Sto para 5 - S01E23 - English subtitles

geso101
geso101
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- "at 5 (minutes) to (the hour)" is a Greek idiom, equivalent to "at the last minute".
- Ekali and Kifisia are posh areas of Athens.
- "Synaspismos" was a left-wing political party, which formed in the 80's and replaced the traditional "communist party of Greece". A lot of people did not accept it as true communist party.
- Errikos Petilon is an ex-model and TV presenter. His surname is so unusual, that it grammatically sounds like a neuter-gender form of a participle (participles end in -on).
- Theopoula's surname, Tzini, means "genie, djinn", but also colloquially "genius".
- The gay skit has to be seen in light of the rather conservative early 2000s Greek society. In addition to the humour, the series writer (the actor who plays Spyros), being an openly gay man, sends a message in the voice of Thomas.

All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.

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Transcript
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01:51So, listen to the conclusions that come out after our visit to Kastelis' house
01:56and how we should move from here to there.
01:58Based on what you said to me and Angela,
02:00the murderer of Eleftheria was none other than Kastelis, right?
02:04Right. However, it is certain that there is a strong man
02:07who orders and decides the conspiracy, right?
02:10Right. Kastelis did not know about the murder of Stavrianidis.
02:13This means that this man can now act independently, independently, right?
02:18Right. And of course, the most important element of all
02:20is what you said about Stavrianidis.
02:23You always said that we do not have the same blood,
02:25because there was a relationship between these two.
02:28However, there was certainly some relationship
02:30outside and the photo we saw at home.
02:32What we have to do urgently is to find the relationship
02:35between Kastelis and Stavrianidis, right?
02:39Right. Good.
02:40Since we found them and decided them, let's go outside now.
02:42Diana Komonistria will tell me.
02:44Let's go.
02:45Let's go.
03:15I was chasing you in the mountains
03:22In my sleep I saw you drunk tea
03:25And the boss was calling me
03:28And they told me the password, how he will love me
03:31And how I will go on a trip to peace
03:33And I was Charlie's angel, Charlie's, Charlie's
03:36In my boots you were wearing golden pearls
03:39And I was Charlie's angel, Charlie's, Charlie's
03:41Let me ask you something.
03:45Briefly and in Greek.
03:47Yes.
03:49I think I have been rejuvenated.
03:53No, but I hope it will happen someday.
03:55I mean the company with Hadzia Alexandrou.
03:57Rejuvenated.
03:59That's what I said.
04:02No, Lea.
04:03Unfortunately, I don't see any change on you.
04:07Neither for the better nor for the worse.
04:09For the worse, yes, otherwise it wouldn't happen.
04:13Why this question?
04:15Nothing, we had a discussion in the morning.
04:17Really?
04:19You stopped the research and started the philosophical discussions?
04:23No, why should we stop the research?
04:25The research stops.
04:26Really?
04:27You see, we are interested.
04:29We don't sit all day playing cards and drinking coffee in the squares like some other people.
04:34Like what other people?
04:36Like you, Sympethera.
04:38And your friends, Tony, Monty, Connie.
04:40Are you complaining about something?
04:41Yes, I am complaining, Sympethera.
04:43That you are jealous.
04:44What?
04:46What you hear.
04:47Because you were waiting for me to leave the village
04:49and stay locked in the house like a fool.
04:51While I...
04:52Like a fool?
04:54I am active.
04:56I won't talk, Lea.
04:58Because it may be too late or too soon for us to meet again in a swimming pool
05:01and to steal everything there with me.
05:03You won't be able to say anything, of course,
05:05because you will make bubbles.
05:11So, how is your research going?
05:14It is progressing.
05:16Good for you.
05:18Are you going to be alone in Greece or are you going to look abroad?
05:21Where abroad?
05:23China, Japan, Pluto.
05:25Somewhere far away, anyway.
05:27Do you want to get rid of me, Sympethera?
05:29I missed camping in Monaco for four days.
05:32You said camping well, I learned.
05:34I did.
05:35And I was about to take the world by storm.
05:37I tell you every day that the international career is not in our immediate plans.
05:42We will think about it.
05:44After all, we have had it for a long time.
05:46No one is chasing us.
05:48I see.
05:53As for which of us is jealous,
05:55we will find out soon enough.
05:58What do you want to say?
06:00I don't know.
06:02I am fed up with you!
06:04Be honest.
06:06How many times do I have to tell you?
06:08What did she want to ask me about the research?
