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La Promesa Ep 429 Completo:
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00:00THE LORD OF THE SKIES
00:08Come in.
00:12Ms. Arcos.
00:14Come in, Santos.
00:16Come in and close the door.
00:26What's with the face, Santos?
00:29Santos Pellicer always keeps his word.
00:34You did it.
00:36Did you doubt it?
00:38No. Actually, no.
00:41Have you found any information?
00:44I haven't been able to read it yet.
00:46I just picked it up from Maria Fernández's room.
00:48Nobody saw you, did they, Santos?
00:51Of course not.
00:53Come on, sit down.
00:58And read something.
01:01What for?
01:03I don't know. Open it and the first thing you find...
01:06I'm looking forward to seeing if Maria Fernández describes the same nonsense she says.
01:12Let's see...
01:16This one.
01:19But despite how much she loved her lover,
01:23something was wrong with the girl.
01:25I don't know.
01:27Every time they talked about a wedding,
01:29she was like... like a paralysed person.
01:33And she didn't know why.
01:36Well, I guess you're not reading the spelling mistakes, are you?
01:40No, because you can't.
01:42But she has some very boring ones.
01:44Although that's the least of it.
01:46This leaflet is unsmokable.
01:48Yes, I think it would be more useful to put out the fire in the fireplace.
01:51But keep reading. Maybe you'll find something more interesting.
01:53Eh...
01:55You choose, whatever you want.
01:58Let's see... I'm so clueless.
02:03Look. Here, for example.
02:07But then, why did her departure hurt so much?
02:13Maybe it wasn't just the distance, but...
02:17but something had broken between them.
02:22No, no. Don't continue, please. I'm going to cry.
02:26Well, I guess this whole paragraph is dedicated to her lover, Salvador.
02:31To his such-and-such. Curses and paragraphs.
02:34Well, look. Maybe you'll find something more interesting.
02:40Let's see...
02:44This one, for example.
02:45This one, for example.
02:47He was a just man, and better than bread.
02:52So good, so good, that many took him for Max's softy.
02:57She was the complete opposite.
03:00Hard as a stone.
03:02Maybe she had a heart, but it was so cold
03:06that she never showed any kindness or closeness.
03:10Stop. Don't keep reading.
03:12What's going on?
03:14It's clear she's talking about the Marquis.
03:18You think so?
03:20Yes. It's obvious this notebook contains something more
03:24than innocent notes.
03:26This notebook contains grievances we can't let go.
03:37Santos.
03:39Don't tell anyone what you just read.
03:42Of course not.
03:45If you don't mind, I'll return it right now.
03:48No, no, no. Don't do it.
03:52I think this notebook will be much more useful than I imagined.
04:00I'm going to examine it in detail.
04:12Curro.
04:14You're here.
04:16Yes, I was trying to read the newspaper.
04:19So you're not very busy.
04:21No, not really.
04:28Great, because I have to talk to you.
04:31I see.
04:33What's going on?
04:34I see.
04:36What's going on?
04:40It's about my wedding with Hanna.
04:44Do you know the date?
04:46Yes.
04:48It'll be tomorrow.
04:50What? Really?
04:52Yes.
04:53But Manuel, that's wonderful!
04:55I know.
04:56I'm sorry I can't tell you more.
04:58You already told me why.
05:00You don't want me to ruin it.
05:01Curro, that's not it.
05:03I don't want to compromise you.
05:05If you don't know anything, they can't force you to say anything.
05:07Do you understand?
05:10Then why are you telling me the date?
05:16Because your dear sister did the same thing with María Fernández.
05:21I see that something has gone wrong in your perfect plan to keep everything in the most absolute of secrets, right?
05:27Yes.
05:29And given the circumstances, I think it's fair that you are also aware.
05:33Yes, since I am the brother of both contractors, I appreciate the gesture, yes.
05:39Although you know perfectly well that what I would like would be to take you to the altar.
05:45Yes, I know, don't worry, I know it's impossible, it's okay.
05:59Manuel, you're in a good mood.
06:03Why do you say that?
06:04Well, because you're shaking like a flan and because you just drank my coffee.
06:09I'm sorry.
06:10It's okay.
06:13After all, this is going to be the most important day of my life.
06:17The only thing I feel is that it won't be the wedding I dreamed of for Hanna.
06:20And why do you say that?
06:21Because it will be.
06:23Ángel would love for us to be able to share this day with the people who love her the most.
06:28And there are many.
06:29Yes, starting with María Fernández, from what I see.
06:32And for you.
06:37I swear I would love to shout to the four winds that I am going to marry her.
06:42But unfortunately it is impossible.
06:45I see.
06:47Well, you told me.
06:49I told you.
06:50Even if it's not shouting.
06:54Curro, you know that one way or another you will be there with us, right?
