come to this world for.
23:56She wouldn't have to do it.
23:58She can.
24:00You know what the Bible says, don't you?
24:02You'll earn the bread with the sweat on your forehead.
24:04It's worse, because I admit that
24:06visiting a Duchess doesn't bother me that much.
24:08No, not even me.
24:10And I'll tell you a story
24:12where someone important always shows up.
24:14Yes, she told us that once she had dinner with the kings.
24:16Then the Marquises won't say anything to her.
24:18I'm not crazy.
24:20Me neither.
24:22Do whatever you want.
24:25Pupillo, this is almost done.
24:27There's a little bit left.
24:41Manuel.
24:48Curran.
24:50You've arrived just in time.
24:52You were missing.
24:56Actually, I arrived yesterday.
24:58I've just come from Lujan.
25:01Well, if you've arrived just in time,
25:03it means you left early.
25:06Yes.
25:07Yes.
25:09Yes, that's right.
25:15Is something wrong?
25:20No.
25:22No, nothing's wrong.
25:26I think I should go to the studio.
25:29Yes, yes, of course.
25:31Don't worry, go.
25:37See you later.
25:49You and I have a conversation.
26:00That's right.
26:07Let's go.
26:23I guess you know what I'm going to tell you.
26:29I know you and Jan are brothers.
26:31I know.
26:33And yet, we've both decided to shut up these days
26:36and act as if nothing had happened.
26:38Well, I had decided to take the first step
26:41if I saw that you didn't.
26:43Well, you're going to let me leave the room without saying anything.
26:46I see.
26:48You see, Manuel, it's just that
26:50I've started to think that
26:53you might have been upset when you found out.
26:56Upset is not the right word.
27:01Surprised?
27:03Yes.
27:05It's not surprising.
27:08I needed time to assimilate it.
27:12I understand.
27:14It's an easy story to sum up.
27:16Imagine
27:18thinking that you're the son of some people,
27:21that your origin is one,
27:23and suddenly...
27:26Everything is a lie.
27:28Yes.
27:30Everything is a lie.
27:31Everything is a lie.
27:35It's like
27:37if you wanted to throw away the foundations of a house
27:40hoping that it would still stand.
27:43It seems impossible.
27:45It is.
27:50And that's why now
27:52I'm someone else.
27:54Someone better.
27:56I want to think.
27:58And all thanks to Jan.
28:00Yes.
28:02For having her as a sister.
28:10She has changed you so much.
28:12Jana
28:14is the best thing that has happened to me in this life.
28:17Yes.
28:20I've always thought that
28:22the captain has never loved me.
28:26And my mother,
28:27she's poor.
28:29She couldn't give me much love.
28:32But Jana did.
28:34In fact, I'd tell you that
28:36I haven't been luckier
28:38than being with her.
28:41The same thing happens to me.
28:45What did you say?
28:48That Jana is the best thing that has happened to me in this life.
28:58I also have my secrets, cousin.
29:05Ah.
29:07You and Jana
29:10Yes.
29:12Since the first day the promise came.
29:15When we saw each other in the gardens
29:17and neither of us knew who the other was.
29:19No.
29:21No, no, no.
29:23You're kidding, right?
29:24You're kidding, right?
29:27I fell in love with her from the first moment I saw her.
29:31So
29:33Jana and you
29:35are together?
29:40Yes.
29:42But it hasn't been easy to get here.
29:46Before, we had to go through a marriage that didn't make any sense.
29:51Because of my accidents.
29:52Even because of this stupid war.
29:57But nothing has managed to separate us.
30:01Now I understand why she told you that we were brothers.
30:05We have tried to keep it a secret,
30:07but we haven't always succeeded.
30:11Well,
30:13it seems that you have succeeded.
30:19You
30:20and my sister are dating.
30:23Soon, something more than that.
30:29We're getting married.
30:33You're getting married?
30:36Yes.
