Tu Nombre Y El Mio - Capitulo 28
Category
🎥
Short filmTranscript
00:00I'm sorry, I didn't know you were busy, they told me to wait here for you to come to make up, but I'd better look for another dressing room.
00:20No, wait, there's no problem, you can come in. This is the space for all the interviewees, in fact.
00:25No, really, I didn't want to bother you, I'm sorry.
00:29You're not bothering me, you can come in, really, I'm super bored here alone. Come in.
00:38Nice to meet you, my name is...
00:40Davis, right? I know who you are.
00:43Really?
00:44Don't you sing with the Nectar group?
00:46Well, I used to sing, now I'm going to present a song with my new musical group.
00:51What's the name of your group?
00:52La Miel.
00:55First Nectar and now La Miel?
00:57Yes.
00:58It's great, how cool.
00:59Yes, La Miel comes from Nectar.
01:00Yes, of course. Well, congratulations.
01:03Thank you. And you are?
01:08Cassandra. Nice to meet you again.
01:17Nice to meet you.
01:19And you are also waiting for make-up?
01:22No, no, I...
01:23To interview or something?
01:24No, no, not at all.
01:25My mom is being interviewed right now, in fact, in the newsroom.
01:29And your mom is...?
01:31She's in charge of the Miss Peru contests.
01:34Ah, your mom is famous. And you came to accompany her?
01:38Yes, I mean, I work in the organization of the contest.
01:41So, every time I have an interview, I go with her to the newsroom.
01:44I work in the organization of the contest.
01:46So, every time I have an interview, I go with her to the newsroom.
01:49How nice.
01:50I'm also studying administration.
01:52So, eventually, I'm going to become independent.
01:55Maybe I'll open my own company. Who knows?
01:58How cool. Seriously, I mean it.
02:01I understand you, because I'm also doing my own path.
02:04Of course.
02:05In fact, I'm going to have my first presentation with my own group.
02:08Here in Sabor Nacional?
02:09Yes, yes, and it's going to be my first live presentation.
02:12Congratulations, Davis.
02:14I wish you all the best. Good luck.
02:16Thank you. You too. I wish you all the best in all the projects you do.
02:20Thank you very much.
02:23Hey, do I have to listen to you now?
02:25No.
02:26What? Why?
02:27You're going to make me nervous.
02:31Davis, I have to put on my makeup. You're coming in in 20 minutes.
02:33It's the last block.
02:34Okay.
02:35I'm going to go see my mom, because she's about to finish.
02:38But I wish you all the best, okay?
02:41I'll see you there.
02:42Yes.
02:48And I hope you like my song.
02:53I'm sure you will.
03:01Davis, the touch. Sit down, please.
03:07And you, why are you all hot?
03:08Who, me?
03:09Yes, look at you. You're all sweaty.
03:11Okay, let's go. We're running late.
03:18Well, guys, how are you going to be late?
03:21I don't know.
03:22Brother, we didn't know it was so far away.
03:24But don't worry, we're all ready and it's going to be a bomb.
03:27Right, guys?
03:28Yes, of course.
03:29I won't say it again.
03:30Davis, my dear.
03:31Hello.
03:33How's your dad?
03:35Say hello to him, please.
03:36He hasn't visited me in a long time.
03:38Let's see how much you've inherited from his talent.
03:41Are you ready?
03:42Yes, yes.
03:43Look, it's going to be a few little questions and we're going to face the musical.
03:46Today we have a short program.
03:47Yes, of course.
03:48I wanted to ask you if we can talk about the album today.
03:51No, no, no, don't worry.
03:52We're going to talk about everything you want another day.
03:54Today, just a little bit, Davis.
03:56Okay?
03:57Okay.
03:59Let's go, let's go, let's go.
04:00Hurry up, hurry up.
04:02I hope everything goes well, Cholita.
04:03Because she doesn't have any experience on television.
04:05Oh, that's enough, Jonah.
04:07That's it.
04:08That's it.
04:09Today we have the presence of Davis Orozco,
04:11former member of the group Nectar.
04:13Known on stage, like his father, Johnny Orozco,
04:16as the candy of the cumbia.
04:19And today he comes to visit us to our program to present us his new album.
04:23Right, Davis?
04:24Yes, that's right, Yanela.
04:25It's an album that I have prepared with a lot of love and a lot of dedication.
04:28Davis, excuse me, where did your desire to make music come from?
04:31For my dad.
04:32He has always been my example.