06:59I know.
07:04And now, tell me.
07:07How can I help you?
07:10You have already helped me a lot.
07:12Yes, yes, I know.
07:13But I'm sure I can do something else to make you feel calmer.
07:19Well, actually, you can.
07:21Let's see, tell me.
07:26Brother, when ...
07:29When we get married, I'm going to ask Father Samuel to bring a letter of promise.
07:33A letter?
07:34Yes.
07:35In it I will explain what happened and why I acted that way.
07:39So you're going to tell your love story with Hanna?
07:43That's right.
07:45And something tells me that the news will be devastating.
07:47Your mother is not going to take it well.
07:50No, but my mother's story has no arrangement.
07:54What matters to me is how our father is going to take it.
07:59And you want me to be present?
08:02That's right.
08:04And why don't you prefer that I give him the letter directly?
08:06No.
08:08Not in any way, because that would make you my accomplice.
08:11And I don't want to put you in that mess even when I'm going to put you in the middle.
08:14So?
08:17So I need you to be there.
08:21I need you to support our father in what he needs.
08:27And most importantly,
08:30that you show him the good side of all this.
08:35Okay.
08:37Yes, like ...
08:38For example, make him see that ...
08:41That you are going to be very happy.
08:42No?
08:45Immensely.
08:48Well, count on it, brother.
08:52Don't worry.
08:54Calm down.
09:07Am I interrupting some captivating reading?
09:11Actually, I can't get past the first page.
09:14Well, then it's not that captivating, is it?
09:17I'm afraid the problem is not the reading, but myself.
09:24Let's see ...
09:27If I'm being honest, I couldn't either with this novel, huh?
09:31You're right.
09:32The choice didn't help either.
09:38Why do you spend your hours locked up here?
09:41If you were interested in reading and you were drunk, I could understand, but ...
09:46I don't know, I'm surprised not to see you wandering around the farm,
09:49watching the crops or ...
09:52Let the grain grow properly.
09:56The grain grows well without surveillance.
10:00Let's see, I'm an ignorant in everything that has to do with the field, we all know that.
10:04But ...
10:05This ignorant is worried about you.
10:08I'm just tired.
10:10I don't think it's anything serious.
10:12But thanks for worrying about me.
10:15You are my favorite cousin.
10:17Thank you, Martina.
10:21And how are you?
10:23Fine.
10:26Well ...
10:27I think I'm dying of jealousy, cousin.
10:31Jealous of whom?
10:33They are my feelings, so let's leave the subject.
10:35Come on, tell me.
10:36Jealous of whom?
10:39Well, I know that those jealousies are not justified.
10:42Because I was the one who insisted that she stay with us, so ...
10:46Are you referring to Julia?
10:48I just couldn't imagine that she would be interested in that way for Curro.
10:52Really?
10:53Well, she doesn't leave him alone or in the shade.
10:55But, let's see, wait a minute, wait a minute.
10:57How is it that you are jealous of Julia?
11:00Well, maybe I chose the word wrong. What I mean is ...
11:06That I feel displaced.
11:08That's what I mean by being jealous.
11:09But now Curro and you have a friendship relationship, right?
11:12Yes, that's why I told you that I chose the word wrong.
11:15But we have known Julia for a very short time.
11:18And now they seem inseparable.
11:21Curro has been at the forefront.
11:23I think he knows how to take care of himself.
11:26Yes, in many aspects yes, but in many others ...
11:29I don't think so.
11:30And I would be afraid to let Julia hurt him.
11:35Are you listening to yourself, cousin?
11:38Why?
11:40Well, I think you have chosen the right words and you are dead jealous.
11:45What is there between Curro and you?
11:48That you are together again?
11:49No.
11:53We are fine, but we are not ...
11:57You don't know what you are.
11:59It's not true.
12:01I know we are not dating.
12:04And I know we are not engaged.
12:06But I know we are fine.
12:09And that maybe there is some possibility that there is something else.
12:13And do you think Julia's presence can ruin that possibility?
12:19I'm afraid so.
12:21Then talk to him.
12:24Let him know that you are worried.
12:25No.
12:26No, I can't.
12:28Be honest with him.
12:30And so he will be honest with you.
12:33Maybe that can help you find out who you really are.
12:57Vera, do you know where Javel's water is?
12:59What?
13:00It's just that I just had some tablecloths with María Fernández
13:03and we have realized that one has a stain and it does not come out with soap.
13:07Yes, yes, of course, sorry.
13:09The point is that it has run out.
13:11I suppose they will bring it now when they go shopping in town.
13:14Well, in that case, the tablecloth will have to wait.
13:17I have to go up to attend to the gentlemen.
13:19If you want, I can clean it as soon as they bring Javel's water.
13:24Would you do that for me?
