Tu Nombre Y El Mio - Capitulo 25
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Short filmTranscript
00:00I can't keep missing college!
00:02If I keep missing, they're going to fire me, don't you understand?
00:05The exams start this week, dad!
00:11It's okay, Natalia. You're going to go.
00:14But your brother is going to be taking care of you all the time.
00:16He's going to attend all your classes.
00:18He's going to take you and he's going to bring you.
00:20Matias, that's ridiculous, dad.
00:21And you'd better listen to Natalia.
00:23Because otherwise, with all the pain in my heart,
00:28I'm going to have to send you abroad.
00:31What?
00:40No one's coming out.
00:46What are you doing peeing near my house?
00:47What's wrong with you? I haven't done anything.
00:48Don't be funny and get out before I call the police.
00:50Criminal!
00:51At least tell me how Natalia is.
00:53How is Natalia?
00:54She's fine!
00:55She understood that she can't be with a person like you.
00:58It's time for you to understand that too.
01:00So get out.
01:02Get out!
01:20What a surprise to have you here.
01:22I didn't expect to see you.
01:23You were half-missing.
01:26I'm very sorry that you had to leave Nectar.
01:30Yes, Marcial.
01:31Me too.
01:32It's not something I would want,
01:34but, well, things happen for a reason.
01:38And tell me, what am I good for?
01:41Let's see, before we start,
01:43I'd like to talk to you about something else.
01:45I don't even know how to do it, but...
01:47Luis, I know you're here to take care of your friend Tabito.
01:51Because he's your friend, right?
01:53Yes.
01:54And he's very in love with Natalia.
01:56Luis, I'm going to ask you, please, not to meddle in your family matters.
02:00Natalia already understood that she shouldn't be with him.
02:02She understood that it was a mistake.
02:04Marcial, he's not a bad person.
02:07I don't know. I don't know him, I don't know him.
02:09I know he was a little pirate.
02:11And no matter how much he has become a saint now,
02:13that doesn't matter anymore.
02:15Because Natalia doesn't want to know anything about him.
02:17So I recommend that you tell your friend to forget about her.
02:21Otherwise, she's going to suffer a lot.
02:26Is that all? Because if not...
02:29No, no.
02:30I also came because I wanted to see the possibility
02:35that you are the producer of my next album.
02:40The first album of my own musical group, La Miel.
02:50The first album of my own musical group, La Miel
03:16Thank you. Thank you very much.
03:18Brother.
03:20Johnny.
03:23How are you, little brother?
03:26Little brother.
03:27It's been a long time since I saw you.
03:29I didn't know you were singing around here.
03:31Well, brother, I'm coming and going, really.
03:33Sometimes they call me to play with some groups.
03:35Because things are not as easy as before.
03:37But how did you call me? I had already lost you.
03:40It's just that I'm in a new project, brother.
03:42A new project, huh?
03:44Yes, yes, yes.
03:45Let's talk and I'll buy you a beer. I'll tell you.
03:47Go ahead.
03:48It's a new musical group.
03:50I don't know if you've heard. It's called La Miel.
03:54La Miel?
03:56La Miel.
03:58I like it. It's good.
04:00And do you know who is the leader of the group?
04:02No.
04:04Your puppy.
04:05Davis Orozco.
04:07Oh my God, Davis.
04:08You caught me off guard.
04:09I didn't expect you to come to propose that to me.
04:11Of course, Marcial.
04:12I've seen how Nectar has grown during all these years and everything.
04:16Thanks to you.
04:17I would be more than happy if someone like you
04:20is behind my next group.
04:22Look, I thank you very much for recognizing my work.
04:26But, unfortunately, I don't know how to thank you.
04:30I don't know how to thank you.
04:32I don't know how to thank you.
04:34But, unfortunately, I won't be able to help you.
04:38I know your father didn't want you to form your own group.
04:41That's why you fought, right?
04:43And I don't want to have problems with him.
04:46Marcial, at least listen to my songs.
04:49I'm sure you'll love them.
04:51And I don't doubt it.
04:52I don't doubt it.
04:53I'm sure you will.
04:54But I can't do that to your father.
04:57I'm loyal to him.
04:58I'm his friend.
05:01Don't get down on your knees.
