مدي 1 تي في : مع مجموعة "العيطة مون أمور" - 13/09/2024
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05:08I heard you met him in a Lebanese restaurant.
05:11Yes.
05:12Tell us the story.
05:17We met in 2015 or 2014.
05:20I think it was in 2015.
05:23If I'm not mistaken, it was in 2016.
05:26At that time, Wadid was in love with Aylan, her son.
05:29They were looking for someone to replace him
05:32in a group called Nerdistan.
05:35Wadid was in that group.
05:38We met through a friend in Tunisia.
05:41His name was Ahmed Ali.
05:44He was a percussionist.
05:47We were all living in Montpellier at the time.
05:50We met in a restaurant.
05:53It was in July.
05:56It was in July.
05:59I replaced him for six months in Nerdistan.
06:02Did you play together in Nerdistan?
06:05Yes, in 2017.
06:08Did you sing a lot?
06:11I sang and rapped.
06:14I sang and rapped.
06:17I sang and rapped.
06:20I sang and rapped.
06:23Did you start the group in 2019?
06:26Did you start the group in 2019?
06:29We started the group in 2019.
06:32As a tuner?
06:35Yes, as a tuner.
06:38Khalil works a lot with traditional and folk music in Tunisia.
06:41Khalil works a lot with traditional and folk music in Tunisia.
06:44He has a lot of projects.
06:47He has a lot of projects.
06:50He has a lot of projects.
06:53He has a lot of projects.
06:57You both have a modern vision of culture, music and art.
07:00You both have a modern vision of culture, music and art.
07:03You both have a modern vision of culture, music and art.
07:06You both have a modern vision of culture, music and art.
07:09You both have a modern vision of culture, music and art.
07:12You both have a modern vision of culture, music and art.
07:15You both have a modern vision of culture, music and art.
07:18You both have a modern vision of culture, music and art.
07:21You both have a modern vision of culture, music and art.
07:25When I was young, my family was very religious.
07:28When I was young, my family was very religious.
07:31We used to wait until the end of the day, around 11.30pm,
07:34We used to wait until the end of the day, around 11.30pm,
07:37to watch Fatima bin Hussein.
07:40My father used to tell me,
07:43Your father and mother were not like that?
07:46No, we used to listen to them.
07:49No, we used to listen to them.
07:52We were not interested in music or the arts.
07:55We used to listen to the radio and the radio,
07:58We used to listen to the radio and the radio,
08:01We used to listen to the radio and the radio,
08:04We used to listen to the radio and the radio,
08:07Did you have a religious background?
08:10No.
08:13What was your background?
08:16I was raised in the White House.
08:19I don't get tired of Thursdays
08:22But you have two children
08:26One of them told you that he needs you
08:32Exactly
08:33At first we didn't know what to do
08:36We were confused
08:37We went to the source
08:40To the place we were in
08:42And thanks to, I will name him
08:44Othman Nijmaddin
08:46He was with us at the beginning
08:48We got in touch
08:50Because he worked on the anthology of Aïta
08:52Which was published with Ibrahim Mzened
08:55And when I was in communication
08:58He told me to think
09:00Because at first you have a project
09:02An ambition
09:04You can't see a lot of things
09:07He told me to think
09:09And I said, yes
09:11Aïta is a good fit in my personal life
09:15And you told him directly
09:17We went to the source
09:20Because we wanted to work on Aïta
09:23Because what they say about it
09:26Is the source
09:28There is always a discussion
09:30Everyone wants to try it
09:32But I think it's normal
09:34There was a lot of cooperation
09:36Was the real beginning the actual one?
09:38This period was the beginning of more
09:42To understand the project
09:44And how you want to take it
09:46It was a period
09:48Where you try to see
09:50Everything that was written
09:52Things that were heard a lot
09:54The texts
09:56Because it was the work of the texts
09:58Which had to be consistent
10:00You had to see who you had to bring
10:03And not everything was documented
10:05Khalil, you released a video
10:07For the couple
10:09Do you know what they did?
10:11What they leaked?
10:13What you really liked
10:15And what was viral at that time?
