La Promesa - Capitulo 420
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Short filmTranscript
00:00You're going to hit me. Go ahead.
00:02Please, let me go. I'm warning you.
00:04Give me a reason to break your face.
00:06What's going on?
00:07Are you going to hit me as if you were two drunkards in a tavern?
00:09Don't get involved in this, Cruz.
00:10What do you mean, don't get involved?
00:11What are you reproaching him for telling me about Maria Antonia?
00:13Isn't that right?
00:14I'm not reproaching him for anything.
00:15He's just a messenger.
00:16Let him go.
00:19Your secret is safe with me.
00:21You don't know how much I appreciate it.
00:23Just one thing, Hanna.
00:25Don't tell anyone.
00:27You don't know how much I appreciate it.
00:29Just one thing, Hanna.
00:31Who else knows?
00:33Mr. Baeza also knows.
00:35And how did he take it?
00:36Let's just say he's not as optimistic as you are.
00:38Well, you know he has a very different way of seeing things,
00:41and not a great sense of responsibility.
00:45I'm aware.
00:47Tomorrow I have to leave with my parents to San Sebastián
00:49to visit my sister and her husband.
00:51Well, it sounds very fun, doesn't it?
00:54My brother-in-law and I ...
00:56Let's just say we're not the people who get along the best.
00:58Because of character differences.
01:00I don't know if that's it,
01:02or that he's a petulant and arrogant person.
01:04Feli, Feli, don't give it to him.
01:06Because Feli, Feli ...
01:07Maria, enough.
01:08No, no. You're right, Hanna.
01:10I didn't notice much connection with her husband when I saw them together.
01:12Well, let's see.
01:14Maybe she's trying to be a little more discreet.
01:17Teresa has never been one of those timid people either.
01:19And especially how she takes things the other way.
01:22For that very reason.
01:23She probably didn't want to upset Mrs. Petra.
01:25She swore eternal love to her on the fact of my son's death.
01:28And two weeks after leaving here, she was already dating someone else.
01:32Do you think she was pretending to be here?
01:34All I know is that I was barely a year away from my son's death.
01:38And that woman has redone her life as if it were such a thing.
01:41Because she has no sense of respect.
01:43And is she going to stay here for a while?
01:46Well, MartÃn just invited me to spend a few days here.
01:49So if my parents don't mind, I can stay here for a while.
01:53Great.
01:55Well, let's hope the novelty of her presence will divert the attention of other visitors.
02:01I offer you the position of first lackey in the palace of the Count of Matesanes.
02:07No one will pay you more quarters, right, Salvador?
02:10That's it, that's it.
02:12Maria, what's going to happen with the wedding?
02:14What's going to happen, Simona?
02:16Because it will be celebrated when it can, period.
02:19We are maintaining a friendship relationship.
02:22Curro behaved like a walking gentleman saving his beloved.
02:26In life, things are more prosaic.
02:30And that's why you've decided to be friends.
02:33I don't think either of you wants to force things.
02:37He's a ruthless murderer. You can't talk to him and you can't buy him either.
02:41What can we do?
02:43Nothing. Leave things as they are.
02:45Let Mrs. Adarre remain locked up in that cabin without seeing her son.
02:49That's true, but alive.
02:51And for how long?
02:52As long as necessary. The next step will be taken when it has to be.
02:56If it was as you say and you had told me, I would have believed you.
03:00Because you were my husband.
03:02But now ...
03:04Now I don't know who you are.
03:07Cruz Recapacita.
03:09Go.
03:14I'm about to hire your husband like the rooster.
03:17I hope you don't disappoint me. I'm risking it for you.
03:21I know perfectly well, Mr. Baeza.
03:23And I assure you that I will not disappoint you.
03:25You really don't know how much I appreciate it.
03:27And I ask you, please, to trust me. And also him.
03:29As I told you, he learns very quickly and he is a good man.
03:32There was nothing good in all this misery.
03:34The trench comrades.
03:37In those circumstances, I suppose the ties become very close.
03:42I assure you that I would not be here if it weren't for them.
03:45And now, excuse me if I don't specify more, but ...
03:48I don't like to talk about it.
04:13Oh!
04:17Oh, Mr. Baeza!
04:19But what is it that has made you fall?
04:21Because of your motto.
04:23I'm not a socialist.
04:24Forgive me, I thought it was Gregorio.
04:26Forgive me, I am very happy to see you.
04:28And I am very happy to see you, Mrs. Adares.
04:30Although you were about to give me a good smile.
04:33Well, I've been very nervous lately.
04:35Especially at night.
04:37But you have a very good face.
04:39It shows that you are better here.
04:41Better than in that cave.
04:43Sit down, please.
04:47I know it's not time, but ...
04:49I preferred to come at night so that the absence of Palacio is not noticeable.
04:53But has something happened?
04:55No, no, and that's what it's about.
04:57But if nothing has happened, why did you come?
05:00Well, I wanted to visit you.
05:03Mr. Baeza, don't take me for a fool, please.
05:06Well, we still haven't found a way to neutralize that man.
05:10But that was known before.
05:12Look, I wanted to talk to you.
05:14Has something happened?
05:16No, no.
05:19I missed you.
05:21Since you left the promise, that has been a chaos.
05:25Well, here I am very calm because no one comes to see me.
05:29And if someone comes, you grab the ...
05:31the sanitizer.
05:34It's funny, but that's one of the things I've missed the most.
05:38Which one?
05:39La risa.
05:41It's usually about two people.
05:43Don't you think?
05:44It's said that there are only crazy people.
05:46I've been about to do it several times.
05:48Well, about that and talking to the parents of this cabin.
05:51Well, you've been too alone.
05:53Yes, too much.
