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00:00I have the firm purpose of collecting the best recipes in the area in one volume.
00:10Excuse me, but it is not necessary for you to go down to the kitchens.
00:14I will see them work and in the meantime that maid Vera will transcribe everything that is said.
00:19Mother, please stop coming.
00:22With your presence, I will simply get Father to find out where I am.
00:28I can't. I'm not going to rest until we become a family again.
00:34But haven't you heard Mr. Pellicer?
00:37It is an important event and as such he has to wear a special wardrobe.
00:42Is it true?
00:44Okay, I'll go with you. But it is important that you speak to Don Pelayo.
00:48Yes, yes. Just tell me what I have to tell him exactly.
00:52So Teresa is trying to cover up her husband's weaknesses.
00:56I think it's time to make public his inability and his impudence.
01:01Hold on. Because now everyone understands that Marcelo makes mistakes.
01:06But there will be a time when he really gets his act together and then there ...
01:11there will be where we will have to end him.
01:14I have learned that you have offered to restore the portrait that is in the tea room.
01:18That's right. It will be a way to compensate for the kindness of his family to welcome me here these days.
01:23We all appreciate that painting a lot. It is a memory of my dear mother.
01:27As you can see, we have left the stool and on this table it has all the products that are needed.
01:32Varnish, brushes of various sizes, rakes, clean cloths ...
01:37Indeed, everything is necessary. Thank you very much.
01:40To you for undertaking this task.
01:42I will do it with pleasure. And more in this comfortable environment.
01:46I propose a non-aggression pact.
01:48I have not attacked anyone.
01:51And you intend to take away a business in which he has dedicated time and effort.
01:55You know perfectly well that that business was Catalina's business.
01:58You said it. It was.
01:59Well, it's amazing how the people around us can make us change our perception of things.
02:04Well, I think the experts here are Curro and Manuel.
02:07I am convinced that their experience on the front has generated very strong friendships and unbreakable bonds.
02:14Daughter, you're never going to give up, are you?
02:16You know I don't. And that's why I'm not going to give up a dime in the jam business.
02:21It won't be that easy.
02:23Why? I've talked to Lope, Pelayo and even the captain.
02:27And you know this can't go on like this.
02:29I've also talked to Cruz.
02:31You think your brother has gone crazy, don't you?
02:34No, I don't think so.
02:36I don't think so. At least not when it comes to me.
02:39What?
02:41I've talked to Manuel.
02:44And I've told him the whole truth.
02:46But then he knows that ...
02:48Yes.
02:49Manuel knows that you and I are brothers.
02:58Curro, I'm sorry.
03:05It's okay.
03:08So Manuel knows that you and I are children of the same mother.
03:13Yes.
03:16And I guess you've also told him that he and I are children of the same father, right?
03:21No, no, no. I haven't told him that.
03:23No?
03:26Well, no, because I thought that didn't belong to me.
03:29It belonged to you.
03:31So I didn't even tell him.
03:33Because I don't want to compromise you.
03:36I appreciate it.
03:39Well, yes.
03:41I guess I'll have to talk to him.
03:45And put the cards face up.
03:51But I'm not going to lie to you, Hanna.
03:54I'm afraid of how he's going to take it.
04:00You don't know how much I understand you.
04:04When ...
04:06a truth that you've been hiding for so long comes to light,
04:09it gives you a lot of vertigo.
04:12But I promise you
04:14that all of this will be for the best.
04:21I hope so.
04:39I love you.
05:09I love you.
05:40I love you.
05:59Are you telling me that you're not going to return the jam business to me, Father?
06:02The decision was not easy, I assure you.
06:05This is the last straw.
06:07That's what I would think, and that's what I've done.
06:10I'm sorry my decision was not to your liking.
06:12Your decision or your wife's?
06:15Because you seemed very willing to return the business to me, and I don't know what happened.
06:19Let's see.
06:21On the one hand, it would be fair for you to run the business again, it's true.
06:26But she also has her part of the reason for refusing.
06:29Of course.
06:31For you, she always has it.
06:33She says you committed a serious irresponsibility by leaving him overnight.
06:37For a good reason.
06:39Not to mention the presence of Pelayo, who doesn't trust you either.
06:43Wow.
06:44Also, daughter, as you know,
06:48my marriage doesn't go through the best moment.
06:51Is it also my fault?
06:52Of course not.
06:54But I don't want to make things worse.
06:57And I'm not going to face my wife if it's not for a reason.
07:00But you have it.
07:01The jams that we now prepare,
07:03and after which our last name is, are much worse than the ones we prepared before.
07:07Don't you care about the prestige of the family?
07:10Whether the jams are better or worse, after all, it's a matter of taste.
07:14No, it's not.
07:16The captain has greatly reduced the quality of the ingredients,
07:19and that has a negative impact on the final result.
07:22But the business continues to benefit.
07:24It is the argument that is always Grime Lorenzo,
07:26and it is an unanswerable argument.
07:28No, it's not.
07:29It's not.
07:31You know perfectly well what you're doing to keep the profits.
07:35It's a deceptive profitability.
07:37Or that's what you think.
07:39It's the reality.
07:41Beyond the agreement with the army, we are losing customers every month.
07:46Catalina.
07:48The decision has been made. It's done.
07:54You are making a very serious mistake, father.
07:57And I'm not going to try to dissuade you, because I know it won't do you any good.
08:13He treated him horribly.
08:14And he said things like that Feliciano didn't like the sole of his shoes,
08:18or that I didn't love him the way I loved him.
08:22And Marimán Drago, in his own essence.
08:25Yes, but when I went to ask him for explanations, he attacked me.
08:29When is he going to stop chasing me like this?
08:33I don't think so.
08:35Because that woman doesn't get any worse with pain.
