The Swap | Full Movie | Jordan Leondopoulos | Robert De Niro, Jarred Mickey, Jennifer Warren - video Dailymotion

TRENDEST MOVIES - ENGLISH

THE SWAP  | Drama | 1969 |   Plot: A film editor spends a weekend in Long Island with his friends Andrew and Erica Moore, a wealthy couple. Later, a young woman named Carol enters their lives and proceeds to disrupt everyone.  Crew:  • Directed by: Jordan Leondopoulos  • Written by: Jordan Leondopoulos  • Starring: Robert De Niro, Jarred Mickey, Jennifer Warren, Terrayne Crawford, Martin J. Kelley • Produced by: Christopher C. Dewey • Music by: Gershon Kingsley • Cinematography: Álex Phillips Jr. • Edited by: Arline Garson  About TRENDEST MOVIES - ENGLISH:  Welcome to TRENDEST MOVIES - ENGLISH, your ultimate destination for an expansive collection of movies across all genres. From timeless classics to modern-day blockbusters, we bring you the best of cinema. Dive into our vast library, where you’ll find everything from thrilling action movies to heartwarming dramas, iconic comedies, and unforgettable sci-fi adventures. Stay tuned as we continue to expand our collection, offering something for every movie lover.  Subscribe now: @TRENDEST_MOVIES_ENGLISH   #TrendestMovies #EnglishCinema #ClassicHits   Follow Trendest Media:  • YouTube:  1) TRENDEST INFOTAINMENT: www.youtube.com/@TRENDEST_INFOTAINMENT 2) TRENDEST KIDS: www.youtube.com/@TRENDEST_KIDS  • Instagram:  TRENDEST INFOTAINMENT: https://www.instagram.com/trendestinfotainment/  • Facebook: TRENDEST INFOTAINMENT: https://www.facebook.com/TrendestInfotainment/   COPYRIGHT  We hold the proper licenses for all movies published on YouTube. For any questions, please contact: mail@trendest.in  AYA Media Private Limited is a company registered under the laws of India and located in the state of Kerala, India.

Transcript

00:00:00You

00:00:30You

00:01:00You

00:01:30You

00:02:00You

00:02:30You

00:03:00You

00:03:30You

00:04:00You

00:04:18Easy Kennedy Motors

00:04:25What do you say

00:04:28All right, I guess

00:04:34Chief I

00:04:38Kind of got

00:04:41Seven hours to go

00:04:44But what do you mean I wanted a job in film, right

00:04:50So, how's Erica

00:04:53Beautiful what time

00:05:00Would you make it noon

00:05:07All right

00:05:12Yeah, I'll try

00:05:17See

00:05:22You

00:05:52You

00:06:22You

00:06:52You

00:07:03How long Vito

00:07:06An hour and 37 seconds counting down real short timer

00:07:15I'm so short. This is gonna be my last cigarette in this joint

00:07:22Oh

00:07:52Seven three nine five eight two

00:08:23$8

00:08:36Sort of identification cards

00:08:52You

00:09:22You

00:09:34No, you Vito Vito

00:09:42You pick up the clothes I asked you to get yeah, everything's at the house my mother's got a feast for you

00:09:46We got pasta scone. Gee, I think I want to make a stop

00:09:49Yeah, where to I want to go to a cemetery to see to my mother my brother sure Vito my day is yours

00:10:20You

00:10:40Yeah, there they are Vito first two under the tree

00:10:50You

00:11:06Sorry mama, I know I promised to take care of him

00:11:13That must have been a great pain to you

00:11:15I

00:11:25Stand here, but I don't believe it 25 years old

00:11:31Some 30 fastest knocks your life up

00:11:36It's where do you my brother that's what I got

00:11:39I

00:11:44Find out a bit of Sam. Yeah, I'll kill him with my own hand

00:11:48You

00:12:06Hey pop

00:12:09The Nicoletti graves over there you take care of them

00:12:13Nicoletti

00:12:14Yes, they had nice funerals

00:12:17Simple but nice

00:12:20My brother's got some flowers on his grave

00:12:23You know put him there some woman. She comes every week

00:12:27You know she is

00:12:29No, but just like clockwork. She comes every Thursday morning for years

00:12:35she's pretty young and a

00:12:37little gaudy

00:12:41Look I'd appreciate if you didn't say anything to anybody about this

00:12:47Memory is not kind to old men

00:12:52Good day

00:12:58You're finished now Vito, let's go home and eat we got to make another stop his father test is still around

00:13:04Yeah at the old church. We'll go there first

00:13:16You

00:13:46You

00:13:51Still looking for all the boys father Vito my boy

00:14:01You look good, yeah

00:14:07You know, I knew you were coming out today

00:14:11You're wonderful. You got too much Blarney for an Italian father

00:14:15The old neighborhood it's changed most of the old gang is gone

00:14:24Your mother I

00:14:26Never did. Thank you for taking care of the funeral and her last words were about

00:14:31You and your brother Sammy

00:14:35The old house it's gone too. There was no one else left. I mean you were gone and

00:14:45Your brother

00:14:55It's almost a thousand dollars it's all I could get for selling what was in your mother's apartment

00:15:03It's yours

00:15:05This was Sammy's

00:15:13A man's whole life in a cardboard box

00:15:17I

00:15:19Know you can't forget what happened to him. You know, some things are better forgotten

00:15:23I owe it to my brother not to forget not till I get some answers

00:15:28I

00:15:31Papa's last gift to Sammy

00:15:34He must have been three years old this is his favorite toy

00:15:42He used to sit in that chair and shake it all night making such a racket

00:15:50I

00:15:53Don't know what to do with my life

00:15:55Sit in that chair and shake it all night making such a racket

00:16:01They were beautiful together Mama and Sammy just beautiful I

00:16:09Was supposed to look out for him

00:16:12Sammy died for you

00:16:15It's best to leave the dead buried. You don't understand father. It's not for me for mama. I let her down

00:16:22So what will you do if you find the murderer?