06:10Me, Sousa?
06:11Something bad is going to happen to us.
06:13What bad? I don't know.
06:14But she is fed up with us.
06:16If I were you, who else would be waiting for us?
06:19The mystery covers the disappearance of a man and his housekeeper
06:23from his house in the center of Athens.
06:25The police seem convinced that behind the disappearance
06:29there is a double crime.
06:31According to the police and the collection of fingerprints,
06:34the role of a young and famous woman is suspicious.
06:37The fingerprints were found all over the house.
06:40The police are looking for the 24-year-old Angeliki Ioachimidou,
06:44a stranger in the apartment,
06:46in order to reveal the mysterious case.
06:49The police are asking anyone who knows anything about the young woman
06:52to contact the authorities.
07:02Hello.
07:04The 100?
07:06She is an excellent girl.
07:08Like the cold water.
07:10And a great friend of Spiros.
07:12No, the girl you are looking for.
07:15Of course.
07:17No, she doesn't live here.
07:19One minute, let me ask.
07:22Sophie, where is Angela?
07:25Which Angela?
07:27Spiros' friend.
07:29And Fotis? Where?
07:31I don't know.
07:33Spiros?
07:34What?
07:35Where is Fotis' house?
07:37In Pankrati.
07:39In Pankrati.
07:41Fotis' house.
07:43The FNC.
07:45Mine?
07:47I can tell you about mine and find Fotis.
07:50If you can't find him at home, go to the channel.
07:54But she is an excellent girl.
07:56What did I win?
07:57A mistake, a mistake.
07:59A big mistake.
08:01I don't know who the police are, the channels.
08:03I shouldn't publish her legal photo in the press.
08:06She is young, unprepared.
08:08Let's say there are four more.
08:10I would like to know who gave the evidence to the press.
08:13It's the first time I see two things happening.
08:15You shouldn't care about that.
08:17It's important that no one is going to look for her here.
08:19Why? Is there going to be a policeman?
08:21To check me?
08:23Or to take my place?
08:24No, but it's better for you.
08:26Because if they catch her...
08:27If they catch her, you idiot.
08:29She can ruin everything. Do you understand?
08:35Angeliki Joachimidou.
08:37Now you have a name and an alibi.
08:39And no justification not to find her.
08:42Go.
08:44And learn to take more responsibility.
08:50Angela.
08:52Angela.
08:54You will pay for the crime of Venetopoulos.
08:57You will pay for the crime of someone else.
09:00But you will be luckier.
09:02Luckier.
09:04Because you won't have to rot in prison for 22 years.
09:07You will pay for it with honor.
09:09Up and down.
09:14It was so nice. We were there.
09:16We were looking for the acrobat.
09:18We ate, we drank. What brought us here?
09:20What are you looking at, Marissa? I'm talking.
09:23Anyway, beyond Kastel's relationship, we have to see what we're going to do with Venetopoulos.
09:27Right now, we have two fronts open.
09:29I wish for the third one.
09:42Isn't that Angela?
09:44Christos Kipadasi.
09:46How did I get caught?
09:48I don't know. How did I get caught?
09:50We were going to do something. We were going to get caught.
09:52Change the channel. We'll tell them later.
09:54And Kastanotis is gone.
09:56That's what you told me, Marissa.
10:05It's Bill.
10:08And Petilon.
10:10Who is Petilon?
10:12It's the shareholder.
10:14Where is Petilon?
10:16And finally, Petilousos.
10:18What are you looking at?
10:20Petilon.
10:22Bring me the remote.
10:24Petilon!
10:49What was that?
10:51We didn't know. We just saw it.
10:53Let's say it slowly.
10:55And now?
11:02Who is it?
11:04Police!
11:06What do I do now?
11:08You didn't speak. You have to speak.
11:11Angel!
11:14Angel!
11:21Good evening.
11:23Good evening.
11:25Can I come in?
11:27I won't bother you.
11:29It's about the complaint you made.
11:31Grandma!
11:33What complaint did I make?
11:35Hello. Take these.
11:37What are these?
11:39The dolls you were looking for.
11:41This is your boss.
11:43He says we made a complaint.
11:45Hello. Are you Mrs. Theopoula Tzini?
11:47No, I'm not.
11:49Neither am I.
11:51I see.
11:53I'm sorry.
11:55Mrs. Tzini made the complaint.
11:57Does she live here with you?
11:59Almost.
12:01What exactly did she say?
