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00:00You're going to hit me. Go ahead.
00:02Please, let me go. I'm warning you.
00:04Give me a reason to break your face.
00:06What's going on?
00:07Are you going to hit each other again,
00:08as if you were two drunk men in a tavern?
00:10Don't get involved in this, Cruz.
00:11What do you mean, don't get involved?
00:12What are you reproaching him for telling me about Maria Antonia?
00:14Isn't that right?
00:15I'm not reproaching him for anything.
00:16He's just a messenger. Let him go.
00:20Your secret is safe with me.
00:22You don't know how much I appreciate it.
00:24Just one thing, Hanna.
00:26Who else knows?
00:28Mr. Baeza also knows.
00:30And how has he taken it?
00:32Let's say he's not as optimistic as you are.
00:34Well, you know he has a very different way of seeing things
00:36and not a great sense of responsibility.
00:40I'm aware.
00:42Tomorrow I have to leave with my parents to San Sebastián
00:44to visit my sister and her husband.
00:46Well, it sounds very fun, doesn't it?
00:48Well, my brother-in-law and I
00:50will arrive at the airport tomorrow
00:52and we'll go to the airport together.
00:54My brother-in-law and I,
00:56let's say we are not the people who get along the best.
00:58Because of character differences.
01:00I don't know if that's it
01:02or that he's a petulant and arrogant.
01:04Feliz, Feliz, don't give it to him.
01:06Because Feliz, Feliz ...
01:07Maria, enough.
01:08No, no. You're right, Hanna.
01:10I didn't notice much connection with her husband when I saw them together.
01:12Well, let's see.
01:14Maybe she's trying to be a little more discreet.
01:16Teresa has never been one of those timid people either.
01:18And how does she take things?
01:20Well, for the same reason.
01:22For the same reason.
01:24She probably doesn't want to upset Mrs. Petra.
01:26She swore eternal love to her on the fact of my son's death.
01:28And two weeks after leaving here,
01:30she was already dating another man.
01:32Do you think that by being here she was pretending?
01:34All I know is that
01:36it wasn't even a year ago that my son died.
01:38And that woman has redone her life as if it were such a thing.
01:40Because she has no sense of respect.
01:44And is she going to stay here for a while?
01:46Well, Martín just invited me to spend a few days here.
01:48So if my parents don't mind,
01:50everything seems to indicate that for a while.
01:52Great.
01:54Well, let's hope that the novelty of her presence
01:56serves to divert the attention of other visitors.
02:00He has offered her the position of first lackey
02:02in the palace of the Count of Matesanes.
02:06Someone will pay you more room.
02:08Right, Salvador?
02:10That's it, that's it.
02:12Maria, what's going to happen with the wedding?
02:14What's going to happen, Simona?
02:16Because it will be celebrated when it can and that's it.
02:18I have a question.
02:20We are maintaining a friendship relationship.
02:22Curro behaved like a walking gentleman
02:24saving his beloved.
02:26In life,
02:28things are more prosaic.
02:30And that's why you decided to be friends.
02:32I don't think
02:34either of you wants to force things.
02:36He is a ruthless murderer.
02:38You can't talk to him
02:40and you can't buy him either.
02:42What can we do?
02:44Nothing. Leave things as they are.
02:46You don't know if she's locked up in that cabin
02:48without seeing her son, that's true, but alive.
02:50And for how long?
02:52As long as necessary.
02:54The next step will be taken when she has to leave.
02:56If it was as you say and you had told me,
02:58I would have believed you
03:00because you were my husband.
03:02But now ...
03:04Now I don't know who you are.
03:06Cruz Recapacita.
03:08Go.
03:10I'm about to hire your husband like Callo.
03:12I hope you don't disappoint me.
03:14I'm betting on you.
03:16I know perfectly well, Mr. Baeza.
03:18And I assure you that I will not disappoint you.
03:20You really don't know how much I appreciate it.
03:22And I ask you, please, to trust me.
03:24And also in him.
03:26As I said, he learns very quickly and he is a good man.
03:28There was nothing good
03:30between so much misery.
03:32The comrades of Trinchera.
03:34In those circumstances,
03:36I guess
03:38the ties become very close.
03:40I assure you that I would not be here
03:42if it weren't for them.
03:44And now, excuse me if I don't specify more,
03:46but I don't like to talk about it.
04:08Mr. Baeza.
04:10But what is it that has made you fall?
04:12For your mood.
04:14I'm sorry, I thought it was Gregorio.
04:16I'm sorry, I'm very happy to see you.
04:18And I am very happy to see you, Mrs. Adares.
04:20Although you were about to give me a good smile.
04:22Well, I've been very nervous lately.
04:24Especially at night.
04:26But you have a very good face.
04:28Thank you very much.
04:30I'm going to bed.
04:32Good night.
04:34Good night.
04:38But you have a very good face.
04:40It shows that it is better here.
04:42Well, yes, better than in that cave.
04:44Sit down, please.
04:48I know it's not time,
04:50but I preferred to come at night
04:52so that the absence of Palacio is not noticed.
04:54But has something happened?
04:56No, no, and that's what it's about.
04:58But if nothing has happened,
05:00why did you come?
05:02Well, I wanted to visit you.
05:04Don't take me for a fool, please.
05:06Well, we still haven't found
05:08a way to neutralize that man.
05:10But that was already known before.
05:12But I wanted to talk to you.
05:14Has something happened?
05:16No, no.
05:18Well, I missed you.
05:20Since you left the promise,
05:22it has been a chaos.
05:24Well, here I am the calmest
05:26because no one comes to see me.
05:28And if someone comes, you grab the ...
05:30the ... the ...
05:33It's curious,
05:35but that's one of the things
05:37I've missed the most.
05:39What?
05:40The laughter.
05:42It's usually a matter of two,
05:44don't you think?
