Twisted Obsession | Full Movie | Fernando Trueba| Jeff Goldblum, Miranda Richardson, Anémone - video Dailymotion

TRENDEST MOVIES - ENGLISH

TWISTED OBSESSION  | Drama, Mystery, Romance | 1989 |   Plot: Dan Gillis, an American screenwriter living in Paris, recently abandoned by his wife, and getting used to his new life as a bachelor while trying to take care of his son, Danny - is commissioned to write a script for a movie called "The Dream of the Mad Monkey". The offer comes from Legrand, a successful producer with whom he has worked in the past, but on this occasion he is being asked to write an unconventional story with Malcolm, a young and unknown film director. Dan is undecided about the offer, seeing it as far from the kind of work he has grown used to, but eventually agrees to do the job despite the reticence of Marilyn, his beautiful disabled agent. As he starts to work on the script, Dan allows himself to become immersed in the closed universe of potentially incestuous relations surrounding Malcolm and his beautiful but emotionally detached young sister Jenny. Dan becomes obsessed with mysterious Jenny and they soon become lovers in a not so conventional way. In his obsession, Dan tries to find out more about her and in the process realizes that everything is not exactly what it seems and that he's been used.  Crew:  • Directed by: Fernando Trueba • Written by: Christopher Frank, Manolo Matji, Menno Meyjes, Fernando Trueba • Starring: Jeff Goldblum, Miranda Richardson, Anémone, Daniel Ceccaldi • Produced by: Andrés Vicente Gómez • Music by: Antoine Duhamel • Cinematography: José Luis Alcaine • Edited by: Carmen Frías  About TRENDEST MOVIES - ENGLISH:  Welcome to TRENDEST MOVIES - ENGLISH, your ultimate destination for an expansive collection of movies across all genres. From timeless classics to modern-day blockbusters, we bring you the best of cinema. Dive into our vast library, where you’ll find everything from thrilling action movies to heartwarming dramas, iconic comedies, and unforgettable sci-fi adventures. Stay tuned as we continue to expand our collection, offering something for every movie lover.  Subscribe now: www.youtube.com/@UCWxAZ4dzI-a4jBjRCbwLK3A    #TrendestMovies #EnglishCinema #ClassicHits   Follow Trendest Media:  • YouTube:  1) TRENDEST INFOTAINMENT: www.youtube.com/@TRENDEST_INFOTAINMENT 2) TRENDEST KIDS: www.youtube.com/@TRENDEST_KIDS  • Instagram:  TRENDEST INFOTAINMENT: https://www.instagram.com/trendestinfotainment/  • Facebook: TRENDEST INFOTAINMENT: https://www.facebook.com/TrendestInfotainment/   COPYRIGHT  We hold the proper licenses for all movies published on YouTube. For any questions, please contact: mail@trendest.in  AYA Media Private Limited & TRENDEST Media Private Limited are companies registered under the laws of India and located in the state of Kerala, India.

Transcript

00:00:00You

00:00:30You

00:01:00You

00:01:30You

00:01:51Last year they shot a movie that you're never gonna see

00:02:00Legrand

00:02:02Never should have produced it. I

00:02:05Never should have written it

00:02:09And my wife never should have left me

00:02:14But she did

00:02:31I

00:02:33Spend every weekend together

00:02:37Saturdays will go to the movies and

00:02:39Sundays, I'll take you to the zoo. Mommy. Can I go to King Kong suit?

00:02:45Danny mommy is not going to live here with you and daddy anymore. You understand? Yes, but when you buy me a King Kong suit

00:03:00Oh

00:03:31You

00:03:48You know what daddy what sweetie that's not my friend anymore no why because he's an idiot

00:03:57I

00:04:01Know no, but she's coming home on Sunday

00:04:06For

00:04:13Your cough sweetie

00:04:17How do you know don't tell me I'm too late for class

00:04:27Those are my colleagues Oh apologize for their lack of costume

00:04:43So there's a cushion

00:04:46No, no, but I mean it the place something on them. Yeah, but it was a tree cushion. Oh my gosh

00:04:56I

00:05:05Must talk to you come to my office tomorrow. Let's make it 11. You don't think

00:05:14Even the most free-thinking people must respect the all right feel that go on feel that foot

00:05:27I

00:05:37Won for the boss, he's got a cool a cold. I'm not going into a room with a man. Where's a cold don't be ridiculous

00:05:44Come in. I'm not a man. I have what you say

00:05:47Oh

00:05:55Sit down you make me nervous. Okay, okay

00:06:17Oh

00:06:23What about you raise

00:06:29You like it or not

00:06:32What's so funny it's not funny if it had been a comedy I wouldn't have called you

00:06:39Here

00:06:42Where'd you find this I bought it

00:06:45Julian you having tax problems again. You don't like it. Yeah. Yeah, it used to be my favorite line, but that's all it is