00:16:26Will you kill him?

00:16:31Do you realize that in doing so that you're going to condemn your soul to everlasting hell?

00:16:39I pray to God that you fail yourself.

00:16:43I pray to God there is a God.

00:16:52I pray to God there is a God.

00:17:22Yes.

00:17:39Yes.

00:17:40Are you Erica Moore?

00:17:42I am.

00:17:43Please excuse me. My name is Vito Nicoletti. My brother was Sammy Nicoletti.

00:17:48I believe that you knew him.

00:17:49Yes, I did.

00:17:50I was wondering if you could spare me a few moments of your time.

00:17:54Well, I don't know.

00:17:56Look, I waited ten years to talk to you.

00:18:00Please, sit down.

00:18:04Now, what can I do for you?

00:18:07Well, I really don't know how to begin.

00:18:10You see, when Sammy was killed I was in prison.

00:18:13I just got out this morning and I just wanted to get around to see some of his old friends.

00:18:18I think I understand.

00:18:20You'd like to get closer to the memory of your brother through his friends, is that it?

00:18:23Yeah, yeah. That's it exactly.

00:18:26You got a nice way of putting things.

00:18:28It's my job. I work in publishing.

00:18:31That's what this office is for.

00:18:33That's very interesting.

00:18:35Anyway, Mrs. Moore, the last letter I got from my brother, he said he was going up to your house for the weekend.

00:18:41Three days later he was killed.

00:18:42And since you were one of the last people to see him alive, I was hoping that for personal reasons, you know,

00:18:48if you could tell me something about his last few days.

00:18:53People like Sammy.

00:18:55He was very personable and intelligent.

00:19:04I remember the day we drove up to the house.

00:19:07Sammy was reading a film theory book.

00:19:10What are you reading?

00:19:12What?

00:19:14The book.

00:19:17How's your job?

00:19:19A drag.

00:19:22I hear you're working again.

00:19:24Yep. I'm doing a translation of Céline's Don Chateau L'Homme.

00:19:28Doesn't feel like we're doing 70, does it?

00:19:29You want the top off?

00:19:31No, that's all right.

00:19:59When we got to the house, our neighbors had prepared a surprise party for Andrew and me.

00:20:04Sam was so shy, he faded his room.

00:20:10Sam?

00:20:16Come on out.

00:20:18Right.

00:20:29Come on.

00:20:59Come on.

00:21:29Hello.

00:21:51Where'd you get the dolly?

00:21:53The what?

00:21:56I sprained my ankle last winter.

00:21:57We just forgot to return it.

00:22:02You look very good.

00:22:07You got some place here?

00:22:12I think it's too big.

00:22:15I broke Andrew up last Sunday.

00:22:17When we woke up, I picked up the telephone.

00:22:19I said, hello?

00:22:21Room service?

00:22:25Come on.

00:22:27Let me introduce you.

00:22:29Can I wait?

00:22:31Come on.

00:22:34Please.

00:22:36How about when they're leaving?

00:22:39All right.

00:22:44I wanted to introduce him to the guests, but Sam wouldn't mix,

00:22:47preferring to stay in that wheelchair playing the cripple.

00:22:50What a little boy.

00:22:52He even pretended to limp when he met Carol.

00:22:55That's Andrew's wife, now you knew that.

00:22:57I didn't.

00:22:59Was that the first time that you met this Carol?

00:23:01Yes.

00:23:03Well, no, to be precise.

00:23:05I saw her briefly once before.

00:23:07When was that?

00:23:09Earlier.

00:23:11On the way to the house, Andrew stopped for cigarettes at a gas station.

00:23:18Excuse me, a cigarette machine?

00:23:20Right inside, sir.

00:23:22Carol was in a sports car.

00:23:24Andrew saw her, and I saw him.

00:23:27The most ever-wandering eye in those days.

00:23:30Coincidence, I guess.

00:23:32So Sammy was playing the cripple for Carol.

00:23:35Yes, and she fell for it.

00:23:37She helped him across the grounds.

00:23:39Huh?

00:23:41It's this war wound that acts up.

00:23:44You seemed all right before.

00:23:46I know, but it just happened.

00:23:50That's too bad.

00:23:55Which war?

00:23:57Oh, I can't remember.

00:23:59Come on, let's walk, it'll come to me.

00:24:01Come on.

00:24:02Come on.

00:24:26Anyway, later Sammy and Carol came in.

00:24:29Their clothes were soaked to the skin.

00:24:30They'd fallen into the swimming pool, wheelchair and all.

00:24:48Perfect.

00:24:50Green.

00:24:52Come on, let's go inside, I'll get something from Erica for you.

00:24:55Don't bother, I'm fine.

00:25:00Come on.

00:25:11Hi.

00:25:13What happened?

00:25:15Well, you see, we kind of lost control of the wheelchair.

00:25:20Well, if you're going to come to dinner with us, you'd better change.

00:25:23Soon.

00:25:25Well...

00:25:27Hello.

00:25:28Harold.

00:25:31Is he coming?

00:25:33Sam, there's someone I'd like you to meet.

00:25:36He's a producer, I think he could be helpful.

00:25:40Can I catch up with you later?

00:25:42Like after dinner?

