M Movies
M Movies
  • 2 months ago
Drama, Romance, Thriller,

In this sexy and twisty ride, New York gallery owner Brooke and her husband Owen each face exceptional temptations, with most unexpected results.

Director
Brian DeCubellis
Writers
Kristen Lazarian, K.S. Bruce, Brian DeCubellis
Stars
Victoria Justice, Matthew Daddario, Katherine McNamara

*
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Transcript
00:00:30Fuck.
00:00:31Fuck.
00:00:31Fuck.
00:00:32Fuck!
00:00:33Fuck!
00:01:00♪♪
00:01:09I missed you.
00:01:12I missed you, too.
00:01:14♪♪
00:01:19You okay?
00:01:21Yeah, why?
00:01:23Not you.
00:01:26♪♪
00:01:30♪♪
00:01:35♪♪
00:01:40♪♪
00:01:45♪♪
00:01:50♪♪
00:01:55♪♪
00:02:00♪♪
00:02:05♪♪
00:02:10♪♪
00:02:15I thought you were gonna be there all night.
00:02:17I'm sorry.
00:02:19I'm really late.
00:02:21♪♪
00:02:26Good night.
00:02:28Good night.
00:02:30I'm sleeping now.
00:02:32No, don't wake me.
00:02:35This guy, I get the concept
00:02:37of the difference between time zones and countries.
00:02:41He's here.
00:02:47♪♪
00:02:55I don't know.
00:02:57You've been with all of them?
00:03:01They asked me to.
00:03:03Oh, so the married ones demanded more than asked.
00:03:06Is that moral?
00:03:08I don't know. The question never came up.
00:03:10Why do you model?
00:03:13This is the poor Irish orphan you paid to fly over?
00:03:18So it's all about the sex, then?
00:03:22I only paint those women
00:03:25that are particularly special to me.
00:03:27It's intimate, sexual, yes,
00:03:31but it's more than that.
00:03:34It's that exact moment of ultimate connection
00:03:37that's captured forever in paint.
00:03:42Oh, boy.
00:03:44Hey, we done here?
00:03:46Diana, we're not doing personal questions.
00:03:48Seems like the personal is a process.
00:03:51Oh, she's pointed.
00:03:55Look, Brooke, he's brilliant,
00:03:58but as your friend, I'm calling it.
00:04:00The other critics will tear this apart.
00:04:03Did you keep your day job at Sotheby's?
00:04:07Picasso, Klimt, Lucy, and Freud,
00:04:09they were all called pornographers.
00:04:11Look, I know what I believe in,
00:04:13and if the critics don't understand us,
00:04:15then they're wrong.
00:04:21Hi, can I look at a few?
00:04:23Awesome.
00:04:24This is still for the cover, right?
00:04:26So, uh, you the husband?
00:04:29Yeah, hi, Owen Short, welcome.
00:04:31Yeah, she's badass, right?
00:04:33I like that.
00:04:35Yeah, I like the tighter shots as well.
00:04:37Can you go back to the title?
00:04:39Honey, we don't want to be late.
00:04:42Oh, see, when women get absorbed in me,
00:04:47you can't talk to them.
00:04:57To Brooke's amazing new gallery
00:04:59and a successful opening.
00:05:00Cheers.
00:05:01Oh, and to me, getting to retire early
00:05:03and fulfill my life's purpose as a trophy husband.
00:05:06Hmm, let's not jinx it.
00:05:07Hey, if that's what you want,
00:05:08then you should do a news story on it.
00:05:10Feel good holiday feast days before Christmas,
00:05:12it's local news.
00:05:13No, no, no, no, no,
00:05:14Owen has already done so much.
00:05:15Oh, come on, isn't going broke and betting the farm
00:05:17what all good husbands do?
00:05:18Hey, Brooke is living her dream,
00:05:20and dreams are worth the risk.
00:05:21Okay, when's our next vacation?
00:05:23That's my dream.
00:05:24Oh, yeah.
00:05:25I was thinking Paris,
00:05:26but just me and Brooke, so sorry, guys.
00:05:29Paris in the winter?
00:05:30Texas pictures.
00:05:31If your thumbs don't freeze off.
00:05:32You know, I've always wanted to do Christmas in Paris.
00:05:35Hello.
00:05:36I can't even think of a vacation
00:05:37until this gallery opens Friday.
00:05:39Well, I mean, we should plan it soon
00:05:41before things get too complicated.
00:05:44What does that mean?
00:05:46Just, you know, whatever, life.
00:05:49Owen.
00:05:50Complicated.
00:05:51Are you guys pregnant?
00:05:52No.
00:05:53Because that would be like a shitty way to tell us.
00:05:54No, the doctor says
00:05:55that if we take the pressure off,
00:05:57it may happen naturally.
00:05:59What?
00:06:00We don't have to talk about this.
00:06:07Is that the brooding hunk?
00:06:08Can't be, I left my phone at home.
00:06:10No, it's Brooke's new Irish artist,
00:06:13Hoddy McHodderson.
00:06:14Okay, his name is Ansgar Doyle.
00:06:16He was a street artist in Dublin until a few years ago,
00:06:18but it hasn't broken here yet.
00:06:21Wait until you see the art.
00:06:23Hot.
00:06:27This guy, he's always texting at 3 a.m.
00:06:29with a crisis.
00:06:30What's the crisis?
00:06:31He can't find his paintbrush?
00:06:32No, he's just an artist.
00:06:33They don't sleep.
00:06:34Actually, I learned from his interview
00:06:36that this is an artist who's not sleeping
00:06:38in a lot of married women's beds.
00:06:40That's not what he was saying.
00:06:42Actually, that's kind of exactly what he was saying.
00:06:44Well, as the two divorce attorneys at the table,
00:06:46I would just like to say that men like Ansgar
00:06:48are very good for our business.
00:06:49Absolutely.
00:06:50Court all business.
00:06:51When you've been doing what we've been doing
00:06:52for long enough, you just conclude that
00:06:54everybody cheats.
00:06:55The wives are just better at not getting caught.
00:06:57Yeah, I mean, I've been hiring
00:06:58so many private investigators,
00:06:59I could teach a course at Quantico.
00:07:01I'll be right back.
