La Promesa Ep 416 Completo - La Promesa Cap 416 Completo - La Promesa RTVE Serie
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La Promesa Ep 416 Completo:
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La Promesa Ep 416
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La Promesa 416 Completo
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00:00Hanna, you have to be honest with Manuel.
00:06Why don't we talk about this another time?
00:08No, you're going to listen to me now.
00:10That man wants to do everything for you.
00:12He wants to face his family.
00:14And the least he deserves is for you to tell him the truth.
00:18Maria, I can't tell him the truth.
00:21Because I've already accumulated a lot of lies
00:23and I wouldn't even know where to start.
00:25Well, you're going to pull the handle until the ball unravels.
00:29You can't build a marriage based on Hanna's lies.
00:33And what do you want me to tell him?
00:35That I'm not me? That my name is not Hanna?
00:38Well, Mariana, it's the sea of similarity.
00:41And if you want, I can also tell him that I came to La Promesa
00:43to avenge my mother's death and to look for my brother,
00:45who, by the way, is Curro.
00:46Well, it's a motive, the sea of power,
00:48and I would understand it by dawn.
00:50And I see Don Manuel as a smart and smart man.
00:54I'm afraid I'm going to lose Manuel, Maria.
00:58I know, Hanna.
01:00But since you're really going to lose him,
01:02it's if you keep going with the lie.
01:05And sooner or later he'll find out
01:07because lies don't last forever.
01:09And then it'll get worse.
01:11You have to talk to him.
01:13And besides, he's not just anyone.
01:15He's the man you're going to share your whole life with.
01:17Why are you looking at me like that?
01:19I'm not telling you to jump off a bridge.
01:21I'd rather not.
01:24Well, jump without fear, knowing you're not going to drown.
01:28Because down there, there's a very beautiful river
01:30called Manuel.
01:33So be brave and make no new mistakes.
01:38I can't make any new mistakes
01:40because no matter how sad and ugly
01:42Manuel's past has been,
01:44he won't drown.
01:46And Manuel's past won't be forgotten
01:48because I lied to him.
01:49With more reason to tell him the truth.
01:51Hanna, weren't you angry
01:53when Mr. Itocurro didn't tell you
01:55that Marquez was his father?
01:57I was very angry.
01:59And what bothered me the most
02:01was that he knew and didn't trust me.
02:03And you?
02:05Do you trust the man you love?
02:10You have to talk to him.
02:13Now.
02:16Now.
02:21What's wrong with you?
02:22With Hanna, María Fernández and Mr. Manuel?
02:24Don't insist, please.
02:25Come on, man, tell me.
02:27I thought there was great mutual trust between the two of you.
02:29And there is, and there is.
02:30And I value it a lot.
02:31That's why I'm asking you, please,
02:33to let me keep quiet.
02:35Well, I don't understand.
02:36Maybe I could help you.
02:37Or in the last case, you'd have a relief.
02:40I wish I could tell you everything, Ricardo.
02:43But the matter is so serious
02:45that you have to keep the secret at all costs.
02:47No, the point is not how important it is or is not,
02:49but it is that the secret does not belong to me.
02:51It belongs to others.
02:52That's why, for the trust we have,
02:54I ask you, please,
02:55don't ask me about it.
02:58Just tell me if it's something serious.
03:02Enough.
03:04And I assure you,
03:05as soon as I can tell you,
03:07you will be the first person I talk to.
03:08I give you my word.
03:11Okay, man.
03:13The questions are over.
03:15I will continue to heal you in front of Mrs. Arco
03:17if you need it.
03:18I thank you from the bottom of my heart.
03:19You did the same for me in the past.
03:21You helped me without asking me any questions.
03:23That's what friends do, right?
03:25And that's what trust is about,
03:26helping without even knowing the reason.
03:28More than trust, that's faith.
03:30Well, it has a lot to do, doesn't it?
03:32The like.
03:33I want to go with you, Romulo.
03:43Yes.
04:04It has been very kind of you to come here
04:06to bring that pendant from my niece.
04:08Yes, it's a detail.
04:10The truth is that right away I realized
04:11that it was not a jewel to anyone.
04:13And to do all this for free.
04:15As you know, it has great sentimental value
04:17for my daughter and for me.
04:18So I thank you again.
04:20You're welcome.
04:21It has been a pleasure for me.
04:23And so we have had the opportunity to meet,
04:25that at the feast of the Duchess of Cerezuelos
04:27we did not have the pleasure.
04:28True.
04:29Well, normally there would be many ladies there,
04:32all from large families.
04:34By the way,
04:36that dress you are wearing
04:38is very similar to one that my niece Martina has,
04:40right?
04:41Yes.
04:42Well, it's mine.
04:44Ah!
