The Woman Hunter | Full Movie | Bernard L. Kowalski | Barbara Eden, Robert Vaughn, Stuart Whitman

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THE WOMAN HUNTER
| Horror, Mystery | 1972 |

Plot:
A woman vacationing with her husband in Mexico discovers she is being stalked by an international killer.

Crew:

• Directed by: Bernard L. Kowalski
• Written by: Brian Clemens, Tony Williamson, Brian Clemens
• Starring: Barbara Eden, Robert Vaughn, Stuart Whitman, Sydney Chaplin
• Produced by: Jerome Epstein
• Music by: George Duning
• Cinematography: Gabriel Torres
• Edited by: Melvin Shapiro

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Transcript

00:00:00You

00:00:30You

00:00:44The muta tape day nine I'm outside the house party's going strong

00:01:00I

00:01:24Just adore duty foodie

00:01:30I

00:01:34John Deere the ambassador

00:01:36Translates by Sonya's charm. Oh go rescue him

00:01:40And the best part of the whole thing is your mother-in-law will live in Hong Kong. I

00:01:48Guess you know that Phyllis and Oscar were married and then divorced and then married again

00:01:54The divorce didn't take

00:02:00But I don't know why but I did sail from the Great Bahamas and I can only tell you that the water was quite rough

00:02:07Well, they they had to lash me to the bar

00:02:12But I lost

00:02:14Gambling, I really did. I I dropped a bundle at the table and you know, it isn't as though I don't pray

00:02:21Sometimes I think God doesn't cover the Bahamas

00:02:30When you realize that the Aruba hate the boo-jum boo

00:02:34And the boo-jum boo hates the water and the water sees us by the pygmies

00:02:45I don't know why really

00:03:00I

00:03:06Sticks and stones may break my bones. That's why I never get in the fight

00:03:17And if you're going to the moon be sure and get that window seat

00:03:30I

00:04:01I

00:04:13Acapulco tape day one

00:04:16Two weeks since Dina Hunter was released from the hospital and cleared of manslaughter charge

00:04:21It's rumored. She settled close to a million dollars on the family of the man killed in the accident

00:04:26Mr. And mrs. Hunter and her jewels now departing ship

00:04:56I

00:05:26I

00:05:56I

00:06:26I

00:06:56I

00:07:26I

00:07:56I

00:07:58I

00:08:25When we hear you were hurt we worried for you

00:08:28Good to see you

00:08:59Have it taken down Amalia, but then you're done. I don't like looking at strangers

00:09:17Hunters are at their villa everything on schedule. It's taken three years at working

00:09:23From you to set up was chicken feet compared to this

00:09:28You

00:09:36My Elena Elizabeth

00:09:40Gracias mucho gusto

00:09:43Is there anything else I can do for you? No. No, thank you. Amalia. I'll call if I need you

00:09:58I

00:10:28I

00:10:58I

00:11:22Acapulco tape day one. These are going to be a bit of a challenge

00:11:26One thing, there's a staff, Amelia Common, the violina.

00:11:31Victor, the chauffeur.

00:11:33Then there's Dina, very pretty, very protected, but very vulnerable.

00:12:26Lady, if you mind, those are my clothes over there.

00:12:53I'm skin diving for real.

00:13:23All right now, it's safe.

00:13:43About 30 seconds later, we might have met face to face.

00:13:51You're not this unconventional.

00:13:54You shouldn't dive alone. There's a strong undercurrent here.

00:13:57I don't know, so I just moved here.

00:14:01I'm watching a Pearson place while they're away in Europe.

00:14:04It beats paying rent.

00:14:10I'm Carter, Paul Carter.

00:14:16Don't bother to introduce yourself.

00:14:20Grande Senora Hunter.

00:14:24There's been a lot of talk about you coming home.

00:14:30I'll wear swim trunks next time, just in case we bump into each other again.

00:14:35Not very likely.

00:14:40So long, neighbor.

00:14:50Contact established, more or less.

00:14:52I don't know if it's millionaire snobbishness, or because he was just let out of the hospital.

00:14:58I'll just have to wait and see.

00:15:02Look, George, I've been working on this Sam's Therese project for months.

00:15:05I think it deserves more than a casual glance.