13:26Sure, it doesn't cost me anything.
13:28Thank you, Vera, you are a heaven.
13:30It will be less.
13:32No, really, I'm not exaggerating.
13:34You are one of those people for whom it is worth having returned the promise.
13:37Now I'm going to smile, Teresa.
13:39Well, that's what I feel.
13:41And I don't just think about it.
13:43They are all delighted with you.
13:44Thank you very much.
13:46All but Santos, of course.
13:48And I don't understand why.
13:50María Fernández told me in one of her letters that you became a couple.
13:55Well, a lot has happened since then.
14:00Yes, of course.
14:02I guess it's something personal, but I just want you to know that you can count on me for everything you need.
14:17Actually, there is not much to tell.
14:21I was never very convinced of that relationship.
14:24Oh, no?
14:26No.
14:27I never felt very comfortable with Santos.
14:31I didn't know.
14:34Don't worry.
14:36No one knew, or almost no one.
14:40And then why were you with him?
14:43Well, it's ... it's hard to explain.
14:46I don't even stop past.
14:49Let's just say that Santos always found a way to keep me by his side.
14:57That doesn't sound good at all.
15:01So you didn't have feelings for him?
15:05No.
15:07Although from the outside the situation between Santos and I could appear, it was always very tense.
15:12I'm sorry, but ...
15:15But hey, that's part of the past.
15:18And ...
15:20Are you happy now?
15:22Yes, I think so.
15:25I'm glad.
15:26And I'm sorry I couldn't be there before to help you.
15:30Well, actually, all this happened while you were traveling and ...
15:34And even if you had been here, you couldn't have done much.
15:37You can always do something, even if it's giving unasked advice.
15:43And what advice would you have given me?
15:45Well ...
15:47Well, I guess I would have told you ...
15:50That it is important to face the truth.
15:54And that you have to face the problems head-on.
15:57It makes perfect sense.
16:01And it's not even my advice.
16:05It's something Feliciano always told me.
16:08Well, it's very good advice.
16:10Very sensible.
16:13It's a shame that sometimes it's so hard for us to act that way.
16:18Yes.
16:20Of course it is.
16:38A envelope.
16:40With the pledge of the promise, sir.
16:43Wow.
16:44And in the name of Don Gregorio Castillo.
16:58I'm going to leave this letter to the innkeeper.
17:00So he can give it to you as soon as he sees it.
17:03And what have you written?
17:04Nothing new, it's the same location as last time.
17:06And I'm not going to tell you when.
17:10Yes, I know what I put in that envelope, Mr. Baeza.
17:17I wrote it myself.
17:18I knew it.
17:20I didn't tell Sergeant Gordito.
17:22I know.
17:24Because otherwise I would be making a statement in the barracks.
17:27I'm afraid so, sir.
17:29So we can deduce that the sergeant found the envelope but not the note that was inside.
17:33Well, considering the questions he asked me, it seems so.
17:38What did that note say?
17:42Just the time and place of the citation.
17:44It didn't say anything that pertained to him personally.
17:47No.
17:49I don't think so, at least.
17:51But we can find out why that man kept only one note.
17:55I don't think so, at least.
17:57But we can find out why that man kept only one note.
18:00Maybe he took half a note of the address and got rid of it.
18:04That's what would go through that poor devil's head.
18:08The one you call the devil, I remind you that he is a murderer.
18:10I know.
18:12And he was willing to kill again, Mr. Baeza.
18:14Anyway, what we do know now is that the Civil Guard has evidence that relates the promise to that man.
18:21And all this seems to indicate that I am one of the last people to see him alive.
18:24That's right.
18:26Which makes me one of the main suspects.
18:37It seems so.
18:40Mr. Baeza, I assure you that I have nothing to do with his death.
18:42You don't need to tell me. I think it's total innocence, sir.
18:46Don't worry because the sun doesn't show anything.
18:49What it shows is that I was with that man a few hours before he died.
18:52The sun doesn't show anything if it doesn't find anything else.
18:58Listen, I know it's not going to seem like a good idea, but I think you should go talk to that sergeant.
19:03That would be succumbing to panic, sir.
19:06Let's let things go at their course.
19:08It's not convenient for him to impersonate in that portfolio.
19:19SIX MONTHS LATER
19:50Hi there, María Fernández.
19:53Well, now we know what I can do if I get fired.
19:56A seamstress and a seamstress too.
19:59Look at the most beautiful arrangement that the beast's waist throws at him.
20:04María, for God's sake. Thank you very much.
20:09Today for you, tomorrow for me.
20:11Although the one who gets married tomorrow is you.
20:13Tomorrow it will be your turn.
20:15This step is not mine.
20:20Let's see.
20:26You know what?
20:30I still can't believe that tomorrow at this time I'm going to be married and that Manuel and I are going to be husband and wife.