05:03I'm sure you'll find someone to produce your music.
05:06Yes.
05:07I'm sure I will.
05:08Well, I have to go now.
05:12Look.
05:14Keep it up.
05:15Keep making music.
05:16Keep going.
05:18We always need young people like you.
05:20New blood.
05:29Do you really think you're going to succeed?
05:32If your father was lucky.
05:56Let's go.
05:57No! Dad, let's go!
05:58You're hurting him, sir!
05:59Who do you think you are to talk to me like that?
06:01Dad, let him go!
06:02I don't want to see you near my daughter again.
06:03Let him go!
06:04Not even ten meters from her, do you understand?
06:05Let him go!
06:07If I see you near my house again,
06:09neither your friend David nor I will be able to save you.
06:11I'll send you to jail.
06:12Do you hear me?
06:13Do you hear me?
06:14David!
06:15Dad, let him go!
06:16No, no, Natalia!
06:23Hello, David.
06:25You're up early.
06:27I like to get up early and leave everything ready.
06:30Later, I have to go stay with my dad.
06:36What's up, man?
06:38I've noticed you're a little down lately.
06:41Tell me, maybe I can help you.
06:43Remember, you're like a nephew to me.
06:47No, Kike.
06:48In this case, I don't think you can help me.
06:56Tell me, man, what's up?
06:58Everything has a solution.
06:59What's up?
07:01The thing is...
07:04I've had a crush on a girl.
07:07Ah, there you go, man.
07:11Who?
07:12Tell me everything, man.
07:15I've had a crush on...
07:18Marcial's daughter.
07:19Marcial's daughter?
07:21Damn, that's complicated.
07:24You've had a crush on a chick?
07:27You probably didn't listen.
07:29No, that's not it.
07:30We love each other.
07:31It's just that he doesn't want to.
07:34He doesn't even want to see us together.
07:35So what, man?
07:36Just look for her.
07:37But I've already done it.
07:38I've already done it.
07:39I've already done it.
07:40And nothing.
07:41What's more, I've spent hours outside his house
07:44trying to see if he comes out.
07:45And nothing.
07:46I think he's been locked up.
07:48The other time, my brother found me outside and kicked me out.
07:52I think that's why I screwed up more.
07:54No, you screwed up, man.
07:55Listen to me.
07:56The only thing that matters here is that you two love each other.
07:59And that's enough, man.
08:00The only wish that matters here is that of you two.
08:03No one else.
08:05Look at me with China.
08:07At first, her family didn't love me.
08:09When I had money, I was a musician and all that.
08:11In the end, stubbornly we fought and we achieved it, man.
08:14That's how it has to be.
08:15Forget about Marcial, about your brother.
08:17Fight for your love.
08:19That's the only thing that matters.
08:20No one gets involved in your relationship.
08:22Okay?
08:26Well, brother.
08:27I see Davis a little discouraged.
08:29The boy has done a lot of things.
08:31A lot, huh?
08:32But there's something missing, brother.
08:35Something very important.
08:37And that?
08:38You're missing, brother.
08:39You're missing.
08:42Maturito, I don't know if you know, but I've tried to talk to him.
08:45He doesn't understand.
08:46He's a fool.
08:47He's a fool, right?
08:48He's with the same dream that you also had, right, Johnny?
08:51With the same dream that all of us who love music have.
08:55Look at everything the boy has done, brother.
08:57He has formed his group.
08:58He has called his people.
09:00He has a projection.
09:03And?
09:04And if it goes wrong?
09:06Well, you and I know very well the taste of defeat, brother.
09:09But there's something that Davis has that we didn't have.
09:13He has a father who will be by his side.
09:15Who will give him a hug and tell him,
09:17Go with everything, son.
09:18Go forward with everything.
09:19That I'm here.
09:21Huh?
09:23Brother, have you heard his songs?
09:25They're good.
09:26They're really good.
09:28And he has done them alone, alone, brother.
09:30He has everything to become a great artist.
09:34Brother, don't you want to be part of his dream,
09:36just like he has been part of yours?
09:45Thank you, Arturo.
09:46Of course, brother.
09:49That's my brother.
09:52What are you going to do, man?
09:53Thank you, Arturo.
09:54I'm going.
09:55I'm going to look for Davis.
