Tu Nombre Y El Mio - Capitulo 24

  • 2 days ago
Transcript
00:00How much I would like to give you a hug, dad, and tell you that I love you, and that everything is fine between us.
00:31I will wait for you.
00:35Bravo, Johnny! Bravo, my love!
00:38Your dad is the best, son!
00:39Yes, my dad is the best singer in the world!
00:51You are my greatest inspiration, dad.
00:54I just want to be like you.
00:58I love you.
01:01I love you very much, dad.
01:19Come on, China!
01:21With faith, open it once.
01:23Let's not make it any longer.
01:25Why not? We'd better open it in the house, more quiet.
01:28No, no, no, no, no.
01:29China, I have a heart attack.
01:31Come on, come on.
01:33Everything will be fine.
01:45Say it.
01:47Just say it.
01:49Creative.
01:52We are not going to be parents.
01:55I'm sorry, Quique.
01:57I'm very sorry to have deluded you.
02:00I'm very sorry to have deluded us with the idea of ​​being parents again.
02:10No, don't worry, China.
02:13Don't worry.
02:15Everything will be fine, China.
02:18Rather,
02:20why don't you go home better?
02:22Why don't you go home better?
02:25I have a meeting with Johnny, do you remember? It's urgent.
02:27Don't you want us to talk?
02:29No, no, no, don't worry.
02:31Go home and rest, my love.
02:33Everything is fine.
02:35As always, Katy.
02:37Everything is the same.
02:44I'm coming.
02:52I'm very sorry, Quique.
02:55I'm very sorry.
03:05Hi, Marci.
03:08Do you still have a headache?
03:10Or are you going to have breakfast with your husband?
03:12No, I'm not hungry.
03:14And less with this.
03:18What's up, Fiorella?
03:20Nothing.
03:22Fiorella, I know you.
03:24What's going on and what's in that envelope?
03:26Better I tell you later, Marci.
03:28I don't want to spoil your breakfast.
03:30Fiorella!
03:32What's going on?
03:34Oh, Marci, I want the best for this family, really.
03:46What is this, Fiorella?
03:48What the hell is this?
03:53Let me go.
03:55Break the chains.
03:57I don't want to.
03:59Hey, brother.
04:01I'm Fuga.
04:03I'm going to sleep with Nettie.
04:05Oh, good.
04:07How are things with her?
04:09Good, good.
04:11Well, with everything that happened, I didn't tell you.
04:13What?
04:15I greet a committed man.
04:17No.
04:19Good, congratulations, my brother.
04:20That means that we can be a couple.
04:22Helen, me, you and Nettie.
04:24Of course, of course.
04:26It's a good idea.
04:28I'm going to propose it.
04:30Great.
04:32And you?
04:34What plan is that idea?
04:36No, nothing.
04:38I have to think what name I'm going to put in my new cumbia group.
04:40And also see what people I recruit.
04:42Bravo, bravo.
04:44Well, sit in your office.
04:46Here is your desk.
04:48Your leather armchair.
04:50You have a lot of imagination.
04:52A little bit.
04:54I know that your office is going to be cooler.
04:56But you are going to hallucinate.
04:58Thank you very much, Nettie.
05:00No, brother.
05:02Rather, a favor.
05:04An eye to my old man.
05:06The neighbor, you know, comes and gives him his food and stays with him.
05:08But until then.
05:10Don't worry.
05:12I'm on it.
05:16Brother, we are talking.
05:18Send greetings to Nettie.
05:20Let's see, Davis.
05:22What name are you going to put in your next cumbia group?
05:27Think, Davis.
05:29What can it be?
05:35Let's see.
05:37To cool the imagination.
05:40What name can it be?
05:43Nectar.
05:45Does it have to be a tribute, Nectar?
05:47Yes?
05:49Nectar.
05:51Nectar.
05:53Nectar comes from the octopus.
05:55There it is.
05:57Group of the octopus.
05:59No, that sounds very bad.
06:01Nectar.
06:03Natural nectar.
06:05Natural flavor.
06:07No.
06:09Fresh cumbia.
06:11No.
06:13Let's see, Davis.
06:15Think.
06:16Nectar.
06:19What do you mean Davis is no longer going to be part of Nectar?
06:22It has been his decision.
06:24He wants to form his own group.
06:27And it is in all his right.
06:30Here no one doubts Davis' talent.
06:33I'm sure it will go very well.
06:35What's wrong with you, Johnny?
06:37You're wrong.
06:38What you have not heard is his own decision.
06:40He does not want to be in the group and must be respected.
06:43I know you, Johnny.
06:45You have fought, right?
