مدي 1 تي في : مع سي مهدي - 13/11/2024
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00:00Hello and welcome to a new episode of the daily patchwork show.
00:19I'm happy to be here with you every day to give you the latest news and updates on the art scene.
00:25So, get ready and let's start.
00:31Hello again, I hope you're doing well.
00:34Let's discover what's new in today's episode.
01:30Let's discover what's new in today's episode.
02:00The guest of today's episode is Waseem. Hello and welcome.
02:20God bless you.
02:21How are you?
02:22I miss you.
02:23I miss you too.
02:24We miss you too.
02:25You're a new guy.
02:26Hello.
02:27You're a new guy.
02:30Do you miss me?
02:31I miss you.
02:32How are you?
02:33I'm fine.
02:34How are you?
02:35I'm fine.
02:36How are you?
02:37I'm fine.
02:38Congratulations.
02:40Congratulations on this new album.
02:42Tell us about your work and how you chose the name of this album.
02:43How did you come up with the name of the album?
02:44And how did you come up with the name of the album?
02:45Yes.
02:46So, for the song, it's very simple.
02:47I wrote the lyrics.
02:48At first, I wrote it as a solo album.
02:49I met Dalis Alrokh and told him why.
02:50Dalis Alrokh is the link between me and Waseem because he was working with me during
02:51my time as a musician.
02:52I asked him why, and he told me it was a way to connect with Wissal because he was filming a series with him.
02:59A series with a film?
03:01A film and a series.
03:03A film and a series, yes.
03:05He asked me why I didn't try it.
03:10I told him it was a duet.
03:12He told me he liked the song I had heard.
03:14The song was called Blanche.
03:18So Wissal is an actor and a singer.
03:21Yes, he is an actor and a singer.
03:23So I listened to the song and I liked it.
03:26I started working on it.
03:28I started to record the voice.
03:30I went to Karim Slaoui's studio.
03:32He wanted me to record the song.
03:34And that's how it started.
03:36Then we went out again.
03:38I told him I had a song with him.
03:40And you filmed it in Tanja.
03:42Yes, I filmed it in Tanja.
03:44I filmed it in Roxy Cinema.
03:46I really liked that cinema.
03:49You filmed it in Tanja's Roxy Cinema.
03:51Tanja is a historical cinema.
03:53I think it's been there for a few years.
03:55It's been there for hundreds of years.
03:57I don't know how many years.
03:59Then we filmed it in Tanja's natural scenery.
04:02There are a lot of views there.
04:04It was really nice.
04:06After the music video,
04:08there were some changes in his voice.
04:10There were problems with his throat.
04:12He had a hoarse voice.
04:14What were they?
04:16There were a lot of changes.
04:18It's been a year and a half.
04:20The music video was there.
04:22Everything was there.
04:24The song was there, the music video was there.
04:26Everything was there.
04:28It's been more than a year.
04:30A lot of changes.
04:32You preferred to postpone it
04:34to take your time.
04:36People were dying.
04:38There were problems.
04:40I didn't want to wait.
04:42I had to prepare everything.
04:44There was no frustration.
04:46There was no anxiety.
04:48You had to postpone it.
04:50You had to work hard.
04:52You didn't go out directly.
04:54You had to say,
04:56I don't hate you.
04:58It's easy.
05:00You have to be calm.
05:02You can't say,
05:04I'll wait.
05:06There's a solution.
05:08If you watch the post-production,
05:10do you want to say
05:12that you have to do something?
05:14It's necessary.
05:16You have to validate it.
05:18You have to be calm.
05:20Editing and arranging
05:22are not the same in music.
05:24Mixing is not the same.
05:26You always try to put your touch
05:28in the image, music, distribution,
05:30mixing.
05:32Production is the future.
05:34Everything has to be included.
05:36We don't serve the director
05:38or the distributor.
05:40There are ideas that work
05:42and others that don't.
05:44There are things that work
05:46and others that don't.
05:48In general, you have to put your touch.
05:50As for the song,
05:52do you agree with this?