05:46It is said that the one who laughs alone is the one who is crazy.
05:48Well, I've been about to do it several times.
05:50Well, about that and talking to the parents
05:52from this cabin.
05:54Well, you've been too alone.
05:56Well, yes, too much.
05:58Except when María Fernández came to see me
06:00and Don Manuel,
06:02who looks very happy and very welcome.
06:04Don't you think, Mr. Baeza?
06:06Mr. Baeza, don't worry.
06:08I know perfectly well that you know
06:10what's going on between those two,
06:12just like I do.
06:14It's a delicate matter.
06:16It is.
06:18Mr. Baeza.
06:20Tell me.
06:22I wanted to ask you a favor.
06:24If it's in my hand.
06:26Well, don't give it away.
06:28Let's not complicate it any more, please.
06:30Don't worry.
06:32Don Manuel and Hanna may be calm
06:34because I'm not going to tell Mr. Márquez anything.
06:36And they already know?
06:38Well, not in a round and definitive way.
06:42Well, tell him. They must be in a dead end.
06:44Do you think it is necessary?
06:46No, not necessary.
06:48It is essential.
06:58The things that have happened
07:00since I saw you
07:02The lights that have danced
07:04through our garden
07:06The new rumors
07:08Between the heart and the walls
07:12In the promise
07:14There will be particles of love
07:16in motion
07:18There will be secrets
07:20that will never come out
07:22It will be as beautiful
07:24as the flight of a plane
07:28In the promise
07:30The farewells
07:32are spins on the ground
07:34Even the flowers
07:36will dance in their own way
07:38Balancers
07:40between fear and passion
07:44We are like a jump
07:46to the D3
07:48We are love
07:50when you live life or death
07:52A long way to go
07:58In the promise
08:00You will be a matter of luck
08:02We are like a jump
08:04to the D3
08:06We are love
08:08when you live life or death
08:10A long way to go
08:14In the promise
08:16You will be a matter of luck
08:22Are you in a hurry?
08:24I have things to do
08:26At this time,
08:28it will be unconfessable
08:30Come on, don't be so open
08:32and have a drink with your uncle
08:34At another time, really
08:36Are you going to make me look bad?
08:38It's not about that
08:40Come on, so we can chat
08:52Tell me
08:54What do you want us to talk about?
09:00It doesn't matter
09:02How are things going with Pelayo?
09:04Good
09:06Just good?
09:08Seeing you, I get the feeling
09:10that things are going well
09:12Am I wrong?
09:14It's hard to say
09:16Expressions like that
09:18are so imprecise
09:20Well, it's an expression like any other
09:22It's a way of speaking
09:24Really?
09:26Let's use that way of speaking then
09:28How's the jam business going
09:30since you've been in charge of it?
09:32Well...
09:34Is it going well?
09:36No
09:38Is it a profitable business?
09:40Don't tell me
09:42I can show you the account books if you want
09:44How can it be that in a few months
09:46the business has gone down?
09:48It's hard for me to believe
09:50It's hard for you to believe because it's a lie
09:52That business is still doing well
09:56Yes
09:58Reducing expenses
10:00and degrading its image
10:02Changing is not degrading
10:04You were making jams for Cursis
10:06and for Sibaritas
10:08I'm going to Pueblo Llano
10:10You're going to El Precipicio
10:12Come on, that's very common
10:14We used ingredients
10:16of the best quality
10:18We cooked them with a master formula
10:20and we paid a fair wage
10:22to the women for their good work
10:24You were throwing away the money
10:26What do you mean?
10:28And what are you going to say?
10:30That you buy the worst fruit you can find
10:32You use recipes of bad luck
10:34and you pay hungry wages
10:36Of course you're still making money
10:38but for how long?
10:40Your product is so bad
10:42that it will end up not being loved by anyone
10:44All I've done is adapt
10:46to the circumstances of the market
10:48get a genre that allows me
10:50to increase production
10:52and restrict some crazy wages
10:54And all this, of course
10:56guaranteeing quality buyers
10:58Please
11:00The business is still doing well
11:02because it got a contract
11:04with the army
11:06Its clients are poor soldiers
11:08who don't even have the right to have an opinion
11:10And even so, I've heard
11:12that you've received complaints
11:14Dealing with complaints
11:16is a capital part
11:18of running a company
11:20as I suppose you already know
11:22Yes, a company that doesn't offer quality
11:24in its product
11:26And what's more
11:28I know that the women of the town
11:30feel so exploited that they're thinking
11:32to stop working with you
11:34Your information is wrong
11:36Everything you say is in your head
11:38This business is doing well
11:40And it will keep doing well
11:42as long as I'm in charge
11:44I hope it's for a short time
11:46I will do everything I can
11:48to get it back
11:52Good luck
12:06What would you say
12:08are your virtues, Mr. Rodríguez?
12:10My virtues?
12:12Yes. Related to the position in the street
12:14I pay attention to things
12:16You pay attention to things?
12:18Yes. I pay attention to the little details
12:20I pay attention
12:22And I learn quickly
12:24It's known that I pay attention a lot
12:26I see
12:28But you don't have much experience in the service
12:30If you mean
12:32serving in a house
12:34I don't have much experience, sir
12:36But you learn very quickly
12:38I already told you, Mr. Baeza
12:40And you keep everything in the first place
12:42Yes, that's very good
12:44But in our occupations
12:46we need something more than paying attention
12:48or being very attentive
12:50Of course
12:52You will have to perform
12:54entirely new functions for you
12:56I hope to learn them soon, Mr. Baeza
12:58For the good of all, yes
13:00We hope so
13:02Well, let's hope
13:04If you have as much enthusiasm
13:06as it seems
13:08so be it
13:10And learn soon
13:12Welcome to the promise, Mr. Rodríguez
13:14Am I hired?