30:39Wait, you don't mind that I'm your sister's fiancé?
30:43No.
30:46There are two people I love the most.
30:48If they're together,
30:50I won't mind.
30:53It's just that
30:56I'm going to need some time
30:59to get used to it.
31:06Here it is, doctor.
31:08Come in.
31:10The fever doesn't go down and it's hard for you to breathe.
31:12Dr. Guillén says he has a cold that has attacked his lungs.
31:17And why are you calling me then?
31:20Because I wanted your opinion.
31:22The effectiveness of Dr. Don Emilio Palomino
31:25is known throughout the region.
31:28And I was calmer.
31:30Oh, and on the table you have the medicines
31:32that Dr. Guillén sent you.
31:34Actually, I asked her to marry me
31:36before we went to the front.
31:39So all those letters I saw you write
31:41weren't just for your family?
31:44No.
31:46Most of them were for her.
31:49I see.
31:51I'm sorry,
31:53but I have to go.
31:55Goodbye.
31:57Goodbye.
31:59Goodbye.
32:01Goodbye.
32:03And I say,
32:05during all this time in the trenches,
32:07didn't you think of telling me?
32:10Curro, I swear I wanted to tell you many times.
32:16I didn't want to compromise.
32:19I see.
32:21I understand you.
32:23Yes.
32:25You see,
32:27Manuel, I also have to tell you something.
32:30Something I wanted to tell you.
32:31Do you think we're interrupting?
32:35No, no, no.
32:37Nothing important.
32:39Right, cousin?
32:41No.
32:44In fact, I...
32:47I'm leaving.
32:50Curro.
32:54Cousin.
32:55Cousin.
32:56Julia.
32:58Julia told me you apologized.
33:02That's right.
33:04And I think you accepted it with pleasure.
33:06That's right.
33:07Besides, I also had a lot of guilt.
33:09I was also tired of the war.
33:11Well, that's in the past.
33:14The point is
33:16that to make you forget my bad habits,
33:20I've thought of making it up to you.
33:23Really?
33:27Yes.
33:39You said you wanted to learn how to cook
33:42and that we don't mind teaching you one thing or another.
33:45Well, the truth is that today I didn't want to learn any particular dish,
33:48but something else.
33:50A dessert?
33:51No.
33:53I want you to help me, all of you,
33:55to make a gala menu.
33:59Sure.
34:00We'll do it.
34:03That dinner would be for something special.
34:06A birthday, a handshake.
34:09Yes, my husband wants to make a dinner for businessmen
34:12he wants to do business with.
34:14And do you know how many people it would be for?
34:17Yes, around 20.
34:20A menu for 20 people.
34:23Uh-huh.
34:25And do you know the tastes of those gentlemen?
34:28No, but since many of them come from far away,
34:31I would like them to serve products from these lands.
34:35And what do you think? Beef?
34:38I don't think it's a bad idea.
34:40What dishes would you suggest?
34:43A gala menu for 20 people.
34:46Men, above all.
34:48I don't think anyone will come with their wives.
34:51Say something.
34:52Any dish you can think of.
34:54If you're pointing at Vera.
34:56It's not that simple, ma'am.
34:58A gala menu
35:00is not decided by a sigh.
35:02You have to think it over.
35:04That's right. Besides, rushes are not good advisers.
35:07This is not preparing the recipe for a dish.
35:09We have to think of a menu,
35:11as a whole.
35:12I see.
35:13The truth is that I didn't ...
35:15I didn't imagine it would be so complicated.
35:17I'm thinking of several ideas
35:19that I think you might like.
35:21Uh-huh.
35:23What do you think about preparing smoked salmon canapés
35:26with cheese cream and caviar?
35:28If you don't think caviar is too much, you can skip it.
35:30No.
35:31I've never thought of it.
35:33And the truth is that mixing it with salmon
35:35seems like a good idea to me.
35:37To continue, some chicken sandwiches
35:39with a sauce called curry.