04:33And now that you are with your new group, La Miel,
04:36what do you think of the people who say that directly the great Johnny Orozco
04:41is going to be your competition?
04:43Compete?
04:44No, Yanela.
04:45We are not competing.
04:46I think everyone has their own personal label.
04:48More than a competition, I would say that he is my reference.
04:51And what will your dad think now that you are stepping on his heels?
04:56What? What's going on?
04:57What are you talking about, woman?
04:58My God.
04:59Nobody is stepping on anyone's heels, Yanela.
05:01Except me.
05:02My dad supports me a lot and I am very happy about that.
05:04Oh, how cute, Davis.
05:06A big round of applause for him, please.
05:10He is very talented, beautiful.
05:12He has it in his blood.
05:14Davis, tell us.
05:15What are you going to sing for us?
05:16I'm going to sing you a song called Por Ti.
05:19But first, I would like to introduce you to the wonderful musicians.
05:21No, no, we are going to the program.
05:22I'm sorry.
05:23With you, Davis.
05:24And he sings to us.
05:25What are you going to sing for us?
05:26Por Ti.
05:27Well, the stage is yours.
05:28He doesn't even let him speak.
05:29What's wrong with him?
05:30I wanted to put him against me.
05:34What's wrong with me?
05:37Without thinking, I will kiss you
05:40I will give you my heart
05:43Every morning I only think of you
05:47I love you and I want to make you happy
05:52That my heartbeat is accelerated
05:56Because I breathe happiness
05:59For you
06:02And my smile betrays me
06:05Because I know you love me
06:07I will always take care of you
06:11For you I knew love
06:16You are my reason
06:21My universe and happiness
06:26You are my real world
06:31Miss, your car is waiting for you.
06:33Come on, let's go.
06:35My perfect melody
06:40Princess full of love
06:44The owner of my heart
06:53And this song
06:55I wouldn't have without you
06:58You wouldn't be with me
07:16What happened?
07:17Why did they cut the song?
07:18I don't know.
07:21The song is not finished yet.
07:22What's going on?
07:24We are running out of time.
07:26The next song is complete.
07:27No, wait.
07:33Leave him alone.
07:35I know him.
07:36He needs to be alone.
07:39I shouldn't have come.
07:40It was a mistake.
07:41I couldn't take advantage of this opportunity.
07:43I ruined everything.
07:49I'm sorry.
07:50I was leaving.
07:51No, no.
07:52Wait, please.
07:54I saw your presentation.
07:55I loved it.
07:56You loved it?
07:57Yes, it was on the set.
07:59Carla.
08:00Carlita.
08:01For the friends.
08:02Nice to meet you, Carla.
08:03Carlita.
08:04Carlita.
08:05I'm a big fan of Nectar.
08:06And now I'm also a big fan of the bomboncito de la cumbia
08:09of Gibi Solosco.
08:12Thank you, Carlita.
08:13I'm already on my way out.
08:14I'm from Peru, but I grew up in Bolivia.
08:16I studied marketing there.
08:17And I came back four years ago.
08:19Hey, you know, I loved your presentation.
08:21But I think there's something you're missing.
08:23Really?
08:24What?
08:25Your image.
08:26You can't go out like that with your normal clothes.
08:28You have to produce yourself.
08:30Dress better.
08:31If you want, I can help you.
08:33Free, at first.
08:34Like the help of a fan.
08:37Okay.
08:38Okay.
08:39Give me your number and we'll talk.
08:40Yes, yes, yes.
08:41Of course.
08:42Hey, I'm an expert in looks, in outfits.
08:44Good fashion, labels.
08:45I can help you drive on TV.
08:47Yeah, great.
08:48So give me your number and I'll call you.
08:50And we'll talk.
08:51Yes.
08:52This is my number.
08:53This is my email.
08:54Here's my high five.
08:55Well, everything.
08:57Great.
08:58Thank you, Carlita.
08:59So, I'm calling you and we're talking.
09:01Uh-huh.
09:07See you.
09:08Uh-huh.
09:09Bye.
09:10Bye.
09:15Well, that girl is kind of unique, isn't she?
09:17She said nothing to the table.
09:18Yes.
09:19And whenever she goes on TV, the same thing happens to her.
09:21Exactly.
09:22She always does the same thing.
09:26Hey, Tavito.
09:29With respect to what we're talking about.
09:33I know you're right.
09:34All right.
09:37We're going to talk to my dad.