00:25:44Sure.

00:25:46You haven't introduced your friend?

00:25:48Oh, this is...

00:25:49Carol.

00:25:50I'm Andrew.

00:25:51This is my wife, Erica.

00:25:53Andrew wanted to take everyone to dinner and introduce Sammy to a film producer he knew.

00:25:58Sammy begged off.

00:26:00He and Carol had other plans.

00:26:01I'll bet.

00:26:29There they are.

00:26:36Hi.

00:26:37You didn't know her?

00:26:49Uh, this is Mitch Negroni.

00:26:51His wife, Marge.

00:26:53Dennis Fay.

00:26:55And, uh...

00:26:56Uh, Christina.

00:26:58Hi.

00:26:59This is Carol.

00:27:01I'm Sam.

00:27:03Sit down.

00:27:05Uh, Scotch and water.

00:27:08Hey, are you two in the wheelchair this afternoon?

00:27:12That dress looks very well on you.

00:27:15It's a little long.

00:27:17I hope you don't mind my wearing it.

00:27:19Of course not.

00:27:21Where's Harold?

00:27:22I don't know.

00:27:23Where's Harold?

00:27:24I don't know.

00:27:26Erica, let's finish our drinks.

00:27:30Wait.

00:27:31Carol, thanks.

00:27:37Okay.

00:27:54Well, I have no doubts.

00:27:56I envy you.

00:28:00Coffee.

00:28:01Great.

00:28:03Can I help?

00:28:05No, thanks.

00:28:07We all having some?

00:28:09Yeah.

00:28:10Oh, no thanks.

00:28:12No, thanks.

00:28:13No, thanks.

00:28:14No, thanks.

00:28:15No, thanks.

00:28:16No, thanks.

00:28:17No, thanks.

00:28:18No, thanks.

00:28:19No, thanks.

00:28:20No, thanks.

00:28:21No, thanks.

00:28:22Oh, no thanks.

00:28:24I've had it.

00:28:26Good night.

00:28:32I remember she went to bed before any of us.

00:28:34She slept in our bed.

00:28:36Andrew refused to wake her.

00:28:38Wake her up?

00:28:40She's asleep.

00:28:41I heard you.

00:28:42Now stop it.

00:28:44There's no shortage of room.

00:28:46We can sleep downstairs.

00:28:47Well, what's the big deal?

00:28:49You tell me.

00:28:50I'll get her up.

00:28:51Hold it.

00:28:52Look, I don't mind.

00:28:53No, that's not the point.

00:28:55Now for tonight, we can sleep downstairs, can't we?

00:28:58Of course.

00:29:02Good night.

00:29:03Good night.

00:29:04In retrospect, I was acting like an irate teenager.

00:29:08Andrew was terribly insensitive to my feelings.

00:29:12Anyway,

00:29:13the next day, the four of us went on a trip on our neighbor's boat for a cruise.

00:29:17It all started out as fun.

00:29:19I was trying to start the day fresh and forget Carol.

00:29:43Sergeant, anything for you?

00:29:45No, thank you.

00:29:46I'm off it.

00:29:47Excuse me for a minute.

00:29:50City College.

00:29:52Why?

00:29:53I wouldn't have guessed it with Andrew.

00:29:56You're quite different, you know.

00:29:57I know.

00:30:05I think he, uh, has designs on you.

00:30:08Why don't you say what you mean?

00:30:10I am.

00:30:13What you want to know is what I think.

00:30:20Come on, let's go on.

00:30:22No, I'll wait here.

00:30:23Do you mind?

00:30:25Enjoy yourself.

00:30:29What's the matter with you?

00:30:30I don't know.

00:30:31I don't know.

00:30:32I don't know.

00:30:33I don't know.

00:30:34I don't know.

00:30:35I don't know.

00:30:36I don't know.

00:30:37What's the matter now?

00:30:41Why do you keep asking me that question?

00:31:08Who is it?

00:31:10Sam?

00:31:14Come in.

00:31:16When I went looking for him, he was locked in a state room with Carol.

00:31:20Everywhere I turned, I found Carol.

00:31:24Sammy tried to help, but he couldn't reach me.

00:31:27I wouldn't let him.

00:31:38I'm sorry I disturbed you.

00:31:40What is it?

00:31:45I don't know what to do.

00:31:48I feel sick.

00:31:51I feel sick.

00:31:53Get some air?

00:31:56There's not enough of it.

00:31:58I don't know what I'm doing.

00:32:00I don't know what I'm doing.

00:32:02I don't know what I'm doing.

00:32:04I don't know what I'm doing.

00:32:05I don't know what I'm doing.

00:32:13Never mind.

00:32:18I have to get off this thing.

00:32:23Hey, what's with you?

00:32:35What's with you?

00:32:53Going in?

00:32:55Yeah.

00:32:57Would you take someone with you?

00:32:59Sure.

00:33:06Tell him I wasn't feeling well.

00:33:08Look, he didn't vanish.

00:33:10Give me a minute.

00:33:12Let me see if I can find him.

00:33:23Carol?

00:33:25I'm busy.

00:33:36Did you find him?

00:33:38It's all right.

00:34:06I was put aboard a passing boat and returned ashore.

00:34:10Sammy came with me.

00:34:12He tried to help.

00:34:14I'll never forget him for that.

00:34:16The next day we came home.

00:34:18He went to work that night.

00:34:20I never saw him again.

00:34:23That's the story, Mr. Nicoletti.

00:34:25I feel sorry for all of us.

00:34:28Sammy was a wonderful man and a talent.

00:34:31He was a good man.