09:59Caratona, you know, huh?
10:01Take your exams and go straight home.
10:03The driver will be waiting for you.
10:04Of course.
10:05You're sure you're going to go with your little friends in your new car.
10:08I speak like a father.
10:09Hey, what else do you want, huh?
10:11The old man told me to keep an eye on you.
10:12I'm still letting you go out.
10:14I don't know, go with the driver to eat something.
10:16Go shopping.
10:17Buy something.
10:18I don't know.
10:19I have to pay for the first cycle of the university
10:21and see the enrollment.
10:22It's going to be awesome.
10:23Again, you're going to feel young.
10:25That's good.
10:27Bye, sister.
10:28Bye.
10:31Oh, I have to take advantage now.
10:34I have to see how to communicate with David.
10:40Don't worry, love.
10:41You're going to see that you're going to get some other producer.
10:44It's just that Marcial is the best producer I know.
10:46I want the best for honey.
10:47Yes, I know you want the best for honey,
10:49but right now,
10:51I don't know, can I propose to you to go get some ice cream?
10:53That way you get a little distracted from the subject.
10:55No.
10:56If I don't finish my shift in the mototaxi.
10:58Besides, I'm thinking about the list of five songs that we're going to teach tomorrow.
11:02Five songs are not enough to put together an album.
11:04Well.
11:06Hey, rather,
11:07do you think tomorrow you can pick me up super early in the mototaxi
11:10to go to Tokyo to the barbershop?
11:11It's just that I have a very important exam tomorrow.
11:13Could you?
11:17Davis.
11:19Davis, I'm talking to you.
11:22Oh, yes.
11:23Excuse me.
11:24It's just that I was thinking that there are other groups
11:26that also have musical producers.
11:28Suddenly I could talk to them and they pass me the data
11:30so I can bring a good producer to honey.
11:32You haven't heard anything I've told you, have you?
11:35Can we stop talking about honey for a moment, please?
11:38What's wrong with honey? I don't understand.
11:40Nothing's wrong with honey.
11:41Nothing's wrong.
11:42It's just that you're always talking about your things
11:43and I just asked you for something very important for me.
11:46Excuse me.
11:47Sorry.
11:48I was very involved in all this and I didn't want to bore you with my projects.
11:51No, you're not boring me.
11:52I'm not saying that.
11:58Sorry.
11:59I'm pretty stressed out about college too.
12:03And the scholarship.
12:04The scholarship I told you about.
12:05Well, I applied and...
12:07Oh, yes.
12:08You're going to do great, Helen.
12:10If you're super smart, you're going to get it anyway.
12:13Yeah, but can you let me finish?
12:14I wanted to tell you something important.
12:18David, you think everything in my life is easy, right?
12:20And that the only complicated thing is yours.
12:22I haven't said that, Helen.
12:24Look, you know what?
12:26I don't feel like arguing right now.
12:28So, do you think it's better if we don't see each other later?
12:39Cholita!
12:41Cholita! Cholita!
12:43What's wrong, Johnny?
12:44No, no, nothing's wrong.
12:45I mean, yes, it's wrong, but everything's fine.
12:47I went to Tabito's house to look for Davis and I couldn't find him.
12:50Well, he must be working.
12:52But I don't understand what's wrong, Johnny.
12:54Work, my work.
12:55I have a rehearsal, but I'll be late.
12:57It doesn't matter.
12:58We have to look for Davis.
13:00Davis?
13:01Yes.
13:02What for?
13:03To congratulate him, Cholita.
13:04For all the work he's doing.
13:05He already has the group set up.
13:07They're rehearsing his songs.
13:10I want to tell him to come back.
13:12I want to ask him to come back home.
13:13I miss him a lot, Cholita.
13:15Johnny, are you really talking to me?
13:17Yes.
13:18Fear made me blind.
13:21But I want to be by his side,
13:23give him my support,
13:24and let him know that I'm there for whatever he needs.
13:27Oh, my love, you finally realized.
13:34Let's go, Cholita.
13:35Yes, let's go find him.
13:38Do you really fix things like that?
13:40I'm telling you how I feel and your solution is to leave?
13:43You never let me tell you anything because you always cut me off, Davis.
13:47Let's see.
13:49What do you want to tell me?