10:17The period of creation was that
10:19It was a bit after COVID
10:21We had a problem with COVID
10:25Because we couldn't travel
10:27We had to start
10:29The first part of the trip
10:31To meet the sheikhs
10:33To understand us
10:35Because there was a difference
10:37When you hear the verse
10:39You hear it
10:41But you don't understand
10:43The structure of it
10:45You don't understand the rhythmic structure
10:47You don't understand the words
10:49Because there are references
10:51Which we didn't know
10:53And because of the transmission
10:55Of the video
10:57We still don't understand
10:59Why they said this
11:01It's a reference
11:03We were locked in confinement
11:05We wanted to search a bit more
11:07To read the books
11:09The references on the internet
11:11And the publications
11:13So the sheikhs
11:15And the people who taught you
11:17The art of Aita
11:19Helped you and gave you the right information
11:21We tried
11:23You wanted to understand
11:25All the meanings and words
11:27Because
11:29The goal of the project
11:31Was to understand
11:33The Aita
11:35And there is nothing
11:37Better than
11:39Understanding
11:41In an easier way
11:43And legitimate
11:45If you don't know
11:47The Aita style
11:49Is to sing
11:51In a new way
11:53With music
11:55Right?
11:57Yes, we always say
11:59The idea of modern music
12:01Is Western
12:03Even though it's not true
12:05We have our own music
12:07The same problem with music
12:09Sometimes we say
12:11We play the Aita in 2024
12:13Like any young man
12:15Who wants to play
12:17The instruments
12:19That he has in 2024
12:21That's why
12:23The period of learning
12:25Is the most sincere
12:27We spent a lot of time
12:29And I think we had a lot of flowers
12:31Because the people we met
12:33Were one of the biggest hearts
12:35We saw
12:37Generous
12:39Very generous
12:41Like Rashid
12:43Who taught me
12:45He talked to me almost every day
12:47In France we call him Khalil
12:49He sent me videos of Khalil
12:51For me, it's a big part
12:53Of the Aita Mon Amour project
12:55Because they transmitted it to us
12:57We are happy
12:59Because Rashid
13:01Is happy to see the Aita playing
13:03Anywhere but in Morocco
13:05And through the project
13:07We can try to defend it
13:09It's a bit of an ambassador's job
13:11And we take it very seriously
13:13Very good
13:15So we are sure that it's Western
13:17Who taught you
13:19And gave you the keys
13:21And the visa
13:23We don't want anything else
13:25We want more
13:27But today
13:29You only have a few years
13:31In your career
13:33But you have a lot of dreams
13:35And ambitions
13:37And you are singing
13:39And you came to Turkey
13:41Because you sang in the Netherlands
13:43You sang in Germany
13:45You sang in Tunisia
13:47Morocco
13:49Belgium
13:51Spain
13:53Congratulations
13:55And what about the tour?
13:57What's left of the tour?
13:59Barcelona came in 3rd
14:01Caza, Lyon
14:03Netherlands
14:05Normally they didn't
14:07Communicate about it
14:09I don't know if I can say it
14:11It's the 20th
14:13In Barcelona
14:1521st in Tanja
14:17Tanja in Tanjaz
14:19Art Expo
14:21But the best
14:23On the 5th of October
14:25We will go to Norway
14:27Congratulations
14:29From American Canada
14:31It's a world tour
14:33A world tour of love
14:35Now let's talk about
14:37Let's talk about something else
14:39What are the qualities and defects of Khalil?
14:41Defects, I know
14:43Let's focus on Khalil
14:47Say what you want
14:49Professional or personal?
14:51Choose
14:53Khalil
14:55He is very talented
14:57That's your defect
14:59He is very talented
15:01The problem is
15:03His defect is
15:05To be a perfectionist
15:07So
15:09For me, he needs to let go
15:11Khalil, what are your defects?
15:13What are your defects?
15:15I don't have any
15:17Khalil, what are your defects?
15:19What are your defects?
15:23Say a quality
15:25I like the quality
15:27The quality
15:29I like the quality
15:31He doesn't know what to say
15:33He doesn't know what to say
15:35He doesn't know what to say
15:37I know
15:39His defect is
15:41When he closes, he closes
15:43When he closes, he closes
15:45When he closes, he closes
15:47When he closes, he closes
15:49When he closes, he closes
15:51You need to give him some time
15:53You need to give him some time
15:55He is angry
15:59Do you have a project?