05:55Except when MarÃa Fernández came to see me.
05:59Or Hanna and Don Manuel.
06:01They look very happy and very welcome.
06:03Don't you think, Mr. Baeza?
06:06Mr. Baeza, don't worry.
06:08I know perfectly well that you know what's going on between those two,
06:10just like I do.
06:12It's a delicate matter.
06:14Yes, it is.
06:15Insignificantly delicate.
06:16Mr. Baeza.
06:17Tell me.
06:18I wanted to ask you a favor.
06:20If it's up to me.
06:21Well, don't tell them.
06:23They don't have it easy.
06:25It's a true love story.
06:27I assure you.
06:28And let's not complicate it any more, please.
06:30Don't worry.
06:32Don Manuel and Hanna can rest assured
06:34because I'm not going to tell Mr. Márquez anything.
06:37Do they know already?
06:38Well, no.
06:39In a resolute and definitive way.
06:42Well, tell them.
06:43They must be in a state of shock.
06:44Do you think it's necessary?
06:46No, it's not necessary.
06:47It's normal.
06:48It's essential.
07:02The lights that have danced through our garden
07:06The new rumors
07:08Between the heart and the walls
07:12In the promise
07:14There will be particles of love in motion
07:18There will be secrets that will never come out
07:22It will be as beautiful as the flight of a bird
07:28In the promise
07:30The farewells are turns on the ground
07:34Even the flowers will dance in their own way
07:38Balancers between fear and passion
07:45We are like a jump to the right
07:49We are love when you live life to death
07:53A long way to go
07:57In the promise
07:59You will be a matter of luck
08:01We are like a jump to the right
08:05We are love when you live life to death
08:09A long way to go
08:13In the promise
08:15You will be a matter of luck
08:24Are you in a hurry?
08:27I have things to do.
08:29These hours will be unconfessable things.
08:32Come on, don't be so open-minded and have a drink with your uncle.
08:36At another time, really.
08:38Are you going to make me look bad?
08:40It's not about that.
08:42Come on, so we can talk.
08:53Tell me.
08:55What do you want us to talk about?
09:00It doesn't matter to me.
09:02How are things going with Pelayo?
09:04Good.
09:05Just good?
09:07Seeing you, I get the feeling that things are going well.
09:10Am I wrong?
09:14It's hard to say.
09:17Expressions like those of wind in the mouth are so imprecise.
09:20Well, it's an expression like any other, it's a way of speaking.
09:23Yes?
09:25Let's use that way of speaking then.
09:28How's the jam business going since you've been in charge of it?
09:32Well ...
09:33Is it drifting?
09:35No.
09:36Is it on the way to bankruptcy?
09:37No.
09:38It's a profitable business.
09:40Don't tell me.
09:41I can show you the account books if you want.
09:44How can it be that in a few months the business has gone up?
09:47It's just that it's hard for me to believe it.
09:49Is it hard for you to believe it because it's a lie?
09:52Is this business still doing well?
09:56Yes.
09:58Reducing expenses and degrading its image.
10:01Changing is not degrading.
10:04You made jams for Cursis and for Sibaritas.
10:08I'm going to Pueblo Llano.
10:10You're going to the precipice.
10:12Come on.
10:13Very convenient, yes.
10:14We used ingredients of the highest quality.
10:18We cooked them with a master formula.
10:20And we paid a fair wage to women for their good deeds.
10:24You were throwing away the money, I mean.
10:28And what are you going to say?
10:29That you buy the worst fruit you can find,
10:31use bad death recipes,
10:33and pay hungry wages.
10:35Of course you're still making a profit, but for how long?
10:38Your product is so bad that it will end up not being loved by anyone.
10:41As usual, you're wrong.
10:44All I've done is adapt to the circumstances of the market,
10:49get a genre that allows me to increase production,
10:52and restrict some crazy wages.
10:55And all of this, of course, guaranteeing quality buyers.
10:59Please.
11:02The business is still doing well because it got a contract with the army.
11:06Its clients are poor soldiers who have no right to have an opinion.
11:11And yet, I've heard that you've received complaints.
11:14Dealing with complaints is a capital part of running a company,
11:19as I suppose you already know.
11:22Yes, a company that doesn't offer quality in its product.
11:27And what's more,
11:28I know that the women of the village feel so exploited
11:31that they're thinking of quitting working with you.
11:34Your information is wrong.
11:36Everything you say is in your head.
11:39This business is doing well,
11:41and it will continue to do well as long as I'm in charge.
11:46I hope it's for a short time.
11:49I will do everything in my power to get it back.
11:54Good luck.
11:56THE BEST
12:07What would you say are your virtues, Mr. RodrÃguez?
12:11My virtues?
12:12Yes. Related to your position in the street, you see.
12:15I look at things.
12:17You look at things?
12:18Yes. I pay attention to the little details. I look at them.
12:21Aha.
12:22And I learn quickly.
12:23It is known that by the same, as I look at a lot.
12:25Yeah, yeah.
12:27But you lack service experience.
12:31If you mean to serve in a house,
12:33I have no experience, sir.
12:35But he learns very quickly.
12:37I already told you, Mr. Baeza.
12:38And he also keeps all things to himself.
12:41No, yes, that's very good.
12:42Yes, but in our occupations,
12:44you need something more than looking at a lot,
12:47or being very attentive.
12:49Of course, yes.
12:51You will have to perform entirely new functions for you.
12:56I hope to learn them soon, Mr. Baeza.
12:58For the good of all, yes, we hope so.
13:01Well, let's hope that if you are as excited as it seems,
13:07then so be it.
13:09And learn soon.
13:11Welcome to the promise, Mr. RodrÃguez.
13:13Am I hired?
13:15It seems so.