12:03If it has to do with her appearance in Garoufalia,
12:05I would tell you not to believe her.
12:07No, no.
12:10Who is she?
12:12Do you know her?
12:14Why do you want to know who she is?
12:17She seems to be a suspect in the murder of Kastelis and Koutsoumaris.
12:22Who are they?
12:24A man and his housekeeper.
12:26Mrs. Tzini saw her picture in the newspaper
12:29and decided that she knows her.
12:31In fact, she decided that you know her, too.
12:33You are Mr. Spyros Deloglou, aren't you?
12:35That's right.
12:37Very good.
12:39Could I talk to Mrs. Tzini, please?
12:41Tell me that you know her, too.
12:43Soti!
12:45Welcome!
12:47Fotia!
12:49She's not here, Mrs. Theopoula.
12:51She's at the police station.
12:53She called her neighbor.
12:55She forgot something and is coming to pick it up.
12:57And because she can't find the drifter,
12:59she will take it.
13:01Is she Mrs. Tzini?
13:03No.
13:05Yes, yes.
13:07She is.
13:09I just didn't recognize her immediately
13:11because she changed her hair yesterday.
13:13Oh, really? How did she look like before?
13:15She had curls.
13:17Are you Mrs. Tzini?
13:19Do you know me?
13:21Who are you?
13:23I'm here for the complaint you made about Mrs. Akimidou.
13:29I've never seen her, ma'am.
13:31And yet,
13:33Mrs. Akimidou called the police station
13:35and said that she lives here with you.
13:37Who told you that?
13:39Mrs. Tzini.
13:41My son is missing at the moment.
13:43Tzini?
13:45I don't know her.
13:47Does she live in the neighborhood?
13:49From what I see here, no.
13:51She lives in Patissia.
13:53And I saw her from Patissia, in Pankrati.
13:55Where does she work, ma'am?
13:57At the observatory?
13:59You?
14:01Do you know her, ma'am?
14:03I told you, no.
14:05Did she give you a different name?
14:07No, that's what they always called me.
14:09What if she had introduced herself to you with a different name?
14:11Ah, no.
14:13After all,
14:15here
14:17there has never been a woman.
14:19Are you sure?
14:21Never.
14:23A young boy and there has never been a woman here?
14:25Yes.
14:27How is that possible?
14:29What do you mean?
14:31What's left?
14:33She has nothing.
14:35Are you sure?
14:37Of course.
14:39Excellent girl.
14:41Do you still disagree?
14:43In fact, we have never seen her.
14:45Sofila.
14:47Fiopoula.
14:49But the girl is here, at home.
14:51And what a girl.
14:53Tall like the cold water.
14:55With one show, another to tell you,
14:57something is not right in this case.
14:59The lady is not right, because she says one thing and another.
15:01We don't know the girl.
15:03The lady is a joy.
15:05Now I'm jealous.
15:07Are you trying to drive her crazy?
15:09Yes, she was waiting for us.
15:11Spiro.
15:13Leave me, grandma, because I don't speak, I don't speak.
15:15Go on, my lady.
15:17She wants me. You have understood it too, haven't you?
15:19When was the last time you saw the wanted woman?
15:21I remember it like yesterday.
15:23I don't remember.
15:25Never, Fiopoula.
15:27You don't know her. You don't understand her.
15:29Mrs. Astinome.
15:31Mrs. Tzini.
15:33She is in a dilemma.
15:35She has post-traumatic stress disorder.
15:37Because a while ago her son left her.
15:39And she was very, very sad.
15:41And you understand.
15:43Is the lady telling the truth?
15:45Did your son really leave?
15:47Of course. We had fun and everything.
15:49Did Kondi kick her?
15:51Who is Kondi?
15:53Why is he?
15:55Mother!
15:57I came to get the last ones.
15:59You should bring me Drift.
16:01I brought him back. I took him by mistake.
16:03I lost her again.
16:05Is she?
16:07Yes.
16:09But she is not Kondi.
16:11What did she do?
16:13What are you talking about?
16:15Do you recognize this girl?
16:17No.
16:19Have you never seen her in here?
16:21Never.
16:23Mrs. Tzini?
16:25This is her. I cut my head off.
16:27And if I cut it, I will be taller than her.
16:29What are you talking about? The girl is normal.
16:31She will drive me crazy.
16:33You are crazy, my child.
16:35Come here. Let's talk.
16:37See?
16:39She is as tall as me.
16:43We told you.
