Igra sudbine, Epizoda 1194,Igra sudbine 1194 ,Igra sudbine 1195,Igra sudbine Epizoda 1194, Igra sudbine Epizoda 1195,Epizoda 1194 Igra sudbine ,Epizoda 1195 Igra sudbine
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00:00IN THE NEXT EPISODE
00:07Come in.
00:17Welcome. What happened?
00:21I found a company that wants to invest in the production of the collection.
00:25And in several series.
00:27Where did they come from?
00:29Some of my old employees.
00:31That's good news, but I'm not asking about that.
00:34I'm asking, why this whole circus in the last two days?
00:38Because you have to fulfill one more condition,
00:41so we can close the business.
00:43I didn't think there were more conditions.
00:46Well, what is the condition this time?
00:51You have to go with me to Milan.
00:53I don't understand. Alex and I are definitely going to Milan.
00:56The business can't go on without the two of us.
00:59I think you understand, but let me put it this way.
01:03I'm asking you to leave Zvrk.
01:06And to go with me.
01:11You're practically asking,
01:13you want to take me just for yourself,
01:16to walk me around Milan,
01:19and to leave me when you get bored.
01:21No.
01:22No, I've never offered this to anyone.
01:25I want to spend my life with you.
01:28And I'm ready to give you everything.
01:32Look, Laura, I'm half-proud.
01:35And thank you for the offer, really.
01:38But it's not going to happen.
01:42You're afraid.
01:44No, I just have completely different plans for my life.
01:47I've never been attracted to that modern life,
01:50and I think that would be a big mistake.
01:54So you're rejecting success, fame, power, my love?
01:59Well...
02:00What would Ada tell you about that?
02:04Now you're asking me what Ada would tell me.
02:07Ada would...
02:09Ada would actually tell me to never accept money.
02:14So yes, I'll listen to Ada,
02:16and I'll have to reject your offer.
02:20Are you sure about that?
02:23Because I'm leaving for Milan tomorrow,
02:26and you'll never have me in your life again.
02:32The only thing I can do...
02:35I can...
02:37I can wish you a happy journey.
02:43So this is about God?
02:47Yes.
02:53God bless you.
02:58God bless you.
03:18You're acting well.
03:21I'm great.
03:24I'm glad you decided to leave things behind.
03:28No.
03:30Things have changed.
03:33How?
03:35Andrija sent me flowers.
03:40How, after everything?
03:42I don't know and I don't care.
03:44It's important that he did it.
03:46I know, but...
03:48That's not logical.
03:50Why not?
03:54Are you jealous?
03:56Come on, don't be silly.
03:59I mean, I'm glad you're happy.
04:04I just wish there were no complications about Andrija.
04:08But...
04:09It is what it is.
04:11Andrija is serious.
04:13Okay.
04:14So you're giving up on the scandal?
04:17What are you talking about?
04:19The indictment against Jovan and the release of the video.
04:23Oh, that.
04:24Yes.
04:25I don't need that.
04:26Come on.
04:29Now I feel safe.
04:32And calm.
04:36It's nice that things have gone that way.
04:41For me too.
04:48THE END
04:54I have one more.
04:56Mila!
04:57Mila, Adon, are you alive?
05:00She's crying, screaming, screaming.
05:04Disaster.
05:05Who's screaming?
05:07Flora.
05:08Trevna.
05:09What are you talking about?
05:11She's been smiling since this morning.
05:13Okay, okay.
05:14You don't need details.
05:15We don't need to know everything.
05:17Do you want to drink something?
05:19Come on, give it to me.
05:21What does your stomach like?
05:22Herbal tea.
05:23Herbal tea is good.
05:26Are you okay, Mila?
05:28I'm hot, but okay.
05:31I'm trying to apply a theory I read.
05:36It's a theory of three filters of the thought process.
05:41You know what it is, if you've read it.
05:43Three filters, what is it?
05:45What are three filters?
05:47The first filter is when a decision is made,
05:50like this,
05:52impulsively, fast,
05:54without any reasoning,
05:56emotion,
05:57and the decision is made.