00:06:54It's a theme

00:06:56It's a theme for a very exciting movie a theme

00:07:01Since when are you interested in themes? Well, it's decided in December

00:07:06I want to shoot in December Julian Julian. Hmm. Listen, I know a place in Lausanne. Mm-hmm. It's peaceful

00:07:14Clean air great food. You'll read a lot in three months. This will all seem like a bad dream

00:07:21Dan

00:07:23You really must meet Malcolm

00:07:26Malcolm

00:07:28Director English. Oh, I hate English directors

00:07:33he's

00:07:34He's very young

00:07:37Even worse. There's nothing more horrible in a young English director. Don't tell me he's a genius went to Oxford directed a Guinness commercial

00:07:44I'm been to Oxford actually, Mr. Ellis

00:07:48Dan doesn't like it

00:07:52Dan didn't say that Dan just thinks one lines a bit thin for a movie one too thin for your novel

00:07:58kids

00:07:59You're losing me

00:08:05Take a look at the quotation in front of this book

00:08:13Where'd you find that it's not a print my sister found it

00:08:18What is it Wendy he cried again

00:08:21I'm old Peter from Peter Pan by Jim Barry

00:08:26Well, did I just buy Peter Pan? What's going on here? Don't worry. Just put one idea. You like the book

00:08:34I'm here. All right. Yeah

00:08:37Malcolm specifically asked for you say is this a crime story?

00:08:43No, no, not exactly

00:08:46He asked for you scripts done but it's the author of the book that I'm interested in

00:08:53I'm sorry, he's dead

00:08:56How

00:08:59Succumb to the law of the zeros

00:09:02I don't believe it. Yeah, I take this. Thanks. Thanks. I think I have one at home or two

00:09:10Yeah, but this one's annotated

00:09:17So if everything's all right, then you'll get on with it. I haven't said yes yet. Are you free tomorrow at 5?

00:09:27No depends

00:09:29I'm showing Malcolm showed I

00:09:31Did a short video. Yeah, it won a lot of prizes. Well, well, I'll be there. Where's the studio and wah?

00:09:40Ah

00:09:56Who's on the suit? Oh, no, there's a cop man. I'll show you. I don't phone this year

00:10:00I

00:10:06Look it's good. You can say the fair

00:10:08So you have to tell me

00:10:10We back with this issue at the tourney on America me trauma. It's true. She's a passive supporter. You know, that's a passion

00:10:18Don't you would you know?

00:10:22That naughty down

00:10:24Am I a wrapping item? No, no, no, Claude was just going his sessions over

00:10:29It was it's it it isn't due to know each other's is Claude the song damaged it is so good a good

00:10:36Jury not to be put on a me

00:10:41With the man, goodbye. Goodbye. Nice to meet you

00:10:51He's in love we're done

00:10:59Oh

00:11:00Go ahead. I'm all ears

00:11:03Can I ask you a question? Mm-hmm. What's why you always wear high heels?

00:11:08Well, I hope you didn't come here just to say that to me only that I had to know

00:11:13Well

00:11:14I've heard so much about how difficult it is to walk in them that I'm

00:11:18Reeking my revenge on all those women who can walk around on their own two feet

00:11:22Okay

00:11:24You're my heroine

00:11:28So do you want to talk about personal things first or business everything's personal everything's business

00:11:37Marianne business

00:11:39You know, we talked what she called

00:11:46Why to talk about you

00:11:51How exciting

00:11:55Do you want her back

00:11:59I

00:12:01Will this affect your work

00:12:05Certainly, I

00:12:07Don't think you should do this little ground project. Oh

00:12:10You're gone

00:12:12Right before lunch

00:12:14and

00:12:16Well said I wouldn't talk to him until I talk to you. Well, I

00:12:19Think he snapped. He wants to do an art film. Yeah

00:12:23Sounds like a midlife crisis. Yeah, he's got a director some English wunderkind named green Malcolm green. Maybe you can check him out

00:12:31Well, we'll see if the ground serious first

00:12:33How about if I ask for double your normal fee?

00:12:37Now you're thinking I need the Commission

00:12:43Hmm

00:12:45How's your love life?

00:12:47Same old thing, you know

00:12:49Every night I hop on my broomstick and I fly through the bedroom window of some beautiful young man

00:12:56And I have my evil way with him

00:12:58Hey, I never said you were a witch Danny did

00:13:02Same thing

00:13:10I sleep with my window open

00:13:19I

00:13:49I

00:14:19I

00:14:35Don't know what it means and I don't care and this is art. Hmm

00:14:41Say it makes me think of Kubrick and

00:14:46Benuel some she and a loop

00:14:49You see really I was aiming for something like Disney

00:14:53What you know Walt Mickey grumpy Dumbo

00:15:01Okay, okay fellas, uh, I

00:15:06Go because I'm sure you'll have important things to talk about

00:15:10And me, I'm just the writer miss you agree. Give Marilyn a call fantastic. The fantastic thing will be my feet. Give her a call

00:15:16Are you going away? Oh

00:15:19Jesus don't tell me you're one of these directors that doesn't drive

00:15:24Hey, who was that girl in the short my sister Oh the reader, hmm

00:15:31Yeah, and LeGrand have you known him for a while three months we met in cans

00:15:41Listen Malcolm, let's get something straight from the start. I don't like directors

00:15:45Well, neither do I that's why we chose you we knew you'd say your own course

00:15:50Always refer yourself as we Malcolm are you the dope fan?

