• 2 ay önce
Döküm
00:00:30Thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank
00:01:00you, thank you very much.
00:01:30But surely it will be an exceptional audience with which we want to celebrate.
00:01:35Ricardo, sorry, I'm going to stop doing it.
00:01:37We want to celebrate that yesterday was the third program of La Revuelta on Spanish television.
00:01:43And people saw it.
00:01:45And we have been the most watched program, the golden minute, all the largest number of spectators.
00:01:48Thank you all very much.
00:02:01I stop, I stop, I stop.
00:02:03Unless you sing now...
00:02:16But we had already sung that well, but what I said...
00:02:18Marco, you know which one I wanted to sing, right?
00:02:20Which one?
00:02:30For the babies, yes, for the babies.
00:02:39Sorry, yesterday...
00:02:40I was going to do a beautiful version.
00:02:42What version?
00:02:43Nothing.
00:02:44Yesterday we also won among the babies.
00:02:47And yesterday too.
00:02:48Look, it's fair, he looked me in the eyes.
00:02:50Who is this person?
00:02:51Well, a teacher.
00:02:54But give me just an initial information.
00:02:56It's Calleja, who has been here since he came from Los Alpes.
00:02:59Ana...
00:03:02He caught a cold.
00:03:12It's Ana, and we have intellectually tested the whole audience.
00:03:15And she is the most mentally solid person of all.
00:03:18It's just that they looked at me when I was going to say that yesterday we commented that the only part of the audience that had not been seen in so much was women over 65 years old.
00:03:27And yesterday we were also leaders among women over 65 years old.
00:03:32Thank you very much.
00:03:43Sorry.
00:03:45For the babies, yes, for the babies.
00:03:56What a party of people this is.
00:03:58For the babies, yes.
00:04:00Let's see, Ricardo, I'm going to stop with this.
00:04:02You have to stop with that, man.
00:04:03You have to stop with this.
00:04:04But I don't celebrate it.
00:04:05I celebrate it, but there are people who think that I'm celebrating it because of the duel with El Hormiguero and such.
00:04:10It's true that all of Spain is there.
00:04:12Of course, but they are making an incredible audience anyway.
00:04:15However, Carlos Latres.
00:04:16We send a hug to Carlos Latres because he is always a bitch.
00:04:29Do you remember, Ricardo, when there was all this movement that attacked us a lot?
00:04:31They said, I just want the show to start, because they were putting us like the devil, as if this was going to be a brainwashing and such.
00:04:37And I said, I just want the show to start, and whether people like it or not, but I want them to see it.
00:04:42After all, it's a comedy show.
00:04:44We try to make people have fun.
00:04:46And the fact that this happens, I simply celebrate it because it's a recognition and validation.
00:04:50I thank you very much and we are very grateful.
00:04:58Very well said.
00:05:00Very well said, Broncano.
00:05:02What do you say, Ana?
00:05:03Very well said.
00:05:04It's well explained, isn't it?
00:05:05Very well said.
00:05:06It's true.
00:05:07You are used to being put on a table with Juan del Val and Nuria Roca.
00:05:11No, but it's true.
00:05:13Our thing was to start the show, for people to see it, and to see that it's a show.
00:05:16We are simply a comedy show.
00:05:18And it's a show that we are not going to leave anyone out.
00:05:20The show can be seen by everyone.
00:05:21Ana's son is a bullfighter.
00:05:31You don't need to compete.
00:05:33No, it's true.
00:05:35Why are you here, Ana?
00:05:37I don't know.
00:05:39It's because there has been a hecatomb here.
00:05:41There has been a hecatomb?
00:05:43They won't have messed with you, Ana.
00:05:45No, no, no.
00:05:47On the contrary.
00:05:49There has been a hecatomb in the sense of applauding me to get me out of here.
00:05:53A hecatomb of love.
00:05:55A hecatomb of affection.
00:05:56Yes, pure affection.
00:05:57And you have accepted it well, of course.
00:05:58Of course.
00:05:59With great enthusiasm.
00:06:06It relaxes you.
00:06:08Ana, it relaxes you.
00:06:10You listen to it and it gives you...
00:06:11What do you do for a living?
00:06:12What do people know about you?
00:06:13What have you told them?
00:06:14No, I have told them that I used to work in the infirmary.
00:06:18Okay.
00:06:19A good profession.
00:06:20Very noble.
00:06:21Where?
00:06:22In the hospital P7 in Valencia.
00:06:24In Valencia.
00:06:28And then today, in the video...
00:06:31Of course.
00:06:32And on the other side, in the video...
00:06:33In the video there has been an ambiguity today that we have allowed ourselves the luxury of allowing it.
00:06:37What has happened?
00:06:38Because there is a guy named Márquez, who is a normal.
00:06:43Yes.
00:06:44Who is that?
00:06:45The guy in the second row on the left of everything.
00:06:48Is he stupid?
00:06:49He is very stupid.
00:06:50And on top of that, well, he has had sentimental difficulties that have made us even more funny, the truth.
00:06:56Okay.
00:06:57But on the other hand, Maria has not fallen all wrong, but there is a small plot.
00:07:02Because...
00:07:03What's wrong with her?
00:07:04Tell her, I think it's better.
00:07:05Do I have to tell her?
00:07:06Well, okay.
00:07:07And you don't like that?
00:07:08No, I like it, but we have made an exception.
00:07:10Let's see.
00:07:11Let's see, basically, I started to like a classmate, we had a project, we made a song.
00:07:16In the end, we ended up messing up.
00:07:18You don't want to make the song.
00:07:20Wait, wait, wait.
00:07:22You have messed up with a classmate who is a singer.
00:07:24And me too.
00:07:25With a girlfriend.
00:07:26With a girlfriend.
00:07:27Let's see, at that moment, I asked him, I asked him if he was with his girlfriend and he told me no, that they had broken up.
00:07:33But after that, I went to Argentina, he returned to his island and I see that he returned to Fuerteventura.
00:07:39And you are Argentinean?
00:07:40No, I am Venezuelan.
00:07:42Okay.
00:07:43But I lived in Argentina, I went to visit my friends and such.
00:07:45I mean, he told you, I don't have a girlfriend anymore, oh, what a girlfriend, what a girlfriend.
00:07:48Of course.
00:07:49You got involved.
00:07:50Of course.
00:07:51And then?
00:07:52He came back with his girlfriend.
00:07:53He came back with his girlfriend.
00:07:55Fuck, a horrible parenthesis.
00:07:57Let's see.
00:07:58The thing is that they made a song together.
00:08:00Yes.
00:08:01And he doesn't want it to be published and she thinks it's going to be a hit.
00:08:04And then he sang the song in a WhatsApp audio.
00:08:07Yes.
00:08:08And he sent it to him.
00:08:09Okay.
00:08:11And here ends the story.
00:08:12There is a song that you have done with him because you both sing.
00:08:14Yes.
00:08:15And he doesn't want to because, of course.
00:08:16He doesn't want to, I mean, he told me that because I haven't released any song or for something else, I don't know.
00:08:21Okay, but he sang here, Maria.
00:08:23Yes, if you want, put the audio.
00:08:24No, but let him sing it.
00:08:26Okay.
00:08:27I sing it.
00:08:36But do you want me to sing the minute or just...
00:08:38No, no, no.
00:08:41At first, the chorus.
00:08:42The chorus.
00:08:43The song is very long, guys.
00:08:45It's a feature film.
00:08:47The chorus.
00:08:48The chorus.
00:08:50He started singing the song when Ana was 35 years old.
00:09:03Excuse me, how do I introduce you?
00:09:05What's the name of the song?
00:09:06Dime lo que pasa.
00:09:07I got involved with the boyfriend.
00:09:08No, no, no, no, no, no.
00:09:09It's called Dime lo que pasa.
00:09:11That would be good for the girlfriend, Dime lo que pasa.
00:09:13Yes, I think so.
00:09:15Dime lo que pasa.
00:09:16Well...
00:09:17Well, it's because a lot of guys have fallen for her, poor girl.
00:09:20Tell that to the guy in the second row.
00:09:22Of course.
00:09:27Well...
00:09:31I don't get involved.
00:09:32It's none of your business.
00:09:33I'm not going to judge you.
00:09:34But it's called Dime lo que pasa, right?
00:09:36Okay, Maria, I introduce you.
00:09:38Ricardo, I introduce you.
00:09:39Ricardo, why is it a different thing every day?
00:09:41What's wrong with you?
00:09:42I don't want to talk about them.
00:09:43We're looking for something colorful,
00:09:45that gives me a touch and we're not doing it.
00:09:47No, it's not working.
00:09:48We're not doing it.
00:09:49I like this look.
00:09:50Well, let's see.
00:09:52I feel like selling donuts.
00:09:54Maria.
00:09:56Maria.
00:10:03What's the artistic name, Maria?
00:10:05No.
00:10:06You have to look for something.
00:10:07My artistic name is MD,
00:10:08because I have two names and they are the initials.
00:10:10Okay, MD.
00:10:11But be careful, because then there's MA.
00:10:13MD and MA.
00:10:15And that name is already caught.
00:10:18Of course.
00:10:22If the other guy in the song is called Michelangelo,
00:10:24it's perfect.