09:38The two of us.
09:39The two of us together?
09:40Yes.
09:41Yes, yes.
09:42The best thing is that the two of us face each other.
09:43But please let me prepare the ground so that the news is not so heavy.
09:47Of course, Nati.
09:48You'll see that we're going to get a lot of attention.
09:50I don't know how I'm going to do it, but I'm going to please your dad.
09:54You'll see.
09:55But I'm going to put it in my pocket.
09:56And your brother too.
09:57You'll see.
10:18People say that you are not a lady.
10:24People say that you are a sinner.
10:29For having so many loves in life.
10:34That your love is full of lies.
10:40People say that you are not a lady.
10:44People say that you are a sinner.
10:50For having so many loves in life.
10:55That your love is full of lies.
11:01You are a sinner.
11:04A sinful woman.
11:07But my heart loves you more.
11:12Son, what's going on?
11:14It's super good.
11:15Keep playing.
11:16It was cool.
11:17You see, you heard him, son.
11:18Keep playing.
11:20Why are you bringing him here?
11:23Son, what happens is that his mom couldn't pick him up from school.
11:26And in his house there was no one who would stay with him.
11:28That's not my business, old man.
11:30Please, son, lower your voice.
11:32Besides, I thought it was the opportunity for them to meet.
11:35For them to meet?
11:36Yes.
11:37I clearly told you that I had no intention of meeting your other son.
11:39Lower your voice.
11:40Because of that brat and his mom you destroyed our family, old man.
11:43I don't want to have contact with that brat.
11:45Son, please.
11:46Don't talk like that.
11:47Talk how?
11:49With the truth?
11:50Son, please.
11:52Calm down.
11:53Besides, you yourself told me that maybe with time you would think about it.
11:57Or don't you remember?
11:58I lied to you, old man.
11:59I lied to you.
12:00Do you know why I lied to you?
12:01Because I can't stand your face of suffering.
12:02I can't stand it.
12:03I can't stand it.
12:04Calm down.
12:05You're scaring your brother.
12:06That brat will never be my brother.
12:08Did you understand?
12:09He's not my brother.
12:10He's also my son.
12:11Then take him away from here.
12:12Take him away.
12:13Calm down.
12:14Look, old man.
12:15I'm going to tell you one last time.
12:17So that it's recorded in your head.
12:19Yes?
12:20This boy will never be my brother.
12:23I don't need a new family.
12:26Calm down.
12:34Calm down, Cholito.
12:36Calm down.
12:37Yes?
12:39Calm down.
12:57Nunez.
12:58What's up? Please.
12:59How are you?
13:00Fine.
13:02What happened?
13:05I'm sorry, Davis.
13:06I haven't been able to make your songs play on the radio.
13:37I'm sorry.
13:38You know that my son is his father.
13:40He is a good father.
13:41Then you must show him to me.
13:42Don't worry.
13:43You're a good son.
13:44So what?
13:45So what?
13:46He's your father, asshole.
13:47You're a good father.
13:48You're a good father.
13:49You're a good father.
13:50You're the best father in the world.
13:51I'm not surprised.
13:52He's an amazing father.
13:54I thank you.
13:55He's an amazing father.
13:56He has a great heart.
13:57He's a good father.
13:58He's a good father.
13:59He loves you.
14:00I love you so much.
14:01He loves you.
14:02I love you, too.
14:03He's a good father.
14:04He loves you.
14:06Dad, I want to formally introduce you to my boyfriend, Tavito.
14:18Yes, as she said, me, her, us, right? We are in love. And that, right?
14:34Yes, yes, and we love each other a lot, dad, really.
14:46Hey, do you think he'll accept us with that?
14:48I don't know, I don't know. I think we have to look calmer, more confident.
14:52At least you can't look so nervous. Come, come, again, right?
14:57No, I think we start like this, just so he doesn't get upset and...
15:04Hi, dad.
15:34Dad, I want to formally introduce you to my boyfriend, Tavito.
15:39Yes, as she said, me, her, right? We are in love. And that, right?
15:44Yes, as she said, me, her, right? We are in love. And that, right?
15:49Yes, as she said, me, her, right? We are in love. And that, right?
15:54Yes, as she said, me, her, right? We are in love. And that, right?
15:59You are my real world.
16:07Good!
16:08Good, guys, huh?
16:09Good, guys, every time we sound better, I assure you.
16:13Davies.
16:14And?
16:15Nothing, there is no news.