06:48Tell me.
06:49What happened?
06:50I want to protect my son, Kike.
06:52Well, guys.
06:53I'm leaving so you can talk quietly.
06:55Agree?
06:56Quietly.
06:58Let's go.
07:01And if you want to protect him, why do you put him aside, Johnny?
07:05No one wants to put him aside, Kike.
07:07On the contrary.
07:09He has got that stupid idea of having his own cumbia group.
07:14But you can not have him locked up in Nectar for life, Johnny.
07:17You have to let him fly.
07:19Be free.
07:21He's your son, Johnny.
07:22Not your slave.
07:26Don't answer the phone.
07:28Where the hell did you get this?
07:30The thing is that Nati got very weird.
07:32And they found her talking on the phone.
07:34And I was worried.
07:35And I hired a photographer to take pictures of her.
07:37And well, that's what...
07:39But please, don't tell her it was me.
07:40Otherwise, she will continue to hate me.
07:42Hello, Matias.
07:43Where the hell is your sister?
07:46What do you mean she's not with you?
07:48Where did she go?
07:50Yeah, it's fine.
07:51It's fine, thank you.
07:52Come home as soon as you can.
07:53It's urgent.
07:55Honey, where are you going?
07:57She says she's at the university with some friends.
07:59I'm going to bring her by the hair if necessary.
08:02You're gone, Nati.
08:04You're gone.
08:09What's going on, Quique?
08:10I know he's my son.
08:11I don't want anything bad to happen to him.
08:13Because I love him.
08:14But the solution is not to keep him, Johnny.
08:16And much less to put him aside.
08:17Because you've done that by opposing yourself.
08:20You see?
08:21David quit Nectar because you don't let him fly.
08:24Listen to me, brother.
08:26David quit Nectar because you don't let him fly.
08:29Listen to me, brother.
08:31David is no longer a child.
08:32He's old enough to go his own way.
08:35Then let him go.
08:36Let him go his own way.
08:37Enough, Johnny! Enough!
08:38Listen to me!
08:42If I had a son, do you know what I would do?
08:45I would give everything to be by his side, brother.
08:48I would accompany him in all his dreams.
08:50Whatever they were, whatever.
08:52And you, as a father, should be there, brother.
08:55You should be the first to be there.
08:56To support him in all his dreams, Johnny.
08:59Take advantage of the fact that you have a son, brother.
09:01Take advantage of it now.
09:03Take advantage of it.
09:04What's wrong, brother?
09:05Brother, you're going to regret it.
09:08You're going to regret it, little brother.
09:10You'll see.
09:11Now support your son in all his dreams, Johnny.
09:13What's wrong?
09:14Because then you won't be able to do it.
09:15And you can do it now because you're a father, brother.
09:18And instead, no.
09:19What's wrong, son?
09:20What happened?
09:26Mom.
09:31Mom.
09:34I was sure that Katy was pregnant, Johnny.
09:38But she's not.
09:40She's not, brother.
09:45And she'll never be.
09:48No.
09:49I can't calm down.
09:52I got excited like an idiot, Johnny.
09:54I got excited.
09:56I'll never be a father, Johnny.
10:10Son.
10:12What is it, old man?
10:13Why did you call me?
10:14I have news for you.
10:15Come, sit down.
10:18Sit down, damn it.
10:19Come.
10:22Well, old man, what is it?
10:23What is it?
10:24I just found out that Davis is no longer in the Nectar group.
10:27It's your chance, son.
10:30Speak well, old man.
10:31Firm?
10:32Yes.
10:33Now, but when do I start?
10:34Tomorrow?
10:35Calm down, calm down, calm down.
10:37What?
10:38Listen to me.
10:39Let's go calmly.
10:40The first thing you have to do is go back to work.
10:43Johnny has to see you work, son.
10:46Ah, wait.
10:47Hold on, hold on, hold on.
10:48Let's see.
10:50Like lead?
10:51Yes.
10:53No, old man, I ...
10:54I ...
10:55As plan, I don't go back, no.
10:56Thank you, rather, but I ...
10:57Son.
10:58What?
10:59Listen to me.
11:00What?
11:01Johnny has to see you work for the group.
11:03That's how his son started.
11:04Yeah, but I'm not Davis, old man.
11:07I'm better.
11:14Old man.
11:19Old man, you love me, right?
11:21Of course.
11:24And you want the best for me.
11:28Of course, son.
11:29Come on, old man.
11:31Prove it.
11:33Impose yourself and tell them I'm going to be part of Nectar.
11:40I'm coming.
11:45Helen.
11:47How are you?
11:50Welcome to my new home.