05:59You can understand that.
06:01I won't even talk to you.
06:03The second filter is when there is a diversion,
06:09when the reasoning is based solely on the ratio,
06:13on the mind,
06:14the emotion is put aside,
06:16and then it is looked at from more angles and from the side.
06:20And the third filter,
06:22it is in conflict with these two.
06:26The ratio of emotions,
06:27the ratio of emotions,
06:28they are like this, like this,
06:29they fight, fight, fight,
06:30and then, if that filter passes,
06:32the decision can be made.
06:33It's like this, longer.
06:35Do you understand?
06:36Yes, yes, yes.
06:37I think it's like that.
06:38Well, good.
06:39And what is the conclusion?
06:43Wait, right now I'm at the second filter.
06:45Yes.
06:46And then now, when it starts to flow, flow, flow.
06:51You can.
06:52What can, Milo?
06:55Well, the grasshopper.
06:57You can, you can.
06:58Take two.
06:59Take two.
07:00Double, one.
07:01Let me tell you,
07:02this is not the stomach.
07:06It's alive.
07:07The grasshopper is alive.
07:10It's alive.
07:13It's alive.
07:23I can't, people.
07:24I'm going to lose all the grasshoppers.
07:25I'm going to the hotel now.
07:26Wait.
07:27Stop, stop, Zvrk.
07:28What did you say a little while ago, Aleksija?
07:30How long ago was that?
07:31Well, however long it was,
07:33we agreed to sit here and wait.
07:35And now?
07:36I mean, you won't do anything
07:37until you go to the hotel.
07:38I won't.
07:39At least I'll know the truth.
07:40Here.
07:41Okay, but, Zvrk,
07:42do you realize that you might miss
07:43a potential agreement?
07:44I mean, we don't know
07:45how Laura is going to react.
07:46Lenka,
07:47now, at this moment,
07:48maybe something is happening
07:49between them.
07:50Can you understand that?
07:51If that's the case,
07:52I have to know that.
07:53Zvrk,
07:54I'm sorry to say this,
07:55but even if it happens,
07:57you will definitely know.
07:59Just try to calm down
08:01and wait a little,
08:03and that's it.
08:04I can't wait.
08:05I have to go.
08:06There's no need.
08:09Here I am.
08:10What happened?
08:15What had to happen happened.
08:20She gave me an unreasonable offer
08:22to work with her.
08:26And I rejected her.
08:29Okay.
08:30So, the drama is over.
08:31You and I can...
08:33Come on.
08:34We'll leave you alone for a while.
08:36What is this?
08:38What is this?
08:41Did you really reject her?
08:42No, I just...
08:43Did you really reject her?
08:44I really rejected her.
08:53Oh, Vremice,
08:54where are you from?
08:56I'm late for this bus to Kosmaj,
08:58and the next one is at half past six,
09:00so I thought I'd come back a little
09:02to hang out a little,
09:04to pass the time to the bus.
09:06To hang out?
09:07Well, yes.
09:08To run, or I don't know.
09:09Do you want me to give you
09:10about six or eight cigarettes
09:12to smoke in the warehouse?
09:14I do, dear.
09:15I do.
09:16Thank you, I do.
09:17Wait, wait.
09:18How is it possible for you
09:19to run to the bus?
09:20I mean, considering that you
09:21understand those stars, planets...
09:23No, no, I just don't understand
09:24how you couldn't predict that.
09:26Well, I didn't have time today
09:28to deal with predictions
09:29of my own,
09:31or of someone else's future,
09:33because I spent the whole day
09:34looking at thousands of stars.
09:36Ah, that's it.
09:37And it's not just that,
09:38you know, that gift that Vremice has,
09:41it shouldn't be spent
09:43on these everyday things,
09:45these little things.
09:46That's right.
09:47That gift that he has,
09:49he spent it,
09:51he spends it,
09:52and then it can go to him.
09:54What can go to him?
09:55A gift, a gift.