08:39And did Marcelo say all that to you like that? Without coming to the case?
08:42Well, he took advantage of the fact that he was making a lot of mistakes,
08:45because he had just reached the promise.
08:47And he told him that he was useless, that he didn't know how to do anything,
08:51and that he was not a man.
08:52Did he really tell him that?
08:53Yes, and he also told me that.
08:55And he added that he was not even a shadow of what Feliciano had been.
08:58And that Feliciano would have reached the promise knowing everything.
09:02If Mauro hadn't destroyed him the way he did,
09:04he wouldn't have become a good lackey either, huh?
09:07The boy.
09:09God have him in his glory, but he came in green like a wheat sparrow.
09:13Precisely, Mrs. Candela.
09:14And it is very good that you say it, because it seems that everyone has forgotten it.
09:17Did you tell that to Petra?
09:18I don't care what I told her, because she was going where she was going.
09:20To hurt you, come on.
09:22Well, I don't know if it was that that took out all his resentment.
09:26He reproached me that I had replaced Feliciano too soon.
09:32And he also told me that all the love that I had said I felt
09:36and all the pain for his death were not true.
09:38My mother, but how much resentment.
09:42The truth is that woman doesn't stop her.
09:44And that makes her lose the little reason she can have.
09:49Are you again saying that you are right?
09:51And what reason is that, María? Because I can't find it anywhere.
09:55Let's see, Teresa.
09:57Mrs. Petra's ways are not receptive.
10:00But ...
10:01her reaction is more natural.
10:03And I don't mean that Marcelo is a bad person, right?
10:06All I'm saying is that Feliciano was someone very dear to me.
10:10And are you going to tell me?
10:14Let's see.
10:16All I'm saying is that, in general, and especially for Mrs. Petra,
10:20is that thinking that someone is already taking his place ...
10:26You understand me, right?
10:27No, I don't understand you, María.
10:29And it would be very good if you explained it to me.
10:32What do you mean?
10:34That I replaced Feliciano too soon?
10:37Because if that's what you think, it would be very good if you said it openly.
10:40That there are already many insinuations.
10:45And in this house we love to get into the lives of others.
10:48Tell them how they have to feel, what they have to think.
10:52But we don't realize what those people are feeling inside.
10:55Or how our comments affect them.
10:58Teresa, I ...
10:59No, María.
11:01You don't have to say anything else.
11:03It is very clear what you think.
11:12What?
11:14He is more right than a saint.
11:16Eh?
11:17That here we can all say Mass.
11:19But in the end, Teresa's life is only hers.
11:23And she, she has to live it, María.
11:47Catalina.
11:49How is it that you are having breakfast here alone?
11:52It's a good morning.
11:54Also, if I'm honest, I don't feel like making a family life.
11:59And that?
12:04Well, I'm so angry with my father that I prefer not to have to see him in the face.
12:09I see.
12:10And what is your father supposed to have done for you to be like this, if I may ask?
12:13Make me have hopes and then disappoint them.
12:17The jam business, I guess.
12:19Yes.
12:22But did you really think he was going to give it back to you?
12:25It's what made me understand.
12:27Well, maybe it's what you wanted to understand in your naivety.
12:31No, no, aunt.
12:32My father was receptive and sensible.
12:35He understood the reasons I gave him.
12:37He even recognized that Lorenzo was doing it wrong.
12:39Well, maybe you're right and it's true that he fed the hopes of recovering that business.
12:43And so much that he fed them.
12:45And all for what?
12:46For nothing.
12:47Because, once again, he continues to claim not to go against Cruz.
12:52Would you have any other reason?
12:54Yes, that the business is still giving benefits.
12:57And it's my fault how things are.
12:59Because I left the business overnight.
13:02I see.
13:03I feel that he doesn't care what he thinks or feels.
13:07Well, and I understand that you have reasons to be angry.
13:10And so much that I have them.
13:11But I also think you have to try to be a little fair, Catalina.
13:14Look at it another way.
13:16Do you like it or not, Cruz is your father's wife.
13:19Unfortunately.
13:20Yes, unfortunately, luckily, but you have to share life with her.
13:23And, like it or not, it is true that the business is giving benefits.
13:27And I understand that you have reasons to be angry.
13:30And so much that I have them.
13:31And, like it or not, it is true that the business is giving benefits.
13:34Yes, I don't know.
13:35It may be because Lorenzo has sought his subterfuges, but he is giving them.
13:39Yes, but that is not the reason.
13:41On the other hand, you left the business overnight.
13:45And your father had to find a way to get it through.
13:48And it is also true that when the business was not going well,
13:51Lorenzo had the ability to sign that contract with the Spanish army.
13:55But what if it is true?
13:57All that, also my fright, was provoked by Cruz.
14:00Who put me and Pelayo at the helm, based on his meekness and infidels.
14:04Yes, Catalina, but that does not change the bottom of the matter.
14:06You left the business.
14:08And now you want to get it back because you want to.
14:11But that would be giving in to the whims of a spoiled girl.
14:15Look, Catalina.
14:16I'm sure that if your father could, he would put the business in your hands.
14:20And not because you want to.
14:21But because it is the best for the business itself.
14:24It is not that it depends only on your father.
14:26And we both know that Lorenzo is a lot of Lorenzo and Cruz is a lot of Cruz.
14:32And your father is going through a lot of tension.
14:35And what do you mean by that?
14:37Well, that the tension at certain ages is not good.
14:41And believe me, it hurts what I'm telling you.
14:45Niece, give your father a truce.
14:48Do not be angry with him.
14:51You know he loves you madly.
14:55I love you.
15:01The last time I saw Mrs. Aldarra, she was in a good mood, but there are things that cannot be hidden.
15:08What do you mean?
15:10She is getting more and more scared, sir.
