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La Promesa Ep 427 Completo:
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La Promesa Ep 427
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00:00I know he died because of you. He died alone.
00:03Without anyone shaking his hand and saying a last word of consolation.
00:06That's not true.
00:07I was there and I promise I couldn't do anything.
00:10I don't want to hear your excuses.
00:12The marquises of Grau invited us to visit their palace in the city of Palma.
00:16Do you remember?
00:17And what's coming now?
00:19Well, we could take the opportunity to travel to the island.
00:23I'll write to the marquis to see if he welcomes us.
00:26And we could set sail in a few days.
00:28Are you seriously proposing that we go on a trip to a place where I know your lover is?
00:33Maria Antonia is not my lover.
00:35Look, Alonso, I'd better go.
00:37Someone from the newspaper had to make a negligence because I made it very clear to them that I didn't want them to come.
00:41I promise I did things right.
00:43Good or bad, the point is that they are here.
00:45Go and tell them to leave. Please, go.
00:47But hadn't I met you at the house of Duke Salabronte?
00:50Yes.
00:51Teresa and I are from the same town.
00:53But when we were little, we barely had a relationship.
00:55Although I introduced you to everyone.
00:57Ah, I had no idea.
00:59Well, yes, Mrs. Simona, we were countrymen.
01:01You have to see life in reverse.
01:03Life in reverse, huh? I was already a little dizzy from how confused you have me.
01:07Well, let's say we're starting a new stage after clarifying the mistakes of months ago.
01:12Well, it's okay, because in the end you're going to make a simple mistake.
01:16Well, let's say we're starting a new stage after clarifying the mistakes of months ago.
01:18Well, it's okay, because in the end you're going to make a simple mistake.
01:23Thank you for coming.
01:24One more thing.
01:25We will be in contact. I wish you a good trip back.
01:29I have a message to transmit to you from Mr. Curro.
01:32And what is it about?
01:33He has asked me to apologize on his behalf.
01:35Really?
01:37See how it wasn't my fault?
01:39Marcelo, don't get it wrong.
01:41One thing is that the gentleman has recognized that his attitude was inappropriate.
01:44And another, very different, is that you have not made mistakes.
01:47They have already left.
01:49Indeed, everything has been the product of a mistake.
01:51A mistake?
01:53Let me doubt it.
01:54Those people don't give you a point without a thread.
01:56If they are here, it is to see if they catch something.
01:58No one has acted in bad faith here.
02:00Simply the order to revoke the interview did not arrive in time.
02:03That's all.
02:04A family member of Marcelo had died and, out of respect, we did not want to make an invitation or anything.
02:09Disgusting.
02:10The important thing is that there is love.
02:12And I think there is between Teresa and Marcelo.
02:14And a lot.
02:16Well, but a wedding is a unique and very special moment.
02:20A wedding is the first day of the rest of your life.
02:22I am here to inform you of bad news.
02:26A tragic death, in fact.
02:28And who died? Who is it about?
02:30It's about Gregorio Castillo.
02:32His body was found with a shot in the chest in the old slaughterhouse.
02:39The body was found with a shot in the chest in the old slaughterhouse.
02:41The body was found with a shot in the chest in the old slaughterhouse.
02:43The body was found with a shot in the chest in the old slaughterhouse.
02:45You don't say anything, Mr. Bareza?
02:47Don't misinterpret my silence, Sergeant.
02:50I didn't expect this news, but yes, to tell you the truth, it hasn't surprised me either.
02:55And for what reason?
02:57During the months that Mr. Castillo served as mayor of this house,
03:02you can see that he was a conflictive person and it is not surprising that he had enemies.
03:10And could you give me some names?
03:12No, the truth is that I don't, I'm sorry, because I didn't trust him that much.
03:17But still, there is no doubt that he had enemies.
03:21It is an assumption.
03:23Look, I consider myself a good Christian and I don't wish death on anyone,
03:29but in this particular case, regarding that man, I think that he has died, it is a blessing.
03:36I don't want to meddle, but what is the purpose of the promise?
03:43I have come because Mr. Castillo's relationship with this town goes through this palace.
03:48But I assure you that this man did not return here for just two sporadic visits.
03:55Tell me about those visits, when were they?
03:58Well, a few months ago, but I wouldn't know the exact date,
04:02but if you need it, I can look for it, I have it ...
04:05No, no, no, it won't be necessary.
04:07You saw it.
04:10And why did he come to the promise?
04:13That he wanted to recover his old job?
04:16No, well, if it had been like that, I would have guessed what my answer would have been.
04:21The truth is that this man had an obsession, a disease, for a worker from here, from the promise,
04:29Doña Pía Darre.
04:32What kind of obsession?
04:34Well, they were husband and wife.
04:38They got married while he was still living here.
04:43So he came looking for his wife.
04:46Well, you can't say it was a normal marriage either.
04:50He was poisoning her for a few months.
04:54In fact, that was the reason why he went to prison.
05:00I will need to talk to Mrs. Darre.
05:04I'm afraid that won't be possible.
05:06Does she no longer serve in this house? Do you have her signatures?
05:09Unfortunately, Mrs. Darre passed away.
05:15And how did it go?
05:17Well, Mrs. Darre left the service of this house a long time ago to return to her town.
05:23A few weeks ago we received the terrible news, but I can't give you more details.
05:28I am very sorry for his death.
05:31And apart from Mrs. Darre, is there anyone left in this palace who had a relationship with Mr. Castillo?
05:36No, I assure you not.
05:37And does he know of any relatives?
05:40No, I already told him that I didn't trust him that much.
05:45Make a memory and if you remember anyone, let me know.
05:49I'm looking for someone who can take care of the mortal remains to give Cristiana a burial.