13:16It seems so
13:18Thank you very much, Mr. Baeza, Mrs. Arcos
13:20One moment
13:22You have something to say, Mrs. Arcos
13:24That's right
13:26I understand that I will be allowed, right?
13:28Of course, go ahead
13:31I don't want
13:33not even for a second
13:35that you think that the promise
13:37is an infamous place where
13:39you can kiss in the corners
13:41I don't think anyone thinks that, Mrs. Arcos
13:44Of course not, we guarantee it
13:46just in case
13:48It is better to make things clear
13:50from the beginning
13:52As we must also make it clear
13:54that the lackeys and the maids
13:56do not have permission to sleep in a ...
13:58in a shared bedroom
14:02No matter how married they are
14:04That's true, we hadn't mentioned that
14:06Don't worry about that
14:08No, really
14:10We are here exclusively to work
14:12Do you mind sleeping separately?
14:16Of course not, at all
14:18Not at all
14:20What I mean is that
14:22if you can't
14:24you can't
14:26What can we do?
14:28I see
14:30So you don't mind not sleeping together
14:32That's what we just said
14:34Really? Is that okay?
14:36No, not at all
14:38If that's the case
14:40things are much easier
14:42Thanks to both of you
14:44Well
14:46there's nothing more to talk about
14:48Excuse me
14:56Let's go
15:10Corro
15:12Hanna
15:14Why aren't you having breakfast with the others?
15:16I don't feel like it
15:18That's strange of you
15:20I don't want to be part of family talks either
15:22Really
15:24You know perfectly well
15:26that I'm not saying this because of you
15:28but because ...
15:30I know
15:32Why don't you feel like it?
15:34There must be a reason
15:36Well, yes
15:38But what else?
15:40I feel like it
15:42Okay
15:44Last night
15:46I talked to Julia
15:48The girl who brought the pendant to Martina
15:50Just a conversation?
15:52We were talking about the war
15:54How strange
15:56to be with a stranger
15:58Yes
16:00Besides
16:02you don't like to talk about that
16:04No
16:06But she started asking me questions
16:08About the war?
16:10I think it was out of curiosity
16:12but I didn't realize how much those things bothered me
16:14Maybe she was being very subtle
16:16Maybe at first
16:18yes, Hanna
16:20And she didn't stop until I told her
16:22that it hurt me to remember all that
16:24How uncomfortable it must have been
16:26Yes, it was
16:28But because it really hurt me
16:30Besides, I answered her vaguely
16:32Yeah, it's very strange that she didn't realize anything
16:34Yeah
16:36Besides, even if she didn't do it with any malice
16:38she made me nervous
16:40She even asked me
16:42if she had ever been injured
16:44as if she could get out of such an experience
16:46Well
16:48She said it because
16:50it's true that there are people who die in the war
16:52but I guess there are also people who go home without a scratch
16:54No
16:56Even those people are injured, Hanna
16:58Even if it's not in the body
17:00They have seen too many atrocities to be able to forget them
17:02Even if they want to
17:04You're right
17:08She also asked me
17:10if I had found something good
17:12among so much misery
17:14It's hard to find something good, isn't it?
17:16The only positive part
17:18were the comrades
17:22But almost all of them ended up dead
17:28War is desolation
17:30It's death
17:32It's senseless violence, pain
17:34And I had to explain everything to this girl
17:36in an almost impassive way
17:38But it's normal, Curro
17:40It's your way of protecting yourself
17:42Yeah
17:44Every day
17:46I try to get rid of the bad memories
17:48I try to convince myself
17:50that nothing that happened
17:52was my fault
17:54That I just wanted to help
17:56And every night
17:58the dead come to ask me for explanations
18:00Curro
18:02They come
18:04one by one
18:06And they take their time
18:08Because, of course,
18:10what hurry are you going to have if you're dead, right?
18:12What do you want to know?
18:14Why
18:16Everyone
18:18asks me why
18:22And the worst thing is
18:24that I don't know what to tell them
18:34Are you doing that again?
18:36Please
18:38It's not welcome
18:40I go to New York
18:42the same amount of money
18:44and she gets less and less
18:46Yes, I know that the war
18:48is affecting the currency market
18:50But I also know that in Rio Revuelto
18:52there's a lot of fish
18:54Yes
18:56That's exactly what I'm insinuating
19:00What do you mean who do you think I am?
19:02I don't need to believe anyone, sir
19:04I'm the Marquis of Lujan
19:06Tell Mr. Pontejo
19:08that this is intolerable
19:10and that I'm waiting for his call
19:12Good morning
19:14Problems with the bank?
19:16No
19:18I have the impression
19:20that you had a problem
19:22with the bank
19:24You won't think that with your background
19:26I'm going to trust you with my worries
19:28And you
19:30you're still something discretional
19:32Call me whatever you want
19:34I don't have any problem
19:36trusting you with mine
19:38Yours?
19:40My worries, specifically
19:42your daughter Catalina
19:44I'm not going to talk to you
19:46about my daughter Catalina
19:48Why?
19:50Because it's not my business
19:52If you're worried about my daughter
19:54talk to her and express your worries
19:56I've already done that
19:58Very well
20:00And at what time
20:02Alonso, you should set
20:04some limits for your daughter
20:06I always forget that
20:08among your many virtues
20:10there is the desire of the father
20:12that we all would have wanted to have
20:14As you wish
20:16But I still think that you should
20:18give her the ground
20:20now that she has returned to the palace
20:22and above all, she has returned accompanied
20:24And why would I have to do that?
20:26She is very arrogant, Alonso
20:28Yesterday she spoke to me
20:30And what?
20:32What do you mean?