00:16:15I

00:16:30Until tomorrow, okay about three, huh?

00:16:32Hmm

00:16:42He lived in an oldish building that looked kind of collapsible

00:17:02Oh

00:17:10Did you have a bad dream you got your daddy here, okay

00:17:14I think you're still asleep

00:17:16Okay. Okay. You got your daddy here, sweetie. I think you're having a bad dream

00:17:20Huh

00:17:31Chump of these wheat superplay

00:17:38Hi, oh, sorry Marianne Danny's asking for you

00:17:42No, just that what you want me to do Marianne, I mean

00:17:47Mommy are you coming? Are you coming? I want you to

00:17:54Marianne hello

00:18:16Oh

00:18:47Do you think I'm gonna kill it if I want to do that you got a call

00:19:01Because you're a nice interview

00:19:16Oh

00:19:21This is the big boys house now you said it pal

00:19:27Oh

00:19:43Hey, hey, you're sure not sleeping today. You don't wanna you don't want a vacation. No, no, really

00:19:53Bye bye

00:19:57I

00:20:05Don't want to know if you're there but come round or call me I'm willing to do a deal but only with you

00:20:11I don't want anything more to do with that agent of yours ever again

00:20:18Hello Dan Daniel

00:20:21Oh

00:20:24Well, I'll call back it was about the ground he's flipped he practically asked us to put up money to co-produce this film I

00:20:32Won't tell you what I said because Danny might hear

00:20:34Bye for now

00:20:38This is Malcolm green

00:20:41I think your agent and my producer aren't exactly seeing eye to eye

00:20:45Don't worry. I'll sort it out. We'll see each other at three in my place. Okay

00:20:51I

00:20:56If he calls again, I'm out don't put it through till tomorrow morning

00:21:00Late don't give me a chance to speak Catherine. No. No, the thing to do is to say she's been kidnapped and nobody wants to

00:21:06pay the ransom

00:21:08What would happen

00:21:20So, what's the problem oh

00:21:23You didn't get that message. What? No, no

00:21:26There's no problem

00:21:28What do you mean the ground called back?

00:21:34We have an unconditional surrender

00:21:36The man's cave he's agreed to everything he doesn't even want to discuss it anymore. He's crazy, isn't he?

00:21:45No, I said sort out did

00:21:48who

00:21:49green I

00:21:51Have some information on him. He's done a couple of rock videos in London apart from famous short. Oh, which I saw yesterday

00:22:00Did you like it hmm not bad for short

00:22:03Don't don't do this film

00:22:07What

00:22:09Listen, I've had people on the phone this morning from Delon's office. They want you to adapt another novel

00:22:14Yeah, but why shouldn't we do this?

00:22:18Wonder now I just have a bad feeling about

00:22:21What now we're gonna turn down a project. He's got a bad feeling about it

00:22:34You

00:22:52The mad monkey

00:22:54Came down from the tree and became the hunter same monkey stayed in the branches, you know eaten bananas

00:23:01Mm-hmm

00:23:05Well, that's it

00:23:07That's all you got what more do we need

00:23:11Well a few pages of

00:23:14coherent thought

00:23:16treatment

00:23:17You know a script isn't too. Yeah, but it's not a James Bond movie. I love James Bond movies. Dr

00:23:23No from Russia with love Goldfinger. Those are great

00:23:26Movies. Yeah. Well, I've never seen them. I suppose you haven't

00:23:30Okay

00:23:33Malcolm

00:23:35listen

00:23:37You know, you very dramatically presented me with a line from Peter Pan

00:23:41Which for me refers to the tragedy of growing up, right? Yeah

00:23:46So maybe we can come up with a theme

00:23:50For the mad monkey a theme for the movie. Yeah, but it's not a question of thing

00:23:56Moves like a dream

00:24:01Oh, that's that's why I listen it the dream of the mad monkey

00:24:09Mm-hmm

00:24:15Do you mind if I make a call no

00:24:18kind of private

00:24:20There's another phone down there to the right just past the kitchen through the iron gates

00:24:30I

00:25:00Disturbed

00:25:04Hi, it's Danny boy. Listen, I'm here with Norman Bates

00:25:11It's a loony bin it's a loony bin

00:25:15Get me out of this deal return the money call a grand

00:25:18I'm going home now. Oh, oh and call the lines office. Tell him I'll do the novel