16:23Oh, Cholita, there is nothing left for us to go to Argentina.
16:27I know, Johnny, you don't even remind me.
16:29No, don't get like that. It will pass quickly.
16:33To be honest, I also want it to end soon, quickly.
16:38So I can take time off from Nectar, get out of music for a while.
16:43Well, without letting Davies help.
16:46Are you serious, my love?
16:48Yes, Cholita. I want to build our little house, spend more time with Pierito.
16:54And most importantly, spend more time with the love of my life.
16:59Oh, my love.
17:00You.
17:06And eat croutons, and eat pizza.
17:09Eat, eat, eat.
17:10And eat sausages.
17:11And eat sausages.
17:12And eat sausages.
17:13And eat sausages.
17:24I want you to be my lover.
17:26So I can kiss your pretty mouth.
17:29I want you to be my lover.
17:31So I can caress your pretty body.
17:37I miss you so much.
17:42But I can't be sad forever.
17:46I want you to be my lover.
17:50So I can kiss your pretty mouth.
17:52Life must go on.
17:54I want you to be my lover.
17:56So I can caress your pretty body.
17:58If you don't want to know anything about me.
18:00Tell me then, I don't know how to look at you.
18:03Because if you say it with words.
18:05I swear I'll die of pain.
18:08Be my lover.
18:10Oh, my love.
18:11I'm excited.
18:12Tell me.
18:13Tell me.
18:14Be my lover.
18:15Oh, my love.
18:16I'm excited.
18:17Be my lover.
18:19Do you want me to sing La Tropical?
18:21Do you want me to join the group?
18:22That's right.
18:23That offer has arrived.
18:25It's a new group that is sounding a lot in the province.
18:28And they want you as a vocalist.
18:30Do people listen to my songs?
18:32Yes.
18:33Look, I would suggest that you accept.
18:35Yes?
18:36It is better that you become known as a vocalist.
18:38In this group that is already consolidating.
18:40And then, if you want, you take the honey back.
18:43But there is a problem.
18:45What?
18:46Your dad doesn't want to.
18:52Dad.
18:53I'm not a kid anymore.
18:55I can decide alone.
18:57I want to sing with La Tropical.
18:59You are just testing the terrain in Lima, Davis.
19:01We don't even know how to go with that group.
19:03And worse, far from me.
19:04I can't help you and I can't be there to be with you.
19:06You see?
19:07That's the problem, dad.
19:09We're back to the same old thing.
19:11You don't want me to separate from you.
19:13To be far from you.
19:15If I'm wrong, it's my mistakes.
19:17Period.
19:18You have to respect my life, dad.
19:20Do you understand?
19:21Yes, yes, yes.
19:22I know, Davis.
19:23I know.
19:24You're absolutely right.
19:25I just don't want you to make those mistakes that I...
19:28Look.
19:30I have an idea.
19:31I have a deal.
19:34You don't sing with that band.
19:37But you come with me on a tour to Argentina.
19:39Really, dad?
19:40You and me in Argentina?
19:41Yes, son.
19:42The two of us in Argentina.
19:43Singing, sharing the stage.
19:45Can you imagine?
19:46It would be spectacular.
19:47Go back to the city where Nectar started.
19:49On the stage of the Bolivian magic.
19:51What do you say?
19:53Do you accept?
19:55Dad, I can't.
19:58You can't?
19:59I can't reject that offer, dad.
20:02It's going to be amazing.
20:03Let's sing together in Argentina.
20:07Oh, Davis.
20:08The joy you give me.
20:10The peace I feel.
20:12Thank you, son.
20:13Thank you for understanding.
20:14I'm going to talk to Marcial.
20:15I'm going to tell him you're coming with us to Argentina.
20:18Let's go to Argentina.
20:19Let's go to Argentina.
20:29That Nati, right, sir?
20:30She's very studious.
20:32Well, she just went out with her friends.
20:34She only talked to that boy, Juanjo.
20:37She's always accompanying her and helping her.
20:39Sir, why don't you like him?
20:41If that boy is very good, very calm.
20:44Who are you talking about?
20:46About Juanjo, Nati's friend.
20:49Stop the car.
20:50Stop the car!
20:54Who are you talking about, Juan?
20:56Well, what happens is that Nati told me that you don't like that boy.
21:00But look, sir, I know him.
21:02And he's a good person.
21:04Besides, he loves Nati a lot.
21:07Get out of the car.
21:08But sir...