00:34:32I'm going to find out just how talented he was.

00:34:35He left me a box of his old films.

00:34:38Really?

00:34:40May I see them?

00:34:42Why?

00:34:44Maybe I can do something with them commercially.

00:34:47I'll tell you what.

00:34:49They may be nothing,

00:34:51but when I get around to seeing them,

00:34:53I'll give you a call.

00:34:55Try to look to the future.

00:34:57It's what helped me in my difficult times.

00:34:59I can't.

00:35:00What's on your mind?

00:35:02Sammy's killer.

00:35:04The police said it was a robbery.

00:35:06Sammy was robbed every day and killed.

00:35:09That's not how I got it.

00:35:11But whatever.

00:35:13I'll find out the truth for myself.

00:35:15So,

00:35:17you're going to spend the rest of your life

00:35:19tracking down a nameless killer, blood for blood.

00:35:21It's an old Italian tradition.

00:35:23These are modern times, Mr. Nicoletti.

00:35:26No, they're not.

00:35:27The whole world understands revenge.

00:35:29Only in romantic novels, not in real life.

00:35:32Maybe so, maybe so.

00:35:35Anyway, I want to thank you, Mrs. Moore.

00:35:37You've been a very nice lady to me

00:35:39for taking your time out to tell me about my brother.

00:35:41Maybe I'll see you again.

00:35:45Goodbye.

00:35:57Goodbye.

00:36:11Why did we stop here?

00:36:13I had to see a woman named Sammy.

00:36:15Did she give you any leads?

00:36:17I don't know.

00:36:19She told me that her ex-husband got married to a girl

00:36:21that Sammy was in love with.

00:36:23No kidding.

00:36:25Yes.

00:36:27This has been a long day.

00:36:29The cemetery, Father Testa, now this woman.

00:36:31What do you say we go back to the house,

00:36:33rest up for a while, you get something to eat, huh?

00:36:36Yeah, yeah, sure, Joey.

00:36:38But I got to get my own place tomorrow.

00:36:40I got too many things on my mind, I got to be alone.

00:36:42Whatever you say, Vito.

00:36:50Vito.

00:36:52Come in, Joey.

00:36:54Everything copacetic?

00:36:55How do those clothes fit you?

00:36:57Those fit fine.

00:36:59Hey, look what I found in the kitchen.

00:37:01Probably salami, pane, and some cold beer.

00:37:04Gonna have a little picnic, huh?

00:37:06Yeah, why not?

00:37:11Did you get it?

00:37:13Yeah, yeah, I got it from the garage.

00:37:15Let's have it.

00:37:17Are you sure about this, Vito?

00:37:19Come on, let's have it.

00:37:22Vito, you know, we got to get you back

00:37:23with the world.

00:37:25There's some nice warehouse jobs

00:37:27opening up at the meat packing plant.

00:37:29Now, the money is good, and in a couple of months,

00:37:31I know things are gonna look up for you.

00:37:34Look, Joey, I love you like family,

00:37:37but I got to do things at my own pace.

00:37:39First thing I got to do tomorrow

00:37:41is get back to that cemetery

00:37:43and see if that girl shows up at Sammy's grave.

00:37:45Okay, I'll drop you off.

00:37:47But then after that, we'll take a ride

00:37:49by the plant, okay?

00:37:51Yeah, we'll see.

00:37:53All right.

00:38:54Is he a friend of yours?

00:38:56Who are you?

00:38:58Hey, don't get sassy.

00:39:00I just asked you if Sammy Nicoletti

00:39:02was a friend of yours.

00:39:04Hey, look, wait a minute.

00:39:06I want to talk to you.

00:39:08Hey, get your paws off, man.

00:39:10Hey, now, wait a minute.

00:39:12Hey, look.

00:39:14All right, look.

00:39:16Come any closer and I'll kill you.

00:39:18I'll kill you.

00:39:20I'll kill you.

00:39:21All right, look.

00:39:23Come any closer and I'm going to cut you deep.

00:39:25Just take it nice and slow, will you?

00:39:27All I want to do

00:39:29is have a little conversation with you.

00:39:31Yeah, I bet.

00:39:33You're some kind of weirdo creep.

00:39:40What's that about?

00:39:42We've got a 670XEK.

00:39:44We got to get a make on that car.

00:39:46Yeah, a Nicky Geo.

00:39:48He's with the Repo Boys.

00:39:49Yeah.

00:40:05Now, look, before you start going crazy

00:40:07and pulling out knives,

00:40:09I want to tell you I'm Sammy's brother.

00:40:11Sammy's brother?

00:40:13I didn't know Sammy had a brother.

00:40:15Well, he doesn't. I'm him.

00:40:17Why didn't you tell me that before?

00:40:19I thought you just drove away.

00:40:22How did you find me here?

00:40:24I got friends.

00:40:26Well, what do you want?

00:40:28Well, for openers, I want to know

00:40:30what your relationship with him was.

00:40:32We was just friends.

00:40:34Just friends?

00:40:36You mean to tell me you go to a guy's grave for 10 years

00:40:38and you're just friends?

00:40:40Yeah, something like that.

00:40:42You're a bad liar, baby.

00:40:44It's written all over your face like egg.

00:40:46You were romancing Sammy, right?

00:40:47Yeah, my brother.

00:40:49Hey, my math ain't so good,

00:40:51but you look to me to be a young girl.

00:40:5310 years ago would have made you what?

00:40:5512, 13 maybe?

00:40:57Yeah.

00:41:00How'd you meet my brother anyway?

00:41:02I was in his porno flicks.

00:41:04What'd you say?