09:57You should go to the water a little,
09:59because you've had a good swim.
10:01But, you see,
10:02it's a nice, nice situation.
10:04A team with Kosma,
10:05a little bit of...
10:06a little bit of evocation,
10:07a little bit of memory,
10:08what's missing.
10:09Come on, Milo,
10:10give us one more.
10:11Come on.
10:12Not for you.
10:14No.
10:17What's mine?
10:19Processing the mind.
10:22Through three filters.
10:25The past can.
10:27What can?
10:29The past.
10:31Not for you.
10:32Come on.
10:33Come on.
10:34Just not him.
10:47Thank you for
10:49withstanding all that pressure.
10:52Jovan is not an easy person at all.
10:55And Una, especially.
10:58I feel like I'm on the green line now.
11:03I'm sorry.
11:04I'm sorry.
11:06But, what can I say?
11:08That's my life,
11:09that's my job,
11:10and I can't do anything about it.
11:12I understand.
11:14Don't you think it's a little cruel?
11:19There's no help there.
11:22Andrija,
11:23I finally feel relieved.
11:27These previous days were too hard for me.
11:33You're strong.
11:34You'll...
11:36I mean, I don't know,
11:37I'll hear about you on Saturday.
11:40I blew up completely.
11:43Well, I mean,
11:44you don't know how others would react.
11:49I was on Ibiza.
11:52You were?
11:53Mhm.
11:55Does that mean
11:57that you've
11:59given up?
12:04I don't know.
12:08Probably.
12:12Look, if there's anything
12:14I should ask of you,
12:17it's this.
12:20Okay.
12:21But there's one thing I have to do.
12:52Ahem.
13:01What are you doing?
13:02Nothing.
13:03I'm in my room.
13:04I'm here, Luka went out.
13:06Yes, with Alex in Maldives.
13:08What are you doing?
13:09I don't know what to do with myself.
13:11So, there's two of us.
13:13Yes.
13:15You can't imagine how crazy I was yesterday.
13:18I understand.
13:20I've been out all day.
13:22Do you want to meet?
13:23Come on, why not?
13:24Where are we going?
13:25Come to my place.
13:27Let's go.
13:28We're leaving right now.
13:29Okay?
13:30Come on, I'll wait for you.
13:31Let's go.
13:43I can't believe you're such an idiot.
13:46What was I supposed to do?
13:48Go to Milan and run after her like a madman?
13:50Come on, it's not about that.
13:52What is it about?
13:53It's about you letting her complicated feelings get to you again.
13:57What do you mean?
13:58She did it all herself.
14:00What does that have to do with anything?
14:01She couldn't do it herself and look what she did to us.
14:03Are you really blaming me?
14:04Who am I to blame?
14:05Who am I to blame when our project depends on how you feel about each other?
14:09Is that worth 800,000 euros?
14:10What?
14:11I like it.
14:12How do I know?
14:13How can I know that the fish is crazy?
14:14How do I know she's crazy?
14:15Come on, you're both crazy.
14:16You're both crazy.
14:17If you hadn't lied to her, none of this would have happened.
14:19You're not fair.
14:20You and your big love.
14:21You're not fair.
14:22She did it all herself.
14:23You know she did it all herself.
14:24She did it with your big help.
14:25She did it with my big help.
14:42Who?
14:44I'll leave the recording for myself.
14:47No.
14:49Why not?
14:50I won't publish it.
14:54Why not?
14:55I don't think you should do that.
14:58It's not about distrust.
15:00The recording simply shouldn't exist.
15:02It could destroy your and my life.
15:04Everything we've built over the years.
15:07I'm asking if you're protecting yourself or you really like me.
15:12Milena.
15:13Please.
15:14No, no, no.
15:15Give me the flowers you sent me.
15:17Just pretend to calm me down.
15:19No, of course not.
15:22I mean...
15:23I care about both.
15:26I care about your career and your reputation.
15:30As much as I care about mine.
15:32Aha, so that's why.
15:34No.
15:35Come on, listen to me until the end.
15:37Come on.