00:10:25MD, MA, it's incredible.
00:10:26No.
00:10:27It's called the Eder.
00:10:28You'll love it.
00:10:29Okay.
00:10:30The Eder that comes from Aragon.
00:10:32MD.
00:10:33Of course.
00:10:34The Eder, man.
00:10:35If you have to enter ecstasy, count on me.
00:10:37MD.
00:10:38Are you going to roll with an elf or what?
00:10:40Let me do it.
00:10:48Let me, let me.
00:10:49First he kissed her and then he said,
00:10:51destroy this ring.
00:10:52Please, let me.
00:10:53Sergio, let me introduce her.
00:10:54Not only did he have pointed ears.
00:10:56MD.
00:11:04You could say he was the f***ing friend.
00:11:06But I...
00:11:07But please, that's enough.
00:11:09Sergio.
00:11:11That's enough.
00:11:15Destroy this ring.
00:11:16It sounded awful.
00:11:17But...
00:11:18MD presents a short chorus of a possible hit,
00:11:21according to her,
00:11:22which is called Dime Lo Que Pasa.
00:11:37What's up?
00:11:38I know you're waiting for my call.
00:11:40The message is to come to my house
00:11:43to tell you that I love you.
00:11:57Wait a minute.
00:12:08Excuse me.
00:12:09Here...
00:12:22Excuse me.
00:12:23So many people have come to sing
00:12:25and then they sing like shit.
00:12:27This girl, I didn't have any expectations,
00:12:29but she sang amazing.
00:12:30Congratulations, MD.
00:12:33The song is beautiful.
00:12:38We have three calves today, too.
00:12:41What luck.
00:12:42You asked for a wish.
00:12:43Yes.
00:12:44Three calves right under the spotlight.
00:12:46And look how they shine.
00:12:47Look, look, look.
00:12:48Wow, girl.
00:12:57I tried...
00:12:58And then a short chorus.
00:13:00You know what I mean?
00:13:01Well, the show starts.
00:13:03Can I say...
00:13:04Ana, do you want to say...
00:13:05Do you want to step up?
00:13:06Well, there's no advertising today, right?
00:13:08Well, there never is, of course.
00:13:10Well, leave the microphone for a moment.
00:13:12Do you want to say,
00:13:13welcome to La Revuelta,
00:13:14this is Spanish television.
00:13:15Thank you all for watching the show.
00:13:17And we start.
00:13:18Okay.
00:13:19Look at that camera over there.
00:13:21Over there.
00:13:22Welcome to La Revuelta.
00:13:23No, no, wait.
00:13:24To that camera.
00:13:25Welcome to La Revuelta,
00:13:26this is Spanish television.
00:13:27Welcome to La Revuelta,
00:13:28this is Spanish television.
00:13:30Thank you for...
00:13:31Thank you for...
00:13:33Thank you for coming.
00:13:35Thank you for coming.
00:13:36Thank you for coming.
00:13:37Thank you for coming.
00:13:48What's up, Guillo?
00:13:49What...
00:13:50Ah, of course.
00:13:51It's almost...
00:13:52It's almost time for the children's show.
00:13:54Okay.
00:13:55Well, you know that every day
00:13:56when the children's show is over,
00:13:57which is around ten o'clock,
00:13:58we send a message to the kids
00:13:59so that they go to bed.
00:14:00All the babies and all that.
00:14:01The magic man comes out
00:14:02and sends them to bed.
00:14:03Play it.
00:14:18And now...
00:14:22And now in La Revuelta,
00:14:23like every day...
00:14:24Maybe the guy comes every day.
00:14:26He's here every day,
00:14:27but not every day
00:14:28you tell him to come out.
00:14:29Does he come here or is he around?
00:14:30He's around.
00:14:31He's around.
00:14:32A round of applause for Jorge Ponce,
00:14:33no less.
00:14:34In La Revuelta, one more day.
00:14:37I'm here in El Croma
00:14:38because today we're doing...
00:14:39It's been a long time
00:14:40since you've been in El Croma.
00:14:41The first Croma of the year.
00:14:42We're going to do these things
00:14:43that they do in La Pública,
00:14:44that they do
00:14:45with territorial disconnection.
00:14:46It's true.
00:14:47So that everything is not Madrid
00:14:48with its things of freedom,
00:14:49the Almey balls and all that.
00:14:50It's true.
00:14:51So, it connects with other Spaniards.
00:14:53Smaller Spaniards,
00:14:54more...
00:14:55Diverse Spaniards.
00:14:56Spain of stage B,
00:14:57of stage San Miguel 00.
00:14:58Spain of the best.
00:14:59Spain of the best.
00:15:00And then,
00:15:01all that is counted
00:15:02in territorial disconnection.
00:15:03Let's see.
00:15:18Okay.
00:15:19Territorial disconnection.
00:15:20We know other parts of Spain.
00:15:21Today we're going to Benidorm.
00:15:22Okay.
00:15:23Because most people...
00:15:24Good choice.
00:15:25Most people have only seen it like this,
00:15:26they've only seen it in Llavero.
00:15:27And you have to see it.
00:15:28So, it's very important.
00:15:29The first thing with Benidorm.
00:15:30It's not...
00:15:31Do you see the M?
00:15:32Benidorm.
00:15:33Not Benidorm.
00:15:34Why does it stand out a lot?
00:15:35Because...
00:15:36Zoom in on my face.
00:15:37Because if you say Benidorm...
00:15:38Yes.
00:15:39You see me here.
00:15:40You say Benidorm.
00:15:41No.
00:15:42But if you say it with the M,
00:15:43your face gets...
00:15:44When you say it with the M,
00:15:45you say Benidorm.
00:15:48When you get there,
00:15:49you say Benidorm.
00:15:50Yes, yes, yes.
00:15:54If you say Benidorm,
00:15:55no, but it's Benidorm.
00:15:56You see,
00:15:57it's a bit like Rajoy.
00:15:58It's like this.
00:15:59Okay, well,
00:16:00we're here.
00:16:01Let's go straight to the Street View.
00:16:02Okay.
00:16:03We're in Benidorm.
00:16:04The last stop, okay?
00:16:05Here we see it.
00:16:06Okay, all the people.
00:16:07The end of the journey, David.
00:16:08This is Benidorm from the inside or on the street?
00:16:10On the street.
00:16:11We see this here, okay?
00:16:12Where the last journey of the Yayos is.
00:16:14Where the Yayos go.
00:16:15They go there,
00:16:16they go out for the last time
00:16:17and they get into the sea.
00:16:18So, we have all the types of Yayos.
00:16:20What happens?
00:16:21What unites them all?
00:16:22The Yayos,
00:16:23the Yayos of Benidorm,
00:16:24they don't care, David.
00:16:25Look, this is Benidorm.
00:16:26This is Benidorm.
00:16:27The shirt he wears.
00:16:28Benidorm.
00:16:29There you see it.
00:16:30There you put Benidorm.
00:16:31Benidorm.
00:16:32He doesn't care.
00:16:33The one in the background,
00:16:34even less.
00:16:35He doesn't even wear a shirt anymore.
00:16:36Okay?
00:16:37They go like this.
00:16:38Benidorm.
00:16:43In Benidorm,
00:16:44you see it,
00:16:45it's a lot of torso.
00:16:46Torso,
00:16:47you have this man's,
00:16:48but of many types.
00:16:49You also have the Yayo Fitness.
00:16:50Watch out,
00:16:51of course,
00:16:52there are the Yayo Fitness.
00:16:53We've already seen the one
00:16:54that doesn't care.
00:16:55Then,
00:16:56there's the young Yayo.
00:16:57Okay?
00:16:58The Yayo that is Yayo,
00:16:59but a new Yayo.
00:17:00In the disco-pub,
00:17:01they go for them.
00:17:02They are the Yogurines.
00:17:03Ricardo Castellan.
00:17:04Ricardo Castellan,
00:17:05practically,
00:17:06of course.
00:17:07There we have it.
00:17:08And we also have the surprising Yayo.
00:17:09Look how he gets in.
00:17:10Look, look at the Yayo.
00:17:11The Yayo gets in,
00:17:12he eats you directly.
00:17:13He got in the camera.
00:17:14Indeed.
00:17:15So,
00:17:16a lot of Yayo,
00:17:17as you see.
00:17:18Very important,
00:17:19since you are going to visit
00:17:20here in the background,
00:17:21the Quixote Nordiskakrogen.
00:17:22Okay?
00:17:23You see it.
00:17:24Nordiskakrogen.
00:17:25The Quixote,
00:17:26well,
00:17:27it's a bar
00:17:28to get drunk
00:17:29with the Swedes
00:17:30and the Norwegians.
00:17:31The Quixote Nordiskakrogen.
00:17:32Nordiskakrogen,
00:17:33okay?
00:17:34And you have to be very careful
00:17:35and come back here,
00:17:36for example,
00:17:37if we are here,
00:17:38wait,
00:17:39we go to the beach,
00:17:40okay?
00:17:41To the beach,
00:17:42eh?
00:17:43For example,
00:17:44we have here,
00:17:45we go through the Moritimo Pass,
00:17:46very beautiful,
00:17:47okay?