16:01We don't give the quality
16:03I thought you would say that
16:05I thought you would say that
16:07The quality of the dead
16:09I haven't heard that for a long time
16:11I am curious
16:13He has two qualities
16:17He has his defects
16:19He has his defects
16:21He has his defects
16:23He has his defects
16:25He doesn't know how to pay
16:27He doesn't know how to pay
16:29He is looking at the camera
16:31He is looking at the camera
16:33We heard that
16:35You have a project
16:37You have a project
16:39A big video clip
16:41A big video clip
16:43A big video clip
16:45A big video clip
16:47A big video clip
16:49A big video clip
16:51A big video clip
16:53A big video clip
16:55A big video clip
16:57A big video clip
16:59A big video clip
17:01A big video clip
17:03A big video clip
17:05A big video clip
17:07A big video clip
17:09We are in the Zehat bin Suleman side
17:11We are watching you
17:13But yes, that's true
17:15Can you tell a bit more about this video clip
17:17And this project ?
17:19The director has the screenplay yet?
17:21No, no, we have co-worked
17:23Qalil and I
17:25We are trying to do it
17:27To be a bridge
17:29Between work
17:31And friendliness
17:33Between Morocco and Tunisia
17:35It was brought
17:37The director of the Tunisian music video, Fatma.
17:43I worked a lot with my friends, including Widad Komen, who helped us a lot with the idea.
17:51It's really a Moroccan-Tunisian team.
17:54There are 7 Tunisians, and almost 10 Moroccans.
17:59The music video is being filmed.
18:01So you're still in Morocco.
18:03We'll give you time.
18:05So you're still in Morocco.
18:07Yes, I'm still in Morocco.
18:09I thought you were an animator.
18:13You're welcome.
18:15Thank you for everything you do.
18:19And the special thing is that the music video is 100% female.
18:27The only thing is that there are no scoops.
18:30Well done.
18:32There's a very old and important place in Tunisia.
18:39The Dogga Festival.
18:41Tell us about it.
18:43The Dogga Festival is very old.
18:45It's been going on for more than 30 years.
18:48More than 30 years.
18:50It takes place in the city of Dogga.
18:56The place has been around for more than 2,000 years.
19:01It's always impressive to play in a place like this.
19:05We didn't come all the way to Tunisia,
19:08but we came because it's a nice place.
19:11It was a very special night.
19:14I was angry, but we were able to have fun.
19:17Did you like the chicken?
19:19Of course.
19:21Did you feel the power of nature on stage?
19:26Of course.
19:28It was an incredible moment,
19:31despite the technical difficulties.
19:34It's always difficult, but it was a great moment.
19:38If I'm not mistaken,
19:40you played in the evening.
19:42We played in the evening,
19:44and you played in the evening.
19:46It was a great night.
19:48It was a great night.
19:51You have a concert at the Boulevard Festival in Gaza.
19:54What do you think of the audience?
19:56What do we think of them?
19:58Don't be surprised.
20:02What do we think of them?
20:07In Morocco, they have a particular taste.
20:12You know, you're playing in front of an audience
20:16who knows what you're playing.
20:20But it's always intense.
20:23In the first VISA for Music concert in Morocco,
20:27we saw a great reaction.
20:32People came to see us.
20:35They saw us on social media.
20:38They came to see us.
20:40We think we have a part of the audience that follows us.
20:43And we say what we feel.
20:45Is it your first time in Gaza?
20:47Yes, at home.
20:49And the audience in Gaza knows you.
20:52And the audience in the Boulevard knows you.
20:55We wish you good luck.
20:57See you with the Moroccan audience.
20:59Khalil, for you,
21:01you modernize music.
21:03You search for music.
21:05You play several instruments.
21:07You search a lot for the music you have.
21:09What do you have against the use of artificial intelligence in music?
21:13Very good question.
21:15I always try to be...
21:19On the page.
21:21Yes, on the page and in coherence with the time.
21:24But there's always something wrong with it.
21:26I'm not worried about it.
21:28People always ask me,
21:30why do you want to make music without a human being?