16:45You didn't trust her.
16:47We love her. We take care of her.
16:49So, you realized by yourself
16:51that you shouldn't take her words seriously.
16:53This girl is totally unknown to us.
16:55She is.
16:57She is not, my dear Theopoula.
16:59She is not.
17:01Mrs. Tzini,
17:03I am so sorry.
17:05Bye-bye.
17:09That's what you heard.
17:11And if you don't believe me, come here.
17:13And ladies from here
17:15can prove it to you.
17:17Who are the ladies?
17:19They are my two lesbian friends.
17:21One of them is a loser.
17:23But they are the only women who have stepped in here.
17:25Are you serious?
17:27Of course.
17:29Are you lesbians?
17:31Of course.
17:33I am a lady, but I am more.
17:35I see.
17:37And how did you all get together
17:39here?
17:41Do you have a party?
17:43I see.
17:45What are you celebrating?
17:47It's our anniversary.
17:49Who has an anniversary?
17:51All of us.
17:53Me and Debbie.
17:55And Fotis with Frickxos.
17:57Who is Frickxos?
17:59The parrot on the balcony. Who is Frickxos?
18:01His partner.
18:03Do you all have an anniversary?
18:05We are at the same party.
18:07And you?
18:09What's your name?
18:11Lucy.
18:13Why did the lady faint?
18:17It's her hobby.
18:19She goes like this
18:21and falls.
18:23Where am I?
18:25We'll see.
18:27What's your name, my lady?
18:31Did you see?
18:33Fine.
18:43Oh!
18:47What is this?
18:49Is it yours?
18:51No.
18:53Is it the lady's?
18:55I don't think it fits.
18:57Yes.
18:59It doesn't fit.
19:01Is it yours?
19:03No.
19:05Then what is it?
19:07Frickxos's.
19:09These are women's.
19:11And happy.
19:13Like Frickxos.
19:15Does your Frickxos
19:17wear women's clothes?
19:19It doesn't matter to you
19:21if he is comfortable like this.
19:23And where is Frickxos
19:25who seems to me
19:27to be called
19:29Angeliki Akimidou
19:31and not Frickxos?
19:33You are totally paranoid.
19:35He is here.
19:37He went to get the cake for the anniversary.
19:39Then why?
19:41You can't imagine.
19:43Are you here, Frickxos?
19:45Here, however,
19:47Mr. Policeman is looking for
19:49an Angeliki something.
19:51And he doesn't mean to understand
19:53that we are just
19:55a happy couple
19:57who wants to celebrate
19:59his anniversary
20:01just like Lucy with Baby.
20:03Frickxos, did you bring the cake?
20:09Oh, you are so bold.
20:11I wanted to tell you
20:13not to bring the cake.
20:15We will be bold this year.
20:17Are you Frickxos?
20:19Yes, it's me.
20:21Do you have an affair
20:23with the boy from here?
20:25Yes, I do.
20:27I see.
20:29And the ladies?
20:31Are they your friends?
20:33Lesbians?
20:35Yes, they are.
20:37This one is older.
20:39I see.
20:41Do you know
20:43why she fell?
20:45That's how she does it.
20:47She does it and falls.
20:49She likes it, doesn't she?
20:51Yes, but what is she waiting for
20:53to tell you the truth?
20:55These clothes.
20:57What does it mean?
21:01They are not yours, are they?
21:03No, of course not.
21:05Then they are mine.
21:07Do you work for me?
21:09No, they are mine.
21:11I always give them away.
21:13Where do you sell them?
21:15If I go to your father's channel
21:17will he tell me the same?
21:19What?
21:21What you heard.
21:23Where did you learn about the channel?
21:25From the lady who made the complaint.
21:27Who is she?
21:29I will tell you.
21:31She is the one
21:33you will celebrate your birthday with.
21:35And you wear these clothes
21:37at home.
21:39Who do you think you are?
21:41Tell me the truth.
21:43We don't know any woman
21:45with that name.
21:47We are just four people.
21:49I can't hear you.
21:51This is Anna Potamon.
21:53She is a woman.
21:55We live in the Middle Ages.
21:57I come back home
21:59and I see the atmosphere
22:01I was hoping to find.
22:03I see the man here
22:05controlling us
22:07and doubting what we say
22:09and what we don't say.
22:11I, my love,
22:13don't go to the channel.
22:15I will stay here
22:17at my house
22:19with my clothes
22:21and if you want
22:23you can go to the channel.