13:50You apply for a scholarship.
13:51Awesome.
13:52Okay.
13:53Are you nervous because you don't know if you're going to get it?
13:56I understand you, my love.
13:57I understand you.
13:58Now that I know you're going to do it because you're very smart.
14:02There it is.
14:03There it is.
14:05And do you know what the scholarship is about?
14:08You don't know, do you?
14:09Because you haven't even asked me.
14:11Because you're so involved in your things that you don't even care because I don't care about you.
14:16Helen, of course I care about you.
14:19Well, it doesn't seem like it.
14:20We'll talk later.
14:21No.
14:22Helen.
14:26Damn it.
14:27Something's wrong with me.
14:29Young man.
14:30Are you coming out?
14:31I'm going to church.
14:32Yes, yes, sir.
14:33Get in, please.
14:34Okay, thank you.
14:40Old man.
14:42I'll make you lunch, okay?
14:44Just give me a minute.
14:49Damn.
14:51I hope it's not the landlord because of the rent.
14:59Hello?
15:00Hello, Tabito.
15:01It's Natalia.
15:02Nati?
15:03Natalia?
15:04Yes.
15:05I can't talk for a long time.
15:06A friend lent me her cell phone.
15:08Yes, Nati.
15:09Nati, I swear.
15:10I swear on my old lady that I was going to your house, outside the university, but I couldn't see you.
15:14I couldn't see you.
15:15Oh, Tabito.
15:16They wouldn't let me go out.
15:17Just now, to take some exams.
15:19But my dad has me under surveillance.
15:21Listen, Nati.
15:22What do we do now?
15:23You tell me what to do and I'll act.
15:25I want to see you, Tabito.
15:26Look.
15:27Today I have two exams and I leave at three o'clock.
15:30Come and see you, but through the back door.
15:33Of course, of course.
15:34Yes, look.
15:35I'll give lunch to my dad right now.
15:37I'll leave her with the neighbor and I'll run over there.
15:40Okay.
15:41See you, Tabito.
15:42Nati.
15:43I love you.
15:44I love you a lot.
15:45I love you a lot too.
15:47Bye.
15:48Bye, bye, bye.
15:49Good, good, good.
15:51Thank you, God.
15:53Kike was right.
15:54I can't give up.
15:56She loves me.
15:57I love her.
15:58Let's go forward.
15:59Yes.
16:13If you want to throw away all my effort, all my sacrifice,
16:16everything I did for you and for this family,
16:18turn your back on your family.
16:22The doors of this house are open.
16:27Unfortunately, I won't be able to help you.
16:29I know your dad didn't want you to form your own group.
16:33That's why you fought, right?
16:35And I don't want to have problems with him.
16:45Do you know what the scholarship is about?
16:48You don't know, do you?
16:49Because you haven't even asked me.
16:51Because you're so involved in your things that you don't even care
16:54because you don't care about me.
17:15Davis.
17:16Davis.
17:18I think he's at the bus station.
17:20Davis.
17:21Chulita, I'm so excited.
17:24Hi.
17:25Hi.
17:26How are you, Chulita?
17:27You know Davis, right?
17:28Have you seen him around here?
17:29Yes.
17:30He took a passenger to the back.
17:33Super.
17:34Thank you, thank you.
17:35Chulita, let's wait.
17:36Bye.
17:37Let's wait here to surprise him.
17:38I'm excited.
17:39I'm excited to tell him that we're going to support him
17:41and that we're proud of him.
17:43Thank you, my love.
17:44Thank you for understanding him.
17:46Thank you, Chulita.
17:50I always understood him.
17:52He was afraid of the jackal.
17:54He didn't enjoy his life.
17:56I let myself be overcome by fear.
17:58Oh, Johnny.
18:06Mrs. Orozco.
18:07Mrs. Orozco.
18:08The Davis' motorcycle taxi has been hit.
18:10What?
18:11Where's my son?
18:12They took him to the post office.
18:13Let's go.
18:14Let's go.
18:16Chanti, there's no way I have an affair with that guy.
18:18I mean, I just think about it and it's...
18:20I've had it.
18:21Oh, my friend.
18:22That's the price of wanting to have money and live in a mansion.
18:25And to think that you're already rich.