21:33I say, I want to do it outside.
21:35It's a shame.
21:37It's a shame.
21:39I'm used to American pop music.
21:42It's a shame.
21:44There's so much material.
21:46Sometimes I listen to music made by humans,
21:48and I feel like it's made by robots.
21:50It's a shame.
21:52So I'm not worried about making it by robots.
21:54I want to make it outside.
21:56I don't know.
21:58For me, tools don't make mistakes.
22:00What I'm afraid of,
22:02is that you're not creative.
22:04That's what I learned from the Sheikh.
22:06Do you know what a GPT is?
22:08No.
22:10That's why transmission is important.
22:12Even if you make electronic music,
22:14and that's the problem in the Arab scene,
22:16which is trying to take from the heritage.
22:20You don't have to take it with arrogance.
22:22You're the son of the capital,
22:24or the son of someone,
22:26and you're ready to take it to the countryside
22:28and play music in front of them.
22:32You have to take it with humility
22:34and learn.
22:36If you don't learn,
22:38transmission is important,
22:40and it's still important.
22:42Do you want to add something?
22:44Yes.
22:46I'd like to talk about
22:48Rashid Abedin,
22:50who we met in Asfi,
22:52Amin Wardiani,
22:54and the great Sheikh Jamal Zarhouni,
22:56who welcomed us,
22:58and Validana,
23:00and we gave them the street cred.
23:02They are in charge,
23:04because there are young and old Sheikhs.
23:06When you say you're not going to perform,
23:08you say,
23:10I remember when I was with my son,
23:12you say,
23:14you're not going to perform.
23:16So, you know,
23:18I'm not going to perform.
23:20What is Radoni?
23:22What is Radoni?
23:24What is it?
23:26Radoni is,
23:28I don't know how you know this word,
23:30Rada,
23:32Radoni is teeth.
23:34Radoni is teeth?
23:36Yes, teeth.
23:38And you say it,
23:40and maybe you were in a place,
23:42and a Sheikh came up to you and said,
23:44Radoni, Radoni.
23:46And this is one of the songs,
23:48or the words that come up a lot
23:50on the internet and on social media.
23:52Yes.
23:54The first video was
23:56at a festival in Toulouse.
23:58Yes.
24:00Yes.
24:02And it was our second or third concert.
24:04Yes, it was one of the first.
24:06One of the first concerts.
24:08And he said,
24:10Radoni, Radoni, Radoni.
24:12And one of the Moroccans in the audience
24:14answered me.
24:16That was something
24:18exceptional.
24:20That video went viral.
24:22And we said,
24:24every time we play in a place,
24:26the audience,
24:28who doesn't want to be the original,
24:30they say,
24:32Radoni, Radoni.
24:34Radoni.
24:36This is a worldwide phenomenon.
24:38We didn't have time for
24:40another 30 seconds.
24:42I want to tell you something.
24:44I don't have a microphone.
24:46You don't have a microphone.
24:48We'll arrange it for you.
24:50We'll arrange it for you.
24:52What should we sing?
24:54Sidi Ahmed.
24:56The first one.
24:58Let's go.
25:00Aita Monamoukh.
25:02Plateau Patchwork.
25:28Aita Monamoukh.
25:58Bravo, bravo, bravo.
26:00Thank you, thank you.
26:02Aita Monamoukh was with us
26:04live on Plateau Patchwork.
26:06It was your first
26:08Moroccan TV show
26:10with your husband on the set.
26:12It was my first TV show.
26:14I've never been on TV.
26:16Welcome.
26:18Thank you very much.
26:30Khalil found a musician
26:32with a microphone.
26:34Of course.
26:36I'll tell you later.
26:38One last word, Khalil.
26:40Thank you for the invitation.
26:42We'll come back
26:44when you release the album.
26:46We'll come back to you
26:48when you release the album.
26:50We'll come back to you
26:52when you release the album.
26:54Thank you for the invitation.
26:56The Moroccan audience
26:58will discover Khalil's talent
27:00when they come to Tunisia.
27:06This is the end of today's episode.
27:10Don't forget to follow Aita Monamoukh
27:12on social media.
27:14See you next time.
27:16Goodbye.
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