21:09Get out of the car!
21:14How is that boy?
21:16Did you see him with Natalia?
21:18Sir, he's been in the car a couple of times.
21:21But look, I swear he's always behaved very well.
21:24He got in my car with my daughter!
21:27How many times, Juan?
21:28How many times?
21:31Answer me!
21:32Sir, they love each other a lot.
21:35They really love each other a lot.
21:37How could you let that guy get in my car?
21:40And with my daughter?
21:41That criminal!
21:43And you still talk to me as if I were nothing.
21:45As if I were an idiot.
21:47I don't want you to step foot in my house again.
21:49Not even in my car.
21:51Get out.
21:52Get out!
21:54Sir.
22:00Get out.
22:10Hello, Matias.
22:11Where are you?
22:12Where is your sister?
22:14Have you been seeing that criminal?
22:16Where is your sister?
22:19At the university?
22:25Babies!
22:27Carlita?
22:28What are you doing here?
22:29Didn't I tell you I'm Nectar's number one fan?
22:31How am I not going to know where they rehearse?
22:32I know everything.
22:33Everything!
22:34Hey, Davis.
22:35You didn't call me.
22:36Very bad, very bad.
22:37I'm sorry, Carlita.
22:38I don't know if you noticed,
22:39but honey didn't stick as much as I wanted.
22:41So I went back to Nectar.
22:43I'm going on tour with them next week.
22:45Well, in a few days.
22:47How cool!
22:48Well, anyway, I'm there to say goodbye.
22:50Hey, Davis.
22:51And did you think about it?
22:53Do you want me to help you sell your image?
22:55I can even be your representative.
22:57Carlita, I'm already working with Núñez.
22:59He's my producer.
23:01Ah, but I don't want to be your producer.
23:02I want to be your image advisor.
23:04See what interviews you give,
23:05what you say, what you don't say.
23:06That kind of thing.
23:07Sure, but for that I already have my dad as an example.
23:09Davis, with all the respect that your dad deserves
23:12and all the masters of the cumbia,
23:14you and I are more cool.
23:15Well, we're in a different mood.
23:16We're going to understand each other better.
23:17Yes or no?
23:20I don't know.
23:21Look, I already opened a fan page for you.
23:23Las Bomboncitas.
23:24There are all the links.
23:26We also have Hi5, MySpace, YouTube,
23:28a blog, everything.
23:29Go to your computer, check it out and let me know.
23:32But anyway, you're going to love it.
23:34Oh, Carlita.
23:35I don't know what to say.
23:37If you like what you see,
23:38we can get together to have a coffee
23:40or an ice cream and have a nice chat.
23:42Can you give me your number so I can call you tomorrow?
23:44Because if I hope you call me,
23:46I'll get old.
23:47Carlita.
23:55It's okay.
23:56You win, Carlos.
23:57Oh, good.
23:58Write down my number.
23:59Okay.
24:00934-89-478.
24:05Done.
24:06I'll call you then.
24:07And we coordinate for tomorrow?
24:08Yes.
24:09See you tomorrow.
24:10We'll have an ice cream
24:11and then we'll talk about image advisory.
24:13Done.
24:14Bye.
24:15Bye.
24:18Bye.
24:19Take care.
24:20Take care.
24:29What the fuck are you doing, Natalia?
24:31Dad, what are you doing here?
24:32You've been seeing that boy.
24:33You've made fun of me.
24:34But this is over.
24:36Let me go, Dad.
24:37Shut up.
24:38Dad, don't scream, please.
24:40You believe in the great university, right?
24:42The good and applied girl.
24:44And you end up doing shit
24:45with that gang member from Coyigue.
24:47You're a shame, Natalia.
24:49You embarrass me.
24:51Let's go.
24:52Dad, please let me go.
25:14After hearing the tone, record your message.
25:19Hi, Natalia.
25:21I was waiting for you in the park,
25:23like we agreed,
25:24but you never came.
25:28Is everything okay?
25:29Did something happen?
25:37This is weird.
25:40Natalia would never...
25:42She would never leave me alone,
25:44without telling me.
25:53Natalia is isolated.
25:54They saw me.
25:55And no one is going to approach her
25:56until she goes to Spain at the end of the month.
25:58Dad, you can't leave her locked up
25:59as if she were a criminal.
26:00She's in my house
26:01and I do whatever I want.
26:03It's already a decision made.
26:05Well, Marci,
26:06if the decision is made,
26:08there's nothing to do.