15:14Did she tell you?
15:15No, no, it was not necessary, but she has turned the cabin into a fortress.
15:19She has even blocked the door with some furniture.
15:22It takes me an eternity to open it.
15:24Poor girl.
15:26If I were in her place, it wouldn't take long for me to lose my mind.
15:28Yes, but having changed from the cave to the cabin makes it less inhospitable.
15:34It may be for you and for me, Mr. Baeza, but that's because we only go on visits.
15:38But keep in mind that Mrs. Pia has been locked up in a cave for weeks and now she is in that isolated cabin.
15:44And at the mercy of that miserable man, he can appear at any time.
15:47It's true, I'm overwet.
15:48You know, in the war, many soldiers ended up losing their judgment because of fear.
15:57And the paradox of all this is that very few times we ended up fighting face to face with the enemy, as in previous wars.
16:04This war was about something else.
16:07Something else?
16:08Yes.
16:10To wait.
16:11To wait?
16:14Few things are worse in the world than waiting, Mr. Baeza.
16:18And more when you wait for the enemy's blow.
16:22You don't know when it's going to happen.
16:24It wasn't even going to happen.
16:27And in the meantime, you wait in the trench.
16:30With your nerves at full blast, waiting for...
16:36And with the sound of the obuses.
16:37It was going to be distressing.
16:39It was.
16:41You never knew where they were going to fall.
16:44Sometimes they sounded close.
16:46Other times, far away, next to each other, everywhere.
16:50And the time you waited between the fall of one and the next was overwhelming.
16:54It must have been worse than the waiting time of the battle itself.
16:57That's right.
16:58That's the situation.
17:01And that's if you weren't unlucky enough to have a soldier by your side turn into a mass of mud, flesh and blood.
17:08When that happened, many soldiers were paralyzed without knowing what to do.
17:13War neurosis?
17:14No, they called it combat neurosis.
17:16Poor people.
17:18Yes.
17:19And if there's anything worse than all that, I assure you it's the sound of the obuses.
17:23Because when the obuses sounded, you had to get out of the trench and go up to no man's land.
17:27In the middle of the enemy's fire.
17:28And a little less than death.
17:30Yes.
17:32You didn't have many chances of surviving, of course.
17:37I'm very sorry that you had to go through all that, sir.
17:40It must have been horrible.
17:42It was.
17:45And I'm afraid Pía is suffering the same thing.
17:48I wish we could get her out of there.
17:50We have already made many turns, sir, and we have not found any place where she can be safe.
17:55We must locate that man and neutralize him.
17:57No, forget it, forget it.
17:59It is clear that talking to him is useless.
18:02In case we could find him.
18:04And if we did, what would it be for?
18:07According to what he said in his letter, not much.
18:09No, not at all, sir.
18:11No, no.
18:12That man does not give up Mrs. Adar, and if he can't keep her alive ...
18:18Not to mention that it would be something absurd and quite dangerous.
18:21Of course, sir. And not only for Mrs. Adar, but for everyone.
18:24If it is confirmed that that man has killed someone in prison, no one will be so sure.
18:31It is clear that what we have to do is try to pressure him in some way.
18:35But how do you pressure someone who has nothing to lose?
18:39And even more, how do you do it without even knowing where he is?
18:48And how did the little man take it, Curro?
18:51Well, look, much better than I thought.
18:53Quite well done.
18:55Did he hate you?
18:56Well, it is also true that I have not told Manuel that Curro is the son of the same father as him.
19:02Mr. Marquen.
19:04I thought I had to tell Curro that.
19:06Well, yes. It makes sense.
19:12What's wrong with you? What are you thinking?
19:15No.
19:16María, you can tell me and you know it.
19:19I don't know, I find it very strange that ...
19:22that Mr. Manuel took things so calmly.
19:25That I didn't think he was going to take it badly, because otherwise I wouldn't have dared to tell him.
19:30But I don't know. Hasn't he reproached you a little bit?
19:33It's a lot what you've been quiet about for a long time.
19:37Yeah, well, no. Surprisingly, no reproach.
19:44Well, this is almost done.
19:48Let's see.
19:51And it's going to look beautiful.
19:52I'm sure it will.
19:55Well, there are two or three more with posture left and you can already see the work we've done.
19:58Come on, it's the same dress and a different dress.
20:01Well, then if it's another one, the bad omen that the bridegroom has seen it will be canceled, right?
20:05Man, of course it's canceled. Otherwise, I wouldn't be here wasting time.
20:12I can't wait to see you get to the altar.
20:16Don't make that face, huh? You're going to be beautiful.
20:20And with Mr. Manuel by your side.
20:22Handsome like a Saint Louis, with his mustache and that smile he puts on every time he sees you.
20:27María, I have to tell you that ...
20:29that it's not going to be possible.
20:32What's not going to be possible?
20:35You know that Manuel and I want to get married in secret.
20:37And that means that no one can know where or when it will be.
20:43So you can't come either.
20:45But you're in a hurry, aren't you?
20:48And who's going to be your witness at the wedding?
20:51Well, in fact, Father Samuel is in charge of that.
20:54Samuel ...
20:56Manuel and I have to get married in secret.
20:58So it's too late, for someone to say anything.
21:03I don't know, I understand that as a general rule.
21:06But you can't make an exception with me, Hanna.
21:08María, how can I tell Manuel that Miss Catalina can't show up there?
21:13The two of us have said that we are not going to give up.
21:15I can't believe you don't want me to go to your wedding, huh?
21:18Don't say that, because that's not true.
21:20I don't know, I understand it.
21:22That no noble can go because otherwise the cake would be discovered.
21:25And God is very good.
21:26And you have thought, or all or none.
21:28If the nobles don't go, the three beauties don't go either.
21:30That's not it, María.