05:54Is it a serious song?
05:56It's a serious subject.
05:58Look, we take our precautions
06:00from the beginning.
06:02Or is it a light song?
06:04Do you have a broad view?
06:06You can answer as you like.
06:08You can answer as you like.
06:10You can answer as you like.
06:12No, it's a song
06:14with a plot.
06:16It's the plot of the video.
06:18It's about a guy
06:20who wants to dream.
06:22It's a romantic song.
06:24It's a romantic song.
06:26But it's not serious.
06:28It's not compared to Finito
06:30or other comical songs.
06:32It's not serious.
06:34It's between the two.
06:36It's not compared to Finito.
06:38Finito is a comical song.
06:40It's a sketch.
06:42It's not a sketch.
06:44It's a joke.
06:46Finito is a parody.
06:48It's not a comical song.
06:50It's a joke.
06:52It's hard rock.
06:54It's a joke.
06:56It's a joke.
06:58It's a joke.
07:00Honestly, I don't like
07:02a lot of movie songs.
07:04I don't understand the song.
07:06I don't understand the song.
07:08I don't understand the song.
07:10I don't understand the song.
07:12The songs around the world
07:14have a chorus.
07:16I don't know how to play the chorus.
07:18It's like Despacito.
07:20It's a new trend.
07:22It's a new trend.
07:24Now, the chorus stays in the head.
07:26It's a beautiful word.
07:28There are songs with a plot.
07:30There are songs with a plot.
07:32A light song
07:34doesn't have many words.
07:36The song is 10 minutes long.
07:38A light song doesn't have many words.
07:40A light song
07:42doesn't have many words.
07:44If you listen to it once,
07:46it stays in your head.
07:48It's not a difficult song.
07:50You listen to it three or four times
07:52you listen to it three or four times
07:54and you get it.
07:56That's the goal.
07:58That's the goal.
08:00What do you think about this song?
08:05Do you think it's a blessing from God?
08:08It's nothing special.
08:10I was wondering why people don't comment on my songs.
08:16I don't like it.
08:18I don't like the comments.
08:20I don't like the comments.
08:22I don't like the comments.
08:24I don't like the comments.
08:26I don't like the comments.
08:28I'm not lying.
08:30To talk to you a little bit.
08:35When people respect you,
08:37and when you don't respect them.
08:39who respects you?
08:41The people that put criticism.
08:44They say I don't understand your song,
08:46It has a lot of words.
08:48I don't want this.
08:49That's a not nice comment.
08:51You respect them and debate with them?
08:53You have to make them respond and say they agree.
08:55When you get in someone gets angry
08:57No, no, no, I think it's the one who is embarrassing.
09:01Look at that little bird.
09:03Yes, that little bird.
09:05Now imagine, Othama, between you and me,
09:07if you were to do an artistic work,
09:09for example, I would come and tell you,
09:11Othama, I would have preferred you to be this woman.
09:14You wouldn't discuss it with me.
09:16But imagine, Othama, that you are not a man.
09:19Now, what about an artistic work,
09:21where you are not a man,
09:23and it embarrasses you.
09:25No, no, it doesn't embarrass me, it just makes me laugh.
09:27What you do on the face,
09:28what you do as an artist,
09:29what you do as a public figure,
09:31if you put your image, your body,
09:33your image, and your name,
09:36it is judged, it is judged.
09:39Yes, yes.
09:40But in what way?
09:42But in what way?
09:43In a way far from the clip.
09:45Yes.
09:46You don't answer, you don't like it.
09:48No, no, it's not like that.
09:49It's not like that.
09:50That's how I am.
09:51Look, we, in this artistic industry,
09:54and in the musical industry,
09:55the cultural industry,
09:57we are connected to the audience.
09:59If the audience doesn't know how to discuss with you,
10:03how can you work?
10:05They don't have the style of discussion.
10:07They didn't rise to the occasion of discussion.
10:09They are still shouting, cursing, hitting, and throwing stones.
10:12You see what I mean?