00:15:08But I gave it more than a glance.

00:15:10Now, you know something? I haven't rejected it.

00:15:13And it could work.

00:15:15But on the other hand, if you just sit on that same property, it could double in value.

00:15:19Double in hell? I'm talking about a source of primary...

00:15:22I know, I know. But that lands at a premium.

00:15:24And things are going to get better.

00:15:26Sit on it.

00:15:27I don't want to sit on it.

00:15:28We've been sitting on it ever since Dina's father died.

00:15:30I want to move.

00:15:31We've been sitting on it ever since Dina's father died.

00:15:33I want to move.

00:15:34I want to move.

00:15:35I want to move.

00:15:36I want to move.

00:15:37I want to move.

00:15:38I want to move.

00:15:48Dina.

00:15:49Oh, I'm sorry.

00:15:52That's okay, honey.

00:15:54What do you think we ought to do with that land?

00:15:57Land?

00:16:01The San Ceres Cove project.

00:16:03George thinks we ought to sit on it.

00:16:05Oh.

00:16:06Oh, well, I'm sure George is right.

00:16:11Dina, there's been a lot of time and effort involved.

00:16:13And I think we should move.

00:16:16Jerry, you do what you think is best.

00:16:20Do whatever you want with it.

00:16:23Look, I know you don't like me to say this, but after all, it is your money.

00:16:27I'd just like to know what you think.

00:16:33Dina.

00:16:34I really don't care, Jerry.

00:16:35Do whatever you want to.

00:16:38Just like that?

00:16:40Just like that.

00:16:48She really isn't herself, is she?

00:16:50You don't know the half of it.

00:16:54I'm sorry.

00:16:56I thought she'd gotten over the accident.

00:17:00Physically, she has.

00:17:02And she's still haunted.

00:17:05Well, this could be very good for her.

00:17:08I mean, a month or two in the sun, the sea air.

00:17:11Do her the world of good.

00:17:13I hope so.

00:17:21Good night, George.

00:17:22I'll see you tomorrow.

00:17:24Take her back to Dina.

00:17:48Say good night to George for me.

00:17:51I'm sure George understood.

00:17:55You just weren't with us, were you?

00:17:59It was our first dinner here, Jerry.

00:18:01It wasn't a board meeting.

00:18:04We had to make a decision.

00:18:05An important one.

00:18:09Why did we come here?

00:18:12What do you mean?

00:18:15Are you going to spend all your time wheeling and dealing?

00:18:23Honey, I love you.

00:18:26Remember?

00:18:27And I'll help you.

00:18:29But the doctor says you've got to help yourself first.

00:18:31You've got to get involved again.

00:18:32You've got to go out and meet the world.

00:18:34Laugh at it and fight it and be a part of it.

00:18:37Jerry, I just don't know.

00:18:39Dina, this project is for us both.

00:18:42I mean, I was just a beach bum who married money.

00:18:44Well, I'm not anymore.

00:18:46I want things to be ours, not yours.

00:18:49I want our money and our family.

00:18:51That's why I work so hard in San Luis, because I want to make things happen.

00:18:56Jerry, I'm frightened.

00:18:58Of what?

00:18:59You're turning into the kind of man my father was.

00:19:05You mean rich?

00:19:07No, no.

00:19:09Driven.

00:19:11I was able to push hard or make money no matter who it hurt.

00:19:16My mother died miserable.

00:19:18My father died running.

00:19:21I was running too.

00:19:24Trying to either get away or catch up.

00:19:27I don't know which.

00:19:30And then I was at the wheel of a car.

00:19:33And I couldn't stop.

00:19:36I'm a bastard and a bad Dina.

00:19:39You've got to forget it.

00:19:40You've got to make yourself forget.

00:19:41Nobody's going to do it for you.

00:19:43I'll try.

00:19:44I'll try.

00:19:46Okay.

00:19:54Listen, tomorrow night I'll take these last braces for dinner.

00:19:56Okay?

00:19:57Just the two of us.

00:19:58I promise.

00:19:59No talk about work.

00:20:00Okay?

00:20:03Okay.

00:20:33Hi, neighbor.

00:20:49You're not going to stand there all afternoon, are you?

00:20:51If you are, that'll be all right.