00:41:06You didn't know about Sammy's porno flicks?

00:41:11Well, look, I was young

00:41:13and Sammy was the nicest person I knew.

00:41:15He didn't want me in those movies, but...

00:41:17Well, I didn't have any other way of getting money,

00:41:19so I made Sammy use me.

00:41:21You were so tight with him.

00:41:23How come you weren't with him

00:41:25that last weekend before his death?

00:41:27Well, it was just fancy people.

00:41:29You know, important people.

00:41:31I mean, Sammy would have taken me with him,

00:41:33but I just figured I shouldn't interfere.

00:41:35Now, that's it on the questions.

00:41:37Hey, look, could you do me a favor, please?

00:41:39What?

00:41:41I ain't got no place to stay

00:41:43and I need to find a motel room somewhere.

00:41:45Can you give me a lift?

00:41:48Okay.

00:41:57Sign says bacon?

00:41:59Well, thanks for the lift

00:42:01and the liquor stop, Vivian Buck.

00:42:04You know, I like your name, Vivian Buck.

00:42:08Sammy liked it, too.

00:42:10He gave it to me.

00:42:13Well, I'll see you around.

00:42:15Would you like to?

00:42:19You like me?

00:42:21Why do you ask me that?

00:42:23I don't know. It's just a throwaway question.

00:42:26Well, I could.

00:42:28Okay, then I'll see you around.

00:42:32Well, how about breakfast tomorrow?

00:42:34You got a date?

00:42:45No.

00:43:15I'll see you tomorrow.

00:43:45I'll see you tomorrow.

00:44:15I didn't know I had a fan club.

00:44:17I didn't know I had a fan club.

00:44:19I didn't know I had a fan club.

00:44:21I didn't know I had a fan club.

00:44:23I didn't know I had a fan club.

00:44:25I didn't know I had a fan club.

00:44:27I didn't know I had a fan club.

00:44:29I didn't know I had a fan club.

00:44:31I didn't know I had a fan club.

00:44:33I didn't know I had a fan club.

00:44:35I didn't know I had a fan club.

00:44:37I didn't know I had a fan club.

00:44:39I didn't know I had a fan club.

00:44:41I didn't know I had a fan club.

00:44:43I didn't know I had a fan club.

00:44:45I didn't know I had a fan club.

00:44:47I knocked, but you were in the shower.

00:44:49Next time I'll remember to latch the door.

00:44:52Let's skip the formalities, copper.

00:44:54You got a name?

00:44:57Benson.

00:44:59Lieutenant Benson. Homicide.

00:45:01I'm impressed.

00:45:16Word is you're looking around for Sammy's killer.

00:45:19Well, I'm here to tell you, go easy.

00:45:21Don't go causing any trouble.

00:45:23You got a mean dago tempered, Nicoletti.

00:45:26And I wouldn't want it hurting any innocent taxpayers.

00:45:29Follow?

00:45:31I ain't dumb.

00:45:33That's what you say.

00:45:35I can't stop you from poking around.

00:45:37But if you find something,

00:45:39be a real good boy and call me.

00:45:41You don't, I'll take it personal.

00:45:43Follow?

00:45:45Like a tail light.

00:45:47Is that it?

00:45:49Yeah, for now.

00:45:51Just don't forget.

00:45:53How can I forget when you keep reminding me not to forget?

00:46:14Let me talk to Dominic.

00:46:17Hello, Dom?

00:46:19Vito Nicoletti.

00:46:21Yeah, I just got out yesterday.

00:46:23I'll tell you all about it when I see you.

00:46:25Look, Dom, I need a favor.

00:46:27The address of a guy named Andrew Moore.

00:46:29Right.

00:46:31The guy who's running for governor.

00:46:34Yeah, you can get back to me at this number.

00:46:367617168.

00:46:40Thanks, Dom.

00:46:42Thanks, Dom.

00:46:45You can run to Geneva

00:46:47and pay more than $8 million for all of the diamonds.

00:47:41No!

00:48:11Hello?

00:48:36Hello?

00:48:38Hello?

00:48:42Vito!

00:48:44Vito!

00:48:46Hey!

00:48:47Help me!

00:48:52Somebody help!

00:48:54Put me on my...

00:48:55My brisket gas.

00:48:57Now get me up.

00:48:59Vito!

00:49:00Vito!

00:49:01Come on, get up!

00:49:02Come on!

00:49:04Help me!

00:49:12Vito!

00:49:15Vito, are you all right?

00:49:18Some water.

00:49:21My God, what happened?

00:49:29Somebody tried to gas me.

00:49:35As soon as I get dressed,

00:49:37will you give me a lift?

00:49:38Vito, anything to say?

00:49:41Anything.

00:50:02I'll be back in about 10 minutes.

00:50:08All right.

00:50:38I'd like to see Andrew Moore.

00:50:41Follow me, please.

00:51:08Mr. Nicoletti, to see you, sir.

00:51:12Oh, won't you sit down, Mr. Nicoletti?

00:51:16I'm Andrew Moore.

00:51:18I was expecting you.

00:51:19How's that?

00:51:21Erica rang me up

00:51:22and said you were looking to meet Sammy's friends.

00:51:25I naturally assumed you would pay us a visit.

00:51:30Paul, would you bring some iced tea, please?

00:51:33Sure.

00:51:34Now, what can I do for you?

00:51:37I just wanted to ask you

00:51:38what your connection with my brother was.

00:51:41Sammy was a very promising young film director.

00:51:44Yeah, I know. He made porno films.

00:51:46Oh, really?

00:51:49Well, when I first met him,

00:51:50I was a financial broker.

