مدي 1 تي في : مع كليل - 21/11/2024
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00:00Hello and welcome to a new episode of your daily and artistic patchwork show.
00:20I'm happy to be here with you as always to share with you some of the news,
00:25developments and innovations in the art scene.
00:27So I invite you to stay with us and let's get started.
00:34Hello again, I would like to explain to you where we are going and what kind of guests we have in today's episode.
00:55Today, we are going to talk about a very important topic.
00:59It's the topic of the day.
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02:47interview with Khalil Hader
02:51Interview with Khalil Hader
02:53Please welcome us to Plato Patchwork.
02:58Thank you Osama.
03:00Thank you for inviting me
03:02and it's really honoured to be with you.
03:04Khalil you and our audience now know you better
03:06so how did know you at first?
03:11Well, I started as a high school student.
03:15And we started, like most of the kids, learning how to make music.
03:21We used to rap in our classroom, in high school, in high school.
03:26And honestly, from a long time ago, I was a bit distant from music.
03:31I used to read, I had to take my high school diploma,
03:35and I was a bit distant from music, until I was almost 5 years old.
03:39Okay, let's stay with the beginning of high school.
03:42How did you adapt to the software?
03:44How did you adjust your voice?
03:46Did you have a bit of a problem with your hearing?
03:49Honestly, we didn't have a problem with our hearing.
03:52We didn't have a problem with our hearing.
03:55Because at that time, there was a bit of...
03:59Especially in Medina, we didn't have the means.
04:02We didn't even have a studio.
04:04That was around 2008.
04:062007-2008.
04:08And Medina was your home.
04:10Yes.
04:11So we used to break the system.
04:13We used to take these dynamic microphones,
04:16and we tried to connect them to the PC in any way possible.
04:20With VCDs, with TableMix.
04:22And the sound quality was...
04:24Don't discuss it.
04:26Just imagine it.
04:28Imagine it, okay.
04:30So after that, you concentrated on reading, and you concentrated on your work?
04:33Yes, reading and work.
04:35For about 7 or 8 years.
04:37And circumstances brought me back to my city, Nafra.
04:41And honestly, I found some time.
04:44I had a lot of time.
04:46And I said, why not?
04:48Because I've always been a fan of rap and music.
04:51Great.
04:52So your return was 5 years ago, approximately?
04:54Approximately 5 years.
04:56With the lockdown, let's say?
04:58A little earlier.
05:00So let's say 2019.
05:022019.
05:04With 2019, did you find your artistic direction?
05:07No.
05:08Or did you already have a name?
05:10In 2019, I had the idea to open a home studio.
05:13Okay.
05:14So I was trying to get material.
05:17I took material from a website.
05:19And I started learning.
05:21Because I knew that music is like a sport.
05:23It requires a little bit of training, a little bit of...
05:26It started like that.
05:28And day by day, I was trying...
05:31Because music wasn't developed yet.
05:33In 2008 and 2009, it was old school.
05:36In 2019, it was time for Haliwa.
05:40It was time for...
05:42The transition of Haliwa in 2017, I think.
05:46So music changed a little bit.
05:48It didn't enter Morocco, or it didn't become a thing.
05:51But you didn't start with Haliwa.
05:53Did you start by going abroad?
05:56No, no.
05:57You were learning.
05:58Yes, I was learning.
05:59I was trying to adapt to the style of the new generation.
06:02Haliwa was a little bit old in the US.
06:04But in Morocco, we started with that style.
06:07How would you describe your style?
06:10Trap, new school...
06:12I'm a little bit polyvalent.
06:16Lofi...
06:18I used to work with Afro, Trap...
06:21Sometimes old school, sometimes hardcore.
06:24There are some projects that haven't been released yet.
06:27Honestly, I can't tell you what kind of style I do.
06:30But I can tell you that I do Rap.
06:32You joined the Rap family.
06:33Yes, Rap.
06:34Agreed.
06:35Yes, Rap.
06:36Maybe one day I'll see you in the style of Underground Rap.
06:41Yes, it's possible.
06:42Qasah Rap.
06:43It's possible.
06:44Eminem's style.
06:45Rappers who do 100% Rap.
06:48It's possible.
06:49What made me get more into Trap...
06:53Trap is the style I found comfortable.
06:58That's what made me feel comfortable.
07:00But I like Underground, Old School...
07:03I like all of that.
07:05In this new artistic direction,
07:07and in your visual identity,
07:10what's the first song you released?
07:14Azul.
07:15Azul is the first song I released.
07:18It's been 4 years?
07:193 or 4 years.
07:203 years.
07:21In 2021.