35:41They eat it in India and it's delicious.
35:43Besides, it would give the dinner an exotic touch.
35:46Well, if there is variety.
35:48For starters, I propose mushroom cream
35:50with centeno bread croutons.
35:52I would flavor it myself with mint.
35:55And the croutons, being crunchy, would give it texture.
35:58It could be.
36:00Of the main dishes, I can think of two options.
36:02Cocoban with truffle mashed potatoes.
36:05More chicken?
36:06Yes.
36:08The difference is in the truffle.
36:10We have a delicious truffle that they bring us from Camañas.
36:12It is a beautiful town in Teruel.
36:14But if it doesn't convince you,
36:16we can prepare a grilled lamb loin
36:18with mint sauce and asparagus risotto.
36:20Look, the Italian touch never goes wrong.
36:24As you can see, what we are doing
36:26is preparing a classic menu with modern touches.
36:28Yes.
36:30I see it perfectly.
36:32And for dessert, what do you think?
36:35Crème brûlée
36:37with a touch of lavender.
36:39Lavender on a plate.
36:41Yes.
36:43It gives an exquisite touch, I assure you.
36:45I didn't know lavender was used in desserts.
36:48Well, yes.
36:50And if you tell me the sparkling wines you have in your winery,
36:53I can recommend you
36:55Marida's best wine with dinner.
37:00Well, the truth is, young man,
37:02not knowing what to recommend to me a moment ago,
37:05you have taken a menu out of your sleeve in a blink.
37:14Come on, Shantos.
37:16Open your mouth.
37:18This medicine will do you very well.
37:20You'll see.
37:28May I?
37:32Come on, just a few drops.
37:37That's it.
37:39Very good.
37:40They told me another doctor came to see him.
37:42Is he worse?
37:44No.
37:46But he's not better either.
37:49And his fever doesn't go down.
37:51So I brought Dr. Palomino,
37:53who is a doctor from the...
37:55from the region.
37:57And what did he say?
37:59Well, he sent you this medicine
38:01that seems to work better
38:03and that should improve in a short time.
38:08And that should improve in a short time.
38:11May God hear you.
38:14Yes.
38:17I wish when my son Feliciano was so bad,
38:20I would have brought other doctors to treat him.
38:23But I didn't.
38:27Don't worry about that, Mrs. Arcos.
38:29It's useless.
38:31No.
38:33We didn't do anything.
38:35And we allowed that butcher to operate on him.
38:37That's not true.
38:39Of course things were done.
38:41Although they were done late and badly.
38:43Which is the same as not doing anything.
38:45And we didn't know that the doctor
38:47who sent to bring her, Mrs. Marquesa,
38:49would behave that way.
38:51He kills himself. He's a criminal.
38:53And he treated Feliciano without any kind of examination.
38:56I see.
38:58But I'm sure that with Mr. Curro,
39:00he will act in another way.
39:02Of course.
39:07But as I say, it's not worth turning around.
39:10We have to look forward.
39:14Forward?
39:19There's no other way.
39:25No.
39:27I see that you have already looked forward.
39:29And that soon you will forget, Teresa.
39:32For God's sake, don't start with that again, Mrs. Arcos.
39:36Life goes on.
39:38No, it doesn't.
39:40My life is tied to my son's recovery,
39:43Feliciano, forever.
39:45While yours...
39:47And what did he want me to do?
39:49To be single for life?
39:51No, not that.
39:53But not to marry you so soon.
39:55You have such a poor memory.
39:57I swear I haven't stopped thinking about...
39:59You!
40:01Don't say his name.
40:03I swear I haven't stopped thinking about him.
40:06You will.
40:08And I'm not going to repeat it.
40:11Do you know the only thing?
40:14The only good thing about Feliciano's death, Teresa?
40:19It's that he couldn't marry you.
40:23Because you would have made him a disgrace for life.
40:30Come on, go.