00:51:53And I had clients who wanted to take

00:51:55high-risk, fun investments.

00:51:59And I was a very good investor.

00:52:01High-risk, fun investments.

00:52:04A young attorney I knew introduced me

00:52:06to this promising young film director

00:52:08who was just beginning his career in the business

00:52:10and was looking for capital investment.

00:52:14That director was Sammy.

00:52:16We met, became friends,

00:52:18and I was impressed with him and his talent.

00:52:21So I invested in several of his projects.

00:52:25They made money.

00:52:27And Sammy was making his living in the business.

00:52:31He loved making films. Couldn't leave it alone.

00:52:34I remember the night I called him

00:52:35to invite him for that last afternoon.

00:52:37He was in the editing room working late.

00:52:39Wasn't that the place he was murdered?

00:52:41Yes.

00:52:43It's tragic, really.

00:52:46He was so enthusiastic about the weekend.

00:52:48I could tell it in his voice.

00:52:51Had I known it was to be his last,

00:52:52I would have tried to make a better time of it for him.

00:52:55I don't follow.

00:52:57Oh, Erica and myself, we were having troubles,

00:53:00and, well, I knew I was going to have to watch myself.

00:53:04What did it have to do with my brother?

00:53:07We drove up the following morning,

00:53:08Erica, Sam, and myself.

00:53:11I remember I had a new Cadillac convertible

00:53:13and was really getting the feel of it.

00:53:16Erica and Sam were enjoying their conversation.

00:53:20Philosophy.

00:53:22I was bored with it.

00:53:24Celine?

00:53:25There's nothing frightful in us

00:53:27and on earth and perhaps in heaven above

00:53:30except what has not been said

00:53:33once and for all time.

00:53:36Celine.

00:53:47We arrived at the house that afternoon

00:53:49to discover our neighbors had arranged a surprise party.

00:53:58It's away from the pool, so it's generally quiet.

00:54:01It's fine.

00:54:02If you don't like it, there are others.

00:54:04It's fine.

00:54:06Are there any girls out there?

00:54:07I hope so.

00:54:09Anyway, they're all over town.

00:54:11I know, but I'm here.

00:54:13I'll see what I can do.

00:54:15Uh, would you shut the door, please?

00:54:18Sure.

00:54:20I'll be right back.

00:54:22I'll be right back.

00:54:24I'll be right back.

00:54:25Uh, would you shut the door?

00:54:38Excuse me.

00:54:39Anytime.

00:54:41Where's Sam?

00:54:43I don't know. In the house, I guess.

00:54:46Did you ask him?

00:54:48I will.

00:54:56Sam!

00:55:02The next day, one of our neighbors, Mitch,

00:55:05invited us for an afternoon cruise.

00:55:08Sam seemed to be having a good time.

00:55:25The next day, Mitch and I were on our way back to the hotel.

00:55:28Sam was there.

00:55:30I was there.

00:55:32I was there.

00:55:34I was there.

00:55:36I was there.

00:55:38I was there.

00:55:40I was there.

00:55:42I was there.

00:55:44I was there.

00:55:46I was there.

00:55:48I was there.

00:55:50I was there.

00:55:52I was there.

00:55:54I was there.

00:55:57I was there.

00:55:59I was there.

00:56:01I was there.

00:56:03I was there.

00:56:05Hey.

00:56:06I'm glad you could make it.

00:56:08I just hope I do.

00:56:09I think we all will.

00:56:12More people than I planned for, as usual.

00:56:14Hey, you two, come on, let's have a drink.

00:56:16Good.

00:56:23Well, the next afternoon we came home.

00:56:27Sammy left for work, and that was the last we saw of him.

00:56:33Eric and I were in shock for weeks.

00:56:37Such a senseless killing. The whole affair is so... so very tragic.

00:56:43Please accept my condolences, Mr. Nicoletti.

00:56:49I understand we have a guest, Andrew.

00:56:51Yes, we do. Mr. Nicoletti, this is my wife, Carol.

00:56:55How do you do? I understand that you were Sammy's girlfriend the weekend before his death.

00:57:00That's right. That's when Sammy and I met.

00:57:03He was a lot of fun. I'm sorry.

00:57:06The odd turns of fate, Vito.

00:57:09I met Carol because of Sammy.

00:57:13I suppose one could say every dark cloud has a silver lining.

00:57:18We were married a year and a half later.

00:57:20Well, I guess belated congratulations are in order.

00:57:24I'm just very, very sorry for you, Mr. Nicoletti.

00:57:28Well, for all of us. We all loved Sammy very much.

00:57:33Well, you've been very kind, and I'm sorry to have barged in on you like this.

00:57:36No, no, no. That's quite understandable.

00:57:39Now, if there's nothing more, Vito, I'd like to get back to my nap.

00:57:43Yeah, by all means, get back to your nap.

00:57:46If there's anything else I need, I'll let you know.

00:57:49What else could there be, Mr. Nicoletti?

00:57:52Answers, Mr. Moore.

00:57:54Answers, Mrs. Moore.

00:58:04I wonder how much he knows.

00:58:06Well, we'll just have to find that film.

00:58:20Ready, baby?

00:58:42This day's full of surprises.

00:58:45You're disappointed.

00:58:50I don't know yet.

00:58:52All I know is I got a headache.

00:58:54Why don't you take an aspirin?

00:58:56I would, but I don't have any.

00:58:59Here. Try one of those.

00:59:02French. It'll get rid of your headache.

00:59:05I take them when I get my monthly pains.

00:59:08I get them bad.