07:22I worked with Nawfal.
07:25That was the beginning.
07:27Azul is a clean work.
07:29A little bit.
07:30Thank God.
07:31Why do you say a little bit?
07:32It's a clean work.
07:33The means to work are not very big.
07:36But the song is beautiful,
07:37the subject is beautiful,
07:38and the video is beautiful.
07:39How did you work with Azul?
07:40Azul and Nawfal and I used to work at a distance.
07:45We live in Rabat.
07:46I live in Khunefa.
07:47So we used to work at a distance.
07:49He sent me a song.
07:51I chose it.
07:52One day, he sent me the beat.
07:54I liked it.
07:55I did a test.
07:56I sent him the plan.
07:57He finished the song.
07:59I told him,
08:00this is what we're going to use for the video.
08:02I started working with Hamza.
08:05Hamza Hakouk.
08:06We sat down.
08:07He gave me the idea.
08:09I told him,
08:10let's work on it.
08:11I was very happy.
08:12It was winter.
08:13It was snowing.
08:14Did you film in Nawahid or Khunefa?
08:16Yes, in Ajdir.
08:18Tell us about your first EP.
08:20The first EP was Fragile.
08:22It was Azul's first extra.
08:25It had hundreds of songs.
08:27Most of the tracks were done by me and Nawfal.
08:30What did you think during these three years?
08:33Did you boost your songs?
08:35Did you boost your reputation?
08:37Did you give interviews?
08:39We rarely see you in interviews.
08:41To be honest,
08:42I wanted to work more.
08:45I wanted to have a good archive.
08:48I wanted to have good sales.
08:50I wanted people to get to know me.
08:52I wanted them to ask me questions.
08:55What do you think of your strategy?
08:58Explain to us what you're going to do.
09:00To be honest,
09:01I'm going to work in Ghana.
09:03To be honest,
09:04I'm going to work in Ghana.
09:06Do you want to do a conference?
09:08An album?
09:09No.
09:10I want to work in Ghana.
09:12I want to work in Ghana.
09:14I want to work in Ghana.
09:16I want to work in Ghana.
09:18I want to work in Ghana.
09:20I want to work in Ghana.
09:22I want to work in Ghana.
09:24I want to work in Ghana.
09:26I want to work in Ghana.
09:28I want to work in Ghana.
09:30I want to work in Ghana.
09:32I want to work in Ghana.
09:34I want to work in Ghana.
09:36I want to work in Ghana.
09:38I want to work in Ghana.
09:40I'll be relaxed a bit.
09:42Let's hope I'll work well.
09:44Would you get。
09:45Would you get?.
09:46Yes.
09:47Studentů
09:48Yes.
09:50Yes.
09:51Studentů
09:52Yes.
09:53Studentů
09:54Studentů
09:55Studentů
09:56Teacherů
09:57Teacherů
09:58Teacherů
09:59Teacher...
10:00Teacherů
10:01Yes.
10:02Yes.
10:03Yes.
10:04Yes.
10:05Yes.
10:06and a book on top-line, on recording and so on.
10:10It's a musical style that inspires you.
10:12Yes.
10:13You have to listen to the production to discover it.
10:15Yes.
10:16You have to listen to the production to evaluate it so that you can produce it.
10:20But nowadays, for example, you go to the studio.
10:23Do you have a studio at home?
10:24Yes, at home.
10:25This is an important thing that you do, of course.
10:27Yes, a lot.
10:28You release the beats, you release the music, you release the rhythm,
10:31and you try the top-line, you try the tunes, you try the words.
10:35But what do you do?
10:36Do you always write?
10:38Or how does it work?
10:39Yes, I always write.
10:40And this helps me a lot.
10:42Because I have a drummer who has to give space to the studio.
10:45He works in a different way.
10:46So he has to write.
10:47And in front of his top-line, he can go to the studio and do this.
10:53And he does the recording session.
10:55This helps me a lot because I have a studio at home.
10:58So when I have an idea, I have the possibility to apply it on the spot.
11:04And do you think that music videos are very important?
11:07Yes, a lot.
11:09Music videos are very important.
11:12Because when I release an audio track, it doesn't go well until I release a music video.
11:21And it has to be a good track.
11:22Yes, it has to be good.
11:24What is your relationship with color and color?
11:27When you have a track, do you call it Luna or the moon?
11:31Yes.
11:32When you have a studio, do you call it Luna?
11:34Yes, Luna Vibes.
11:35To be honest, the track came from the name of the studio.
11:40And the name of the studio came from a section that didn't belong to the studio.
11:43And that section didn't belong to the studio.