05:53Well, I wish him all the luck in the world because it won't be easy.
06:05Anyway, Mr. Baeza, thank you very much for everything.
06:13Have a nice day.
07:24We are like a jump to the D3
07:28We are love when you live life to death
07:32A long way to go
07:36In the promise you will be a matter of luck
07:41We are like a jump to the D3
07:45We are love when you live life to death
07:49A long way to go
07:53In the promise you will be a matter of luck
08:02Why have the mayors summoned us?
08:04To a surprise party of the Marquise, as if he had come to see me.
08:07It is not a surprise party, I can assure you.
08:11But I understand that today the civil grandmother has presented herself here, right, Mr. Baeza?
08:15Yes. And why Mrs. Petra?
08:18To greet her, I tell you that no.
08:20What did the civilians want, Mr. Baeza?
08:23The reason for the visit of Sergeant Burdina was ...
08:27to report the death of Gregorio Castillo.
08:33Don Gregorio is dead?
08:35Apparently they found his body in the ruins of the slaughterhouse with a shot in the chest.
08:39The dog is dead, the anger is over.
08:42Mrs. García.
08:43Mr. Baeza, don't start a fire, we all think the same here.
08:46That man hurt Mrs. Pía a lot, more than a painful one.
08:49Own of this house, not respecting even the dead.
08:51The more empty, the more noise they make.
08:54What are you insinuating?
08:55Santos, leave it now.
08:56Santos.
08:57It is evident that in this palace everyone had a craving for that man.
09:01And for a reason.
09:02I came to defend you, Mrs. Petra.
09:05What did that sergeant want from us, Mr. Baeza?
09:08Are you looking for someone to kill him?
09:11No, no, no.
09:12That man has simply come to report.
09:15Apparently the promise was the only place that related that man to Luján.
09:20But then he thinks that the murderer could come to the promise?
09:23No, no. I said that, Miss González.
09:25No, it doesn't make any sense.
09:27That's what the sergeant said.
09:28No, no.
09:29But come on, if we had been in danger, he would have told us, I think, right?
09:34Whoever the criminal is, he has only done the world a favor.
09:37Now Mrs. Pía will finally be able to rest in peace.
09:40That's all, Mrs. Martínez.
09:42I think that now, finally, Mrs. Darre will be able to rest in peace.
09:47I'm going to talk to the priest of the town so that he can offer a mass for his brother.
09:51Are you going to throw money?
09:52Because Sal kills more than he loses.
09:54Only God can judge us.
09:56I hope that death serves this man to find the peace and forgiveness that he did not know how to earn in life.
10:02Amen.
10:05Go back to your tasks.
10:29You're going to get dizzy, Tila, if you keep turning it so many times.
10:33Come on, take it before it gets cold.
10:35If you've asked for it, it's because I think it's going to be good for you.
10:39I can't get anything in my gut.
10:43Is that why you're a gossip?
10:46Catalina.
10:49Don't worry about them, they are worth much more than what they can write about you.
10:54Unless you're like that for another reason.
10:57Catalina is already here and she has already left.
10:59Manuel, I didn't know you were here.
11:01But I did.
11:02And what did they say?
11:03Nothing.
11:04They insisted that they had not received any notification that we had canceled the chronicle.
11:09You'll see.
11:10Those journalists have their reputation earned for something, and more so by the echoes of society.
11:13Yes.
11:14I have called the newspaper again to complain about the inconvenience they have caused.
11:18They also denied it.
11:19No, no.
11:20On the contrary.
11:21They called it an internal communication failure.
11:23Apparently, the message must have been lost somewhere in the office.
11:27Well, that may be a understandable failure.
11:29In the end, you notified them at the last minute.
11:31I hope so, Manuel.
11:32I hope so.
11:33Because they have sworn and sworn that there was no intention on their part.
11:39But everything is already resolved, Catalina.
11:41And don't you think it could go against us?
11:44What?
11:45We have canceled the chronicle.
11:47Maybe they are speculating on the reasons and the remedy is worse than the disease.
11:51No.
11:52They won't dare.
11:53And how do you know?
11:56Because they have no evidence against you.
11:59And they should not slander our family either.
12:01After all, the last name Lujan is still synonymous with power.
12:04Although some try to cover it up.
12:06Manuel is right.
12:07So get rid of those fears.
12:11I still find it hard to believe that they are leaving empty-handed.
12:14The truth is that they did try to take something, but I knew how to avoid their questions very well.
12:19And they were happy when I gave them a tip for the inconvenience.
12:22And what did they want?
12:24Nothing.
12:25To know how our relationship was doing.
12:27I knew it.
12:28But I already told you that you don't have to worry about anything.
12:31I don't care.
12:32It's just that I don't have the right to be respected in my privacy.
12:34Sister, no one has doubted that.
12:36What do you mean no? Continuously.
12:37Any occasion is good to drag my name through the mud.
12:40Well, there they are.
12:41But I'm fed up.
12:42Catalina, calm down. I'm asking you for ...
12:43And a horn.
12:44I have the right to be angry.
12:46So try to stop insisting so I can see the glass half full, please.
12:54Leave me alone.
12:58Leave me alone.
13:20Mr. Baza.
13:24Can I ask you something?
13:25I think I know what it is.
13:28Well, I'm sure you do.
13:29It's about Gregorio's death and what it means for Mrs. Pia.
13:33I'm listening.
13:35Apparently the threat has disappeared, which is why Mrs. Pia was locked up.
13:39That's right.
13:40But you haven't told anyone that she's alive.
13:43Exactly.
13:44We have to be on our toes.
13:46We can't rush.
13:47Especially now that we're so close to the goal.
13:50Yeah.
13:51You're right.
13:52I've been meditating a lot.