26:12Let's go.
26:19Guys,
26:21I've called you here
26:22because I have something
26:23very important to tell you.
26:26We have a new member
26:28who is joining us
26:30in Buenos Aires.
26:31He's coming to the tour.
26:33And,
26:35this new member
26:37is also...
26:39well,
26:40he's...
26:41Hey, Pelloni,
26:42what's up with your game of intrigue?
26:44Say it again.
26:45Davis is officially back!
26:53Thank you, Dad.
26:54And thank you all
26:56for welcoming me.
27:08Son!
27:10Son, listen to me.
27:11What do you want?
27:12That's why, man.
27:15That's why so much practice.
27:18I'm making an effort.
27:19You have no idea, man.
27:22And I wasn't even going to choose Davis.
27:24That guy comes out
27:25and puts whoever he wants.
27:26You don't know why?
27:27Because in the end,
27:28he's the only one in charge.
27:29It's not like that, son.
27:31Let me explain.
27:32Davis also made an effort.
27:33Come on, man.
27:34I've had enough of this story.
27:35I know.
27:36I know.
27:37I know that Davis also made an effort.
27:38That he has more experience.
27:39I know, man.
27:40I'm tired.
27:41Try to understand.
27:43In the end, I'm making an effort
27:44like an idiot reverend.
27:45And all for what?
27:47All for nothing.
27:49It's not like that, son.
27:50Try to understand.
27:51He's still with us.
27:52He's still fighting, son.
27:54You know what?
27:55I'm going to leave it here.
27:58It was a mistake to trust you again.
27:59Don't say that, son.
28:00It was a mistake to trust you, man.
28:03And it's gone.
28:05Come on, stay with your son.
28:08Son.
28:09Come on.
28:10You're free.
28:11Please.
28:12That's what you want?
28:13Come on, son.
28:14Come on.
28:20You don't have to worry, little star.
28:23The presentation of your album is already closed.
28:25It will be on Sunday.
28:27Okay, perfect.
28:29And in the meantime,
28:31Johnny will tour Argentina, right?
28:34And his son with his new group.
28:36What I have prepared for you will be unparalleled.
28:39Only the best for my dear boss of the cumbia.
28:42You better, Marcial.
28:44Because I've waited a long time
28:46and I don't have time to keep losing it in nonsense.
28:49Little star.
28:51Little star.
28:52Berly.
28:54Little star, here you are.
28:56My beautiful queen.
28:59Let's go.
29:00It's late.
29:01The interview is on the radio.
29:02You're right.
29:03Yes, yes, yes.
29:04Let's go, let's go, let's go.
29:05I'm going to introduce you as you should.
29:07Marcial, let me introduce you to Perlita.
29:11Perlita is my counselor.
29:13She is my public relationship.
29:16My personal assistant.
29:17My nail polish.
29:18My everything.
29:19She will accompany me everywhere.
29:23So I avoid being alone with certain people.
29:28Excuse me.
29:33Excuse me.
29:35Excuse me.
29:45My good friend, Marcial Montero.
29:49Don't worry, man.
29:51You always get pale every time I visit you.
29:55Nobody has seen me.
29:57Don't worry.
29:59I hope you haven't missed me much.
30:05I love you.
30:35Don't worry, Tadito.
30:37Don't worry, brother.
30:39Everything will be fine.
30:42Thank you, Davis.
30:44Something must have happened, I'm sure.
30:47Suddenly Natalia went ahead and told him on his own.
30:50Now Uncle Marcial must want to keep her away.
30:53I'm sure he's doing that.
30:55He threatened to do it.
30:57I don't know what to do.
30:59And if I tell my dad?
31:01Why should I talk to Marcial?
31:02Do you think your dad will believe that?
31:05Anyway, Tadito.
31:07He loves you a lot.
31:08He appreciates you.
31:09Besides, he knows that you are a good person.
31:12My dad and Marcial have been friends for years.
31:15He helped him when he needed it the most.
31:18He will surely convince him to let them be together.
31:20Yes, yes.
31:21That's good.
31:23But be gentle.
31:25I don't want to have problems with Uncle.
31:28You should see him.
31:29When he saw us together,
31:30he went crazy.
31:32He scared me.
31:33Tadito.
31:34If you love each other,
31:36no one has to meddle.
31:38You are adults.
31:40You are adults.
31:41You know what you are doing.
31:42No matter how much of a father Natalia is,
31:44he can't meddle in that way.