20:36Until death do us part.
20:38And let's hope this is within many, many, many, many years.
20:41I don't care about that.
20:43As long as I can live the rest of my days with him and as long as we don't have to hide our love.
20:48Who was going to tell you, huh?
20:50Less than a month ago, your fiancé was having sex in the trenches.
20:54And at that moment I thought I was never going to see him again.
20:58But well, things have changed a lot.
21:01Let's hope they stay there.
21:03That you were right and things in the promise change very quickly.
21:06You told me you were here this morning.
21:08No, and I'm still here.
21:10But one thing doesn't take away the other and you're going to get married in Luján, right?
21:13Very close to the Marquise.
21:15And that's playing with fire.
21:17I already know, I could get married further away.
21:20But well, it's true that having the priest close has helped us streamline it and plan things well.
21:25No, I don't intend to convince you.
21:27But come on, I could have married you in Puebla de Tera, which is a shot from an airplane.
21:32Manuel doesn't have the plane here.
21:34Yeah.
21:36If I only ...
21:37I already know, María.
21:39And I appreciate your advice.
21:41Because I know you give them to me with good intentions.
21:44But you're going to be submissive, right?
21:47As if I were watching you.
21:48Well yes, I'm going to marry Manuel and the hermit of Luján tomorrow.
21:52It has been quite difficult for Manuel to manage them so as not to reveal his identity to the priest.
21:56If it were Don Fermín, he would have slapped each of them twice.
22:02That's the luck of having a new priest who doesn't know his dangers.
22:06You'll see, Hanna.
22:08But lying to a priest, that has to be a sin and a very big sin.
22:13María, we are not lying to him about the essentials.
22:15We love each other.
22:16Yes, yes, I know we have no choice.
22:19As if I wasn't going to formalize yours, of course.
22:24So what's wrong with you? Don't you want me to get married or what?
22:28It's not that.
22:30I want you to get married, Hanna.
22:33But it's going to be the most special day of your life and ...
22:36And I'm not going to be able to see it.
22:39You're going to be with me.
22:41One way or another, but you're going to be with me.
22:46And you know what?
22:49You have to remember what Teresa said.
22:51That the important thing is not the day of the wedding, but what comes next.
22:55For the rest of our lives.
22:58And we are going to share that.
23:00Of course.
23:02Hanna, how often does she complain that she's going to hit the marquise?
23:05You're going to have to rent balconies to see it.
23:07Well, go and rent a good one because no one can stop this.
23:13Come here.
23:21I'm not proud of having lied.
23:23I'm not proud of having lied.
23:26I'm not proud of having lied.
23:28I'm not proud of having lied.
23:31But it was the only way I had to get to you.
23:35Well, but tell me about yourself.
23:37I barely know Matilde.
23:40Well, before being Julia, she was the institute of the grandchildren of the Duchess of Ferino.
23:46Matilde, a babysitter. I didn't expect that.
23:49Well, some of the duchess's grandchildren are no longer exactly children.
23:54Ah, no?
23:55No. In fact, the eldest granddaughter is quite a woman.
23:58Her name is Carolina and she is a kind and sweet young woman.
24:04I taught them to read, to write, history, art ...
24:09And well, to be up to the task, I had to train myself.
24:13That shows that you have a lot of ambition.
24:16It shows that it has come this far.
24:18But that's another story.
24:21Well, we have time.
24:23Besides, I want to meet her.
24:24Why?
24:25Well, that girl, Carolina, had lived outside of Spain for a long time.
24:29And she barely had friends.
24:31That's why my lady got her granddaughter to go to the feast of the Duchess of Trezuelos.
24:36The one Martina went to?
24:38That's it.
24:39But Carolina was not in the mood to attend.
24:42She only agreed if I accompanied her.
24:45I see.
24:46But that reception was only for young ladies.
24:50That's why we agreed that I would pretend to be one of them.
24:54At first I didn't think it was a good idea.
24:56But then I found out that Martina de Luján was also invited to the feast.
25:01And by then you already knew the relationship you had with Manuel.
25:04And with me it was Pedro Luján, right?
25:06That's right.
25:07So I agreed to play your game and ...
25:10I stopped being Matilde da Institutri and I became Miss Juno.
25:16I understand.
25:18I only went to the feast to meet Martina.
25:22And so I could get to you.
25:25I needed to talk about Paco.
25:27To know everything about his death.
25:31There's only one thing I don't quite understand.
25:35You came to this palace to give Martina the pendant, right?
25:41Did you steal it?
25:42No, please, no.
25:44No, no, no.
25:45I took advantage of a moment of carelessness in which he kept the pendants in his bag
25:50and I borrowed one.
25:52And so I could have an excuse to visit La Promesa.
25:57An inexcusable excuse.