00:07:02Where'd those come from?
00:07:22They're from you.
00:07:33They're beautiful.
00:07:36Hey, I'm gonna make it up to you.
00:07:39I'm so sorry.
00:07:40I've been so busy and so bitchy.
00:07:44You've been so great.
00:07:48Okay, listen.
00:07:49I wasn't kidding about what I said at dinner about Paris.
00:07:52If you play your cards right,
00:07:53you open the gallery on Friday.
00:07:55Then we drink champagne all night to celebrate.
00:07:57Then we're in the air on Saturday,
00:07:59on our way to Paris, France,
00:08:02where we spend Christmas next week,
00:08:05French kissing, little menage-a-do.
00:08:11Now wait.
00:08:14Now how about this place,
00:08:15to let it happen naturally.
00:08:16No.
00:08:17Right?
00:08:20It sounds heavenly,
00:08:22but I can't go then.
00:08:25I don't have any Christmas plans to break.
00:08:27And look around.
00:08:28We haven't even had time to decorate.
00:08:29I know, but I have so much to do after Friday night.
00:08:32I mean, that's when the real selling starts.
00:08:34And I've got more press lined up for Ansgar, too.
00:08:36And, you know, I can't leave him alone.
00:08:38He needs me.
00:08:41You know what I mean.
00:08:43Let me earn the vacation with sales.
00:08:44That way we can relax and we can enjoy it.
00:08:52Sorry. Yeah.
00:08:54Yeah, you're right.
00:08:57Okay.
00:08:58I'm gonna go take the trash out real quick.
00:09:00All right.
00:09:02All right.
00:09:32Okay.
00:10:02I left my phone up here.
00:10:13Yeah.
00:10:14You, uh, don't want to miss any text messages from Sarah.
00:10:19Is that one of the new producers?
00:10:21Yeah.
00:10:23Thanks.
00:10:29My opening is in four days,
00:10:30and these light fixtures were custom ordered three months ago.
00:10:42I got to replace the pipe that goes down to the basement.
00:10:45It's gonna cost about three grand.
00:10:46What?
00:10:47Hang on.
00:10:48Just tell him to bring me the lights himself.
00:10:51Why were you talking to Amanda Geisler?
00:10:53I was tagging her for lunch.
00:10:54You're not interesting me.
00:10:55Okay, well, she has a gallery full of artists
00:10:56who show potential 10 years ago.
00:10:58She should be taking them out to lunch.
00:10:59Wow.
00:11:01I think they're jealous.
00:11:02I think we have a contract.
00:11:04Giaco, there's no more money.
00:11:05Figure it out.
00:11:06You'll be able to pay him soon enough.
00:11:08Told you.
00:11:09I have news.
00:11:16You may fall in love with me when I tell you.
00:11:19That good, huh?
00:11:20I have him.
00:11:22You have who?
00:11:24The customer.
00:11:26The big one we need.
00:11:29Damien Light.
00:11:32Damien Light is here?
00:11:33No, he's in Paris.
00:11:34He's shooting his next movie there.
00:11:36But he saw one of my pieces in the Mirai and he likes it.
00:11:39He wants to see more.
00:11:40People want us to be there for dinner the day after tomorrow.
00:11:43Wait, where?
00:11:44The hotel in the Mirai.
00:11:46The Mirai in Paris?
00:11:48Yeah.
00:11:49Look, you can leave tomorrow.
00:11:51Still make it back in time for the opening.
00:11:53You should really answer my texts.
00:11:55Do you see this gallery?
00:11:56I can't go.
00:11:58Oh, whoa, whoa.
00:11:59I need you there.
00:12:01I'm no good at the business.
00:12:02I hate that shite.
00:12:04If this is real, this could be huge for us.
00:12:08Oh.
00:12:10You think I'm making it up to steal away with you?
00:12:19I'm going either way.
00:12:20I'll try to make it back for my opening on Friday night.
00:12:23Very funny.
00:12:24Oh.
00:12:26You need to check in with the husband first.
00:12:28Um.
00:12:29Or are you more afraid?
00:12:31To leave this mess?
00:12:33To leave your husband alone.
00:12:35What?
00:12:37He'll let me leave without you.
00:12:43Oh, God.
00:12:44I know.
00:12:45I mean.
00:12:46I have to go.
00:12:47You have to go.
00:12:48It's Paris.
00:12:49It's work.
00:12:50Right, it's work.
00:12:51Oh, God.
00:12:52What do I tell Owen?
00:12:53In person's good.
00:12:54Um.
00:12:55Run in.
00:12:56Bring a coffee.
00:12:57And just tell him you have the business
00:12:58opportunity of a lifetime.
00:12:59Right.
00:13:00Right.
00:13:01Just be direct.
00:13:02Right.
00:13:03Downplay the fact that you're going
00:13:04to be in a Paris hotel with the world's sexiest man alive.
00:13:07OK.
00:13:08Get out of here.
00:13:09Go talk to your husband before I have to represent you.
00:13:10It's work.
00:13:11It's work.
00:13:12It's work.
00:13:13It's work.
00:13:14It's work.
00:13:15It's work.
00:13:16It's work.
00:13:17It's work.
00:13:18It's work.
00:13:19It's work.
00:13:20It's work.
00:13:21It's work.
00:13:22It's work.
00:13:23It's work.
00:13:24It's work.
00:13:25It's work.
00:13:26It's work.
00:13:27It's work.
00:13:28It's work.
00:13:29It's work.
00:13:30It's work.
00:13:31It's work.
00:13:32It's work.
00:13:33It's work.
00:13:34It's work.
00:13:35It's work.
00:13:36It's work.
00:13:37It's work.
00:13:38It's work.
00:13:40Not over yet.
00:13:45Hope I'm not interrupting.
00:13:48Hey.
00:13:49I thought you could use this.
00:13:50Brooke.
00:13:51Hey.
00:13:52That's so sweet of you.
00:13:53This is Kim, one of our new producers.
00:13:57Hi.
00:13:58Hi.
00:13:59Are you Sarah?
00:14:00Natalia, new intern.
00:14:03Hi.
00:14:04Hi.
00:14:05What are you doing here?
00:14:06Well, you know.
00:14:07What's going on?
00:14:09Everything okay?