22:25You.
22:27Anna and I
22:29will go together.
22:31Who told me
22:33that if someone stays behind
22:35he won't call
22:37to teach his father?
22:39And wherever we go
22:41you won't come out.
22:43I will ask your father
22:45and if he doesn't tell me
22:47what you are telling me
22:49I will lock you all in
22:51for misleading.
22:53Do you understand?
22:55Wake up the other one.
22:57Hurry up to the channel.
22:59Come on.
23:01Baby, baby, baby.
23:03I hate you.
23:07Throw something on me.
23:25I hate you.
23:27I hate you.
23:29I hate you.
23:31I hate you.
23:33I hate you.
23:35I hate you.
23:37I hate you.
23:39I don't want the rabbit.
23:41Frida, be serious.
23:43I don't want it.
23:45What does the rabbit have to do with it?
23:47Send a show with fast-forwarding.
23:49But it's part of the show.
23:51No. If it's a game,
23:53in my show,
23:55the rabbit doesn't play.
23:57Frida, are you serious?
23:59Do you have a problem with the rabbit?
24:01Do you know what the Americans say
24:03that they know from TV
24:05as much as anyone else?
24:07Don't ever show on the screen
24:09an animal or a baby.
24:11It will steal your show.
24:13The Americans also said
24:15that Iraq has nuclear weapons
24:17that they know as much as anyone else.
24:19Please.
24:21Angela.
24:23The wanted woman?
24:25You heard it. Give me the phone.
24:27Yes?
24:29It's me, Angela.
24:31We have a problem.
24:33How did this happen?
24:35I don't know.
24:37Leave me alone.
24:39The police are coming.
24:41With Foti, Zumbulia, Dalia and Spyro.
24:43Why?
24:45Take care that Frida doesn't say anything.
24:47If possible, don't meet her.
24:49I don't want to make it worse.
24:51And listen to what you have to say.
24:53Foti,
24:55Frixos,
24:57Depi and Lucy.
24:59Frixos is Foti's son
25:01and Depi is Lucy's daughter.
25:05Today they were celebrating their birthday
25:07but I couldn't go because I had a show.
25:11I don't know the woman in the photo.
25:13Excuse me.
25:15Your son will be with him.
25:19Doesn't it bother you?
25:21Why? What does he have?
25:25Right.
25:27What bothers you?
25:29I wonder if you have candles.
25:31About the darlings?
25:33Yes, I have to go to the office.
25:35I'm sick of hearing the same stupid story
25:37from all of you.
25:39You.
25:41Her beloved.
25:43You will drive me crazy.
25:45It's not our fault.
25:47Can you accept that there are other people
25:49like you?
25:51We are a family.
25:53Maybe a bit unusual but that doesn't mean
25:55that we don't exist.
25:57Your story impresses us.
25:59What story?
26:01What does a lady from Patissia say
26:03when she sees this girl entering my house?
26:05I asked you the same question before.
26:07You couldn't answer me.
26:09But you see what we tell you.
26:11Here.
26:13Here.
26:15Doesn't he have a channel?
26:17No.
26:19What is this?
26:21My new assistant.
26:23Jenny the Dutch.
26:25She doesn't speak Greek.
26:27Good one.
26:29Yes.
26:31Come here.
26:33I have a complaint.
26:35A crazy woman called me.
26:37Are you sure?
26:39Yes, I saw her.
26:41But I looked for her.
26:43I'm fed up with this crazy woman.
26:45At least you had to do one thing.
26:47Anyway.
26:49Bye.
26:57So, what happened?
27:03Dolma.
27:13Cheers.
27:17Cheers.
27:21Take care, guys.
27:27Cheers.
27:29Cheers.
27:41Thank you so much.
27:47Do you remember
27:49when I told you
27:51I had driven a car before?
27:53Yes.
27:55That was it.
27:57I was 14.
27:59I took my uncle's car.
28:01And where did you go?
28:03Sofia Arvanitis came to Ioannina
28:05to sing in a shop.
28:07We wanted to go and see her.
28:09Did you travel to Ioannina?
28:11Yes.
28:13I wanted to play it a bit.
28:15And what happened?
28:17On the way back
28:19they caught me.
28:21They called my mother and my uncle.
28:23That's why I left home.
28:25At least they have to pay you.
28:27The police?
28:29Let them call me.
28:31I wanted to see Sofia Arvanitis.
28:33Was she good?
28:35Yes, very good.
28:37I liked her too.