20:34I have to remind you that I took care of that business
20:36and it was because your dear daughter
20:38failed you and hid in the hangar
20:40that you have
20:42You omit her motives at your convenience
20:44You're right, I omit the part in which
20:46the business was a cover for arms smuggling
20:48Something you took advantage of?
20:50Say what you want
20:52But if it weren't for my good trades
20:54my connections, the contracts obtained
20:56and the necessary adjustments in the business
20:58the marmalades would be nothing more
21:00than a nice memory
21:02You will say that
21:04I do not rule out that your interests were others
21:06As you say
21:08I tend to share my daughter's opinion, Lorenzo
21:10What you say is very offensive
21:12It is very funny coming from you
21:14I think I have not offended you at any time
21:16No
21:18You only settle for deceiving me
21:20which is worse and also offends a little
21:22We are already with that
21:24You deceived me to make you with the fourth part of my estate
21:26You deceived me when you hid
21:28for your benefit that Pelayo and Cavendish
21:30were doing business
21:32It is true, in your dismissal it must be said
21:34that when you deceive the same person twice
21:36it is more the fault of that person than yours
21:38I better leave you today, you are impossible
21:40No, Lorenzo, I will not stop until I throw you out of the promise
21:42I already did it once and you came back
21:44thanks to the protection of Cruz
21:46But nothing lasts forever
21:57You will decide
22:07Mr Baeza, is everything going well with Mrs. Pia?
22:09Yes Yes
22:11But it is not
22:13for her that I have called you
22:16I wanted to call you
22:18but not to talk about Mrs. Darre
22:20but to talk about you
22:22Don't look at me like that. I think you know where I'm going.
22:27Don Rómulo, you know perfectly well that you've already spoken to me.
22:30Yes.
22:31And you've also spoken to Hanna.
22:32Yes, yes. I've given them my opinion separately regarding their relationship.
22:36And I assure you that we've both taken good note of it.
22:39Yes, but given the circumstances, I think it's not too bad to go a little deeper.
22:44Frankly, I think they have it all against them.
22:47They're going to embark on a path that I don't wish for anyone.
22:51They're going to suffer a lot, of course.
22:53Even if they're good people and they don't deserve it.
22:56Mr. Pérez ...
22:57Don't interrupt me, I'm running out of time.
23:00Where were you going?
23:03That we were good people and that we didn't deserve to suffer.
23:05That's it. Yes, yes, yes.
23:07If they're going to fight, united by that love, I predict a very difficult future for them.
23:13That, to put it mildly.
23:16That said, they are two adult people.
23:19They have the right to make their own decisions, to make their own mistakes.
23:23The truth is that I have given him so many advice since he was a child that he must be fed up with me.
23:31Well, maybe a little.
23:34But I am very grateful for your concern, Mr. Reyes.
23:37I am not your father.
23:39But well, I would like to think that I have done everything possible for everything to be fine.
23:44Within my contributions as mayor.
23:46Mayor Duomo, you are no longer a boy.
23:49You are a man.
23:51And you, Miss Expósito, a woman made and right.
23:55They own their lives, of course they do.
23:58And they have the right to govern them and to pursue their illusions without anyone deciding for you.
24:05And that is why I have called you both to talk to you.
24:09Because what I want to tell you is that I am not going to intervene in your relationship.
24:13And I'm not going to reveal it to the Marquises either.
24:17With this I mean that I have not seen anything.
24:20But I would not like to see what I have not seen again.
24:24I don't know if I explain myself.
24:26No, not much.
24:28What you mean is ...
24:29Yes, yes, please don't put me in more commitments.
24:33Don't worry, Mr. Beza.
24:36We will be discreet from now on.
24:38Yes, yes.
24:39Well, good luck.
24:42And I wish you all the happiness in the world.
24:45Thank you very much, Mr. Beza.
24:50Can we go now?
24:52Yes, yes, of course.
24:54Let's go.
25:03Sir, Madam.
25:06I wanted to thank you for the great privilege of serving this house for so long.
25:11Very well.
25:13It has been a very demanding job, but I feel very honored and very proud to have served the Lujan family.
25:19And we are honored by your good disposition, Salvador.
25:22Thank you, sir.
25:23Time has flown by.
25:25I still remember the first day I came to the palace, which was hard for me to learn.
25:31It would be for a reason.
25:33Yes, Madam.
25:35Because the demand has always been up to the good name of this palace.
25:38It can be said louder.
25:41I think it happens to all of us who serve here in La Promesa.
25:44We do not want to disappoint the heads of service, because that would mean that we are disappointing you.
25:50Interesting reflection.
25:52Thank you, Madam.
25:54You're welcome.
25:57And finally, I know you are aware that I have been offered a higher rank position in another palace.
26:02But please, I don't want you to think that I'm leaving because I'm not happy or I'm not happy in La Promesa.
26:07On the contrary.
26:09In fact, the gratification that Mr. Baeza has given me on his part is quite generous.
26:14Gratification?
26:16Well.
26:18Sir, Madam.
26:20I want you to know that I will never forget you.
26:24And that my loyalty and my gratitude will always be linked to this family.
26:28That gratification is a small sample of recognition of your dedication, Salvador.
26:33The small thing is a saying, right?
26:37We wish you the best in your new position.
26:40I know you will perform as well as here.
26:43Thank you very much.
26:45Thank you, Mr. Marquis.
26:46La Promesa will always be your home.
26:48Its doors will remain open to you.
26:52Well, you have already heard the Marquis.
26:54We are so grateful to you that we have even given you a gratification that is even excessive for you.
27:00He said generous, Cruz.
27:02Generous, excessive.
27:04Anyway, my husband says that the doors of this palace will always be open to you.
27:10And I tell you that I take note of the date on which you leave us.
27:13Let's see how long it takes before you return.
27:16Thank you very much once again, Salvador.
27:19Thank you, sir.
27:21Madam.
27:28We have taught him everything he knows.