10:14We are still in a historical period
10:16of the era of Tabashiri.
10:18It's not possible.
10:20We need a dialogue,
10:21we need a discussion,
10:23we need an expert,
10:24we need someone with principles,
10:25we need someone who is charming.
10:27I don't work in culture.
10:29Yes, look,
10:30I remember one day you were sitting with your haters
10:32and you were talking to them.
10:34I'm old, I don't want to sit with them anymore.
10:36No, no, you are loved.
10:37You are loved, brother Mady,
10:39and God bless you.
10:40But I want to look at the comments
10:43that Foukaha made.
10:44Yes.
10:45The ones that Duaba made.
10:46Were they like that?
10:47No, what I saw,
10:48I mean, I was talking to you about cursing,
10:50I wasn't talking to you about hitting,
10:52I was talking about the standards.
10:54How am I going to benefit as an artist
10:56if you curse at me in the comments?
10:58No, no, you have a big mouth.
11:00No, but how am I going to benefit?
11:01I want to benefit from it.
11:02It benefits me.
11:03If you curse at me, it benefits me.
11:04It benefits me with something.
11:05They tell me,
11:06no, I want this,
11:07I don't want to do this.
11:08I want to do something else.
11:09These are beautiful things.
11:11I want to benefit from the opinion.
11:13You come and curse at me.
11:14What should I do?
11:15How can I talk to you?
11:16How can I say,
11:17poor guy,
11:18he is still in the era of standards.
11:19He is still a beginner.
11:20You released an album.
11:22You released a song.
11:23You released a music video after a music video.
11:25Why is this wave,
11:27this trend,
11:30is it still going on in your opinion?
11:33Because it's been two years.
11:35Yes, it's been two years.
11:36It's been two years,
11:37and this wave is still going on.
11:39It's still going on.
11:40Glory be to God.
11:41If you released a song or a music video two years ago,
11:43you could have completed the wave.
11:45It's not a wave,
11:46it's a waterfall.
11:48It's not a wave.
11:49It's a waterfall.
11:50It's a waterfall.
11:51Do you want me to do the wave?
11:52It's not a waterfall.
11:53It's a waterfall.
11:54Is there something above the wave?
11:55No, it's not a waterfall,
11:56it's not a wave.
11:57A waterfall means a big waterfall.
11:58What is the solution,
11:59what is the solution for this problem?
12:00The solution,
12:01the solution is by the Government.
12:02The solution is by the Minister of Justice.
12:04The solution is by the Government.
12:05He has a strict law,
12:06not a basic one.
12:07If someone that you like,
12:08you like,
12:09or you like,
12:10or you like,
12:11we could vote for him.
12:12It's easy.
12:13The law doesn't suit people.
12:14You don't like his social media?
12:15I don't like his social media,
12:16If you are a social media, you should know this.
12:19If you are a social media, you should know this.
12:21If you are a social media, you should know this.
12:26When a Moroccan sees a Canadian, he won't be surprised.
12:29He will see Osama Madloum, Osama Shafar, Osama Sinvala,
12:34and he will be surprised.
12:36But if a Moroccan has a channel with 200K subscribers,
12:39he will be surprised.
12:41I can't say anything.
12:43I can't say anything.
12:45I can't say anything.
12:47I can't say anything.
12:49Let's go back to the channel.
12:51Give me its qualities and flaws.
12:53Qualities and flaws.
12:55Honestly, I don't have time to look at the flaws.
12:59The quality is professional.
13:01I was late.
13:03I came on a shooting day.
13:05I was playing with the camera.
13:08I have experience.
13:10I have experience in cinema.
13:12I was playing with the camera.
13:14I was moving with the camera.
13:16This is an advantage.
13:18You can be a singer, but you don't have the camera.
13:20You don't get what you want.
13:22On the contrary, you get more from it.
13:24Honestly, I lost this experience.
13:26Thank God.
13:28I don't have time to look at it.
13:30Thank God.
13:32Honestly, you sing well.
13:34Yes, I sing well.
13:36I dance well.