25:59Just like all those who came later to extend their stay in La Promesa.
26:02Their dizziness, the trip of their parents, restoring the painting ...
26:08I already told you that I hate lies.
26:11But I had to do it.
26:13For Paco.
26:16Yes.
26:36Come in.
26:40What are you coming for, Petra?
26:42To bring me another bouquet, as if it were for me?
26:45I'm sorry, ma'am.
26:47That was just a carelessness.
26:50One of many.
26:51Ma'am, I actually ...
26:52Petra, I'm almost ready to go down to have a snack.
26:54So whoever has to wait, let them wait.
26:57Actually, ma'am, I came for another matter.
27:03And why should I be interested in your needs?
27:07The truth is that I still think about it.
27:09Yes, it was a mistake to ascend to Amadellávez.
27:13Yes, you have already told me that on several occasions, ma'am.
27:17But we both know the answer.
27:19The mistake would have been to ascend.
27:24Tell me what you came for.
27:27What is this?
27:29A notebook?
27:31It is the proof of my efficiency as Amadellávez.
27:34Read it yourself and you will see.
27:36Look.
27:42Vera, I left the soufflé halfway.
27:44The soufflé can wait. We can't.
27:46I just put it in the oven. I need to know that it goes up well.
27:50Lope, it always goes up perfectly.
27:52That's why you're Lope, the best cook in the region.
27:55Vera, I'm just a simple cook.
27:57The soufflé is a very complicated dessert.
27:59Look, that's exactly what I wanted to talk to you about.
28:02The soufflé?
28:03No.
28:04You always miss me, Lope.
28:06And it's not fair that you treat me like this.
28:08Vera, I know what I am.
28:09And the place I occupy in the world.
28:11And what about the place you occupy in my heart?
28:14Because what demoralizes me is that we have already talked about this before.
28:17And no matter how much I repeat it to you, it seems that you don't finish believing me.
28:19It's not about believing or not believing.
28:21No.
28:22There you are right.
28:24The truly important thing is that I am willing to continue to insist.
28:28What do you mean?
28:29That I'm tired, Lope.
28:31And that I can't continue with this lazy girl.
28:34So what do we do?
28:36No, the question is what are you going to do.
28:38Are you going to keep pretending to be the victim?
28:40Or are you going to accept once and for all that for me you are just as worthy as any of the gentlemen?
28:46Lope, I am very clear who I was, who I am and what I want to be.
28:50And if my past makes you feel inferior, you may not be prepared for the present.
28:54Much less for what comes next.
28:58So if that's the case, it will be better if we leave it as soon as possible.
29:02I can't be with a person who feels inferior to me.
29:06My love, it's not you.
29:07What do you mean it's not me?
29:09No.
29:10It's everything that surrounds you.
29:12Everything that I have abandoned, you mean.
29:19Forgive me.
29:23Will you forgive me?
29:24I love you more than my life.
29:26And I promise you that I will not doubt again and that I will be up to it.
29:31Well, let's see if it's true.
29:40At Lope's level, it's hard for me to believe that there is a cook who has as much art in the kitchens as she does.
29:45Well, it's the truth. He is one of the best cooks in Madrid.
29:48And he will take care of the banquet of our wedding.
29:50Well, I share Margarita's skepticism.
29:53I don't think she cooks better than Lope.
29:55That's right. Come on, there is no guest who has ever left without dedicating a compliment to one of his dishes.
29:59Not to mention that you would come to realize that he is a cook from Madrid.
30:02No, money is not a problem.
30:04And yes, I do not doubt that Lope is excellent, but he does not have the prestige or the name that I propose.
30:10Don't tell me that your cook is going to sign Menús, who is an oil painter.
30:16You can laugh at everything you want, Cruz.
30:18But the truth is that it has been very difficult for him to access to cook for us.
30:21In fact, it has been almost a miracle.
30:23Oh yeah? And how did the miracle come about?
30:26Well, through a good friend.
30:29Who?
30:31For discretion, I prefer to keep the name a secret.
30:34I will only tell you that he works for the Royal House.
30:37Please, how fantastic.
30:40And why would Ignacio have to come up with something like that?
30:42To give himself importance, for example?
30:45No, because my fiancé doesn't need to do that.
30:47Leave it, Margarita. It's not worth it.
30:51When you tell us the specific identity of that genius of the stoves, I will believe you, Ignacio.
30:56Cruz, that's it, please.
30:58Oh yes, that's fine.
31:00We are organizing our wedding with the greatest excitement.
31:02I don't understand why you can't share our joy.
31:05Yes, what should I be happy about?
31:07Margarita, don't push yourself. It is obvious that you are resentful of something.
31:10Resentful of me? What nonsense.
31:12We better talk about something else.
31:14Or we don't talk about anything at all, and that's it.