00:14:11Well, I, uh, have a situation with Ansgar.
00:14:13What now?
00:14:15It's a long story.
00:14:17Um, but it's actually amazing.
00:14:19Damien Light is interested
00:14:21in buying a few of his paintings.
00:14:23That's big news.
00:14:25I know. I know. I know.
00:14:27And I would send him a loan tomorrow, but things could get...
00:14:29You know, he's not a people person.
00:14:31And making the sale could be huge for us.
00:14:33It could really make all this hard work pay off.
00:14:35That's amazing.
00:14:37Yeah, so I'll be back from Paris in, like, two days. Yay!
00:14:39What's that?
00:14:41I said, yay.
00:14:43You're going to Paris?
00:14:47Yeah.
00:14:49Damien's filming there.
00:14:51You're telling me
00:14:53that you want to go to Paris
00:14:55with Ansgar,
00:14:57the Myth of Fidelity guy, tomorrow?
00:14:59After you told me
00:15:01that we can't go on Saturday?
00:15:03I know, I know, but it's business.
00:15:05And I would say, come with me, but it's gonna be all meetings,
00:15:07and then I have to fly right back for the opening Friday,
00:15:09and...
00:15:11Owen.
00:15:13Owen, please don't be that way.
00:15:17So does this mean I'm definitely free
00:15:19on Saturday, since we're not going to Paris?
00:15:23Well, yeah. I... yeah.
00:15:25Hey, Kim.
00:15:27Is that shoot for the New Yorkers' Christmas in Las Vegas
00:15:29still available for Saturday?
00:15:31I was going to give it to Jim, but it's yours
00:15:33if you can do it now.
00:15:39Yes, I am available.
00:15:41Let's book that.
00:15:43Thank you for the coffee.
00:15:45I gotta get back to work.
00:15:47Natalia, see if you can book Owen's flight
00:15:49with seats near us.
00:15:51Vegas, baby.
00:15:53Shit.
00:15:55This has been Owen Shore
00:15:57with the news you can use.
00:15:59Have a great one, everybody.
00:16:25♪
00:16:55♪
00:17:15♪ I can see the flames rising high in the night
00:17:19♪ Reaching their arms out to the sky
00:17:23♪ Shadows leap and hide with the lovers tonight
00:17:27♪ Tiny embers die as they fly
00:17:31♪ Creeping, crawling, dancing with the flames
00:17:40♪ Fire won't sink till only ashes remain
00:17:53♪ The more we turn, the more we get burned
00:18:10Owen, I feel bad we keep missing each other.
00:18:13I'm not sure if you're getting my texts.
00:18:15My flight is tonight.
00:18:18So when you get a break, please call me.
00:18:22Okay.
00:18:24♪
00:18:53Hey.
00:18:55Hey.
00:18:57That assignment was late last night.
00:19:00What was the story?
00:19:02Yeah, I didn't want to wake you.
00:19:04I'm, uh, trying to get these two new producers
00:19:07to put me on hard news stories
00:19:09instead of these dopey features.
00:19:12Kim's the one you're going to Vegas with?
00:19:16Look.
00:19:19I'm sorry about yesterday.
00:19:22I just wanted our first time in Paris to be together,
00:19:26and Christmas there, away from all this stress,
00:19:29it just seemed like exactly what the doctor ordered.
00:19:37I'm sorry.
00:19:39I'm sorry.
00:19:41I'm sorry.
00:19:44I'm sorry I got so upset.
00:19:50I'm sorry, too.
00:19:52It's just such a huge break.
00:19:55I wouldn't be going otherwise.
00:19:58Come here.
00:20:04I can't help.
00:20:06I want you to be happy.
00:20:09Even if I don't trust that guy.
00:20:12Hey, you only have to trust me.
00:20:15And seriously, I look forward to a getaway
00:20:18of just us without the pressure of trying.
00:20:21I really, really, really do.
00:20:23Yeah, well, you know, we don't have to.
00:20:26Get away.
00:20:28Start trying without trying.
00:20:30I can't.
00:20:32I have to pack.
00:20:34My car's coming in an hour.
00:20:37Mm.
00:20:45In case there's a gym I can work out in.
00:20:50Alone.
00:20:59I need you to be understanding here.
00:21:06So, no send-off sex?
00:21:08I wish I'd just let it go.
00:21:10Then I'd have to be more worried about him.
00:21:12Come on, you guys have been together since high school.
00:21:14No way Brooke would cheat on you.
00:21:16As long as I wonder, she'll stop being interested in me.
00:21:19Are we on the Goop podcast right now?
00:21:21Am I Gwyneth?
00:21:23Another Greyhound, huh?
00:21:25Wait, no, no, no, are you trying to get me in trouble?
00:21:27You said just one.
00:21:29I'm sorry, cancel that, please. We gotta go.
00:21:31Fuck that needy orphan artist.
00:21:33If I want to get drunk to forget him, I'm gonna drink.
00:21:35Okay, are you forgetting the last time you got drunk?
00:21:37You tried to find a home for every homeless guy in New York.
00:21:39I don't remember that.
00:21:41Yeah, exactly. Come on, let's go.
00:21:43What? Come on, there's one more.
00:21:45No, I gotta go.
00:21:47I'm pretty sure Ellen will put a tracking app on my phone.
00:21:49Hi there.
00:21:52Wait a minute.
00:21:54I know who you are.
00:21:56You're Owen Shore.
00:21:58It's possible.
00:22:00You're pretty good.
00:22:02You mean pretty great.
00:22:04You were studying journalism at Columbia.
00:22:06Nice.
00:22:08You said in an interview once that it's a reporter's job
00:22:10to expose without shaming.
00:22:12Wow, good.
00:22:14I used it in a media ethics paper on microaggression.
00:22:17I'm flattered.
00:22:19I refuted it. Shame is a useful tool.
00:22:21Maybe you're too nice.
00:22:23I do love your reporting.
00:22:25I was actually just saying how refreshing it is
00:22:27that your stories are funny.
00:22:29They're not supposed to be funny.
00:22:31You did that one about the guy
00:22:33who marries dogs at a chapel.
00:22:35Ah, yes.
00:22:37That was a fine moment in broadcast journalism.
00:22:39Are you guys together?