21:31It is an insignificant maid, Hanna.
21:33That would not attract anyone's attention.
21:35And it turns out that she was the best friend of the bride.
21:38She was and she is.
21:39That's what you say.
21:40María, do you want to hear me again, please?
21:43Yes, I listen to you.
21:44But without desire.
21:45No one.
21:46No one.
21:49Manuel and I have to get married in secret.
21:52Because if the Marquis find out that we are going to get married,
21:54they will find a way to prevent it.
21:56Do you understand it or not?
21:57Yes, I understand it.
22:00But I'm very sorry.
22:03Why don't you come?
22:06I already counted on seeing you arrive at the altar.
22:09And give the yes I want.
22:11And see the end of the story.
22:14You don't understand, do you?
22:15That many months have passed and there have been many hardships and many ups and downs.
22:20Yes, I understand, but it won't be possible.
22:26At least I can be with you before and after the wedding, right?
22:30Of course.
22:34I'm very sorry.
22:37Don't worry.
22:40You and I are sisters.
22:41And that will never change.
22:47Come on, let's go.
22:55You know, this year is going to be a holy year in Santiago.
23:00I hadn't stopped to think about it.
23:03It's just that I've given a couple of turns to the idea of pilgrimage.
23:10For having returned from the war.
23:12You know.
23:13Yes.
23:16That time in the front a gunman told me about the way to Santiago.
23:19Ah, but did he?
23:22I don't know, but I guess so, because I knew a lot about the subject.
23:26I've heard it's very long.
23:29It crosses the whole of northern Spain, from the Pyrenees to Santiago de Compostela.
23:38And anyway, why has he given you time on the way to Santiago?
23:44No, it was because of Catalina, who left me a book, well, a poem.
23:51It said that the pilgrim doesn't walk towards the tomb of the apostle, but towards himself.
24:02What?
24:04That.
24:08Don't you remember the verses?
24:11No, but the book should be around here.
24:15Let's see.
24:20Here it is.
24:23And it goes like this.
24:26I am a pilgrim to Santiago, a passerby.
24:30I walk in the footsteps of others.
24:32I sleep in the footsteps of others.
24:34I hear the footsteps of others while I walk.
24:39Behind me I go down the path and I get closer.
24:44I go recognizing myself while I walk.
24:46I am a pilgrim to Santiago, a passerby.
24:51Good morning.
24:53Good morning.
24:54Good morning.
24:55Would you like to come for a walk?
25:00Well, as long as it's not from the Pyrenees to Santiago.
25:04What?
25:07Julia is going to start reading the newspaper now.
25:09No, no, of course not.
25:11This caught my attention.
25:13It says that some French soldiers will be able to return home after 12 months of absence.
25:21Yes, you see, that news is misleading because they only give permission to family members for a few days.
25:31And it's a lot to ask him to stop talking about the war.
25:36Well, Curro is ...
25:37No, I'm talking, Martina.
25:40This is a painful and delicate matter.
25:43It is not a matter of social conversation or entertainment.
25:47And I'm tired of trivializing it every time Tomiguita talks about it.
25:53Which seems to be the case all the time.
25:59You know, there have been too many deaths, miss.
26:04I'm sorry, because ...
26:08Maybe he's in a particularly sensitive moment.
26:14And I understand.
26:16No, it's okay.
26:18It doesn't matter.
26:23What were you talking about when we arrived?
26:27I don't know.
26:29What were you talking about when we arrived?
26:38The Camino de Santiago.
26:45Welcome, Duchess, to the service area.
26:48It is an honor for us that you are here.
26:51Excuse me, because the order from the Colmau has arrived and I have to check that everything is there.
26:57Oh, it looks good.
26:58To the fresher, now.
27:01Let's see.
27:02The rabbits ...
27:04Good.
27:05Go to the patio and peel them.
27:06This one with tomato is going to be very tasty.
27:12Ah, the chickens.
27:13Let's see.
27:14Well, good.
27:15Lope.
27:16Yes.
27:17To the bottom and have them plucked.
27:19Of course.
27:20Duchess, what recipe would you like us to start with?
27:24If you like, we can show you our recipe for fried aubergines,
27:28which, although they have been second in the contest of the parish of Luján, I think they are the best.
27:34Well, Mrs. Simona, this is always questionable.
27:36Of questionable?
27:37Nothing.
27:38Lope, it has been because I took it all from Clementine, because she will have absorbed the sex to the new parish.
27:43And that's why we haven't won.
27:44Mrs. Martínez.
27:46Lope.
27:47Why don't you show the Duchess how the tripaloncian are prepared?
27:51Holy Virgin, before I would have to know what that is.
27:55A traditional recipe of aubergines, Mrs. Simona.
27:57Ah, Camaramos.
27:59It is that I have heard the Duchess say that it is the Duke's favorite dish.
28:04Well, if the lady prefers it ...
28:06Yes, yes, of course.
28:07Go ahead.
28:12Puntavera.
28:13Let's see.
28:16Good.
28:18The dish of aubergines is a very particular dish.
28:22If you don't follow the steps well, it can be very complicated.
28:25It has taken me a long time to master it.
28:27The first and perhaps the most important thing about this recipe is the cleaning.
28:31The cleaning.
28:32Yes.
28:33You have to clean all the ingredients of the dish thoroughly.
28:37Because it not only has aubergines, but it also has little hands, guts ...
28:41That's where the name comes from, the gut.
28:44Interesting.
28:46Yes.
28:47As I was saying, Mrs. Duchess, you have to make a lot of effort to clean the gut well.
28:54Especially the guts, to try to completely eliminate the smell ...
29:00The fecal smell.
29:01That's it.
29:03Once everything is clean, we take a pot with water, put the aubergines in it and cook them for about 20 minutes.