13:17Thank you very much, Mr. Baeza, Mrs. Arcos.
13:20One moment.
13:22You have something to say, Mrs. Arcos.
13:25That's right.
13:26I understand that I will be allowed, right?
13:28Of course, go ahead.
13:32I don't want, not even for a second,
13:36that you think that the promise is an infamous place where
13:39you can kiss in the corners.
13:41I don't think anyone thinks that, Mrs. Arcos.
13:44Of course not, we guarantee it.
13:47Just in case.
13:49It is better to make things clear from the beginning.
13:52As we must also make it clear that the lackeys and the maids
13:56do not have permission to sleep in a ... in a shared bedroom.
14:02No matter how married they are.
14:04It is true, we had not commented on that.
14:07So don't worry.
14:09No, really.
14:10We are here exclusively to work.
14:13Do you mind sleeping separately?
14:16Of course not, not at all.
14:18Not at all.
14:20What I mean is that ...
14:23that if you can't, you can't.
14:25What are we going to do?
14:27I see.
14:28So you don't mind not sleeping together.
14:32That's what we just said.
14:34Really? Is that okay?
14:36Well, nothing.
14:38If so, it makes things a lot easier for us.
14:42Thanks to both of you.
14:44Well, there is nothing more to talk about.
14:48Excuse me.
15:10Porro.
15:12Hanna.
15:13Why aren't you having breakfast with the others?
15:16I'm not hungry.
15:17That's weird of you.
15:19I don't want to be part of family talks either, really.
15:22Forgive me, sir.
15:25You know perfectly well that I'm not saying it for you.
15:28If not for ...
15:29I know.
15:30And why aren't you hungry? There must be a reason.
15:34Well, yes.
15:36But what else does it matter? That's it.
15:38It matters to me.
15:41Okay.
15:42Yes.
15:45Last night, I talked to Julia.
15:48The girl who brought the pendant to Martina.
15:50A one-off conversation?
15:52No.
15:53We were talking about the war.
15:55What strangest conversation to have with a stranger?
15:58Well, yes.
16:02Besides, you don't like to talk about that subject, do you?
16:05No.
16:06But she started asking me questions.
16:08About the war?
16:09Yes.
16:10Out of curiosity, but she didn't realize how much those things bothered me.
16:15Maybe she was being very subtle.
16:17Well, maybe at first she was, Hanna.
16:19But not later.
16:21And I didn't stop until I told her that it hurt me to remember all that.
16:24How uncomfortable it must have been.
16:25Yes, it was.
16:26But because it really hurt me.
16:29Besides, I answered her with vague answers.
16:32Yeah, it's very strange that she didn't realize anything.
16:34Yeah.
16:35Besides, even if she didn't do it with any malice,
16:38it made me nervous.
16:40She even asked me if she had ever been hurt.
16:43As if she could get rid of such an experience.
16:47Well, maybe she said it because ...
16:49It is true that there are people who die in the war,
16:51but I suppose there are also people who return home without a scratch.
16:54No.
16:55It's just that even those people are hurt, Hanna.
16:58Even if it's not physically.
16:59They have seen too many atrocities to be able to forget them.
17:02Even if they want to.
17:04You're right.
17:06She also asked me if I had found anything good among so much misery.
17:12It's hard to find something good, isn't it?
17:15Yes.
17:17The only positive part were the companions.
17:22But almost all of them ended up dead, so ...
17:28War is desolation.
17:30It is death, it is violence, senselessness, pain.
17:33And yet I had to explain everything to this girl in an almost impassive way.
17:38But it's normal, Curro.
17:39It's your way of protecting yourself.
17:41No.
17:44Every day I try to drive away the bad memories.
17:47I try to convince myself that none of what happened was my fault.
17:53That I just wanted to help.
17:56And every night, the dead come to ask me for explanations.
18:01Curro.
18:03They come one by one.
18:07And it takes its time.
18:08Because, of course, what hurry are you going to have if you're dead, right?
18:12And what do they want to know?
18:15Why.
18:17Each one asks me why in their own way.
18:22And the worst of all is that I don't know what to tell them.
18:31Do they come at me again with that?
18:33Please.
18:34It's not welcome.
18:37Every month I send my daughter to New York the same amount of money.
18:41And she, on the other hand, receives less and less.
18:44Yes, I know that war is affecting the currency market.
18:48But I also know that in Rio Revuelto there is a fishing profit.
18:53Yes.
18:54That is exactly what I am insinuating.
18:56That is exactly what I am insinuating.
18:59What do you mean, who do I think I am?
19:02I don't need to believe anyone, sir.
19:04I am the Marquis of Lujan.
19:08Tell Mr. Pontejo that this is intolerable and that I await his call.
19:12Good morning.
19:14Problems with the bank?
19:17No.
19:19I have the impression that you had a problem with the bank.
19:23Don't think that with your background I'm going to trust you with my worries.
19:28Oh, you.
19:29It's still something discretional.
19:31Call it whatever you want.
19:33However, I have no problem trusting you with mine.
19:38Yours?
19:39My worries.
19:40Specifically, I'm worried about your daughter Catalina.
19:43I'm not going to talk to you about my daughter Catalina.
19:46Why?
19:47Because it's none of my business.
19:49If you're worried about my daughter, talk to her and express your concerns.
19:52I already have.
19:53Very well.
19:54And at what time?
19:56She has been insolent to me in an unacceptable way.
19:59It seems that you are getting used to speaking ill of people behind their backs.
20:02Alonso, you should set some limits for your daughter.
20:07I always forget that among your many virtues, there is the desire of the father that we all would have wanted to have.
20:12As you wish.
20:14But I still think that you should give her the groundwork now that she has returned to the palace.
20:17And above all, she has returned accompanied.