18:27Excuse me?
18:28I'm still rich.
18:29Hey, silly.
18:30I'm not talking about that.
18:31I don't like to talk about that.
18:33My friend, it must have been horrible, right?
18:35It was the worst thing that ever happened to me.
18:37But that's why I'm married to Marci.
18:39Oh, my friend, but how sad.
18:41I mean, really, couldn't you find something better?
18:44I mean, maybe not with so much money, right?
18:46But not so old.
18:48But I'm not going to be married to Marci for the rest of my life.
18:50Well, Chanti.
18:51First I have to get rid of the kids to stay with them.
18:54I start with that open-mouthed girl and then with Matías' antipatheticism.
19:01Do I look like him or did you hear my name out there?
19:16Oh, Tamito, where are you?
19:19I told you to meet here.
19:20I don't have much time.
19:24Nati!
19:49I miss you a lot, Tamito, a lot, a lot.
19:51Yes, yes, me too.
19:52You don't know how bad I've been without knowing about you.
19:54It's been horrible, Tamo.
19:56But don't worry.
19:57The important thing is that we're already together, okay?
19:59Listen to me.
20:00I have a plan.
20:01What plan?
20:02You have to come with me.
20:04Where?
20:05To my house, where else?
20:07We have to live together.
20:10You and me living together?
20:13Yes, of course, Nati.
20:15Wouldn't you like that?
20:19Wouldn't you like that?
20:29Oh, Matías, wash your ears already.
20:31Why would we waste time talking about you?
20:33Oh, friend, maybe I would waste it a little.
20:35Shanty.
20:37And Natalia?
20:38She hasn't arrived?
20:39She must be taking her exam.
20:41I left her at the university.
20:42Don't you suppose you had to take care of her?
20:44You said it yourself.
20:45It's supposed.
20:46Listen.
20:47There's nothing to worry about.
20:48The driver will take care of her.
20:51And when are you going to take care of us?
20:54I mean, when are you going to invite me out?
20:56You've already told me you're a university student.
20:58Why don't we celebrate?
21:02Do you mind if I take a shower, change,
21:06and drop you off at your house later?
21:10Of course.
21:11I'll be right back.
21:16I'll be right back.
21:23It's just a scratch.
21:24In a few weeks you won't have anything.
21:26You'll be as handsome as ever.
21:29Where's my son? I want to see him.
21:33Debby.
21:34Debby.
21:37My love.
21:38My son.
21:43For God's sake, you could have killed yourself.
21:45It's okay, Mom.
21:46I'm fine.
21:50How did you find out so quickly?
21:54We were looking for you.
21:57Looking for me?
21:59Yes, son.
22:00We were looking for you because I...
22:03Because...
22:04Because...
22:14No, no.
22:15It's not that.
22:16It's just that...
22:17Tabito, it's...
22:19It's a decision I can't take lightly.
22:23Of course.
22:24Yes, yes.
22:25No, don't worry.
22:26You know, I...
22:27Sometimes I go crazy and...
22:29I forget everything.
22:31I'm really sorry, Tabito.
22:33I have responsibilities.
22:34I want to finish my degree.
22:36And if I leave the house, my dad won't pay for my college.
22:39And I can't pay for it alone.
22:41But I can take care of that.
22:42I work twice as hard and that's it.
22:44Tabito, if I worked that hard too,
22:46we wouldn't be able to pay for college.
22:48It's very expensive.
22:50Please understand me.
22:52I do understand you, Nati.
22:54But it's just that...
22:56It's just that I do think we could live together
22:59and that you finish your degree.
23:03Look.
23:04Let me think about what I can do to see you more often.
23:07Okay? I promise.
23:08But...
23:09Trust me.
23:18I have bad news.
23:20I have to go.
23:21What? So fast?
23:22Yes, the driver is waiting for me and I can't be late.
23:25But I promise this won't happen again.
23:27I'll find a way.
23:28Okay?
23:30I love you, Nati.
23:31I love you more, Tabito.
23:38Okay, okay, okay.
23:39If we continue like this, I'm not leaving.
23:41Don't go.
23:42You can't stay all the time.
23:43I have to go.
23:44I have to go.
23:57Davis, I wanted...
24:00I wanted to apologize.