00:20:58Well, you're full of surprises.

00:21:01I'm rising from the sea.

00:21:03I'm burying my inner soul on canvas.

00:21:06Would you like to buy it?

00:21:11No.

00:21:13No.

00:21:14The lady says no.

00:21:17All right.

00:21:18I'll tell you what I'm going to do.

00:21:21I'm going to give it a little bath.

00:21:28Why did you do that?

00:21:30Why not?

00:21:31I'll never finish it, not now.

00:21:35You're used to cutting people down to size, aren't you?

00:21:38No, I just don't like arrogant men.

00:21:41As bad as arrogant women?

00:21:44Would you pose for me?

00:21:47What kind of pose?

00:21:50Stark naked, dripping in juice.

00:21:56Seems to me, Mr. Carter, that you're the one who's used to cutting people down to size.

00:22:01Well, that makes us even.

00:22:04Why don't you call me Paul?

00:22:08All right, Paul.

00:22:16I always thought artists had total recall.

00:22:19Oh, we do.

00:22:20We have total recall.

00:22:23Then why the memory box?

00:22:26Alcopogo tape, day one.

00:22:28There's nothing as dull as my daily routine.

00:22:32Day one?

00:22:33I thought you'd been here a while.

00:22:36I started counting yesterday when you got here.

00:22:42Would you like to go for a swim?

00:22:48I've got trunks on today.

00:22:51I do.

00:22:54Come on.

00:23:21All right.

00:23:46Oh!

00:23:47Oh!

00:23:48Oh!

00:23:49Oh!

00:24:03Senor?

00:24:04Yeah, I'm not quite ready yet, Victor.

00:24:06Did the senor say when she'd be back?

00:24:08No, senor.

00:24:09You don't know where she went?

00:24:10No, senor.

00:24:11All right, I'll give her a few more minutes.

00:24:13Si, senor.

00:24:14I'll wait in the car.

00:24:15Okay, thank you, Victor.

00:24:27Now, you say yes or else.

00:24:29Yes, it was.

00:24:31She'll pose.

00:24:34Yes, I'll pose for you.

00:24:37You promise?

00:24:40Yes.

00:24:43You understand that my husband will have to approve the painting before we buy it?

00:24:49Yes.

00:24:50I expect him to.

00:24:53Just as long as you understand.

00:25:04Oh, it's a beautiful day, isn't it, dear?

00:25:29If I'd known you were going down to the beach, I would have gone with you.

00:25:32I'm sorry, I thought you were busy.

00:25:34Yeah, well, I am.

00:25:35I've got a meeting, but I would have enjoyed a dip in the bay.

00:25:37But now I'm late.

00:25:38Jerry, haven't you heard?

00:25:41They have siestas down here.

00:25:43Well, that's a luxury only the natives can afford.

00:25:46Darling, I do believe you're becoming a snob.

00:25:50No, I'm sorry.

00:25:51No siesta now.

00:25:52This meeting might take all day.

00:25:53Okay?

00:25:54All right, you have your meeting.

00:25:55But don't forget our dinner date tonight.

00:25:58Yeah, I meant to talk to you about that.

00:26:02You promised.

00:26:03I know.

00:26:04I also promised to finalize the San Cerise project.

00:26:06That means working on it with George tonight.

00:26:08He's leaving town.

00:26:11Well, I'm sorry.

00:26:12I mean, if I could...

00:26:13I know.

00:26:14But this is supposed to be a vacation.

00:26:16I wanted us to spend it together.

00:26:18I know.

00:26:19Well, if you'd just let me get this out of the way...

00:26:20I need you now, Jerry.

00:26:22Not tomorrow or the day after.

00:26:23Now.

00:26:27Okay, I'll see you in a couple of hours.

00:26:31Jerry.

00:26:34What would you do if I didn't invest my money in your project?

00:26:39I'd still do what I think is right for both of us.

00:26:57I love you.

00:27:04I love you.

00:27:11I love you.

00:27:20I love you.

00:27:31She's interested, no doubt about that.

00:27:35But it's going to be a lot tougher than I thought.

00:27:37A lot tougher.

00:27:38She's nobody's fool.

00:27:41One thing I know for sure.

00:27:43The next move has got to be mine.