00:25:24I haven't read it yet, but I'll do it

00:25:31I

00:25:51Don't get us my sister Jenny. Do you have a light you're not smart

00:26:00I

00:26:10So it's your fault I'm here I told him it was you found the book

00:26:17Yeah, I'm Portobello, right

00:26:20And well, I take it everywhere I think you're very clever

00:26:27It's very flattering

00:26:29Is it

00:26:32What do you live here I live with my brother

00:26:38I'm all the family he's got. He's all mine

00:26:48What well

00:27:00Nobody else not even in England

00:27:05We grew up with children's home together in London now, I got my first job she came with me that's all there was to say

00:27:11I

00:27:33Didn't know you were here

00:27:35I

00:27:39Don't know I'm so confused

00:27:47Do you know why I really come no you're going to hit me

00:27:58I want to fuck you

00:28:05Why this honor

00:28:13Don't you want you say first

00:28:18But you already know

00:28:22How if I can't wait

00:28:35I

00:29:05I

00:29:24You're calling four double three one of seven one seven and you miss me

00:29:29But I'll call you back if you leave a message after the tone coming up now

00:29:33Marilyn hi

00:29:37It's Dan, I'm sorry to call you so late

00:29:41Listen it's important. Don't don't call LeGrand. I

00:29:45Changed my mind. I I think I

00:29:51Think I found a way to make the Malcolm Green story work

00:29:57Okay, hmm talk to you later

00:30:02I

00:30:24So for the next several days I went over to Malcolm Green's place

00:30:29You know every every afternoon no matter how bright and sunny it had been

00:30:36It was deluge with rain

00:30:39Like it was building up for the flood

00:30:43So that's how I see the opening of the

00:30:46Movie there's a boy, and he's on top of this skyscraper, and he's about to jump

00:30:50Mm-hmm the city's at his feet, and he knows he's about to die yeah

00:30:54But who's the boy?

00:30:57One of

00:30:59Peter Pan's lost boys

00:31:02Yeah, yeah, yeah, I like that yeah, cuz you're an egomaniac. How does it end?

00:31:12He jumps jumps and the story is one big flashback, so he kills himself

00:31:20Yeah, he does and actually I don't see that I just seen jumping

00:31:26Oh, that's good just ends with him flying through the air yeah

00:31:56Oh

00:32:19Jenny

00:32:22Ah

00:32:24So we haven't got much really

00:32:26We always talk about we got the opening we've got the ending. I've got the title. Yeah. Yeah sure we do talk

00:32:34please

00:32:37Okay, so after a few more sessions like that

00:32:41We went over to Legrand's Villa

00:32:45To tell him the story of the movie he was going to produce

00:32:47Are you and the anguish mounts okay the impact seems inevitable?

00:32:52Yeah, it is

00:32:55When he reaches the ground the little angel opened his eyes and

00:33:00And wakes up

00:33:02It's all been a nightmare

00:33:04Now the audience can relax and leave the cinema happy because nothing like that ever happened to their children

00:33:12That boy is the sacred law of cinema well, maybe but that doesn't interest me

00:33:18I doesn't interest you the public

00:33:21That's your concern not mine

00:33:23The public is your problem, too. You know what kind of film. I want to make

00:33:28All you have to do is say whether you're interested or not, but don't ever tell me what I've got to do

00:33:35Do you want to produce this film yes or no?

00:33:40Well then say it

00:33:43Yes, all right, then there's no more that needs to be said

00:33:49Listen medical. I'm like a girl if you want to fuck me be nice

00:33:59I'm going to the loop down down there

00:34:13Did you see that

00:34:15Yeah, yeah, but why?

00:34:17Why you let yourself be pushed around by a complete beginner?

00:34:21strategy down

00:34:23with this boys

00:34:26You have to build up the ego give them their wings to see they can do anything

00:34:32You don't want to help

00:34:36Then you've got to help me I need a script I can take to the bank

00:34:42Julian I you should have taken my advice about the clinic in Lausanne

00:34:50After that meeting I hold up in my apartment for a couple of weeks

00:35:12Oh

00:35:27You write for a little bit

00:35:43I

00:35:44Didn't look at my watch. I just worked and slept work slept

00:35:48And one day I had a dream

00:35:51Legrand didn't want to produce the movie. He'd left his wife

00:35:56And he just got remarried to two women

00:36:02Malcolm and Jenny went back to London and they got married to each other

00:36:10And they adopted a child

00:36:14Me I wasn't in the dream. Maybe I just didn't exist

00:36:33One day I went over to Malcolm Green's

00:36:37Thinking to leave his house with the final draft of the script

00:36:41But he wanted me to rewrite the whole thing

00:36:45start to finish

00:36:48Three page things, you know, just don't run

00:37:06I

00:37:09You

00:37:19Hey

00:37:33You can't do this no

00:37:36No

00:37:38Because it's you're gilding the lily is why

00:37:42What does that mean it means you're being self-indulgent well, I'm the director