00:59:15You'll feel better soon.

00:59:18You know what I like?

00:59:21Mayonnaise and peanut butter sandwiches.

00:59:24I know some people who get off on chocolate pudding.

00:59:27It's been 12 years since I had a mayonnaise and peanut butter sandwich.

00:59:31Now, that's what I call cruel and unusual punishment.

00:59:34At least it's unusual.

00:59:37Tell me, what does a man do for 12 years behind bars?

00:59:42He does a lot of thinking.

00:59:44Is that why you came here?

00:59:47That was the question I was going to ask you.

00:59:50I've heard all kinds of things about what cooped-up men do in prison.

00:59:56Does that turn you on?

00:59:58You gay.

01:00:00Sure.

01:00:02But I'll show you what kind of guy I am. I'm going to make it with you anyway.

01:00:06Okay.

01:00:08I like a party.

01:00:10The door locked.

01:00:12Forget the door. I like a woman that gets to the point.

01:00:16You've forgotten how to do it.

01:00:18I'm betting on you to remind me.

01:00:20Hey, I can take my own pants off.

01:00:46Joey. Vito.

01:01:09Vito?

01:01:11Why'd you sleep?

01:01:13Some broad I was with slipped me a Mickey.

01:01:16What?

01:01:17Never mind.

01:01:19Listen.

01:01:21That package I left with you.

01:01:24It's got the name and address of a film lab on it.

01:01:28Can you get it for me?

01:01:40111-1232 Santa Monica Boulevard.

01:01:45Listen.

01:01:46Can you meet me there in 45 minutes?

01:01:50No, grab a cab.

01:01:52It's quicker.

01:02:05Right on time, Joey.

01:02:07Want me to hang around?

01:02:09You go home and take care of business.

01:02:11I'll grab a cab.

01:02:13You know, call if you need me.

01:02:25I got this old film. I want to take a look at it.

01:02:28You want to book a screening?

01:02:30I don't know. If that's the only way I get to look at it, then that's what I want to do.

01:02:34Let me take a look at it.

01:02:40This yours?

01:02:41It's my brother's. Why?

01:02:43Pretty sticky stuff.

01:02:45Oh, no. Is that a problem?

01:02:47Nah, not anymore.

01:02:49But the film looks like it's been to hell and back.

01:02:51The sprockets are all ripped. Needs a lot of work.

01:02:54Well, just do the best you can.

01:02:58Name?

01:02:59Nicoletti.

01:03:01Look, this stuff's got your company's name on it.

01:03:03Does that mean the original work on it was done here?

01:03:05Not necessarily. Everybody's always changing boxes of film cans, you know?

01:03:10Look, I mean, if you really want to find out, why don't you go in the office and ask Marge to check the records?

01:03:14Thanks.

01:03:16Don't mention it.

01:03:17Marge was very helpful.

01:03:19She dug in the files until she found Nicoletti.

01:03:21In there, I found copies of paper documenting all of Sammy's work.

01:03:25It covered a few years.

01:03:27Toward the end of the stack, I found a couple of interesting things.

01:03:30An invoice made out to Sammy said he dropped off some negatives for processing and printing

01:03:34two days before he went on that weekend, ten years ago.

01:03:38Attached to that invoice was a paid receipt for the processed film and negatives.

01:03:43It was signed in what appeared to be Sammy's signature.

01:03:46Everything seemed nice and neat, except for one thing.

01:03:50It was dated two days after Sammy's death.

01:03:55How soon can I see this stuff?

01:03:57Well, it'll be ready in a couple of days.

01:03:59I need it quicker than that.

01:04:02Uh, well, I think we can have it ready for you by this afternoon.

01:04:13Hello, Vito.

01:04:15Hello, Lieutenant.

01:04:17What's new?

01:04:19I hear you're moving around, seeing people.

01:04:22So what's the big deal?

01:04:24It's a free country.

01:04:26Depends, Vito.

01:04:28On just how far you're gonna push this Sammy thing.

01:04:31I'm telling you.

01:04:33Leave it alone.

01:04:37Believe me, Lieutenant, it's the furthest thing from my mind.

01:04:41Don't play me the fool, Vito.

01:04:43You've got that devious Dago brain of yours looking around for every angle.

01:04:47Is that it?

01:04:49All right, smart guy, play it your way.

01:04:52But you cross the line, and I'll have your guinea ass right back in the slammer.

01:04:57Thank you, Lieutenant.

01:05:28I want my money back.

01:05:30How so?

01:05:31Those headache pills you gave me didn't work.

01:05:35It was your friend.

01:05:37Get in, darling. I want you to drive.

01:05:40I'd love to, but I don't have a license.

01:05:42Don't worry. I know all the police in town.

01:05:46I'll bet you do.

01:05:57Where to?

01:05:59You should see the view.

01:06:28You know, I thought you liked me.

01:06:30I did, for about 15 minutes.

01:06:33See what desperation does to you?

01:06:36You want to tell me why you brought me here?

01:06:38The film I wanted.

01:06:40Film? What film?

01:06:42The one you told Erica you had.

01:06:44Oh, that film.

01:06:46You got it all wrong.

01:06:48It's the film I wanted.

01:06:50The film? What film?

01:06:52The one you told Erica you had.

01:06:54Oh, that film.

01:06:56You got it all wrong, baby.

01:06:58Sammy left that film to me.

01:07:00Everybody wants that film.

01:07:02I guess I gotta see what's on it for myself.

01:07:04If I told you why, would you give it to me?

01:07:07Scott's on it.

01:07:08You're lying.

01:07:09You mean you don't trust that boy, Scott?