11:52Don't say that.
11:54I know you're going back to your house soon.
11:57Well, that's not in my plans right now.
12:00It doesn't matter where I live.
12:01I just want to think about the new group now.
12:04I was thinking about what name to give it, but I still can't think of anything.
12:07Have you helped me think?
12:08Honey, you don't have to be hard on me.
12:11I know you shouldn't be so good inside.
12:13You left your house.
12:14It's not easy.
12:16Well, that's not important now.
12:20Because what am I going to do?
12:22Tell me.
12:23What do you want me to do?
12:24Make me cry?
12:25No.
12:27Helen, I left my house precisely to continue with my dreams.
12:31With my life.
12:33Not to make me cry.
12:35In fact, I was thinking of going out to look for a job.
12:39Oh, David.
12:43What's up?
12:45Is Javier calling you?
12:46Is he still bothering you?
12:47No, no.
12:48It's not him.
12:49It's a friend from college.
12:51He's applying for the same scholarship as me.
12:54And he's sending me inquiries about the process.
12:59A scholarship?
13:01I didn't know.
13:04But well, I'm sure it will be amazing for you.
13:06Because you are very intelligent, my love.
13:09And a chanconaza since you were a child.
13:14Do you want my queen to freshen up a glass of water?
13:18Well.
13:21Come here.
13:31Come on, man.
13:33You always say that Nectar belongs to you, don't you?
13:35Come on, prove it.
13:37Son, I can't go to Johnny at night and tell him I gave you a...
13:41Listen to me. Just one audition.
13:42Yes?
13:43One audition.
13:45I'm not in a hurry to pay the rent, man.
13:48Don't overdo it.
13:49I assure you that if Johnny hears me sing, he won't let me go.
13:53And I'm not going to call anyone else.
13:54I assure you.
13:56Son, the easy way is never good.
14:00All my life with you, right?
14:02Why do you love to screw me, man?
14:04For once I ask you to give me the cable and you already did one.
14:08I don't know, son.
14:10I don't know.
14:12I don't know.
14:15Son, wait.
14:16What do you want now?
14:20You're right, son.
14:22You're not here to be lead anymore.
14:25I'm going to talk to Johnny.
14:26So he gives you your chance.
14:29Really?
14:30Yes.
14:34Good, man.
14:37Thank you, man. Good, good.
14:42How cool, right?
14:44We finally get along, man.
14:47Thank you, man.
14:49Thank you so much, man.
14:52Now I feel like you're my dad.
14:54Of course I'm your dad.
14:56Your dad is always here, man.
14:58Look at him.
15:01You're my son, man.
15:04It's an opportunity, right?
15:05It's your opportunity.
15:06Yes, yes, yes.
15:10This is incredible.
15:13I never thought I would have a girlfriend.
15:15I never thought I would fall in love.
15:17I thought that love and those things were fake.
15:20That it wasn't made for this.
15:22David, you don't have to say that.
15:25You're a cute, funny, sensitive, intelligent boy.
15:32I've never met anyone like you.
15:35Me neither, Nati.
15:38Maybe that's why I fell in love so fast.
15:43Sorry.
15:45Too soon to say that, I think.
15:46No, no, no, no, no.
15:48Look, the heart doesn't decide, it just feels and that's it.
15:52It happened to me too.
15:54Nati.
15:57I promise I'm going to make a lot of effort to make you happy every day.
16:02I know I'm a little clumsy, but I swear I'm going to get better, okay?
16:06Silly.
16:08You're not clumsy.
16:10Maybe a little clumsy.
16:12A little.
16:14But that's not bad.
16:17I like you a lot.
16:19And you too.
16:21I promise I'm going to work a lot to buy you a house like your dad
16:25and fill it with luxury and all the things that must be inside.
16:35Montana!
16:38What are you doing here with this criminal?
16:42I don't know.
16:51None of the names I've thought of convince me.
16:53But what exactly are you looking for?
16:57I don't know.
16:59I want something that has to do with Nectar.
17:02I know I already told you that I want to do my own way,
17:05but I don't want to deny my origin either.
17:08What I am, I am thanks to Nectar and my dad.
17:12Let's see.
17:14Nectar.
17:16Nectar.
17:17Nectar.
17:19Nectar.
17:20The only thing that comes to mind is that honey comes from Nectar.
17:26Oh, bad joke.
17:28Oh.
17:30What?
17:31Helen.
17:32Helen, you're a genius!
17:34You're the best in the world! You're so smart!
17:37That's it!
17:39Honey!
17:40Honey! Honey comes from Nectar.
17:43My group is going to be called the Honey Group.