00:37:50Well

00:37:53Direct on the set

00:38:06I

00:38:16Wanted I've been there coffee. Yeah

00:38:36I'm off before your brother appears and we get even further

00:38:45Sometimes my brother expressed himself rather badly

00:38:52Well, I think we may have reached a genuine impasse

00:39:06You know, he really respects you it's got a funny way of showing it

00:39:21Freshen up

00:39:36I

00:40:00Do you want some more coffee I'm throwing you a new car

00:40:06I

00:40:36I

00:40:45Your hands cold

00:40:59Listen maybe I will just

00:41:02Hit the road

00:41:07Don't be afraid of me

00:41:09Don't be afraid of me

00:41:31Every good boy deserves a favor

00:41:39I

00:42:10You

00:42:23Naturally I finished the script the way Malcolm wanted how could I not I was outnumbered

00:42:39That's right

00:43:09I

00:43:39Believe you are better be good-looking

00:43:47Well

00:43:50I woke you up. Oh, I'm really sorry. Are you here as a friend or as a client friend friend, of course?

00:43:57Come in. No. No, I should I should I should go. This is too stupid. Look at this 5 a.m

00:44:04No, no, no, no go back to sleep and tomorrow. It'll all seem like a dream. You'll call me up say Dan

00:44:09Were you at my house at 5 a.m? I'll say no Daniel. Will you come in? I'm getting pneumonia. Okay, okay

00:44:15I could cook you breakfast

00:44:23No, I'm telling you it's the most important meal of the day

00:44:28Hysterical and I am I'm like over revved

00:44:31Something I'm sorry, you're on valium. Do you ever?

00:44:34Delivering, you know, the French consume more tranquilizers than any other nation

00:44:38And England you have to have got an American job, oh

00:44:43Gee

00:44:46You look lovely without makeup

00:44:50One day we're gonna have a little chat about this boyish charm of yours. Oh, no, really

00:44:56It's like that

00:44:59But hair over your eye like that

00:45:02Get those bedroom eyes together. We're at a bedroom

00:45:11Let's get you back to sleep

00:45:16Guys I just want to make sure for a little bit

00:45:23I'll be good

00:45:25Don't worry about that

00:45:29There's a lot to be good

00:45:32You tell me okay, I'm real easy about these things

00:45:36Yes

00:45:37I'll take your boots off

00:45:40But it'd be awkward

00:45:43You've done too much already

00:45:47No, did you do something you shouldn't

00:45:51Script

00:45:55You

00:46:06It's me it's it's 4 in the morning. Can you find me at the hotel? I'm depressed

00:46:19I felt like I

00:46:22I missed an important appointment

00:46:27And

00:46:29Wouldn't never have such an opportunity again

00:46:33How do I raise the money for it just tell me that I don't know like always I guess with this great a

00:46:40novice director and no stars

00:46:43You're completely mad find a star star. There is no role for a star in the scrap. Hey

00:46:51Get marrying Duran

00:46:53I'll bet you'd be delighted and go for something

00:46:56Quirky like this, you know deep down. She's a kind of offbeat deep down. No doubt and

00:47:03We know somebody who could convince her you'd do that for me me no, no, no, no for Le Duran

00:47:09I'm like a coach you are three seasons ago. No, no

00:47:14You should get Malcolm he convinced you it should have been much harder

00:47:21I

00:47:25Okay, okay

00:47:31I'll be my Malcolm Green

00:47:35I'm going to call Malcolm

00:47:38But to tell him to go to hell

00:47:40I'm sick to death of this film

00:47:43This time I'm serious. I've said it's over and I mean it

00:47:48I

00:47:50Don't

00:47:53Yes, I've read

00:47:58Honestly, I just can't set up a film like this

00:48:04No, it's impossible I can't

00:48:18I

00:48:31Was about to drive away when without knowing why I just switched the engine off and

00:48:40Waited

00:48:47I

00:49:18Oh

00:49:31Don't do that don't do that honey. Did you you can't play with you can't play with daddy's razor, sweetheart

00:49:36Okay, I know I know don't do that. Promise me. You won't play with daddy's razor. Okay, okay

00:49:47I

00:50:17I

00:50:39Talked to the grand he told me about your idea for Mary Duran

00:50:44Yeah

00:50:46Well, you know blood around

00:50:50Yes, I do

00:50:53Well from what I hear, you know very well

00:50:57Anyway, what do you see? Yeah, the ground wouldn't dare suggest it to her and

00:51:03Well, I don't know us so Oh Marianne Duran is with art media I know who her agent is

00:51:10You know

00:51:11We both know that sending of this script just on its own nothing else there isn't a chance

00:51:19None at all, you know, what we really need is someone to talk to her something to convince

00:51:25Well, I'll give you her telephone number

00:51:27Don't be a fool. I want you to speak to her. Don't I?