11:45And the drummers kept playing with it.
11:47And they said, this is the name and this is Luna.
11:49So I had the idea to name the studio Luna Vibes.
11:52Great.
11:53Do you like your name?
11:56No, my name is Khalil.
11:59Your real name is Khalil?
12:01Yes, Khalil.
12:02And some of my friends call me Khalil.
12:06I don't like the name Khalil.
12:08I don't like the name Khalil.
12:09I don't like the name Khalil.
12:10Khalil, this name was on the list of Naif Egred.
12:15Not recently.
12:16Thank God, your name was chosen.
12:18And you talk about your music.
12:20We will watch the extract and then we will let you comment.
12:24Naif Egred made a video in collaboration with the Moroccan Federation of Spotify.
12:31He talked about Khalil in today's episode.
12:51Can you say your real name is Khalil?
12:53First of all, I would like to thank Naif Egred for this gesture.
12:58It was a great honor for me to play at the level of Naif Egred.
13:06And I hope you like my music.
13:09This is one of the things that gives you a lot of motivation to work.
13:15Even if you have a bad day.
13:19I was very happy when I saw the reel.
13:23My friends called me.
13:26It was an honor for me.
13:28Thank you, Naif Egred.
13:30Did you have any idea about this?
13:33No, I didn't have any idea.
13:36How did you find the video?
13:38I was in the studio.
13:41I looked at my phone and I found a message on Instagram.
13:44I told my friends that I was Naif Egred.
13:47They made a video with Spotify.
13:51I was very happy.
13:55Thank you, Naif Egred.
14:00Thank you very much.
14:02I was able to work with him.
14:05You were able to work with him.
14:07Yes, I was able to work with him.
14:09How did you work with him?
14:11On Instagram?
14:13I was able to work with him.
14:15I couldn't find his message on Instagram.
14:18I sent him a message.
14:21I thanked him.
14:24He is a person who doesn't do everything for you.
14:27Thank God.
14:29You do everything with love and heart.
14:33This is a good boost.
14:36Yes, I lost to him.
14:39Thank God.
14:41Is this the song that was released?
14:44No, this is the album that was released.
14:47But until I found out, I liked Taboot a lot.
14:50Until I found out, I liked Taboot a lot.
14:52What is the concept of Taboot?
14:54You had Before Taboot and After Taboot.
14:56Before Taboot, there was an EP that was going to be released before Taboot.
15:01Taboot was supposed to be an extra of the EP.
15:07We had a break and we couldn't release the full project.
15:14We decided to keep the song.
15:17We started a new project that had nothing to do with Taboot.
15:23We started a new project that had nothing to do with Taboot.
15:28We decided to keep the song.
15:30What do you think of the material you have released so far?
15:35I focus on the experiences of all the young people and the environment.
15:45I focus on the experiences of all the young people and the environment.
15:50Do you want to make the reality a little more real?
15:53Do you want to make it more street?
15:56Actually, I try to balance it.
15:58Actually, I try to balance it.
16:01But I didn't feel the reality, I didn't think about the reality
16:06And in general, are you optimistic or pessimistic?
16:09No, I'm optimistic, I'm very optimistic
16:12And honestly, thank God, I got to this point and I was thinking
16:16I started and this is the start
16:20But I was confident that what I was doing
16:23I could do something good
16:26So I'm always optimistic
16:28Do you feel like you've reached your goal today?
16:32It depends
16:34It depends, honestly
16:36You have to work and you can never say you've reached your goal
16:41I'm at the top, I have to work
16:43On the contrary, this is the opportunity I have to use to work
16:47And to be able to deliver the music to people
16:50I feel like you have a lot of humility
16:54And in the middle of all this, we know that rappers
16:58They have this blessing of the ego
17:02How do you balance this subject, this topic, this point
17:09How do you balance, maybe you asked Trabia
17:13Maybe you asked the experience from here
17:15Maybe you asked Fawad El Din
17:17How do you balance the modesty that you have, thank God
17:20And how do you balance the ego that you have in front of you
17:26It's important to have that ego
17:28Honestly, I've been thinking about this for a long time
17:32And I realized that the ego can't make people want you
17:38But if you're not against it, if you're loyal to your nature
17:44On the contrary, you can win people's love
17:48You can give them more opportunities to get to know your music
17:52But there are times when there are situations where there is ego
17:56You know, a rapper needs a little bit of ego
17:58But in these situations
18:00I still don't like to talk about beef
18:02Or when I have a conflict with people
18:06Still?
18:07No, still
18:07Have you ever had a fight with someone?
18:09Yeah, where's sports?