17:48Thank you, thank you, thank you.
17:50Well.
17:54Your brain.
17:56Thank you, you're the best.
17:59You're welcome.
18:11Mr. Marcial, I can explain. Your daughter and I ...
18:13Your daughter and my daughter, nothing, do you understand me? Nothing!
18:16Let's go.
18:17No, dad. Ouch!
18:18You're hurting him, sir.
18:19Who the fuck do you think you are to talk to me like that?
18:21Dad, let him go!
18:22I don't want to see you near my daughter again.
18:23Let him go!
18:24Not even ten meters from her, do you understand me?
18:25Let him go!
18:37I already have the name of the group.
18:39I just need to find the people who want to be part of it and that's it.
18:42There was a duck that played guitar in my dad's group, in painting.
18:46He was chivolo, but very capo, that duck.
18:48Are you going to talk to him?
18:49His name was Arturo. I remember where he lives.
18:51But first, my love, I have to look for a job because I'm without a handle.
18:54And there, yes, I went.
18:57That's it! The Nectar group.
18:59Yes?
19:00The cute boy from the cumbia.
19:01The same.
19:02Can you sign a car for me, please?
19:03Yes, of course, of course.
19:04I'll meet you at a new concert.
19:06Well, I'm not going to play in Nectar.
19:08Because I'm working on my new project.
19:11Don't tell me you're going to be in a new group.
19:13Something like that.
19:14But don't tell anyone.
19:17I'm going to be the exclusive!
19:19Hey, what's wrong with you?
19:20Don't worry, Helen.
19:21Thank you very much.
19:22That's it.
19:24Thank you very much.
19:27Helen, don't worry.
19:29Don't worry?
19:30What's wrong with you, Davis?
19:33Well, they're fans.
19:35I'm not going to say anything bad to them either.
19:36Oh, so a girl comes, kisses you out of nowhere, and you tell me,
19:39Don't worry.
19:41Is this always going to be like this, Davis?
19:44No, no.
19:45I don't think I can stand something like this.
19:47Helen, but it's part of my career.
19:49And you know it.
19:50Besides, they didn't even know you were my girlfriend.
19:52Well, they don't, but you do.
19:54You do know that I'm your girlfriend.
19:57I can't believe you're reacting this way, really.
20:00And I can't believe you're doing this to me.
20:02And what am I supposed to be doing to you?
20:06Look, I can't have another relationship that hurts me.
20:10I can't.
20:11So if things are going to be like this,
20:13maybe the best thing is for us to break up, Davis.
20:27If I see you near my house again,
20:28neither your little friend Davis nor I will be able to save you.
20:30I'll send you to jail.
20:31You hear me?
20:32You hear me?
20:33David!
20:34Dad, let me go!
20:35Dad!
20:36David!
20:37Natalia!
20:38Let's go!
20:39Dad, let me go!
20:40Let me go!
20:41David!
20:42Get in!
20:43No, Dad!
20:44David!
20:46Natalia!
20:48Natalia, no!
20:50No!
20:51Natalia!
20:52Natalia!
20:53Natalia!
20:54No!
20:55No!
20:56Natalia!
20:57Natalia!
20:58Natalia!
21:00To end?
21:01For a fan?
21:02I don't understand you, Helen.
21:04She's a girl I don't even know.
21:05It doesn't make any sense.
21:06It's nonsense.
21:07Nonsense?
21:08Do you think this is nonsense?
21:09Do you think what I'm feeling is nonsense?
21:12That a girl comes,
21:13kisses you out of nowhere,
21:15and you don't say anything to her?
21:16It's good for you.
21:17It's not good for me,
21:18so don't ask me to stand it.
21:19Let's see, Helen.
21:20I'll explain.
21:21What I want to say is that it's part of my career
21:23to have fans.
21:24It's part of my career to have fans.
21:25It's part of my career to have fans.
21:26It's part of my career to have fans.
21:27I'm a singer.
21:28My dad also had a lot of fans,
21:29and that's why my mom stopped being the woman of his life
21:30not even for a second.
21:31My career is just beginning.
21:32I'm just taking off.
21:33If I said anything to that girl,
21:34she would think I'm a loser,
21:35a snob.
21:36Oh, please.
21:37Davis, there are ways to say things.
21:38Maybe.
21:39And maybe I'm wrong.
21:40But I just got out of a big problem.
21:41I'm a singer.
21:42I'm a singer.
21:43I'm a singer.
21:44I'm a singer.
21:45I'm a singer.
21:46I'm a singer.
21:47I'm a singer.
21:48I'm a singer.
21:49I'm a singer.
21:50I'm a singer.