31:46Yes, Davis, but...
31:47But nothing, Tadito.
31:49My dad is going to talk to Marcial.
31:51Everything will be solved.
31:53I swear.
31:56Just drink your water.
31:57Calm down.
32:01What are you doing here, Chacal?
32:03Let's say that the time I gave Chile to give me the light I deserve
32:07is over.
32:09There is a lot of competition out there.
32:11I managed to have certain territories, but...
32:14I was not born to be second.
32:17No.
32:18I was born to be the king.
32:20Like in Argentina.
32:22And now in Peru.
32:24From now on,
32:25I'm going to dedicate my entire time
32:27to this beautiful land
32:29that saw me be born.
32:31Chacal, stop talking nonsense.
32:33Losing you in Chile affected your head, didn't it?
32:37What are you talking about, idiot?
32:39I decide when to leave,
32:41which is different.
32:43From now on,
32:45I'm going to run my business
32:47here,
32:48but alone.
32:50Chacal, what do you want?
32:51Your money has always come to you at the end of the month.
32:53I have taken care of giving it to you myself.
32:55Well, let's say that now I prefer you to come alone.
32:58Okay?
32:59I don't need you anymore, Marcial.
33:01I asked you to be my representative for obvious reasons,
33:04but now that I'm here,
33:06I don't need you.
33:08Your golden age as a musical producer is over.
33:12Chacal, you can't do that.
33:14I need all the information of all the groups
33:17we've been representing.
33:19I want to pay them a visit.
33:21I want them to meet their new producer.
33:23I want them to meet their new musical producer.
33:26Chacal, you and I had a deal.
33:28You can't do that just because you failed in Chile.
33:30What are you saying, idiot?
33:32Look, things are very different here than in Argentina.
33:34You could have done a thousand things there,
33:36but you're nobody here.
33:37I'm the powerful one here.
33:39And I gave you that power,
33:41and I can take it away from you like this.
33:43You know how to do it today,
33:45in a good way,
33:47but you're going to force me to take other measures.
33:50Chacal.
33:52Chacal, wait.
33:53See you later, Montero.
33:55Chacal.
33:57Chacal, wait.
33:58Please, Chacal, I don't want a war with you.
34:01You scared me, Montero.
34:03Listen to me.
34:04I'm going to handle everything alone.
34:06Learn to let go, man.
34:07Learn to let go.
34:08Please, Chacal, don't you realize
34:09that you alone won't be able to do anything here?
34:11You need me.
34:12I'm your facade, your mask.
34:14No one is going to want to do business with you.
34:16And I don't think you can run the machine
34:17like you did in Argentina.
34:19Not here.
34:20Are you done?
34:21Look,
34:22Netlar is about to do a tour in Argentina.
34:24What would happen if you talk to Johnny right now?
34:26Everything goes to hell.
34:27Money can be dirty, yes.
34:30But it's not always stained with blood.
34:32I know how to negotiate, Chacal.
34:34You don't.
34:37You almost convinced me.
34:39I'm moved, Montero.
34:41Okay.
34:43Let's see what happens now.
34:45In the meantime,
34:47we're still partners.
34:48Until death do us part.
35:05My God.
35:08Marcial and Chacal
35:11are talking as if it were nothing.
35:14They're shaking hands as if they were partners.
35:16It can't be.
35:19It can't be.
35:23Toothbrush, mouthwash, headphones, wallet, more documents,
35:27cell phone charger, and book of compositions.
35:30I think we're done.
35:31We don't need anything to take the trip to Argentina.
35:33Well done!
35:35Congratulations, nephew.
35:37We're going to Argentina.
35:39It's going to be a blast to see you and Johnny singing
35:42together on the stage.
35:43It's going to be a blast to see you and Johnny singing together
35:46on the stage where it all started, nephew.
35:48What am I talking about?
35:49Everything started here.
35:51Nectar started here.
35:53Right.
35:54You and my dad loved music since we were kids.
35:57Since we were kids.
36:00When we were kids, we'd go to bed,
36:02before going to sleep, we'd look at the sky,
36:04and we'd say,
36:05I want to be that star.
36:06And Johnny would say,
36:07I want to be that star that shines brighter.
36:09And we'd spend all night like that.
36:12Of course, when we were kids,
36:13we didn't even have a roof.
36:19So many things have happened.
36:22So many things, nephew.
36:25But now we're here,
36:27and we're a very united family.
36:29That's what counts.