40:33Go.
40:36Go.
40:56Yes.
40:58Yes, General, I neglected you.
41:01No, no, no.
41:03I assure you that we can't be the origin.
41:04You have my word.
41:07I'm telling you that's impossible.
41:11Because the raw material we use is of the highest quality.
41:14Excuse me, sir. Would you like some coffee with milk?
41:18Yes.
41:20Yes.
41:22No, no, no, General.
41:24The process of sterilization of the fruit is still a mess.
41:29They boil, they boil for several minutes a day.
41:32That's why I'm telling you that the origin can't be our jam.
41:35Sir, how many terrones do you want?
41:39My General, we have several people supervising the process every day.
41:44That's why you have to help me.
41:47If you deny that our jams have something to do with the detoxification of those soldiers,
41:53of course, of course, I would know how to pay that favor in full.
41:57Always at your disposal, my General.
42:01If you had the kindness to let me know if there were any news,
42:05at your command, my General.
42:08Goodbye.
42:10Goodbye.
42:12So, Captain, do you want a terron or two?
42:14You're an idiot, aren't you?
42:16Excuse me?
42:18Do you know what this is?
42:20A phone.
42:22And do you know what it's for?
42:24To talk.
42:26Don't interrupt him!
42:28You don't even know that!
42:30I thought that...
42:32Don't think so much.
42:34Dedicate yourself to following orders.
42:36I don't think it's that difficult.
42:38Excuse me, I'm sorry to have bothered you.
42:40Well, you have.
42:42I was having a very important conversation and you couldn't think of anything else but to bother me.
42:45It won't happen again.
42:47Of course it won't happen again, because as this is repeated, I will personally take care that you are fired.
42:51Do you understand?
42:53Yes, sir.
43:05It's cold.
43:07It will be useless.
43:11You barely told me about that hand request.
43:14There's not much to tell.
43:16Well, dear, there will be something.
43:18Did you have a good time?
43:20He was excited.
43:22Right, Pelayo?
43:24I see a good orchestra and we meet old friends.
43:27What is this about some journalists and even a photographer coming to this house?
43:31What are you saying, Cruz?
43:33What you are hearing, dear.
43:35Here your daughter and the count intend to bring a journalist to interview them.
43:38They want to take pictures all over the palace.
43:41Is that true?
43:43What do you mean if it's true?
43:45Do you think I'm making it up?
43:47I don't know how you dare to say something like that without our consent.
43:50Can I talk, Cruz?
43:52Of course, talk.
43:54How do you justify this insensitivity?
43:56First of all, did you ask permission from me and Pelayo
43:59when you met with that journalist who started the persecution against us?
44:03Dear, I'm not the one who has to give explanations here.
44:06Of course, of course.
44:08I'll give them to you.
44:10Well, let's try to solve this misunderstanding.
44:13This misunderstanding has nothing to do with it, Alonso.
44:15Let me talk.
44:17Those journalists must be gullible
44:20because neither Pelayo nor I have said yes to that interview.
44:23They just made us the proposal
44:25and Catalina said from the beginning that she wanted to think about it.
44:28And she pretends to believe me.
44:30It's the truth.
44:32But seeing how she's dressed, I'm craving that interview.
44:34I think I'm going to say yes.
44:36This is a provocation.
44:38Alonso, are you listening to her?
44:40Let's see, I don't think we should worry about an interview.
44:43So you think it's okay?
44:44What I'm saying is that we've been isolated here for months
44:47without doing social life.
44:49Maybe it's even good for us that the press comes.
44:52I'm just saying that I have to be informed
44:55about what is going to be done in this palace.
44:57Well, it's been informed.
44:59And I'm sorry to contradict you, Father,
45:01but Cruz should be worried about the visit of those journalists.
45:05And why is that?
45:07Because I plan to tell everything I think about you
45:09and how you have treated me during these years.
45:11That's enough, Catalina.