00:17:48Here we see,
00:17:49for example,
00:17:50a lady who has already taken,
00:17:51who is packing her bags.
00:17:52Why?
00:17:53She is not here anymore.
00:18:02Where is the lady?
00:18:03We don't know.
00:18:04She has disappeared.
00:18:05She has disappeared.
00:18:06Okay,
00:18:07we go to another part of Benidorm.
00:18:08We go to the Alameda
00:18:09of Mayor Pedro.
00:18:10Okay?
00:18:11This is the Alameda.
00:18:12Here there are a lot of people,
00:18:13very busy,
00:18:14a lot of life.
00:18:15In Benidorm,
00:18:16by the way,
00:18:17this is the Montmeló
00:18:18of this type of car.
00:18:19That is,
00:18:20Benidorm,
00:18:21this car,
00:18:22some,
00:18:23I think,
00:18:24I get angry because
00:18:25they abuse the car.
00:18:26This car does not give more than itself.
00:18:27It is very loaded.
00:18:28It is not worth having a friend
00:18:29with a car
00:18:30to throw away
00:18:31everyone's towels,
00:18:32the bags of the market.
00:18:33A dog,
00:18:34they have put a dog
00:18:35in the lady.
00:18:36The dog can walk
00:18:37because
00:18:38you don't abuse the cars.
00:18:39Well,
00:18:40and we have a lot of people,
00:18:41people taking things.
00:18:42Here we have one,
00:18:43let's see if,
00:18:44some people taking something,
00:18:45let's see if we see the tattoo.
00:18:46Look,
00:18:47there is the tattoo.
00:18:48What does it say?
00:18:49I am a wild duck.
00:18:52I am a wild duck
00:18:53and with the suit
00:18:54I brought you.
00:18:55That seems to me
00:18:56something like that.
00:18:57I don't know,
00:18:58I don't know.
00:18:59Well,
00:19:00then we are here.
00:19:01By the way,
00:19:02in Benidorm
00:19:03we also have this,
00:19:04pum,
00:19:05you have eaten it all,
00:19:06pum.
00:19:07I didn't expect it.
00:19:08Luca, fine,
00:19:09Luca,
00:19:10pum,
00:19:11you eat it,
00:19:12fine.
00:19:13Okay,
00:19:14and a couple of corners
00:19:15more from Benidorm.
00:19:16We have this other corner
00:19:17where the mandatory ambulance is,
00:19:18that is,
00:19:19the ambulance
00:19:20does not move from there.
00:19:21They have it directly
00:19:22and I don't know
00:19:23if you know
00:19:24the famous expression
00:19:25in Alicantina,
00:19:26more to taste,
00:19:27more to taste
00:19:28than the shadow
00:19:29of a rhinoceros.
00:19:30How is it?
00:19:31More to taste
00:19:32than the shadow
00:19:33of a rhinoceros.
00:19:34Fuck,
00:19:35because look
00:19:36at the gentleman
00:19:37who is very tasty.
00:19:38Yes, yes.
00:19:39Excuse me,
00:19:40he is very tasty.
00:19:41It is a shadow
00:19:42of a rhinoceros
00:19:43very powerful,
00:19:44very noble.
00:19:45If you put the one
00:19:46next to the giraffe,
00:19:47worse,
00:19:48but the rhinoceros.
00:19:49Yes, yes.
00:19:50Where does this happen?
00:19:51That you have a torso
00:19:52on this side
00:19:53and if you go here,
00:19:54another torso
00:19:55that comes out there,
00:19:56kid.
00:19:57My goodness.
00:19:58My goodness,
00:19:59but this, of course,
00:20:00this is the alpha.
00:20:01This is the alpha torso.
00:20:02It has become alpha.
00:20:03It eats it directly.
00:20:04We also have,
00:20:05where do people
00:20:06have a good time
00:20:07in Benidorm?
00:20:08Well,
00:20:09at Disco Puff.
00:20:10Here we have,
00:20:11this is a nice
00:20:12print also from Benidorm.
00:20:13There we see it,
00:20:14okay,
00:20:15a little car,
00:20:16as I told you.
00:20:17Yes.
00:20:18The gentlemen,
00:20:19Benidorm play.
00:20:20Pin Floyd,
00:20:21lever and change.
00:20:28Lever and change.
00:20:29Lever and change.
00:20:31That says it's the
00:20:32loosest,
00:20:33well, no,
00:20:34look at the next day,
00:20:35head of the poster.
00:20:36There we have it,
00:20:37lever and change.
00:20:38Okay,
00:20:39and finally we say goodbye
00:20:40from Benidorm,
00:20:41we go here.
00:20:42We have seen this
00:20:43beautiful print,
00:20:44here we see it
00:20:45Benidorm,
00:20:46the beautiful beaches,
00:20:47the umbrellas and such.
00:20:48Yes.
00:20:48In Mercadona, in Benidorm, it's practically, let's see, I'm going here, it's practically any time, okay?
00:20:53Here we see it, that is to say.
00:20:54No, man, no, no.
00:20:55The man has told her, get in there.
00:20:57And there she got in.
00:20:58I'm taking off my shirt.
00:21:06Damn, it's time to eat, huh?
00:21:09Well, get in there, and as always, in this type of seat, we have the looker.
00:21:12Look at the looker, who has stayed there, hiding from the ...
00:21:14He caught the Google car, huh?
00:21:16He caught the Google car directly.
00:21:18So you already know Benidorm.
00:21:19Regional disconnection for Benidorm.
00:21:21Jorge, thank you very much.
00:21:23A round of applause for Jorge Ponte.
00:21:24Jorge Ponte.
00:21:28MD tells me, Sergio, with a gesture, that there may be news.
00:21:31Is there news from Elfo?
00:21:35Let's see.
00:21:36Because we remember that this program is live, and surely the kid has been able to see it from his house, right?
00:21:40This is live, Ana.
00:21:42You already know that it's almost midnight, right?
00:21:45Let's see.
00:21:47Watch out.
00:21:48He's laughing, he's laughing, huh?
00:21:50Let's see, sorry, bring the microphone closer, bring it closer.
00:21:52He has answered me.
00:21:53Bring it closer, there is something.
00:21:54Oh my God.
00:21:55Oh, Holy Virgin, she sent you ...
00:22:06Let's see.
00:22:07He has answered me.
00:22:08Open it, open it there.
00:22:09Hello.
00:22:10Okay.
00:22:11He has answered me.
00:22:12What the fuck, hahaha, it's her.
00:22:13What the fuck?
00:22:15What the fuck?
00:22:16Hahaha.
00:22:17It's her.
00:22:18It's what?
00:22:19Artificial intelligence.
00:22:20But we are normal.
00:22:28Well.
00:22:30Do you want us to send him a photo?
00:22:31Do you want us to take a selfie?
00:22:32Yes, yes.
00:22:33Come here, come here, run.
00:22:34We'll send it to him so he can see it's true.
00:22:37Boy, I get nervous sending a selfie directly to the same Elder, son of Hered.
00:22:42It's that, of course.
00:22:43Go up, go up.
00:22:48Oh my God.
00:22:49With MD, what an artist, huh?
00:22:53Juanín.
00:23:00Okay.
00:23:03Today there is a problem with the guest.
00:23:05I'm going to tell you because we have done ...
00:23:07Let's see, something happened.
00:23:08We had ...
00:23:09What's up?
00:23:11Wait, now I see it.
00:23:12Something happened.
00:23:13Today we had a guest who could not come because he is a ...
00:23:16He will come, he is a sportsman who has suffered an injury.
00:23:19Okay.
00:23:20And he could not come.
00:23:21And today at four in the afternoon ...
00:23:22Now it's ...
00:23:23I don't know, it's past ...
00:23:24It's six, right?
00:23:25Something like that.
00:23:26At five.
00:23:27We had no one.
00:23:28We had several options and I have already asked Fernando not to tell me what there is.
00:23:31Can I say the options there were?
00:23:33Come on.
00:23:34We had told him.
00:23:35Today at three in the afternoon we told him.
00:23:37Yes, yes.
00:23:38Anígar Tiburú.
00:23:39Anígar Tiburú.
00:23:40Jordi Hurtado.
00:23:41Jordi Hurtado.
00:23:43I made a missed call to Reina Sofía.
00:23:45Yes.
00:23:46Reina Sofía, I don't think so, but the rest are real.
00:23:48Yes.
00:23:49We have told Raúl Cimas.
00:23:52We have told him ...
00:23:53Well, this one I say no, but for the joke we have told the father of the bad girl, but ...
00:23:59He has tried.
00:24:00He has tried.
00:24:01He has tried.
00:24:07Hey, Broncano ...
00:24:09Sorry, sorry.
00:24:10Open it, Ana.
00:24:12I would have liked Anígar Tiburú.
00:24:15Anígar Tiburú?
00:24:16Yes.
00:24:17I don't know if ...
00:24:18I think we had told Yolanda Ramos too, but ...
00:24:21Let's see, here you already have someone, of course.
00:24:23Of course, of all those ...
00:24:24Ah, she puts it, right?
00:24:25Yes.
00:24:27Of all those ...
00:24:28Is that the interview or not?
00:24:29That's the interview, yes.
00:24:30This one or ...?
00:24:31Are you finding out ...?