00:22:41You mean together?
00:22:43No, but he has been hitting on me all night.
00:22:45I can't help myself.
00:22:47My wife's out of town.
00:22:49I thought he had a window.
00:22:57I think your choices are superb.
00:22:59If you want the smaller one, theater number three,
00:23:01to give as a Christmas gift as well.
00:23:03Right.
00:23:05So that is five paintings in all and, um...
00:23:07$152,000.
00:23:09Parfait.
00:23:11Plus, we have your permission to use Damien's name
00:23:13confidentially with the list of collectors that you've approved.
00:23:15Tout à fait, of course.
00:23:17To Damien Leight.
00:23:19Please tell him how grateful we are for his patronage.
00:23:21Well, on behalf of Mr. Leight,
00:23:23we are proud to be the first
00:23:25to champion the work
00:23:27of this extraordinary man.
00:23:29Santé.
00:23:35Enjoy the moment.
00:23:37Paris is a wonderful place
00:23:39to celebrate this time of year.
00:23:41We will.
00:23:43Santé.
00:23:45You're not leaving, are you?
00:23:47My friend has to meet you.
00:23:49Yeah, no, I gotta get going, too.
00:23:51That's a shame.
00:23:53Maybe I could get an autograph before you go?
00:23:55Yeah.
00:23:57Okay, two.
00:23:59Amy's fine.
00:24:01Two.
00:24:03Amy fine.
00:24:05I guess that's better for TVU in Chicago.
00:24:07Wait, um,
00:24:09could you take a picture of us?
00:24:11Is that okay, Mr. Shore?
00:24:13Of course, yes.
00:24:21Nice to see you smile.
00:24:23That's my profile pic right there.
00:24:25Okay, uh, we gotta go. Uber's here.
00:24:27Nice to meet you.
00:24:29Wait, you can't leave.
00:24:31You have to stay and meet Brianna.
00:24:33Please?
00:24:35I don't know.
00:24:37You don't know?
00:24:39I mean, I could probably finish the calamari.
00:24:41Hmm, uh, you probably have to go
00:24:43because of that thing you were telling me about.
00:24:45Remember?
00:24:47Why don't you both stay?
00:24:49Sorry, do you mind me asking how old you are?
00:24:51I'm kidding.
00:24:53I'm gonna wait for Brianna.
00:24:55I knew I had a fan club.
00:24:57Dude.
00:25:03Okay, if he brings up the forgotten homeless crisis,
00:25:05cut him off.
00:25:09So they have my favorite martini here.
00:25:11Have you ever had a monkey martini?
00:25:13Okay.
00:25:15One monkey while we wait for your friend,
00:25:17and then I gotta get home.
00:25:19I thought you said your wife was out of town.
00:25:29I'll be right back.
00:25:31Ladies room.
00:25:33Order us two monkeys.
00:25:35I really want to ask your advice
00:25:37on where to send my reading.
00:25:41Two monkey martinis, then?
00:25:43I'll show the check and go home.
00:25:55Um, listen,
00:25:57you were amazing,
00:25:59but, um,
00:26:01what are you talking about, life story?
00:26:03You made it way more romantic than...
00:26:05Okay, you know, it's completely believable
00:26:07that you lived in the Shire.
00:26:09Harvest or an Irish, okay?
00:26:11What are they?
00:26:13I don't know.
00:26:15They're from Middle Earth or something.
00:26:17Oh, look,
00:26:19I hope that you know that you deserve all of this.
00:26:21And they respect even more than the money.
00:26:23They see how special you are.
00:26:27You trusted me
00:26:29with your work,
00:26:31and I love your work so much.
00:26:33Do you know what that means to me?
00:26:37God.
00:26:39I mean,
00:26:41I was just an auction house wage slave
00:26:43with a normal job six months ago now.
00:26:45Look at us.
00:26:47Okay.
00:26:49You know what?
00:26:51Just be here.
00:26:53Right here.
00:26:55Enscar, we should go.
00:26:59Before we go back to our rooms,
00:27:01let's just have
00:27:03one more drink.
00:27:09Fuck!
00:27:19Fuck!
00:27:29I was seriously trying to reach you.
00:27:31Fuck!
00:27:37Okay.
00:27:39I guess we're done here.
00:27:43I'm sorry.
00:27:47Yeah, yeah.
00:27:49That was phenomenal.
00:27:51Was it?
00:27:55Look,
00:27:57I love my wife.
00:28:01Oh, good.
00:28:11Shit.
00:28:21Look, I've never done this before,
00:28:23so I don't really know how to...
00:28:25Shit.
00:28:27Can you get rid of me?
00:28:29Uh, no.
00:28:31I mean, like, you know, wrap this up.
00:28:33Pretty sure you just did.
00:28:47I hope you don't think
00:28:49that I'm playing games with you, okay?
00:28:51I'm not that kind of guy.
00:28:53Well, maybe I'm the one playing games.
00:28:55I hope not.
00:28:57I mean,
00:28:59I could use someone to help my reel
00:29:01get into the right hands
00:29:03when I get my master's in June.
00:29:05You serious?
00:29:07You're right.
00:29:09We really can't see each other again.
00:29:11No, we can't.
00:29:13We should agree on that.
00:29:25Oh, oh, oh, oh!
00:29:27Oh, oh, oh!
00:29:33I'm sorry you will be cutting
00:29:35Miss Davis' shirt.
00:29:37I hope you found the accommodation satisfactory.
00:29:39Yes, just a change of plans.
00:29:41They call me backdoor Santa
00:29:43I make my runs
00:29:45About to break a day
00:29:49They call me backdoor Santa
00:29:51I make my runs
00:29:53About to break a day
00:29:57I make all the little girls happy
00:30:01While the boys are out to play
00:30:07I ain't like old Saint Nick
00:30:09He don't come but once a year
00:30:13No!
00:30:15I ain't like old Saint Nick
00:30:19He don't come but once a year
00:30:21I missed you.
00:30:23I missed you too.
00:30:25I make all the little girls happy
00:30:29While the boys are out to play
00:30:35Backdoor Santa
00:30:39That's what they call me
00:30:41All the girls
00:30:43They call me backdoor Santa
00:30:47Yeah, that's what they call me
00:30:49I like it when they call me that
00:30:51Oh, oh, oh!