13:54There are a lot of people involved.
13:55There's Mr. Marqués, there's Mr. Manuel ...
13:57And Mrs. Darre.
13:58Yes.
13:59She still doesn't know that that bastard is dead.
14:02She must be eager.
14:03I don't doubt it.
14:04No, but the matter is very sensitive.
14:06We have to act carefully.
14:07Leave it in my hands.
14:09Of course.
14:11Don't take this the wrong way, it's a capricious delay.
14:13No one wants Mrs. Darre to regain the freedom she should never have lost.
14:18But Sergeant Bordina's visit will soon reach the ears of the Marquis
14:22and I want him to find out about me and not the rumors.
14:25It makes sense.
14:26As for Mr. Manuel ...
14:27I understand that it is you who wants to tell him.
14:30No, not at all.
14:31I think the ideal thing is for you to communicate it to him.
14:36Well, I guess he'll be very happy as soon as he finds out.
14:39I have no doubt about that.
14:41As soon as Mr. Manuel found out about Mrs. Darre's situation,
14:44he offered to help her, even though he knew the risks he was taking.
14:48So this nightmare is finally over.
14:51That man won't bother her again.
14:53Then I'm going to look for Manuel.
14:55Not so fast, Ms. Expósito.
15:00I guess it's better for Mr. Marquis and Mrs. Darre to know first, right?
15:05No, no, no.
15:06Yes, I understand that you are dying to tell him
15:09and there is no reason why you should not do it.
15:12But it is that Mr. Manuel will not be in La Promesa this morning.
15:17He has to absent himself due to some matters that ...
15:20But I don't know what I'm telling you,
15:22I suppose you are aware, right?
15:25Well, no, no, I didn't know anything.
15:28Ah, well, then don't take my words into account.
15:31Mr. Manuel will return after lunch.
15:34Thank you, Mr. Baila.
15:35You're welcome.
15:52SIX MONTHS LATER
16:22Hello.
16:35You don't know where I come from.
16:38SIX MONTHS LATER
16:49I have to be with Father Samuel in Lujan.
16:51And?
16:52We get married in the afternoon.
16:55And there are three days left.
16:57Three afternoons, my love.
17:00Father Samuel says that this time is the best
17:02because that way we will attract attention.
17:04What? Do you think it's okay?
17:06Well, I don't care.
17:08I mean, I think it's great that it doesn't matter
17:10whether it's in the morning or in the afternoon
17:12while we are husband and wife.
17:13And that the rest doesn't matter.
17:16No.
17:17Now I have to leave again.
17:20See you after dinner at the studio.
17:23But what are you going to do?
17:24Haven't you forgotten?
17:27Hanna, I already have the money from the bank.
17:29Luckily, and it will be the last day
17:30that we get the name of Geronimo Castillo.
17:32No, Manuel.
17:33You're not going anywhere.
17:35Why?
17:38Because Gregorio is dead.
17:44What are you saying?
17:47The sergeant of the civil guard has come
17:49and told Don Rómulo.
17:54How?
17:56Apparently, they found his body
17:59in the ruins of the slaughterhouse
18:02and he had a bullet in his chest.
18:06Oh.
18:08So someone has taken justice by his hand
18:11and made him pay for his crimes.
18:17My love, what's happening to you?
18:21I've been a fool, Manuel.
18:24When they told me that his body had appeared in the ruins, well ...
18:31Did you think it could have been me?
18:33No.
18:35Well, I just had the doubt.
18:38But I know that's not true.
18:40Why isn't it?
18:42You know that more than one had that man on their side.
18:45I know.
18:46What hurts me is having doubted you.
18:50My life is not bad to doubt.
18:53The bad thing would have been to give Pablo those doubts
18:55and you just told me that you haven't.
18:57No.
19:02So why did the civil guard come to the palace?
19:05Do they suspect someone of the promise?
19:07Well, this is not supposed to be the only place
19:10that relates to Gregorio Coluján.
19:13Yes, that makes sense.
19:15And they also wanted to know if someone
19:17wanted to take care of the remains.
19:20Well, they called the wrong place.
19:23And what else do they know? When did they find him?
19:26Much more details are not known
19:28because Mr. Baeza was not given them.
19:31Not even knowing how discreet our mayor is,
19:33I suppose he didn't ask either.
19:36Good.
19:38Okay, I'm going to talk to him.
19:40For what?
19:42Because there is something that does not quite fit
19:45in this death.
19:47And maybe Rómulo knows something he didn't want to tell you.
19:51It could be.
19:57Manuel.
20:00What?
20:01I think you should change.
20:06You're right.
20:20So, how do you say your parents met
20:23and the Duchess of Cerezuelos?
20:25Why? The truth is that I had never heard of them.
20:28Well, it's not strange.
20:31In the end, the distance has caused
20:34their relationship to be almost purely gun-related.
20:38But close enough to justify
20:41their presence at that meal, right?
20:44That's right.
20:45My parents met the Duchess even before I was born.
20:50I have always considered her something like a distant aunt.
20:53I have a lot of affection for her.
20:55I see.
20:59What's that, Petra?
21:01A boy just brought it, ma'am.
21:03Who sent it?
21:04He didn't leave a sign.
21:06Give it to me.
21:07And how do you know it's for you, sister-in-law?
21:09Well, he came to my house, didn't he?
21:11Are you sure it's from Uncle Alonso, then?
21:13Well, I wouldn't be so sure.
21:16Does he bring a card with the signs to the florist?
21:18I would love to know where he bought it
21:20to order one for the Duchess of Cerezuelos.
21:23Well, no.
21:24There's nothing, to be honest.
21:26There's something up there.
21:29Would you like me to prepare a vase for the flowers?
21:33Of course, Petra.