29:12After that time, we take out the guts and drain the water from the skin.
29:17When you see that water, you will know why it is being drained.
29:21And at that moment is when the dish becomes very laborious, because we have to repeat the operation.
29:27That is, put the guts back in a second water.
29:30Yes, but in that second water, other ingredients are added.
29:34Yes.
29:35A generous pinch of salt, a sprig of parsley, two cloves of garlic, a little onion and a few slices of black pepper.
29:42We let it boil for about 35 to 40 minutes.
29:45And when it's done, we're not going to throw away the cooking water.
29:49Although we don't like the look.
29:50We're not going to like it.
29:52Well, that's it, right?
29:54Oh no!
29:55Well, where are things missing?
29:57Well, it is laborious, yes.
29:59Now the pan comes into play.
30:02What we will do is take a pan and add two tablespoons of oil.
30:05We will put it on the fire and we will also add pepper, onion and garlic.
30:09And we will let it cook.
30:10As it cooks, we will add a little salt, a little black pepper and a cayenne.
30:16We will leave it on the fire for about two minutes.
30:18Yes, no more than that, otherwise it will be bitter.
30:20It is also important to take into account that later we are going to add a tablespoon of paprika.
30:25Sweet or spicy, depends on the taste of the duke.
30:28And a tablespoon of flour.
30:29But hey, this will be rehydrated with the residual heat of the pan.
30:33There and a little more.
30:35And now what we have to do is turn on the fire again,
30:38take another pot and put everything we had in the pan.
30:42And little by little we are adding the broth of the second stew,
30:46which you will remember that we had reserved.
30:48Yes, yes, perfectly.
30:50If you want, I can read my notes to you, ma'am.
30:52No, it won't be necessary, thank you.
30:54It is important, write it down well, Vera.
30:56And stirring it little by little.
30:58Because we don't want the stew to be very liquid.
31:01What we are looking for is for it to amalgamate and get a creamy texture.
31:04That's it.
31:06And then we add the roosters, which we had reserved, remember.
31:11And you also have to add a Serrano chorizo, as is, without cutting or peeling.
31:15And we also add the chickpeas.
31:18And that has to be on the fire for an hour, an hour and a half, on a rather soft fire.
31:25And our dish would be finished.
31:27The last thing we would have to do would be to let our work rest and it would be ready to eat.
31:34Are you okay, ma'am?
31:36Yes, perfectly, thank you.
31:38You have a strange face.
31:40It's the face of amazement, right?
31:43Of the amount of little things I have learned in this little while.
31:46Oh, thank you very much, ma'am.
31:49You're welcome.
31:50Well then, yes, we're done, right?
31:53No, now the best thing is to go from theory to practice.
31:58Of course, pass me the genre.
31:59Look, these are the little hands.
32:02The pig's little hands.
32:22Hello.
32:25Talk.
32:29Manuel, I ...
32:31I need to talk to you.
32:35I need to know if, after everything I've told you,
32:41I want to know if something has changed between us.
32:45I know I've told you a very big secret and I know it's very difficult to assimilate.
32:52And I also know I've kept many things from you.
32:55But I just want you to understand that it was because ...
32:59because I didn't want to put you in danger.
33:04But I also know that ...
33:06that a marriage can't start with a secret like that.
33:11I know.
33:17And no.
33:21Nothing has changed between us.
33:24But ...
33:26But even if I still love you the same as before, Hanna, there are ...
33:30There are things that I can't understand.
33:35The pieces don't fit, do you understand?
33:39For example, what sense does it make
33:42for my grandfather to kill your mother?
33:44What sense does it make for him to adopt Curro as a grandson?
33:49According to what I made clear when I spoke to Mrs. Eugenia,
33:54your grandfather wanted her to have an offspring.
33:57Silence.
33:59And that's why they chose my brother, who was a newborn,
34:03so that he would pretend to be his son.
34:09Manuel.
34:13All this has also hurt me a lot.
34:17But it's the truth.
34:19And we like it or we don't have to accept it.
34:21I'm not saying it's not true.
34:24I don't doubt what you're telling me.
34:29But for God's sake, you have to understand that it's hard for me to get the idea.
34:36You're telling me that my own grandfather was a murderer,
34:40that he killed your mother, my brother,
34:44and that he could do something like that to Curro.
34:49Hanna, right now I'm not even able to look my cousin in the face.
34:54I don't know how to face the issue.
35:00I'm very confused.
35:06And I think that, as things are now, it would be
35:11an option to postpone our wedding for the moment.
35:16Are you backing out?
35:18No.
35:20No, it's not that, but I need time to think.
35:40It's not a rational question, even if it is.
35:44But above all, it is, isn't it?
35:45Your father listened to your reasons and suddenly,
35:48he changed his mind completely.
35:50So those reasons are like giving up.
35:54The thing is, I love my father very much.
35:57And it pisses me off that Cruz handles him like that.
35:59And it pisses me off that Lorenzo took a piece of this.
36:01I see.
36:03Remind me why I couldn't move the shelter.
36:06You have it locked up, you'd lose the queen.
36:08Oh, yes, it's true.
36:12That deal was my idea.
36:15No one denies it, not even Cruz.
36:17And much less your father.
36:18Yeah, and what good is that to me?
36:20It was my idea, you helped me.
36:22Well, yes.
36:23But I think that now is the least of it.
36:25The least of it?
36:27Catalina, no matter how much the prestige of the business hurts you,
36:29it's sunk.
36:31But the good part is that Lorenzo will continue to make mistakes
36:34that sooner or later will show that he is not capable
36:36to get the business going.
36:38Then is when you will have the opportunity
36:40to get back with him.
36:43Yes, if there is something left to recover.
36:45Well, if not, we'll come up with something.