00:28:13I love you.

00:28:43I love you.

00:28:49I love you.

00:29:08Will it be ready Friday?

00:29:10Yes.

00:29:16Oh, excuse me.

00:29:20That takes care of a good bottle of wine.

00:29:23Sorry, I...

00:29:26Nina?

00:29:29Nina?

00:29:33Come on, let's get you a drink.

00:29:41What do you have?

00:29:42I've got some work.

00:29:53Hi.

00:29:54Didn't I tell you she was sensational?

00:29:58Flatterer.

00:30:01Paul Carter, this is Dina.

00:30:02Dina?

00:30:06Amali.

00:30:08There'll be four for him tonight.

00:30:10The George will be here in about 15 minutes.

00:30:11He'll stay about a half an hour.

00:30:13Si, senor.

00:30:16Paul's a neighbor of ours.

00:30:17He moved into the old Pearson place.

00:30:19We bumped into each other in town, literally.

00:30:21I'd swear I know him somewhere, but he says no.

00:30:25Well, I've been telling him about our hospitality.

00:30:27Why don't you show him?

00:30:28I'll freshen up a little.

00:30:29Why, Paul?

00:30:45I said I'd see you tomorrow.

00:30:47I couldn't wait for you.

00:30:49Don't play games with me.

00:30:51Is that what you think I'm doing with Dina?

00:30:53I don't know, and I don't think I want to know.

00:30:56Do you understand?

00:30:58Those earrings.

00:30:59They're coming through loud and clear.

00:31:02Tomorrow, when you sit for me,

00:31:04wear those earrings.

00:31:05They're perfect for you.

00:31:07Elegant, beautiful, and ice cold.

00:31:12I don't think I will, Mr. Carter.

00:31:16As a matter of fact, I don't think we need a painting at all.

00:31:20Of course we do.

00:31:22Enjoy your portrait hours.

00:31:24I think it's a great idea.

00:31:30Well?

00:31:34I'll think about it.

00:31:39Mr. Carter, do you know that area around the San Cerise Cove?

00:31:42I've heard of it, but I've never been there.

00:31:44Nothing quite like it, Paul.

00:31:46Well, you've done a great job.

00:31:47But the more I study it, the better I like it.

00:31:49A toast to the San Cerise Project.

00:31:53Tina?

00:31:54What?

00:31:55We're toasting my project.

00:31:58Well, you have the final say.

00:32:00Any objections?

00:32:04To San Cerise.

00:32:11Honey, if you'll excuse us, George and I will have a little discussion.

00:32:14Wrap this up.

00:32:15Don't bother, dear.

00:32:16I'm sure Mr. Carter won't mind having his coffee on the patio.

00:32:19No, of course not.

00:32:25Now, Paul, before I forget, we're having a little reception tomorrow night, last conscious.

00:32:29I'd like you to come.

00:32:31I'd like that.

00:32:40Well, first of all, a Mexican citizen has to be the major stockholder.

00:32:44It's the law.

00:32:46Good, fine.

00:32:47Get one.

00:32:48Make sure he's cooperative.

00:33:07You're an unusual man.

00:33:10You know when to be quiet.

00:33:17Maybe it's because I don't have anything to say.

00:33:23I get the feeling that you're trying to play me.

00:33:27I don't know what gave you that impression.

00:33:30But I've had the wrong impression about you.

00:33:33I had you sized up as rich, beautiful, and spoiled.

00:33:38But you know anything like that?

00:33:40Just married.

00:33:43Well, married.

00:33:44No, I haven't forgotten that.

00:33:49What kind of a man is he?

00:33:53Jerry?

00:33:56Oh, he used to be a lot like you.

00:33:59Used to be?

00:34:02People change.

00:34:03That's inevitable, isn't it?

00:34:06He isn't what he seemed at first.

00:34:09But then who is?

00:34:12How did you meet him?

00:34:14On a beach.

00:34:17I'm very big at beach pickups.

00:34:22It was three years ago.

00:34:25My father objected, of course, so that made it perfect.

00:34:29Whirlwind romance, instant marriage, and now he's all wrapped up in business.

00:34:37Do I sound disloyal?

00:34:39No, just disillusioned.

00:34:43Well, somebody changed.

