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00:00:00Who is it?
00:00:04It's me, Enrique.
00:00:05What do you want? I'm busy.
00:00:07We need to talk. Open the door, please.
00:00:09What kind of person are you coming as?
00:00:11As a former gadget or as a housekeeper?
00:00:13As a housekeeper.
00:00:22I miss you. Let's get together.
00:00:24I knew it. I shouldn't have opened the door.
00:00:26I swear I'll send Efraim to the boarding school.
00:00:28He's not my son, Enrique.
00:00:30Then why did you leave me?
00:00:31Wait, I didn't leave you.
00:00:32To leave someone, you have to go with him.
00:00:34But since we're not going, it means I didn't leave you.
00:00:36So we're going?
00:00:38No.
00:00:39So we're broken up?
00:00:40No, that's what I'm saying.
00:00:41You're going to confuse me, yes or no.
00:00:43Explain yourself, please, because I'm old for this nonsense.
00:00:47For your indecision.
00:00:48Otherwise, my age is perfect to go out with you.
00:00:50Enrique, this is absurd.
00:00:52We can't do this every day.
00:00:54Of course not. I just want to explain things.
00:00:57So you're going with him?
00:00:58Yes.
00:01:01So we're going or not?
00:01:05Did you fight again?
00:01:07You're all messed up.
00:01:08We had a meeting, ma'am.
00:01:10You're very sexy going to meetings.
00:01:12Are you a gadget or not?
00:01:14I'm new, so I don't really get it.
00:01:17Don't go. Kill him, he's a homophobe.
00:01:19I'm not.
00:01:20What do you want?
00:01:21I don't know. Why did we leave?
00:01:23Basically, to get rid of them.
00:01:25They put up a billboard without permission.
00:01:27What billboard? For what?
00:01:30Fish products are being sold in your fish store.
00:01:33Oh, my God.
00:01:35When did they put it up?
00:01:37This morning.
00:01:38And why didn't he tell me?
00:01:39How does he move?
00:01:40Horrible. You don't know anything.
00:01:42Yeah, it's like they're making a forest out of a forest all day.
00:01:45Boy, isn't he an old man for you?
00:01:47Ma'am, we don't go together.
00:01:48No, no, our relationship is strictly professional.
00:01:50Housekeeper and deputy housekeeper.
00:01:53You can't do anything.
00:01:54Something happens every day.
00:01:56Get rid of this monster.
00:01:57What a shame. What a horror.
00:01:59Why are you crying? Your husband put it up.
00:02:01I'm protesting against the administration.
00:02:03Get out of here.
00:02:04I volunteer to handle this horror.
00:02:06You really can't be his housekeeper.
00:02:08You're not his owner.
00:02:09You're discriminating against me, homophobe.
00:02:11What does that have to do with anything?
00:02:13She's hot, huh?
00:02:14You really didn't have to.
00:02:16She's beautiful, Antonio.
00:02:18His mother is so blinded by love.
00:02:20She's Grigoria.
00:02:21Who's Grigoria?
00:02:22His wife died while he was frying croquettes.
00:02:24It was his favorite hobby.
00:02:25Are you going to say something about this housekeeper?
00:02:27What did you call me?
00:02:28Housekeeper, Antonio.
00:02:30Get back.
00:02:31I'm going to pull your billboard.
00:02:32Get back, you crazy snake.
00:02:34Dialogue, please, dialogue.
00:02:36Leave him alone.
00:02:37Leave him alone. Don't get caught up in his game.
00:02:41He has to go to the hairdresser again.
00:02:43What aggressiveness.
00:02:44I didn't have that in my time.
00:02:46Why did you put that up? To scare me?
00:02:48I'm sorry, but that's a marketing strategy to keep the business alive.
00:02:51I'm sorry, but you have to get rid of him right now.
00:02:53Do you know how much money I gave you?
00:02:55I don't care.
00:02:56No one allowed you to install this mechanical monster here.
00:02:58I'm an E-DRO trader.
00:03:00I don't need permission from a woman.
00:03:02Oh, mother, now you'll see.
00:03:04Please, let the management solve this in a peaceful way.
00:03:08Enrique, he's not going to pull the billboard.
00:03:11Don't be annoying.
00:03:12Then I'm going to kick him out.
00:03:14Judith, stay calm.
00:03:16Be careful, you'll break it.
00:03:19That's how the new management solves problems.
00:03:22Nothing to do with talent and dialogue, which were typical for me.
00:03:26He's very healthy.
00:03:27Don't worry, I'll take care of him.
00:03:29Who's in charge?
00:03:30Antonio, this billboard is illegal, and we're going to get rid of it.
00:03:34It's not going to be easy.
00:03:36Are you used to a successful meeting?
00:03:37Yes, sir.
00:03:39You're not going to scare me.
00:03:40Let's do it, Bertha. You have to make me a snack.
00:03:42Do it yourself. Women are not your slaves.
00:03:45Don't get in our way.
00:03:47Let's get to work, and I'll make you a chocolate.
00:03:51What a boring lesbian.
00:03:53She's up to something with me. I don't know why.
00:03:55Speed control, automatic suspension, rear parking camera.
00:03:59There's a fridge.
00:04:00Take it!
00:04:01He's soft. A millionaire driver.
00:04:03A tough job.
00:04:05What's this for?
00:04:06Don't beep. Why are you beeping?
00:04:07Does your rear heat up?
00:04:08Yes, and voice control.
00:04:10You don't have to beep. I drive like this.
00:04:13And all of a sudden, Sonia says,
00:04:15Where are you?
00:04:16I think, where is this?
00:04:18Easy job. I turn on the GPS.
00:04:20These are the cleaners, pal.
00:04:22Turn on the GPS.
00:04:24This is the radio.
00:04:26GPS, man.
00:04:28Tough job, and the car doesn't even listen to you.
00:04:31Try it in German.
00:04:32Navigatoren bitte.
00:04:34Come on, come on, tell me you're not stealing my billboard.
00:04:38Who's the millionaire? What does he do?
00:04:41Does he need a ride?
00:04:42He's a businessman. He's a tough guy.
00:04:44I drove him to the airport, and he didn't say a word.
00:04:46You just have to take his wife to the hairdresser.
00:04:48She'll live like a queen.
00:04:49Beer, young man!
00:04:51I was a driver for Ruiz and Mateos when the Rumas affair happened.
00:04:54But my boyar ruined my career.
00:04:56He swore he'd build that Presley one day.
00:04:59Hurry up, because...
00:05:00Now that you have a job, you can get rid of your mother.
00:05:03My guests say that until they get rid of Smilinka,
00:05:05she's not going to be in the neighborhood.
00:05:07You'll have a mother for a long time.
00:05:08Go on.
00:05:09I'm not going anywhere.
00:05:11Leo, Leo.
00:05:12What?
00:05:13You're going to fuck your mother.
00:05:15Enough!
00:05:16Fuck, relax.
00:05:17Relax? You're very nervous.
00:05:19Horrible.
00:05:20How can I not be nervous?
00:05:21Ever since my mother came into the house, my life has been full of horror.
00:05:23I'm constantly punished.
00:05:24I have to take care of the milk, take care of the kids.
00:05:31What did he say?
00:05:32That he's bad.
00:05:34He can't take it anymore.
00:05:41He's crying.
00:05:42Calm down, calm down.
00:05:44Let's analyze the options on how to get rid of your mother.
00:05:47Why don't you put her in a nursing home?
00:05:49You'll see her once a month.
00:05:50That's it.
00:05:51Dad, would you like me to do it with you?
00:05:53If there's a TV.
00:05:54Yes, but the remote is not from you.
00:05:56By the devil.
00:05:57It's true.
00:05:58I don't know.
00:05:59I don't know.
00:06:00I don't know.
00:06:01By the devil.
00:06:02It's true.
00:06:03I don't love you.
00:06:05Let me go.
00:06:06Go to Benidorm.
00:06:07It's a coffin for elephants.
00:06:08That's where the retirees go to die.
00:06:10Where do I get the money, you fool?
00:06:11Do you know how I juggle to feed the kids?
00:06:13Do you juggle?
00:06:14Listen to me.
00:06:15If you don't want to leave until you get together,
00:06:17you just have to get together with Milinka.
00:06:19And that's it.
00:06:20But I don't want to get together.
00:06:22She doesn't want to either.
00:06:23But you're going to get over it.
00:06:25Talk to her.
00:06:26And her mother has come to the end of all the blood.
00:06:28And the two victories.
00:06:30Yes.
00:06:31You just have to get together.
00:06:32Aren't you happy?
00:06:33It's easy.
00:06:34I did it for 30 years.
00:06:35Dad, you didn't overdo it.
00:06:36It's true.
00:06:37Oh, Gregory.
00:06:38What an egoist I was.
00:06:40Well, yes.
00:06:41We're going to get together.
00:06:42And your mother to go to the embassy.
00:06:44What if you overdo everything?
00:06:46I'll overdo your head.
00:06:47Like Tefrasna.
00:06:53Attention.
00:06:54The meeting is about to begin.
00:06:56Is it over?
00:06:57First point of the agenda.
00:06:59Again.
00:07:00You can't argue a point of the agenda.
00:07:02Then I'll argue with you.
00:07:03What's the first point?
00:07:06Illegal installation.
00:07:12The devils will die until it's over.
00:07:14We have to decide what to do with the terrible billboard.
00:07:17I protest.
00:07:18The billboard is very nice.
00:07:20And fun.
00:07:21A lot of people like it.
00:07:22Who?
00:07:23Everyone.
00:07:24Let's raise our hands for those who like it.
00:07:27Amador, this is terrible.
00:07:30I like it.
00:07:31Listen, your wife has more taste than you.
00:07:33She's not my wife, mom.
00:07:35What's the billboard?
00:07:36Terrible, terrible.
00:07:37Obviously, only you two like it.
00:07:39And Paralis, but he can't come.
00:07:41Who's Paralis?
00:07:42An immigrant who's about to marry Amador.
00:07:45It was just business, mom.
00:07:47Eat milk, baby.
00:07:48Let's focus on the billboard.
00:07:51Yes, please.
00:07:52Where's your wife?
00:07:53Is she busy?
00:07:54No, ma'am.
00:07:55She went to work in Miami.
00:07:56Come on, another family is splitting up.
00:07:58What have you done, son?
00:08:00What are all the men doing?
00:08:02Shushi, don't mess up.
00:08:03We didn't split up.
00:08:05Don't get confused.
00:08:06She's in the show, the Golden Hedgehog.
00:08:08She's casting all day in the dressing room,
00:08:10spinning her bare ass.
00:08:11Next, next.
00:08:13Antonio!
00:08:15She's going back to Pompano.
00:08:16She's going to fuck you.
00:08:19Action, action.
00:08:21Let the boy go.
00:08:22He's hitting me, mom.
00:08:23He's not going to do more meetings.