20:19And why would I have to do that?
20:22She is very arrogant, Alonso.
20:25Yesterday she spoke to me without the slightest respect.
20:27And on top of that, she dared to question my way of running the jam business.
20:31So what?
20:32What do you mean?
20:33I have to remind you that I took care of that business.
20:35And besides, overnight.
20:37It was because your dear daughter of the soul failed you and hid in that hangar you have.
20:41You omit its motives at your convenience.
20:43You are right.
20:44I omit the part where the business was a cover for arms smuggling.
20:47Something you took advantage of?
20:49Say what you want.
20:51If it weren't for my good trades, my connections, the contracts obtained,
20:56and the necessary adjustments in the business,
20:58the jams would be nothing more than a nice memory.
21:02You will say that.
21:03I do not rule out that your interests were others.
21:06As you say.
21:07I tend to share my daughter's opinion, Lorenzo.
21:10What you say is very offensive.
21:13It's very funny coming from you.
21:15I don't think I've offended you at any time.
21:17No.
21:18You only settle for deceiving me, which is worse and also offends a little.
21:22We are already with that.
21:23You deceived me to make you with the fourth part of my estate.
21:26You deceived me when you hid for your benefit that Pelayo and Cavendish were doing business.
21:31I love to go to Rostraposo.
21:32It is true.
21:33In your discharge, it must be said that when you deceive the same person twice,
21:36it is more the fault of that person than yours.
21:38I better leave you today, this is impossible.
21:39But Lorenzo, I'm not going to stop until I throw you out of the promise.
21:42I already did it once and you came back thanks to Cruz's protection.
21:46But nothing lasts forever.
22:07Mr. Baeza, is everything going well with Mrs. Piaz?
22:09Yes, yes, but it is not for her that I have come to you.
22:16I wanted to call you, but not to talk about Mrs. Darre, but to talk about you.
22:23Yes, don't look at me like that, I think you already know where I'm going.
22:27Mr. Romulo, you know perfectly well that you have already spoken to me.
22:30Yes.
22:31And you have also done it with Hanna.
22:32Yes, yes, I have already given you my opinion separately regarding your relationship.
22:36And I assure you that we have both taken good note of it.
22:39Yes, but given the circumstances, I think it is not too much to go a little deeper.
22:44Frankly, I think they have everything against it.
22:48They are going to embark on a path that I do not wish for anyone.
22:51They are going to suffer a lot, of course, even if they are good people and they do not deserve it.
22:56Mr. Baeza ...
22:57Don't interrupt me, I'm running out of breath.
23:00Where were you going?
23:03That we were good people and that we did not deserve to suffer.
23:05That's it, yes, yes.
23:07If they are going to fight together for that love, I predict a very difficult future for them.
23:13That, to put it mildly.
23:16That said, they are two adult people.
23:19They have the right to make their own decisions, to make their own mistakes.
23:23The truth is that I have given him so many advice since he was a little boy that he must be tired of me.
23:31Well, maybe a little.
23:34But I thank you very much for your concern, Mr. Baeza.
23:38I am not your father, but well, I would like to think that I have done everything possible
23:43for everything to be fine within my attributes as a mayor.
23:48You are no longer a boy, you are a man.
23:51And you, Miss Expósito, a woman made and right.
23:55They own their lives, of course they do.
23:58And they have the right to govern them and pursue their illusions without anyone deciding for you.
24:05And that is why I have called you both to talk to you.
24:09Because what I want to tell you is that I am not going to intervene in your relationship.
24:13And I am not going to reveal it to the Marquises either.
24:17With this I mean that I have not seen anything.
24:20But I would not like to see what I have not seen again.
24:24I don't know if I explain myself.
24:26No, not much.
24:28Whatever you want to say.
24:29Yes, yes, please don't put me in more commitments.
24:33Don't worry, Mr. Baeza.
24:36We will be discreet from now on.
24:38Yes, yes.
24:39Well, good luck and I wish you all the happiness in the world.
24:45Thank you very much, Mr. Baeza.
24:50Can we go now?
24:52Yes, yes, of course.
25:03Sir, Madam.
25:06I wanted to thank you for the great privilege of serving this house for so long.
25:11Very well.
25:13It has been a very demanding job, but I feel very honored and very proud to have served the Lujan family.
25:19And we are honored by your good disposition, Salvador.
25:22Thank you, sir.
25:23Time has flown by.
25:25I still remember the first day I came to the palace, which was hard for me to learn.
25:31For a reason.
25:33Yes, Madam.
25:35Because the demand has always been up to the good name of this palace.
25:38You can say it louder.
25:41I think it happens to all of us who serve here in La Promesa.
25:44We do not want to defraud the heads of service, because that would mean that we are defrauding you.
25:50Interesting reflection.
25:52Thank you, Madam.
25:54You're welcome.
25:57And finally, I know you are aware that I have been offered a higher rank in another palace.
26:02But please, I don't want you to think that I'm leaving because I'm not happy or I'm not happy in La Promesa.
26:07On the contrary.
26:09In fact, the gratification that Mr. Baeza has given me on his part is quite generous.
26:14Gratification?
26:16Well ...
26:17Sir, Madam.
26:20I want you to know that I will never forget you.
26:24And that my loyalty and my gratitude will always be linked to this family.
26:28That gratification is a small sample of recognition of your dedication, Salvador.
26:33The small thing is a saying, right?
26:37We wish you the best in your new position.
26:40I know you will perform as well as here.
26:42Thank you very much.
26:43La Promesa will always be your home.
26:45Its doors will remain open to you.
26:49Well, you have already heard the Marquis.
26:51We are so grateful to you that we have even given you a gratification that is even excessive for you.
26:57He said generous, Cruz.