00:34:48Maybe it was me.

00:34:50I don't know.

00:34:53After my accident, they say that your whole personality...

00:35:09What's wrong, Elena?

00:35:15I don't know. Why am I talking to you like this?

00:35:45No.

00:35:55Dina.

00:35:56No.

00:35:58Paul, just go away. Will you please just leave?

00:36:07Paul.

00:36:27Paul seems like a pretty nice guy, doesn't he?

00:36:29We don't know that much about him.

00:36:31Well, he's a relief from the Medicare's that we usually get down here.

00:36:35Tell me for better.

00:36:37Let's not talk about him.

00:36:40He must be a pretty fair artist.

00:36:42Otherwise, he couldn't afford to live down here.

00:36:47You want me to pose for him then?

00:36:50Sure, why not?

00:36:51Honey, I think his fan base is probably going to be wound up in about 24 hours.

00:36:59Kiss me.

00:37:01What?

00:37:04Kiss me.

00:37:35Kiss me.

00:37:37Kiss me.

00:38:04Kiss me.

00:38:28Paul?

00:38:58Paul?

00:39:18Paul?

00:39:38Paul?

00:39:59Acapulco tape, day two.

00:40:01I spent this morning keeping watch on the villa from the beach.

00:40:06Made a painting for bait.

00:40:09Here comes Dina now.

00:40:11Accidental meeting with Jerry Hunt went perfectly.

00:40:14But after dinner, it didn't go so well.

00:40:18Reflecting on the event so far, my conclusion, I have to move deadline ahead.

00:40:25I don't know whether Dina will sit for the portrait after what happened.

00:40:29Can't risk waiting for the opportunity to get in the house alone with her.

00:40:34I expect to be at the reception.

00:40:37The setup is similar to the one at the murder.

00:42:04Two hours.

00:42:21Two hours in that closet waiting for him to go to bed.

00:42:24I thought I'd lose my mind.

00:42:28I can imagine.

00:42:30But you say there's nothing you can do.

00:42:34Senora Hunter, you are a very valued resident here.

00:42:38But Senor Carter is an American citizen.

00:42:41And to arrest him without evidence.

00:42:46What does your husband think of all this?

00:42:54Hmm?

00:42:58You told him, of course.

00:43:01No.

00:43:03Hmm.

00:43:04And the tape recorder you mentioned.

00:43:06Pity you couldn't bring it with you.

00:43:08It was all I could do just to get away.

00:43:12Oh.

00:43:14Senora Hunter, do you wish to make a complaint against Senor Carter?

00:43:18There would be a hearing in which you would have to testify.

00:43:22Hmm?

00:43:27Very well.

00:43:28I'll make some inquiries.

00:43:30Wire the American authorities.

00:43:32See what is known about this man.

00:43:36It will take some time, of course.

00:43:37Perhaps a few days.

00:43:42At the reception tonight, I'll wear the emeralds he's after.

00:43:46Will you be there?

00:43:48I was expected elsewhere.

00:43:50But...

00:43:54I'll come.

00:44:04And may I wish you a speedy recovery, Senora.

00:44:07From your accident.

00:44:09Most unfortunate.

00:44:11It takes time to recover from such a shock.

00:44:14Well, I've had time, Commissioner.

00:44:16And the injuries were physical.

00:44:19My apologies.

00:44:21I had heard that you were still unable to bring yourself to drive a car.

00:44:26A natural reluctance, of course.

00:44:29But perhaps I was misinterpreting the reason.

00:44:48Pedro.

00:44:50Neurotic.

00:44:51Send two people to the reception tonight.

00:44:54Yes.

00:45:10I'll drive.

00:45:29Yes, George.

00:45:30Yes, I know you've gotten bored in business in Washington.

00:45:34Sure I can handle Senor Varosa.

00:45:36He'll be at the reception tonight.

00:45:39I know he's the key, and we'll get the okay from the Planning Commission.

00:45:43I'm sure Dina will be there.

00:45:45She'll be a great help.

00:45:46Blondes are scarce down here, you know.

00:45:48Yeah, she's not home now.

00:45:50I don't know where she is.

00:45:51Probably getting her hair fixed.

00:45:53Okay, I'll tell her.