27:31And he abandons us to go and serve others.
27:32And you also give him a gratification.
27:34In that house he will earn more and have more opportunities to ascend.
27:38It is human to want to progress, Cruz.
27:39Well, I do not agree, Alonso.
27:41This is a betrayal.
27:43A betrayal.
27:44Yes, a betrayal.
27:45And betrayals must be punished, not rewarded.
27:49And of course, never forget them.
27:55Has Salvador already gone up?
27:56Yes, he has passed by here to say goodbye and has gone up to shoot.
28:00I do not understand very well why he wanted to say goodbye to the Marquis.
28:02Well, because he should have been born to be grateful, Lope.
28:05Well, just write them a note and that's it.
28:07It's not the same, Lope.
28:08It will not be the same, Mrs. Simona.
28:09But you save yourself the discomfort of being there in front of the Marquis.
28:12And I don't say it for the Marquis.
28:13I say it for the Marquise.
28:15Yes, that's true.
28:16Well, in any case, Salvador's thing is nothing more than ...
28:19Goodbye, very good queen now.
28:22And well, it is not wrong for them to see that you are grateful.
28:25Well, there would be a lot to talk about.
28:29Now it will turn out that gratitude is a bad thing.
28:32Nobody says that.
28:34The thing is to see who has to be grateful to whom.
28:38Don't start, Candela.
28:40After all, the boy works for them.
28:43And they pay him a salary.
28:45If we take into account how the work is and how much the salary is,
28:50I think the Marquis would have to thank Salvador.
28:53Or not like that.
29:03Well, it seems that someone has remembered you.
29:08Mrs. Martínez.
29:13Is it from Virtudes?
29:15Yes.
29:16Well, let's see what he tells us.
29:18Oh, my God, I tremble.
29:20Excuse me, Mr. Pellicer, but it is the first letter I have received since I left the town.
29:25Well, has he found a gun already?
29:32He says they have already arrived in town.
29:35And what else does he say?
29:37That they have settled down very well.
29:39Good news.
29:41What else?
29:43That the trip was a bit long and Adolfito was quite protestant.
29:49Of course, he is very small.
29:53What? What does he say?
29:55Nothing.
29:56Little secret, no, huh? Little secret.
29:59No.
30:00We are?
30:02He says that as soon as they arrived, he realized that he could be very happy there.
30:08Oh, but how nice, Mrs. Simona.
30:10And that with the money we gave him, they were able to buy all the materials to make the arrangements that the house needed.
30:24And he tells me that I thank you all again for your generosity.
30:31For having renounced the gratification of Doña María Antonia.
30:37Well, she notes it very happy, right?
30:41She is very happy, Lope.
30:43She says that for her it is wonderful to be able to spend time with the child, play with him, take care of him,
30:51cuddle him at night before going to bed, give him a kiss, tell him a story.
30:56Poor thing. Come on, he doesn't deserve it.
30:59And he also says that he gets along better with his in-laws every day.
31:05And that is thanks to the fact that he already has a job.
31:08Look, bourgeois.
31:11In the house of a seamstress, sewing and fishing.
31:16And that he combines it, also helping his in-laws in the garden.
31:23And that's it.
31:24And that's it.
31:27That he loves me and that.
31:31Well.
31:34Well, it seems that Virtudes couldn't have done better for him, right?
31:37Yes. You can see that he had to leave, after all.
31:45Are you realizing, Mrs. Simona?
31:48A letter, news about your daughter?
31:52Yes.
31:54It is now you who reads us the letter.
31:59That's the least of it.
32:02The important thing is that this letter is real.
32:25I'm going to miss you for a while.
32:29We will continue to have them.
32:31Yes, but it will not be the same.
32:34Of course.
32:36Even if we see each other from time to time.
32:40Do you think?
32:41Yes.
32:43Look, all the days off I have are going to be for you and for me.
32:47All of them.
32:48I like that.
32:50Also, now that we are going to see each other less, we will want to be together more.
32:56I hope so.
32:59Of course.
33:03There are those who say that with the distance, one also forgets to love.
33:08Those are nonsense.
33:11I'm not saying that.
33:13I'm just saying.
33:15Those are nonsense.
33:18I don't know, Salvador.
33:21Look, whoever said that phrase didn't love us as much as you and I love each other.
33:28Can you?
33:30Of course.
33:32I'm actually happy that this opportunity came to us and suddenly ...
33:37Of course.
33:39I'm sure that soon we will get together again and ...
33:43We will get married and we will form a family.
33:48Do you already have it ready?
33:50Yes.
33:52I have already said goodbye to everyone.
33:57To the colleagues,
33:59to the gentlemen
34:01and to Lope too.
34:02So are you leaving now?
34:04Yes.
34:06Yes, why are we going to delay it any longer?
34:24No, Maria, don't come.
34:26Please.
34:27Don't be stupid, Salvador.
34:29I'm not stupid.
34:30Please.
34:31Don't be stupid, Salvador, please.
34:33If not, you will never see me.
34:38As we said, right?
34:40A farewell without pain.
34:43Only with love and desire to prosper.
34:47That's it.
34:50And so everything will be fine.
35:01Salvador.
35:04I love you.
35:08I love you too, Maria.
35:30I love you.
36:01There is nothing to worry about, everything is fine.
36:04Father, be honest with us.
36:06I'm being honest.
36:07No, you are not.
36:09Are you going to deny your father?
36:12You yourself
36:14assured that things were not going well between you and your mother.
36:18That's why we wanted to talk to you, to see if we can help you.
36:21I don't need help.
36:23Great.
36:24Don't be stubborn.
36:25It's my thing, period.
36:27Father, it's my thing.
36:28Period.
36:29Father, if we could help him, maybe the three of us would find a solution.
36:33Yes, there is nothing wrong with letting yourself be helped.