00:08:24Quiet.
00:08:26Yeah, short.
00:08:28Okay.
00:08:29After this free beer, let's get back to the subject.
00:08:33What was it?
00:08:34I don't remember.
00:08:35The billboard.
00:08:36We're here to get rid of the billboard.
00:08:38Or not.
00:08:39Wait.
00:08:40The block has no money, right?
00:08:41Yes, because those two spent it.
00:08:43That was out of the question with Antonio Recio.
00:08:46Bertha, don't steal my lines.
00:08:48Let's leave the billboard
00:08:49and let's hire the carpenter.
00:08:51Terrific.
00:08:52Carpenter, give me the billboard.
00:08:54What? No.
00:08:55I already paid this 200 euros.
00:08:58Shut up.
00:08:59That's why you liked it.
00:09:00I want my share.
00:09:01Shut up.
00:09:02What kind of language is that?
00:09:03We're not making any progress.
00:09:05Okay, for 500 euros,
00:09:06we'll leave you the billboard.
00:09:07600.
00:09:08A thousand is better.
00:09:09The most expensive sheets will be distributed.
00:09:11I won't give you anything more.
00:09:12I heard you don't want to pay him.
00:09:13Let's vote and leave.
00:09:16Who's voting to get rid of the nice billboard?
00:09:20Accept your humiliation.
00:09:21The billboard is being removed.
00:09:24I object to the vote.
00:09:25It won't stay that way.
00:09:26It won't be removed.
00:09:28We'll remove it.
00:09:29Don't worry.
00:09:30Come on, I'll make you a bath.
00:09:32Leave me.
00:09:33Go get your ass kicked.
00:09:38I can't believe it.
00:09:40We won.
00:09:41See?
00:09:42It's possible to fix things.
00:09:43This is the beginning of a glorious stage
00:09:45in the political history of this block
00:09:47and ours.
00:09:50Okay, I'm going to...
00:09:54I'm going to go.
00:09:56Goodbye, housekeepers.
00:09:57Bye, deputy housekeeper.
00:10:01Okay, it's my turn.
00:10:03Come on.
00:10:11It's this one, right?
00:10:12No, no, it's not.
00:10:14I need to calm down.
00:10:16It's time.
00:10:17She's in the office tomorrow.
00:10:19How long will it take to prepare my father?
00:10:21Prepare him for something else.
00:10:24I'm going to ask your mother to marry me.
00:10:26What?
00:10:27Our people are still married.
00:10:28But they'll have to divorce eventually.
00:10:31Will you come with me?
00:10:32I'll give the jewellery to her as a gift.
00:10:34No, no, without me.
00:10:35My father will catch his depression again
00:10:37and I'll take care of him.
00:10:38What's wrong?
00:10:39Doesn't he love you yet?
00:10:40How should I know?
00:10:41I'm not interested.
00:10:42Fran, I'm really in love with your mother.
00:10:44She's crazy.
00:10:45I want to marry her.
00:10:46Be quiet, she can hear you.
00:10:48No, you can only see her body there.
00:10:50Her mind is elsewhere.
00:10:51And she doesn't know where.
00:10:55Why do you want to marry everyone?
00:10:57You're just complicating your life.
00:10:59Be quiet, she's coming.
00:11:05What a peace, what a calm.
00:11:08How did I hit myself?
00:11:09How did I starve?
00:11:10Fran, you've grown so much.
00:11:14Yes, yes, I'm going.
00:11:16Already?
00:11:17Wait.
00:11:19What's wrong with him?
00:11:21Some gadget is playing with him.
00:11:23And why does he call you, not me?
00:11:25Fran, do you have a gadget?
00:11:27Tell mom.
00:11:29Leave him, don't push him.
00:11:31Let him say it himself.
00:11:33He's very strange.
00:11:34He wasn't like that before.
00:11:35He was a child before?
00:11:36Yes, that's right.
00:11:38You're not three years old, and how do you change?
00:11:42I'm going to...
00:11:58Aha, I knew it.
00:12:00You're stealing my youth cream.
00:12:02I'm sorry, I need it.
00:12:05How much do you spend?
00:12:06It costs you 100 euros.
00:12:10I have to do something.
00:12:11How do I fix my life with this face?
00:12:14Who's operating on her?
00:12:16You just have to get together, Samador.
00:12:18At your age, you're not going to catch anyone.
00:12:20Nines!
00:12:21I don't want to get together, Samador.
00:12:22I deserve something better.
00:12:24Do you know how many 40-year-old divorce masks are on the market?
00:12:2740-year-old men are passing by, looking for 20-year-olds.
00:12:31You should know.
00:12:32I'm going to operate on myself.
00:12:33And you're going to operate on a 40-year-old,
00:12:35and they're going to look for babies again.
00:12:37Tell her to shut up.
00:12:38Listen, you need to get your act together.
00:12:40I have a solution.
00:12:42You're going to pay me for the lift?
00:12:44I arranged a meeting with Rufino, a colleague from work.
00:12:47My goodness, Rufino.
00:12:48What is this?
00:12:49I'm sorry, but he's a very interesting guy.
00:12:51Is he handsome?
00:12:53He was following me, but I told him I had a very hot, lonely girlfriend.
00:12:57If she doesn't want him, it's not going to happen.
00:12:59Are you going to shut up?
00:13:00She doesn't give you her cream.
00:13:02But a blind date like this...
00:13:04You're going to love it.
00:13:05Come on, make yourself beautiful.
00:13:07As beautiful as you can.
00:13:09Give me a handkerchief.
00:13:10It's not going to happen.
00:13:11It will.
00:13:12I bought rubber shoes.
00:13:17Yes, a taxi for Mirador de Montepinarmola.
00:13:20What do you mean?
00:13:21Enter the address in the car.
00:13:23Milo!
00:13:24Milo!
00:13:26Look at this car.
00:13:27Amador.
00:13:28Aren't you going to ask me where it's from?
00:13:29I don't care about your life.
00:13:30Neither do I.
00:13:33What do you want?
00:13:34Let's get together.
00:13:35You're stupid.
00:13:36No, I'm just kidding.
00:13:37I'm going to tell my mother.
00:13:38We're going to pretend to be happy,
00:13:39and she's going to clean herself in the bathroom.
00:13:41Amador, I don't have time for your nonsense.
00:13:43I'm late for the meeting.
00:13:44You're getting bored so early?
00:13:45Yes.
00:13:46I mean, no.
00:13:47I want to fix my life.
00:13:48Is there a problem?
00:13:49Mom!
00:13:50Kosti!
00:13:51Where are you going so late?
00:13:52To a service dinner.
00:13:54With whom?
00:13:57Well, with people who...
00:13:59You're not telling me anything.
00:14:00Then I'm going to jump in, see you and have coffee.
00:14:03Don't be stupid, Mom.
00:14:04We're talking about our stuff.
00:14:05Can't you see you're in the way?
00:14:06Are you making up?
00:14:07Yes, yes.
00:14:08Get out, or the magic will go away.
00:14:09I'm getting out, I'm getting out!
00:14:11See?
00:14:12She's happy now.
00:14:13Why are you making up?
00:14:14So she can go.
00:14:15When she's here, I'm drunk,
00:14:16and you're drunk.
00:14:17I'm not drunk.
00:14:18How not?
00:14:19Imagine you're holding on to that pedal.
00:14:22It's called Rufino.
00:14:24But if you decide to grab Rufino's lumbar...
00:14:26Please!
00:14:27No, no, out of love.
00:14:29Just like you did with me.
00:14:31Where are you taking him?
00:14:32You're not going anywhere.
00:14:33This is a checkpoint.
00:14:34Sergeant Hostin, watch out.
00:14:35You're not going to be happy.
00:14:39Okay.
00:14:40Let's pretend we're going out.
00:14:42Great.
00:14:43See you tonight.
00:14:44I said let's pretend.
00:14:45We're just analyzing.
00:14:47Okay, okay.
00:14:48The boss is waiting for me.
00:14:49Yes, ma'am.
00:14:50I'm coming, ipso facto.
00:14:51Come on, dear.
00:14:52See you later.
00:14:53Wait!
00:14:54One thing is clear.
00:14:55Don't mess up.
00:14:56I don't want salami.
00:14:58No.
00:14:59You have Rufino.
00:15:01Lele, how do you do that?
00:15:07Damn, you've got a brain.
00:15:09At the entrance, there's one of those fountains with burning angels.
00:15:13Have you already taken the lady to the barber?
00:15:15I've been waiting for an hour.
00:15:17I'm sure they'll change your diapers.
00:15:19You're going to get something from men.
00:15:21Don't be surprised, Amador.
00:15:23With this job, you've won the lottery.
00:15:26I'm closing the door.
00:15:27Close the phone.
00:15:31Good afternoon.
00:15:32Good afternoon, Mrs. Sal...
00:15:35Male.
00:15:36You're Amador, right?
00:15:37Yes, Amador Rivas, at your service.
00:15:39Yes.
00:15:40Let's go whenever you want.
00:15:41Right away.
00:15:53How did your husband get to Frankfurt?
00:15:55I don't know, nor do I care.
00:16:01Look, repair.
00:16:04We couldn't do much, could we?
00:16:11Amador, it's still working.
00:16:13Lele, shut the phone down.
00:16:16How's the throat? Are you going to miss Daisy?
00:16:19Shut the phone down.
00:16:20Don't stop, Rivas, or she'll jump out.
00:16:23Shut the phone down, for God's sake.
00:16:26I'm sorry, I'm sorry.
00:16:27The car won't listen to me.
00:16:29Calm down.
00:16:31What's going on? Am I not what you were expecting?
00:16:34No, no.
00:16:35And... how do I look?
00:16:38Good, good. You're very...
00:16:40Well...
00:16:42You look healthy.
00:16:44You take care of yourself.
00:16:45Of course, sir.
00:16:47Saltania has money.
00:16:49It's not my job to win.
00:16:51But I don't like men.
00:16:52On the contrary, ma'am.
00:16:53You're a very good couple.
00:16:55I haven't seen you together.
00:16:57It's shocking at first, because of your age.
00:16:59But with the rich, it's like that.
00:17:01You see some old man with a terrible gadget and you wonder...
00:17:04What do they do in Legolo?
00:17:06Which is also not my job.
00:17:08What do you do when...
00:17:09Come on, man, open the way.
00:17:11These workers...
00:17:13You and I will get along very well.
00:17:16Yes, yes, yes.
00:17:17A little music.
00:17:18Turn on the radio.
00:17:20All right, all right.
00:17:21We continue with the hit of the week.
00:17:23Lady Gaga is in fourth place.
00:17:26Manolita greets her gadget from the village.
00:17:29Maxi, close it already.
00:17:30What's up, old lady?
00:17:32This is weird.
00:17:34All right.
00:17:35Can't you see there's a repair?