31:18Lately, in La Promesa, it seems that everyone is very upset.
31:21What do you mean?
31:23Well, that even young people behave in a strange way.
31:27If you mean my son Manuel, I remind you that he has just arrived from a war.
31:30I mean Manuel, Catalina, who is locked up all day.
31:33Are you going to compare me being in the front with the leg of a spoiled little girl?
31:37Now you are going to attack my daughter.
31:39Let her mature at once.
31:40Stop it, Cruz.
31:41You are going to take her side, as always.
31:44Catalina is making a lot of effort with the issue of the jams and she is a little upset.
31:48You should understand her.
31:49You seem to understand everyone but me.
31:51I wish I could, dear, but you don't let yourself.
31:54You don't want anyone to understand you.
32:06Come on, miss.
32:07Give the snack a try, we have prepared it with great affection.
32:11I appreciate it, but I wasn't kidding when I said I wasn't hungry.
32:15Oh, oh, oh, Miss Catalina without hunger.
32:20Is it serious?
32:22Let's see if you're going to have a little bit of a temper.
32:24No, no, I'm fine.
32:26Yes, yes, you don't look bad.
32:30And how is the jam business going?
32:33Any news?
32:36Well, I have hardly had time to review the accounts and analyze the state in which it is.
32:41Yeah, but with everything you told us, I'm sure the business will go ahead, whatever it is.
32:48Yes, we will have to adapt to the current market and the new times.
32:53The market in Plaza de Alto?
32:55But they haven't moved, have they?
32:57No, Candela, I don't mean that market.
32:59But a more global market.
33:01Well, as soon as you know the news, let us know that we will be delighted to get down to work.
33:07Even if it's with more common flavors.
33:09Don't worry, Lope.
33:11And I guarantee you that we will not diminish your creativity, even if we have to focus it in another way.
33:16Yes, of course, when things are like they are in the world ...
33:20Yes, offering a product as innovative as the one we offered will be difficult to sell now.
33:25Excuse me, Miss Catalina, but I don't quite understand.
33:28Well, because of the situation we are in, we are at war.
33:32People don't have rooms or are up to date.
33:35They want things to be like before.
33:37Sure, people want strawberry jam to be strawberry jam.
33:42That's right.
33:43Don't worry, Lope.
33:45We will find a way to make the jams again.
33:48No, no, Miss Catalina, those are very logical arguments.
33:52Now is the time to do things as God commands, with quality products.
33:56Very well said.
33:57You have already heard Lope.
33:59When he has news, he will inform us.
34:02Yes.
34:07Lope, Candela, don't you have to go to Alacena to do a little inventory?
34:11Us?
34:12But if it's yesterday ...
34:14Yes, because these days we have had a lot of work.
34:17Goodbye, Mrs. Simona, we are leaving now.
34:19So, come on, Mrs. Candela.
34:21If you insist.
34:22Come on, come on, come on.
34:24So we stay, Miss Catalina and I, alone for a while.
34:27I wasn't going to stay much longer either.
34:29Nothing, just a little while, to give her the humidity.
34:31It will have to be at another time.
34:33As you wish, Miss.
34:36Thank you very much for the snack.
34:38You're welcome.
34:47Something is wrong with this girl.
34:49I already told you that she is weirder than a green dog today.
34:52What is normal is that she has not eaten the snack.
34:54No, what is not normal is that she has not told me what is wrong with her.
34:58Well, then, are we going to Alacena, Lope?
35:00I'm going to do the inventory or not?
35:02Candela, it was just an excuse.
35:04I already said.
35:05Come on, you look like you're going to play the mouse.
35:07I'm not going to take her as a partner in the game.
35:10Come on, both of you are smart.
35:13Come on.
35:14What a smartness around here.
35:22Let's go.
35:35There are more beautiful things out there.
35:42We had a great time.
35:47Let's go, let's go.
35:49To the square.
35:52Yeah.
35:56Let's go.
36:00Olé.
36:07Marcelo.
36:09Come here for a moment.
36:12What about Palique?
36:14Me?
36:16But I was just shaking the carpets.
36:18I see.
36:19And with what were you shaking it?
36:20With your tongue?
36:22Why do you say that?
36:23I say it because I'm not Leila.
36:25I know perfectly well what you were doing.
36:27Camelart a la Trini.
36:28Hey, I didn't do any of that.
36:30Well, that's not what my eyes have seen.
36:32I was shaking some carpets
36:34and it turns out that one of them was so small
36:36that it almost looked like a crutch.
36:38I see.
36:40Yes.
36:41It's not my fault.
36:42The girl made it funny, don't you think?
36:44We're here to work, not to make fun of others.
36:47Because to laugh, there are already clowns in the circus.
36:49Hey, it was an innocent joke, woman.