18:11Sports, it's not good
18:13Honestly, I'm not interested in fights
18:17But it's still welcome
18:19And if someone is in your line of sight, what can they be?
18:23For example?
18:25Can you name them?
18:27No, honestly, I can't
18:29Because I can't look at someone I don't know
18:33And I don't even know them
18:35But when it comes to fights
18:37When you have a fight with someone you don't know
18:39Or we don't know each other
18:41Or we don't have a business or deals
18:43It starts to ruin you
18:45But fights need to be built on something right
18:47For example, in America
18:49When artists or rappers have a fight
18:53You can find a deal
18:55It's not just someone you don't know
18:57What do you mean by a deal?
18:59It's a business
19:01From the start?
19:03Yes, it's a business
19:05But they're not in a fight
19:07Or for example, me and you
19:09We can be friends, we work together
19:11And we have a problem
19:13But if you're in a fight with someone you don't know
19:17You can tell them
19:19It's not a big deal
19:21You can criticize them
19:23But it's not a big deal
19:25You can tell them
19:27It's not a big deal
19:29But you can criticize them
19:31But it's not a big deal
19:33When you start your art
19:35Your voice is similar to a rat
19:37Mixed with a substance
19:39Have you received this kind of feedback?
19:41Yes, honestly
19:43I receive a lot of messages
19:45On Instagram or YouTube
19:47Sometimes it's a rat
19:49Sometimes it's a rat
19:51But it's normal
19:53Because new rappers
19:55Or new artists
19:57When you hear them
19:59You can recognize them
20:01It's normal
20:03So your real name is Khalil
20:05You were born in Khenifra
20:07And you still live in Khenifra
20:09Yes, I still live in Khenifra
20:11How old are you?
20:13I'm 30
20:15What are Khalil's projects?
20:17In music
20:19Yes
20:21He's currently working at EP
20:23We have a new project
20:25He's the manager
20:27Yes, he's the manager
20:29He's working at EP
20:31The first extract
20:33Is called Joubidi
20:35It will be released this weekend
20:37This is what we have
20:39I think there will be
20:41800 songs
20:43So you're almost there
20:45Yes, almost
20:47There is 60 or 70% of the work
20:49Is there a featuring in this EP?
20:51Yes, there will be
20:532 or 3
20:55But we haven't confirmed it yet
20:57You have to give us the details
20:59Honestly, we still don't know
21:01We can give you a name
21:03Adelaine, an Algerian rapper
21:05This is what happened
21:07But we haven't confirmed it
21:09We haven't confirmed it
21:11We haven't confirmed it
21:13There are a lot of artists
21:15From your generation
21:17Who are younger than you
21:19And they have a talent
21:21But you don't know them
21:23What do you think about them?
21:25What do you think about them?
21:27What do you think about them?
21:29I don't know
21:31I don't know
21:33If you're a rapper
21:35Or a singer
21:37You have to have a full package
21:39You have to make good songs
21:41You have to promote
21:43You have to have a lot of things
21:45To be able to grow your audience
21:47You have to have a lot of talent
21:49Yes, a lot of talent
21:51I've been in this business for 4 years
21:53And I've seen the results
21:55It's been 4 years
21:57It's a bit difficult
21:59If you don't have talent, you get stuck
22:01Have you ever thought about
22:03Participating in a talent show?
22:05To be honest, no
22:07Because I had experience
22:09When I was young
22:11I had 12 experiences
22:13In rap competitions
22:15But not anymore
22:17Last year?
22:19Last year, yes
22:21I loved last year
22:23Will we see you in a concert?
22:25God willing
22:27God willing
22:29Disponible
22:31This is the real translation
22:33Let's go to the last segment
22:35Cinema
22:37Let's watch some movies
22:39From the cinema
22:59Let's go
23:23This was our Cinema segment
23:25Presented to you by
23:27Cinéatlas in Rabat
23:29And Cinéatlas in the new city
23:31We've reached the end of today's episode
23:33Thank you
23:35Thank you
23:37Thank you
23:39Thank you for the invitation
23:41Thank you
23:43Thank you
23:45Thank you
23:47Thank you
23:49Thank you
23:51Thank you
23:53Thank you
23:55Thank you
23:57Thank you
23:59Thank you
24:01Thank you
24:03Thank you
24:05Thank you
24:07Thank you
24:09Thank you
24:11Thank you
24:13Thank you
24:15Thank you
24:17Thank you
24:19Thank you
24:21Thank you
24:23This is the end of today's episode.
24:25Thank you to the technical team and the artists for joining us.
24:28Thank you very much for watching us.
24:30Have a good day.
24:32See you later.