04:45Julia came without luggage
04:46because she did not plan to spend more than a few hours here.
04:49So we have decided that I leave my clothes to her,
04:52since there are many dresses that I do not wear.
04:55One knows when the promise arrives,
04:57but never when it leaves.
05:00And may I ask
05:01why you have decided to extend your visit?
05:05Well, actually,
05:07I should be in San Sebastián right now
05:09with my parents.
05:10Beautiful city.
05:13And what are you doing here?
05:15Well, she did not want to make that trip,
05:17so I invited her to spend a few days with us.
05:21I hope she has won with her election.
05:24I can't think of a better place than this one.
05:26Of course, more quiet.
05:28I understand that San Sebastián at this time
05:30is a very busy and lively city.
05:34It is surprising
05:35that a girl in the flower of life like you
05:37does not prefer to have fun there.
05:40This is a wonderful palace
05:41and Martín has given me all the facilities to stay.
05:44He has been available in his closet with all his clothes.
05:47Well, my daughter has an exquisite taste
05:49and it is lucky that you have similar sizes.
05:52And if not, we would have asked Catalina for the clothes
05:54and everything would have been solved.
05:57I really prefer to go to places with my own clothes
06:00and not have to ask for clothes out there.
06:02Your style is inimitable, sister-in-law.
06:06Speaking of Catalina,
06:08I thought you would join us for dinner.
06:10I trusted to coincide with the whole family.
06:13At the last minute, he has decided to go out to dinner in Luján.
06:17I hope he has managed to get the Count of Añil out of his cave
06:20and has not left alone.
06:21They have gone together.
06:23I'm glad.
06:25I don't understand why that man has returned to the promise
06:27if he doesn't get out of his dormitory all day.
06:29Lorenzo, please, it's okay.
06:32I'm sure your daughter and the count have been very responsible
06:35and they have gone with a carabiner
06:37to avoid making a scene.
06:43By the way, you haven't told us about your family.
06:46I don't know, maybe we have coincided with them in some social act.
06:49What is your last name?
06:51My full name is Julia Valdés Rodríguez
06:53and my parents are the Counts of Cartería,
06:55close friends of the Celezuelos.
06:57Ah.
06:58Well, no, I don't have the pleasure.
07:00I hope to have the pleasure of greeting you at some point.
07:04I hope it's the occasion.
07:07More wine?
07:15How was your first day of work at the promise?
07:18Good, good. I felt very comfortable.
07:20And how are your tasks? Have you found any difficulty?
07:23Well, I have limited myself to observing my colleagues.
07:25I thought it was the most prudent thing.
07:27No, yes, of course it is very good to observe the work of others,
07:30but understand that here you will not be hired just to observe.
07:35As I say, I thought it was the most prudent thing,
07:37since I am not very good at my work.
07:39I praise your prudence, but you will have to do some work,
07:42more than looking, right?
07:44You should be alert, so that the absence of the previous lackey is noticed as little as possible.
07:47Mr. Romea left the bar very high.
07:50I understand.
07:52I will try to be at your level as close as possible.
07:55I will make full use of both.
07:57Very well.
07:59Well, from tomorrow on, your tasks will be to support your colleagues
08:03and help them in the heaviest jobs,
08:05such as cleaning the shoes, brightening the boots,
08:07ironing the suits, and even changing the covers of the soles and heels of the gentlemen's shoes.
08:12Have you ever done a shoemaker's job?
08:15But it shouldn't be very difficult.
08:16The shoemakers I know are precisely nocturnal.
08:19Look, you shouldn't underestimate any task, no matter how simple it is.
08:23Any job well done is an art.
08:27No matter how well it is done, it can always be improved a little.
08:30You are absolutely right.
08:32Then you have to tend to excellence. Do you think you can do it?
08:36Of course.
08:39Come in.
08:47Did you call me?
08:48That's right, yes.
08:50From now on, in addition to your tasks as a lackey and assisting Mr. Curro,
08:56you will be in charge of instructing Mr. Rodríguez.
08:59He has just joined and it is always good that he works alongside an experienced lackey who serves as an example.
09:04You will be his godfather so that he can learn this noble trade.
09:09Okay, I'll teach you everything you need.
09:12I hope you are willing to learn.
09:15Ask him what he doesn't know and don't venture into acting without criteria.
09:18I will.
09:20Constancy and interest must go hand in hand, don't forget that.
09:25I'll do my best, don't worry.
09:27I'm glad.
09:29I hope you get along well.
09:38Yes, the truth is that with that mustache I already said that he looked like a military man.
09:42Yes, he is the captain of the Mata.
09:44And he is the husband of the sister of the Marquise, whose name is Doña Eugenia.
09:48And why hasn't she come down for dinner?