36:36But that happens for being honest.
36:38Tell us what's going on and ...
36:40And why do Cruz and you are like this?
36:43Like what?
36:46Well, tense.
36:47Tense.
36:49Father, Catalina is right.
36:50They are tense.
36:51They look tense.
36:54We look tense because we are tense.
36:57But who is not tense in the promise?
36:59There are only confrontations between each other.
37:01Each one goes his own way and against the others.
37:04Not all.
37:06You are the exception.
37:08Well, yes.
37:10Neither Pelayo nor I have tried to attack anyone.
37:13In fact, since we arrived, we have tried to bother as little as possible.
37:17And I'm not going to be hypocritical.
37:19I knew that his return could find a hostile response.
37:23But of course he has not stood up to her.
37:24If the poor man is in his lair to try to bother as little as possible ...
37:27Catalina, we are not going to go around that anymore.
37:29It is very spoken.
37:32But you know that it seems inappropriate to me that you brought Pelayo back after what happened.
37:37I trust you.
37:38But this time you have not been right.
37:41And I don't think you are in a position to give conjugal advice.
37:44Neither to your father, nor to anyone.
37:47And you, Manuel.
37:49You know I don't like to stir up the past.
37:51But I have to remind you how you got when your mother and I tried to mediate in your marriage.
37:56Everything was justifications and bad faces.
38:00So I don't think you're in a position to give me advice either.
38:21The Zagala was happy.
38:24It was the opportunity that her real man was waiting for.
38:27That forced him to leave.
38:29Yes.
38:30But they were going to double his salary.
38:32And that was very good for both of them.
38:34That life is so expensive.
38:36And having a family means making sacrifices.
38:41But then ...
38:46Why did it hurt him so much that he had left?
38:48It wasn't just the distance.
38:52What if something had broken between them?
39:13What will you do now?
39:15Marcelo, do you want to stop whistling?
39:17Marcelo, do you want to stop whistling?
39:18And stay still, for God's sake!
39:21How do I look?
39:27You look perfect.
39:28And you're also very handsome.
39:29I know.
39:31Hey, stop fooling around.
39:32This is not a game.
39:34It was just a joke, woman.
39:36Marcelo, I need you to focus.
39:37You can't screw it up again.
39:39I'm not going to screw it up.
39:41You'd better.
39:42Because it's still hard for me to understand that all this has gone well.
39:45It's gone well.
39:47Because we did it right.
39:48It's gone well by a miracle.
39:50But I won't always be able to cover up your mistakes.
39:52You won't need to. You'll see.
39:54I'll do it on request.
39:56I hope so.
39:57Look, you're being so self-assured.
39:58Listen to me carefully.
40:00It's important that you do everything they ask you to do.
40:02Everything, without exception.
40:05There will be tasks that you don't even know where to start.
40:07I'm already surprised at how clumsy I am.
40:09Marcelo, do you want to listen to me?
40:11And when the time comes,
40:12don't even think about pretending that you know how to do something you don't.
40:15Got it?
40:16Got it.
40:17Everything you don't know, you ask.
40:18Nobody is born knowing.
40:19Yes.
40:20And don't improvise.
40:21Got it?
40:22Got it.
40:23And one more thing.
40:24Before you screw it up,
40:25if you don't have someone,
40:26look for me and ask me.
40:27Is that clear?
40:28Yes, it's clear.
40:29Calm down.
40:31I'll calm down when I see that you're not going to screw it up.
40:33I'm not going to screw it up.
40:35I promise.
40:37I'm very grateful that you got me this job.
40:39Besides,
40:41this place is great and I want us to stay.
40:46I think I've never seen such beautiful gardens.
40:49My uncles, the Marquises,
40:50have a large number of gardeners.
40:52And they demand a lot from them.
40:53That's why gardens are a great source of pride.
40:56Ah, look.
40:57Curro.
40:58Julia.
40:59Manuel.
41:00She's Julia.
41:01A guest from Martina.
41:04A pleasure.
41:05The pleasure is mine.
41:06I finally meet the other war hero.
41:10I'm sorry.
41:11I'm sorry.
41:12I'm sorry.
41:13I'm sorry.
41:15Ah, no.
41:16Actually, neither Curro nor I are war heroes.
41:19That's reasonable.
41:22The truth is that it isn't.
41:23In fact, we met one on the front.
41:26War heroes?
41:27That's right.
41:28And I assure you that they didn't look like us.
41:31And what was the difference?
41:32That the hero has an ideal
41:35and is willing to die for it.
41:36Exactly.
41:38And it wasn't the case for you two?
41:39No.
41:40We got to a point where we just wanted to go home.
41:42And we had no intention of dying.
41:46Dinner time is approaching.
41:48The ideal thing would be to get ready.
41:51I understand that you're coming with us today, right?
41:53If you're going to stay a few days at La Promesa,
41:55your job would be to get to know the family.
41:58I'm a little tired, to be honest.
42:01Don't worry about that.
42:02You'll have time to rest.
42:05I suspect that your job is shyness, Julia,
42:07but I won't insist.
42:10Okay.
42:11Okay.
42:12But if you don't mind, I'll rest here for a moment
42:14and get ready right away.
42:17Perfect.
42:18Well, we're leaving.
42:20Yes.
42:22Julia.
42:42Do you like it like this, ma'am?
42:45It's not bad.
42:50In fact, it's very good, Teresa.
42:52It couldn't have been better. Thank you.
42:56What do you want, Petra?
42:58I wanted to talk to you, ma'am.
43:00Alone.
43:02You can go.
43:04I don't want to talk to you.
43:06I don't want to talk to you.
43:08I don't want to talk to you.
43:09I don't want to talk to you.
43:10Excuse me.
43:18How is it going with Teresa ...
43:21as a personal maid, ma'am?