00:45:54And listen, George.

00:45:55I appreciate everything you've done.

00:45:57Okay.

00:45:58I'll call you soon.

00:46:00Adios.

00:46:11Adios.

00:46:37Adios.

00:47:04You said you'd never wear your emeralds in public place again.

00:47:28I needed them.

00:47:29Well, you both look like a million bucks.

00:47:38Paul, how are you?

00:47:56Good evening, Commissioner.

00:47:58Senora Huntridge.

00:47:59He's here.

00:48:01Everyone is here, Senora.

00:48:02Well, he doesn't take his eyes off me.

00:48:04He just stares.

00:48:05You have that effect on every man here.

00:48:07You look exquisite.

00:48:11I had no idea you were so gallant, Commissioner.

00:48:39Jerry?

00:48:40Come dance with your wife.

00:48:41Come on.

00:48:42Suspense me, Senora.

00:48:43Que paso?

00:48:44You're determined to follow me up one way or another, aren't you?

00:48:45What?

00:48:46Rose is the one guy down here that can guarantee you the San Suiste.

00:48:47Oh, Jerry.

00:48:48Jerry, darling.

00:48:49I don't do things like that down here.

00:48:50Parties are for fun.

00:48:51That's business.

00:48:52I want you to dance with me.

00:48:53Oh, Jerry.

00:48:54Jerry, darling.

00:48:55I don't do things like that down here.

00:48:56Parties are for fun.

00:48:57That's business.

00:48:58I want you to dance with me.

00:49:00Oh, Jerry.

00:49:01Jerry, darling.

00:49:02I don't do things like that down here.

00:49:03Parties are for fun.

00:49:04That's business.

00:49:05I want you to dance with me.

00:49:06Oh, Jerry.

00:49:07Jerry, darling.

00:49:08I don't do things like that down here.

00:49:09Parties are for fun.

00:49:10That's business.

00:49:11I want you to dance with me.

00:49:12Oh, Jerry.

00:49:13Jerry, darling.

00:49:14I don't do things like that down here.

00:49:15Parties are for fun.

00:49:16That's business.

00:49:17I want you to dance with me.

00:49:18Oh, Jerry.

00:49:19Jerry, darling.

00:49:20I don't do things like that down here.

00:49:21Parties are for fun.

00:49:22That's business.

00:49:23I want you to dance with me.

00:49:24Oh, Jerry.

00:49:25Jerry, darling.

00:49:26I don't do things like that down here.

00:49:27Oh, Jerry.

00:49:28Jerry, darling.

00:49:29I don't do things like that down here.

00:49:30Parties are for fun.

00:49:31That's business.

00:49:32I want you to dance with me.

00:49:33Oh, Jerry.

00:49:34Jerry, darling.

00:49:35I don't do things like that down here.

00:49:36Parties are for fun.

00:49:37That's business.

00:49:38I want you to dance with me.

00:49:39Oh, Jerry.

00:49:40Jerry, darling.

00:49:41I don't do things like that down here.

00:49:42Parties are for fun.

00:49:43That's business.

00:49:44I want you to dance with me.

00:49:45Oh, Jerry.

00:49:46Jerry, darling.

00:49:47I don't do things like that down here.

00:49:48Parties are for fun.

00:49:49That's business.

00:49:50I want you to dance with me.

00:49:51Oh, Jerry.

00:49:52Jerry, darling.

00:49:53I don't do things like that down here.

00:49:54Oh, Jerry.

00:49:55Jerry, darling.

00:49:56I don't do things like that down here.

00:49:57Parties are for fun.

00:49:58That's business.

00:49:59I want you to dance with me.

00:50:00Oh, Jerry.

00:50:01Jerry, darling.

00:50:02I don't do things like that down here.

00:50:03Parties are for fun.

00:50:04That's business.

00:50:05I want you to dance with me.

00:50:06Oh, Jerry.

00:50:07Jerry, darling.

00:50:08I don't do things like that down here.

00:50:09Parties are for fun.

00:50:10That's business.

00:50:11I want you to dance with me.

00:50:12Oh, Jerry.

00:50:13Jerry, darling.

00:50:14I don't do things like that down here.

00:50:15Parties are for fun.

00:50:16That's business.