00:51:38So you won't help me

00:51:42You

00:51:50Yeah, I understand

00:51:55Hey, it's LeGrand giving you a contract yet. No, not yet. What do you ask?

00:52:08Jenny to ship a contract

00:52:11I

00:52:26Had spread the net I

00:52:29Took a shower I made some coffee and I waited

00:52:35She showed up in less than an hour

00:52:41I

00:53:11I

00:53:16Know Jenny, I've been expecting you

00:53:24Really yes. Yes. Don't you always turn up when your brother has a problem?

00:53:28I

00:53:38Have to talk just want to talk you were with Malcolm when he met LeGrand, right? Yes

00:53:48So you're the lure

00:53:50I

00:53:54Always cost myself

00:53:57so you went went to bed with him right away or

00:54:01Did you even like

00:54:03Pretend to get to know him at first. I

00:54:07Guess not make him coffee or is it just you know, I'm a whore. Hello. I'm Jenny the whore

00:54:12I

00:54:18Don't go to bed with him

00:54:25I don't go to bed with him because he doesn't want to I suck him

00:54:35So he wants

00:54:37After he comes in my mouth, he tells me the film will never be made

00:54:40But Malcolm's a Cretin and I'm an idiot

00:54:43Then it's all over a

00:54:45Few days go by and he calls again away we go

00:54:50And you think I want what he wants. Is that why you're here?

00:55:02That's what you want

00:55:04You don't you know what I want

00:55:34I

00:56:04I

00:56:34I

00:56:39Can't sleep

00:56:51Are you frightened

00:56:53I

00:57:02Want a glass of milk

00:57:11Let me tell you story

00:57:16Daddy

00:57:20Daddy

00:57:23I

00:57:46Read your script

00:57:49The girl sent it to me along with a check for the rest of the money he owes you he's furious. What do you think?

00:57:57It's beautiful

00:57:59Really?

00:58:01It's childlike

00:58:03Sad useless and beautiful useless. What's that mean? Is that a compliment in my book it is

00:58:11I'll give you a kiss you may

00:58:19I know you shouldn't have done that. That's bad luck

00:58:34How's Danny

00:58:37She still talk about me as if I were the wicked witch of the West

00:58:42He talks less and less every day take it over

00:58:45If

00:58:47You had a son

00:58:50Would you feel guilty if I were you? Yes

00:58:53Children shouldn't have children. No, I'm being serious

00:58:57What do you want me to say to you?

00:59:00Give me a child and I'll tell you

00:59:05Can you have children

00:59:08Imagine that I can

00:59:15Oh

00:59:45Oh

01:00:16Oh

01:00:17So tell me

01:00:19Are you guys really gonna shoot that porno movie? You sent me?

01:00:23Oh, you're just jacking me off because you know, I have another movie in Italy that I adore. Oh

01:00:29well, huh, I

01:00:31Thought you liked porno movies

01:00:34No, no, it's uh, we're shooting in six weeks and I

01:00:40Wrote it with you in mind. You can't let me down

01:00:43Mmm, that's so sweet. Oh, it's true. But the director is he gay?

01:00:50No, no

01:00:52So no, he's straight and

01:00:54young

01:00:56Very good-looking. Mm-hmm. And you know, he feels just like I do that. There'd be no point in making the movie without you. No, please

01:01:05You're such a liar I just spent the afternoon Marion Duran's

01:01:10Trailer now you've got to talk to her. The thing depends on her decision. I can't go you don't wanna make the movie, huh?

01:01:19Jenny's been home for three days. You know, she could telephone tonight or come home. Oh, Jenny's a big girl now, right?

01:01:27Never let her down

01:01:29How's she gonna feel if the movie falls through and it's her fault

01:01:32three days

01:01:35Okay, okay. Hey, hey listen, I'll stay here I'll wait here. Okay. Come on. It's time to go

01:01:43Okay, well I should change then I mean do I smell

01:01:55Let her decide then calls or comes back. I'll beat her. Yeah. Yeah, really

01:02:04I

01:02:34You

01:03:04I

01:03:34Oh

01:04:05No, sir

01:04:11Just perks and progress

01:04:14John's about

01:04:16Come on, I should get the visual the water. It's a good show

01:04:21It's a new

01:04:25Hey, let's have a good

01:04:34Oh

01:04:46Yeah

01:04:55There is for the wicked

01:04:57Oh

01:05:02What are you doing here could be because I'm feeling remorse

01:05:08He's pretending who Donnie he's pretending to be asleep

01:05:19Because I'm here

01:05:25You gotta call your brother

01:05:28I

01:05:34Malcolm's been looking for you for three days

01:05:40What's been doing I'm sorry dad

01:05:47What

01:05:50We can do things any other way

01:05:53We who

01:05:56Malcolm and I tomorrow of the Scout locations

01:06:02Come say goodbye

01:06:06You're always going away

01:06:13You all right, baby look old

01:06:25You

01:06:38We stayed like that for a little while and then she left

01:06:55You

01:07:25A

01:07:40Few weeks had gone by

01:07:43the shoot had begun

01:07:47Nobody needed me

01:07:50And I felt

01:07:52useless

01:07:54As usual except this time more useless than ever

01:08:08Hello

01:08:24You

01:08:28Excuse me, I'm sorry. Is she wearing on the film who?