15:39You're...
15:40...the most esteemed,
15:42maybe the best psychotherapist in the world.
15:46And that's an integral part of your personality.
15:51Now imagine that one day you lose your patients,
15:56you lose your job,
15:58you lose everything,
16:01you lose everything.
16:03And then...
16:04Emotions...
16:05I mean, there's nothing wrong with that.
16:08Life doesn't make sense.
16:10Do you think that's how you control your emotions?
16:13Of course, that's how you control your emotions.
16:16The situation we're in, you and me,
16:19where we're situated materially,
16:21career-wise,
16:22that's the only way we can control things and emotions.
16:27I mean, you're dear to me.
16:30You're dear to me.
16:31And all I want is good for you.
16:34I understand.
16:36You understand?
16:39Well, okay.
16:40Have you given up on your butterflies?
16:45Let's not talk about that now.
16:47I have to go.
16:49Okay, okay.
16:50I have to go to work.
16:52We're not that close.
16:54See you.
17:05I don't believe this guy.
17:19Hello?
17:20What's going on?
17:21I hear you say something's wrong.
17:23Well, it's not right.
17:24Of course it's not right.
17:25When we lost 800,000 euros,
17:27it's like we never had any.
17:28That's not right.
17:29Let it go.
17:30It's what it is.
17:31You're not to blame.
17:32But I am partly to blame.
17:34I am partly to blame.
17:35I am.
17:36It's over now.
17:37Let it go.
17:38We're all crazy about that project.
17:39Okay, Lenka.
17:40How can I forgive myself for such a loss?
17:42Please.
17:43Good.
17:44You didn't lose everything, but you could.
17:46For example, you didn't lose me.
17:48I guess we're both in first place,
17:50not money.
17:51You have to understand
17:52that Luka did the right thing.
17:53He plans the future from the top,
17:55and he just couldn't accept
17:57that Lauri didn't steal.
17:58You're right.
17:59I know I am.
18:01Lenka, we were so close to success,
18:03and now we're at the bottom again.
18:06It's not like that.
18:07There's still a chance to fix everything.
18:09Yes.
18:10There is,
18:11but I have to do something.
18:13What do you mean?
18:15We have to do it right now.
18:17Wait.
18:18What are you going to do?
18:20The only thing I can do.
18:31Yes.
18:34Gala.
18:37Did we finish yesterday
18:40the financial report
18:43for the Norwegian company?
18:45We did.
18:46We sent it yesterday.
18:48Right?
18:49Almost yesterday.
18:50I can't remember.
18:52What is it?
18:55Hey, Gala.
18:56Hey, Gala.
18:57Hmm?
18:58Do you know
19:01if I wrote down
19:03the number of the businessman
19:05from the Lower Milanovac-Gornjak?
19:08You're asking me if you wrote it down?
19:10Yes.
19:11Oh, my God.
19:12Really?
19:13Aren't you ashamed?
19:14Why?
19:15You were so proud last night.
19:16I don't understand.
19:17Look at what you look like.
19:18If I wasn't here,
19:19why did you order so much to drink
19:20when you can't even chew gum?
19:22I ordered it.
19:23I ordered it.
19:24Aren't you ashamed?
19:25You didn't order it.
19:26You ordered everything
19:27one after the other.
19:28Really?
19:29I ordered it for myself.
19:30I can't babysit you.
19:31Really.
19:32You got drunk in Viljamovac
19:34for five minutes
19:35and then you went to EX.
19:36Okay.
19:37See me to Alok.
19:39First Viljamovac,
19:40then water.
19:41Viljamovac, water.
19:42Viljamovac, water.
19:43That's how it goes.
19:44I don't know.
19:45I missed the water somewhere.
19:46Obviously.
19:47See?
19:48See?
19:49Oh, my God.
19:50I can't understand.
19:51Oh, my God.
19:52Oh, my God.
19:53Oh, my God.
19:54Oh, my God.
19:55Listen, honey.
19:56Shut up.
19:57I didn't ask you anything.