36:50But it makes me angry that something is achieved
36:52in what we have put so much effort, so many illusions.
36:54And the worst thing is that it's my fault.
36:56That's not true.
36:57Yes, it is.
36:58Because both my father and my aunt,
37:00and although it is difficult for me to admit it,
37:02Cruz herself is right when they tell me
37:04that I left the business overnight.
37:07And given the circumstances,
37:09I have no right to claim anything.
37:11It was a whim, Catalina.
37:13No, but I shouldn't have reacted
37:15in such an irresponsible way.
37:17Now I see it clearly.
37:20I was obfuscated, given the circumstances.
37:23And there is the result.
37:26Well, although all that you say is true,
37:29which it is not,
37:30it is something that is already in the past, right?
37:32It is not the important thing now.
37:35And what is the important thing?
37:38Jaque.
37:39Do I really have to tell you?
37:42We have returned to the promise to try to recover
37:44what was between us, right?
37:46Yes.
37:47Well, that's it, let's focus on that.
37:49In addition, a splendid party awaits us this afternoon.
37:53The party.
38:02What about the party?
38:05Jaque killed.
38:10Well, I don't feel like going, kid.
38:13I'm afraid to face so many people.
38:16But we don't have to face anyone.
38:19But we don't have to keep hiding either.
38:22We can't let the rest determine how we live.
38:26Is that true?
38:28Of course it's true.
38:30Look, we're going to stand at that party
38:32with our heads held high and say,
38:34here we are, we love each other
38:36and we don't care what others have to say.
38:39Let's focus on us.
38:42I agree.
38:45Do you know that you are better at oratory than chess?
38:48You can't do everything right in this life.
38:52I knew I shouldn't have accepted a chess match against you.
38:55I told you.
39:00How disgusting, for God's sake.
39:04I know perfectly well that you are taking revenge
39:06that I came here to the kitchen.
39:08But I don't care.
39:10Even if I have to throw up every day,
39:12I'm going to keep selling the promise until you give up.
39:15You know you're not going to make it, mother.
39:17Or have you forgotten how clumsy you've always been?
39:21How can I forget?
39:23I remember it perfectly.
39:25You were still very little
39:27when one day you insisted on putting on your own clothes.
39:30Do you remember?
39:33It was a very hot, suffocating day.
39:36You sat in the living room,
39:38tied up in a winter dress,
39:40with some boots to put on,
39:42and playing with a medieval cone hat
39:44from one of your costumes, I guess.
39:46I don't remember having such a hot day in my life.
39:49I offered you other options,
39:51but you didn't want to.
39:53So in the end, I decided to let you dig for yourself.
39:56And this was just one of the many times
39:59that you showed me your inner strength
40:01and that determination that you've always had.
40:04Sometimes it happens, doesn't it, mother?
40:07That both defect and virtue
40:09are two sides of the same coin.
40:13Maybe you're right.
40:16Why don't you take me out for a while
40:18to get some fresh air, daughter,
40:20before I catch a cold?
40:22Gross.
40:23Come on, come with me.
40:25Thank you, daughter.
40:34♪ ♪
41:05♪ ♪
41:09It seems that everyone is surprised by your wedding.
41:16Or rather,
41:18that you got married so soon after Feliciano's death.
41:21May he rest in peace.
41:23Marcel is a good man, ma'am.
41:25I don't doubt it.
41:27And his company has helped me get ahead.
41:31Come in.
41:35They told me you wanted to see me, aunt.
41:37Yes.
41:38You can go.
41:40I wanted to ask you, when is Julia leaving?
41:43I didn't care if she stayed a few days,
41:45but this is taking a long time, isn't it?
41:47I didn't know it bothered you,
41:49her presence, how she is so ...
41:51so kind, so nice,
41:53and above all, so discreet.
41:55Yes, Martín, I'm sure that and much more.
41:57But this is not a hotel, dear.
41:59Okay, I started to think so.
42:01I see.
42:03Well, I can talk to Julia,
42:05but I'm afraid she's going to have to stay a few more days
42:08to ... to restore the painting.
42:11Oh, right.
42:12The painting.
42:17The Valdés?
42:18Postmen, right?
42:20That's what her parents called them.
42:22Yes.
42:23The truth is that they don't sound like anything to me.
42:25Have you heard more about this girl?
42:27No, but ... well, she came to the party of the Duchess of Cerzuelos.
42:30I see.
42:31So she has to be from a good family,
42:33because otherwise they wouldn't have invited her to ...
42:35to something so exclusive.
42:38Well, it could be, I don't know, but ...
42:41I don't know, maybe we should do some investigations
42:45about those postmen.
42:48Although I don't know if we should.
42:50Why?
42:52Because after the social emptiness we have lived
42:54thanks to the Dukes of Infantes,
42:56I don't want to risk it.
42:58I don't want everyone with the case to hide it,
43:00except us.
43:01And then it would be clear that we are no less than some scoundrels.
43:05So I don't have to talk to Julia?
43:07No.
43:08Better not.
43:09So we'll have to put up with her a little longer.
43:12Anyway, you're right.
43:14She's discreet and she doesn't show off.
43:17Thank you, uncle.
43:21Come on.
43:26Come on.
43:45I know it's not the best place, but ...
43:50Hanna.
43:53You have to listen to me.
43:57And you have to do it now.
44:06Okay.
44:12Forgive me.
44:14Forgive you? Why?
44:16For what I told you before.
44:19For postponing our wedding.
44:21I'm very sorry, Hanna.
44:23Well, you don't have to be, Manuel.
44:25Because you were honest, that's all.
44:27No.
44:29No, I wasn't.
44:31I thought it was sincerity, but it was just fear.
44:35Fear.
44:38I guess you've overestimated all this information that I didn't expect and ...
44:43And that you need time to assimilate it, I understand.