00:30:53Santa!
00:31:05Thanks, man.
00:31:07So, have any work
00:31:09I want you to hang it
00:31:11at the centerpiece of the show.
00:31:13I would have to rearrange
00:31:15this entire installation to add this.
00:31:17I worked hard to finish it today.
00:31:19And trust me,
00:31:21it's worth it.
00:31:31Is, uh...
00:31:33Is she, does that, um...
00:31:35You know, I don't think
00:31:37it's quite finished yet, actually.
00:31:39Maybe you want to put some clothes on her?
00:31:41Oh, no, no, the others are closed.
00:31:43The other ones don't look like me.
00:31:45Uh...
00:31:47What's it called?
00:31:49Brooke.
00:31:53Look,
00:31:55I'll find a place for it, but you can't call it Brooke.
00:31:59And how about
00:32:01Dreams in Paris?
00:32:03That's even worse.
00:32:15Oh, yeah.
00:32:45What?
00:33:01Thanks for the taco,
00:33:03what can you say?
00:33:05Okay, we'll take it!
00:33:07Oh, fantastic!
00:33:09Cheers!
00:33:15Oh, my God.
00:33:29Oh, my God.
00:33:31Oh, my God.
00:33:33Oh, my God.
00:33:35Oh, my God.
00:33:37Oh, my God.
00:33:39Oh, my God.
00:33:41Oh, my God.
00:33:43Oh, my God.
00:33:45I heard he paints from his imagination.
00:33:47I heard he paints from his experience.
00:33:51Where is Brooke?
00:33:53Let's thank her before we go.
00:33:55Uh, yeah, I haven't seen her in a while.
00:33:57I don't think it's very good.
00:33:59Really?
00:34:01I think they're so sensual and immediate.
00:34:03I just bought $10,000 worth
00:34:05of sensual and immediate.
00:34:09There they are!
00:34:11Bravo!
00:34:13Bravo!
00:34:15Elle, they're talking.
00:34:17How much did you drink?
00:34:19Please, please, I want to go talk to the artiste.
00:34:23Hi.
00:34:25Your beautiful art will hang on my walls,
00:34:27and every time I see it,
00:34:29I will think of you and your great time.
00:34:31Thank you so much.
00:34:33That means so much to me.
00:34:35It really does.
00:34:37What was all the whispering about?
00:34:39Ah, something to private.
00:34:41Hi, there.
00:34:43We spoke to someone
00:34:45at New Museum.
00:34:47They love Ansgar's work,
00:34:49and they're interested in one of the large pieces.
00:34:51Really? Which one?
00:34:53The new one.
00:34:55New Museum, Adam. Go buy another one right now.
00:34:57Brooke is an expert
00:34:59at making things happen.
00:35:05Elle, if you'll excuse me.
00:35:11Hello there.
00:35:13Hi.
00:35:15You look like you need a check.
00:35:21I have to get a check for the caterer.
00:35:23I will come with. I want to hear more about Paris.
00:35:29Oh, my God.
00:35:31What?
00:35:33That woman.
00:35:35Who is she?
00:35:37No one.
00:35:39Why does she look so familiar?
00:35:41I have a serious problem right now.
00:35:43Is that the girl from the bar?
00:35:45Fuck.
00:35:47Why would she show up here?
00:35:49She probably just knows the artiste.
00:35:51No, no. I think she's looking for me.
00:35:53What?
00:35:55I don't know.
00:35:57I think she's looking for me.
00:35:59Why?
00:36:01Because I didn't give her my number.
00:36:03Look, we have to get our story straight.
00:36:05Our story? What the hell happened?
00:36:07Look, you have to back me up on this.
00:36:09Oh, my God.
00:36:11Are you stupid?
00:36:13You're the one who left me at a bar
00:36:15with a woman who was clearly coming on to me.
00:36:17That's our story?
00:36:19You know I can't get drunk anymore.
00:36:21Listen to me.
00:36:23We've never seen her.
00:36:25I'll fix you with an asshole.
00:36:27Hey.
00:36:29I'm about ready to close up.
00:36:31Yeah, let's close it up.
00:36:33Who's that?
00:36:35Who?
00:36:37That woman.
00:36:39Do you know her?
00:36:41It's possible.
00:36:43I don't know her.
00:36:45Maybe you've met her.
00:36:47I haven't?
00:36:49Yeah, he meets a lot of people.
00:36:51I thought she looked familiar.
00:36:53She would be an intern.
00:36:55Let's ask her if that's how you know her.
00:36:57I've never seen her before.
00:36:59Look, this lovely lady was just saying
00:37:01how much she liked my newest painting.
00:37:03It won the New Museum once.
00:37:05Would you like to buy it, too?
00:37:07If only I could.
00:37:09This is your gallery, yes?
00:37:11Yes, yes, hi.
00:37:13Amy, hi.
00:37:15This is my husband, Owen.
00:37:17We've met, right?
00:37:19I don't think so. Hi.
00:37:21Like someone I must be confused.
00:37:23Gramercy's Wednesday?
00:37:25Oh.
00:37:27Were you there?
00:37:29I thought so.
00:37:33Oh, probably off the television.
00:37:35I hear you're incredible with dogs.
00:37:37Dog weddings and a chapel.
00:37:39Right.
00:37:41Oh, that's why you're going to Vegas, is it?
00:37:43Well, it's late.
00:37:45Uh, should we all get going?
00:37:47Uh...
00:37:51Just us, then.
00:37:53All right.
00:37:55All right, I will see you.
00:37:57I will call you.
00:37:59Thank you for everything.
00:38:01Good night.
00:38:03I'm going to be locking up in a few minutes.
00:38:05Oh, okay.
00:38:07Um, I read your profile in Art News.
00:38:09Um, did you know that?
00:38:11I read your profile in Art News.
00:38:13I'm so happy to have met you.
00:38:15Well, it is an honor, truly.
00:38:17You know, I'd like to buy art someday.
00:38:19I could use some pointers.
00:38:21Um, I'm going to get going, okay?
00:38:23No, please wait. I'm almost done here.
00:38:25I'll be waiting outside.
00:38:27I would love to give you some pointers.