00:24:32This person here, why?
00:24:34Ah, because he came too.
00:24:36Ah, but the interview is not him.
00:24:37No, man, no.
00:24:38What a dynamism of program, kid.
00:24:42Where is he?
00:24:43Careful, huh?
00:24:44I haven't interviewed him.
00:25:01He is a kid!
00:25:02He is a kid!
00:25:03He is a kid!
00:25:04He is a kid!
00:25:05He is a kid!
00:25:06He is a kid!
00:25:07He is a kid!
00:25:08He is a kid!
00:25:10Directly from the pub Tony de Benidorm, huh?
00:25:11Incredible, huh?
00:25:14I was with Jorge and I said, I'm going to see a guy.
00:25:16Sorry, I haven't interviewed you.
00:25:17No, I haven't interviewed you.
00:25:18You are going later.
00:25:19I'm going later.
00:25:20Well, I'm leaving.
00:25:21See you later.
00:25:22Thanks.
00:25:23But now you come back, huh?
00:25:24Now I come, yes.
00:25:25After the interview you come back.
00:25:26I do a couple of things I have to do and then I bring you some gifts.
00:25:27Kids.
00:25:28Gifts?
00:25:30Yes.
00:25:36I'm glad to have found out who is really coming.
00:25:38And I thank him for coming because we have told him a while ago.
00:25:44And it's not the first time he saves our asses in these situations.
00:25:47He is an incredible artist.
00:25:48He is one of the best comedians in Spain.
00:25:50And at the same time he is a friend.
00:25:51On top of that, he is a friend.
00:25:52He has saved our lives a bit.
00:25:53We are very happy.
00:25:54A round of applause for Raúl Pimas in the resistance.
00:25:57A round of applause.
00:25:58I don't know what to say.
00:25:59Raúl Pimas.
00:26:17Juan.
00:26:18When we see each other.
00:26:19I didn't hit you hard.
00:26:22You didn't hit me hard.
00:26:23I didn't hit you hard.
00:26:24And now I'm nervous.
00:26:25Now that this is a success.
00:26:27I have to say that I thank you because the other day you had written to me on Monday afternoon
00:26:31to wish me luck for the show.
00:26:34A lot of people wrote to me.
00:26:35And I think on Tuesday or something like that, at night,
00:26:38they had sent me a lot of messages and I said, I'm going to answer everyone.
00:26:40With the computer.
00:26:41And besides, no one answered me because it was 4 in the morning.
00:26:44And the only person.
00:26:45But you answered me at 4 in the morning.
00:26:47You answered me the last one.
00:26:49No, no, no.
00:26:50There were more people left.
00:26:51There were more people left.
00:26:52And at 4 in the morning, knowing that no one was going to answer,
00:26:54I wrote to Raúl, man, thank you very much, I don't know what.
00:26:56And at the minute he says, man, Broncano, what's up?
00:26:58The only one awake at dawn in Spain.
00:27:05In fact, I was happy because I was going home.
00:27:08I say, damn, maybe he wants to mess with you.
00:27:10No, no.
00:27:11Maybe I can make a little extension.
00:27:13Of course.
00:27:14I thank you, I thank you.
00:27:15But of course.
00:27:16You didn't hit me hard.
00:27:17And now, all of a sudden, you see yourself here.
00:27:18Instead of at random, you see yourself in a real success program.
00:27:21No, no, of course.
00:27:22It's the pressure.
00:27:23Don't worry.
00:27:24I've come to return things to their place.
00:27:26Of course.
00:27:27You reestablish the order again, don't you?
00:27:29Announcing that tomorrow we lose.
00:27:31That we have lost and that tomorrow a terrible fact will come out and that's it.
00:27:34You say it.
00:27:36Talk about anxiety, three days of illusion, but now.
00:27:39Well, the dream is over.
00:27:44Raúl, assume, if you don't mind.
00:27:47The fault.
00:27:48Assume the fault.
00:27:49Because you don't care.
00:27:50And for us, it's like...
00:27:52Assume the fault.
00:27:53It's not my fault either.
00:27:54Assume it, but what does it matter?
00:27:55You haven't taken any risks either.
00:27:56You're still with the same minimum team.
00:27:59A scarce hype and...
00:28:01Assume, but what does it matter?
00:28:02Assume the fault.
00:28:04Hi.
00:28:07Spain.
00:28:08That's it.
00:28:12These are very sad words, also addressed to the president of the government.
00:28:17Why?
00:28:18No, well, because they say I don't know what, right?
00:28:21Yeah, yeah, yeah.
00:28:31You feel that we are disappointing him, don't you?
00:28:35Pedro.
00:28:36Which is my camera?
00:28:37Go to Spain, Spain.
00:28:39Which camera?
00:28:40There, there.
00:28:42Pedro.
00:28:44It's me, I was looking for the camera.
00:28:47I'm very sorry.
00:28:49Give them another chance.
00:28:50Tomorrow.
00:28:51There's no show.
00:28:52Everything...
00:28:53No, there's no show tomorrow?
00:28:54Not tomorrow, Friday, right?
00:28:55There's no show tomorrow, Pedro.
00:28:57So you'll be happy again tomorrow.
00:28:59Okay?
00:29:00Tonight, your project, your son...
00:29:05...has failed.
00:29:06Sorry, sorry.
00:29:07No, no, no.
00:29:09No, because...
00:29:11I've been trying to get rid of San Benito for two weeks, and now...
00:29:15Man, David, if you're not his son, I don't understand.
00:29:26You don't understand how I got here, do you?
00:29:28I don't understand.
00:29:29Yeah, yeah.
00:29:30I mean, I don't understand, and less...
00:29:32And less everything, yeah.
00:29:33Of course.
00:29:34With the team I have behind me.
00:29:36Yeah, yeah.
00:29:37Well, I thank you for this, because...
00:29:39What time did they tell you?
00:29:40Last night or today?
00:29:41I guess in the morning.
00:29:42Well, yesterday I was at the premiere.
00:29:43Okay.
00:29:44Of what you came to promote, right?
00:29:45Today I haven't been able to watch...
00:29:46Usually not much, today nothing.
00:29:47Of course, I haven't been able to watch anything.
00:29:48No, I didn't see you yesterday either, and...
00:29:49Okay.
00:29:50Also, I think some writers came, which is something I don't like.
00:29:52You don't like them, right?
00:29:53And...
00:29:54Yes, I don't spend it.
00:29:55And...
00:29:57And I was at the premiere, so I ran out of battery.
00:29:59Yes.
00:30:00And I got to the hotel.
00:30:01Yes.
00:30:02I turned it on to see if I had a battery left.
00:30:04Yes.
00:30:05I turned it on to see if someone had written to me.
00:30:07Of course.
00:30:08Of the people I had been with last night.
00:30:10Okay.
00:30:11Let's see if someone had written to you, with whom you had just been, right?
00:30:13In case it was also extended.
00:30:14Yes, or...
00:30:15Hey, have you left?
00:30:16What a bitch!
00:30:17I wanted to...
00:30:18Yeah, yeah.
00:30:19But no.
00:30:20A salserillo.
00:30:21But nevertheless, someone from your program had written to me.
00:30:22Alejandro.
00:30:23Alejandro.
00:30:24And I said, no, hey, what about tomorrow?
00:30:25What's up?
00:30:26Let's see if you can come tomorrow.
00:30:27I say, it's so late in the morning.
00:30:28What time was it?
00:30:29I don't know.
00:30:30Twelve.
00:30:31And I say, I have two options, or I tell the producers, who will say, fuck, how cool.
00:30:38B.
00:30:39Or I let it go, since nothing has happened.
00:30:40I spend my hangover well and such.
00:30:41Sure.
00:30:42But I said it, and in the end, well, I'm here, sweating and all that, but I'm delighted.
00:30:43I'm delighted.
00:30:44I'm delighted.
00:30:45Thank you very much.
00:30:46I'm delighted, man.
00:30:47I...
00:30:48I will return the things you need.
00:31:02Thank you very much.
00:31:03We will return the things you need.
00:31:04We will return the things you need.
00:31:05We will put the things back in their place.
00:31:07We have to thank.
00:31:09It will be a program for minorities.
00:31:11We have...
00:31:12Again.
00:31:13We'll get back to the same thing, right?
00:31:14Yes.
00:31:15We have some thanks returns from RTVE for you, for having come.
00:31:17Ah, great.
00:31:18We have it there, right?
00:31:19I have not brought them anything.
00:31:21Sure, you've...
00:31:22You've not brought anything?
00:31:23No.
00:31:24Nothing.
00:31:25I have not brought anything.
00:31:26You carry 50 euros, for me.
00:31:27Yes, 50 euros.
00:31:28Well, I always...
00:31:30Yeah, but it was never more than 50 euros.
00:31:32Does it have 50 euros?
00:31:34Let's see, I have one of 50, another of 10 and another of 20.
00:31:37In fact, it's a little square.
00:31:39No, it was a joke, I thank you for the gesture, but no, no, no.
00:31:41Take it, now you look very bright, but soon you will return to...
00:31:50Damn!
00:31:51Grandfather's advice, you don't trust yourself, son.
00:31:54No, of course, now it seems that...