21:51I'm a singer.
21:52I'm a singer.
21:53I'm a singer.
21:54I'm a singer.
21:57I'm a singer.
21:58I'm a singer.
21:59I'm a singer.
22:00I'm a singer.
22:01I'm a singer.
22:02I'm a singer.
22:03I'm a singer.
22:04I'm a singer.
22:05I'm a singer.
22:06I'm a singer.
22:07I'm a singer.
22:08I'm a singer.
22:09I'm a singer.
22:10I'm a singer.
22:11I'm a singer.
22:12I'm a singer.
22:13I'm a singer.
22:14I'm a singer.
22:15I'm a singer.
22:16I'm a singer.
22:17I'm a singer.
22:18I'm a singer.
22:19I'm a singer.
22:20I'm a singer.
22:21I'm a singer.
22:22I'm a singer.
22:23I'm a singer.
22:24I'm a singer.
22:25I'm a singer.
22:27Si tu y yo viviéramos lejos, ¿yo podría confiar en ti?
22:32¿Podríamos seguir estando juntos?
22:35A ver, no te estoy entendiendo, Gelen.
22:36¿Por qué dices eso?
22:37¿Te lo estoy diciendo?
22:41Sabes que nada.
22:44¡Geleng!
22:45¡Gelen, por favor no te vayas!
22:56
23:03
23:10
23:14Hi, Davis.
23:17Hijo.
23:21¿Cuánto quisiera que estés aquí?
23:24
23:31
23:38
23:45
23:53
24:00
24:07Johnny.
24:08Hermano.
24:09¿Se puede conversar?
24:10Panchito, claro.
24:12Hermano, gracias por dejarnos conversar con Quique.
24:15Cuéntame, ¿qué pasó?
24:17Mira, hermano, mañana viene mi hijo.
24:22Y me gustaría...
24:24Me gustaría que lo escuches cantar, hermano.
24:27¿Que lo escuche cantar?
24:29Claro, ¿quiere mi opinión?
24:32A ver, te voy a ser franco, ¿ya?
24:34Tú y yo somos fundadores de Nectar,
24:36y Davis ya tuvo su oportunidad en el grupo.
24:39Y me gustaría que mi hijo tenga la misma oportunidad.
24:43Pancho, tú sabes que Davis no se ganó el puesto por ser mi hijo,
24:48sino que trabajó mucho tiempo para que le diéramos la oportunidad.
24:51No, sí, está bien.
24:52Y mi hijo también se ha ganado la oportunidad.
24:54Él también ha trabajado con nosotros, hermano.
24:56Bueno, no tanto como Davis.
24:59Mira, lo que pasa es que él trabaja en otros grupos,
25:01y es bueno, hermano, bueno.
25:03Escúchalo cantar.
25:06¿Te acuerdas cómo nació Nectar?
25:09Yo te escuché cantar y confíe en ti, hermano.
25:14De verdad, me gustaría que confiases en mi hijo, hermano.
25:19Hazme ese favor.
25:24Claro que sí, hermano, claro que sí, Panchito.
25:29Que venga mañana, que venga mañana temprano y lo escuchamos.
25:32Y a ver, a ver qué es lo que puedo decir, ¿no?
25:35Gracias, hermano.
25:36Sabía que no me ibas a fallar, hermano.
25:38Muchas gracias.
25:43Helen.
25:45Helen.
25:46Helen, ¿qué pasó? Estabas a punto de decirme algo.
25:49Nada.
25:51Okay, lo admito.
25:53Esa chica se pasó.
25:55Pero eso no tiene nada que ver con nuestra relación, Helen.
25:59Tú sabes que eres la única fan en el mundo que yo quiero tener.
26:04Lo sabes.
26:07Yo lo único que necesito sentir es que puedo confiar en ti.
26:12Puede ser que mi relación pasada me haya llenado de desconfianza, puede ser.
26:16Pero yo necesito estar segura de que pase lo que pase,
26:20las cosas no van a cambiar entre nosotros.
26:23Claro que no.
26:26Te juro que no van a cambiar.
26:43¿Más tranquila?
26:44Sí, más o menos.
26:48Más bien, ya me tengo que ir a la universidad.
26:51¿Tienes clase temprano hoy?
26:55Es que mi amiga, la que también está postulando a la beca,
26:59me hemos quedado para ir a conversar.
27:03Nos vemos luego, entonces.
27:06Sí.
27:13Te quiero.
27:15Te quiero.
27:17Chao.
27:18Chao.
27:28Ya está todo bien con Helen, así que un problema menos.
27:32Ahora a buscar chamba.
27:34Agarra ahí bien, respira.