00:17:37They've already opened the way.
00:17:38Oh, yes, yes.
00:17:39All right, all right.
00:17:40I forgot.
00:17:46Here it is.
00:17:47This is the moving monster you need to get rid of.
00:17:49And faster, because it pisses me off just looking at it.
00:17:52And what do we do?
00:17:53Do you want to keep it?
00:17:54No, no, no.
00:17:55Can I take the pins?
00:17:56Stand in the name of the law!
00:17:58This one is here again.
00:17:59Stop the noise.
00:18:00Don't beep anything.
00:18:01The billboard.
00:18:02Stay.
00:18:03Antonio, the people have spoken
00:18:04and want to remove this mechanical monster from the public.
00:18:08I have here a document that verifies that this billboard
00:18:11is inside the plot on ground floor A
00:18:14and cannot be considered a public property.
00:18:18Therefore, the decision of the meeting to remove it is not valid.
00:18:23Who is this?
00:18:24Conrado, my lawyer.
00:18:25Tell your colleagues.
00:18:27No, no.
00:18:28Stay there.
00:18:30Enrique?
00:18:31One moment.
00:18:32Although the construction is in private property,
00:18:35it is obvious that it changes the whole aesthetics of the facade.
00:18:38And in the rule book it says...
00:18:40Has there been another billboard in this place before?
00:18:44Yes, there was an announcement for the pilot apartment, but...
00:18:48Here is another document that verifies
00:18:50that after there was another billboard in the same place,
00:18:53it cannot be considered that the new one,
00:18:55as is otherwise contained,
00:18:57changes the aesthetics of the facade.
00:18:59How can it not change?
00:19:00This is a mechanical monster.
00:19:02Omar Nevezho!
00:19:03I have to warn you that if you remove it,
00:19:05you will commit a crime
00:19:07by discriminating my client's right
00:19:09to use the already existing advertising platform.
00:19:13I am sorry.
00:19:14You are prejudiced.
00:19:16Are we prejudiced?
00:19:17We are.
00:19:18Girls, go and eat.
00:19:19Your billboard is still there.
00:19:24I'm going to water the flowers.
00:19:26No, no.
00:19:27Don't celebrate yet.
00:19:29There are a lot of vandals in this neighborhood.
00:19:31Maybe they'll cut off his pins tonight.
00:19:33Conrado, she's scaring me.
00:19:35Here I have a copy of the complaint
00:19:37that my client will file against you
00:19:39in case the billboard suffers from some kind of sabotage.
00:19:41As you can see,
00:19:42you will be charged half a million euros for damages
00:19:45that could cause his fishing shop
00:19:47to lose this billboard.
00:19:50Half a million?
00:19:51Damages?
00:19:52No one goes in there.
00:19:53Because of you.
00:19:54All right, Antonio.
00:19:55You win.
00:19:56The billboard stays.
00:19:58Wait, Mejoranke.
00:19:59Be strong.
00:20:00This is just a temporary failure.
00:20:02Conrado, good lawyers.
00:20:04Mr. Resio,
00:20:05if you can pay me,
00:20:06as we agreed,
00:20:07300 euros.
00:20:08Yes.
00:20:09Take him away.
00:20:15Hello.
00:20:16I'm sorry I'm late.
00:20:17My taxi didn't come.
00:20:18I was going to die of nervousness.
00:20:20I'm late for the first meeting.
00:20:22Oh, white wine.
00:20:23I want some, too.
00:20:24Who are you?
00:20:25I'm Mayte.
00:20:26Mayte?
00:20:27Who's Mayte?
00:20:28Rufino?
00:20:29No.
00:20:30Mayte!
00:20:31Mayte!
00:20:32Mayte!
00:20:33Mayte!
00:20:34Mayte!
00:20:35Mayte!
00:20:36Mayte!
00:20:37Mayte!
00:20:38Mayte!
00:20:39Mayte!
00:20:40Mayte!
00:20:41Mayte!
00:20:42Mayte!
00:20:43Mayte!
00:20:44Mayte!
00:20:45Mayte!
00:20:46Mayte!
00:20:47Mayte!
00:20:48Damn you!
00:20:49You don't care!
00:20:50I'm sorry.
00:20:51I'm sorry!
00:20:52I was hoping...
00:20:53I missed you.
00:20:54I was having good times.
00:20:56But now,
00:20:57I'm not.
00:20:58I'm in love.
00:20:59I missed you!
00:21:00I'm sorry!
00:21:01I'm sorry!
00:21:02I'm in love!
00:21:03I'm sorry!
00:21:04I'm in love!
00:21:05I didn't know you're a lawyer.
00:21:07I didn't know!
00:21:08I didn't know!
00:21:09I didn't know!
00:21:10I'm sorry!
00:21:11I'm sorry!
00:21:12I didn't know!
00:21:13The accuracy of the target is essential to learn the colors, the positions of the battlefield, the strategy itself.
00:21:19It's very exciting.
00:21:20Oh yes, and even more so.
00:21:22I have organized whole battles at home.
00:21:25Gettysburg, the Ardennes, the Bournets, which is ours.
00:21:29You certainly need a lot of space.
00:21:31Yes, yes, but our people have nothing against it.
00:21:34They bow to all guests.
00:21:36Do you live with your people?
00:21:38I'm waiting for them to become independent.
00:21:41They will never leave.
00:21:44And I need their apartment for the battle at Stalingrad.
00:21:47It's my big project.
00:21:48By the way, did you know that the Second World War took place right there?
00:21:52I'll tell you.
00:21:53So, the Nazi army was here, and...
00:21:55Will you excuse me for a moment?
00:22:01What a bitch!
00:22:02Oh, dear!
00:22:03We'll trick her!
00:22:04Don't you like Ruffino?
00:22:06Raquel, he painted the hunting soldiers, lives with his parents,
00:22:09he has no hair, he's a bastard!
00:22:11When he came out of the cell, his ear was pierced.
00:22:14Imagine that in the morning!
00:22:15No, no, no, don't sleep with him at the first meeting.
00:22:18Don't talk to him too much.
00:22:19I don't want to sleep with him.
00:22:20I want to avoid him.
00:22:22I can't!
00:22:23I can't believe you're so superficial.
00:22:25I deserve something better, Ruffino.
00:22:27His name is like a hero from the street, Sezan.
00:22:30I assure you that he is a very pleasant, cultural and sensitive man.
00:22:33I prefer him to be stupid, but to be hot.
00:22:35Girl, try it again with your husband.
00:22:37Come on, this one.
00:22:38Mom, give Ruffino a chance.
00:22:40Try a little harder.
00:22:41Okay, I'll stay.
00:22:42But only because I saw a dessert that I like.
00:22:45Mom, I want George Clooney, too, but we have to be realistic.
00:22:48I know.
00:22:49I have to get rid of the fly.
00:22:53Or to remove it.
00:23:02Ruffino, what are you doing?
00:23:05I'm painting, I'm going out.
00:23:06Already? And the dessert?
00:23:08Mom, it's not going to work.
00:23:10Raquel told me something completely different.
00:23:12She said you're a cheerful girl, funny.
00:23:15Am I not funny?
00:23:17Besides, I was expecting someone more...
00:23:22More what?
00:23:25Younger.
00:23:29Have you looked at yourself in the mirror, Ruffino?
00:23:33And above all else, you don't like the twins.
00:23:36Ruffino, I like them a lot.
00:23:38Beautiful with their uniforms and with...
00:23:40Ruffino!
00:23:47The dessert menu, please.
00:23:58Hello?
00:23:59Fran, it's me.
00:24:00I'm at the jewelry store.
00:24:01What size ring does your mother wear?
00:24:03How should I know?
00:24:05Go get a ring and bring it to me.
00:24:07If she doesn't tell me the size, it won't be ready by tomorrow.
00:24:10Wait, which part of I'm not going to mess up, you don't understand?
00:24:13I'll give you a step with the motorcycle.
00:24:15I'm going.
00:24:16Wait, what if my mother is at home?
00:24:18No, calm down, I'll take care of getting out.
00:24:21Okay.
00:24:25Sushi, where to look for a dad, when I don't even know what it is?
00:24:30But you also have some whims.
00:24:35Kike?
00:24:36Kiko?
00:24:37Koke?
00:24:38Do you know where they sell pasternak?
00:24:40What kind?
00:24:41Smoked?
00:24:42No.
00:24:43For eating.
00:24:54Good day.
00:24:55Where are the keys to the car?
00:24:57I don't know.
00:24:58I'm not going to look for them.
00:25:00I'm going.
00:25:01I'm going.
00:25:02I'm going.
00:25:03Where are the keys to the car?
00:25:05These bags, the bigger, the worse.
00:25:09Oh, look where Irbushan was.
00:25:15Where did I put them?
00:25:16I kept them in my hand.
00:25:19Don't kill me!
00:25:20They're stopping.
00:25:22Where are they stopping?
00:25:23The expensive bag.
00:25:27Mom, how did you scare me?
00:25:29How did I scare you?
00:25:30What were you doing there?
00:25:33What do you mean?
00:25:35Well, you see...
00:25:36Come on, tell me.
00:25:38I was going to the bathroom, and Maxi was stuck in there with the doll, and...
00:25:43Here he is.
00:25:45There's no time.
00:25:46If you find him, they'll rape you three times.
00:25:49Okay, I'm going.
00:25:50Bye.
00:25:51Hey.
00:25:53Tell me.
00:25:55How did he get in?
00:25:57They really gave me the keys.
00:25:59You lose them all.
00:26:03I gave up.
00:26:05What?
00:26:06I gave up on Lola.
00:26:07What?
00:26:08What did he say?
00:26:09That I betrayed you.
00:26:10That I'm sorry that I'm a terrible traitor.
00:26:12That I don't deserve her.
00:26:14But I love her, and there's no other woman for me.
00:26:16And that you also feel terrible.
00:26:18Wonderful.
00:26:19And what did she say?
00:26:20She must have ruined your health.
00:26:22She didn't say anything, because she didn't get up.
00:26:24I left her a message.
00:26:25Will you forgive me?
00:26:26Wait, wait.
00:26:27I can't get up.
00:26:28What did she say?
00:26:29What did she say?
00:26:30I can't get up.
00:26:31You tell me that you left a message for Lola,
00:26:34for your wife, for my girlfriend,
00:26:36and you said that we had something?
00:26:38Didn't you want to live with the wine?
00:26:40I was honest.
00:26:41That's a very important thing in the family.
00:26:43The priest told him at the wedding.
00:26:45I have it on video.
00:26:46What a fool.
00:26:47Now he gave Lola permission to sleep with her friends.
00:26:49No, it was just two kisses.
00:26:50Then why did you tell her?
00:26:51Because he betrayed me, Raquel.
00:26:53He drove me out of the house.
00:26:54I couldn't eat, sleep, go to the bathroom.
00:26:56I had to tell her.