00:31:56You take it all.
00:31:57In two weeks you will return to...
00:31:59Wait, I'm giving it to you.
00:32:00Ah, okay.
00:32:01They are things from Spanish television.
00:32:05Mythical things.
00:32:06The Rebequita of Herminia of Cuéntame.
00:32:08Oh!
00:32:09Watch this.
00:32:10Oh, how wonderful.
00:32:11The grapes of Ramón García of Nochevieja.
00:32:14Well, well, well, well.
00:32:21A tape on VHS of what we bet.
00:32:23Do you remember what we bet on?
00:32:25The history of television.
00:32:28This is land.
00:32:30Of man and earth.
00:32:36There are three more things, huh?
00:32:38Weekly report.
00:32:39All the weekly weekly reports of 55 years.
00:32:42Can I leave...
00:32:43Sorry, I forgot this.
00:32:45They are on braille because we wanted to give them to the first blind guest
00:32:49and we forgot and we give them to you anyway.
00:32:51Okay, okay, okay.
00:32:53Leave it there.
00:32:56This is...
00:32:57You will notice that it is sweaty.
00:32:59It is the T-shirt of the first day of David Bustamante
00:33:02in Operation Triumph.
00:33:03Here you have it.
00:33:04Damn, man.
00:33:05My mother, what a story, huh?
00:33:07What did you do to the TV, huh?
00:33:09And...
00:33:10It looks like his colony.
00:33:11Yes, yes.
00:33:12Of course, that's where the colony came from.
00:33:14This is the cucumber of...
00:33:15It goes like a cucumber of...
00:33:17Spanish television 24 hours a day.
00:33:19There it is.
00:33:20Oh, sorry.
00:33:22This is sad, huh?
00:33:23As this is one of a couple of things...
00:33:25No, the other thing is also sad.
00:33:29I told you that we were going to give the weekly report in braille
00:33:32to the first guest, Aitor.
00:33:33Yes, yes, Aitor.
00:33:34Blind surfer.
00:33:35It was wonderful.
00:33:36We had made him a trophy that said
00:33:37first guest in the history of the revolt.
00:33:39We forgot to give it to him.
00:33:40So, if you don't mind...
00:33:41Come on, man.
00:33:42Don't worry.
00:33:45That's it.
00:33:48I mean, I mean...
00:33:50I'm not blind...
00:33:53But a while ago...
00:33:54A while ago.
00:33:56Do you want to sit down, Raúl?
00:33:57I don't know if I can.
00:33:58Sit down, sit down with all that.
00:33:59There it is, Raúl Cimas, the guy.
00:34:00Okay, let me...
00:34:08It's always summer with the cucumber.
00:34:10Tell me, Ana.
00:34:11So, doesn't...
00:34:12What?
00:34:13Nígar Tiburú?
00:34:14Yes.
00:34:22Sorry.
00:34:24I'm sorry.
00:34:25I shouldn't have said it.
00:34:26Because, of course, Nígar Tiburú was...
00:34:27Of course.
00:34:28I'm sorry to disappoint you, Ana.
00:34:29But, of course, Raúl...
00:34:30Do you know Raúl Cimas?
00:34:32Let's see.
00:34:33Tell me something.
00:34:34Let's see.
00:34:35What do you know about him?
00:34:36Well, I've seen him on TV.
00:34:37I've seen him on Movistar many times.
00:34:38Ah, so you really know him.
00:34:39Yes, yes.
00:34:40Do you want to tell her something?
00:34:41Sell yourself.
00:34:42Why did she expect Nígar Tiburú?
00:34:43Sell yourself.
00:34:44Look, Ana.
00:34:46I don't know.
00:34:47Let's see what comes to your mind.
00:34:49Don't give her the money.
00:34:50I'm going to give her the money.
00:34:51No, no, no.
00:34:52You can't sell yourself.
00:34:53That's immaterial.
00:34:54I understand the disappointment.
00:34:56And the only thing I can tell you is that you're going to go to Masa,
00:34:59as the interview progresses.
00:35:03Can I give you a gift from the ones you've given me?
00:35:05Or is it ugly to give away what they've given you?
00:35:08No, that's not okay.
00:35:09It's not okay.
00:35:10No?
00:35:11What's wrong?
00:35:12Didn't you like anything?
00:35:13No, no.
00:35:14Me neither.
00:35:20Tell her.
00:35:21Maybe you can win it for Raúl Edalbacete.
00:35:24What things can we do to convince you?
00:35:26I don't know, I don't know.
00:35:28One moment, sorry.
00:35:29An incredible thing has happened.
00:35:32You've all heard it, haven't you?
00:35:34A girl, have you heard it?
00:35:35Yes, of course.
00:35:37She went to scream, long live the fair,
00:35:38and a tremendous rooster came out of her.
00:35:40It was very sad.
00:35:45Pass her the microphone.
00:35:48She tried to say, long live the Albacete fair,
00:35:49and a rooster came out of her.
00:35:51Let's see if she's going to be the sister of Eder.
00:35:54Sorry, did I leave you the microphone?
00:35:55Yes.
00:35:56Who was it?
00:35:57The rooster?
00:35:59What's your name?
00:36:00Maria, too.
00:36:01Maria.
00:36:02Yes.
00:36:03How have you lived it?
00:36:04How have you lived it?
00:36:05Are you excited about the Albacete fair?
00:36:06It's a very important feeling.
00:36:07The what?
00:36:08The Albacete fair?
00:36:09Are you Albacete?
00:36:10Yes, man.
00:36:11And then, it betrayed your own emotion.
00:36:13Indeed, look at the heart.
00:36:15Do you want to say, long live the fair,
00:36:16now without roosters, so that everyone can say, long live?
00:36:18Oh, it's just that...
00:36:20Don't worry, you'll be able to say it.
00:36:22The Virgin of the Plains, which is longer,
00:36:24and there are more chances that a rooster will come out of you.
00:36:26Of course.
00:36:28Long live the fair, we say long live,
00:36:29and then long live the Virgin of the Plains,
00:36:31and another long live, and that's it.
00:36:32Applause to Albacete.
00:36:33Maria, you can.
00:36:34Come on, we're with you.
00:36:35Go, Maria.
00:36:36Long live the...
00:36:37Fuck.
00:36:39Applause.
00:36:47What's up?
00:36:48You were there last night, weren't you?
00:36:50He got stuck with the minimum.
00:36:52All the Catholic people were very happy because he said,
00:36:54long live the fair.
00:36:55Long live the fair, of course.
00:36:56Well, long live the fair.
00:36:57It's a bit like that.
00:36:58You can't avoid the roosters.
00:37:00It's like the singer from Celtas Cortos, right?
00:37:02He's like, give me a story.
00:37:05You also did that a bit, yes?
00:37:06Of course.
00:37:07Do you think you can?
00:37:08Come on.
00:37:09The third one.
00:37:10Overcoming, a beautiful story, the one you're living here today.
00:37:12Go.
00:37:13Long live the fair.
00:37:15And now, watch out, watch out.
00:37:17And long live.
00:37:18And long live the Virgin of the Plains.
00:37:19Applause.
00:37:27Give it to me, Guillo.
00:37:28It has the same voice as the roosters.
00:37:29Give it to me, give it to me.
00:37:30And the voice of the roosters of the stories.
00:37:33Applause.
00:37:39Pass it on, pass it on.
00:37:40Thank you very much.
00:37:41You're welcome, Maria.
00:37:42Enjoy it.
00:37:45Almost.
00:37:46Okay, sorry.
00:37:47So, that's under control.
00:37:49Ana, for you.
00:37:50So, interview with Raúl, right?
00:37:51I'm sorry.
00:37:52To finish, I'll start the interview with you.
00:37:54Ana, could you, since it's the last time I turn to you,
00:37:57send a message to Nígar Tiburu so that he comes saying...
00:38:00Send him a message to the camera.
00:38:02Man, yes, it would be great if he came.
00:38:05You like him, don't you?
00:38:06Although I won't be able to see him live anymore.
00:38:08Why?
00:38:09Because I won't be there.
00:38:10Because again...
00:38:11Because...
00:38:12If I didn't tell you that you had to...
00:38:14Because I won't be there.
00:38:15Ah, you won't be able to see him here live.
00:38:17Of course, live.
00:38:18Ah, what a scare, what a scare.
00:38:19What a scare.
00:38:28I've seen Raúl a lot with Buenafuente.
00:38:30We have a nun, in case you want to quit.
00:38:32With Buenafuente?
00:38:33You've seen Raúl with Buenafuente?
00:38:35Yes, many times.
00:38:36Very good, Andreu.
00:38:37What a couple, those two.
00:38:38Very good, very good.
00:38:39Andreu and Raúl.
00:38:40I liked them a lot.
00:38:41Okay, do you want to promote the series now?
00:38:43Yes, I would like to.
00:38:44Okay.
00:38:45Because we've already done it.
00:38:48Because we've already done it, right?
00:38:49Yes, of course.
00:38:50But you know the dynamics here.
00:38:52If I have to promote anything from the audience,
00:38:55I stop promoting my series and I start with their stuff.
00:38:58Do you offer yourself?
00:38:59Yes, but let me say first, more than anything,
00:39:01because they're excited.