27:37Y concéntrate en buscar chamba.
27:40Una chambita nomás.
27:41La primera que aparezca, pim, pam, pum, la veo, la chapo.
27:50Buenas, maestro.
27:51Sí, sube, sube, sube, vamos.
27:53¿A dónde te llevo?
27:54No, no, maestro, quería saber si...
27:55Son dos luquitas nomás, sobrino.
27:57Pero tres si cruzamos la avenida.
27:58Dime, ¿a dónde vas?
27:59No, maestro, quería saber si había una chambita para mí.
28:01¿Chamba?
28:02Sí.
28:03¿Para ti?
28:05No pasa nada contigo, sobrino.
28:07Mira, maestro, a mí me han contado que usted tiene varios mototaxis.
28:11Y yo sé manejar.
28:12Yo podría manejar uno de esos sin problema.
28:14¿Qué vas a saber manejar tú la moto, pez, sobrino?
28:17Muchachos, dice que quiere ser mototaxista.
28:22¿De verdad, jefe?
28:24¿De verdad, sí puedo?
28:25Dígame nomás cómo es.
28:27Yo le puedo traer un montón de gente.
28:29Gente como cancha, la gente va a hacer cola por mí.
28:32Confía en mí, jefe.
28:33De verdad.
28:35Necesito la chamba.
28:37Yo le puedo meter un montón de ganas, señor.
28:39Un montón.
28:40Es más, hasta puedo cantarle a la gente.
28:42Escuche.
28:43Eres pecadora.
28:45Mujer pecadora.
28:48¡Señito!
28:49¡Suba nomás!
28:50¡Suba, suba, suba!
28:51¡Dos lucitas nomás!
28:52¡Suba mi mototaxis, señora!
28:54¡Mototaxi diviso rosco!
28:55¡Suba nomás!
29:06¡Señito caballero, por favor!
29:08¡Suba, suba!
29:09¿A dónde los llevo?
29:10¿A dónde los llevo?
29:11¡Qué guapa se le ve!
29:12Es su hermanito, su hijo.
29:13No, su hermanito, ¿no?
29:14¡Qué bonitos ojos!
29:15¿No?
29:16Esos ojitos lindos, muchachos.
29:17Mira qué parecen los luceros.
29:19¡Listo!
29:20¿Cómo vamos entonces?
29:21¡Listo!
29:22Nos vamos para Olalla con Revolución.
29:24¡Vamos!
29:28¡Yes!
29:36¡Señito!
29:37¿Para dónde vas?
29:38¡Aquí en el puente!
29:39Ah, permíteme, la ayuda.
29:48¡Davis!
29:49¡Oye!
29:50¿Cómo estás?
29:51¿Qué tal?
29:52Oye, ya me venía, porfa.
29:53¡Sube, sube!
29:54¡Tranquilo nomás!
29:55¿Te gusta mi cancioncito?
29:56Sí.
30:16Me ha salido bien rico mi lomo saltado.
30:19Seguro que Quique se va a poner contento.
30:23Vamos.
30:25Hola.
30:29Justo terminé de hacer el almuerzo y me tengo que ir al mercado
30:32porque nos han pedido unos desayunos para mañana temprano
30:35y faltan algunas cosas.
30:37Evita estar en la casa de sus papis porque tiene que recoger a Pierito.
30:48Quique.
30:56Todo está bien, Chinita.
31:00Aunque tú y yo nunca podamos tener un hijo,
31:05siempre vamos a ser una familia.
31:08¿Sabes por qué?
31:11Porque tú eres lo único que yo necesito en la vida, Chinita hermosa.
31:16De verdad no cambiaría ni un minuto de todo lo que he vivido contigo estos años, mi amor.
31:21Y estoy seguro que somos la envidia de todo Coyique.
31:26¿Sabes por qué?
31:29Porque somos la pareja más chévere de todas, Cati.
31:33¿De verdad eres feliz conmigo?
31:36Amor,
31:38desde que te conocí,
31:41no creo que en el mundo haya alguien más feliz que yo.
31:46Te amo.
31:48Te amo muchísimo.
31:51Y eres el mejor.
31:54No, Cati.
31:57Tú eres la mejor.
32:00Te amo.
32:21A ver.
32:28Davidito, por favor, contesta. Por favor, por favor.
32:35¡Abre la puerta!
32:36¡Papá, déjame en paz! ¡Vete!
32:38Natalia, abre esta maldita puerta o el que va a pagar las consecuencias es tu novicito.
32:51Davidito, no es ningún delincuente, papá. ¿Cómo te enteraste?