00:26:58But now,
00:27:00now I doubt it.
00:27:01I don't know if I did the right thing,
00:27:02or if I broke the marriage.
00:27:03My dear, my dear.
00:27:04Did you break it?
00:27:05But the message for a good day.
00:27:07Hello, dear.
00:27:08I caught your friend.
00:27:09Forgive me.
00:27:10Fool, fool.
00:27:12Fool.
00:27:13Big fool.
00:27:16We have to delete this message.
00:27:18Make sure the clients are served.
00:27:20Yes, yes.
00:27:28Hello, ladies.
00:27:29Nice to meet you, Gladys.
00:27:30I want to delete a message
00:27:32I left for my wife in Miami.
00:27:35I told her I cheated on her with a friend,
00:27:37but when I thought about it,
00:27:41yes, yes, I know.
00:27:42Don't get me wrong,
00:27:43because I'm a client.
00:27:44What did he say?
00:27:45That he can't.
00:27:46And if you block the phone
00:27:48just like that,
00:27:49with one click, and...
00:27:51What did he say?
00:27:52That he can't either.
00:27:54And if I'm interested in a new plan.
00:27:57Why?
00:27:59Because he'll sell it to you.
00:28:00No, thank you, Gladys.
00:28:01No.
00:28:02Yes.
00:28:03I see.
00:28:04Thank you, Gladys.
00:28:05Bye.
00:28:07Oh, come on.
00:28:08Just a little friend.
00:28:09But all blondes are bad people.
00:28:11What are we going to do?
00:28:12You'll wait for Lola to get drunk.
00:28:14Because she's going to get drunk.
00:28:20How are you?
00:28:21Are you better?
00:28:23Have you ever wanted to die?
00:28:25Let me see.
00:28:26You don't have a fever.
00:28:28It's very bad.
00:28:29Why don't you sleep?
00:28:30It'll do you good.
00:28:31No, no, move, move.
00:28:33I just woke up and dreamed
00:28:35that a giant lizard was chasing me
00:28:37with Antonio's face.
00:28:38And he's trying to catch me
00:28:39with poisonous spikes
00:28:40while he's yelling,
00:28:41I object, I object.
00:28:43Lizards aren't poisonous.
00:28:45How do you know?
00:28:46You weren't in my dreams.
00:28:48But I'm here,
00:28:49in the real world.
00:28:50And I'll always be here
00:28:51to help you.
00:28:53Really?
00:28:55Counselor!
00:28:56Is this the right way?
00:28:57Open the door.
00:28:58We know you're in there.
00:28:59No, don't open it.
00:29:00Calm down, Choranky.
00:29:01I'll take care of everything.
00:29:07What do you want?
00:29:08I'm busy.
00:29:09With what?
00:29:10Are you messing with the housekeeper again?
00:29:12Oh, come on.
00:29:13What does she do in her personal life?
00:29:14It's none of your business.
00:29:15Why is the billboard still there?
00:29:16Shouldn't you have removed it?
00:29:18Just a promise and then nothing.
00:29:20All politicians are the same.
00:29:22There was a small problem.
00:29:23We don't care about your life.
00:29:24I do.
00:29:25Okay, you can talk to your guests later.
00:29:27Now remove the billboard,
00:29:28because that's what all the neighbors want.
00:29:30Got it?
00:29:31Yes, yes.
00:29:32I'll remove it,
00:29:33but the technicians didn't come.
00:29:34There was some misconduct
00:29:35when they came alone.
00:29:36They passed by a junkyard,
00:29:37broke a tire,
00:29:38and...
00:29:39Don't worry,
00:29:40they'll remove it tomorrow.
00:29:41For sure.
00:29:42I hope so.
00:29:43Go home, calm down.
00:29:44This housekeeper
00:29:45always keeps her promise.
00:29:53Why are you lying to them?
00:29:55To the devil, Judith.
00:29:56We can't remove it.
00:29:57Ressie will sue us.
00:29:59I know, I know.
00:30:00I'm trying to buy some time.
00:30:01For what?
00:30:02To eat more?
00:30:03To find a solution.
00:30:04There's no solution, Ricky.
00:30:06I'm giving up.
00:30:08Let someone else move in.
00:30:10We can't give up now.
00:30:11We have the opportunity
00:30:12to offer the neighbors
00:30:13a better relationship.
00:30:14Screw the neighbors.
00:30:15They hate us.
00:30:16No one said it's easy
00:30:17to be a housekeeper,
00:30:18but what kind of world
00:30:19would we live in
00:30:20if Roosevelt
00:30:22surrendered to Hitler?
00:30:23A world without Jews?
00:30:25How do I know?
00:30:26I want to leave.
00:30:27The leave is not the solution.
00:30:29We can't leave the job
00:30:30in the hands of a lunatic
00:30:31who's only interested in
00:30:32how you are...
00:30:33you know.
00:30:35If I tell him,
00:30:36he can remove the sign.
00:30:38You have a fever now.
00:30:39Lie down, dear.
00:30:41Ricky,
00:30:42I'm having nightmares.
00:30:44And I'm filling them up.
00:30:46Why am I calling?
00:30:47I'm not suffocating.
00:30:48I'm eating a bagel.
00:30:50I'm afraid to go out.
00:30:52Stay here.
00:30:53You'll see things
00:30:54in a different way tomorrow.
00:30:55Can I stay?
00:30:56Of course.
00:30:57It will be my pleasure
00:30:58to welcome you in my bed.
00:31:00Really?
00:31:02You don't mind
00:31:03sleeping on the couch?
00:31:05You're very kind.
00:31:11Look at him,
00:31:12how stupid he is.
00:31:13Mom!
00:31:14Look who's here.
00:31:15Come in, dear.
00:31:16Mom!
00:31:19How are you?
00:31:20We got together
00:31:21and made up.
00:31:22I'm so happy.
00:31:23I prayed for you so much.
00:31:25Where are your things?
00:31:27Don't you have the suitcases?
00:31:29I left them upstairs
00:31:31because I was so worried.
00:31:32We'll move in tomorrow.
00:31:34Can you see
00:31:35that mom and dad
00:31:36are together?
00:31:37It's very strange.
00:31:38Come on, mom.
00:31:39Bring the food.
00:31:40Family is life.
00:31:41What a gift you gave me.
00:31:43I knew you loved each other.
00:31:45It was worth it.
00:31:49Be nice to me.
00:31:50Kiss me.
00:31:51Don't tell me
00:31:52I'm not in the mood.
00:31:53What?
00:31:54You didn't kiss Rufino?
00:31:55No, because I didn't want to.
00:31:56He must have been crazy.
00:31:57Amandor, I'm leaving.
00:31:58No, no.
00:31:59Stay calm.
00:32:00Dinner!
00:32:01Let's have dinner.
00:32:02Oh, my dear.
00:32:04Love is understanding
00:32:05and self-sacrifice.
00:32:06You have to be able
00:32:07to endure.
00:32:08Not like now.
00:32:09At least a little bit.
00:32:10You can't do that.
00:32:11They even had
00:32:12a quick divorce.
00:32:13What nonsense.
00:32:14The best thing about marriage
00:32:16is that it lasts a lifetime.
00:32:18You grow old together.
00:32:19Love has to be fed
00:32:20every day.
00:32:21And respect,
00:32:22patience.
00:32:23Yes, mom.
00:32:24Eat.
00:32:25Will grandpa leave you
00:32:26in the albacete?
00:32:27Yes.
00:32:28And that's very bad.
00:32:29But for me,
00:32:30the kids are first.
00:32:31I found my husband
00:32:32on the street.
00:32:33Dad was nameless?
00:32:34Dear,
00:32:35that's the word.
00:32:36How smart I am, dear.
00:32:37How much I love her.
00:32:38Amandor,
00:32:39dinner!
00:32:40We'll get married again,
00:32:41right?
00:32:42You'll be
00:32:43all white.
00:32:44How will you get married?
00:32:45If you don't want
00:32:46to cancel the church wedding.
00:32:48No.
00:32:49That's too expensive.
00:32:50I won't give you a penny.
00:32:51Don't be silly.
00:32:52We owe the church a lot.
00:32:53Look at your brother, Rohelio.
00:32:54He's so proud
00:32:55of being a priest.
00:32:56Yes,
00:32:57but they wrote something
00:32:58about a girl.
00:32:59Nonsense.
00:33:00Don't make her jealous.
00:33:01No, no.
00:33:02I don't care about the girl.
00:33:03I have my peace.
00:33:04Come here.
00:33:05Hey, honey,
00:33:06what will you do now?
00:33:07Will you stay with us
00:33:08or will you go back
00:33:09to get old with your husband?
00:33:10I'll go.
00:33:11I don't have a job here anymore.
00:33:12Come on.
00:33:13I'll make you a suitcase.
00:33:14Where?
00:33:15Tomorrow?
00:33:16You can't go at this time.
00:33:17Who do you think you are?
00:33:19No, no.
00:33:20I love you very much, Mom.
00:33:21If you want,
00:33:22stay here for the rest of your life.
00:33:23Don't be selfish, Amador.
00:33:24Your father needs her, too.
00:33:25Tomorrow,
00:33:26I'll get my luggage,
00:33:27I'll make up with the neighbors,
00:33:28and we'll see each other
00:33:29in the summer
00:33:30when you bring the kids.
00:33:32No, no, no.
00:33:34Mom,
00:33:35I'll miss you a lot.
00:33:36If you want,
00:33:37I'll stay a little longer.
00:33:38No.
00:33:39No, no.
00:33:47Amador,
00:33:48can you get changed
00:33:49in the bathroom, please?
00:33:50It's time, Milo.
00:33:51We've already seen each other.
00:33:52No, no.
00:33:53Get dressed.
00:33:54No, when your mother
00:33:55lies down,
00:33:56she'll get up.
00:33:57No, you can't go.
00:33:58If she gets up,
00:33:59she'll pee and look.
00:34:00Why would she look?
00:34:01I'll lie down.
00:34:02Come on, Mom.
00:34:03Good night.
00:34:04I look at you together
00:34:05and I still can't believe it.
00:34:06Neither can I.
00:34:10You see?
00:34:11Come on, stay.
00:34:12Just one night.
00:34:13She'll leave tomorrow.
00:34:15Didn't we agree
00:34:16to sleep together?
00:34:17Wait, what?
00:34:18Everyone's on their own side.
00:34:20Just like when you were angry
00:34:21and broke the barrier.
00:34:22What did they kill my libido with?
00:34:24What?
00:34:25Nothing.
00:34:26Give me a shoe.
00:34:30Lele,
00:34:31what are these clothes?
00:34:32Don't look at them.
00:34:33Aren't they for grannies?
00:34:35Don't you throw them away?
00:34:37My socks were dirty.
00:34:38You found them for me.
00:34:39Oh, Milo,
00:34:40if Rufino sees you,
00:34:41he'll hide under the wall.