36:51Well, you seem less innocent to me anyway.
36:54So get to work and concentrate.
36:56You've had enough of that.
36:58Are you sure you don't want me to make fun of you too?
37:01I'm jealous of Joselito the Rooster.
37:03Don't even think about it, Marcelo.
37:04Don't even think about it.
37:06But why are you so mad at me, woman?
37:08Come to work.
37:21Come to work.
37:31The potatoes are ready to fry.
37:33Do you want to take a look at Lupe's dessert?
37:36Oh no, I'll be right there.
37:38You told me that five minutes ago.
37:40As soon as it burns,
37:41the mess the boy is going to get is going to be anthological.
37:44You're right, Candela.
37:46I'm sorry.
37:47I'm very sorry.
37:48But the one who's going to get close to the oven
37:50is me.
37:58Nothing.
37:59It's not enough.
38:00It wasn't supposed to be that much.
38:02It wasn't supposed to be that much, but it had to be.
38:04What's wrong with you?
38:05Why are you so upset?
38:08Don't worry about it, Miss Catalina.
38:10The boy is fine.
38:12But we have a job to do.
38:14Yes, yes, yes, of course.
38:15Yes, of course, of course.
38:16But there's no one.
38:18My heart is breaking.
38:20Have you seen the little enthusiasm
38:22when I asked him about the jam?
38:24Of course she's not.
38:26She's unrecognizable.
38:27Look, look.
38:28What a bad omen the captain has.
38:31You see what he's done with the business.
38:33Yeah, but I don't think that's why.
38:35I think something else is wrong with him.
38:38What?
38:39Well, I'd like to know that, Candela.
38:42But it has to be something very big
38:44so that he doesn't trust me and tell me.
38:46Will he have something to do with Conde Dañi?
38:49It could be.
38:50Can you imagine if after coming to the palace
38:53to convince him to come here,
38:55in the end the girl is not in love?
38:57It could happen.
38:59But Miss Catalina has to tell the truth.
39:02It's hard for her, like everyone else,
39:04but in the end she does.
39:05So?
39:07So it has to be something very big.
39:11But I don't feel like it, not even by the look of it.
39:17A YEAR LATER
39:20As you can hear, I was taking him for a walk,
39:22as if he were a bullfighter.
39:24And Trini was laughing at him.
39:27Trini is not supposed to know he's married.
39:29Because you're supposed to forget him.
39:32He wanted to take me for a walk.
39:34Really?
39:35And the worst part, hold on.
39:37According to him, he wasn't doing anything wrong.
39:39He must be shameless.
39:41Are you sure you're exaggerating?
39:43Not a little bit, Hanna, not a little bit.
39:45Well, maybe all this we're imagining doesn't exist.
39:48Yes, of course, I would have imagined I was doing a Veronica to him.
39:51María, maybe he likes gossip and gossip.
39:54Well, yes, he likes it. I'm telling you.
39:56Besides, you told me he was flirting with Josefa, right?
40:00Maybe he's just a good partner, that's it.
40:03Well, yes, he may be a good partner, yes.
40:06What surprises me is that Teresa has noticed that man.
40:10No, I'm also quite surprised.
40:11Yes.
40:14Teresa, what are you doing here?
40:17Well, I came to get the iron, but when I passed by, I thought I heard my name.
40:22Oh yeah?
40:23Yes.
40:24No, no.
40:29We were saying that Hanna couldn't use the iron because I'm sure you were coming for her.
40:37And that she couldn't use it, so yes, Hanna.
40:40Sure.
40:41Well, if you're using it, I'd better come get it later.
40:44No, take it if you want.
40:45Yes, sure?
40:46Yes, of course, take it.
40:50To the iron tail.
40:56Why didn't you tell us?
40:58Who, me?
40:59You, who's going to tell you?
41:02Nothing.
41:03Because you're right and the boy was flirting.
41:07Well, even so, I think she should know.
41:11Besides, I've told her a few times that Marcelo went too far.
41:17And what did she tell you?
41:19She gave me the impression that she didn't care too much, to be honest.
41:41What do you want now, Petra?
41:46Ma'am, it has come to my ears that the snack didn't finish quite well.
41:52And I was wondering if you needed anything.
41:54No, I don't need anything, and less from you.
41:59If I may ask, have you had the opportunity to read the notebook I gave you?
42:05And why would I waste my time on that nonsense?
42:08Because I have the feeling that it has information that would be very interesting to you, ma'am.
42:14Well, once again you are wrong.
42:16Before going down to have a snack, I could take a look at it.
42:19And I have only found absurd ripples and childish stories.
42:23Well, maybe, ma'am, it's just that ...
42:28you haven't read the pages of Mass in Judea.
42:31Where do you want to go?
42:33Nowhere, ma'am.