13:38I'm a complete artist.
13:40You are not mentioning your acting.
13:42I have acting in movies.
13:44I have a lot of movies.
13:46I have a new movie.
13:48It will be released soon.
13:50About your acting,
13:52you still have it.
13:54Yes.
13:56I have a great experience with Rabih Shajid
13:58and Deliso Mahdi in the movie ''Jouge''.
14:00It was wonderful.
14:02I want to do it again.
14:04They put me in a frame that I liked.
14:06It was a challenge.
14:08They wanted to bring a stuntman to do something funny.
14:10So you had to do the whole action.
14:12Yes, I had to do the whole action.
14:14But I liked it.
14:16This sequence.
14:18So you started with a sequence to change the film.
14:20I changed the film in three minutes.
14:22This sequence.
14:24For the sequel.
14:26So in three minutes, we shot it.
14:28We shot it from 5 a.m. to 10 p.m.
14:30From 5 a.m. to 10 p.m.?
14:32Yes, this sequence.
14:34You know, in action movies,
14:36they say, this is what Tom Cruise does.
14:38This is what Hermione does.
14:40This is just a sequence.
14:42This is nothing.
14:4410 of the cheapest, 15 of the best.
14:46Why 10? Because there are a lot of shots.
14:48I have the videos that follow me,
14:50and I don't want to spoil the colors of the shots.
14:52Anyway, this sequence.
14:54There is no difference between a car that flies,
14:56or a car that doesn't fly,
14:58or a car that doesn't run.
15:00I don't want to spoil the colors of the shots.
15:02I can't tell them, this is America, bravo.
15:04When they saw the new Arabic film,
15:06they were encouraged.
15:08Yes, yes, yes.
15:10It's a beautiful film.
15:12They all love it.
15:14They all love it.
15:16It is said that this sequence
15:18has a duet.
15:20If there is no duet,
15:22the song won't be released.
15:24How do you feel about this featuring?
15:26Is it a good strategy?
15:28The duets are beautiful.
15:30I don't have a lot of duets.
15:32I don't have a lot of duets.
15:34I have 31 singles.
15:36You have Hazal Fad, Samia Akrio,
15:38Wissal Perez,
15:40Jodia, Abdelrahim Swery.
15:42You don't have a lot.
15:44These are the ones we mentioned.
15:46I don't have a lot.
15:48I have 60 duets.
15:50For example, Balty,
15:52Gims.
15:54I don't have a lot of duets.
15:56I have a lot of duets.
15:58I have a lot of duets.
16:00American, Spanish, Russian.
16:02I don't have a lot of duets.
16:04I have a few duets.
16:06I have a few duets.
16:08I have a few duets.
16:10I don't have a lot of duets.
16:12I don't have a lot of duets.
16:14To close the subject,
16:16did you have any projects in mind?
16:18At the time, no.
16:20At the time,
16:22I had something in the music of
16:24Swery.
16:26At the time,
16:28I had something in mind.
16:30It was like my creeps.
16:32Something like that.
16:34Samadi, did you contact
16:36the Ministry of Culture?
16:38Did the water return to its source?
16:40No, the water is still there.
16:42It's still there.
16:44Samadi is honest.
16:46No, the water is still there.
16:48The water is still there.
16:50You said that you were not part of the Ministry of Culture.
16:52I wasn't part of it.
16:54I was just a part of it.
16:56I was just a part of it.
16:58It was like my KD.
17:00I'm a special KD.
17:02I could never be part of the Ministry of Culture's plans.
17:04I'm not like that.
17:06I'm just a part of it.
17:08I was just a part of it.
17:10I was just a part of it.
17:12Could you explain to us what happened?
17:14We were brothers.
17:16There was a law related to Moroccan
17:18rights.
17:20I had a clash with the ministry, and the officials didn't like what I did to them.
17:23Since then, we've been fighting.
17:25It's the fastest fight in the world.
17:27Why didn't they like what I did to them?
17:29They didn't agree with me, or I don't know.
17:31In any case, it remained like this.