00:38:29You know, I should really probably get going.
00:38:31No, no, no, you just got here.
00:38:33You want to close up? I can come back in the day.
00:38:35It's okay.
00:38:37I'll give you a quick tour.
00:38:39Oh, okay.
00:38:43It would be wise
00:38:45to say your goodbyes to your paying customers.
00:38:47And I love
00:38:49that you're always thinking about pleasing the customers.
00:38:51Which affords me
00:38:53the luxury of thinking about the art.
00:39:09Thanks for the ride.
00:39:11So,
00:39:13this is where you live?
00:39:15No, I just have to drop something off.
00:39:17I need to wait, though.
00:39:19That's okay. I'll wait.
00:39:21So,
00:39:23this is where you live?
00:39:25No, I just have to drop something off.
00:39:27I need to wait, though.
00:39:29That's okay. I'll wait.
00:39:51Oh, what the fuck?
00:39:54What?
00:39:55Is your wife home?
00:39:59What do you want?
00:40:04Is she home?
00:40:07No.
00:40:08She's not.
00:40:09Please, let me in.
00:40:10I need to tell you something.
00:40:22For fuck's sake.
00:40:29I never talked to her about us.
00:40:31That's not why I went to the gallery, I promise.
00:40:33What?
00:40:34Okay, look.
00:40:36You have no idea of the whole story here.
00:40:39What are you talking about?
00:40:43You don't even understand.
00:40:45I actually met your wife a few days ago.
00:40:51And then, like, I asked her, are we very good for our business?
00:40:58Absolutely.
00:40:59Core to our business.
00:41:00When you've been doing what we've been doing for long enough,
00:41:02you just conclude that everybody cheats.
00:41:04The wives are just better at not getting caught.
00:41:06Yeah, I mean, I've been hiring so many private investigators
00:41:08I could teach a course at Quantico.
00:41:10I'll be right back.
00:41:22Yep.
00:41:26Are you okay?
00:41:27Owen's been giving me shit about Ansgar texting all the time,
00:41:30but he gets up and texts in the middle of the night, too.
00:41:32Owen is a news guy. The news never sleeps.
00:41:35He's been acting weird lately.
00:41:37Do you think he's messing around?
00:41:40No.
00:41:41I think you're just letting the stress of the opening get to you.
00:41:43Put your phone away, pay your man a little attention.
00:41:46It's all he wants right now.
00:41:52Right, right, just be direct. Right.
00:41:54Don't play the fact that you're going to be in a Paris hotel
00:41:56with the world's sexiest man alive.
00:41:59Okay, get out of here.
00:42:00Go talk to your husband before I have to represent you.
00:42:08What?
00:42:10Owen told me who he was texting late at night.
00:42:12He says it's one of the new producers named Sarah.
00:42:14And?
00:42:15And I stole his iPad.
00:42:18And I stole his iPad.
00:42:20That is a complete violation of privacy and trust.
00:42:23Do you have his password?
00:42:24Yeah, I do.
00:42:25I'm just trying to figure out if I have a reason to worry.
00:42:27Okay, well, this iPad is marital property,
00:42:29so legally I see nothing wrong with what's happening here.
00:42:31Okay, first, I want to say in my defense
00:42:33that I did not want to snoop,
00:42:34but I just saw his messages come in.
00:42:36And he's been acting weird.
00:42:37He's been staying out later than usual.
00:42:39And he says it's just work assignments,
00:42:40but I don't know where he really is
00:42:41or what he's really doing with her.
00:42:43So many men use the working lady excuse.
00:42:45You want to have a child with this man.
00:42:47I know, but this is Owen we're talking about.
00:42:49So many years of nothing but good.
00:42:51I'm not worried at all.
00:42:58Honestly, I don't think he's really cheating,
00:43:00but it just makes me wonder if he would cheat.
00:43:03It's the sliver of doubt that's killing me.
00:43:08God, I hate this about myself.
00:43:13Okay, there's a few ways we can do this.
00:43:16I'm listening.
00:43:17I always tell my clients,
00:43:18if you want to prove that your husband's cheating,
00:43:20you should hire a PI to tail him.
00:43:22But if you want to know for sure
00:43:24that your husband wouldn't cheat,
00:43:26you hire a decoy.
00:43:29What's that?
00:43:30I use them all the time.
00:43:31A decoy's going to flirt with him,
00:43:32give him an opening, and see what he does.
00:43:34And if the husband takes the bait,
00:43:36does the decoy go all the way?
00:43:37No, no, no, no, no.
00:43:38They have a professional code of ethics.
00:43:40Like hitmen.
00:43:41Damn.
00:43:42That's dark.
00:43:44I don't think I need to know that badly.
00:43:45You don't.
00:43:46Owen is the sweetest guy ever,
00:43:47and you're lucky he puts up with you.
00:43:49I know.
00:43:52But if you do find your insecurities
00:43:54keeping you up at night,
00:43:55call this agency.
00:43:57They're open 24 hours.
00:43:58I won't call.
00:43:59You shouldn't.
00:44:00But if you do,
00:44:01get my volume discount.
00:44:46♪
00:44:48♪
00:45:14Hi, this is Owen Shore.
00:45:15I'm sorry I couldn't take your call.
00:45:17♪
00:45:47♪
00:46:18When you get a break, please call me.
00:46:20Bye.
00:46:24♪
00:46:30Right here's fine.
00:46:31♪
00:46:33♪
00:47:03♪
00:47:14Are you Brooke?
00:47:15I am.
00:47:17Are you the one there Sunday?
00:47:19Yes, Amy.
00:47:20I'm the operative.
00:47:21Operative?
00:47:22Sounds official.
00:47:23It's just a job that's paying for grad school.
00:47:26Speaking of humans...
00:47:28Yes, uh, I take half now,
00:47:30and then the other half when I bring you the video
00:47:32from the video guy across the room
00:47:34and the audio from my phone.
00:47:38Okay.
00:47:39Uh, has he been unfaithful before?
00:47:42I don't think so.
00:47:43I don't know.
00:47:44Do you have kids?
00:47:46No.
00:47:48Not yet.
00:47:49Great.
00:47:51Uh, and I'll just need to see a picture.
00:47:53They said you didn't attach one.