19:58If you can find that phone number,
20:00find it.
20:01Okay, okay.
20:02I'll call you.
20:03Okay.
20:04Oh, my God.
20:05Good day.
20:06Nurica,
20:07what are you doing down there?
20:08Oh.
20:09Oh.
20:10Oh.
20:11Oh.
20:12It's like a flood threw you out.
20:14Well...
20:16It was a fun night.
20:18No, no, no.
20:19I wouldn't.
20:20It's not a working day.
20:21No, no.
20:22It was.
20:23It really was.
20:24It was.
20:25Oh.
20:26Okay, okay.
20:27Come on.
20:28Hold on.
20:29It will be all right.
20:30Don't you worry, Director.
20:31Everything will be fine.
20:32I'll bring you coffee now.
20:33You don't have to worry.
20:34It will be all right.
20:35No, no, no.
20:36You are such an idiot.
20:37You are a real idiot.
20:38I'm an idiot?
20:39Yes, I'm an idiot.
20:40I'll bring you coffee.
20:41Don't you worry.
20:42I'll bring you coffee.
20:43I know the coffee.
20:44You just came to work and you're getting bored.
20:45Coffee.
20:46Coffee.
20:47Coffee.
20:48I'll bring you coffee.
20:49Coffee.
20:50I know how it is, man. You just get to work and you're tired of it.
20:53I don't want coffee. I'm running for coffee.
20:56Dear God, you're so disgusting.
20:58Do you have a coffeepot?
21:00Uh-huh.
21:01Give it to me.
21:02Hold two, it's better.
21:03Come on, give me three.
21:04Three? I'll give you five.
21:12Cuckoo...
21:15Don't drink it.
21:16You're to blame.
21:18Am I to blame, Dobric?
21:20You're to blame.
21:21You're an alcoholic, and then you wanted to seduce me.
21:24When did I seduce you?
21:25Come on, drink it.
21:41Hey, Luka. How are you?
21:44Well, I know better days.
21:47Laura?
21:48Yeah, something like that.
21:50So, what happened?
21:52I just want to tell you that it didn't end well.
21:55Okay, whatever it is, it's important that it's over now.
21:59Yeah.
22:01I don't know, we'll see what happens.
22:06Do you want to go out for lunch?
22:08Well, no, it's just chaos.
22:10Yeah, I understand.
22:12But I'll call you later.
22:14Okay, okay.
22:15Yeah, we'll talk later.
22:23Who was that?
22:25Luka.
22:27What do you want?
22:29Actually, I called him to see what happened with Laura,
22:33but he's not in the mood to talk.
22:36I'll tell you.
22:38It was chaos.
22:40What chaos?
22:44I don't know.
22:54Excuse me, was there a girl in the lobby?
22:57No.
23:07Hey, Laura.
23:08Hi, Aleks.
23:09How are you?
23:11Why are you asking me that?
23:13It's funny, but it's better to ask how you are.
23:16You must be worried about the project.
23:18I mean, you should be.
23:20What happened last night?
23:22Are you interested?
23:24What happened last night, Laura?
23:26Hey, are you in a hurry?
23:43I'm in a hurry. What happened?
23:45Nothing happened.
23:47Aleks called me and said he was going out for a walk.
23:51Where did he go?
23:53Obviously, to Laura's.
24:08Tell me, what's going on with the report on Slovenia?
24:13I didn't give it to you.
24:15You gave it to me for the first quarter, but I need it for the second.
24:18Please, I'll give it to you now.
24:27I just wanted to tell you one more thing.
24:30What is it?
24:32Nothing.
24:33You lost the fashion house that wanted to put the collection in serial production.
24:38What does that mean?
24:39That means you lost half a million euros.
24:42And that's just for the first series.
24:44What's the verdict?
24:46Luka, this is outrageous.
24:48You see, Laura, I thought you managed to quit your job.
24:52I did, but you know, everyone has their limits.
24:57And he really disappointed me.
24:59That happened before, so you came back to Belgrade.
25:02Although I expected something like that from Luka.