36:32And now we're going to Argentina,
36:33to be beautiful, old man.
36:36You'll sing it very well,
36:37but your Argentinian accent is terrible.
36:41Our music is going to go so far,
36:43so far,
36:44that even Los Angeles is going to hear us,
36:46and they're going to dance their cumbia, you'll see.
36:50You excite me with what you tell me, uncle.
36:52You always do.
36:55I'm very happy to sing with my dad in Argentina.
36:58But you know,
37:00it also makes me very happy to sing with you, uncle.
37:04Because you supported me since I was a little kid.
37:07And you always did.
37:08Do you remember?
37:09You taught me to sing and play
37:11without anyone noticing.
37:16And I would be your nephew again and again.
37:18Do you know why?
37:22Because you are a son to me.
37:27The son I could never have.
37:33I will always love you, David.
37:35Always.
37:39I love you very much, uncle Kike.
37:42You're my nephew.
37:51Enough, enough, enough.
37:52A lot of melodrama here.
37:55I'm still hungry, man.
37:57Would you like to try a chifita?
37:58A chaufita with its soup?
37:59With its fried duck.
38:00Open it.
38:01Open it.
38:02I invite you.
38:03Thank you, uncle.
38:04Chifa, open it more.
38:05Is it good?
38:09So, if David travels with us,
38:11it means that he will not continue with his group, right?
38:13Not for now.
38:15But I'm sure that when we return,
38:18he will continue with his group.
38:20Father and son singing together in Argentina.
38:23I love it.
38:26Every time we play in the shed,
38:28they pay us a misery.
38:30And I see that place full, and the people,
38:32and what falls.
38:33It doesn't make sense.
38:34Explain to me.
38:35Do you know why we are winning less and less?
38:38Yes, Johnny, Johnny.
38:39You're right, you're right.
38:41But you know that the shed is managed by Mario.
38:43And this guy is a shameless.
38:47Is there anything you want to tell me?
38:50No, I don't.
38:52And you, Marcial?
38:54Is there anything you want to tell me?
38:56About what?
38:58I don't know.
39:00About the tour.
39:02There's nothing going on, Marcial.
39:05No.
39:06No, everything is going very well.
39:08I'll take care of everything.
39:09You trust me.
39:35Your name.
39:38And mine.
39:47I think we could let you grow your hair, right?
39:49Like to give you a more rebellious touch.
39:51But just a little bit.
39:53Like to make you some interesting hairstyle.
39:55I know.
39:56Stripes.
39:57No.
39:58Yes.
39:59Ah, and your look.
40:00We definitely have to change it.
40:01We have to put something more striking on you.
40:02I can go shopping with you.
40:03Carla.
40:04It could be Thursday.
40:05You tell me.
40:06If at four in the afternoon you feel better, I can go shopping with you.
40:07Carla, please relax.
40:08Wait a little.
40:09Sit down and finish your ice cream, please.
40:10Sorry, I get excited.
40:11I know.
40:15Well, I have everything available on Thursday.
40:16You just tell me the time and that's it.
40:18Don't worry.
40:19I'll let you know, Carla.
40:20Finish your ice cream, please.
40:29After hearing the tone, record your message.
40:33It's been several days, Natalia.
40:35I've been waiting for you outside your house, at the university, but I don't see you.
40:40What happened?
40:42When you hear this message, please answer me.
40:46I'm asking you.
41:02I can't get you out of my mind.
41:05I want to be with you forever.
41:32I love you.
41:34I love you.
42:02I love you.
42:32I love you.
42:48No!
42:49No!
42:54Please!
42:58No!
42:59No!
43:00No!
43:03No!
43:06No!
43:08No, no, no.
43:10What's wrong, Johnny?
43:13Cholita.
43:15We have to take care of Davis.
43:21He can't travel to Argentina.
43:24He can't travel.
43:27No, my love.
43:28What a bad dream, Cholita.
43:30He can't travel.
43:32He can't travel.
43:42You're an imbecile.
43:44I'm going to report you to everyone for betraying me.
43:48We're going to have to cancel the tour.
43:50No, Johnny.
43:51We can't cancel the tour.
43:52A bad feeling.
43:54Davis, I've decided that I'm going to travel alone to Argentina.
43:57Davis!
43:58Davis!
43:59Davis!
44:00It will fill you with anguish.
44:01What's wrong, Johnny?
44:02Oh, God.
44:03I don't know why I'm scared, but I don't want you to go.