01:07:11An ex-con.

01:07:12He could be a murderer.

01:07:13You're crazy.

01:07:15Get out.

01:07:27I don't figure.

01:07:29Your husband's practically a shoo-in for governor

01:07:31and you go seducing me, ransack my room,

01:07:34and now you kidnap me for a few lousy rolls of porno film.

01:07:39Porno film.

01:07:41That's it, ain't it?

01:07:42Sammy must have had you and Erica on film.

01:07:45That must have been some weekend.

01:07:47You wind up with Andrew and Erica winds up with a big alimony

01:07:50and a successful business and everybody's happy.

01:07:53You killed my brother because he wouldn't give you that film.

01:07:56You knew that Andrew wouldn't marry you

01:07:57if he knew you did a skin flick.

01:07:59You'd be a liability as a wife.

01:08:01You're wrong.

01:08:02Maybe you and Erica killed him.

01:08:05After all, she had a lot to lose, too.

01:08:08Her career would be at stake

01:08:10if she had a scandal like that against her.

01:08:12You're only part right.

01:08:14Andrew and I were together before that weekend.

01:08:17And I'm part right.

01:08:19You're only part right.

01:08:20Andrew and I were together before that weekend.

01:08:23We just put on a little show for the social register,

01:08:26but we made a mistake.

01:08:28What mistake was that?

01:08:29At the gas station, on the way to the party,

01:08:32Andrew stopped for cigarettes.

01:08:34I was there, too.

01:08:36Erica saw me, but she never put it together.

01:08:39We played Erica for the loyal wife,

01:08:41and she fell for it.

01:08:43Andrew had promised to marry me after he divorced Erica,

01:08:46but Sammy's blackmail got in the way.

01:08:48Andrew had to stall the divorce,

01:08:50but I was impatient.

01:08:52I was on to a good thing.

01:08:54I was to seduce Sammy away from his blackmail

01:08:57and, with luck, get my hands on that film.

01:09:05This place reminds me of a scene in a French movie I saw once.

01:09:08It really knocked me out.

01:09:46Oh, my God.

01:10:17The plan was going well.

01:10:19Sammy was falling for it,

01:10:21until that day on the boat.

01:10:24I made two mistakes.

01:10:26The first one was letting Erica see Sammy and me together

01:10:29in the locked cabin.

01:10:47Are you getting up?

01:10:49I'm happy where I am.

01:10:53I knew it would drive Erica crazy,

01:10:56and it did.

01:10:58I couldn't help myself.

01:11:00Erica was hurt deeply.

01:11:03The second mistake was more unforgivable.

01:11:06When Erica was transferred to the pastoral care,

01:11:09I was the only one left.

01:11:12The second mistake was more unforgivable.

01:11:15When Erica was transferred to the passing boat,

01:11:17I thought Sammy would be sick.

01:11:20I had to move fast to get that film.

01:11:26I need that film.

01:11:28Are you going to give it to me?

01:11:33I guess I don't have much of a choice.

01:11:35We've got to go back into the city to get it.

01:11:42It'll be a few minutes.

01:12:13What is it?

01:12:15I want to know who killed Sammy.

01:12:17Are you crazy?

01:12:19Yes, I'm crazy.

01:12:20You know Carol knew.

01:12:22She's lying.

01:12:23That bitch is dead.

01:12:25She wanted the film, the film you told her about.

01:12:28I want to know who killed my brother.

01:12:42I want to know.

01:13:12I want to know.

01:13:42I want to know.

01:14:12You got that film ready for me to see?

01:14:14Well, no miracles, Mr. Nicoletti, but you can take a look.

01:14:17Screening room three down the end of the hall.

01:14:19Just sit down and Harry will roll the film.

01:14:36When do they start this thing?

01:14:38You have to push a button.

01:14:40Here, I'll do it.

01:15:11Hey, wait a minute.

01:15:16It's Andrew Moore.

01:15:20Yeah, yeah.

01:15:23It looks like him.

01:15:25Stop this thing and get that film.

01:15:31I want to pay that guy another visit.

01:15:40I want to pay that guy another visit.

01:16:10I want to pay that guy another visit.

01:16:40I want to pay that guy another visit.

01:17:10I want to pay that guy another visit.

01:17:40I want to pay that guy another visit.

01:18:06There's no one left to help you, Moore.

01:18:09No one.

01:18:11You're making a mistake.

01:18:13You made the only mistake when you killed my brother to get that skin flick.

01:18:20I thought Erica and Carol were the only freaks.

01:18:25One was a blackmailer.

01:18:28The other one a greedy slut.

01:18:31Vito, look, I'll give you money.

01:18:34Anything! Name your price!

01:18:40How much is it worth to you, Moore?

01:18:43To keep the public from knowing that you're a murderer and a fag?

01:18:47Whatever you want, Vito. Whatever you want!

01:18:53You didn't have enough money.

01:19:09You didn't have enough money.

01:19:40How are you feeling, baby?

01:19:43My guts are burning up.

01:19:48Did you do it?

01:19:51Yeah, I did it.

01:20:10I ain't gonna make it, baby.

01:20:13No, no, you're gonna make it.

01:20:16We're gonna go to the mountains and I'll get you a doctor.

01:20:19See, I know this little place up there that we can go and hide.

01:20:22Nobody will know who's there.

01:20:24You just gotta hang on just a couple of hours.

01:20:30Vito...

01:20:33I love you.

01:20:39I love you.

01:21:09I love you.

The Swap | Full Movie | Jordan Leondopoulos | Robert De Niro, Jarred Mickey, Jennifer Warren

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