09:50Because she's not here. She's been in a sanatorium for a long time because one day she lost her mind.
09:57What a shame.
09:59Yes, but I think it would be much worse to have to put up with her husband every day.
10:05So then the captain is the father of the job.
10:09Exactly.
10:11But come on, they are like night and day.
10:13Of course, they don't even look alike in the blink of an eye.
10:16And are they good friends?
10:18No.
10:19No, no, no.
10:21And in fact, even if he looks for similarities between them, he will not find them.
10:25Well, in something they do look alike.
10:28In that they are men and hair grows on their heads because of something else.
10:35The captain is a military man and Curro has just returned from the front.
10:40Well, seeing it that way ...
10:43What happens is that I think the captain has not lived the terrible things that Curro has told me, surely.
10:50What kind of things?
10:54It's just that I haven't investigated much either because talking about the subject worries me a lot.
10:59I see.
11:01And Curro doesn't like to talk about it either because it hurts him to remember the war.
11:08Living something like this must be devastating.
11:13And has he seen the man who was sitting in front of my mother?
11:17The one with the mustache that looks like Relamido?
11:24Very good!
11:26He is the count of Ayala.
11:28And he is going to marry my mother.
11:31I didn't say anything about Relamido with the intention of offending you.
11:33Speaking of Relamido, he said it stupidly well because I have told him much worse things.
11:38You don't get along with him.
11:40Let's say that if he invited me to his palace in San Sebastián, I would prefer to stay at a friend's house.
11:46I will return the favor if that is the case.
11:52Well, what time is it?
11:55Yes, in the end I was late.
11:57No, I took off my jacket to catch you awake.
12:00I wanted to excuse myself with you.
12:02Don't think I'm rude for not attending dinner.
12:04Don't worry about it.
12:06I have an unexpected guest.
12:08An unexpected guest called Pelayo.
12:11Do you want me to leave you alone to talk about your things?
12:14No, no, don't worry. That would be the culmination of the rudeness.
12:17As you prefer.
12:20It's just that the stay in the palace is getting a little difficult for me.
12:24I shouldn't have brought Pelayo.
12:28Maybe we should put a little before St. Julia.
12:32Yes, yes.
12:33And I'll give you a summary because if we can't be here until dawn.
12:37What does he have there?
12:42Yes, he has a very irritated neck.
12:44Is it red? Like a tomato? What's wrong with him?
12:46Is it possible that the cake we had for dessert had nuts in it?
12:51Yes. Yes, because it was an apple strudel. Why?
12:57Why?
13:02If Antonio ate lentils, Antonia would eat the same dish.
13:06If Antonio sneezed, Antonia would do the same.
13:09And the most surprising thing is that the two understood each other only with thought.
13:15Antonio and Antonia were two bodies that worked as one.
13:20And everything was fine because they were together.
13:24But there came a day when they had to separate.
13:28Antonio got a very good job and decided to leave to earn more money.
13:34Antonia was very sad.
13:37A day had barely passed since his departure and she missed him.
13:46María, I think this uniform is yours.
13:48Yes.
13:49Thank you very much, Teresa. I don't know where I got my head.
13:54Were you writing?
13:56No.
13:58And why do you have a notebook and a pencil case?
14:02Yes, I was writing a letter to Salvador.
14:05But he just left.
14:07Yeah, but I've missed him since the first minute he left.
14:10And I wanted to tell him.
14:13Well, it's nice of you to do it. Don't let anything get to you.
14:19And you don't miss ...
14:22I'd better not bring that up, right?
14:25Yes, better.
14:28It still hurts a lot.
14:30Well, I'm going to finish some homework I have to do before going to bed.
14:33Good night, María.
14:34Good night, Teresa.
14:50The next day
14:56Let's see if this cold compress lowers his inflammation.
15:00He's got his neck like he's been bitten by a swarm of bees.
15:04He must look like a monster.
15:06No, no, no. And don't worry about that.
15:09A little bit, yes, but no.
15:13Luckily, my lungs are good at breathing.
15:16Other times I've had trouble breathing.
15:20But don't look like that.
15:22This time it was a mild reaction.
15:24And I promise I'll be the same and my neck won't look like a bottle again.
15:30I'm sorry. I should have told you about my intolerance to dry fruits.
15:33No, no, no. Please don't apologize for that.
15:35But yes, for the scare I just gave you.
15:37I would have turned red, but you turned white like flour.
15:41Well, at least keep your sense of humor. That's always fine.
15:45Yes, but in any case, I'm calmer if I examine a doctor.
15:49Really, it's not the first time it happens to me and it's totally under control.
15:53I'm already causing a lot of discomfort.
15:56Well, it's okay, we won't report it to any doctor.
15:59But at least let Hanna examine her.
16:01Who?
16:02She's one of our maids.