21:34I'm going to keep them in my hand.
21:36They're supposed to be for you.
21:38Well, read the note. They're disgusting.
21:42Petra.
21:44What do you want, ma'am?
21:46It's for you.
21:48I'm sorry to have bothered you, ma'am.
21:51I didn't know they were for me.
21:54We were also surprised, Petra.
21:57Come on, take it away.
21:58You've caused quite a stir.
22:05I can't wait to know who sent them.
22:07Maybe it's from an admirer.
22:10Those are things for servants.
22:12And it's not nice to gossip about them, ma'am.
22:15By the way, where's Curro?
22:17I thought he was going to have coffee with us.
22:23That's what happened.
22:24I'm sorry I can't tell you more than what I've already told you, Miss Expósito.
22:28Of course.
22:30Besides, the Civil Guard is more of a question than an answer.
22:33Well, I'll confess that the truth is that it doesn't arouse any curiosity in me.
22:38I don't know what you're talking about.
22:40Well, I'll confess that the truth is that it doesn't arouse any curiosity in me.
22:44Knowing the details is enough for me.
22:46And I can't wait to know that that man won't do any harm again.
22:49Of course.
22:51And the sergeant came to La Promesa because Gregorio worked here, right?
22:55That's right.
22:56And did he ask you about the relationship with Mrs. Darre?
22:59I said the sergeant didn't know that that man and Mrs. Darre were married.
23:06How is that possible?
23:08Well, that's what I think.
23:10Lujan's Civil Guard arrested him.
23:13All the information was in his hands.
23:17What did he say?
23:19Well, that man was testing me.
23:22He was testing me to see if I was really honest with him or not.
23:28I agree.
23:30That's why I wouldn't be surprised if they returned to La Promesa soon.
23:36But he wouldn't have to.
23:38I've heard that Sergeant Burdina has a reputation for being relentless.
23:42And you must have been one of the last people who saw that man alive.
23:49Sir, are you saying that I have something to do with that shot?
23:51No, of course not.
23:53Come on, what I think matters, Ombledo.
23:56What matters is what the sergeant thinks.
24:01They won't find anything in the slaughterhouse that incriminates me.
24:04Because, I repeat, I didn't kill him.
24:06It's true that we had a tense meeting and a heated conversation.
24:09But I think I managed to convince him to accept the deal and leave.
24:15You don't have to insist.
24:17A being like that should have a good line of candidates
24:21wanting to take him out of the way, especially having gone through prison.
24:25And that's your suspicion?
24:27An adjustment of accounts?
24:28Almost.
24:32You know,
24:34it's true that when I mentioned him for the first time,
24:36I couldn't help but think it was a fight.
24:39Maybe that fight was a first warning.
24:41May I have some advice, sir?
24:43You gain nothing by speculating.
24:45As I said, that man had many enemies
24:47and the ruins of the slaughterhouse were very far away.
24:51I see.
24:53Yes.
24:58Mr. Baeza, it would be better if I leave you.
25:00I don't want to be late for the barracks.
25:02For what purpose?
25:04I want to talk to the sergeant.
25:06As you rightly said, I am one of the last people who saw Gregorio alive.
25:10And that makes me one of the main suspects, if not the first.
25:14I wouldn't like him to make a wrong assumption about me
25:17for keeping me quiet.
25:18Don't go to the barracks.
25:22Why?
25:24I have nothing to hide.
25:25You do.
25:26And more than you think.
25:28Even if you go to testify,
25:30that doesn't stop you from being suspicious.
25:34That would give you the veneer of the Civil Guard
25:36to be able to enter freely to investigate the promise.
25:42Can you imagine how your mother would take it?
25:45Not very well.
25:47But that's not my problem.
25:48But it may be.
25:50Mrs. Darre's case is at least irregular.
25:54And a wrong interpretation of the matter
25:57could make you suspicious.
26:03You said you didn't leave any traces
26:05after the last meeting with that man.
26:07No.
26:09I don't think so.
26:10At least no one knew we would meet at the slaughterhouse.
26:14And no one saw us.
26:15And we know that man had many enemies.
26:19So I think that for his own good
26:21and for the good of his family,
26:22it's best for him to keep quiet.
26:25With a little luck,
26:27the case will be closed over time.
26:30And it won't be stirred up again.
26:48Paco, she feels strange
26:50while you enjoy all the comforts in this palace.
26:53Well, I wouldn't know what to say to that.
26:55Damn the time she decided to go to war
26:57when it wasn't even hers.
27:06Were you waiting for me to take a walk?
27:09No, but you know that walking with you is always a pleasure.
27:14We can go to the river if you want.
27:18It's so far away.
27:19I don't know, it's better if we stay here.
27:23Well, actually, what I want is
27:26to talk to you quietly
27:28to tell you something.
27:31Okay.
27:36I just talked to Julia and she told me something
27:38that has bothered me a lot.
27:42What?
27:44Well, don't play dumb,
27:45because if she told me,
27:46she would have had to tell you.
27:48Yeah, well, Martina, I'm just as shocked as you.
27:50Well, I don't understand why,
27:51and I don't understand why you haven't told me.
27:52Because it's a bit complicated, don't you think?
27:54Well, no, no.
27:55I don't think it's so hard to understand
27:57that she doesn't want to go back to her parents.
28:01Oh, yes, her parents.
28:03What? What did you think it was?
28:05No, no, nothing.
28:06It's just that...
28:07I used to have a little fight with her
28:10about badminton.
28:13Let's see, I just brought up a very serious topic
28:15and you bring up badminton.
28:17Well, Martina, I didn't know what you were talking about.
28:19Well, sometimes I don't know if you're very innocent
28:21or a little insensitive,
28:22because I found her at the brink of tears.