43:23She hasn't reported anything to me.
43:25If she hasn't reported anything to you,
43:26it's because I didn't want to report anything to you.
43:29Well, yes.
43:31It bothers me that you have her busy with so many other tasks.
43:33She should be at my complete disposal.
43:36I can't do without your work in other functions, ma'am.
43:40It's hard enough for me to fit everything
43:42so that the palace functions as it should.
43:44Well, as you wish.
43:45But make sure that attending to me is your top priority.
43:49She is an excellent personal maid.
43:52Of course she is, ma'am.
43:55Anything else or have you only come for this?
43:57No.
44:00I wanted to ask you if you know
44:02how long Miss Julia will stay in the palace.
44:05Miss Julia?
44:06Yes, I would like to be informed
44:08so that I can organize myself with the service.
44:11Not only for the matter of the dormitory,
44:13but also for the food and the laundry.
44:16Who is that Miss Julia you are talking about?
44:19The girl whose niece, Miss Martina,
44:22has invited to keep the promise, ma'am.
44:25The one who came to bring the earring she had stolen.
44:27That's right.
44:28Apparently, shortly after arriving here, she suffered a ...
44:32a faint.
44:34And both Miss Martina and Mr. Curro
44:37thought it appropriate that she stay here that night.
44:41What are you talking about?
44:44The next morning, she and Miss Martina
44:47made such good friends that her niece
44:49decided to invite her to stay
44:51a season and the promise in gratitude for the earring.
44:55But she seems to be a wild and discreet girl.
44:59Yes, so discreet that I have not met her yet.
45:02Does the lady want her to come?
45:04No, thinking about it, better not.
45:07I have no desire to meet anyone.
45:10And how long are you going to stay?
45:12I don't know, ma'am.
45:14I remind you that I have precisely come to ask you that.
45:19Again with those?
45:20You come to me again with unanswered questions?
45:24I don't think neither she nor Miss Martina
45:26have made anything concrete about it, ma'am.
45:28Well, I'm fed up
45:29that in this palace everyone does whatever they want
45:31without asking permission from anyone.
45:34That Martina invites a stranger to stay in the palace
45:37or that Catalina shows up with Pelayo without warning.
45:40I understand, ma'am, that the reason for your anger
45:43is that of your stepdaughter and Count de Añil.
45:46You are always so sharp.
45:48Well, at the service floor,
45:49we are all very surprised
45:51that the doors have been opened to Count de Añil
45:53after all the turmoil that has formed
45:55and the damage that the family has done to him.
45:57Especially Miss Catalina.
46:00I don't care about her.
46:01I know, ma'am.
46:02What matters to me is the family.
46:04If it were up to me,
46:05that girl could go to the end of the world with her count,
46:07married or unmarried.
46:10I really want her to be taken away from me
46:12and I'm willing to suffer another scandal,
46:14the same or greater than the previous one.
46:18I understand what you're saying,
46:19but I have the impression
46:21that what worries you is something else.
46:25Your impression is correct.
46:28What is it, ma'am?
46:30Oh, no.
46:32There's something else, but I'm not going to tell you.
46:35Look, maybe Teresa will tell you later.
46:58Good afternoon.
47:00What are you doing, brushing your boots?
47:02They're mine.
47:03They were a bit dirty.
47:05I see.
47:07The new boy, Marcelo, has already joined us.
47:09I've given him his uniform
47:10and he must be in the middle of work.
47:11And how do you see him?
47:12Very green.
47:13So green?
47:14The good part is that he looks like hell willing.
47:17That's something.
47:18Did you want something else?
47:20No.
47:24To tell the truth,
47:25to tell the truth,
47:28I wanted something else.
47:30Well, you tell me.
47:34What's going on, Romulo?
47:35What do you mean, what's going on?
47:37I don't know what you mean.
47:38Your behavior.
47:39Lately, it's the strangest thing.
47:41No, my behavior is still the same.
47:43I don't know why you say that.
47:45I'm talking about your meetings with Hanna,
47:46with María Fernández, with Don Manuel,
47:48about your going out at night, so late,
47:50which is probably why you're wearing your dirty boots.
47:53I'm talking about that behavior.
47:55It's clear that something is happening to me
47:56that you haven't told me, Romulo.
47:58And until now, I haven't told you anything.
48:00I was hoping it would come out of you,
48:02to trust me, but it seems that's not the case.
48:06And I've had to lie several times
48:09for some of those meetings
48:11so that Petra wouldn't follow the trail.
48:13But I can't keep doing this forever
48:16if you don't tell me the truth.
48:18What's going on, Romulo?
48:22What's going on?
48:30María, wait a minute, I'll help you.
48:33I don't know what these pumpkins will have
48:34that are bigger than me.
48:36And that's not difficult.
48:39You don't have to smile at me without wanting to.
48:41I know you have to be in a hurry.
48:44Well, so that Listilla knows that I smile to make myself happy.
48:47That can also be done.
48:49Well, then smile all you want.
48:53I stayed inside, Hanna, when he left.
48:57Because he didn't want us to say goodbye at the door,
48:59because he said it was going to be more painful.
49:03And I think it hurts the same.
49:06But now you have to think that he is not going to go to war,
49:08nor is he going to go far.
49:10Maybe in a stone house from here.
49:12Yeah.
49:15And besides, you told me that you are going to be able to see each other often,
49:18because you are going to be able to see each other on the days off.
49:20Yeah, Hanna, but that does coincide.
49:22Our day off.
49:24Well, I'm convinced that you are going to do so that they coincide.
49:28For the first time.
49:30And when you see each other, you are going to die of desire to be together.
49:33That didn't say bad things about each other to comfort us.
49:36And because it's the truth.
49:39I hope, Hanna,
49:41that then things get complicated and nothing goes the way you want.