26:59Generous, excessive.
27:01Anyway, my husband says that the doors of this palace will always be open to you.
27:07And I tell you that I take note of the date on which you leave us.
27:10And I tell you that I take note of the date on which you leave us.
27:13Let's see how long it takes you to return.
27:16Thank you very much once again, Salvador.
27:19Thank you, sir.
27:21Madam.
27:29We have taught him everything he knows.
27:31And he leaves us to serve others.
27:33And you also give him a gratification.
27:35In this house he will earn more and have more opportunities to ascend.
27:38It is human to want to progress, Cruz.
27:40Well, I do not agree, Alonso.
27:41This is a betrayal.
27:43A betrayal?
27:44Yes, a betrayal.
27:45And betrayals must be punished, not rewarded.
27:49And of course, never forget them.
27:55Has Salvador gone up already?
27:56Yes, he has passed by here to say goodbye and has gone up to shoot.
28:00I understand very well why he wanted to say goodbye to the Marquis.
28:03Well, because he was born to be grateful, López.
28:05Well, you write them a note and that's it.
28:07It's not the same, López.
28:09It will not be the same, Mrs. Simona.
28:10But you save yourself the discomfort of being there in front of the Marquis.
28:13And I don't say it for the Marquis.
28:14I say it for the Marquise.
28:15Yes, that's true.
28:16Well, in any case, Salvador's thing is nothing more than ...
28:20Goodbye, very good queen now.
28:22And well, it's no wonder.
28:23Let them see that if you want to be grateful.
28:26Well, there would be a lot to talk about.
28:29Now it will turn out that gratitude is a bad thing.
28:32Nobody says that.
28:34The thing is to see who has to be grateful to whom.
28:38Don't start, Candela.
28:40After all, the boy works for them.
28:43And they pay him a salary.
28:45If we take into account how the work is and how much the salary is,
28:50I think the thanks would have to be given to the Marquis, to Salvador.
28:54Or not like that.
28:55Well, it seems that someone has remembered you.
29:08Mrs. MartÃnez.
29:13It's a pleasure.
29:15Yes.
29:16Well, let's see what he tells us.
29:18Oh my God, I'm shaking.
29:20Excuse me, Mr. Pellicer, but it is the first letter I have received since I left the town.
29:25Well, he has found a bee, the weapon of Cantaro.
29:32He says they have already arrived in the town.
29:35And what else does he say?
29:37That they have settled down very well.
29:39Good news.
29:41What else?
29:43That the trip was a bit long and Adolfito was quite protestant.
29:49Of course, he is very small.
29:52What? What does he say?
29:55Nothing.
29:56Little secret, no.
29:58Little secret, no.
30:00Are we?
30:02He says that as soon as they arrived, he realized that he could be very happy there.
30:08Oh, how nice, Mrs. Simona.
30:10And that with the money we gave him, they were able to buy all the materials
30:16to make the arrangements that the house needed.
30:24And he tells me to thank you all again for your generosity.
30:32For having renounced the gratification of Doña MarÃa Antonia.
30:37Well, she is very happy, isn't she?
30:41She is very happy, Lope.
30:44She says that for her it is wonderful to be able to spend time with the child,
30:49play with him, take care of him,
30:52cuddle him at night before going to bed, give him a little kiss,
30:55tell him a story.
30:56Poor thing. Come on, he doesn't deserve it.
31:00And she also says that she gets along better with her in-laws every day.
31:06And that is thanks to the fact that she already has a job.
31:09No way!
31:12In the house of a seamstress, knitting and fishing.
31:17And that she combines it, also helping her in-laws in the garden.
31:24And that's it.
31:27That she loves me and that.
31:32Well.
31:34Well, it seems that Virtudes couldn't have done it better.
31:37Yes.
31:38You can see that she had to leave, after all.
31:45Are you realizing, Mrs. Simona?
31:48A letter, news about your daughter.
31:52Yes.
31:55It is now you who reads the letter to us.
31:59That's the least of it.
32:02The important thing is that this letter is real.
32:08Yes.
32:32I'm going to take a nap, tell me.
32:36We will continue to have them.
32:38Yes, but it won't be the same.
32:40Of course.
32:42Even if we see each other from time to time.
32:46Do you think so?
32:47Yes.
32:49Look, all the days off I have are going to be for you and for me.
32:53All of them.
32:55I like that.
32:57Also, now that we are going to see each other less, we will want to be together more.
33:04I hope so.
33:07Of course.
33:10There are those who say that with the distance one also forgets to love.
33:15Those are nonsense.
33:18I don't know, Salvador.
33:21Look, whoever said that phrase didn't love us as much as we love each other.
33:29Maybe.
33:31Of course.
33:32I'm actually happy that this opportunity has come to us and suddenly ...
33:37Of course.
33:39I'm sure that soon we will get together and get married and start a family.
33:48Are you ready?
33:51Yes.
33:53I have already said goodbye to everyone.
33:57To the colleagues, to the gentlemen and to Lope too.
34:06So go away.
34:08Yes.
34:10Why are we going to delay it any longer?
34:27No, Maria, don't come. Please.
34:29Don't be silly, Salvador, please.
34:31If you don't, you'll never see me again.
34:36As we said, right? A farewell without pain.
34:41Only with love and desperate wishes.
34:45That's it.
34:48And so everything will be fine.
34:56Goodbye.
35:02Salvador.
35:05I love you.
35:09I love you too, Maria.
35:26I love you.
35:31I love you.
35:56I love you.
36:05There is nothing to worry about. Everything is fine.
36:07Father, be honest with us.
36:09I'm being honest.
36:10No, you're not.
36:12Are you going to deny your father?
36:15You yourself assured that things were not going well between you and mother.