28:24She was devastated.
28:26I had no idea.
28:27Well, yes.
28:29And...
28:31I understand her better than anyone,
28:32because what happens is that
28:33her parents are obsessed with getting her married.
28:37Oh, yeah?
28:38Yeah.
28:40And she's very afraid
28:41that they'll want to marry her to an idiot
28:42like what happened to her sister.
28:45Yeah.
28:46And that's why she doesn't want to go back to her parents,
28:48even if they come back from San Sebastián.
28:50It's not her fault.
28:51Well, no.
28:52I just don't understand
28:53why everything has to be so difficult.
28:56It's...
28:57It's unfair.
28:58Well, yes, it is.
29:01Well, I wish we could do something to help her.
29:07Well, yes, but they're her parents.
29:09We can't do anything.
29:15♪
29:46Look what I brought you.
29:48It's left over from the table of the gentlemen.
29:51Do you want some?
29:52Sure.
29:58Ah!
29:59Well, it's delicious.
30:01The other one is for you too.
30:02I tried it while I was making it.
30:04The cook's right.
30:05The first one to finish the poacher.
30:08And don't Mrs. Cándela and Mrs. Simona need you?
30:11No.
30:12They're decorating the dessert.
30:13They gave me the break.
30:15You've had a few days of a lot of work.
30:18And to top it off, my mother comes to give you more work.
30:22I admit that when your mother asked me to prepare a menu for 20 people
30:25and that it was original,
30:27I was quite overwhelmed.
30:29I just had to see your face.
30:31Yes, but it's done.
30:32Well, and very successful.
30:34It's clear that you have a gift for this.
30:37To please your mother.
30:38Well, partly.
30:40Because I'm telling you, my mother hasn't tried a menu like this for a long time.
30:46It reminds me a bit of my long-distance party.
30:49Was it the same menu?
30:50Of course not.
30:52But there was caviar, duck, meat of the best beef and artichoke oysters.
30:58They didn't run out on expenses.
31:00Although, well, I didn't eat much.
31:02Why?
31:03Nervous?
31:05No.
31:06Rather because I didn't want to waste a minute eating.
31:10That day was like a dream.
31:12It was the culmination of many months of preparation.
31:16The dress, the decoration, the music ...
31:21You should have seen my parents' palace, Lope.
31:23It was beautiful.
31:25There were many flowers, it seemed ...
31:27I don't know, it seemed like we were in paradise.
31:30And they put the dance floor in the background in the garden.
31:34And they hired an orchestra of more than 30 musicians.
31:38And all the tables were decorated with garlands, white and golden flowers.
31:44Wow.
31:45It was all beautiful, Lope.
31:47And there were some candelabras that illuminated everything.
31:50They were hanging from one side to the other.
31:54The candles seemed to be floating by magic.
31:58And I spent the whole night dancing.
32:00There was not a moment when I stopped dancing.
32:02I had the whole dance floor full.
32:06And I loved going around in my dress and seeing the flight of my skirt.
32:11My mother ordered the dress in pairs.
32:13And it had a lot of pearls and agalorios in the lace.
32:17And it was silk and ivory.
32:19It was beautiful.
32:21And it was very beautiful.
32:22You would have fallen in love with me at the moment.
32:25I fell in love with you as soon as I saw you.
32:27Without the need for ostentation.
32:30Lope, even my father was wonderful that day.
32:33He gave me a beautiful necklace of diamonds.
32:36Like my entry into society.
32:42Oh, I'm sorry.
32:45I'm sorry, I don't know why I'm telling you all this.
32:49No, no, no, forgive me.
32:53I understand that you are worried about this whole Gregorio thing.
32:56It's normal.
32:59Yes, that's it.
33:02That man is a demon.
33:04And I'm not sorry that he died.
33:06Not after what he did to Mrs. Pia.
33:09But that Don Romulo told him that they shot him has left me a little weird.
33:14I'm going to see how they decorated the cake.
33:32And there has been more news from those journalists.
33:35Yes, right?
33:37Do you talk to the newspaper again?
33:39Shortly after the reporters left.
33:41I wanted to show you our indignation for having ignored the cancellation of the chronicle.
33:46That if I really cancel it as you say.
33:49Cruz, please.
33:50And what answer did they give you?
33:52That it was a confusion.
33:54Apparently the notice did not reach the newsroom and that's why the reporters were on the promise.
33:58No, they would not be happy.
34:00Such a trip to leave empty-handed.
34:02I gave them a tip for the inconvenience.
34:04And that it was not our fault.
34:07Yes, but all of us will pay the consequences.
34:11What consequences?
34:12We have served them in a tray a collection of articles to misrepresent our last name.
34:17I don't see it that way, mother.
34:19Actually, I think they have nothing to write against us, neither good nor bad.
34:23As if they needed a real story, those journalists, to make up their articles.
34:27Like the infamy of the cartoons they published a few months ago.
34:30What cartoons?
34:31Mother.
34:32I was just trying to give an example, daughter.
34:34A very successful example.
34:36It was about some comic drawings.
34:38Stop it, Cruz.
34:40It is a matter that is not pleasant to remember.
34:49What a more encouraging reception.
34:52You are late, Lorenzo.
34:54If you were going to come to dinner, the least you can do is to let me know.
34:57I'm late, by the way, but I have a good reason.
35:01A reason that suits us all.
35:07Do you remember Gregorio Castillo?
35:10Isn't that the mayor who ended up in jail?
35:12Exactly, but he was released a few months ago.
35:15Well, they have found him.
35:17Dead.
35:19How?
35:20What?
35:21Dead, how?
35:22Murdered.
35:23A shot in the chest.
35:25What are you saying?
35:27May God have him in his glory.