01:08:35Jenny green, yeah, I think so, but nobody knows exactly what she does

01:08:46How long you gonna be away then the boy won't be coming back here what

01:08:51He's coming to live with me why he asked me

01:08:59Today no, no two weeks ago

01:09:04He had wanted to call me

01:09:07What about football practice Danny

01:09:21Oh

01:09:42No, no mercy

01:09:51I

01:10:08Will wait

01:10:21I

01:10:51I

01:11:21I

01:11:51I

01:12:21I

01:12:51I

01:13:01Think it's going really well, isn't it? It is

01:13:06Never seen my brother sir, and you are you happy? He's completely different

01:13:11You know, everybody says Jenny Jenny

01:13:14There's some things that I think we should talk about you want to suck me

01:13:21Catch me

01:13:51You

01:14:21You

01:14:51You

01:15:21You

01:15:52You

01:15:56How are you feeling

01:16:00What do you think I feel let's stop the film

01:16:04They pulled the plug

01:16:07Where's Jenny

01:16:09She's just disappeared. No one knows where I

01:16:14Want to see her

01:16:19She's talking

01:16:21It's a little late for that, isn't it?

01:16:24This isn't the first time she slipped away

01:16:40Isn't the first time she slipped away

01:16:44Yeah, I know

01:16:51I

01:16:57Good morning, you slept a lot. We've given you sedative. You're gonna be all right

01:17:03I

01:17:18Can stop the film where's Jenny who was the last person to see her the grand the idiot knows nothing

01:17:25The only thing isn't a load of crap is the script

01:17:28Done a fine job. You should publish it. Have you informed the police?

01:17:31Yes

01:17:33Nothing friend all the hospitals nothing

01:17:39Jenny

01:17:41Artie yeah, I did find you. I was wondering if you'd seen Jenny. I thought she may have got a plane and flown down

01:17:49Yeah, of course, oh no, I'll let you know soon as I know anything yeah, okay. Thanks

01:17:58She's nowhere just disappeared

01:18:02I'll be back straightaway

01:18:32I

01:18:54Did you get her into this tell the truth

01:19:02Tell the truth

01:19:05She began she began

01:19:16I didn't want to lose her

01:19:24Your sister always part of the deal

01:19:28Jenny does what she wants

01:19:31You're pimping your sister for a movie

01:19:38And I'm telling you that she's in charge

01:20:00I

01:20:30I

01:20:54Don't know where she is how long have you known

01:21:01I'm gonna

01:21:08Since you lived in London. Yes. Well, let me take a stab at the story

01:21:24There was once a beautiful witch named Marilyn who lived in London

01:21:31One day she discovered her own little Tinkerbell and Peter Pan

01:21:37And together they did many

01:21:40Strange and dangerous

01:21:44things

01:21:46The witch ran away to Paris

01:21:49now it seems Peter wanted to make a picture about a

01:21:53monkey and

01:21:56Powder that makes you dream and

01:21:58The secret games, but he needed somebody to put it all down cuz Peter Pan couldn't write so he and Tink

01:22:07Found the beautiful witch again

01:22:11In Paris who said

01:22:14well, I

01:22:16Have a little friend named Danny. It was Jenny show. Let me finish

01:22:22Yeah, you said I think he's your guy

01:22:26He's a real lost boy and he has a friend named LeGrand and

01:22:31Who's got a lot of money and they both?

01:22:34love

01:22:35little girl

01:22:39You sound ridiculous

01:22:42Jesus Jesus, I guess you guys played me like a violin. Well, you were only too happy to be played

01:22:49Oh

01:22:55Well, you should take her to see a doctor boy you do what you want, I don't care. Mm-hmm

01:23:02You don't care what happens to her. No, I don't care

01:23:06Because

01:23:08She's 16 and I'm 30

01:23:12What

01:23:15Because you're in love with her and not with me

01:23:20How do you know I'm in love with

01:23:33You should have put your arms around

01:23:49Oh

01:24:19Come with me

01:24:29What are you doing here what you want

01:24:31Where is she? Is that where you come?

01:24:35What do you want me to say?