00:47:59I'd rather not send this.
00:48:03You know, I'm not sure you're his type.
00:48:05Um...
00:48:07Yeah, maybe.
00:48:08Um, it's hard to tell.
00:48:10I'm more attractive when I go out.
00:48:15Um, maybe there's a perfume he likes, or...
00:48:17I'm not gonna tell you what kind of perfume he likes.
00:48:19You're wearing Chanel.
00:48:21My mom has that perfume.
00:48:26Look, I know this is probably really strange for you,
00:48:29and you don't know me at all,
00:48:31but honestly, you have nothing to worry about with me.
00:48:36I have a boyfriend who I'm very much in love with.
00:48:42This gig is just really good money.
00:48:49Uh, this is my number.
00:48:50I already have you saved into my phone as Brianna,
00:48:52and if you decide at any point
00:48:54that you don't want to go through with this,
00:48:56just send me a text.
00:48:57If you decide at any point
00:48:58that you don't want to go through with this,
00:49:00just send me the message,
00:49:01sorry, have to bail.
00:49:03Okay.
00:49:04And you'll respond, so I know you got it.
00:49:07Yeah.
00:49:08I'm like a normal person who texts.
00:49:12Glad to have met you.
00:49:14You know, I didn't think I'd get any more jobs
00:49:16left after the holidays.
00:49:18It's a slow time of year.
00:49:25Just be here.
00:49:26Wait here.
00:49:28Let's go, we should go.
00:49:32Before we go back to our rooms,
00:49:35let's just have one more drink.
00:49:40Owen.
00:49:42What?
00:49:43I just have to send a message
00:49:45and cancel something really quick.
00:49:47Then I gotta go.
00:49:49I thought you said your wife was out of town.
00:49:52I'll be right back.
00:49:53Ladies room.
00:49:54Okay.
00:49:55Order's two monkeys.
00:49:57I really want your advice
00:49:58on where I should send their deal.
00:50:04Two monkey martinis, sir.
00:50:06Yeah, I should probably have a drink.
00:50:08Yeah, I should probably have a drink.
00:50:31Look, relax.
00:50:32Hey.
00:50:34Look where we are.
00:50:38I mean, is there anything better than this?
00:50:44You're right.
00:50:46I'll get now.
00:51:09I'm back.
00:51:12I have to go.
00:51:19Now do you think they'll actually pay us?
00:51:21They better.
00:51:22Or I'll break their legs.
00:51:23Oh, is that what they're gonna do?
00:51:25Oh, is that what they're gonna do?
00:51:27I don't know.
00:51:28I don't know.
00:51:29I don't know.
00:51:30I don't know.
00:51:31I don't know.
00:51:32I don't know.
00:51:33I don't know.
00:51:34I don't know.
00:51:35I don't know.
00:51:36I don't know.
00:51:37Is that what gallery owners do?
00:51:39That is what gallery owners do.
00:51:41That is why I got into this business, for the danger.
00:51:43Oh, wow.
00:51:44Okay.
00:51:45Back up.
00:51:48Let me ask you.
00:51:49Amanda Geisler is pursuing you heavily
00:51:52and her gallery is established, so...
00:51:55why did you go with me?
00:51:57You were more beautiful.
00:51:59Really?
00:52:01And I didn't want to share.
00:52:04Ah.
00:52:05The real reason.
00:52:06Oh, you were willing to go all in on me for a solo show.
00:52:11I appreciate that commitment to risk.
00:52:15The feeling's mutual.
00:52:18And you are more beautiful.
00:52:25Yeah.
00:52:28Mm.
00:52:29So, have you always loved artists?
00:52:32I love art more than I love artists.
00:52:34Come on, you like me.
00:52:36Well, you're the exception.
00:52:39So, why did you choose me?
00:52:44Your work was the most beautiful.
00:52:51You know, when I look at you,
00:52:55I see colors.
00:52:58Really?
00:53:00I found out there's something different about my brain.
00:53:04When I see colors, I hear music.
00:53:07And when I hear music, I see colors.
00:53:10That's called synesthesia.
00:53:11Yeah.
00:53:13I look up at the sky
00:53:15and I see blocks of color moving
00:53:18and I hear music.
00:53:20And everything about us
00:53:24is color,
00:53:26music,
00:53:29my brain.
00:53:34I love that.
00:53:43You know,
00:53:46there's something in my room I want to show you.
00:53:50Would you like to see it?
00:53:56Sorry.
00:53:59Everything okay?
00:54:01Everything okay?
00:54:03I'm just waiting on a message.
00:54:06I don't have any bars here.
00:54:08I think I have to go find some reception.
00:54:13Look, your husband's probably working late.
00:54:16Can you just
00:54:18stay here?
00:54:19I can't.
00:54:21I might have made a huge mistake at home.
00:54:24Excuse me, I have to get a hold of Owen.
00:54:26I think we should just say goodnight now.
00:54:28I think. I'm sorry.
00:54:30It's okay.
00:54:41God, come on.
00:54:42Come on, come on, come on.
00:55:00Good.
00:55:09You sure you just don't want to help me with my reel
00:55:11to get my foot in the door?
00:55:18You want to answer that?
00:55:19I should.
00:55:21You should.
00:55:27Hi.
00:55:28Hi.
00:55:29Finally, you answered.
00:55:31Yeah, everything okay?
00:55:33Yeah.
00:55:34Did I wake you?
00:55:36What time is it there?
00:55:38It's after 7am.
00:55:41I tried to text and call you last night.
00:55:44Yeah, they just came through now.
00:55:46Oh, there must have been a delay.
00:55:51How'd it go?
00:55:53Great. We sold five paintings.
00:55:56Five?
00:56:00No, it is.
00:56:04Did you end up at Gramercy Bar?
00:56:11Owen, did you go to Gramercy last night?
00:56:16I got a quick drink and then I came home.
00:56:25I'll see you tonight.
00:56:26I'm coming home early.
00:56:27Oh?
00:56:29Yeah, well, mission accomplished.
00:56:31You know, I have so much work to do, I have to get back.
00:56:36Alright, well, you should probably get to bed.
00:56:38I'm sure it's late there.
00:56:40Yeah, I bed.
00:56:45Owen?
00:56:53You're okay?