28:39It's not our problem.
28:41Come on, dad.
28:43Fotis, put the news on.
28:45Why? What happened?
28:47Put it on.
28:49I said put the news on.
28:51NIKOS KARVELAS' SONG
29:21Angeliki Akimidou to make a report on the case.
29:26They found them.
29:27You shouldn't be afraid of that.
29:29They shouldn't find Angela.
29:31You will make it.
29:32And for your own good, not for mine.
29:35You told me.
29:36In this story, we are connected with the same prisoner.
29:38I know.
29:39Since you know, find her before the police.
29:41Did they kill them?
29:43What are you saying?
29:45Isn't it possible for you to be discovered by the press?
29:48I don't have a file with the police.
29:50I don't even have a Greek ID.
29:52I was born in Switzerland.
29:53I am Swiss-Danish.
29:54That's how my father died.
29:56That's how it happened.
30:05What do we do?
30:07Until now, they were chasing us alone.
30:09Now the police are chasing us too.
30:11At least they are very different in the photo and you don't recognize them.
30:14So what?
30:15We have to hurry.
30:16We have to hurry.
30:17If we don't arrive first, Angela will be in trouble.
30:21What do you mean?
30:22She is in danger of going to jail.
30:24For murder.
30:25For double murder.
30:30We have to move fast.
30:32There is a possibility that two car factories of PostRaid will go bankrupt.
30:36Also, their chain of restaurants in Belgium, France and Spain.
30:39The suggested buyers are...
30:41Parenthon.
30:44I'll buy it.
30:47I'll buy it.
30:49I'll buy it.
30:51I'll buy it.
30:52Take them from here and come back because we have visitors.
30:55Who will come?
31:02Oh, it's them again.
31:04Ritsa, I see you, I cooked in Belgium.
31:06I see.
31:07Come in.
31:10Caloríziko.
31:12Caloríziko.
31:16Oh, you kept this one.
31:18Her sister...
31:19She broke it during the move.
31:21Ritsa!
31:23A small gift for the house.
31:25Oh, you shouldn't have.
31:30Oh, a blanket.
31:32It's for the wall.
31:34Oh, a blanket for the wall.
31:37We didn't have it.
31:39And this one is from Theopoula.
31:42Oh...
31:44What is it?
31:45TV sets.
31:47Oh, for cleaning?
31:49A cosmetic one.
31:54From above.
32:01Very nice.
32:02We didn't have this one.
32:03We needed it, that's why.
32:05What did you say?
32:06Nothing.
32:11Let's go.
32:14Did you tell them?
32:15Yes, they agreed on one.
32:17Did you choose it?
32:18Not yet, I didn't have time.
32:19Where are the others?
32:20Angela is locked up at home.
32:21Zouboulia with the baby.
32:22Fotis and Thomas?
32:23Problem.
32:24They're closing the newspaper archives tomorrow for a month.
32:27Why?
32:28I'm going to renew the building.
32:29Whatever they're looking for, they have to find it today.
32:31Otherwise...
32:32Great, we can't buy the archives and bring them here.
32:34And we're closing a renovation in the building.
32:36It's not for sale.
32:37Oh...
32:38And now what are we going to do?
32:40I don't know.
32:41They said they'll think of something.
32:45Spyros, take your grandma and Mrs. Theopoula out and we'll come too.
32:49Ritsa!
32:52Make sure they don't miss anything.
32:54We have the kids!
32:56Come, my little girl.
33:11What's going on?
33:15Alex.
33:16I want you to do something very simple.
33:18Mrs. Sofia and Mrs. Theopoula are going to meet in a few minutes
33:22to talk to the investigators
33:24and get information from friends and relatives of Makaridis Kastelis.
33:27As you understand, Spyros can't go
33:29because someone might see him and we don't know if he's there.
33:32So...
33:33Who's going to watch her?
33:36Who?
33:38Who?
33:40Black Kostomi, right?
33:51We're late.
33:52And now?
33:54Now we're going from table to table to see who Kastelis is.
33:57And how is he going to do that?
33:59Haven't you heard what he said outside?
34:01There's a crowd of four ladies in here.
34:03Asking around in the city.
34:05Hurry up.
34:08Let's go.
34:19So, we can't take any photos today?
34:22I told you, no. There's no photocopy.
34:24The transfer has begun and they've already taken it.
34:26Can we then fly to the other side,
34:28take some photos and then come back?
34:30It's forbidden.