16:04She has knowledge in medicine.
16:06And I'm sure she can prepare something to lower her fever.
16:09And in fact, we can also ask her to prepare her to sleep,
16:12because she's staying in this room tonight and I'm going to another room.
16:15It won't be necessary. I'm going to my room in a Santiamen.
16:18I'm afraid we're two against one.
16:20I'm with my cousin Martina. You stay here.
16:23If you insist.
16:24We both insist.
16:26I don't know how to thank you for everything you're doing for me.
16:29Well, for now, resting here,
16:31because now, apart from our guest, she's also our patient, so ...
16:42I love you.
17:07Are you in a good mood?
17:09Yes, I am.
17:11And I know she loves you even more.
17:13And can you tell me why?
17:14Yes. You see ...
17:18I just received a call that I had been waiting for a long time.
17:21I guess it was good news.
17:23Unbeatable.
17:26Hanna, today was your day off and Maria Fernández's, right?
17:29Yes. In fact, we had planned to go to Ramona's cabin to visit Mrs. Pia.
17:34I see.
17:37You see, I know it's important, but ...
17:39Would you mind if I were alone, Maria Fernández?
17:42Alone is fine.
17:45Why?
17:48Because I want to take you somewhere.
17:51There's something I want you to see.
17:54Manuel, I don't know ...
17:57Is something wrong?
17:59Is it about Mrs. Pia?
18:02Hanna, I wouldn't ask you if it weren't relevant.
18:04It's not about that, Manuel.
18:07I have something to tell you.
18:09Yes.
18:10I also have something to tell you.
18:13Hanna, you can't imagine how happy I am.
18:16Then the call had to be good.
18:18I'm euphoric.
18:22Sorry.
18:24I cut you off. You had something to tell me.
18:28Hanna.
18:32It's not important, Manuel. We can talk about it another time.
18:36Are you sure?
18:37Yes.
18:39And what were you going to tell me? Where are you taking me?
18:45I can't tell you.
18:47I want you to see it.
18:49But you're going to love it.
18:53See you in ten minutes at the door of La Promesa.
18:56So we don't have to leave together.
19:00Hanna.
19:02Will you come?
19:04How am I going to give the person I love a break?
19:08You'd better not.
19:25What if I told you it wasn't her who told her about your affair?
19:28No.
19:29Then who was it?
19:31It was me.
19:34Father.
19:36Good morning.
19:42How can I squeeze the toast harder, Father?
19:46Why did you go to Lujan so hastily for dinner?
19:51It wasn't my intention to leave, but ...
19:53You preferred to leave us all with our noses.
19:59I don't know what's going on, Father, but I don't know.
20:02I don't know what's going on, Father, but don't get in a bad mood with me.
20:04I'm not in a bad mood.
20:08Well, if that toast could talk, it would tell us the same.
20:15I don't have the courage for more disagreements, Father.
20:19All this is getting much harder than I thought.
20:23Maybe I shouldn't have brought Pelayo back, I don't know.
20:28You know what I think.
20:33I hope that toast is not Pelayo in your imagination.
20:39No, it's more like your uncle Lorenzo.
20:41Now I understand.
20:43Well, if he gives me another toast, I will also crush it with desire.
20:47Let's better vent by talking, and not crushing things.
20:51Yes, better.
20:55It seems paradoxical to me that the toast is Lorenzo and that you are so close to him.
21:00Now that you say it.
21:04What irritates me is how the business is drifting.
21:09Yes, it seems that it is not going through its best moment.
21:12He doesn't care about the product.
21:15All he cares about is making money from exports, in exchange for the minimum expense.
21:19Yes, but profits are also important in a business, don't forget that.
21:23Yes, but it's not the only thing.
21:25The jams of the promise were a symbol of modernity, exquisiteness, good taste.
21:30Now, you can't qualify that sugar-coated, insipid paste.
21:35I had a confrontation with him about this issue.
21:38And I spoke clearly to his face.
21:40You don't usually go around in circles.
21:42Well, no.
21:44I told him that I would do everything possible to recover the company.
21:50Maybe it wouldn't be a bad idea.
21:53Maybe it wouldn't be a bad idea.
21:56Are you serious?
21:59Would you be willing to help me if I try?
22:02I don't promise you anything, but I'll think about it.
22:06Well, that seems more than enough to me.
22:09Thank you, Father.
22:11Breakfast.
22:22Breakfast.
22:28And now he goes and they charge me that useless.
22:31Temple, saints.
22:33Temple.
22:36Forgive me, Mrs. Arcos, but I needed to vent with someone.
22:49Come on, sit down.
22:51Let's go.
22:55You know, saints, that you have all the confidence in the world to talk to me.
23:00But you shouldn't let yourself be carried away by your indignation.