17:33It remained this cold war.
17:35The last show I did with the ministry,
17:37when I went to the minister, Mr. Badi Bin Saeed,
17:39was in 2021.
17:40I went with Samia Aqari, and we were in Mohamed el Khamis theater.
17:43We were good friends.
17:44In 2022, I went to the law project, 25-19.
17:48I gave some ideas, some opinions.
17:50It might have been successful.
17:52We went to the parliament, we did the press conference.
17:54Didn't you want to amend it?
17:55No, we had to amend it.
17:56The law had to be amended.
17:57After the events, we had to amend the law
17:59in favor of the law and the ministry,
18:01not in favor of me.
18:02What happened after that?
18:03Nothing happened.
18:04There were problems and arguments.
18:06What happened after that,
18:07when we reached the disputes I have with them
18:09for a few hours,
18:10I swear, it's a creature.
18:12Did it affect the unions a bit?
18:14Yes, because at the same time,
18:16I am the president of the artistic union,
18:19of the neighboring rights.
18:20But this has nothing to do with me defending the rights.
18:23I am not a human rights activist.
18:24I need to defend the rights of people
18:27through my experience and through my experience.
18:32That's all.
18:33Anyway, it was a good experience.
18:35We had to go through the union experience
18:38to know what the union is,
18:39what the dispute is,
18:41what is the clash with the ministry,
18:42what is going on in the parliament,
18:44what is going on with the consultants,
18:45what is going on with the institutions.
18:47You have to go through all of this as an artist
18:49so that God will bless you.
18:51You have to go through all of this
18:54so that you don't make the same mistakes.
18:56That's all.
18:57But this has affected you a bit.
18:58Did you think that this would affect you?
19:00No, why would it affect me?
19:01No, it didn't affect me.
19:02You said that the disputes were easy.
19:04No, the disputes don't affect me.
19:05They don't affect you?
19:06No, I don't think so.
19:07You bring stress to the house,
19:09you bring disputes to the house,
19:10you stay in the bathroom a lot,
19:11you have a lot of problems.
19:12No, I don't think so.
19:13I don't think that the disputes are easy.
19:16I don't think that the disputes are easy.
19:21What I don't like are the disputes
19:23that come with a lot of trouble.
19:26They have nothing to do with the institution,
19:28they have nothing to do with the law,
19:29they have nothing to do with the police.
19:31But what is it?
19:32If there is no one in the field
19:33who can find you,
19:34is that it?
19:35No, I don't know.
19:36I can't.
19:37I have a lot of assumptions,
19:38but I can't talk about it.
19:40I can't talk about it.
19:41What I know is that,
19:43for example,
19:45the case that I have with Rwapa,
19:47they went out with me,
19:49and what they did was a charity,
19:51and they stayed for a short time.
19:53They went out,
19:54they pulled me in the same way
19:56that I was in prison.
19:58I was the one who brought them
20:00the resistance,
20:01and I didn't want the ministry to serve.
20:03This is what they were looking for
20:04during that time.
20:05If they had stayed with me
20:06for five minutes
20:07and had a cup of coffee,
20:08everything would have been fine.
20:10There was a post on smallx.com
20:12where they said that
20:14this name might be one of the artists
20:16who are extorting a lot of copyrights
20:18in the country.
20:19No, no, no.
20:20What do you think?
20:21No, no, no.
20:22There are a lot of copyrights.
20:23Was it a politician?
20:24No, no.
20:25It was a video.
20:26Do you know how many videos there are?
20:27No, I don't know.
20:28It depends.
20:29I don't know.
20:30They started in May.
20:31They started in May.
20:32They started in May.
20:33They started in May.
20:34They started in May.
20:35They started in May.
20:36They also started in November.
20:37They started in November.
20:38Exactly.
20:39They also started in November.
20:40When you say
20:41that you were a target.
20:42When you say that you were a target.
20:43Wow, this is clear.
20:44Everyone has a public intention.
20:45Wow, this is clear.
20:46This is clear.
20:47This is clear.