00:50:17I want you to dance with me.

00:50:18Oh, Jerry.

00:50:19Jerry, darling.

00:50:20I don't do things like that down here.

00:50:21Oh, Jerry.

00:50:22Jerry, darling.

00:50:23I don't do things like that down here.

00:50:24Parties are for fun.

00:50:25That's business.

00:50:26I want you to dance with me.

00:50:27Oh, Jerry.

00:50:28Jerry, darling.

00:50:29I don't do things like that down here.

00:50:30Parties are for fun.

00:50:31That's business.

00:50:32I want you to dance with me.

00:50:33Oh, Jerry.

00:50:34Jerry, darling.

00:50:35I don't do things like that down here.

00:50:36Parties are for fun.

00:50:37That's business.

00:50:38I want you to dance with me.

00:50:39Oh, Jerry.

00:50:40Jerry, darling.

00:50:41I don't do things like that down here.

00:50:42Parties are for fun.

00:50:43That's business.

00:50:44I want you to dance with me.

00:50:45Oh, Jerry.

00:50:46Jerry, darling.

00:50:47I don't do things like that down here.

00:50:48Oh, Jerry.

00:50:49Jerry, darling.

00:50:50I don't do things like that down here.

00:50:51Parties are for fun.

00:50:52That's business.

00:50:53I want you to dance with me.

00:50:54Oh, Jerry.

00:50:55Jerry, darling.

00:50:56I don't do things like that down here.

00:50:57Parties are for fun.

00:50:58That's business.

00:50:59I want you to dance with me.

00:51:00Oh, Jerry.

00:51:01Jerry, darling.

00:51:02I don't do things like that down here.

00:51:03Parties are for fun.

00:51:04That's business.

00:51:05I want you to dance with me.

00:51:06Oh, Jerry.

00:51:07Jerry, darling.

00:51:08I don't do things like that down here.

00:51:09Parties are for fun.

00:51:10That's business.

00:51:11I want you to dance with me.

00:51:12Oh, Jerry.

00:51:13Jerry, darling.

00:51:14I don't do things like that down here.

00:51:15You don't do things like that in a dump like this, do you?

00:51:21Never mind.

00:51:22Anyhow, did you enjoy it?

00:51:25Oh, I loved it.

00:51:27Maybe you should go to the movies?

00:51:33Maybe we should throw yourself in some good tunes?

00:51:43Bravo, senora. Great performance.

00:51:53Carter, did you see him? He was watching me.

00:51:57We were all watching you, senora.

00:51:59No, he was watching this. This is what he wants.

00:52:03But he's gone.

00:52:06Well, he was here, watching, stalking me all the time I was dancing.

00:52:10And then he left.

00:52:12Senora, I was watching him.

00:52:15You're wrong. You're wrong.

00:52:18Senora.

00:52:24I'm sorry about my wife, senora. She's not at all like that.

00:52:28Your wife is disturbed, senora.

00:52:31Very disturbed.

00:53:01Ha, ha, ha.

00:53:25Senora.

00:53:36Senora.

00:53:37Senora, Hunter.

00:53:41Tina.

00:53:42Tina.

00:53:45Oh, Paul Carter. He was here.

00:53:48What happened?

00:53:49Senores, por favor.

00:53:51What happened?

00:53:52Oh, he's trying to kill me.

00:53:54He wants to kill me and steal my...

00:53:56But you still have him, senora.

00:54:01Tina, what are you talking about?

00:54:03He was here. He was here.

00:54:06We'll search the ground.

00:54:11What is all this?

00:54:12You have my deep and very real sympathy, senora.

00:54:15What is all this about Paul Carter?

00:54:18My men will search the ground, but...

00:54:20But what?

00:54:22He left some time ago.

00:54:24It seems that your wife has some kind of obsession about this man.

00:54:37Tina, come on. Let's go.

00:54:41Come on.

00:54:43Vardi doesn't believe me, does he?

00:54:45Never mind about Vardi.

00:54:48Jerry, he was here.

00:54:51Paul Carter was here.

00:54:57It's very important that you believe me.

00:54:59I believe you, Tina. Come on, now. Let's go.

00:55:01Come on.

00:55:02Tina, Tina, come on. I believe you.