00:34:45Come on.
00:34:53Amador,
00:34:54do you think I'm beautiful?
00:34:55With these clothes...
00:34:56Yes or no?
00:34:57Yes, Milo, you're very beautiful.
00:34:58You've always excited me.
00:35:01Salam?
00:35:02No.
00:35:03Turn me over.
00:35:15Are you okay, Milo?
00:35:17Yes, yes, yes.
00:35:19I'm sorry.
00:35:20Turn off the light.
00:35:31Milo,
00:35:32don't you feel tight
00:35:34when you sleep?
00:35:36No.
00:35:37They're very comfortable.
00:35:39If you want to put them on,
00:35:40there's nothing I can do.
00:35:46What a relief!
00:35:49The dreams are pleasant.
00:35:51Good night, Milo.
00:36:15Parasely!
00:36:16Answer me for God's sake!
00:36:19Reyes,
00:36:20what are you doing?
00:36:21Let me go!
00:36:22Are you okay?
00:36:23Did the rats bite you?
00:36:24No,
00:36:25I was...
00:36:26What?
00:36:27Are you re-dressing?
00:36:29No,
00:36:30I can't find the ring
00:36:31grandma Carmen gave me
00:36:32when I died.
00:36:33So,
00:36:34before I die,
00:36:35if I'm lucky,
00:36:36I'll wear it.
00:36:37No,
00:36:38no,
00:36:39no,
00:36:40no,
00:36:41no,
00:36:42no,
00:36:43no,
00:36:44no,
00:36:45no,
00:36:46no,
00:36:47no.
00:36:48What happened after that?
00:36:49Was it scary?
00:36:51Don't panic.
00:36:52He'll show up.
00:36:53Grandma Mili?
00:36:54Through the wall!
00:36:55How could I not panic?
00:36:56This was the only cool thing,
00:36:58and hot water too.
00:36:59Where could he be?
00:37:01Maybe he got lost
00:37:02while tr camping?
00:37:03No,
00:37:04I think Fran
00:37:05took it away from me.
00:37:06Did your son?
00:37:07No.
00:37:08River!
00:37:09Of course that he's the youngest.
00:37:10Today I saw him
00:37:13He sneaked in there and gave me some kind of absurd explanation.
00:37:16What?
00:37:17That the toilet in their bathroom was clogged,
00:37:19that he could get in,
00:37:21I don't know what,
00:37:23and he was hiding something under his pants.
00:37:25Maybe the boy needed to be alone for a moment and he came to our bathroom.
00:37:32To be alone? Why?
00:37:36Ah, for...
00:37:37No.
00:37:38At this age.
00:37:40Does he have a gadget?
00:37:41Yes, but you can't let him in.
00:37:44How much energy does he lose in his ejaculation?
00:37:48All of it.
00:37:50Disappears.
00:37:51I have to talk to him.
00:37:53Yes, dear.
00:38:01I can't take it anymore!
00:38:02If you don't get out, I'll get out!
00:38:04No, no, no!
00:38:04Wait, or you'll get out again, whatever you say!
00:38:06I don't know!
00:38:06Then why should you get out?
00:38:07I want to hear his voice, to offend me, to hate me!
00:38:09I can't stand this silence!
00:38:11I can't!
00:38:12Wait, let's rehearse it.
00:38:13I'm Lola.
00:38:14Yes, go ahead.
00:38:16Ring, ring!
00:38:20Ring, ring!
00:38:23Pick it up!
00:38:24Don't laugh, Lola.
00:38:26Oh, dear.
00:38:27Pick it up, be brave!
00:38:29Fine, I'll be brave.
00:38:31Ring, ring!
00:38:33Yes?
00:38:34What are you doing?
00:38:35I closed the door.
00:38:37Ring, ring!
00:38:40She's calling me again.
00:38:42Lola, my love!
00:38:44Javi, I heard your message.
00:38:46What did you do?
00:38:48What did you do?
00:38:49You cheated on me with Raquel?
00:38:51She was to blame.
00:38:52She seduced me.
00:38:53Bad, lock her up.
00:38:54And very mean.
00:38:55Are you blaming me?
00:38:56I didn't meet such friends.
00:38:57I'm sorry, but let me remind you that you're the one who seduced me.
00:38:59Because she provoked me.
00:39:00And I provoked you.
00:39:02Come to my house in the early hours,
00:39:04I don't have a gadget, make me a service.
00:39:06Yako, I'm freezing.
00:39:08Give me the phone, I'll free you.
00:39:09No, I'll call my wife.
00:39:10Javi, you're annoying me.
00:39:11I'm picking up, silence.
00:39:12Listen to the speaker.
00:39:16Hello?
00:39:17Lola, my love!
00:39:19Who are you?
00:39:20Who are you?
00:39:21Who are you looking for?
00:39:22I'm Javi, your husband.
00:39:25You already know why I'm not worried about her.
00:39:28Who was that?
00:39:29How should I know?
00:39:30This guy is hitting her.
00:39:31Find a boy for her.
00:39:33No, no, that's not happening.
00:39:36If she's with another man, I won't be so worried about her.
00:39:40Stupid, stupid, stupid.
00:39:41Hey, hey, hey, short with the wall, we'll lose the deposit.
00:39:44Javi, I'm...
00:39:46I'm very sorry.
00:39:47What a hypocrite, your path is clear.
00:39:50Javi doesn't like me, doesn't attract me.
00:39:52I'm here.
00:39:53I like you, but as a friend.
00:39:55I'm going to Miami, I have to talk to her.
00:39:57Me too.
00:39:58Wait, I'm coming with you.
00:39:59I'm coming with you.
00:40:00What are you talking about?
00:40:01You talk, I'll wait for you on the beach.
00:40:04What about Tonin?
00:40:06His mother and child.
00:40:15His mother, expensive life.
00:40:21Maxi, for God's sake, don't walk around the house naked.
00:40:23Maxi.
00:40:24No, watch out, Maxi.
00:40:26Maxi, wake up.
00:40:28Comrade, are you okay?
00:40:30What are you doing here?
00:40:31You go to sleep for a while to take care of my chair.
00:40:34It's under the devils, it hasn't happened for years.
00:40:37It happened before.
00:40:39Last time I woke up in the middle of the highway.
00:40:42Thank you, friend, save my life.
00:40:44Okay, come on, lie down, you'll catch a cold.
00:40:48Excuse me?
00:40:49No, no, no, no, no, he's a sleepyhead and...
00:40:51Cover up for God.
00:40:53Good night.
00:40:56Okay, do you want something?
00:40:59I had nightmares again.
00:41:01I don't want to sleep alone.
00:41:02Okay, okay.
00:41:03I mean, no problem.
00:41:05Not that I'm glad you had nightmares.
00:41:08That's terrible.
00:41:13What is this?
00:41:16This button is to stop, this is to start.
00:41:19I see, on and off.
00:41:21You know, I'm a merchant.
00:41:23Stop it so it doesn't bother the neighbors.
00:41:26I didn't give that much money to turn it off.
00:41:27Let's go, it's getting late.
00:41:29You have to pay.
00:41:30Okay, I'll transfer it to you tomorrow.
00:41:33Let's go.
00:41:36Can I know what this is?
00:41:38Pessentine, a brother of Las Ketchup, remember.
00:41:41Turn this horror off right now.
00:41:43I can't, my ad has to run for 24 hours,
00:41:46you never know when a client might show up.
00:41:49Antonio, please, the neighbors will protest.
00:41:51What's wrong with me? I'm not a housekeeper.
00:41:53And you'll never be one again.
00:41:55We'll see.
00:41:57Good night.
00:41:58How much is the dinner?
00:42:00I thought you were looking for a place to live.
00:42:02I have a place to live, let's take the immigrant.
00:42:05What does he think he's doing?
00:42:07What's going to happen now?
00:42:09That's not going to happen.
00:42:11The dream has to be respected.
00:42:13What a shame!
00:42:15Leave it!
00:42:17Calm down, I'll call the police right away.
00:42:19You stupid counselor!
00:42:21Please, everyone go to sleep.
00:42:23How can we sleep in this noise?
00:42:25Are you an idiot?
00:42:27Hello, police?
00:42:30Fish products, Resio.
00:42:32Quality seafood.
00:42:34Fresh seafood.
00:42:41Mr. Resio.
00:42:44Mr. Resio.
00:42:57Mr. Resio.
00:43:03Enrique, what are you doing?
00:43:05I'm sorry for listening to all this.
00:43:07Are you drunk?
00:43:09No.
00:43:11Where's the police?
00:43:13I don't know, they must be in a hurry.
00:43:15Tell them something.
00:43:17Don't call anymore, it's been six times.
00:43:19We've been waiting here for two hours.
00:43:27I'm sorry.
00:43:39You told me that an hour ago.
00:43:41I don't care that there was a serious accident.
00:43:44We have a lot of accidents here too.
00:43:49They're coming.
00:43:54What happened? Why did he stop?
00:43:55Turn it on! Turn it on!
00:43:57Turn it on!
00:44:00Good evening.
00:44:02Good evening.
00:44:04You were crying because of the terrible noise that woke up the whole neighborhood, right?
00:44:07Yes, because of this billboard.
00:44:11No, it wasn't just that.
00:44:13A little while ago it was shining like a striptease, at least it was playing music.
00:44:16But I don't know what happened.
00:44:18Suddenly it stopped.
00:44:20Yes, exactly now it stopped.
00:44:22What a coincidence, huh?
00:44:24Because when you call the ambulance, it stops by itself.
00:44:29Don't you have any other job that you take care of stupid things?
00:44:33Policeman, please, I respect the police very much.
00:44:36He's an advisor.
00:44:38Wonderful. I wouldn't be stupid if I were an advisor.
00:44:41What's your name?
00:44:43Erike Pastor.
00:44:47For your trust.
00:44:49Thank you very much.
00:44:51And next time you call, make sure it's an emergency.
00:44:52Yes, yes, police.
00:44:54These are always the same letters from this block.
00:45:00How much is it?
00:45:02I'm going to sleep.
00:45:09This is for the last time, to take my distension pill.
00:45:12Give me the pills.
00:45:14To fill them up to the brim.
00:45:16But isn't it useful?
00:45:18This is the medical pill, sleep.
00:45:22I'm so happy, I'm so happy.
00:45:36Good morning!
00:45:38Good morning, darling.
00:45:40Daddy, wake up!
00:45:42What is this? You'll see now.
00:45:44Did you poop?
00:45:46No, daddy, I'm holding on very well.
00:45:48Let's make a snack and bring it to mom in bed.
00:45:51Roasted chips!
00:45:53Juice!
00:45:55Who's going to make the juice?
00:45:57Me!
00:45:59Come on, take it, it's in the kitchen.
00:46:03Be careful with the knife.
00:46:06Come on, take out the toaster.