24:02Because I've been very bad to you.
24:04Dad.
24:05Seriously.
24:06You don't have to do this.
24:07No, Davis.
24:09It's necessary.
24:11Just because I'm your dad doesn't mean I won't be wrong.
24:16And I've been wrong.
24:18I've been wrong to tell you to leave the house.
24:21I've been wrong to tell you not to follow your dreams.
24:24Johnny.
24:28Go home, son.
24:31Your mom misses you.
24:33Pierito misses you.
24:36And I...
24:38I also miss you a lot, son.
24:41There's no day without the window waiting for you to arrive.
24:45When I don't see you,
24:47my heart breaks.
24:50Son.
24:52I want to be part of your life.
24:54Of your dreams.
24:56I want to be by your side when you make all your dreams come true.
24:58Just like you were by my side with mine.
25:01My love, please go home.
25:04We are your family and we love you.
25:06Yes, Davis.
25:07Family is everything.
25:10Besides, I want you to know
25:12that I'm aware of everything you're doing.
25:15You have the people of the band.
25:17You have the name.
25:22I'm so proud of you.
25:25Seriously, dad.
25:27Yes.
25:28Yes, son.
25:31You're going to get very far, son.
25:33Very, very far.
25:36Farther than me.
25:42Thank you, dad.
26:03Let her in.
26:04I've been waiting for you.
26:22Marcial Montero.
26:26Estrella Campos.
26:31It's nice to have you in my humble office.
26:34Come in.
26:41I guess if you're here,
26:43it's because you want me to run your career.
26:46You're going to stop being a singer in a small band
26:49to become the star of the convention.
26:53I hope so, Marcial.
26:55If I'm here,
26:56it's because I'm sure that together
26:59we can make me the best singer in this country.
27:01That's right.
27:03And together,
27:05we can do that
27:07and other wonders.
27:08No, no, no.
27:09I'm going to ask you not to touch me,
27:10that's for sure.
27:13What's wrong?
27:15Come on.
27:16Just because you call yourself a star
27:17doesn't mean you already are.
27:19Nobody knows you.
27:21And to remedy that,
27:23the first one who should know you very well
27:25is me.
27:27So you decide
27:28to be one more singer in the world.
27:31Or to be the best.
27:34It's up to you.
27:44Son,
27:46come home, please.
27:48It's your home.
27:50And I'm going to support you with the band.
27:53Honey.
27:55It's a beautiful name.
27:56It's original, it's creative.
27:57I love it.
27:58I used it when I was Nectar, Dad.
28:01From Nectar
28:02comes honey.
28:04Now that the disease tells me that I can go,
28:06I go to Tabito's house,
28:07I pick up my things,
28:09and I go back home.
28:11Honey, you don't know the peace you give me.
28:14I miss you a lot.
28:19I'm sorry, Mom,
28:20for making you worry.
28:22You
28:24and everyone.
28:25No, baby, it's over.
28:27We understand your reasons.
28:29And to be honest,
28:31I admire your determination.
28:34I've already said it.
28:35You guys are just as stubborn.
28:41Pierito is going to be happy when he sees you, honey.
28:44I'm going to be more than happy
28:45to see him every day.
28:47That dwarf makes me miss him.
28:50We're going to be a family again.
28:52We never stop being a family, Dad.
28:55Even though we are separated
28:56millions of miles apart.
29:00We are always going to be a family.
29:20Look, I'm not going to tolerate any disrespect.
29:23Be careful with me, Marcial.
29:25I'm here because I want to dance and sing.
29:27That's all.
29:30Come on.
29:32To be here, you've probably had to do a lot of things.
29:34Don't play the saint.
29:35Look, if you don't really want to work with me,
29:37then we'll leave him here
29:38and the clown will die, okay?
29:39Wait, wait, star, wait.
29:43Okay.
29:45Let's go slowly.
29:47Las Sabrosas de la Cumbia.
29:49Undoubtedly,
29:50you are the best singer in that group.
29:52Obviously.
29:54That's why you want to be a soloist.
29:57That's right.
29:58In that guerrilla.
30:00I like that.
30:01I know what I'm worth, Marcial.
30:03Maybe I won't be as famous as other singers,
30:05but I have plenty of talent.
30:08And I can compete with anyone.