34:31And make sure you're done in an hour.
34:33I have to hang up.
34:35Right.
34:38Where's the other one? Why isn't she here yet?
34:40Good morning.
34:41I'm Frida from Paraskeva.
34:43I'm a journalist.
34:45I'm Jack.
34:46I'm a photojournalist and a photographer.
34:48I'm a co-worker.
34:49I'm here to take your portrait.
34:51What?
34:57It was so good.
34:59Indeed. Indeed.
35:02Goodbye.
35:03Goodbye.
35:05I wouldn't recommend you to invest in containers.
35:09The news comes from outside.
35:10They're not so encouraging.
35:12Telecommunications and information companies.
35:15That's the first sign.
35:22Who are you?
35:24I'm Zoe, the groom's wife.
35:30You got it, right?
35:32Yes.
35:33I didn't do anything. You know.
35:35I know. You don't have to explain.
35:38I know you're in trouble.
35:40The only people who know me here in Athens
35:43are you,
35:45the girls from the theater
35:47and the kids.
35:48Why? Did you ever think I'd go and talk to the police?
35:51No, I just...
35:52And the girls won't say anything.
35:54I'll talk to them today.
35:57And luckily you left home.
35:59You could have told me on the phone.
36:01What did you think?
36:02I wouldn't believe you.
36:04It's okay.
36:05It's better this way.
36:07It's been a while since we met.
36:09Indeed.
36:10It's good that this story is over
36:12so you can see the new play.
36:14Is it on?
36:15No, it's being written now.
36:17Which page are you on?
36:20Page three.
36:21If they haven't put me in jail yet,
36:23I'll come.
36:24What are you, stupid?
36:26Is this how they'll let you go?
36:29I don't know.
36:31We are in a place
36:33where they say
36:35the story of modern Greece is being kept.
36:38My story,
36:41my sin.
36:44He's the reason we're doing this report.
36:47With us is Mrs. Maria Despo.
36:50Tell us, Mrs. Despo,
36:52how many years have you been working in the archive?
36:54I've been working for six years.
36:57So you are the subject of our story.
37:00A modern earner.
37:03What exactly do you do here?
37:05Describe to us a day at work.
37:07I come at seven.
37:09At seven.
37:10I eat a cheese pie.
37:12Cheese pie.
37:14What are you doing there?
37:15Cut!
37:16Half a minute.
37:17No, no.
37:18I didn't interrupt you.
37:19We just want to give you a good job.
37:21It's just that it doesn't look good.
37:22What?
37:23You're shining.
37:24I'm shining?
37:25Sit down.
37:27Put your heads down.
37:29Close them.
37:37Of course, only Fotini had.
37:39In the last two years,
37:40I haven't even left the house.
37:42I used to take a walk in the garden.
37:44Didn't she have any siblings?
37:46How did I get the impression that she did?
37:49They say, I don't know,
37:51because I don't go down to her personal things,
37:53I don't care.
37:54I don't know if you understand me.
37:55I feel you.
37:56And I understand you perfectly.
37:58And that's just the way I am.
38:00So, they say,
38:01that since she got involved in that scandal
38:03and was in prison for two years,
38:05everyone wrote him off.
38:07Really?
38:08He didn't have a wife or children,
38:10but he never seemed to have a friend.
38:12We had him in the neighborhood for ten years,
38:14but we never saw him.
38:15I see.
38:16As far as siblings are concerned,
38:18he had a brother.
38:19A partner.
38:20He would come and see him.
38:22Often?
38:23They didn't have a good relationship.
38:25He died, too.
38:27Has it been a long time?
38:28Last summer.
38:29From the heart.
38:30Stavrianidis, the minister.
38:33Was he his brother?
38:35Of course, his stepfather.
38:37I see.
38:47He has no relatives.
38:49I know.
38:50Five people, all of them.
38:51All of them from the neighborhood.
38:53So, what do we do?
38:54We leave.
38:56We learned what we had to learn.
38:58Go and bring Theopoula.
39:02My grandson.
39:03Congratulations.
39:06Get up.
39:07Not yet.
39:08We are on the right track.
39:10I will check the information.
39:12You don't have to.
39:13We have the information we wanted.
39:15Really?
39:16Yes, Mrs. Sofia has found a neighborhood
39:18for the divorced.
39:19Besides, you are at the wrong table.
39:25Why wrong?
39:29That's what you say.
39:31Domas and Fotis have gone to the newspaper archives.