01:24:37She's a crazy girl

01:24:46I dropped her in a ditch

01:24:50You did what

01:24:54She wanted to get the movie back on track she came to my house in the country

01:25:02She disappeared into the bathroom

01:25:05After a while I went in to check on her

01:25:10But she was dead

01:25:13Where'd you take I left her in a ditch?

01:25:16I there was then I went back

01:25:23But the body was already gone I

01:25:30Collapsed on the bed, but I dreamed about Jenny

01:25:41One day two surprises arrived in the mail

01:25:47Some work for the BBC

01:25:50Polishing dialogue for an Anglo-French production and a postcard

01:25:57from

01:25:59Somewhere in England

01:26:01Dear Dan, my parents are real happy to see me and well

01:26:07Should have put my arms around you

01:26:16Oh

01:26:33Hi

01:26:35Do you remember me? Mr. Gillis?

01:26:37No, I don't I attended you at the hospital. Oh, yes

01:26:42Yeah, of course

01:26:44My name is Arianne. Yeah, do you mind if I sit with you? Oh

01:26:54I hate eating alone

01:26:59Thank you

01:27:03Like dead bodies

01:27:05Corpses there might have been because she was working in a hospital

01:27:09Street probably it was just fate

01:27:12Whichever I

01:27:14Asked her where bodies found in the street ended up if there's no way of identifying them or nobody claims them

01:27:29But a strange question, oh, I know I need to know for a script that I'm writing

01:27:36I see it was then that she told me about a place

01:27:41I hadn't heard about a

01:27:43Building in the Place Cambron. It's somewhere in Place Cambron

01:27:49There are lots of tales told about that place

01:27:52The medical students do their practicals on the bodies that are not claimed

01:27:58the corpses are treated to keep them from decomposing and

01:28:03Then put in the tub

01:28:06But where?

01:28:07down in the cellars of the building

01:28:09There is a vast glass pool so they say and it's filled with fennic acid

01:29:10Yeah

01:29:20So just you wanna go okay, then let's go

01:29:39I

01:30:09I

01:30:39I

01:31:09Hey

01:31:39I don't know, come on.

01:31:41That's what the young lady wants to see.

01:31:44Excuse me, I can't...

01:31:47I can't... I'm afraid they'll catch cold.

01:31:49It's not over yet.

01:31:52You have to come here, it's the Nuremberg Palace.

01:31:55The father of Hitler.

01:32:01I hope at least you brought your jerseys.

01:32:05Hurry up.

01:32:06Be careful, the stairs are dangerous.

01:32:09Come on.

01:32:24Paul,

01:32:26I warn you, if you don't stop before me, I'll blow your head off.

01:32:39Come on, let's go.

01:32:46Come on, let's go.

01:32:48Come on, let's go.

01:32:56Come on, let's go.

01:33:00Shit, it's not true, what's going on?

01:33:04Two seconds.

01:33:07You can even say three.

01:33:09What are you doing?

01:33:39Come on, let's go.

01:33:44Come on, little one.

01:33:46Come on, little one.

01:33:48You'll be late for school again.

01:33:49Come on, don't make me pray.

01:34:04I want to get out of here.

01:34:09I want to get out of here.

01:34:16For you, I have something new, something sublime.

01:34:19Do you like it?

01:34:21Come on, follow me.

01:34:22Follow me.

01:34:26Come on, hurry up.

01:34:27Come on, let's go.

01:34:37To have this, you have to have balls.

01:34:39I'm telling you.

01:34:57Come on, let's go.

01:35:27Come on, let's go.

01:35:57Come on, let's go.

01:36:28Who was it?

01:36:31Mom and I, and you.

01:36:34Were you looking for her?

01:36:40What about you?

01:36:42You were looking for somebody?

01:36:46I don't know.

01:36:48I don't know.

01:36:50I don't know.

01:36:52I don't know.

01:36:54I don't know.

01:36:55I don't know.

01:37:25I married Jenny a few days before Christmas.

01:37:30Nobody showed up.

01:37:33But...

01:37:35Then she was a tough kid...

01:37:38Who would have expected nothing less.

01:37:56Sir, a lady is waiting for you downstairs.

01:37:59A lady? Tell her to come up.

01:38:01She can't.

01:38:25I'm sorry.

01:38:27I'm sorry.

01:38:56Um...

01:38:58You couldn't carry me to the bathroom, could you?

01:39:01I simply must have a pee.

01:39:25Come on.

01:39:49Mom.

01:39:55Mom.

01:40:11You're not a witch.

01:40:15You're a siren.

01:40:21All you need is a seat.

01:40:25Come on.

01:40:55Come on.

01:41:25Come on.

01:41:55Mom.

01:41:56Mom.

01:41:57Mom.

01:41:58Mom.

01:41:59Mom.

01:42:00Mom.

01:42:01Mom.

01:42:02Mom.

01:42:03Mom.

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Twisted Obsession | Full Movie | Fernando Trueba| Jeff Goldblum, Miranda Richardson, Anémone

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