30:10That's why I'm here, Marcial.
30:12Because you are the producer of the best singers
30:14and the best groups, right?
30:16Yes, I know you have plenty of talent.
30:19I've heard you.
30:20That's why I invited you to come.
30:22And tell me, to be your singer or to take me to bed?
30:25I see you don't want to play with me.
30:28It's okay.
30:29I like challenges.
30:31You and I are going to work very well together, little star.
30:34And I'm going to make you the new star of the cumbia.
30:47Oh, please.
30:48Don't be stupid, okay?
30:50The first time you cross the line,
30:53Okay.
30:55Let's work then.
31:00This is a contract model.
31:02Check it well.
31:16I swear that when I saw you,
31:17I kept my mouth open.
31:18Fiorella didn't tell me anything.
31:20Fiorella didn't tell me that Marcial had such a handsome son.
31:23How handsome?
31:24Very handsome.
31:28Do you live there alone?
31:30Yes, I live there alone.
31:34Hey, since when do you know Fiorella?
31:37Oh, that's why you wanted to bring me, right?
31:39To get information from my friend.
31:40No, no, no.
31:41It's just curiosity.
31:42Why? Is it a secret?
31:44No, it's not a secret.
31:45But well, there you go.
31:46We've known each other for a long time with Fiorella.
31:48In fact, we've worked together,
31:50we've hosted, modeled, paraded.
31:53And one of those days,
31:54we met your dad.
31:55Well, you know he handles a lot of groups.
31:58And then, well, you know, Fiorella took advantage of it.
32:01She took advantage of it, then.
32:04The smartest, right?
32:06Smart? I don't know.
32:07Well, your dad must have his charm.
32:09If not, where did you come from?
32:12I mean, they danced and modeled.
32:14And I was involved for a long time.
32:16Modeling.
32:17And I was involved in this whole world of parading.
32:21Television.
32:22But well,
32:23I imagine that many people think the same, right?
32:27But do you want to know more?
32:28Why don't we go to my house?
32:30We'll have a few drinks and I'll tell you everything.
32:33I'm driving.
32:34I can't drink.
32:36Oh, well.
32:37You can leave your car here.
32:38And if you want, you can come back by taxi later.
32:43Maybe tomorrow.
32:44Or another day.
32:45Well, another day.
32:47You know where I live anyway.
33:09I'm going to get my clothes wet before I pick up Cleo.
33:11I'll be right back.
33:16My house.
33:18I don't know.
33:19It feels...
33:21like home.
33:23It's because we love you, son.
33:29Thank you for coming back.
33:32We've missed you a lot.
33:34I never should have left.
33:37Come.
33:39I want to talk to you.
33:40I want to talk to you about your album.
33:42About my album?
33:43Yes.
33:44Why? What's wrong?
33:47I know that at first
33:49I told you that I didn't want to be part of your music project.
33:54But things have changed, Davis.
33:56And I'd love to be part of your first album.
33:58If you want me to help you.
34:00Are you serious?
34:02Yes, son. Of course.
34:05We could work on your first album.
34:07Record it in the studio.
34:09Can you really support me with that, dad?
34:11Yes, Davis.
34:12Of course.
34:15Okay.
34:16Okay, but first I'd like you to listen to my proposals.
34:20If you like them. Only if you like them.
34:22We'll record them in your studio.
34:24I don't want you to help me just because I'm your son.
34:28No.
34:29Music promise.
34:31Music promise.
34:34I promise to be honest.
34:36Well, let's start by talking to Marcial.
34:38Because Marcial has to be your producer.
34:41Of course, after we show him your songs, right?
34:44And then we'll go to the studio.
34:46And dad, I already talked to Marcial.
34:49And he said no.
34:52Yes, he said he can't be my producer.
34:54Because you didn't agree and he didn't want to betray you.
34:57No, but I'm going to talk to Marcial.
34:59And I'm going to tell him that things have changed.
35:01And that he has to be the producer of La Miel.
35:04Thank you, man.
35:09Thank you, son.
35:12I'm sorry.
35:14I'm sorry, Davis.
35:17Sometimes a father's fear is stronger.
35:23I just want to take care of you.
35:25I want you to be okay.
35:36There's no way I'm pregnant.