23:05It's just that having to deal with the incompetence of that useless...
23:09It makes me sick.
23:11You have every right to feel that way.
23:13Besides, neither Mr. Rómulo nor my father even had the audacity to ask me.
23:18Come on, they haven't even asked me for my opinion.
23:21It would have been a detail on their part, of course.
23:25The worst thing is that I don't think it's a coincidence.
23:29What do you mean?
23:30Well, my father.
23:32Lately he's been doing things to annoy me.
23:36Come on, saints.
23:38I don't think that was the intention of Mr. Pellicero.
23:40I don't think that was the intention of Mr. Pellicero.
23:44You're taking things too far.
23:47So what?
23:51Well, if they have entrusted you with the instruction of a partner, it is because they trust you.
23:57And because they really believe that you are the right person to teach the trade of the street to that newcomer.
24:08Do you really think so?
24:09Yes.
24:11If it weren't for that, they wouldn't have assigned you such a delicate mission.
24:15Well, even for that, they could have asked me.
24:18I don't want or like to have a street dog following me everywhere.
24:22Saints, it's not about whether you like it or not.
24:25It's about that it's an order from your superiors.
24:28And orders are fulfilled without rejecting.
24:31And the sooner the better.
24:33Understood?
24:35You're going to have to teach him from scratch.
24:38Why?
24:39This morning, without going any further, he forgot to put on his gloves and was about to serve breakfast with his bare hands.
24:46Good thing I intercepted him in time.
24:48Do you see how you are the right person?
24:52If I were in the shoes of the elders, I would have also chosen you for that task.
24:59But don't tell me that, Mr. Arcos.
25:01Saints, I'm telling you so that you open your eyes at once.
25:04You commit yourself to seeing the bad side of things and you don't realize that this can be a blessing.
25:10A blessing?
25:11Yes.
25:13Stop swimming in the surface, Saints, and go deep.
25:18Spend the whole day with Marcelo.
25:22It can foster a kind of trust between the two.
25:27A kind of trust between the two.
25:30That would be beneficial for you.
25:34And also for me.
25:39You don't need me to tell you how much I have affected Teresa's arrival.
25:45And her marriage to that young man.
25:49And that's why I'm willing to do whatever it takes to find out what foot that guy is taking.
25:55You know I've done a lot for you, don't you?
25:59Of course.
26:01You are my greatest reference in the promise.
26:05I think it's time for you to do something for me now.
26:14How?
26:16I want you to get any information about Marcelo.
26:21First hand, Saints.
26:25Will you do that for me?
26:29Of course.
26:31I won't let you down.
26:42Good.
26:44Now go.
26:46Do your work.
26:55Let's go.
27:03Catalina.
27:05What are you doing?
27:07Where are you going?
27:08I was going to walk to the riverbank.
27:10I'm tired of being locked up in my room all day.
27:13Can we go for a walk?
27:16I'm not in a hurry.
27:17Is there a possibility of running into Captain de la Mata?
27:20Don't even mention it. I'd rather continue my reclusion.
27:23Well, let's go to the river then. I'll walk you.
27:26It's a long way. I don't want you to walk so much for me.
27:28I'd love to.
27:29That way we can talk in peace.
27:32I have to tell you a conversation I had with my father.
27:35And I can see from your smile that it's good.
27:39Very hopeful.
27:41And good?
27:44There is a possibility that we can recover our jam business.
27:49Did your father really tell you that?
27:51Yes.
27:53He hasn't promised it to me, but he's taking it very seriously.
27:57And are you going to take the business from Lorenzo?
27:59I understand that yes, of course.
28:02I'm surprised that your father is going to make such a decision.
28:05Well, I coincided with him having breakfast,
28:07and we both consider that Lorenzo is taking the business to ruin.
28:10And did you think about that before or did you help him think about it?
28:14Well, a little bit of both.
28:16Although I confess that I have not kept quiet about what I think.
28:18I believe that.
28:23It seems that you are not excited.
28:26Don't you want to start the business again?
28:30It's not that I want to or I don't want to, Catalina.
28:33I just think that maybe this is not the right time.
28:35Why?
28:37Why? I'm not even well received here at La Promesa.
28:40How do you think they would take it if I take over part of the business?
28:44Well, I don't see it that way.
28:46The fact that my father is considering taking a share in the matter is a ray of hope.
28:50And you should see it that way too.
28:51It's too soon.
28:54If we don't do anything, it will be too late for the business.
28:57And if we are not cautious, it will be even worse.
29:01Besides, now that I'm trying to build bridges with the family,
29:04I don't think it's the right time to get mad at the captain of the Mata and, by the way, at the Marquise.
29:08I'm sure he'll do his part.
29:12Catalina, after everything that has happened, you know that my position in this house is not simple.