42:35But I insist that I should give you a second chance.
42:40As it is another waste of time, you will be responsible.
42:44I assure you that lately the idea of degrading you to Fregona is the most attractive to me.
42:49Let me show you the most succulent fragments.
42:54And read it yourself, ma'am.
43:06Once she got sick and had to go for a season to a retirement home.
43:16And he suffered a lot from his absence.
43:20It could be said that they loved each other more in the distance than in the proximity.
43:27But does this have to do with me?
43:29I'm afraid so, ma'am.
43:31That fable dared to write about me and in this tone?
43:35I assure you that I'm going to kick her out.
43:38And no one in the region, no decent house, is going to hire her.
43:42Before doing that, ma'am, I would continue to read.
43:46Because there is other information, even more interesting.
43:52And who could imagine that those two maidens, united by chance, would find love in the same palace where they lived?
44:13The first fell in love with a ...
44:17Sir, son of a Marquis.
44:20A young, brave, capable of flying in the sky.
44:30The two friends organized their wedding.
44:33The first in private because no one could find out about their romance.
44:38What is this?
44:40You can deduce it yourself, ma'am.
44:43That gentleman, son of a Marquis, capable of flying in the sky, is none other than his son Manuel.
44:51But then?
44:53Then who the hell is the maid?
44:56Don't you guess, ma'am?
45:00I'll expose you.
45:11Leave this notebook where you found it.
45:16And act as if no one had ever seen it.
45:28You have me intrigued. What is that so secret that you have to tell me?
45:33You'll see, more than a secret, it's serious.
45:36So I need your maximum discretion.
45:39Manuel, you're scaring me. Tell me, what is it about?
45:45Catalina, do you remember that time you turned to me to cover your back when you went to visit Pelayo?
45:50Of course. And I am very grateful to you.
45:55Do you remember what I told you? I need you to return the favor.
46:01What are you up to, brother?
46:05Not right now. But everything will change tomorrow.
46:10What are you talking about?
46:12Sister, do you trust me?
46:15Of course I trust you, but I don't understand why there is so much mystery.
46:18It's just that I can't tell you anything else.
46:21Then you're not going to tell me anything you expect from me.
46:26I need you to defend me no matter what happens tomorrow. Will you do it?
46:32I've always done it. But what's going to happen tomorrow?
46:37Nothing bad. I give you my word.
46:40But I need yours to defend me.
46:43Please, sister, I know this is very strange.
46:46But I need you to give me your word.
46:50I beg you.
46:53I beg you.
46:55Okay, okay, I'll do it.
46:57You have my word, I will defend you no matter what happens.
47:15First of all, thank you for coming with such urgency.
47:19Thank you for warning me. I assume this is something important.
47:24That's right.
47:25Something you forgot to tell me this morning.
47:28I'm afraid so. I'm sorry for the inconvenience.
47:32You won't be if you manage to shed some light on Mr. Castillo's death.
47:37I understand that you have not advanced in your investigation.
47:41Do you really want to be the one to ask the questions?
47:44No, no, no, for God's sake, no. I'm sorry.
47:46But no. Unfortunately, we still have no leads.
47:50That's why I'm here, because I hope you'll give them to me.
47:56I lied to you.
47:59What did you say?
48:01I didn't tell you the whole truth. I got scared.
48:04I didn't know the implications of revealing the owner of the envelope.
48:11Do you know who did it?
48:14Who put Gregorio Castillo's name on it?
48:18I did it. I was the one who sent the envelope to Mr. Castillo.
48:23You?
48:24Yes. There was a note inside that said to meet me.
48:30I don't understand. Why did you want to see Mr. Castillo?
48:36I wanted to convince him to leave Mrs. Adarre alone.
48:45Mrs. Adarre? Your wife?
48:51I understand it less and less.
48:53Didn't you tell me that Mrs. Pia Adarre had died?
48:59I also lied to you, sir.
49:02Mrs. Adarre is alive, fortunately.
49:15And that rose?
49:17It's an attempt to make up for not having arrived in time to talk to the cooks about the jams.
49:23Don't worry.
49:25I'm very sorry, Catalina. I got close to Juan and the saint went to heaven.
49:30It doesn't matter.
49:33I don't care.
49:36I don't care.
49:39I don't care.
49:41It doesn't matter.
49:44I already went down and explained the situation to them.
49:46And what did they say?
49:48Well, what they already told us, that they are at our disposal.
49:52Lope seems a little more convinced about the decision to make more conventional jams.
49:57I'm very glad.
50:01Honey, will you forgive me?
50:05There is nothing to forgive.
50:08No, no.
50:17Catalina, what's going on?
50:23No, no, no.
50:26You're not going anywhere without telling me what's wrong with you.
50:29Talk at once.
50:37I'm pregnant.