35:38Deforming my body for a child.
35:40It's crazy.
35:43And that little smile?
35:44Is an aunt or my dad?
35:46No, don't worry.
35:47You come from seeing your boyfriend.
35:49Yes?
35:50Tell me everything and I exaggerate.
35:52Yes, we did see each other.
35:53But for a little while.
35:54Because the driver my dad hired was there.
35:56And he didn't want to delay me.
35:57Who? Juancito?
35:58Buy him his fried chicken or a sandwich.
36:00He's going to be like Tejan Paz.
36:01I don't know, Fiorella.
36:02I don't want to get into any more trouble with my dad.
36:05He told me that next time he would send me abroad.
36:07Well, your dad is like that when he gets upset.
36:09Don't listen to him.
36:10But we can't let your dad and your brother
36:12keep doing whatever they want in this house.
36:15We are women.
36:16And we can't always stay with our mouths shut, right?
36:18You're right about that, Fiorella.
36:20Who do you think to forbid me from being with whom I want?
36:23That's how it's said, Nati.
36:24That's how it's said.
36:26I'm going to follow your advice, Fiorella.
36:28I'm not going to stay with my arms crossed anymore.
36:32Mmm.
36:47Helen.
36:50Come in.
36:51Come in, please.
36:52David told me you had come home.
36:56Yes.
36:58I just got back.
36:59I'm glad.
37:01Your parents must have missed you a lot.
37:08Please.
37:15He also told me about the accident.
37:18How are you?
37:20I'm fine.
37:21It really wasn't anything serious.
37:23It's over.
37:27Helen, thank you.
37:30Thank you for coming to talk to me,
37:31even though we're fighting.
37:33No, we're not fighting, David.
37:34We're just arguing.
37:37But I do think it's necessary to talk about some things.
37:40Yes.
37:42I...
37:44I want to apologize
37:46for not listening to you.
37:48For not giving you the attention you deserve.
37:51It's just that this is too big.
37:53The group, the record...
37:55I know.
37:56It's a lot of pressure.
37:57I know.
37:59I understand.
38:02It's just that I'm ashamed.
38:05Of what?
38:10I'm ashamed to realize
38:11that I'm not up to your other passions.
38:16You're a dreamer.
38:17You're fighting for a place in music.
38:22I understand what you mean, Helen.
38:25That music is more important than me in your life.
38:29And that's fine.
38:32I've accepted that it will always be that way.
38:49Helen,
38:50music is very important in my life.
38:54I feel like I was born for this.
38:58But there are things that are
39:00so much more important than music.
39:02My family, for example.
39:05There are my parents,
39:08my grandparents,
39:10my uncles,
39:12Pierito.
39:14And there's you, Helen.
39:17You are my center.
39:21And there's nothing more important than that for me.
39:25You inspire me to sing and to play.
39:28Without you,
39:30music wouldn't be the same.
39:38I don't know how to react to some things.
39:42It's being very difficult for me.
39:45I know.
39:46I'm sorry.
39:48Don't worry.
39:50Me too.
39:51Sometimes I don't have the best mood in the world.
39:54And it's normal.
39:56Sometimes things get like this.
39:58That happens.
39:59And it's fine.
40:03You're right.
40:05I guess couples go through these moments.
40:09Yes, Helen.
40:12And now it's up to us
40:14to make things better.
40:17I'm willing to keep fighting for our love.
40:22And you?
40:25Are you willing?
40:30Of course I am.
40:33Of course I'm willing.
40:47I had to survive.
40:49Now I sing with love for you.
40:54Your name
40:56and mine.
40:58I think we could take advantage of this
41:00and invite Solas, right?
41:02In the middle of the harassment.
41:04Davis is a very good singer.
41:05That's undoubtable.
41:07But the leader of a group.
41:09I don't think he has the money for it.
41:11And the envy.
41:13Love is blind.
41:16You have your touch, boy.
41:18I think we can do great things together.
41:21They will stay together.
41:27Don't miss it.
41:29I'm producing a record for Estrella.
41:31His first record.
41:32And we came up with an idea that I honestly think is fantastic.
41:35To make a duo with you, Yanny.
41:37A collaboration, Johnny.
41:40A mega collaboration, you and me.
41:42Your name and mine.