00:39:04It's true that the other times you've come,
00:39:06you've been very generous, very generous in that sense,
00:39:08and you've promoted, right?
00:39:09You've promoted local businesses, right?
00:39:11Yes, once they threw me a book while I was presenting mine
00:39:14and I ended up selling the other one.
00:39:15It's true.
00:39:16I mean, if someone has to think,
00:39:18when the series' promotion is over,
00:39:20if someone has a small business or something local,
00:39:22I mean, if the owner of Mercadona is here,
00:39:24don't say anything, because...
00:39:25But if someone has something to promote,
00:39:27small, Raúl has helped you.
00:39:28Think about it and then raise your hand and say...
00:39:30Okay, but first yours.
00:39:32First mine.
00:39:33I present it.
00:39:34Come on.
00:39:35Raúl Cimas.
00:39:39Presents
00:39:41a series of...
00:39:43Where is this broadcasted?
00:39:44It's not Spanish television, right?
00:39:45No, not in the end.
00:39:48Not in the end, huh?
00:39:49Not in the end.
00:39:50We were going to do it there, but...
00:39:52Well, it's a...
00:39:54It's a series that's going to be broadcasted starting tomorrow.
00:39:58Okay.
00:39:59In prime time.
00:40:00In prime time?
00:40:01No, in prime video.
00:40:08Look...
00:40:10Colleagues, you've got me crazy.
00:40:11You've got a hangover, I know.
00:40:12No, of course.
00:40:13That aside, then...
00:40:15No, don't say Amazon, now it's prime video.
00:40:17Do you remember when it was...
00:40:19It wasn't Movistar, it was Movistar Plus.
00:40:21No...
00:40:22Now I promote all the networks.
00:40:24And then they released Disney,
00:40:25but it was Disney Plus,
00:40:26but you had to say Disney Plus.
00:40:28It's true that it's difficult.
00:40:29These things happen.
00:40:30They drive you crazy.
00:40:31Do you know where there are no confusions?
00:40:33Here, for example, Ricardo,
00:40:34there have never been confusions here.
00:40:35It's just that I haven't said it today,
00:40:36I'm going to say it now.
00:40:37Why?
00:40:38Because this has always been called
00:40:39television
00:40:41Oh, my God.
00:40:48In prime video.
00:40:49Okay.
00:40:50It's called Enfín.
00:40:51It's a series...
00:40:53I present it.
00:40:54Yes.
00:40:55Raúl Cimás.
00:40:56Apocaliptic thing.
00:40:57Presents...
00:40:59A series...
00:41:00A series in prime video.
00:41:01Okay.
00:41:02It's called...
00:41:04Starting tomorrow...
00:41:05And the name and the title.
00:41:06All the episodes...
00:41:07It's called Enfín.
00:41:08Ah!
00:41:10And the name and the title.
00:41:11All the episodes...
00:41:12All the episodes...
00:41:13And the name and the title.
00:41:14All the episodes...
00:41:15All the episodes...
00:41:16And the title...
00:41:17And the title...
00:41:18And the title...
00:41:19And it's a series that, as you can see in the poster,
00:41:21I don't appear.
00:41:22You don't appear.
00:41:25Yes, it's true that I picked it up before
00:41:26and I said, well, I guess it will be the protagonist or something
00:41:28and it will appear,
00:41:29but they don't even appear in the poster.
00:41:30No, no.
00:41:31Not even in the series.
00:41:34But I have asked some friends
00:41:35to promote it
00:41:38and somehow...
00:41:40I was going to come with Alen Alterio, but in the end, things got complicated.
00:41:48When I went home, she was still there.
00:41:50And in the end, I had to come.
00:41:52They sent you.
00:41:54So, it's a series by David Sainz, written by David Sainz and Enrique Lojo.
00:41:59These wonderful people who did Malviviendo and all those things with four hards.
00:42:04Greasy, right?
00:42:06Greasy too.
00:42:08And well, it's wonderful. It's about the apocalypse.
00:42:11It's about the apocalypse, right?
00:42:13Yes, it's about the apocalypse in Spain.
00:42:15I like that.
00:42:16It's true that, historically, the apocalypse, at the audiovisual level,
00:42:19has always been centered in the United States, in Nebraska.
00:42:21The apocalypse always starts there.
00:42:23I like that what happens in the apocalypse happens in Cuenca.
00:42:26It's a good idea.
00:42:27It's not in Cuenca, but it starts in Seville.
00:42:29The first thing that dies is the elf.
00:42:31Okay.
00:42:33People end up without an elf.
00:42:35Without grace, right?
00:42:36Without grace, they become monsters and they look like people from Santander.
00:42:40Okay.
00:42:48The apocalypse turns the people of Seville into cantabrians.
00:42:51Yes, yes, of course.
00:42:52It's very fucked up.
00:42:53It's an apocalypse that a lot of people say,
00:42:55I wish I had really hit the planet.
00:42:57Of course, of course.
00:42:58We have video, I guess, right?
00:43:00There are trailers of the series.
00:43:02We don't know if you appear in the trailer.
00:43:04I hope not.
00:43:05I hope they didn't put me in for artificial intelligence.
00:43:07Okay.
00:43:08Okay, put the trailer.
00:43:09Anyway.
00:43:11One day you think you've won your life.
00:43:13The next day, boom.
00:43:15Apocalypse.
00:43:16Forty-five years.
00:43:18And you say, what?
00:43:20I haven't done anything in my life.
00:43:22I haven't done anything.
00:43:23The planet hasn't crashed.
00:43:25Supposedly.
00:43:26And if nothing has changed,
00:43:29why has everything changed?
00:43:31You didn't want the world to be the same as before.
00:43:34That's what we riders do.
00:43:49Let's go!
00:44:04It's very beautiful.
00:44:05It's very beautiful.
00:44:06The planet is going to explode.
00:44:10In the end, well, against another planet.
00:44:12Yes.
00:44:13Just read my parts of the script, okay?
00:44:17In the end, it doesn't explode.
00:44:18Yes.
00:44:19The planet, I think it's about that.
00:44:21Let's hope so.
00:44:22Maybe people will watch the series and it's about something else.
00:44:26And then the protagonist leaves his family
00:44:29to go live rock and roll somewhere.
00:44:31Yes.
00:44:32When he thinks the end of the world is coming,
00:44:34when the planet goes by,
00:44:36he has to come back with his tail between his legs.
00:44:39Having shown that he had left, of course.
00:44:41Of course.
00:44:42It's more or less about that.
00:44:44I like it.
00:44:45And this time, my character, this time,
00:44:48makes me freak out.
00:44:50Okay.
00:44:51What's your favorite theme?
00:44:52Yes, well, let's see, they told me,
00:44:54well, you play a crazy, cos-pyranoid.
00:44:57Yes.
00:44:58So, well, I read the script and I said,
00:45:00you are the crazy ones.
00:45:02He's right.
00:45:03Of course.
00:45:04You identified directly with him, right?
00:45:06With the crazy one.
00:45:07Of course.
00:45:08They say, crazy, cos-pyranoid?
00:45:09No, no, no.
00:45:10We call ourselves awake people.
00:45:13You don't like it when they fuck around, right?
00:45:15Of course.
00:45:16Have you opened your eyes to the truth?
00:45:18The conspiracy theory is very dangerous.
00:45:20Why?
00:45:21Look, for example,
00:45:23what we were talking about,
00:45:25there are people who say that Pedro Sánchez put you here.
00:45:28Okay.
00:45:29When I hear that, I say,
00:45:31these people are assholes.
00:45:32Okay.
00:45:33They don't know anything.
00:45:34Pedro Sánchez has been dead for 20 years.
00:45:45I appreciate it.
00:45:46I don't know if Anígar Tiburú would have this information, by the way.
00:45:49Of course.
00:45:50I wouldn't have given him such a level of,
00:45:52well, to go into the deepest.
00:45:54I know you have a lot of information out there.
00:45:56Yes.
00:45:58And now that I've seen you there a bit,
00:46:00you're a good actor, Raúl.
00:46:01You have a very versatile face.
00:46:03Look at that face.
00:46:04Do the shot.
00:46:05Look at that face.
00:46:06It's good for everything.
00:46:08It's good for doctors,
00:46:09it's good for beggars,
00:46:10it's good for...
00:46:11It's good for soccer parents.
00:46:14It's incredible.
00:46:15Orchestra director.
00:46:17What?
00:46:18What?
00:46:20What did they say?
00:46:21What a relief, I think.
00:46:22Ah, well, yes.
00:46:23Did they say, what a relief?
00:46:24They said, what a relief, yes.
00:46:26I mean, on top of that.
00:46:29On top of that.
00:46:30You're coming.
00:46:31I'm coming.
00:46:32You're making fun of people.
00:46:33I'm coming with my friend,
00:46:35from the Albacete fair.
00:46:37As well as I can,
00:46:38and on top of that they treat me like this,
00:46:39what a shame.
00:46:40Does anyone have,
00:46:41sorry, does anyone have,
00:46:42as we've said before,
00:46:43I was about to start accepting the last questions,
00:46:45does anyone have a business
00:46:46or some kind of thing
00:46:47they want to promote?
00:46:48I don't know, but it's a business.