00:46:15I'm off.
00:46:17I'm hungry.
00:46:19Come on!
00:46:21Me too, mom.
00:46:23We've been seeing each other since Easter.
00:46:25Love is understanding, self-sacrifice, respect and patience.
00:46:29Yes, mom, don't be sad.
00:46:31Mom is never sad.
00:46:33Yes, you're very wise.
00:46:35Now, I'm going to the cucumber market.
00:46:37Give me a kiss, darling.
00:46:39He has patience, he's a fool, but he's a good boy.
00:46:41Yes.
00:46:43Aren't you going to kiss me?
00:46:45Move!
00:46:47I'm going to sit in front and talk to the gentleman.
00:46:49Don't chase me.
00:46:51Then don't tell him anything.
00:46:55Bye!
00:46:57Come on, send the sausages.
00:46:59What a relief.
00:47:01Yes.
00:47:03Now we can continue our lives.
00:47:05Each in his own way.
00:47:07Thank you very much.
00:47:09Take care.
00:47:11You're welcome.
00:47:13When we both try, we can get along well.
00:47:15Do you remember how we laughed?
00:47:17Yes, I remember.
00:47:19Lele, I'm late for work.
00:47:21Mrs. Saldana is waiting for me.
00:47:23I'm glad you have work after all.
00:47:25You should have sat in the back seat.
00:47:27You're getting old.
00:47:39What a relief.
00:47:43This is called starting a good day.
00:47:46Yes.
00:47:47Starting a good day.
00:48:01What are you doing?
00:48:03I didn't see you.
00:48:05I didn't sleep well.
00:48:07It's your husband's fault.
00:48:09Don't move!
00:48:11Counselor!
00:48:13Don't throw things!
00:48:15Let's see who will save him.
00:48:17Do you want some pineapple?
00:48:19Yes, give it to me.
00:48:21Shushi, what are you doing?
00:48:23This can't hurt for God's sake.
00:48:25Here you go, you cheap bastard.
00:48:27Are you crazy?
00:48:29Faggot!
00:48:31Don't do that.
00:48:36What's going on?
00:48:38Don't go out. The neighbors.
00:48:40To the right of the porch.
00:48:42The chapel is like this.
00:48:44Probably because of the lack of rest.
00:48:47Good day.
00:48:53These croissants are very tasty.
00:48:56Why do you get fat from everything you like?
00:48:59Yes.
00:49:01Are you okay?
00:49:03No, I'm not okay. The neighbors hate me.
00:49:05No, they don't hate you.
00:49:07They put pineapple on my head.
00:49:09My husband was put on his head with a shoe.
00:49:12And they beat him up, but everyone loves him.
00:49:15No, it's not the best example.
00:49:18Enrique, you have to pull yourself together.
00:49:20You have to be in good shape to solve this crisis.
00:49:22They haven't tried to lynch me for a long time.
00:49:24Has it happened before?
00:49:26Three years ago, I canceled the ESTOP concert.
00:49:28Because of the overcrowding on the square,
00:49:30the guys touched my life.
00:49:32What are you talking about? What happened?
00:49:34They burned my car.
00:49:36Fortunately, the firefighters took me out of the trunk in time.
00:49:41Good morning.
00:49:43Did you sleep well?
00:49:45Yes, but don't get in my garden.
00:49:47It's so delicious. Is this natural juice?
00:49:49Please, don't drink from the can.
00:49:51How aggressive. Did they make a gendarmerie?
00:49:54Of course not.
00:49:56That's why I'm nervous. Do you want me to stab you?
00:49:58Expel him. Do something.
00:50:00Antonio, what do you want?
00:50:02I'm coming to make up with you.
00:50:04Lately, you've been a little tense.
00:50:06I don't know why.
00:50:08Why don't you stop annoying us?
00:50:10I'm paranoid. The government changes you and fills you up.
00:50:12Antonio, I understand that you have to promote your business,
00:50:13but this billboard creates tension between the neighbors.
00:50:15Yes, yes, yes, yes.
00:50:17You saw the building index.
00:50:19Your popularity has fallen to the ground.
00:50:21And you find it funny?
00:50:23We measured it with a pineapple.
00:50:25But you're not forcing the government.
00:50:27Antonio, you have to remove this sign before it's unfortunate.
00:50:29Yes, yes, I'll remove it.
00:50:31Look, this is big news.
00:50:33But in return, we want a little favor.
00:50:35What favor?
00:50:37Actually, I'll make you a favor because the people will tell you.
00:50:39But if you make a bet now, you'll save your skin.
00:50:42Are you asking us to give you a job as a housekeeper?
00:50:45I'm ready to make a sacrifice and free you from the heavy goods of the government
00:50:50in these difficult times.
00:50:52This is the top!
00:50:54Get out of here!
00:50:56I didn't finish the snack.
00:50:58I'm sorry. Come on, give it to him.
00:51:00It's not enough that I'm worried about your health.
00:51:02I heard a pineapple fell.
00:51:04Tomorrow they can blow up the laundry or someone is drunk like George Clooney.
00:51:07I don't care.
00:51:09We will not give up before further blackmail.
00:51:11We want a better world and we will protect our cause with our lives, if necessary.
00:51:17Then I'm not going to remove the sign.
00:51:20Look how excited I am.
00:51:22Is that so?
00:51:27I'm going to bed.
00:51:29Come on.
00:51:31Are you making a threesome?
00:51:33If you want, just click.
00:51:38Where did you go with that?
00:51:39To Miami or Big Brother?
00:51:41I didn't know what to take.
00:51:43Did you take the passport?
00:51:45Passport, antidepressant, lotion for the sun.
00:51:47Outrageous news!
00:51:49Rosla and Barbie are running together!
00:51:51Lady, why are you thinking?
00:51:53Because I don't care.
00:51:55Where are you going at all?
00:51:57To the airport, please.
00:51:59Don't be stupid!
00:52:01Mother!
00:52:03You see? We're going on a trip.
00:52:06You shouldn't behave like that.
00:52:09Who is it?
00:52:11I don't know.
00:52:13Lola, my love!
00:52:15I...
00:52:17What?
00:52:19Let's go.
00:52:21No, wait.
00:52:23Did they steal your phone yesterday?
00:52:25Look how happy I am!
00:52:27I mean, I'm sorry, but it's unpleasant.
00:52:29So you didn't hear my message?
00:52:32No, you said...
00:52:34Lola, how are you?
00:52:36I'm Raquel.
00:52:38You're a virus.
00:52:40From the computer.
00:52:42That's enough.
00:52:44I really like your show.
00:52:46I'm in love with Hilda's lover.
00:52:48Adelita?
00:52:50Adelita, yes.
00:52:52Is there a gadget?
00:52:54No, there's no gadget.
00:52:56I really liked the scene where your brother raped you.
00:52:58It was really cool.
00:53:00How did you do it?
00:53:02You were naked.
00:53:04Lola, honey, I love you so much.
00:53:06I'll never forget it.
00:53:08I need you.
00:53:10She doesn't know anything.
00:53:12She doesn't know.
00:53:14She doesn't know.
00:53:18Come on, let's go.
00:53:20Again?
00:53:22Let's go.
00:53:24No, I don't need it anymore.
00:53:26Thank you very much.
00:53:2823 euros.
00:53:30Are you crazy?
00:53:32OK, see you.
00:53:34Hey!
00:53:35Raquel, it's me.
00:53:37No, don't say anything.
00:53:39I think it's good that we don't see each other all the time, while...
00:53:41No, he'll take the suitcase.
00:53:43My favorite clothes.
00:53:45Hey, you!
00:53:47You like the Russian, don't you?
00:53:49She's a friend, ma'am.
00:53:51Get rid of her.
00:53:53No one will understand.
00:53:58I'm getting more and more excited about the marketing.
00:54:00Thank God the trunk is going to burst.
00:54:02You have to fill it somehow.
00:54:04When is your husband coming from Frankfurt?
00:54:07He didn't wait for me.
00:54:09Wait till tomorrow.
00:54:11I'll sleep alone tonight.
00:54:13I'm tired of sleeping alone.
00:54:15Sure.
00:54:17And the house looks big.
00:54:19And the bed.
00:54:21You have a very nice garden.
00:54:23You know, I was dreaming last night.
00:54:25And what statues?
00:54:27He was coming to my house,
00:54:29but suddenly he stopped.
00:54:31He pulled me out of the car,
00:54:33took my sunglasses
00:54:35and raped me on the hot bed.
00:54:38You'll be late for dinner.
00:54:40I like to make my dreams come true.
00:54:42What will you say?
00:54:44Should we do it here?
00:54:46In the hotel, tonight.
00:54:48You and me alone.
00:54:50And Mr. Saldana?
00:54:52In Frankfurt.
00:55:00Where was he?
00:55:01I told the neighbors about the secret meeting.
00:55:03He had to promise them
00:55:05that we would give them fish products.
00:55:07Do you want to ruin my business?
00:55:09They didn't want to come.
00:55:11They are very angry.
00:55:13And who will pay for this?
00:55:15Paralys, this month, no payment.
00:55:17Why?
00:55:19What do you want, fisherman?
00:55:21Is there anything important
00:55:23about this night with the billboard?
00:55:25It is the housekeeper's fault
00:55:27that she did not keep her promise.
00:55:29How bad does it smell?
00:55:31Dear neighbors,
00:55:33this crisis with the billboard
00:55:35is another proof
00:55:37of the incompetence of this administration.
00:55:39I suggest that we fire them
00:55:41and choose the only person
00:55:43who can manage with a firm hand.
00:55:45A charismatic leader,
00:55:47not bribed and forward-looking.
00:55:49Long live, Reyes, the housekeeper!
00:55:51No, no, no,
00:55:53how can a lesbian be a housekeeper?
00:55:55And what, is there a problem?
00:55:57You are not my relative.
00:55:59Come on, this one.
00:56:01I hate you like you hate this one.
00:56:03Antonio, this is a political contradiction.
00:56:05I promise to remove the billboard.
00:56:07Then I can sleep.
00:56:09He is the best candidate
00:56:11and he already has experience.
00:56:13That's right.
00:56:15I don't care about the current ones.
00:56:17Ready!
00:56:19Antonio, president, I'm going to the bar.
00:56:21Antonio, I'm going to sleep.
00:56:23Get out!
00:56:25Are you really going to post this debacle?
00:56:27You shut up.
00:56:29Paralys, tell Kokia to call an illegal meeting.
00:56:31You gave him the fish.
00:56:33That's right.
00:56:35Antonio Reyes always fulfills his promises.
00:56:37What's that smell?
00:56:39This is rotten.
00:56:41You give it to him and he cries.
00:56:46How flammable we were, Ranky.
00:56:48Flammable?
00:56:50Obviously, we need to reconsider our position.
00:56:52No, no, no, don't start again, Erik.
00:56:54This was just a joke.