35:29I don't think God wants to have people like him by his side, really.
35:32No, considering what he did to Doña Pia.
35:35And where did they find him?
35:37In the ruins of the old slaughterhouse.
35:39Oh, thank God.
35:41It's a shame.
35:44Oh, thank God.
35:46I wouldn't like his death to be related to this palace.
35:49Come on, it would be the flesh they need, those gazetilleros.
35:53I'm afraid your wishes will not be fulfilled, Cruz.
35:56What do you know, Lorenzo?
35:58Well, I know that Sergeant Burdina was in the palace this morning.
36:03There we are.
36:04And how is it that none of us have seen him?
36:06Because you were not the reason for his visit, but Don Rómulo.
36:13And what does he have to do with this?
36:15Well, maybe ...
36:19he will answer you.
36:21I don't know.
36:43And when does Don Rómulo plan to speak to the Marquis?
36:46As soon as possible, I imagine.
36:48Because Doña Pia will be wanting to get out of the Ramona cabin.
36:51Yeah, she doesn't know yet.
36:54But how come they haven't told her?
36:57Well, because Mr. Baeza wants to tell her in person.
37:00Well, go with the mayor.
37:02That he is the dog of the slaughterhouse, he doesn't eat or let him eat.
37:04It's not that either.
37:05Well, you tell me what it is.
37:07Well, it is assumed that Doña Pia has been killed, María.
37:10And that this issue must be dealt with with caution.
37:12Yes, but Laura and Hanna don't sleep alone either.
37:15Well, if you don't tell her tonight, you'll tell her tomorrow.
37:19And anyway, the important thing here is that Doña Pia's torture is over.
37:23And I didn't expect this to end.
37:25And be careful, I don't feel sorry for Gregorio, huh?
37:28I don't feel sorry for anyone.
37:30I don't know, me neither.
37:32I just think about the suffering that Doña Pia has gone through in life.
37:37Hanna, do you think ...
37:40it's to be a bad Christian?
37:42To wish someone's death?
37:44What are you saying, María?
37:46You haven't wished anyone's death.
37:49Well, but I'm glad they killed him.
37:52That's not true.
37:54You are glad that Doña Pia can finally live her life.
37:58But if Gregorio had disappeared under other conditions, you would also be glad, right?
38:04Well, yes.
38:06Well, that's it. Then you didn't wish his death.
38:10Because the church doesn't want to heal with Corpiño,
38:13because otherwise it would be a stupid confessor.
38:16I don't see myself with a neck brace.
38:18The black uniform already has it.
38:21I'm hoping Doña Pia will come back.
38:24Me too.
38:26Although everyone is going to fall on their asses, out of fright.
38:30The first was María Mandrajo.
38:32Do you think she will put an impediment for Doña Pia to return to work here?
38:36Sure.
38:37But that doesn't matter, because Mrs. Baeza has the last word.
38:40He knows how to handle her well.
38:44Well, and I imagine that if Doña Pia doesn't know about Gregorio,
38:47much less Beni, right?
38:50I think she's going to have to look for Dieguito.
38:54And I want to hug him.
38:57Well, imagine Mrs. Adarre.
39:00And a little man will be made.
39:03Will you have two twins?
39:06Good thing things are starting to go well in La Promesa.
39:09Well, don't say it too loud,
39:11you already know how fast things change in this palace.
39:14Well, at least your wedding lasts.
39:17By the way, do you know anything else?
39:21Do you count well?
39:23Nothing.
39:24That we are going to get married in three days and ...
39:27that it will be in the afternoon.
39:29Oh, Janita.
39:31That you marry us.
39:34I'm going to break my ribs.
39:45You seem to be more affected, brother-in-law.
39:49It must be quite a surprise that they murder your butler
39:52for doing shady business.
39:54It's been a long time since that man was the butler of this house.
39:56But it was, Cruz.
39:58It was.
39:59And very capable, I must add.
40:01I fired him on time.
40:03Well, don't hang medals, Cruz,
40:05because we all know that he left on orders of the Civil Guard.
40:08He was accused of poisoning his wife, right?
40:11That's what they say, yes.
40:13Because it was like that.
40:15And why did they put him on the street so soon?
40:18A murder attempt for poisoning is not a trivial matter, right?
40:21Do you want to leave the subject, please?
40:23But we are here precisely to talk about him.
40:27He has sent me to call, sir.
40:29Yes.
40:30And I honestly thought you would come,
40:32without the need to notify you.
40:34I don't understand you. Has something happened?
40:37Stop with the nonsense.
40:38And explain to us right now what a Civil Guard sergeant
40:41was doing in the palace this morning.
40:43The sergeant came to report the death of Mr. Gregorio Castillo.
40:46We already know that.
40:48But why didn't he tell us before?
40:50I'm sorry I didn't come to inform you immediately.
40:53I was going to do it tomorrow morning, first thing in the morning.
40:56I know how much the presence of the Civil Guard in the palace
40:59bothers you and I didn't want to bother you.
41:02They come to report the death of an old mayor of this house
41:05and you think it's a good idea to leave it for the next day?
41:08I didn't commit the family to anything, ma'am.
41:11And why did the sergeant come then?
41:14Well, he came to look for someone who could take care
41:17of the mortal remains of Mr. Castillo.
41:20And for that they alter the peace of the palace?
41:22They bury him in a ditch and it's all fixed.
41:25And why did he come here? I mean, to La Promesa specifically.
41:28Well, La Promesa was the only place that related to Lujan
41:32since it was here where he was serving.
41:35So that man has only come for this.
41:38We will not see him again around here.
41:40Well, if it weren't, it would be the first surprise, ma'am.
41:43There is no reason for them to have to return.
41:47In that case, you have done well not spreading the scandal.