00:46:49Okay, here's a girl.
00:46:50I think it's a shame
00:46:51that they're surprised by these things
00:46:52because you should be used to
00:46:53Ernesto Sevilla.
00:46:55There's another guy.
00:46:56Let's see,
00:46:57bring this girl first
00:46:58and then this guy.
00:46:59Bring the first row here.
00:47:02What kind of...
00:47:03What's your name, sorry?
00:47:04Nerea.
00:47:05Nerea.
00:47:06What kind of thing
00:47:07do you want me to promote, Raul?
00:47:08Well, look,
00:47:09I'm in a roundabout.
00:47:10A roundabout?
00:47:11In a roundabout?
00:47:12Say it, long live!
00:47:13Long live!
00:47:19And well,
00:47:20I'm in a roundabout.
00:47:21Yes.
00:47:22Of folklore.
00:47:23Yes, yes, yes.
00:47:24We're open to contracts.
00:47:25Long live the roundabout.
00:47:26Long live folklore.
00:47:27Long live the Spanish tradition.
00:47:28Long live the roundabout!
00:47:29Oh my God, girl.
00:47:30But, look...
00:47:31She's already done the promotion.
00:47:32I can't...
00:47:33But, look how life is sometimes,
00:47:34the prejudices.
00:47:35I thought that because of my age
00:47:36and such,
00:47:37I was going to say,
00:47:38I have a Bitcoin company
00:47:39and such,
00:47:40I set up a thing
00:47:41with buffers and such
00:47:42and suddenly,
00:47:43I'm in a roundabout.
00:47:44I'm in a roundabout.
00:47:45I'm in a roundabout.
00:47:46I'm in a roundabout.
00:47:47I'm in a roundabout.
00:47:48I'm in a roundabout.
00:47:49I'm in a roundabout.
00:47:50I'm in a roundabout.
00:47:52I set up a thing with buffers and such
00:47:53and suddenly,
00:47:54she said,
00:47:55long live the roundabout.
00:47:56Long live folklore.
00:47:57Long live the Spanish tradition
00:47:58with all her shit.
00:47:59Very good, girl.
00:48:00Very good.
00:48:01Yes, yes, yes.
00:48:02And also, it's true.
00:48:05No, it also comes in handy
00:48:06because to the classic
00:48:07Spanish TV audience
00:48:08Folklore.
00:48:09In the end,
00:48:10it hasn't changed that much
00:48:11Of course, not.
00:48:12We're not going to separate
00:48:13much from this.
00:48:14No, it's very good.
00:48:15And, what do you play?
00:48:16Me, well,
00:48:17Spanish jota,
00:48:18I play the guitar.
00:48:19Spanish jota, eh?
00:48:20Spanish Jota.
00:48:22Spanish Jota.
00:48:24Where are you from?
00:48:26We are from a town in Guadalajara, Tortola de Henares.
00:48:28Tortola de Henares, so rural. I love it.
00:48:30Yes, true.
00:48:32I live in a town in Guadalajara.
00:48:34Yes.
00:48:36In Albalate de Zorita.
00:48:38I have been there.
00:48:40Let's see if you have been partying together.
00:48:44Do you know Albalate de Zorita?
00:48:46Yes, of course.
00:48:48Yes, of course.
00:48:50Promote those, Raul.
00:48:52Go to the camera and promote Albalate Jotas.
00:48:56Hello.
00:48:58I live...
00:49:00I live in a town
00:49:02called Albalate de Zorita.
00:49:04It has incredible Jotas,
00:49:06but I haven't been in town for a long time
00:49:08and I just found out.
00:49:10As soon as I have more information,
00:49:12I will keep you informed, okay?
00:49:18Let's see.
00:49:20But...
00:49:22Sorry, Miguel,
00:49:24is this from Albalate de Zorita
00:49:26or from Tortola de I don't know where?
00:49:28Yes, Tortola.
00:49:30That's us.
00:49:32Are you there?
00:49:34Yes, I'm the one with the bow.
00:49:36Let's see.
00:49:38I would be 11 years old there.
00:49:40Zoom in.
00:49:42That one.
00:49:44No, the one above.
00:49:46That one.
00:49:48There's the girl with the bow.
00:49:58I love the wall in the background,
00:50:00very representative of La Mancha.
00:50:02Yes.
00:50:04The wall of raw bricks.
00:50:06An incomparable frame.
00:50:08That's La Mancha.
00:50:12There was another kid there
00:50:14with an incredible beard.
00:50:16What a physical presence, kid.
00:50:18What a creature.
00:50:20He's promoting a desert island, right?
00:50:22No, no.
00:50:24What's your name?
00:50:26Cristobal.
00:50:28Do you promote throwing axes at a tree?
00:50:30No.
00:50:32A hardware store.
00:50:34No.
00:50:36What do you promote?
00:50:38I'm here to bring you something, David.
00:50:40Are you giving it to him?
00:50:42No.
00:50:44He's not a wizard.
00:50:46No, no, no.
00:50:48It's a...
00:50:50Do you always carry the card?
00:50:52No, no.
00:50:54Do you want us to pay for the parking?
00:50:56It's like a card.
00:50:58Yes.
00:51:00It's my wife's card.
00:51:02She does imitations.
00:51:04She made you an invitation.
00:51:06An invitation?
00:51:08Where?
00:51:10In Instagram.
00:51:12In fact, she went to Rome
00:51:14to be characterized with your face.
00:51:16What?
00:51:18Why in Rome?
00:51:20She was the best characterizer in Europe
00:51:22and she went there.
00:51:24What?
00:51:26What a difficult face you have, David.
00:51:28They had to go to the Renaissance artists
00:51:30so they could recreate this picture, right?
00:51:32You look a bit alike, actually.
00:51:34Okay, okay.
00:51:36Let's see.
00:51:38Did you say
00:51:40your girlfriend looks like Abraham Cain?
00:51:42I'm sorry.
00:51:44My wife.
00:51:46Congratulations.
00:51:48Can we see it?
00:51:50We posted it on Instagram.
00:51:52Is it this Instagram?
00:51:54Miguel, look for it.
00:51:58Miguel's Instagram.
00:52:00Only the letter D.
00:52:02She's a comedian.
00:52:04She's an imitator.
00:52:06It's incredible.
00:52:08We're promoting more
00:52:10the characterizer.
00:52:12Let's see it.
00:52:14It's this video.
00:52:16It's a mix between you and
00:52:18Juan Luis Guerra, right?
00:52:22I'm a mix between Pacino and
00:52:24Bronca.
00:52:26My name is
00:52:28Michael Corleone.
00:52:30You can call me Bronca.
00:52:32I like it because
00:52:34it sounds more Italian.
00:52:36It's true.
00:52:40Now my hands are sweating.
00:52:42I didn't expect this.
00:52:44I'm a character.
00:52:46Now I move with more fun.
00:52:48Oh, oh, oh.
00:53:00It was well done.
00:53:02That's how I imagine Leder.
00:53:10I liked it.
00:53:12I was worried.
00:53:14It's incredible.
00:53:16It was well done.
00:53:18Promote her as an imitator.
00:53:20Of course.
00:53:22Now that we've seen her work.
00:53:26Hi.
00:53:36Do you want to know
00:53:38a new dimension of imitation?
00:53:40Very good.
00:53:42A new dimension.
00:53:44It hasn't been long
00:53:46but I miss Carlos Latre.
00:53:58Don't cry.
00:54:04Don't cry anymore.
00:54:06Dry your tears.
00:54:10Because this country
00:54:12doesn't stop giving good imitators.
00:54:14I'm excited.
00:54:16What's the case of Inés de Miguel
00:54:18and Las mil y una voces?
00:54:22The phone is...
00:54:24No, no.
00:54:26The phone...
00:54:28Can you give it to me?
00:54:30Say it, say it.
00:54:32But...
00:54:34Or say the phone.
00:54:36Let's see.
00:54:38The what?
00:54:40Instagram?
00:54:42You've made it too small.
00:54:44I've said it before.
00:54:46It's called...
00:54:48Inés.
00:54:50Look how she moves away from the paper.
00:54:52It's incredible.
00:54:54Look how far she's gone.
00:54:56I'm old but this way
00:54:58I guess Ana will like it more.
00:55:00I learned this from Anígar Tiburó.
00:55:02She looked at me like this
00:55:04and said, no, no,
00:55:06you have to move away.
00:55:10And this way
00:55:12I'm also going to make a joke to you.
00:55:14This imitator
00:55:16that will mark a new era
00:55:18is called Inés de Miguel
00:55:20and her Instagram is
00:55:22at Inés
00:55:24of Miguel
00:55:26only the D.
00:55:28Okay?
00:55:30So we'll wait for you there.
00:55:32Goodbye, hearts.
00:55:40Congratulations.
00:55:42Okay.
00:55:48Covering the protas.
00:55:50Excuse me.
00:55:52Raúl Cimas
00:55:54promoted the show.
00:55:56They asked him to promote two more things
00:55:58and he promoted them like hell.