00:56:56Is this me for you?
00:56:58And my replacement.
00:56:59Great, I'm going to write it on my business card.
00:57:01Erik Pastor, replacement and scum.
00:57:03Neighbors!
00:57:05You...
00:57:07Disperse!
00:57:09I'm going to go to the bar.
00:57:11Why? We're not any...
00:57:13Because you're a replacement and you have responsibilities.
00:57:15I'm resigning.
00:57:17Now I'm just scum.
00:57:19Erik, for me you are much more than scum.
00:57:21Am I? What am I?
00:57:23You are...
00:57:25All right, let's see what they want.
00:57:27No, no, no, don't open it.
00:57:29You're the hostess, you have to take responsibility.
00:57:31All right, Pechelish.
00:57:34We are...
00:57:36Mr. Delfin.
00:57:38Koki, what are you doing?
00:57:40Don't open it.
00:57:42I don't want to interrupt.
00:57:44What's going on?
00:57:46The neighbors called a secret meeting.
00:57:48Meeting?
00:57:50They're going to elect Antonio as host.
00:57:52They promised to remove the sign.
00:57:54They're going to replace us.
00:57:56Not everything is lost.
00:57:58What are we going to do?
00:58:00We're going to make them a better offer.
00:58:02What do the neighbors like the most?
00:58:04To go to the auction.
00:58:06No, the money.
00:58:08But how are we going to pay them to stay at home?
00:58:10Think of something then.
00:58:12Wait a minute.
00:58:14What if Ren pays the money?
00:58:16Don't talk nonsense.
00:58:18Leave him.
00:58:20At the meeting, the neighbors were ready to leave the sign against the rent.
00:58:23They will sign the contract.
00:58:25The sign will stay and the block will take the money.
00:58:27Everyone is happy.
00:58:29What about the noise at night?
00:58:31The neighbors want to sleep.
00:58:33Klaus will stop him.
00:58:35Brilliant plan, Koki.
00:58:37There is only one problem.
00:58:39Antonio will never sign such a contract.
00:58:41Unless you think he's signing something else.
00:58:48Give me a beer.
00:58:50I'll kick the boss until tonight.
00:58:52At this age, he needs a lubricant.
00:58:54It's very cool, in his forties.
00:58:56Damn, this soldier is crazy.
00:58:58We have to see her.
00:59:00Carmen de Mayrena will excite you too.
00:59:02These guys are certainly doing miracles.
00:59:04Look for a hotel so we can have a drink until tonight.
00:59:06Amador, find a good job.
00:59:08Be a professional.
00:59:10My boss wants salami, I'll give it to him.
00:59:12How lonely is the cucumber to go to the hotel with you?
00:59:14You envy me.
00:59:16I'll have meringues tonight.
00:59:18What are you going to do with the kids?
00:59:20Your mother is gone.
00:59:22I know it's weird and absurd,
00:59:24and this is Amador,
00:59:26and whatever you want,
00:59:28but I felt something.
00:59:30Come on, we'll make you a suitcase.
00:59:32Wait, we're just talking now.
00:59:34Raquel, tell me your opinion.
00:59:36I think you've lost your self-esteem.
00:59:38You feel old and vulnerable,
00:59:40and in such cases, a person does stupid things.
00:59:42And this Amador,
00:59:44he looks stupid to me.
00:59:46Cucumber, can you shut up for a while
00:59:48and come to the kitchen?
00:59:50What are you doing?
00:59:52Are you an idiot?
00:59:54Let him get together with Milo
00:59:56and get out of our heads.
00:59:58And why?
01:00:00In two days they'll get together again
01:00:02and he'll come back even more depressed.
01:00:04No, I'm not going to open the door anymore.
01:00:06I'm going to change the key,
01:00:08I'm going to let go of the trigger,
01:00:10whatever comes.
01:00:12Cucumber.
01:00:14Aren't you sorry for her?
01:00:16For me?
01:00:18I'm not sorry for anyone.
01:00:19He's your husband,
01:00:21the father of your children,
01:00:23the man of your life.
01:00:25He's running around in your neighborhood.
01:00:27Yes, but what if I refuse
01:00:29to meet a beautiful man?
01:00:31At your age, it's not easy.
01:00:33At no one's age, it's not.
01:00:35Wait a minute.
01:00:37Why are you going with Enrique
01:00:39and he's hanging out with Javi?
01:00:41Imagine what the market is like.
01:00:43I'm not hanging out with Javi.
01:00:45Mother!
01:00:47Amador is your train,
01:00:49he's more mature.
01:00:51Of course, Amador,
01:00:53he has good sides.
01:00:55My cousin is your friend
01:00:57and she respects you,
01:00:59but how many times has she told me
01:01:01that she'll wake you up in an hour?
01:01:03Does she really wake you up?
01:01:05Yes, but the prostate is a little...
01:01:07I don't know.
01:01:09What if I make up this movie
01:01:11if he doesn't experience the same?
01:01:13God, how annoying she is.
01:01:15Amador!
01:01:17Hello?
01:01:19Girls,
01:01:21do we have a plan for tonight?
01:01:23No, no.
01:01:25All right, at nine.
01:01:27Better at eight.
01:01:29Amador, it's going to be a great night.
01:01:31Great.
01:01:33I told you not to worry
01:01:35about your teeth hygiene.
01:01:37If you had gone to the bathroom,
01:01:39you would have brushed your teeth now.
01:01:41Yes, mom.
01:01:44The lesbian has overdone the soup.
01:01:46I'm great.
01:01:48Come on, go to bed.
01:01:50I'll see what Anna Rose is up to.
01:01:53I've been thinking about it all night
01:01:55because I don't know
01:01:57if my son is a thief or a teenager,
01:01:59or a nanny.
01:02:01Do you always run out of money?
01:02:03I always run out of money.
01:02:05I disappear without a trace.
01:02:07Like everyone else.
01:02:09So, young people can steal
01:02:11from their homes for different reasons.
01:02:13To show courage,
01:02:15to make gifts for their friends
01:02:17and to become more popular
01:02:19to celebrate emotional holidays.
01:02:21Yes, the holiday that I left.
01:02:23Or to use drugs.
01:02:25Franc-narcomane?
01:02:27No, I haven't seen him since the funeral.
01:02:29His teeth are not black
01:02:31and his nails are very clean.
01:02:33No, no.
01:02:35The most used drug is hashish and marijuana.
01:02:37Eh,
01:02:39a cigarette from time to time
01:02:41is not so ...
01:02:42Oh my God,
01:02:44my son is smoking weed.
01:02:46The symptoms are
01:02:48hypersensitivity,
01:02:50drowsiness,
01:02:52fatigue, bad mood,
01:02:54intimate irritations.
01:02:56I'll keep an eye on him.
01:02:58No, it's best to talk to him
01:03:00so you can show your concern
01:03:02and tell me where the ring is, right?
01:03:04But don't blame him.
01:03:06Just let him explain.
01:03:08Okay,
01:03:10I'll tell you more.
01:03:12If he understands,
01:03:14he won't come back.
01:03:16Don't give birth to children.
01:03:18No, not for now.
01:03:20A little more, Enrique.
01:03:22Put on a diaphragm.
01:03:28I'm the one who gives salami,
01:03:30I give meringue,
01:03:32I give salami,
01:03:34we're going to fight.
01:03:36We're going to fight.
01:03:38Dad, the phone!
01:03:40Give me meringue, I want to die.
01:03:42Meringue, meringue!
01:03:44Meringue!
01:03:45Hello, my name is Bukhia Masvalyach.
01:03:48No, I'm his daughter.
01:03:50At least that's what Mom says.
01:03:53Wait, Victoria will write it down.
01:03:56Hotel Wellington,
01:03:59room
01:04:02303.
01:04:04What's up? Do you like my dad?
01:04:07No, no, out of curiosity.
01:04:09Okay.
01:04:10Hi.
01:04:12What a mess.
01:04:13Hello, hello.
01:04:15Lele, you look like a street girl.
01:04:17Carlota!
01:04:18Do you have a date?
01:04:19Yes, with Dad.
01:04:20Dad?
01:04:21Carlota, we're going to be a family again.
01:04:24Salama, salama!
01:04:26Hello, Milo.
01:04:27Amador, you're so elegant.
01:04:29Of course, the case deserves it.
01:04:31Take it, you have a message.
01:04:33Wonderful.
01:04:34Where are we going to dine?
01:04:36Aren't you a dinner?
01:04:37See what's in the fridge, because I have a date.
01:04:39What?
01:04:41My boss wants salami.
01:04:42I'm going to make her happy.
01:04:45Thank you very much for staying with the kids.
01:04:49I owe you.
01:04:50Amador, nose!
01:04:52I'm going to be late, eat the meringue.
01:04:57Go with your boss.
01:04:59My name is Victoria.
01:05:06Mom, who are you waiting for?
01:05:07Who are you?
01:05:09I'm the mother.
01:05:11Your son has a lover and he's going to her.
01:05:13Oh, God, we were so happy.
01:05:16I'm going to die.
01:05:19No, I don't know where he is.
01:05:20I know.
01:05:23Dear neighbors, we have gathered here to put an end to this catastrophic stage of roadless management,
01:05:29which leads us to absurd chaos.
01:05:32Who votes for my election as mayor?
01:05:35One moment.
01:05:37What are you doing here?
01:05:38Did you warn them?
01:05:39No, no, no, it wasn't me.
01:05:41Antonio, sit down between the neighbors.
01:05:43This is still the housekeeper.
01:05:45Briefly.
01:05:46What does your ex-wife want now?
01:05:47Doesn't she have any dignity?
01:05:48I don't think so.
01:05:50Neighbors, today is a difficult day for Mirador de Montepinar.
01:05:53When we decided to take responsibility for the management,
01:05:56we made it with the firm belief that we can offer the owners a better block.
01:06:02A block with clean sidewalks and large garden areas.
01:06:06A pioneer block in the use of renewable energy, which respects the environment.
01:06:11A block where everyone can live in peace and harmony,
01:06:14regardless of race and religion.
01:06:17A block where we can live happily.
01:06:20And when they ask us on the street where we live,
01:06:23we can proudly say,
01:06:25I live in Mirador de Montepinar.
01:06:29How well does this man speak!
01:06:32Don't listen to him, he wants to confuse you.
01:06:33Enrique, you act like you don't care.
01:06:35We coped with this challenge with firmness and perseverance.
01:06:39But obviously, we failed because you don't support us anymore.
01:06:42Therefore, before the general dissatisfaction,
01:06:45I and the housekeeper decided to give up.
01:06:48I protest! I protest!
01:06:50But that's what he wanted.
01:06:52You can't push us, we were going to kick you out.
01:06:55What does it matter? Come on, please!
01:06:57If you give up, it's not so humiliating.
01:06:59Come on, Berribario, you're very annoying.