45:12I don't want to bring any journalists to this house.
45:43Teresa, are you okay?
45:45Yes.
45:47Yes, yes.
45:49Yes?
45:51And then why are you crying?
45:53No, it's just that I was just removing
45:55a stain with aguaraz
45:57and the steam got into my eyes.
46:01I see.
46:03You can keep lying to me, Teresa.
46:06But don't lie to me.
46:13Mrs. Arcos has given me
46:16a good scolding again.
46:19Has it been because of the job?
46:21You don't listen to that woman.
46:23She's a whore.
46:26Has it been because of Feliciano?
46:29Is he still asking you
46:31to marry Marcelo?
46:35And he has said very ugly things to me.
46:38You see, that woman has a bad temper.
46:41Do you know what I do
46:43when I start to let go of Billy?
46:45Of what?
46:47Well, I start making very difficult accounts
46:50for myself.
46:52I start adding 63 with 45, for example.
46:55And this takes up so much of my brain
46:57that I don't think about what you're telling me.
47:01I wish I was able to do something like that,
47:03but I don't think I can.
47:05Well, this is getting on.
47:07This is getting on.
47:10Okay.
47:12Well, no.
47:14Not because I came to tell you something very urgent.
47:16What happened?
47:18Your husband, who was serving coffee
47:20to the captain of the Mata,
47:22had to do something
47:24that was getting him upside down.
47:26Why?
47:28Because he interrupted her
47:30while she was talking on the phone.
47:32And what did the captain say?
47:33That's why I came to tell you,
47:35to cheer him up a little
47:37and to correct him,
47:39to see if he doesn't get in trouble.
47:41Thank you very much for letting me know, Maria.
47:43We've been together for a long time.
47:45Yes, but that's why you have each other.
47:47You're married for a reason.
48:04Have you put a good ham bone in the broth
48:06to give it substance?
48:08A very beautiful bone.
48:10That broth brings back a dead man.
48:12Oh, don't say those things, Candela,
48:14they make me sick.
48:16It's a way of speaking, Simona,
48:18you're so young,
48:20I'm sure you have a big cold.
48:22In two days we'll have him around here,
48:24and then we'll regret
48:26that he recovered so soon.
48:28Hello.
48:30Has the Duchess of Carría already left?
48:31Yes, thank God.
48:33When that woman is here,
48:35I can't do anything in the kitchen.
48:37Well, what dish did they teach you today?
48:39No, I didn't want a specific dish today,
48:41I wanted a whole menu.
48:43Well, I don't know what your cooks will think,
48:45but of course I don't think they'll find it very funny.
48:47Well, imagine that,
48:49as if now the Marquise
48:51were to start planting herself
48:53in the kitchens of other palaces
48:55and get interested in her dishes.
48:57That would leave us in a good place.
48:59And then they got a menu they liked?
49:01Yes, they got a menu they liked.
49:03Well, let's see if they prepare it for us one day.
49:07Are you out of ice?
49:09Some are left.
49:11The pantry, along with the fish
49:13they brought from the village.
49:15Well, let a maid add a good piece
49:17in a jug of water to Santa's room.
49:19Has the fever not gone down for the boy?
49:21No, not even a pinch.
49:23We're making a very tasty puixerito.
49:25A very tasty puixerito.
49:27I'm sure he'll like it.
49:28No, not even a pinch.
49:30We're making a very tasty puixerito
49:32with a good piece of ham.
49:34Well, I'll try to get him to take it later.
49:36Although it will be difficult
49:38because the fever has him completely dormant
49:40and it takes work to get him to take the medicine.
49:42Do you want me to go see how he is?
49:45You?
49:47And what are you going to do?
49:49Send him one of your magic remedies?
49:51Maybe I can help him.
49:53Yes, of course.
49:55How did the medicine you sent me
49:56to my son go?
50:00Doña Petra, Feliciano was very weak
50:02and the remedies don't work miracles either.