29:18I don't want us to argue, kid.
29:22I understand your position, but I'm going to go for all of them.
29:26With you or without you.
29:30Come on, let's go.
29:32We still have a stretch to the river.
29:33We still have a stretch to the river.
29:43The first thing you have to do is fix the leather with small points.
29:48I've heard.
29:51Then place the sole and make sure it is perfectly adjusted.
29:59Make sure it doesn't protrude.
30:00That's it.
30:02Finally, in line with the shoe.
30:06Okay? Do you want to try it yourself?
30:11Marcelo.
30:13Yes, I understand.
30:17Well, let's see if it's true.
30:19Proceed.
30:20Well, if you pass me the string, I'll hit it in a moment.
30:22But what about the other ten steps that I just explained to you that you have to do before?
30:25The first thing you have to do is fix the leather with points.
30:29Points.
30:31What points?
30:34Take them yourself.
30:35If you have paid attention, you should know exactly which ones to take.
30:41I don't have all day.
30:43Well, I'm on it.
30:50Come on.
30:52I think this nail is long enough. Will it work?
30:55No, no, no, it doesn't work at all, Marcelo.
30:57I told you a moment ago that they have to be small points.
31:02Well, that detail should have happened to me.
31:05Take it.
31:06Hammer it.
31:16Bad, Marcelo, bad.
31:18Don't yell at me, you're going to make a mess.
31:20I was about to crush my finger with the hammer.
31:22But don't you realize that it's not well adjusted?
31:24Don't you realize that it's not well adjusted?
31:32Is it now that you say it?
31:48Sleeping with the sheets just changed is one of the greatest pleasures in the world.
31:52And I washed them with Marseille soap, which I know is the one you like.
31:56It reminds me of the promise.
31:58It's just that smells can make us travel with our imagination.
32:02Thank you very much, Maria.
32:07Well, you have the bed ready to sleep and dream with the little angels.
32:11Well, I always dream with one in particular.
32:14With my little Diego.
32:16Norma.
32:18Come on, sit down and rest, if you feel like it.
32:22Yes, and so I have a little chat.
32:25And you tell me news?
32:27About the promise?
32:28I don't know if Salvador has already left.
32:31Yes.
32:32He left yesterday afternoon.
32:34And since then, my hours have been very long.
32:37You'll get used to it, Maria.
32:40Everyone gets used to one.
32:42Even absences.
32:44Woman, don't exaggerate, the house of the Matasanz is not that far.
32:48It's true.
32:50That we can meet on a day off.
32:52Sure, then.
32:55Yes, that makes me come up.
32:58And so I am, Doña Pia.
33:00Up, down.
33:01Up, down.
33:02Well, you half-naked, like you've never been Maria Fernández.
33:06The truth is not.
33:08What also encourages me is to think about the dowry that Salvador and I are going to set up
33:12when we put together a good room.
33:13Come on, the Seville fair is going to be in Mantilla.
33:16Aleico.
33:17And with a bit of luck, I won't be in this cabin anymore.
33:22Well, of course.
33:23Because if you don't come to my wedding, I won't get married.
33:28Well, how's life around here?
33:30What did Mr. Baeza tell me?
33:32That he almost got a beating that I sent him to the other neighborhood.
33:35Well, I thought it was Gregorio, Maria.
33:39Well, it's night and day.
33:41Yeah, but sometimes fear makes you get confused.
33:45And I have all the fear in my body and it doesn't go away.
33:48It's horrible.
33:49Look, this morning, I wanted to go for a walk with the first lights ...
33:55Doña Pia, but they are very dangerous.
33:57But what if someone sees her?
33:59But Maria, there is no one at that time.
34:00I was very covered and I just wanted to take a walk and do a little exercise, nothing more.
34:04But a group of outsiders passed by the river path and the truth is that I panicked
34:10when I heard them, that I almost fell for a trap.
34:13For learning injury?
34:15Well, yes, I won't go out anymore until this is solved.
34:19I hope it's soon.
34:21I hope so too.
34:23But of course, you never know.
34:30Do you remember Tomasa?
34:33The one from the bakery?
34:35Put on tape.
34:37Tomasa?
34:39But she is older and has her children already raised.
34:42Less than six children.
34:44But Santa Ana was also older, the mother of the Virgin Mary, when she was on tape.
34:48That's what the Bible says.
34:50But it is also true that Santa Ana did not have six older children like Tomasa did.
34:54How lazy to get so old to raise a baby.
34:57She got married to a titan.
34:59Ha!
35:11Can I help you with anything, ma'am?
35:13If you allow me, I will accompany you to the noble plant to announce your visit to the gentlemen.
35:17I thank you, but it will not be necessary because I do not intend to bother the gentlemen.