32:55¿Te ves loca con ese imbécil cerca de la casa y quieres que no me entere?
32:58Me avisaron, Natalia. Mi hija no va a estar con un delincuente como ese, ¿me oyes?
33:03Él no es un delincuente, papá. Es una buena persona.
33:05Por favor, Natalia. Yo lo conozco desde niño. Es un pandillero de Coyique.
33:10Toda su familia es una familia de delincuentes.
33:13Su hermano estuvo en la cárcel y murió por andar en malos pasos.
33:16Él no es su familia, papá. Deja de juzgarlo por su pasado.
33:18Davidito es una buena persona, papá.
33:21Papá, por favor, escúchame. Yo lo conozco bien.
33:27¿Cómo que tú lo conoces bien?
33:29Natalia, si tú me sales embarazada de ese imbécil, te juro que te olvidaré que tienes padres.
33:35¡Ya, papá! ¡Deja de hablar estupideces, por favor!
33:39Habiendo tanto chico, Natalia, estás en la mejor universidad del país.
33:44Conociendo gente de bien, gente importante.
33:46Bueno, papá. Toda esa gente de bien, toda esa gente importante me parecen unos falsos y unos hipócritas como tú.
33:53Ten mucho cuidado de cómo me hablas, Natalia.
33:56Es la verdad, papá. Tú eres de Coyique. Tú eres igual que Davidito.
34:01Pero claro, ahora que tienes plata, crees que perteneces a otro lugar, pero no. No, papá.
34:06La única diferencia entre Davidito y tú es que él sí acepta su pasado de donde viene.
34:16¿Qué voy a hacer? ¿Qué voy a hacer?
34:20¿Qué hago?
34:22El señor Marcial estaba muy enojado.
34:25¿Qué será de Natalia?
34:28¿Pero qué hago?
34:36¡No vuelvas a compararme con él!
34:39¿Qué voy a hacer?
34:41¿Qué voy a hacer?
34:43¿Qué voy a hacer?
34:44¡No vuelvas a compararme con ese delincuente!
34:52Naty, yo te quiero mucho, pero me estás obligando a tomar medidas extremas.
35:00Es ese imbécil, ¿no es cierto?
35:02No sé, papá. Ya vete. Déjame en paz, por favor.
35:05No, papá. ¿Qué haces? ¡Dame mi celular!
35:07¡Cállate! Aquí nada es tuyo. ¡Nada!
35:10Todo te lo he dado yo.
35:11Lo único que tú debes hacer es obedecerme y estar agradecida.
35:15¡Papá, dame el celular, por favor!
35:17¡Te he dicho que no!
35:19Te vas a quedar incomunicada hasta que a mí me dé la gana.
35:22¿Qué estás hablando? ¡Papá, qué haces!
35:24¡Papá, no! ¡No! ¡Ábreme! ¡Papá, no me dejes encerrada acá!
35:28¡No me dejes encerrada! ¡Papá, por favor, no me dejes encerrada acá!
35:32Se conoce ese imbécil.
35:34Te fregaste, maldito delincuente.
35:37Hola, amor. ¿Todo bien?
35:39Ahora no, Fiorella.
35:41Tengo asunto que atender.
35:45¡Papá, por favor, ábreme la puerta! ¡No me dejes aquí sola!
35:50¡Por favor, papá! ¡Por favor, ábreme!
35:56¡Papá, por favor, déjame salir! ¡No me dejes encerrada! ¡No me gusta!
36:02¡Papá, por favor! ¡Por favor, déjame salir! ¡Déjame salir!
36:06¡Déjame salir!
36:10Felizmente, mi Quique ya está mejor.
36:13Ahora en la noche le hago su arroz con leche y se va a poner contento.
36:17¡Señito, ayúdame con una frunita!
36:20¡Claro que sí, mi amor! ¿A cuánto la fruta?
36:22¡Un solcito, señito! ¡Lleve!
36:24¡Sí, señito! ¡Lleve!
36:26¡Tía!
36:28¿Davis? ¿Qué haces en esa mototaxi?
36:31Acá, pues, ganándome la vida un rato.
36:33¡Con cuidado, ah! ¡Espero que tu mamá sepa!
36:36¡Choro! ¡Choro! ¡Me robaron mis cosas!
36:44¡No, Davis! ¡Cuidado! ¡No, no importa!
37:07¡Me huele un carro robado! ¡Cobarde!
37:12¡Choro!
37:31¡Papá!
37:33¡Papá!
37:35¡Papá, por favor, déjame salir! ¡No me dejes encerrada! ¡No me gusta!
37:41¡Papá, por favor!
37:43Tommy.