01:07:00Thank you. To legalize the transfer of power,
01:07:03we called a lawyer.
01:07:05Conrado?
01:07:07Good evening.
01:07:09Did you steal my lawyer?
01:07:11Calm down, Don Antonio, I'm here to protect your interests.
01:07:14Is that so?
01:07:16If you like, come closer.
01:07:18What is he doing here? Why don't we vote?
01:07:20We want his written promise to remove the board
01:07:23in exchange for the position of housekeeper.
01:07:25Don't you trust me?
01:07:27This is just a formality.
01:07:29Yes, yes, without any trick.
01:07:32Actually, you don't have to remove the billboard,
01:07:35you just have to turn off the music and the lights.
01:07:38But I'm the housekeeper, right?
01:07:40Yes, you just have to sign the contract.
01:07:43Where do I sign?
01:07:45If you like, sign here, here, and here.
01:07:52This copy is for you.
01:07:54I'm the housekeeper again!
01:07:56Come on, get out of my way!
01:07:57How much? This month, free of charge?
01:08:00Gentlemen, bow to your leader!
01:08:02What are you talking about, you idiot?
01:08:04You're hurting the housekeeper!
01:08:06You're fired for three meetings!
01:08:08Antonio, I'm sorry, but you can't fire anyone.
01:08:10I'll do whatever I want!
01:08:12I'm the best housekeeper in the world,
01:08:14and you're getting in the way!
01:08:16You're not!
01:08:18What do you mean, I'm not? It's written here.
01:08:20No, it's not.
01:08:22You have to read what you're signing.
01:08:24Conrado, what did I sign?
01:08:26Gentlemen, what Don Antonio signed
01:08:29is a contract for the rent of the advertising space on the facade,
01:08:32with which he continues to pay 500 euros a month
01:08:38for the next five years.
01:08:41What?
01:08:43You tricked me!
01:08:45Give me the money!
01:08:47Bravo, Enrique!
01:08:50Then who's the housekeeper?
01:08:52That's up to you.
01:08:54Who's voting for the housekeeper?
01:08:56The Americans.
01:08:58He can't do it today.
01:09:00I accept with pleasure.
01:09:02That's not going to happen!
01:09:04I'm not paying anything!
01:09:06You will, if you don't want me to spend the rest of my career
01:09:08putting you in jail.
01:09:10Let's play, Conrado!
01:09:12Let's play!
01:09:26Take it!
01:09:28Give it to me!
01:09:30Take it!
01:09:32Give it to me!
01:09:34Take it!
01:09:36Give it to me!
01:09:38Take it!
01:09:40Give it to me!
01:09:42Hey, Mr. Saldanha,
01:09:44look how close I am to Geneva!
01:09:46And you're in Frankfurt!
01:09:48You're in Frankfurt!
01:09:50No, I'm not!
01:09:52I'm not!
01:09:54I'm not!
01:09:56Don't be shy, dear.
01:09:58The night is very long.
01:10:00No, I'm here...
01:10:02The room is nice.
01:10:04It must be expensive.
01:10:06For me?
01:10:08When will you start talking to me before or after the beating?
01:10:10When you say, Mrs. S...
01:10:12S...
01:10:14Ole!
01:10:16Get dressed.
01:10:18Yes, yes.
01:10:19Oh, my God.
01:10:41Spartacus!
01:10:49Oh, my God!
01:10:51If you take off your shoes first, it's easier.
01:10:54Lelele.
01:10:56Lie down, I'm coming.
01:10:58I'm sorry, little one,
01:11:00but I'm in charge here.
01:11:02Yes, yes, yes.
01:11:04I told you not to stand up.
01:11:06Do you know how long I haven't felt a man inside me?
01:11:09Me too.
01:11:11I mean, me too, for a long time.
01:11:13Shut up.
01:11:16Lelele.
01:11:17Lelele.
01:11:23Lelele.
01:11:32Oh, ma'am.
01:11:34It's breaking.
01:11:36It's breaking.
01:11:38Is the champagne safe?
01:11:40Open it, I prefer not to be seen.
01:11:42Yes, yes, there it is, cover yourself.
01:11:44Take it.
01:11:46Oh, my God.
01:11:53Liar!
01:11:55Liar!
01:11:57What are you doing here?
01:11:59I came to get some varnish.
01:12:01Mom, I'm working.
01:12:03Like a prostitute?
01:12:05No, no, no.
01:12:07What's that?
01:12:09The waiter's wallet.
01:12:1120 euros.
01:12:13Amador, what's going on?
01:12:14This is my boss.
01:12:16We had a meeting.
01:12:18My son is married, do you understand?
01:12:20She too, she's delicate.
01:12:22So much so that she'll go to them and tell them to fuck off.
01:12:24He's in Frankfurt.
01:12:26Amador, are you nervous?
01:12:28No, no, no, ma'am.
01:12:30My mother, she...
01:12:32I'm unemployed again.
01:12:34What a miracle is the speed of our train.
01:12:36You don't feel when you arrive.
01:12:44How are you, son?
01:12:46Did you wake up?
01:12:48No, I was watching TV.
01:12:51Are you okay?
01:12:53Terrible.
01:12:55Fran, are you drugged?
01:12:57A little.
01:12:59Oh, my God.
01:13:01How many cigars did you smoke?
01:13:03No, no, it was an injection.
01:13:05Oh, my God, I knew it.
01:13:07Did you take my finger?
01:13:09Yes.
01:13:11Admit it.
01:13:13I said yes.
01:13:15Okay, and where is it?
01:13:17But don't tell Dad it's a secret.
01:13:20Are you going straight to the clinic?
01:13:22No, again.
01:13:24And before that, were you?
01:13:26Maxi took me.
01:13:28Please, why doesn't anyone tell you anything?
01:13:30I'll do it, just for a minute.
01:13:36Police?
01:13:38Tell me.
01:13:40And when did he steal from you?
01:13:41I don't know.
01:13:43He's always been a good boy.
01:13:45I think so.
01:13:47Are you going to file a complaint about the finger?
01:13:49Yes.
01:13:51No, I don't know.
01:13:53What do mothers do in such cases?
01:13:55One night in prison.
01:13:57That's it.
01:13:59Okay.
01:14:01Should I give him dinner?
01:14:03Should I make him a sandwich?
01:14:05I didn't do anything.
01:14:07You'll tell me later.
01:14:09Mom, what's going on?
01:14:11They're going to help you clean up.
01:14:13Easy.
01:14:15What? Dad?
01:14:17Don't worry, we'll take care of it.
01:14:27Don't hurry.
01:14:29Honey, what happened?
01:14:31They took Fran.
01:14:33He turned out to be a drug addict.
01:14:35What?
01:14:37Yes, he stole my ring to make a drug.
01:14:38It was perfect.
01:14:40He couldn't stand on his feet.
01:14:42He was limping.
01:14:44Horrible.
01:14:46Of course, he was in my office.
01:14:48I put him to sleep to calm him down.
01:14:50What?
01:14:52And you didn't steal the ring.
01:14:54I took it because I begged him.
01:14:56You?
01:14:58Why?
01:15:00Are you drugging?
01:15:02To know your size.
01:15:0442.
01:15:06No, the ring.
01:15:08Wait, I didn't mean to offer you like that.
01:15:12Oh my God, again.
01:15:14The big moment.
01:15:16Araceli.
01:15:18Do you want to marry me?
01:15:20The devils!
01:15:22Outrageous news!
01:15:24The witch fell on her knees.
01:15:26But I'm already married, honey.
01:15:28We'll fix that.
01:15:30Do you want to or not?
01:15:32I don't know.
01:15:34What are you going to say?
01:15:36What do you think?
01:15:38Well, yes.
01:15:40Let's get married, come on.
01:15:43Horrible!
01:15:45Horrible!
01:15:47They can't see us here.
01:15:49Let's go home.
01:15:52Shouldn't we go to Fran first?
01:15:54Oh, the baby!
01:15:58What do you want?
01:16:00I don't want to talk to you.
01:16:02Get out of here.
01:16:04How happy I am, boss Antonio, to offer you something.
01:16:06I'm not dinner.
01:16:08I'm soup with eggs and fish balls.
01:16:10Make it yourself.
01:16:12What a disgrace.
01:16:14Look, I made a balance so you can see that it's profitable not to be a seller.
01:16:18Forget about the fish market, I have a surprise.
01:16:21For me?
01:16:23I'm a serious businessman.
01:16:25I can appreciate a good job, even if I'm an immigrant.
01:16:27And after a long search for a great mind, I decided to make you...
01:16:31... a partner in a fish product, Tiresio.
01:16:36With 3%.
01:16:38This is the Spanish dream.
01:16:40Dona Berta will be a partner.
01:16:42Congratulations, Parales. You deserve it.
01:16:44Thank you, Antonio.
01:16:46I'm very proud of you.
01:16:48No, who knows what.
01:16:50I'll make you the soup.
01:16:52With fish balls.
01:16:54Thank you very much, boss Antonio.
01:16:56Can I bring my mom?
01:16:58I don't know, but you can still buy her teeth, which is very important for the jungle, right?
01:17:01Do you promise to love and respect the company and its founder the most of all?
01:17:04Yes, I promise.
01:17:06Congratulations, Parales. A partner with 3%.
01:17:08In the name of the Father, the Son, and the Holy Spirit.
01:17:10Amen.
01:17:12Come with me as an illegal immigrant, and now you are a part of an empire of frozen food.
01:17:16Have a good time.
01:17:18Thank you very much.
01:17:20Wait, wait. Sign these documents.
01:17:22And quickly, I don't have time.
01:17:25Use this notebook.
01:17:27We signed our marriage with it, Antonio, and we were...
01:17:29... happy for many years.
01:17:31Berta, what's wrong with my soup?
01:17:33Wait, this is a very good moment.
01:17:34I'm hungry.
01:17:36What are you doing?
01:17:38I'm reading the contract.
01:17:40You don't trust me?
01:17:42I won't make you a partner.
01:17:44I trust you.
01:17:46Come on, sign it.
01:17:54You played me. You played me like a boy.
01:17:57What?
01:17:59Why did you transfer my house for one euro?
01:18:01Take it.
01:18:03Antonio!
01:18:05It's true, I played her.
01:18:07You're so naive, Paralez.
01:18:09You can't measure up to my business mind.
01:18:11And the contract is a lie?
01:18:13No, no, that's true.
01:18:15Come on, get out of here.
01:18:17You don't have a job here anymore.
01:18:19How can you throw him out?
01:18:21I've helped you so much.
01:18:23At least I still have a job.
01:18:25Of course, at seven o'clock.
01:18:27I can't sleep peacefully when I know he's on the street.
01:18:29No, you'll go too.
01:18:31Antonio!
01:18:33Antonio!
01:18:40I have a house right after this.
01:18:44Do you have the key?
01:18:46Another dimotinus.