39:35Sofia and Theopoula
39:37and Dalia's lawyer
39:39went to Kastel's cell.
39:41And we are here.
39:45What do you hear?
39:47All the grandmothers in the world
39:49say that their granddaughters are fairytales.
39:53Are you opening, Lea?
39:54I am opening, Marinela.
39:56Come.
40:01Now.
40:02Now.
40:05Sit here.
40:06Sit.
40:07Be quiet.
40:08Here.
40:13Good evening.
40:14Welcome.
40:15How come you are here?
40:16Didn't you find a place to stay?
40:18Everything is fine.
40:19I am very happy.
40:21We have everything you need.
40:22A one-year archive.
40:23Good evening.
40:24Come in, come in.
40:25Fotis?
40:27He is at home.
40:28He told me to tell you
40:29that he is waiting for you all there at 10 p.m.
40:32Nice.
40:33How come you are here?
40:34You came, my dear.
40:36Good evening.
40:37Good evening.
40:39A surprise, as always.
40:42I am ready.
40:44Let's go.
40:45Let's not be late.
40:46I have to come back early
40:47so I can get Lea engaged.
40:49She is investigating.
40:51Isn't that right, Lea?
40:53What time do you have a date with the kids?
40:55Ten o'clock.
40:56Oh, I envy you.
40:58I envy you so much.
41:05What was that, my dear?
41:07The candle came to my head
41:09and I fell down.
41:11Did you see it?
41:12Did you see it?
41:15And I can't go back
41:17because who will pick me up?
41:20Come back, my dear!
41:22Did you forget your keys?
41:24What are you doing here?
41:26Why did you go out?
41:27Are you crazy?
41:29What happened?
41:32The truth is
41:34that I didn't leave the house
41:36because it was so smoky.
41:39Did they kick you out?
41:42I heard my uncle one night
41:44telling my mother
41:46to lock me up in the institution.
41:49I was a difficult child.
41:51I admit it.
41:53I just didn't...
41:55What would you do if your daughter
41:57did something like that?
42:00I would love her.
42:02I would throw a wooden hand at her
42:04to explain to her.
42:06But then I would love her.
42:08I would take care of her more than before.
42:10Because I think that's what she needed.
42:13And now?
42:14Now what?
42:18Are you going to kick me out?
42:20Is that what you were thinking?
42:22Is that why you came?
42:24I was always a burden
42:26for everyone.
42:28And now I'm a burden for you, too.
42:32If you want, I can give up.
42:34If I leave the middle,
42:36you can continue.
42:38Stop looking for me.
42:40And I won't say anything, ever.
42:42Are you crazy?
42:44Do you want me to throw a wooden hand at you?
42:46Anyway, I've eaten so much wood.
42:48And nothing happened.
42:50You didn't break anything, so...
42:54What are you saying?
42:56Are you crazy?
42:58Are we going to leave you?
43:00Is it possible to break up?
43:02Is it easy to stop?
43:04That's the point.
43:06Let's stop.
43:08And when did we come up with the logic to do it now?
43:14Are you better now?
43:16Yes.
43:18Let's go inside.
43:20Pour some water on your face.
43:22I'll make some coffee, too.
43:24We have a long night ahead of us.
43:26Get up!
43:30Kastelis was Andrianidis' brother.
43:32He says something,
43:34but he can't explain it.
43:38They didn't have a good relationship.
43:40And he has something else to do with the murder.
43:44But Venetopoulos was caught.
43:46He was convicted.
43:48We're not looking for Venetopoulos.
43:50I'm sure of it.
43:52Do you remember what Stavranidis said before he died?
43:54They'll get rid of her.
43:56Don't let them get rid of her.
43:58Don't you say that about someone
44:00who has spent 20 years in prison?
44:04What time did she go?
44:06Four.
44:08Did she fall asleep?
44:10Did I wake her up?
44:12No.
44:14We'll find a way to get her back.
44:16She'll look for you at the police station.
44:18We'll get her back the way we got her.
44:24Don't do this to me.
44:26If she falls asleep,
44:28who's going to look for her?
44:30Nothing.
44:32And if you find anything,
44:34tell me.
44:36We've been locked up for six hours.
44:38They're looking for her.
44:42What?
44:44I found it!
44:46I found it!
44:48What does Stavranidis have to do with the murder?
44:50I found it!
44:52I found it!
45:02I found it!
45:04I found it!
45:06I found it!
45:08I found it!
45:10I found it!
45:12I found it!