41:53The less they talk about that man in the palace,
41:55the better for everyone.
41:57I will try to be like that, ma'am.
41:59I hope so. I can retire.
42:08And you will be happy, Lorenzo.
42:10Don't kill the messenger, I didn't know anything.
42:12That's why.
42:14On certain occasions it is better to remain prudent
42:17and shut up when necessary.
42:53Excuse me, Mr. Curro.
42:56What's up, Marcelo?
42:58As I saw you standing there, I thought you needed something.
43:01No, I don't need anything. You can go.
43:05Well, wait, wait. Yes.
43:08Thinking about it, I do need something.
43:11Could you bring breakfast to Miss Julia and me in the piano room?
43:15Right now, sir.
43:38Let's see. Give me the potatoes.
43:40Put all this aside.
43:44That's it. We're going to support this here.
43:47And now go get help so they can bring us the rest of the order.
43:52Lope, I need a breakfast for two.
43:55Right now? Mr. Curro asked for it.
43:58Okay.
44:00Can I take care of it?
44:02Don't worry, I'll make it for you in a second.
44:06Really, Lope?
44:07Just put the cups, the juice, the coffee ...
44:10If you tell me to serve you manduka, I'll make it myself.
44:14Are you sure?
44:15Completely.
44:17Well, you have a nut cake in the oven.
44:19Take it out, cut it into slices, that will be enough.
44:21Six is fine.
44:22Eight, because Mr. Curro has a lot to do in the morning.
44:25And also put a jar of jam, raspberry, he loves it.
44:28Perfect.
44:30Good.
44:32Rosario, please go get help.
44:38Marcelo, are you sure you can do it alone?
44:40Come on, this is bread eaten.
44:43Good.
44:51Good.
45:01Eight pieces of biscuit.
45:14Well, it's very nice.
45:16Beauty is paid for.
45:17His good quarters had to pay for it.
45:19A gift is a gift.
45:21That's better.
45:23Don't you think?
45:24Fresh in the water.
45:25And I figured there was another reason to walk it all over the house.
45:30Of course.
45:31Let all those envious people see it.
45:34Honor is the reason for the gift.
45:38The truth is that they had never given me such a beautiful bouquet.
45:44It's not that much.
45:46It's beautiful, Santos.
45:48In fact, you should have seen the ladies' faces when I took it up to the living room.
45:51They all wanted it to be for them.
45:54I mean, it's not much to thank you for everything you've done for me, Mrs. Petra.
46:00You know I would do it a thousand times.
46:03Although, the truth is, I don't know if you have rooms for so many bouquets.
46:08Don't worry about that.
46:10When at the florist they saw that I wasn't a gentleman wanting to harass a girl,
46:14they gave me a price.
46:19Let's go.
46:26The bouquet is a first.
46:28Agonico with Saint Louis.
46:30And what's the reason, if I may ask?
46:32It's a gift.
46:34Santos wanted to thank me for taking care of him when he was in bed.
46:38If you couldn't have a better nurse.
46:42The truth is, it's very nice, Santos.
46:45Do you like it?
46:47Yes. Yes, it's very nice.
46:50Can I smell it, Mrs. Petra?
46:51No.
46:52And enough with the nonsense.
46:54You all have a lot of homework to do.
46:56Let's go.
46:57Let's go.
47:05I'm glad you like it.
47:07The bouquet?
47:09Of course.
47:11In fact, I'm going to leave it in the dining room.
47:15So everyone can see it.
47:18Well, the fruits and vegetables.
47:20We're going to leave them all here together and you keep them over there.
47:23Now we take them to the pantry.
47:28Where were you?
47:29Come on, look, the orders for the bouquet have arrived.
47:32Don't get angry, López.
47:34I didn't entertain myself with a trip through Mrs. Petra's bouquet.
47:37The bouquet was to see it, huh?
47:38How beautiful.
47:39Worthy of a Marquise.
47:40That's what Mrs. Cruz thought.
47:42Has the lady seen it?
47:44What happens is that Mrs. Petra has been confused
47:46and thought that the bouquet was from the lady and went to give it to her.
47:49She should have seen her face.
47:51To paint the paintings, come on.
47:53And I say,
47:54what do you think if they leave the junk and give me a hand?
47:57Of course, be tasty.
47:59What do you want us to do?
48:00Get with the vegetables.
48:03What does it smell like here?
48:06Pepper, potatoes, aubergine.
48:09Not that, Pandela, daughter.
48:10What?
48:11That.
48:12That's a biscuit with nuts.
48:14And can I try a piece?
48:16María, you already know the rules.
48:18You can't taste anything until it passes through the table of the gentlemen.
48:21And the piece that is missing, what?
48:23Marcelo needed it.
48:25Mr. Curro has ordered a separate breakfast for two.
48:27Two breakfasts?
48:29It's not that strange with this family in front.
48:31I would also prefer breakfast on my own.
48:39López?
48:41Who was the other breakfast for?
48:44I don't know, María, she hasn't told me.
48:49What's going on, López?
48:51I don't know.
48:53Maybe she thought the other breakfast was for her.
49:10So you liked the bouquet?
49:13Yes.
49:14I told you I thought it was pretty.
49:17Your opinion is worth much more than that of those whores.
49:22You know why.
49:26Don't bother, Vera, it was a joke.
49:31So you don't want me to make fun of you?
49:33Hey, calm down.
49:36So you don't want me to make fun of you?
49:38Hey, calm down.
49:39I come in peace.
49:41Yeah, sure.
49:43Come on, Vera.
49:45Since you decided to cut the relationship with me, you hardly speak to me.
49:50Santos, I made it very clear to you that I wanted you to leave me alone.
49:53I don't want to keep any more dealings with you than is necessary for work.