36:21That's why we wanted to talk to you, to see if we can help you.
36:23I don't need help.
36:24I need help.
36:26Great.
36:27Don't be stubborn.
36:28It's my thing, period.
36:30Father, if we could help him, maybe the three of us would find a solution.
36:34Yes, there is nothing wrong with letting yourself be helped.
36:36But that happens for being honest.
36:38Telling us what's going on and ...
36:41And why Cruz and you are like this.
36:43Like what?
36:46Well, tense.
36:48Tense.
36:49Father Catalina is right. They are tense.
36:51They look tense.
36:54Who sees us tense? Because we are tense.
36:57But who is not tense in the promise?
36:59There are only confrontations between each other.
37:01Each one goes his own way and against the others.
37:04Not all.
37:06You are the exception.
37:08Well, yes.
37:10Neither Pelayo nor I have tried to attack anyone.
37:13In fact, since we arrived, we have tried to bother as little as possible.
37:17And I'm not going to be hypocritical.
37:20I knew that his return could find a hostile response.
37:22But of course he has not stood up to her.
37:25If the poor man is in his lair to try to bother as little as possible ...
37:28Hey, Catalina, we're not going to go around that anymore. It's very spoken.
37:32But you know it seems inappropriate to me that you brought Pelayo back after what happened.
37:37I trust you.
37:38But this time you have not been right.
37:41And I don't think you are in a position to give conjugal advice.
37:44Neither to your father, nor to anyone.
37:48And you, Manuel.
37:50You know I don't like to stir up the past.
37:53But I have to remind you how you got when your mother and I tried to mediate in your marriage.
37:57Everything was justifications and bad faces.
38:01So I don't think you're in a position to give me advice either.
38:20The Zagala was happy.
38:23It was the opportunity that her real man was waiting for.
38:26That forced him to leave.
38:29Yes, but they were going to double his salary.
38:32And that was very good for both of them.
38:34That life is very expensive.
38:36And having a family means making sacrifices.
38:41But then ...
38:46Why did it hurt so much that he had left?
38:50It wasn't just the distance.
38:54What if something had broken between them?
39:15It's time.
39:17Marcelo, do you want to stop whistling?
39:18And stay still, for God's sake!
39:21How do I look?
39:27You look perfect.
39:28And you're also very handsome.
39:29I know.
39:31Hey, stop fooling around.
39:32This is not a game.
39:34It's just a joke, woman.
39:36Marcelo, I need you to focus.
39:37You can't screw it up again.
39:39I'm not going to screw it up.
39:41You'd better.
39:42Because it's still hard for me to understand that all this has gone well.
39:45What?
39:46It's gone well.
39:47Because you've done it right.
39:48It's gone well by pure miracle.
39:50But I'm not always going to be able to cover up your mistakes.
39:52It won't be necessary.
39:53You'll see.
39:54I'm going to do it on request.
39:56I hope so.
39:57Look, you're getting serious, huh?
39:59Listen to me carefully.
40:00It's important that you do everything they ask you to do.
40:02Everything, without exception.
40:05There will be tasks that you don't even know where to start.
40:07I'm already surprised at how clumsy I am.
40:09Marcelo, you want to listen to me.
40:11And when the time comes,
40:12don't even think about pretending that you know how to do something you don't know how to do.
40:15Got it?
40:16Got it.
40:17Everything you don't know, you ask.
40:18No one is born knowing.
40:19Yes.
40:20And no improvising.
40:21Got it?
40:22Got it.
40:23And one more thing.
40:24Before you start,
40:25if you don't have anyone,
40:26look for me and ask me.
40:27Is that clear?
40:28Yes, it's clear.
40:29Calm down.
40:31I'll calm down when I see that you're not going to lose everything.
40:33I'm not going to lose it.
40:35I promise you.
40:36I'm very grateful that you got me this job.
40:39Besides,
40:40this place is very good and I want us to stay.
40:46Come.
40:52I think I've never seen such beautiful gardens.
40:55My uncles, the Marquises, have a large number of gardeners.
40:58And they demand a lot from them.
40:59That's why the gardens are a great source of pride.
41:02Ah, look.
41:03Curro.
41:04Julia.
41:05Manuel.
41:06She is Julia,
41:07a guest from Martina.
41:10A pleasure.
41:11The pleasure is mine.
41:12I finally meet the other war hero.
41:15Ah, no.
41:16Actually, neither Curro nor I are war heroes.
41:19That would be opinable.
41:22The truth is that it is not.
41:23In fact, we met one on the front.
41:26War heroes?
41:27That's right.
41:28And I assure you that they were not like us.
41:31And in what were they different?
41:32In that the hero has an ideal
41:35and is willing to die for it.
41:36Exactly.
41:38And it was not the case for the two of you?
41:40No.
41:41We got to a point where we just wanted to go home.
41:43And we had no intention of dying.
41:47Dinner time is approaching.
41:49The ideal thing would be to get ready.
41:52I understand that you are coming with us today, right?
41:54If you are going to stay a few days in La Promesa,
41:56your job would be to meet the family.
41:59I'm a little tired, to be honest.
42:02Don't worry about that.
42:03You'll have time to rest.
42:06I suspect your job is shyness, Julia,
42:08but I won't insist.
42:11Okay.
42:12But if you don't mind, I'll rest here for a moment
42:14and get ready right away.
42:17Perfect.
42:18Well, we're leaving.
42:22Julia.
42:43Do you like it like this, ma'am?
42:46It's not bad.
42:51In fact, it's very good, Teresa.
42:53It couldn't be better. Thank you.
42:57What do you want, Petra?
42:59I wanted to talk to you, ma'am.
43:01Alone.
43:03You can leave.
43:05Excuse me.