44:47I don't need it.
44:49I assure you.
44:50Manuel, I really understand. I don't want to force anything.
44:56There is nothing to force.
45:02I have thought about it carefully.
45:06And all I feel is that you have had to carry all this weight alone for so long.
45:13I'm sorry.
45:15Because if this is being hard for me, I can't imagine what you've had to endure for you.
45:21All these secrets so painful.
45:26Well, I'm not going to deny it because ...
45:29I never imagined that this was going to be so horrible and that it was going to hurt me so much.
45:38My love, as much work as you lost your mother the moment you most needed her.
45:44And that is not only sad but unfair.
45:50I thought that ...
45:53I thought that when I found out the truth, well ...
45:56All this pain would go away.
45:59That I've had since ...
46:01Since that day, but it doesn't go away, it doesn't go away.
46:08I think it can't go away.
46:11And it doesn't matter what you can say or do, because it can't be remedied immediately.
46:18But I think that ...
46:21Yes, we can leave the past behind.
46:25Yes, we can get married.
46:29And yes, we can spend our whole life looking ahead.
46:35I know it may sound selfish, but if I tell you the truth, it sounds exactly the same to me.
46:43My love.
46:46I've spent my whole life postponing my wishes because of hateful conventions.
46:51For the desire of my parents, for ...
46:54For the good of the family, for the good of Marquesado and I'm fed up.
46:58It's over.
47:01From now on I am the owner of my life.
47:07And I want to spend it with you.
47:20I love you.
47:30Are you dressed for dinner? It's early.
47:33No, no, no. I'm waiting for the car.
47:36Catalina and I have accepted the invitation of a friend of mine to your handshake party.
47:40Ah, and do you think it's wise to attend?
47:43Because after what happened, my daughter and you will be the center of the gazes and criticisms of many of those present.
47:50I can't agree more with what my husband says.
47:58Letting yourself be seen in public can seem like a provocation.
48:01And it can be another scandal.
48:04The time has come to stop hiding and face it.
48:07That's an excellent plan if what you want is to be laughed at.
48:11We will take that risk.
48:13But how can you be so naive?
48:14Do you really think that people will ignore such a succulent gossip just because Catalina and you are determined to contradict them?
48:20Marquesa, it is what we have decided to do.
48:23It's stupidity. That's what it is.
48:25Maybe not.
48:27Maybe it makes sense to adopt that brave stance.
48:30So you're going to support this nonsense now?
48:33The truth usually finds its way out.
48:45You are beautiful.
48:47I will not be the one to discredit you, daughter.
48:50Thank you very much.
48:52And that brooch is beautiful. It's your mother's, isn't it?
48:55Yes. The same one Cruz had the audacity to sell to ruin his birthday party.
49:00Please, you always find a way to twist everything.
49:03He told the pan to the pan.
49:05Don't start, please. I'm asking both of you.
49:07It wasn't me who brought up the subject.
49:09Because of the account he has, right?
49:10Unfortunately, it is a matter that has already been resolved.
49:13And it makes no sense to talk about it again.
49:16I suppose your car will be ready.
49:19Have a good time at the party.
49:29Excellent intervention.
49:32Once again, your daughter has done whatever she wants.
49:35Don't you realize that this is a danger for the Marquesada?
49:38In addition to the insolence with which he treats me.
49:40I don't know what I have or what I don't have to do.
49:43I don't know what I miss.
49:45You are always aware of everything.
49:47Then you will be surprised that I couldn't stand it.
49:49Now I assure you that she is very happy to see us apart.
49:51Don't worry about that, Cruz.
49:53My daughter has nothing to do with our breakup.
49:55In addition to the fact that it is in your hands to solve it.
50:10I'm sorry.
50:30Be brave and tell me what you have to tell me.
50:33I can't stand seeing you here like this.
50:37You swore eternal love to my son on his deathbed.
50:40And you were as broken as I was when Feliciano died.
50:45I thought your pain and your love, Teresa, were sincere.
50:48They were sincere, Mrs. Arcos.
50:50Of course they were sincere.
50:53A part of me broke when Feliciano died.
50:56In fact, a part of me died with him.
50:59Don't lie to me anymore, Teresa.
51:01I'm not lying to you.
51:03I'm telling you the truth.
51:05You know about my pain.
51:06I know about my pain.
51:09But I have the right to redo my life.
51:11In fact, Feliciano asked me to do it.
51:15Do you have anything to object to that?
51:19Not at all.
51:22Being with that useless man is your best way to redo your life, Teresa.
51:31Go ahead.
51:34And take advantage of it.
51:37Go ahead.
51:50Teresa, I was looking for you.
51:54What for?
51:57It's nothing urgent.
51:59You can wait.
52:01What's wrong?
52:03It happens to me that all this has me completely overwhelmed.
52:08I'm not surprised.
52:10It's not easy for me either.
52:12I'm not talking about whether it's easy or not.
52:16What I'm talking about is that all this is destroying me inside.
52:19That before I was not well enough to have to face this now.
52:27I love you very much and you know it.
52:30But I can't go on.
52:33Lying like this is killing me.
52:50What a wonder of gardens.
52:52It's been like going back to life.
52:54Oh, yes, ma'am.
52:55Yes, ma'am.
52:59Candela and I had thought that before leaving I could eat something that would be good for her.
53:05How thoughtful.
53:07But the fact is that I don't have an appetite.
53:09Duchess, if you allow me, don't you think you should try the refrigerator that our cooks have prepared for you?
53:14I'm sure it's to suck your fingers.
53:16Yes, I don't doubt it, but the fact is that ...
53:18Also, after the little indisposition you have suffered, it is sure that eating is good for you to regain strength.
53:22One moment.
53:24Has the lady suffered an indisposition?