20:48This is clear.
20:49This is clear.
20:50I ask for their forgiveness
20:51and don't step down.
20:52I don't know why
20:53they are angry
20:54and don't step down.
20:55I never stepped down.
20:56I was re-elected in 2022.
20:57I never stepped down.
20:58I was re-elected in 2022.
20:59And recently,
21:00what happened to you?
21:01I had problems with
21:02the lawyer I had.
21:03And in the end,
21:04I didn't get the job.
21:05I returned everything from the beginning
21:08How much money did you lose?
21:10A lot
21:11Really?
21:12Yes, a lot
21:14From 2022 to 2024?
21:16Yes, a lot
21:17I didn't count
21:19Did you reach a million?
21:20Yes, I reached a million
21:22Really?
21:23Yes
21:24But what's the goal?
21:26The goal is to get my rights
21:28Because those people
21:29Apology?
21:30No, not an apology
21:31Those people hit me in my reputation
21:33They hit me in my reputation
21:34They called me a swindler
21:36They called me a bad person
21:37They called me a minister of war
21:39They called me a corrupt person
21:41They said all of that
21:42And I didn't care
21:43I didn't care
21:44I just left
21:45And I didn't know that all of this
21:46Would have a big impact on me
21:49And on my reputation
21:51And on my relationship with people
21:53A lot of things
21:54But I didn't care
21:55I automatically did what they said
21:56I didn't care
21:57I just went and did my job
21:58I lived my life
21:59I didn't have any problem
22:00I lived like that for one or two years
22:02Did that hurt you?
22:03I would have to be held accountable
22:05I would have to be held accountable by law
22:07I would not make videos
22:08And stories
22:09Or anything
22:10You did what you were supposed to do
22:11You have what benefits you
22:12You get a court order
22:13So to sum up
22:14You chose to go for the legal path
22:16I apologize for hurting your feelings
22:20You are an artist and have important names
22:24I think everyone takes responsibility for his words
22:29and each one of us should defend his head in a legal way
22:34and come with his convictions
22:37No, look, the law is beautiful.
22:39If you don't follow the law, you're not with us, you're not with us.
22:42You're just telling us what you're saying.
22:44And the truth is that we believe in the Moroccan judiciary.
22:48I believe in it a lot because I'm not wronging anyone.
22:50I'm wronged. I'm not wronging anyone.
22:52The important thing is that you stay on good terms with your head
22:54and on good terms with the audience
22:57No, no.
22:58I'm not going to sing this song.
23:00Of course not.
23:01I'm not going to sing it when I'm depressed.
23:03No.
23:04The next song, I'm sure it's this one.
23:06Have you filmed it or not?
23:08We're working on it.
23:09What's the featuring?
23:10No, no, it's not a featuring.
23:11It's a solo.
23:12It's a completely different song.
23:14From what I see, it's completely different.
23:16There's a difference in the lyrics, in the melody, in the style of the song.
23:19And what do you think?
23:20I think it's good.
23:23I think it's good.
23:24I think it's good.
23:25But honestly, it's a completely different song.
23:27Ok.
23:28In France or in Algeria?
23:29In Algeria.
23:30No, no.
23:31I'll leave it for the 25th of July.
23:32The 25th of July.
23:33Ok.
23:34Ok.
23:35Honestly, the song is not hot for you.
23:36It's not hot for me.
23:37I'm with you for a long time.
23:38I'm in the car.
23:39You're in the car.
23:40Let's go for a ride.
23:41Let's go for a ride.
23:42I'll give you a ride.
23:43One last word, Simadi.
23:44One last word.
23:45Thank you for the hospitality.
23:46Hello.
23:47Thank you for the good energy.
23:48And thank you for giving us the opportunity to deliver our new song
23:49and to deliver what we have to the media and TV audience.
23:50God bless you.
23:52God bless you.
23:53We've reached the end of today's episode.
23:54Thank you to Technical and Artistic Department.
23:56And thank you for watching.
23:57I wish you a lot of fun.
23:58And between us, patchwork.