43:07I'm sorry, Petra.
43:09I'm sorry.
43:10Good luck.
43:11Excuse me.
43:19How is it going with Teresa ...
43:21as a personal maid, ma'am?
43:24You haven't reported anything to me.
43:26If I haven't reported anything to you,
43:27it's because I didn't want to report anything to you.
43:30Well, yes.
43:31I'm upset that you have her busy with so many other tasks.
43:34She should be at my complete disposal.
43:37I can't do without your work in other functions, ma'am.
43:41It's hard enough for me to frame everything
43:43so that the palace functions as it should.
43:45Well, as you wish.
43:46But make sure that attending to me is your top priority.
43:49She's an excellent personal maid.
43:52Of course she is, ma'am.
43:56Anything else or have you only come for this?
43:58No.
44:00I wanted to ask you if you know
44:02how long Miss Julia will stay in the palace.
44:05Miss Julia?
44:06Yes, I would like to be informed
44:08so that I can organize myself with the service.
44:11Not only for the matter of the dormitory,
44:13but also for the food and the laundry.
44:16Who is that Miss Julia you are talking about?
44:19The girl whose niece, Miss Martina,
44:22has invited her to stay in La Promesa, ma'am.
44:25The one who came to bring the earring she had stolen?
44:27That's right.
44:28Apparently, as soon as she got here, she suffered a ...
44:32a disappearance.
44:34And both Miss Martina and Mr. Curro
44:37thought it appropriate for her to stay here that night.
44:41What accounts does she know how to shoot with the king's gunpowder?
44:44The next morning, she and Miss Martina
44:47made such good friends that her niece
44:49decided to invite her to stay
44:51a season in La Promesa in gratitude for the earring.
44:55But she seems to be a wild and discreet girl.
44:59Yes, so discreet that I have not yet met her.
45:01Does the lady want her to come?
45:04No, thinking about it, better not.
45:07I have no desire to meet anyone.
45:10And how long are you going to stay?
45:12I don't know, ma'am.
45:14I remind you that I have precisely come to ask you that.
45:19Again with those?
45:20Are you coming to me again with unanswered questions?
45:24I don't think neither she nor Miss Martina
45:26have concluded anything about it, ma'am.
45:28Well, I'm tired of everyone doing whatever they want in this palace
45:31without asking permission from anyone.
45:34That Martina invites a stranger to stay in the palace
45:37or that Catalina shows up with Pelayo without warning.
45:40I understand, ma'am, that the reason for your anger
45:43is that of your stepdaughter and Count de Añil.
45:46You are always so sharp.
45:48Well, at the service station we were all very surprised
45:50that the doors were opened to Count de Añil
45:53after all the commotion that was formed
45:55and the damage that the family has done to him.
45:58Especially Miss Catalina.
46:00I don't care about her.
46:01I don't know, ma'am.
46:02What matters to me is the family.
46:04If it were up to me, that girl could go to the end of the world with her count.
46:08Married or unmarried.
46:10I'm so eager for them to take her away from me
46:12that I'm willing to suffer another scandal,
46:14the same or greater than the previous one.
46:18I understand what you're saying but
46:20I have the impression that what worries you is something else.
46:25Your impression is correct.
46:28And what is it, ma'am?
46:30Oh no.
46:32There's something else but I'm not going to tell you.
46:35Look, maybe later Teresa will tell you.
46:59Good afternoon.
47:01What are you doing? Brushing your boots?
47:03They're mine. They were a bit dirty.
47:06I see.
47:08The new boy, Marcelo, has already joined us.
47:10I gave him his uniform and he must be in the middle of work.
47:12And how do you see him?
47:13Very green.
47:14So green?
47:15The good part is that he gets up at will.
47:18That's something.
47:19Did you want something else?
47:20No.
47:25To tell the truth,
47:28I wanted something else.
47:30Well, you tell me.
47:34What's going on, Romulo?
47:35What do you mean, what's going on?
47:37I don't know what you mean.
47:38Your behavior.
47:39Lately, it's the strangest thing.
47:41My behavior is still the same.
47:43I don't know why you say that.
47:45I'm talking about your meetings with Hanna,
47:46with MarÃa Fernández, with Don Manuel,
47:48about your going out at night at many o'clock,
47:50which is probably why you're wearing dirty boots.
47:54I mean that behavior.
47:55It is clear that something is happening that you have not told me, Romulo.
47:58And so far I haven't told you anything.
48:00I was hoping it would come out of you,
48:02to trust me, but it seems that it is not the case.
48:06And I have had to lie several times for some of those meetings
48:11so that Petra would not follow the trail.
48:14But I can't keep doing this forever if you don't tell me the truth.
48:18What's going on, Romulo?
48:25What's going on?
48:30MarÃa, wait a minute, I'll help you.
48:33I don't know what these pumpkins will have that are bigger than me.
48:36And that's not difficult.
48:39You don't have to smile at me without wanting to.
48:41I know you have to be in a hurry.
48:44Well, so that Listilla knows that I smile to make myself happy.
48:47That can also be done.
48:49Well, then smile all you want.
48:52I stayed inside, Hanna, when he left.
48:56Because he didn't want us to say goodbye at the door,
48:58because he said it was going to be more painful.
49:02And I think it hurts the same.
49:05But now you have to think that he is not going to the war,
49:08nor is he going far.
49:09He is in a stone house from here.
49:11Yeah.
49:14And besides, you told me that you are going to be able to see each other often,
49:18because you are going to be able to see each other on the days off.
49:20Yeah, Hanna, but that does coincide.
49:22Our day off.
49:24Well, I'm convinced that you are going to do so that they coincide.
49:28Look at me.
49:30And when you see each other, you are going to die of desire to be together.