49:46Well, and speaking of complications,
49:48have you been able to talk to Mr. Baeza?
49:50About Mr. Manuel and you.
49:52Well, yes.
49:53And this time it has gone much better than the previous time.
49:57Yes?
49:59Mr. Baeza has told Manuel and me that he is not going to intervene
50:02and that he wants us to be happy together.
50:04With Mr. Baeza?
50:06Well, it has been difficult for him to take that step.
50:08He is a very rigorous man.
50:10But at least he has given it.
50:12And bless him.
50:13Yes, bless him.
50:15And Mr. Manuel and Mrs. Hanna will have the path cleared.
50:19And how far along is the path?
50:22Well, much more advanced than we thought.
50:26Manuel, without telling him who he was,
50:28has managed to keep the new priest of the town
50:30in secret.
50:32In secret?
50:33Yes, in the hermitage, without telling anyone.
50:35Well, she and the new priest, right?
50:37The same thing that cleanses the house in the sun,
50:39makes a secret wedding ...
50:42Well, although Manuel will have given her a good donation.
50:44I imagine.
50:47What's wrong with you?
50:49Well, now you will have to tell Manuel the truth, right?
50:52What truth?
50:53Well, what truth is it going to be, Hanna?
50:56You wanted to tell him before the war was over
50:58and in the end you decided that you were not going to do it
51:00so as not to complicate things for him.
51:02No, I didn't tell him because you told me it was not the time.
51:04Well, because it's not the time.
51:06No, I didn't tell him because you told me it was not the time.
51:08Well, but now it is.
51:10You have to step on the altar with a clear conscience.
51:15You have to tell Don Manuel how and why you came to the promise.
51:30I shouldn't have come back.
51:32And I had no intention of ever coming back.
51:34It doesn't seem so.
51:36If I have returned it is because Catalina came to look for me.
51:39Catalina.
51:40The parsley of all sauces, right?
51:43What other single woman
51:45shows up alone at a man's house
51:47and stays there for days,
51:48unconcerned about her honor and what they can say about her?
51:51I give you my word
51:52that Catalina's honor is intact.
51:55Do you think your word has any value at this point?
51:58And Catalina's honor
52:00I don't give a damn.
52:02What bothers me
52:03is that shameless woman
52:04still cares about the reputation of the family.
52:06I don't think that's the case.
52:08Catalina came to see me because she needed it.
52:12And this time has served
52:13for the two of us to realize
52:14that the love we have for each other
52:15deserves another chance.
52:17The love you have for each other?
52:19As if you had ever felt anything for her.
52:24Or have you not told her the truth yet?
52:27The truth
52:28is that I fell in love with her.
52:30And you know that.
52:31If that were true,
52:32you would have told her the other truth, right?
52:36Didn't she tell you that I was the one
52:37who knocked on your door to bring you to the palace?
52:40Didn't she tell you that our agreement
52:41consisted of you getting married
52:43and taking her away from here?
52:45Because, among other things,
52:46I don't think anyone in their right mind
52:47could stand her.
52:51Tell me,
52:52what will the intelligent and integrate Catalina think
52:56when she discovers
52:57that the only boyfriend she has had in her life
52:59was the one I had to buy.
53:08What's wrong with you?
53:09With Hanna, María Fernández and Don Manuel?
53:11Don't insist, please.
53:12Come on, man, tell me.
53:13I thought there was great mutual trust between the two of you.
53:16Yes, and I value it a lot.
53:18That's why I'm asking you, please,
53:20to let me keep quiet.
53:21Well, I don't understand.
53:22Maybe I could help you.
53:24At the last minute,
53:25I decided to go out to have dinner in Luján.
53:27I hope you managed to get the Count of Añil out of his cave
53:30and didn't leave alone.
53:31They went together.
53:32I'm sure your daughter and the Count have been very responsible
53:36and have gone with a clear conscience.
53:38From now on,
53:39in addition to his tasks as lackey and attending to Mr. Curro,
53:42he will be in charge of instructing Mr. Rodríguez.
53:45He has just joined
53:46and it is always good that he works alongside an experienced lackey
53:49who serves as an example.
53:50You will be the godfather for him to learn from this noble trade.
53:53Okay.
53:54I'll show you everything you need.
53:56What's in there?
53:59Let's see.
54:00Yes, his neck is very irritated.
54:02It's red, like a tomato. What's wrong with him?
54:04Is it possible that the cake we had for dessert had nuts in it?
54:07Yes, because it was an apple strudel. Why?
54:13I was writing a letter to Salvador.
54:15But he just left.
54:16Yeah, but I've missed him since the first minute he left
54:19and I wanted to tell him.
54:21Well, it's nice that you do it.
54:22You don't leave anything inside.
54:24And you don't miss...
54:26I'd better not bring that up, right?
54:29Yes, better.
54:32It still hurts a lot.
54:34I have something to tell you.
54:36Yes.
54:37I also have something to tell you.
54:40Hanna, you can't imagine how happy my body is.
54:44Sorry.
54:46I interrupted you. You had something to tell me.
54:48The marmalades of La Promesa were a symbol of modernity,
54:51exquisiteness, good taste.
54:53Now you can't call that sugary, insipid paste.
54:56I had a confrontation with him about this matter.
54:59And I spoke clearly to his face.
55:01You don't usually go around with people.
55:02Well, no.
55:03I told him that I would do everything possible to recover the company.
55:06As you understand, my duty is to inform you of your visit to the lady.
55:10And I insist that there is no need.
55:13So you can receive her as she deserves.
55:16Ma'am.
55:17I'm sorry, but...
55:19I can't allow you to enter the palace through this entrance.
55:23Will you come with me to my office?
55:27Spending the whole day with Marcelo
55:31can foster a kind of trust between the two of us.
55:37That would be beneficial for you.
55:41And also for me.
55:46♪