00:56:00I
00:56:05Did it is a cone it is a sack and I've been to a cost of allah's
00:56:09Alba no ya no me a coste ya sabiendo ya tiras sabiendo que venía digo
00:56:13es ahora ya si que se puede salir al nebraska claro y luego hemos visto también que la industria de
00:56:18la caracterización en roma hay que ir a roma si quieres disfraces hay que ir a roma
00:56:21o sea
00:56:29Y tú no crees que quizá con esa barba y ese pelo no la colado y quien está hablando aquí es iner de miguel
00:56:38Claro no lo podemos saber es que a lo mejor es iner de miguel que
00:56:41se ha puesto mucho pelo que es lo que haces cuando tienes mucho tiempo para caracterizarte para disimular un poco claro bueno
00:56:47el amigo de al lado le puedes tirar un pelín de la barba un poco
00:56:49de haber
00:56:51un poco un poco que te cuesta
00:56:56Pero claro si se lo han hecho en roma no va a tirar
00:57:06Tengo que ir claro que estamos pasando un muy buen rato de raul tú estás pasando buen rato yo sí yo sí sí para lo que
00:57:13esperaba
00:57:15Cuanto más tiempo paso aquí pues menos entiendo el éxito pero
00:57:19Pero aquí estamos aquí estamos juntos de la mano tengo que hacerte las preguntas clásicas
00:57:23porque hay que ir acabando la entrevista ya pues está recién es ahí todavía
00:57:26sigue recién es ahí no hay que ir rápido
00:57:29te las hago
00:57:30si últimos años cada vez tú más éxito profesional más serie más comedia tal más dinero que va entrando
00:57:37dinero dime dinero en el banco
00:57:40No lo sé
00:57:42una aproximación
00:57:43Había de los cuatro días que llevamos nadie ha dicho una cifra exacta ya es que claro todos los que venimos somos ricos en cuanto más
00:57:49dinero tienes por menos
00:57:52Yo creo que estoy hablando de a lo mejor unos mil o dos mil euros
00:57:57No vas a entrar en no no está la otra entonces te prometes sabes lo que hice que
00:58:04pagué todo lo que tengo para no tener ninguna deuda por si un día me caigo muerto no deja ningún problema que bastante
00:58:10se da hoy en vida
00:58:12el tío generoso
00:58:13entonces si efectivamente ahora
00:58:16Estoy un poco canino en paz si estoy esperando a cobrar lo de ilustres inolentes que vale
00:58:22cuenta en todos dilo otro entonces relaciones sexuales último mes que tal te ha ido a
00:58:27Si es que elegió el dinero porque el otro va peor
00:58:33Relaciones sexuales en último mes últimos 30 días
00:58:37No sé es que
00:58:41Como se hace en guadalajara por favor claro como como se hace para ligar a la liga
00:58:46Nerea acerca de un micro nerea que tiene unas cosas en la ronda ya claro pero es que nerea es una estrella y claro
00:58:51nerea claro en un grupo de kpop no bueno mira
00:58:56es el kpop de guadalajara claro la ronda ya ahí acércale tienes algún consejo para ligar en guadalajara pues mira que ahora son las
00:59:02fiestas justo después de esto ya
00:59:05Directos a las fiestas entonces ahí en la verbena en los vermuts en las peñas
00:59:10se tiene que aprovechar ahora y si no ya hasta el verano que viene guadalajara nada
00:59:14Pero entonces que quieres que no duerma esta noche tampoco
00:59:18Vale vale bueno pues si estoy me va muy mal
00:59:23muy mal me va casi como a castellano
00:59:27bueno
00:59:29Lo siento mucho raúl me da pena por ti pero estás contento una sí o sea
00:59:34Claro muchas veces que no siempre una época digamos más dura en el terreno de los
00:59:39románticos no tiene por qué llevar que uno no esté contento y que este es
00:59:43Tanto el dinero como el sexo está sobrevalorado bueno
00:59:48No más importante es los amigos las jotas la ronda ya lo villancicos
00:59:54la feria de albacete la virgen de los llanos
00:59:57las invitaciones
01:00:03Y
01:00:05Tener mucho dinero y follar quien quiere eso
01:00:08Pudiendo escuchar una buena ronda ya claro
01:00:11Palo
01:00:12una invitación de inés de miguel vale vale perfecto
01:00:16al punto aquí poco a mí me ha dicho muchas veces pues a lo mejor viene mi mujer dice que
01:00:22estoy viendo a inés de miguel
01:00:24No molestes que se ha ido a roma y para mí estoy descubriendo otro tipo de orgasmo sin
01:00:33Meterse donde no te llamo
01:00:35Vale ya está me lo apunto esto pero ok perfecto lo mando aquí
01:00:40con esto guillo que está la entrevista no
01:00:42saque la barra hacia ser una pregunta también de racismo y machismo se me había olvidado o te la han quitado ya no no no
01:00:57Se me había olvidado ya va pasando la tijera a pedro
01:01:03Eres más machista o más racista es que muy buena pregunta gracias por
01:01:12Recordemos todo el mundo tristemente un poco somos de todo hay que ver de que eres un poco un poco más
01:01:18no me a ver lo que pasa es que mira
01:01:20lo primero siempre
01:01:22hay que apostar por el espíritu de superación a qué te refieres
01:01:27yo un poquito más machista cada día hasta el momento
01:01:31Si empecé o más machista que racista pero creo que me queda mucho por aprender
01:01:39En cuestiones del racismo
01:01:48Y consigo ser la mitad de racista de lo machista que soy
01:01:54Ok
01:01:58Mucha gente me considerará un español cojonudo
01:02:17No en serio yo vivo muy aislado en el pueblo
01:02:20Ya no me entero de nada no sabía ni que estabas en la 1 ni
01:02:25Pero bueno pero pero no me dio una alegría pero has estado a gusto este rato aquí aunque haya llegado de empalmar
01:02:32Sí, me alegro mucho de que vaya
01:02:36Bueno que gente que gente que no ha tenido
01:02:43Todas las facilidades de nacimiento
01:02:47Y que la televisión pública le de su oportunidad me parece que
01:03:05Muchas veces el tente viene que falta una pieza y
01:03:09pero al final es increíble que televisión española la compre esa oportunidad
01:03:13Yo te agradezco mucho que me digas esto y te agradezco mucho que hayas venido aquí
01:03:15Es un ha sido invitado de anoche prácticamente pero ha sido el mejor invitado que podíamos tener te lo agradecemos un montón
01:03:42Y
01:03:53Perdón como tenemos que ir muy rápido tiene para hacer unos regalos ha dicho algo así muy rápido se va a raúl cima se va
01:03:58Una estrella pero claro es que entra antonio resines en la revuelta
01:04:12Bueno
01:04:22Teníamos este programa recién es inversión mago es increíble
01:04:27No vengo venidor que me ha ido a venidor y para una cosillas y entonces que qué tipo de audiencia os falta queridos amigos
01:04:35mayorzones eso dijimos si es verdad que hemos recuperado un poco pero verdad que lo agradecemos
01:04:3970 años aquí estoy para subir audiencia
01:04:43Y
01:04:54Para que veáis ha cumplido 70 años en tonio 70 tacos macho Juanillo te echaba yo 68 69
01:05:01pues mira que todos
01:05:04Primero vamos a daros unos caramelos hombre
01:05:07Es que los caramelos gusta mucho a los chavales como que es caramelos con con mi figura pero que es
01:05:14latines
01:05:15latines
01:05:16pero mira esto que bonito
01:05:18es
01:05:19mira se ve aquí es un chocolatito y sale 70 años ya le antonio ahora y antonio
01:05:28Es muy bonito
01:05:30En avanzos ahí
01:05:33Echa los payasos de espaldas que no se vea
01:05:38Y mana de la luna así para ya para ya va
01:05:50Y aquí tengo unas camisetas de distintas tallas
01:05:54A
01:05:56Este lado para ya va
01:06:01Otra para este lado
01:06:04Otra para ya
01:06:07Echa para ya también
01:06:10Otra y al fondo
01:06:14Dale una
01:06:15Dale una la cantante si una
01:06:18Mira a ver que es a ver si ese mail o lo que sea bueno que se me se me se me se me
01:06:24Echas el hacha
01:06:27Bueno regalos a antonio pero
01:06:35Y para los chavales para los chavales de la resonancia
01:06:41Era un buen nombre
01:06:44La resonancia
01:06:46Igual estamos a tiempo de una pandilla de enfermos todos
01:06:50Lo mejor es una resonancia para saber a la vez coño que viene el precio
01:06:54Ano no esto es una pegatina vale y con un chocolatín dentro
01:06:59Una tacita del cumpleaños
01:07:06Y hasta ya me voy
01:07:08Se agradecería que quieren la bolsa también la bolsa no que es mía que no la bolsa no que es mía a ver
01:07:17Es buena esta que no que está bueno que te calles coño
01:07:23Antonio pero perdón estamos muy contentos de que sea su 70 cumpleaños
01:07:27Aprovecha de unas como padrino en nuestra etapa anterior ya fuiste padrino
01:07:31Sí dinos tu cumpleaños en daños otros primera semana de programa de unas a partir de unos un poco de unas palabras bonitas
01:07:36Pero decir a ti personalmente y al público en general de televisión
01:07:44A ver y me cuesta decirlo
01:07:51Todo esto que está pasando el resumen más sensible
01:08:06Oh