37:45Disculpame los gritos, hermano. Estoy teniendo problemas con mi hija.
37:48No, no te preocupes. Espero que se solucionen los problemas.
37:53Yo también soy padre y te entiendo.
37:55Justamente, una de las cosas que quería hablar contigo era sobre Davis.
38:01Él ya no va a estar en el grupo Nectar.
38:03¿Qué? ¿Por qué? ¿Qué pasó? ¿Se pelearon?
38:08No voy a entrar en detalles, Marcial.
38:11Todo está bien. No te preocupes.
38:14Lo único que puedo decir es que Davis ha decidido seguir su propio camino.
38:18Empezar su propia carrera.
38:21Está bien. No te voy a preguntar más.
38:24Pero ya sabes que aquí tienes un amigo y puedes hablar de lo que quieras.
38:28No todo puede ser samba, ¿no?
38:30Claro.
38:32Lo otro que quería hablar contigo, Marcial,
38:34es la sorpresa que me he dado al ver que tres de los lugares en los que vamos a estar en Argentina
38:39son zonas del Chacal.
38:41¿Qué significa esto?
38:43Tú me dijiste que los chacales son zonas del Chacal.
38:46¿Qué significa esto?
38:48Tú me dijiste que no estaríamos en ningún lugar donde él tuviera algo que ver.
38:51¿Qué significa esto, Marcial?
38:57Permíteme.
39:03Johnny, yo no sabía nada de esto.
39:06Pero, ¿cómo sabes que estos espacios le pertenecen al Chacal?
39:10Porque era así cuando estaba en Argentina.
39:13Ay, Johnny.
39:15Véase un susto.
39:17Me estás hablando de la prehistoria.
39:19Ahora ya no es así.
39:21Es más, la propia gente de la gira me ha dicho que el Chacal está no habido.
39:24¿Cómo?
39:26¿El Chacal ya no está en Argentina?
39:28No se habrá venido al Perú, ¿ah?
39:30No, no lo creo. Yo hubiera sido el primero en enterarme.
39:32Mira, no me sorprendería que lo hayan matado.
39:35La cabeza de un hombre como él está muy pedida.
39:40Puede ser.
39:42Puede ser, Marcial.
39:44Entonces, ¿me aseguras que tenemos el camino limpio en Argentina?
39:47Por supuesto. Por supuesto, hermano.
39:50Yo nunca los llevaría a un lugar que no sea seguro.
39:52Tú me conoces. Ustedes son mi familia.
39:55Y para mí, la familia es lo primero.
39:57Excelente, hermano.
39:59Ah, qué buena noticia.
40:01Se las digo a los muchachos inmediatamente.
40:04Hijo.
40:06Al final, ¿qué fue con Natalia?
40:08No me volviste a llamar.
40:10Luego hablamos de eso, Matías.
40:12Te presento a Johnny Orozco.
40:14Vocalista y líder del grupo Nectar.
40:16Mi hijo mayor, Matías.
40:18Matías. Qué gusto, muchacho.
40:21Qué grande está, Marcial.
40:23No sé si sabes, ¿ah?
40:25Pero cuando no teníamos nada y éramos un par de misios en Coyique,
40:28aquí Marcial conseguía dinerito para su cachorro.
40:31¿Sí o no, Marcial?
40:33Ya te dije. Para mí, la familia siempre es lo primero.
40:36Cuida mucho a tu padre.
40:38Marcial es un buen hombre.
40:43Sí, claro.
40:45Bueno, voy a ver a mi hermano, ¿ok?
40:52No, no te preocupes por él.
40:54Él es así, es un poco seco.
41:00Perdón.
41:05¿Aló?
41:08Sí, sí, sí.
41:10¿Del colegio?
41:14No, seguramente no contestó mi esposa porque está con mis suegros.
41:19¿Qué?
41:21¿Qué le pasó a Piero?
41:24No entiendo.
41:29Acá está mi hijo.
41:31Harto talento y dispuesto a darlo todo.
41:34Arranca una semana.
41:39Hubiera preferido tener otro padre.
41:42¡Cállate! ¡Cállate!
41:45Cargada de novedades.
41:47Bastante especial, Panchito, porque nos vamos a Argentina.
41:52Volvemos a donde todo empezó.
41:53Sí, hermano.
41:55Tu nombre y el mío.
41:57Mira, yo estaba tocando en Nectar, pero me separé y ahora estoy armando mi propio grupo.
42:02Que cuenta conmigo para esta aventura.
42:04¿En serio? ¿Te unes a la miel?
42:06LUNES, INMEDIATAMENTE DESPUÉS AL FONDO Y SITIO POR AMERICA