35:23If I have come in here, it is because I want to talk to the cooks about some recipes that interest me.
35:28But I know exactly where to find them and I do not need your help, thank you.
35:32May I inform you that your presence in the service area is completely irregular, ma'am.
35:36Yes, I understand that it is extravagant for you, but ...
35:41I will take some notes on some recipes and I will leave.
35:46As you understand, my duty is to inform you of your visit to the lady.
35:50And I insist that there is no need.
35:53So you can receive her as she deserves.
35:56Ma'am, I'm sorry, but ...
35:59I cannot allow you to access the palace through this entrance.
36:03Will you accompany me to my office?
36:23I have been informed that you were looking for me, sir.
36:30That's right.
36:32You tell me.
36:33You see, Lope, this is about the jam business that my daughter Catalina started
36:38and that now the captain of the mata is in charge.
36:40Sir, I no longer participate in the business.
36:42The captain of the mata has suspended my services on recent dates.
36:46I know, I know, but I think you can still help me.
36:50Don't worry, it's not going to be a commitment for you, nor is it going to face the captain.
36:55I just want to ask you a few questions as an expert cook in the making of jams.
37:02Has the quality of the product decreased lately?
37:07Because of your gesture, I deduce that yes.
37:12It is possible, sir.
37:14In fact, there is the biggest difference compared to the jams we used to make.
37:21Explain yourself.
37:23Well, before we tried to make a unique product.
37:27That's why Miss Catalina gave me carte blanche to introduce original and innovative flavors.
37:32Well, but I understand that you can make traditional and equally excellent jams.
37:36Of course, yes.
37:38But for that we need fruit of the highest quality.
37:42And that is not being done.
37:45Well, since the captain is in charge of the business, let's say he is using fruit of a different range.
37:56I understand.
37:59And what do you tell me about the women in Lujan who work in the business?
38:02Because I suppose you are still in contact with them.
38:05Yes, yes, not daily, but yes.
38:07Are they happy with the new direction of the company?
38:09Well, the situation has changed since Miss Catalina is not in charge.
38:15And why is that?
38:17Well, because they work at a loss, sir.
38:21And they can't cover all the orders that the army demands.
38:26But I understand that this excess of work is being rewarded in some way.
38:32Not exactly.
38:34Well, sir, in the end it is a business, right?
38:36If the captain is trying, his profits are not good.
38:40Lowering wages and the quality of the fruit?
38:43Sir, I'm sorry not to be too helpful.
38:45It is enough.
38:47To a good understander, a few words are enough.
38:53What I feel, López, is that you are no longer in the business.
38:57That's what I feel.
39:00Sir, if I'm honest, I lost my enthusiasm for the business a long time ago.
39:07And I deduce that you are not the only one,
39:09because I don't think those women in Wuhan are too excited either.
39:14But they need that money.
39:17Although it is not the same since Miss Catalina is not in charge.
39:22Thank you, López.
39:24You have given me very valuable information.
39:26You can go.
39:27You have given me very valuable information.
39:29You can go.
39:46The tea is delicious.
39:48I thought this orange thing was something we only did in my palace.
39:52We've been doing it for years.
39:54It's much better than lemon, right?
39:57I think the same.
39:59Well, tell me, what is the reason for your visit?
40:02You have not given us notice.
40:04I apologize.
40:06And I confess that my last wish is to importunate you.
40:08I know it's a busy woman.
40:10Well, like all, dear.
40:12Actually, my visit was not aimed at you, but at your servants.
40:18Ah, what do you need from them?
40:20Tell me, I can manage it myself.
40:22I thank you for the offer, but I already told you that the last thing I want is to bother you.
40:28Precisely. If I do it, it is to preserve the good operation of the palace.
40:32So tell me, what do you want?
40:35Some recipes.
40:37Some recipes?
40:39And have you bothered to come here just for that?
40:42Tell me what recipe it is, that I will take care of sending it to your cook.
40:46Actually, I want them for me.
40:49Because I am writing a recipe.
40:52You?
40:53Are you so surprised?
40:55Well, yes, a little. I did not know you were fond of cooking.
40:59Well, I see that you are not aware of the latest trends.
41:05That will be.
41:06Since a few years ago, that Galician countess Pardo Bazán published her recipe,
41:12it has become fashionable in the court to collect the best recipes in gastronomy.
41:17And here, in La Promesa, you have authentic jewels.
41:23But is it simply an intellectual interest?
41:27Or do you also get involved and get into the fire?
41:30Well, we do our little things, don't you think?
41:34Actually, it is no surprise that you did not find out, dear.
41:38You know how this country of envious people works.
41:42They think that the less people know, the more they will stand out.
41:47And I hope that now that I tell you, you don't want to write your own recipe,
41:51which would be in your right, of course, because it is your home.