50:05I could see that with my son.
50:07Go if you see him.
50:09So you don't want me to go?
50:11No, of course not.
50:14Let a maid add ice to Santa's room.
50:26What a pulse you have.
50:28This is nothing.
50:30I should go work as a miniaturist.
50:32They are able to paint a picture
50:34in a grain of rice.
50:36In a grain of rice?
50:38Let's see, as entertainment it's fine, but ...
50:41I don't know if it's the most practical thing
50:43to decorate a wall.
50:47What?
50:49Do you have a favorite painting?
50:51Or a special painter?
50:53No.
50:54There are so many that I like.
50:56Yeah.
50:58Well, I think my favorite painting
51:00would be the birth of Venus.
51:02I saw it once in a photograph in a magazine
51:04and I was dazzled.
51:06From Botticelli, yes.
51:08Beautiful.
51:10I would love to see it for real.
51:12Well, I'm afraid I'll have to wait
51:14because it's in Florence and with Italy at war
51:16it's not a good time to travel.
51:18Let's see if that damn war is over, really.
51:20Did you know that Botticelli also painted
51:22part of the Sixtine Chapel?
51:24Well, I had no idea.
51:26Well, it's just that ...
51:28well, I'm pretty ignorant about art,
51:30to be honest.
51:32It's hard to learn.
51:34Julia, Martina.
51:36Do you remember that this morning I told you
51:38that I was going to compensate you
51:40for being so grumpy?
51:42Sure.
51:44One doesn't forget things like that in a house
51:46where there's nothing to do.
51:48Well, the promised is due.
51:50This is the compensation.
51:52A remedy against wrinkles?
51:54You're not going to compensate us with that
51:56because I don't have any at the moment.
51:58No, not this one.
52:00Look at this one.
52:02I don't understand.
52:04Let's see.
52:06I've arranged everything necessary to play the bandit.
52:08We'll set up a challenge in the garden
52:10and we can do a tournament,
52:12challenge Pelayo, Catalina, Manuel ...
52:14Hey, I've never played,
52:16but I think it's a lot of fun.
52:18And you, Julia,
52:19have you ever played?
52:21Yes.
52:23Just once.
52:25Well, you'll see
52:27that we're going to have a great time playing.
52:29And if you don't know, I'll show you.
52:37It's true that I did everything I could,
52:39but Feliciano was very sick,
52:41so I don't know what I could do to save him.
52:43You didn't notice Marimandra,
52:45or is she like that?
52:47But you're convinced that I'm to blame
52:49for the death of her son.
52:51And she's been in charge of repeating it to me several times.
52:54That woman is resentful of the world.
52:56That's why she says those barbarities.
52:59I wish I could have saved Feliciano.
53:01What do I tell you?
53:03You don't listen to her, Leñe.
53:05Santos' thing.
53:07He has more tracts and more venous than usual.
53:09That's true.
53:11It's true that he has taken a lot of pride in that boy.
53:13Look how far.
53:15I even had to look for another doctor to examine him.
53:17But did Dr. Guillen come to see him yesterday?
53:19No, she went to look for another doctor today.
53:21And do you know who paid her?
53:23Her?
53:25Exactly.
53:27From her own pocket.
53:29When she has seen Marimandra doing something like that
53:31for someone who was not her son.
53:33It's pretty weird.
53:35So don't listen to what she tells you,
53:37because she is lost.
53:40That's it.
53:42That's it.
53:49That's it.
54:05Well, Father, here we are.
54:09But if you are going to recommend me for the ...
54:11Wait, Catalina.
54:13You still don't know why I called you.
54:15Sit down.
54:17You're right, I'm sorry.
54:20I thought that after the discussion with Cruz
54:23I was going to throw a rag at you.
54:25No, I'm not going to do that.
54:27Although I didn't like what I saw.
54:29I don't like to argue either.
54:31Neither with Cruz nor with anyone.