49:33That didn't say bad things about each other to comfort us.
49:36And because it's the truth.
49:39I hope, Hanna,
49:41that then things get complicated and nothing goes the way you want.
49:46Well, and speaking of complications,
49:48could you talk to Mr. Baeza?
49:50About Mr. Manuel and you.
49:52Well, yes.
49:53And this time it has gone much better than the previous time.
49:57Yes?
49:59Mr. Baeza has told Manuel and me that he is not going to intervene
50:02and that he wants us to be happy together.
50:04Go with Mr. Baeza.
50:06It has been difficult for him to take that step.
50:08He is a very rigorous man.
50:10But at least he has given it.
50:12And bless him.
50:13Yes, bless him.
50:15And Mr. Manuel and Mrs. Hanna will have the path cleared.
50:19And how far along is the path?
50:22Well, much more advanced than we thought.
50:26Manuel, without telling him who he was,
50:28has managed to get the new priest of the town to marry us in secret.
50:32In secret?
50:33Yes, in the hermitage, without telling anyone.
50:35Well, with the new priest, right?
50:37The same thing cleans the house for you,
50:39Well, with the new priest, right?
50:40The same thing cleans the house for you,
50:42he makes you a secret wedding.
50:45Well, although Manuel will have given him a good donation.
50:48I imagine.
50:51What's wrong with you?
50:53Well, now you will have to tell Manuel the truth, right?
50:56What truth?
50:58Well, what truth is it going to be, Hanna?
51:00You wanted to tell him before the war was over
51:03and in the end you decided that you were not going to do it
51:05so as not to complicate things for him.
51:07I told him because you told me it was not the time.
51:09Well, now it is.
51:10You have to step on the altar with a clear conscience.
51:15You have to tell Don Manuel how and why you came to the promise.
51:30I shouldn't have come back.
51:32And I never intended to come back.
51:34It doesn't seem so.
51:36If I have returned it is because Catalina came to look for me.
51:39Catalina.
51:40The parsley of all sauces, right?
51:43What other single woman
51:45shows up alone at a man's house and stays there for days,
51:48carefree about her honor and what they can say about her?
51:51I give you my word that Catalina's honor is intact.
51:55Do you think your word has any value at this point?
51:58And Catalina's honor?
52:00I don't give a damn.
52:02What bothers me is that this shameless woman
52:04still cares about the reputation of the family.
52:06I don't think that's the case.
52:08Catalina came to see me because she needed it.
52:12And this time has served for the two of us to realize
52:14that the love we have deserves another chance.
52:17The love you have?
52:19As if you had ever felt anything for her.
52:24Or have you not told her the truth yet?
52:26The truth is that I fell in love with her.
52:30And you know that.
52:31If that were true, you would have told her the other truth.
52:36Didn't she tell you that I was the one who knocked on her door
52:38to bring her to the palace?
52:40Didn't she tell you that our agreement consisted
52:42in you getting married and taking her away from here?
52:45Because, among other things,
52:46I don't think anyone in their right mind could stand her.
52:52Tell me, what will the intelligent and integrate Catalina think
52:56when she discovers that the only boyfriend she has had in her life
53:00has been the one I had to buy.
53:08What are you up to with Hanna, MarÃa Fernández and Don Manuel?
53:11Daniel, don't insist, please.
53:12Come on, man, tell me.
53:14I thought there was great mutual trust between the two of you.
53:16Yes, and I value it a lot.
53:18That's why I'm asking you to please let me keep quiet.
53:22Well, I don't understand.
53:23Maybe I could help you.
53:24At the last minute, he has decided to go out for dinner in Luján.
53:27I hope he managed to get the Count of Añil out of his cave
53:30and didn't leave alone.
53:31They went together.
53:32I'm sure your daughter and the Count have been very responsible
53:36and they went with a carabiner.
53:38From now on, in addition to his tasks as lackey
53:41and attending to Mr. Curro,
53:43he will be in charge of instructing Mr. RodrÃguez.
53:45He has just joined and it is always good
53:47that he works alongside an experienced lackey who serves as an example.
53:50You will be the godfather for him to learn this noble trade.
53:53All right, I'll show you everything you need.
53:56What does he have there?
53:59Let's see.
54:00Yes, he has a very irritated neck.
54:02It's red, like a tomato. What's wrong with him?
54:04Is it possible that the cake we took from you had nuts in it?
54:08Yes, because it was an apple strudel. Why?
54:13I was writing a letter of salvation.
54:15But he just left.
54:16Yeah, but I've missed him since the first minute he left.
54:19And I wanted to tell him.
54:21Well, it's nice that you do it.
54:23You don't leave anything inside.
54:24And you don't miss ...
54:26I'd better not bring that up, right?
54:29Yes, better.
54:32It still hurts a lot.
54:34I have something to tell you.
54:36Yes, I also have something to tell you.
54:40Hanna, you can't imagine how happy I am.
54:44Sorry, I cut you off. You had something to tell me.
54:48The marmalades of promise were a symbol of modernity,
54:51exquisiteness, good taste.
54:53Now you can't qualify that sugary, insipid paste.
54:56I had a confrontation with him about this matter.
54:59And I spoke clearly to his face.
55:01You don't usually go around with people.
55:03Well, no. I told him that I would do everything possible to recover the company.
55:06As you understand, my duty is to inform you of your visit to the lady.
55:10And I insist that there is no need.
55:13So you can receive her as she deserves.
55:16Ma'am, I'm sorry, but ...
55:19I can't allow you to access the palace through this entrance.
55:23If you accompany me to my office.
55:27Spending the whole day with Marcelo
55:31can foster a kind of trust between the two.
55:37That would be beneficial for you.
55:41And also for me.
55:46www.cdc.gov.au