49:56And it's true.
49:58But that's been a long time ago.
50:02What do you want us to talk about then?
50:05Well, whatever you want.
50:09How about your mother, for example?
50:11Santos, leave. Right now.
50:13But what did I say now?
50:14You know perfectly well what you said. Leave.
50:16Well, that woman has been in the palace for days and days too.
50:19I thought that now that you have resumed the relationship, you would have many things to tell.
50:22You think it's funny, don't you?
50:23You came to that, to make fun of me.
50:25I didn't know you had such fine skin.
50:28Although, of course, coming from where you come from ...
50:30Go to hell, Santos.
50:32Perhaps you have been able to deceive Petra.
50:34You are of the same caliber.
50:35Be careful with what you say.
50:36You're right.
50:39These are going to be the last words you hear from my mouth.
50:42See you later, Santos.
50:59Maybe Mr. Curro is going on an empty stomach and can't have coffee.
51:02You would have told Marcelo, wouldn't you?
51:04Because of how clueless he is.
51:07That they have told him or that they have forgotten him.
51:10I don't stay calm until he comes back and tells us what happened.
51:13Well, he won't have to wait long.
51:17Maria, what happened?
51:18Isn't the cake good?
51:21The cake has nuts.
51:22And Miss Julia can't eat nuts.
51:25Did you want to poison the guest of Miss Martina?
51:28It was a mistake.
51:29I see.
51:30Why didn't you tell me breakfast was for Miss Julia?
51:33Maria, how did you know?
51:35I didn't know.
51:36But white and in a bottle, come on.
51:38The young man doesn't want to have breakfast with a lot of people.
51:41That girl has a guardian angel and it's you.
51:44A particular demon, have you seen it?
51:46I didn't know anything about Miss Julia and the nuts.
51:49Marcelo, you have to open your ears.
51:50We have repeated it hundreds of times.
51:53A bite of the cake and send it to the other neighborhood.
51:56Poison, Curro.
51:57Marcelo, don't you see that Mrs. Petra is looking for excuses
51:59even under the rocks to throw you out of the promise?
52:02And you go and put it on a silver platter.
52:04Miss Julia can't eat nuts.
52:15Does anyone want to explain to me what's going on here?
52:28I promise you it's the first time I've seen something like this.
52:31Maybe the cake was over.
52:34Or it smelled freshly made.
52:37Well, Maria Fernández is a very capable counselor.
52:41I'm sure they'll bring us breakfast back.
52:45And what is this invitation to have breakfast together due to?
52:51I don't know.
52:53I don't know.
52:54Do you want to eat together?
53:00I wasn't very happy with our last conversation.
53:03The one at the hangar.
53:06I'm glad it was you who brought it up.
53:08Because I didn't either.
53:11I understand you'll have a lot of questions, right?
53:15That's right.
53:18But only one takes my sleep away.
53:22How did Paco die?
53:25And before he answers me with ambiguity,
53:28I want him to know something.
53:32It's not the first time I've asked this question.
53:35When José Juan returned to Spain, I asked him.
53:39And he didn't want to give me any details.
53:44It's ... natural.
53:46It was very hard for everyone.
53:50I understand that for some, more than for others.
53:55What do you mean, Julia?
53:59José Juan didn't give details.
54:01But there was something he made very clear.
54:05That you were responsible for Paco's death.
54:09Francisco de la Mata.
54:16But after these days in which I have been able to meet him,
54:21I know it can't be true.
54:25What happened?
54:35José Juan tells the truth.
54:39I ...
54:41I'm the only one to blame for Paco's death.
54:55I'm the only one to blame for Paco's death.
54:59I'm the only one to blame for Paco's death.
55:03I'm the only one to blame for Paco's death.
55:08What's wrong with Father Samuel?
55:09He still thinks he's going to marry two young people from the village.
55:11What if he gets angry and says he won't marry us?
55:15No.
55:16Besides, I'm going to ask him one last favor when we get married.
55:19I'll ask him to bring a letter to La Promesa
55:21in which I explain everything to my parents.
55:23That will happen to me when ...
55:25when I solve everything.
55:27Hey, wait.
55:28What if we get to the river and get our feet in fresh water?
55:32Quinta, wait. I'm not in the mood.
55:34And that?
55:35No, I don't feel like it.
55:37And what did you tell me he was writing in that notebook you found?
55:41They were ... they were like stories, stories.
55:44With the little wisdom he has, they must be infamous.
55:47Stories about lovebirds and silly things like that.
55:50But could you read any of the stories?
55:52Are you sure you're okay?
55:56Well, as I see that you don't really want to give me explanations either.
55:59It's okay, I'm not going to insist and ...
56:03whenever you want, you can tell me.
56:07It's a very beautiful bouquet.
56:09Of those who don't even give it to the Marquise.
56:11Does it bother you?
56:13It's well-born to be grateful.
56:15Still, you should be more careful with the rooms.
56:18I've earned it by working and I spend it on whatever I want.
56:20Nobody says otherwise.
56:21That woman has lived her life for me without being my family or anything like that.
56:24She deserves that bouquet and a hundred more.
56:26I think I'm going to sleep.
56:27López, can you tell me what's wrong with you?
56:29Since yesterday you have been very dry with me and now that we can be alone, you prefer to leave.
56:33Nothing happens to me.
56:34Nothing.
56:35Don't tell me nothing's wrong with you.
56:37Because we already know each other, so talk.
56:39I think I should wait a few days.
56:41But why? If Gregorio is already dead, there is no danger for either of them.
56:44But if you leave suddenly, the Civil Guard would make you the main suspect in his death.
56:50What do you mean? I haven't done anything.
56:52I know, but I also know that this idea would go through the heads of the authorities.