53:26No, but only slightly, as my ... the maid said.
53:29Sit down at the table.
53:31You'll see how to eat and fill your stomach.
53:34Okay.
53:36If you allow me, I'll find out, ma'am.
53:47You're not staying, are you?
53:49No.
53:50How are you going to eat and I don't have to write anything down?
53:53I don't want to bother you.
53:56To finish off the roosters, we were a little short on time.
54:01But we have prepared ...
54:04Some pork hands.
54:07Come on.
54:09Let's see how tasty.
54:11Yes, it looks very good.
54:20Oh, this smells from afar.
54:23The next recipe we show my mother will have to have cod.
54:28If her friends were seeing what's going on, I'm sure she would lock herself at home and never go out again.
54:34You are an exaggeration.
54:36No, nothing exaggerated. I know my mother perfectly well and I know that this horrifies her.
54:40Especially if her daughter is worried that her cook starts with a trip to the old man.
54:44What a face the woman has when we have had to explain to her with all kinds of details how to clean guts and why.
54:50No, especially why.
54:53I have to admit that despite how angry I am with my mother for her insistence on me going home,
54:59this afternoon I had a great time.
55:01Have you seen the faces she has put on?
55:03Yes, yes, I have seen them. I saw her end up with her stomach upset.
55:06Well upset is not much to say.
55:08Not even she knows where she is.
55:10But hey, I'm sure that sooner or later she will get tired and leave.
55:14Because having her in front of me makes me very uncomfortable.
55:17I don't know why, but your mother intimidates me.
55:21Don't worry, Lope. You won't have to put up with her for much longer.
55:25I'm sure that when she realizes that she has punctured a bone, she will leave so as not to return.
55:30Me?
55:33I'm going to change, I haven't had time for that.
55:44Mmm.
55:46Mmm.
55:48Very good.
55:50I'm not going to deny that at first I was a little hesitant to try it, but look,
55:54I'm glad I did it, because if I hadn't, I would have missed something really delicious.
55:58The prejudices.
56:00We all have them and then that's not worth it at all.
56:02And I don't say it just for the food, also for the people.
56:04Look, Convera.
56:06Exactly.
56:08What's up, Convera?
56:10Well, at first, when I arrived, we didn't trust you.
56:12Uh-huh.
56:14For some special reason?
56:16A little. Between the fact that we didn't know where she had gone.
56:19And that we thought she was coming to replace a classmate who had been unfairly fired for ...
56:24Well, for a question that we are not going to explain now.
56:26Well, poor Vera, we had a little friend going through her. Do you understand?
56:30But, over time, we saw that ...
56:34that Vera is a very good girl.
56:36Very spoiled.
56:38And also, very affectionate.
56:40I say, and that you can trust her.
56:42I know.
56:44Of course, that girl looks different.
56:46Yes, from the beginning she looked different.
56:48Remember the gentlemen?
56:50It's true.
56:52What happened with the gentlemen?
56:54Well, as soon as she arrived, she caught our attention.
56:56How well she handled the Marquises.
56:58Sometimes it seemed that she even guessed the thought.
57:00Yes, and how bad it was at first to sew and wash.
57:03Uh, thank goodness that she has improved and that she already defends herself.
57:06Yes, Vera has gradually found her place in the promise.
57:12And what is not the promise?
57:14What are you talking about?
57:16That she has also found the hole in the heart of one that I know.
57:20One moment.
57:22Does Vera have a boyfriend?
57:24Yes, Lope.
57:26Lope?
57:28Our cook.
57:30Ah, yes.
57:32Lope.
57:37I'm happy like a worm.
57:39Well, yes, you can tell.
57:41He has a smile like a circus clown.
57:43And why is that?
57:45Well, I was going to see El Salvador, which is your day off.
57:47And I want to fuck him today.
57:49You see, I can't stop thinking about the conversation I had with Rómulo about Gregorio.
57:52What you're still thinking about is the possibility of meeting him.
57:56I know it's dangerous, but I think I can find a way to make you happy once and for all.
58:01Were you talking about me?
58:03And Vera?
58:05Didn't the lady know you were already engaged?
58:06Come on, Lope.
58:08Stay with us for a while and join the chat.
58:11I thought it was very clear that he was not looking for that man again, Hanna.
58:15Yeah, but ...
58:17But what?
58:19I don't know.
58:21Manuel is up to something.
58:23Something like what?
58:25I thought you were preparing an intimate ceremony, but I see that you shoot high.
58:29Well, being intimate does not mean that we give up giving it the relevance it deserves at a time like this.
58:34After all, a wedding is something you do once in a lifetime.
58:38Well, in the case of Margarita, more than once.
58:41I'm going to be late to go to the motel.
58:43Catalina, please.
58:45It's okay, what do you want?
58:47To explain my reasons, so as not to leave you in charge of the business.
58:49Yes, Cruz, those are your reasons.
58:51Stop being afraid of your wife.
58:53No, it's not fear.
58:55No? Then what is it?
58:57I was fed up.
58:59Because apparently, that girl doesn't know how to talk about anything other than that damn war.
59:01Yeah, yeah, but ...
59:03That doesn't justify your tone.
59:06We are talking about war.
59:08Not about the fashion of Paris, or the last premiere of the theater.
59:12It's annoying.
59:14Good morning.
59:16Good morning.
59:18What's the matter, mother? Why are you so relieved?
59:20I'm fed up with useless maidens.
59:22I'm sure everything can be fixed if you put a little goodwill.
59:25Thank you, Mr. Arcos.
59:27Now I feel much better from you.
59:28You should take care of yourself a little more, Feliciano.
59:30You can catch pneumonia.
59:32You're right.
59:36My management is giving results, Hanna.
59:38I don't know what management you're talking about.
59:42I know how to attract Gregorio.