54:33That's what I want to think.
54:35Someday we'll talk about that.
54:37But not today.
54:39So why did you call us today?
54:43Come in, Lorenzo.
54:44We're all here.
54:46Sit down.
54:48And that?
54:50Is this meeting going to last long?
54:52I hope not.
54:54But I don't think it's welcome for you to be standing
54:56and us sitting.
54:58Okay.
55:00But be brief.
55:02I'm waiting for a phone call.
55:04Be careful.
55:07I just want to tell you that I have made a decision
55:09about the jam business.
55:11What decision should you make?
55:12The business is going well.
55:14Is that so?
55:16So why have we had those problems with the army?
55:18We are not responsible for those intoxications.
55:21What intoxications are you talking about?
55:23It doesn't matter, Catalina.
55:25I'll get to the point.
55:27I have decided that the business will go back to Catalina and Pelayo.
55:42What?
56:01Curro.
56:03Did you want to see me?
56:06I have something to tell you.
56:09Is that what you wanted to tell me before you got to Julia Martínez?
56:14Yes.
56:16Yes, that's right.
56:18Good.
56:20Come on, I'm all ears.
56:22You'll see, Manuel.
56:24You have been honest with me,
56:26telling me about you and Hanna.
56:31And I have to be honest with you.
56:34Is that okay?
56:36Honest with what?
56:38There is...
56:40There is something else
56:42that I haven't told you.
56:44And I can't keep hiding it from you, so...
56:51Hanna and I are brothers, yes.
56:55But from different fathers.
57:01Ah.
57:05And what do you mean by that?
57:09That I have a brother.
57:14Yes, a brother with whom I do share a father.
57:19Oh.
57:21Well.
57:23And who is it?
57:29It's you.
57:33Manuel, you and I are brothers.
57:38Yes.
57:43I sent for another doctor
57:45who prescribed a different specific.
57:48But why did he do that?
57:50Isn't it clear to you?
57:52At the very least, you should have asked me.
57:54Don't you think there is a calm atmosphere in the palace?
57:57Let's just say it has something to do with the fact
58:00that the Duchess of Carril is not visiting us today.
58:02Well, I'm not going to say no.
58:04But let's see, what's wrong with this lady?
58:05It's outrageous to have her here,
58:07but at the end of the day, it's not that bad.
58:10If this infidelity reached my mother's ears,
58:12her marriage would be broken.
58:14And both would be more devastated than they already are.
58:17You can rest assured.
58:19We're not going to hurt them.
58:22Yes, but then how are you going to get to the origin
58:25of what happened to your mother?
58:27How are the visits of the Duchess of Carril going in the kitchens?
58:30Fine. Fine, ma'am.
58:32The Duchess should have no complaints.
58:33I want to know what's going on
58:35in those picturesque meetings in Petra's office.
58:38How is the husband of Mrs. Ollamini doing?
58:40All I do is receive complaints from everyone because of him.
58:44That's why I can't do anything else
58:46but consider my son Santos' warnings.
58:48He insists that Marcelo is not prepared
58:50to perform the functions of a lackey.
58:52Have you bought a badminton game?
58:54That's right. And I don't know why he's being delayed.
58:56And that's why I want to go and ask if something has happened.
58:59Do you want me to accompany you?
59:01I was thinking of going for a walk.
59:03I've been sitting all day.
59:05I'd like to stretch my legs a bit.
59:07You've made this decision to punish me
59:09because of the distance between us.
59:11This decision has nothing to do
59:13with what's going on between us.
59:15I don't intend to punish you, Cruz.
59:17It's not a personal matter. It's business.
59:19You're making a huge mistake.
59:21One more and I'll be ready.
59:23Nothing new under the sun, dear.
59:25If you do that, I don't think there will be a next time.
59:27This isn't working, Marcelo.
59:29If you don't pay attention to your tasks,
59:30I don't want the light to come out
59:32and everything to fall apart.