00:55:06Let's go.

00:55:07He was here.

00:55:21He was here.

00:55:37I'm afraid the help is still at mass, doctor. I'll drive you back to town.

00:55:43Do you think Tina should be left alone in the house?

00:55:47She should sleep another two hours, at least.

00:55:51What do you think is really wrong with the doctor?

00:55:55With all respect, senor Hunter, I suggest you call in a psychiatrist.

00:56:46Amalia?

00:57:11Jerry?

00:57:35One way or another, I'm going to do it now.

00:57:59Amalia?

00:58:01Tobiah?

00:58:30Amalia?

00:58:37Victor?

00:58:41Anyone?

00:59:09Tina?

00:59:29Tina?

00:59:38Tina?

01:00:07Tina?

01:00:37Tina?

01:00:53Tina?

01:01:22Tina?

01:01:51Tina?

01:02:20Tina?

01:02:30Tina?

01:02:59Tina?

01:03:28Tina?

01:03:45I'm going to call the police.

01:03:47I was gone, you were gone.

01:03:51I killed him.

01:03:52Killed? What are you talking about?

01:03:56Paul's murder.

01:03:58Was.

01:04:00New York, Bermuda.

01:04:03For the jewelry.

01:04:05Carter. You're talking about Paul Carter.

01:04:08He came today.

01:04:10He must have watched you leave the house.

01:04:13I tried to hide and then he came to the back of the house and...

01:04:18I ran.

01:04:21I took the car...

01:04:23But he chased me along the cliff road.

01:04:28So I killed him.

01:04:30I just turned the wheel...

01:04:32And he was dead.

01:04:34That poor man lying there.

01:04:38Tina! Tina!

01:04:40We're going back, he'll still be alive.

01:04:42I killed him.

01:04:44I killed him.

01:05:07I killed him.

01:05:36I killed him.

01:06:01Out there.

01:06:05It's blood.

01:06:06He must be around here somewhere.

01:06:20Here's his tape recorder.

01:06:34Tina, you've got to listen to me.

01:06:36If I can't talk to you, I'll leave this tape recorder with Amalia.

01:06:39Now listen.

01:06:40In case anything happens to me, give this to the police.

01:06:43All the evidence is here on tape.

01:06:45Now listen carefully.

01:06:47You're wrong about me, why I'm here.

01:06:49The girl who was murdered in New York, his first victim was my sister.

01:06:53I've been trailing him ever since.

01:06:56I almost caught up with him in Bermuda.

01:06:58I even found an earring he lost getting away.

01:07:01That was three years ago.

01:07:02But Tina, it's Jerry, your husband.

01:07:05He's the murderer.

01:07:06I've got to convince you.

01:07:08One way or another, I'm going to do it now.

01:07:14So that's where I knew him from.

01:07:15Bermuda.

01:07:19Don't look so shocked, my dear.

01:07:22It's too bad, really.

01:07:24For a while I thought about stopping, after I missed him that first time.

01:07:30You know, those breaks didn't fail by themselves.

01:07:34But then I was afraid another accident might raise suspicions.

01:07:38But for all that money, being that close to money but never really having it,

01:07:42like some puppy on a leash.

01:07:44Three years I waited and planned.

01:07:47Jerry will never get away with it.

01:07:49Paul's got to be around here somewhere.

01:07:51He's somewhere in these rocks.

01:07:53And I hope he's not quite dead yet, because I want to thank him personally.

01:07:58Maybe there'll be another banner headline.

01:08:00Jewel murderer Paul Carter dies with his final victim.

01:08:03If that's any comfort to you, Tina, you can take that thought with you,

01:08:06that you'll definitely be his final victim.

01:08:11Jerry will never get away with it.

01:08:13After you've accused Paul of being the murderer in front of all the people in Acapulco, practically?

01:08:20No, it's going to be Paul and you over the cliff,

01:08:22in one final death struggle in a speeding car.

01:08:25And then it's ended, and I'm home free.

01:08:28Paul.

01:08:36Hello, Paul.

01:08:39I don't think you're in any condition to argue.

01:08:55No!

The Woman Hunter | Full Movie | Bernard L. Kowalski | Barbara Eden, Robert Vaughn, Stuart Whitman

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