41:54And be careful, I have no interest.
41:58Then I can interview your cooks, right?
42:01Of course, a single visit will not be enough to collect all the recipes.
42:06Well, the truth is that I don't think it's appropriate for a person of your rank
42:10to wander through my kitchens, Mrs. Duquesa.
42:13On the contrary, dear. It is very appropriate.
42:17What I am offering you is a magnificent opportunity.
42:20An opportunity of what?
42:22To clean the good name of your house, of course.
42:26Personally, I have never given credit to the curses of your in-laws,
42:30those of the infants, but ...
42:33The world is full of simple people.
42:36Yes, and envious.
42:38That.
42:39And when my recipe is published,
42:41not only will everyone know your magnificent kitchen,
42:44but the friendship that unites us will be patented.
42:48Do you understand?
42:51I understand.
42:52Good.
42:54And you don't have to worry about me, I'm not going to bother you.
42:57I assure you.
42:58You don't have to prepare anything special either.
43:00What I want is to look at the day-to-day of the kitchen.
43:14Ah, you're here.
43:15When did you arrive?
43:16Well, right now.
43:18How is Doña Pia?
43:20Well, more or less.
43:23Can you explain a little more to me or ...?
43:27Well, the fear of the body does not go away.
43:29That they live in a congo.
43:31I'm not surprised.
43:33Having a criminal behind you trying to kill you every time you neglect yourself.
43:37And Doña Pia figures that Gregorio's package is always following her.
43:41Behind her back.
43:43She went out this morning for a walk.
43:45What?
43:46But María, she can't do that.
43:48No, she's not going to do it again.
43:50She went out to the street and listened to people's voices.
43:52And she ran like hell.
43:54She almost fell on a flat ground and broke her back.
43:57But did she get hurt?
43:58No, no. She was scared.
44:00Yeah, well ...
44:01It's a fear.
44:04Yes, it was dangerous, yes.
44:06I can understand that she needs to go out and stretch her legs, but she can't do this.
44:11No, yes, it's clear to her.
44:12But don't worry, she won't go back from there.
44:17Anyway.
44:18Well, I hope so, because ...
44:19I prefer that she is already turning her head inside the cabin than ...
44:23That Gregorio finds her.
44:25Exactly.
44:28Well, what have you done on your day off?
44:30Have you been with Manolito?
44:32Well, yes.
44:34We went to the Hermitage.
44:35Wow, that's great.
44:36You took the opportunity to visit the place where you are going to get married.
44:39That's right.
44:40And have you been able to talk to the new priest?
44:42I never remember his name.
44:44What's his name?
44:45Samuel.
44:47Manuel had already spoken to him, so now he wanted to meet me.
44:50And how does it feel to marry the son of the marquis with a maid?
44:54Well, that's ...
44:56We haven't told him.
44:57We haven't told him that I am a maid and he is a man.
45:00Well, that ...
45:01A half-truth is a lie.
45:04Well, if you find out that we haven't told him either that we are from the village or that ...
45:08Or that Manuel is the heir to the marquis of Luján.
45:11Well, you'll see how he will find out on his own.
45:13And he didn't recognize you when you went to mass on Sunday?
45:15Come on.
45:16We servants always sit in the last rows.
45:19And that's true.
45:21That I, with the girl I am, always see head.
45:25Well, the thing is that everything is ready.
45:27And now all that remains is to specify the date of the wedding.
45:30Exciting.
45:32Well, yes.
45:34The truth is that I'm shaking from the nerves.
45:38You will become a married woman and with the man of your dreams.
45:42What else can you ask for?
45:44Nothing.
45:46I'm totally happy, María.
45:50How lucky that Don Manuel has taken so well what your little secret.
45:54How he reacted when you told him who you really were.
46:00You haven't told him, have you?
46:01María, I promise you I tried.
46:03As soon as I got up I went to look for him to speak clearly, but ...
46:09But what?
46:11Well, he had come very happy because he had received a call that made him very excited.
46:16And I didn't want to break that moment because ...
46:19I didn't want to tell him the bad things.
46:22But the truth is not a bad thing, Hanna.
46:24It is the truth.
46:25And Manuel deserves to know the truth.
46:27And he deserves to know who he really was.
46:29And why did you come to the promise.
46:31Yes, María, you're right.
46:32And I know.
46:34I know.
46:35But stop scolding me because I have enough and I already feel very bad.
46:39I promise you that I will tell him, but not yet.
46:44What I also wanted to tell you is that ...
46:47That we have not only been in town talking to the parish.
46:51Manuel has taken me to a place that is related to that call.
46:55And we have gone to Villalquino.
46:57To Villalquino for what?
47:00For this.
47:01Come.
47:08Come here.