25:04I didn't.
25:05I honestly thought you were smarter.
25:08Because this is no longer about private relationships.
25:11What is it about?
25:13It's about you making fun of me in front of the clients.
25:17You're too much.
25:19Even if it happened like that...
25:21It did.
25:22It didn't have to go to waste.
25:25It did, it did.
25:27You just have to know that I won't withdraw the lawsuit and that I'll be on my brother's side.
25:33Someone is lucky.
25:35A brother.
25:43A brother.
26:00What are you doing here?
26:02Don't worry, I'll be on my way.
26:04I just wanted to tell you that you're overreacting.
26:08What do you think I'm overreacting to?
26:12Well, Andrija is more interested in me than in you.
26:15Even though you're his ex-wife.
26:17Is that all you have to tell me?
26:19Almost everything.
26:21And that wreath you sent me didn't scare me at all.
26:25Bravo, you're so brave.
26:30Yes, I was right after that wreath.
26:34Andrija sent me a bouquet of beautiful flowers.
26:39Yes.
26:41Can I tell you something now?
26:43Go ahead.
26:44You don't need your faculty anymore.
26:46And all the seminars, and all the psychological labs.
26:49You haven't changed a bit.
26:52That's your opinion.
26:54Yes.
26:55There's still time to find out who's right.
26:58Shut up.
27:05You heard this?
27:07You heard?
27:08I heard and I'm shocked.
27:10She's so stupid.
27:12She has no idea how grateful I am to her for this.
27:22And now I'm curious.
27:24Should I worry about Laura or what?
27:28I don't know.
27:29She obviously has some kind of hypnotic power
27:31and connects men with her.
27:33Not all men.
27:35Luka and Alex.
27:37Or I don't know.
27:39Maybe we're just tripping.
27:42Maybe we're both crazy.
27:44I don't get it.
27:46What do you mean, tripping?
27:48It's not exclusive.
27:50Their ambition to realize one dream is...
27:54It's their obsession with work, not Laura.
28:08Milena?
28:10What are you doing in Cannes?
28:12I had to come clean up some things with Jovan.
28:15That's very stupid of you.
28:17Please, try to understand.
28:19Why? I totally understand what's wrong with you.
28:21Please, get out of here before you get into more trouble.
28:24But there's no trouble.
28:26Unfortunately, Jovan has come to his senses.
28:29I see you're upset.
28:31Calm down and leave before someone else sees you.
28:37I'm sorry.
28:46Vido.
28:48I have great news for you.
28:50Okay, Miki.
28:52I hope the people who want to hear it are here.
28:56This is my friend.
28:58He agreed to sell you the software for 7,000.
29:027,000.
29:05Okay, Miki, okay.
29:08That's not so bad.
29:10It's a nice news.
29:25That Laura is really strange.
29:29Why? What's strange about her?
29:32She didn't find a way to call me when she left.
29:36It's just that you're not on a daily schedule.
29:40Well, I mean, that's basic decency.
29:55Write it down.
29:57How did I tell you?
30:02I'm shocked. Milena came to you?
30:05She's a whore. I don't have anything else to tell you.
30:08Okay, what did she want?
30:10A whore came to settle accounts with me.
30:12I don't believe it.
30:25So, what did you want to tell me?
30:28Well, I found that software at a reasonable price.
30:33And when did you become an expert in technology and innovation?
30:38Well, I'm not Milena's expert.
30:41He's my friend, Miki Tamburan.
30:45Let's say we're in a relationship.
30:48Aleksa, they have a child together. It's natural.
30:51I know, I know, but it's not the best situation with Andrija.
30:56If you know what I mean.
30:58Okay, just don't worry about that.
31:01She's smart, so she won't hurt us.
31:04I'm sure she won't.
31:06I'm sure she won't.
31:08I'm sure she won't.
31:11She's smart, so she won't hurt us.
31:14I'm sure she won't.
31:36Good evening.
31:38Have a seat.
32:01Do you know who gave Luka and Aleksa money for the project in Milan?
32:08Cool.