00:56:57Are we?
00:56:59Yes.
00:57:01Yes.
00:57:03I love you.
00:57:06Love you too.
00:57:28Hey.
00:57:30Sit down.
00:57:32Where are you going?
00:57:34I have to go home now.
00:57:36But our tickets are for tonight.
00:57:39You understand why I have to get back.
00:57:43No, Brooke.
00:57:45If you have feelings for me,
00:57:47if there are feelings here,
00:57:49then let's not judge it.
00:57:52Let's not resist it.
00:57:53Let's not resist it, like...
00:57:58I can't stop thinking about you.
00:58:03You worked so hard to get here.
00:58:08I'm yours.
00:58:11I'm sorry.
00:58:13I have to go.
00:58:24I'll find a place for you, but you can't call it, Brooke.
00:58:28And how about...
00:58:30dreams in Paris?
00:58:32That's even worse.
00:58:45Hi there.
00:58:47Oh, hi.
00:58:48You're early.
00:58:50Um, that's okay.
00:58:52But...
00:59:04This...
00:59:06What?
00:59:09Was that the artist that just left?
00:59:12Yes.
00:59:21Okay, so...
00:59:23What do you have for me?
00:59:25Alright, uh...
00:59:27I have to tell you something.
00:59:30I let something happen that I shouldn't have.
00:59:34Okay.
00:59:39My phone died.
00:59:42Died?
00:59:43Yeah, I have too many apps or something.
00:59:47I don't know what's wrong with my battery.
00:59:49It's a new phone.
00:59:51Two, so I...
00:59:53didn't get any audio.
00:59:54What about video?
00:59:56Video guy didn't show.
00:59:58Yeah.
01:00:00I know it looks really bad, um...
01:00:06Nothing happened.
01:00:07He was completely faithful to you.
01:00:09He passed.
01:00:13Can I get you coffee?
01:00:14Water?
01:00:15Yeah, I have to be somewhere, so...
01:00:17But you must have a little time to tell me what happened.
01:00:21Please, sit.
01:00:24Um...
01:00:25Okay.
01:00:28Yeah, I, uh...
01:00:31I got to the bar.
01:00:35So, no send-off set?
01:00:37I spotted your husband.
01:00:38Uh...
01:00:40Wait, hang on, you're forgetting,
01:00:41the last time you got drunk,
01:00:42you tried to find a house with a famous guy in New York City.
01:00:44I don't remember that.
01:00:45Yeah, exactly.
01:00:46Come on, let's go.
01:00:48Come on, there's one more.
01:00:49That's when I noticed my phone was dead.
01:00:52No, I gotta go.
01:00:54I'm pretty sure Eleanor put a tracking app on my phone.
01:00:57Hi there.
01:01:00He was getting ready to leave with his friend,
01:01:01so I sold him by asking a question about journalism.
01:01:06Let me ask you a question.
01:01:07Okay.
01:01:08Do you and your wife have a top five list for a hall pass?
01:01:12What, like a list of celebrities
01:01:14that we give each other permission to sleep with
01:01:16if the opportunity ever presents itself?
01:01:18Exactly.
01:01:19No, no, what?
01:01:20Brooke would never go for such a thing.
01:01:22What?
01:01:23Ever.
01:01:25Why is it on yours?
01:01:27Well, I got my boyfriend to agree to a list,
01:01:29but it's, um...
01:01:32It's kind of eclectic.
01:01:34No judgment.
01:01:39Okay, come on, just tell me who's number one on the list.
01:01:43Well, it's not number one I'm afraid to tell you.
01:01:45It's number four.
01:01:49Number four?
01:01:51Yeah.
01:01:53The suspense is killing me.
01:01:54Number four.
01:01:57Owen Shore.
01:02:01Shut up.
01:02:03There's some news you can use.
01:02:08We talked for 20 minutes.
01:02:11I gave him some openings,
01:02:12but he clearly was not into me at all.
01:02:19I thought maybe if I could get him to have another drink,
01:02:22it might up my chances,
01:02:24but he would not have one more drop.
01:02:32He was a perfect gentleman.
01:02:35Completely clear about where he stood.
01:02:39Aren't you bothered that no one's talking
01:02:40about the homeless crisis anymore?
01:02:42So bothered.
01:02:45I tried to reach you.
01:02:46I texted you the code to call it off,
01:02:48but you never responded.
01:02:50Well, you didn't need to,
01:02:51because he wasn't interested.
01:02:52So you talked about work for those 20 minutes?
01:02:55Yeah, we talked about the business,
01:02:57we talked about how to get a leg up.
01:03:01Breaking in.
01:03:03Huh.
01:03:05Owen gets uncomfortable when he's approached about work.
01:03:09That wasn't my perception.
01:03:11Okay, well, right now I'm getting your perception,
01:03:13but what I need are the facts.
01:03:16The fact is this.
01:03:18Your husband passed the test.
01:03:19I made some clear advances, and he declined.
01:03:23Amy, I have no proof that you were even there.
01:03:27I have proof.
01:03:31Uh, this is a napkin that he autographed.
01:03:37So are we good?
01:03:41I have to pay you.
01:03:44Right.
01:03:47You know what, I'm not gonna take that.
01:03:50But it's not your fault that your phone died
01:03:52and the video guy didn't show, right?
01:03:56Please, take it.
01:04:01Thanks.
01:04:06You should come to the opening tonight.
01:04:08You can meet Ansgar.
01:04:10Will your husband be there?
01:04:12What does it matter?
01:04:13What does it matter?
01:04:15I think he'd enjoy it.
01:04:22Dog weddings at a chapel.
01:04:23Right.
01:04:24Oh, that's why you're going to Vegas, is it?
01:04:32Well, it's late.
01:04:33Uh, should we all get going?
01:04:40Just us, then.
01:04:44Okay.
01:04:56There you are.
01:04:57I need to tell you something.
01:04:58Are you fucking crazy?
01:04:59What are you doing?
01:05:00You can't be here.
01:05:01You have no idea what's going on here.
01:05:02I think I do.
01:05:03No, you actually don't.
01:05:05Hey.
01:05:06Hey.
01:05:07Found you.
01:05:08So, uh, I didn't see you grabbing a drink.
01:05:11I really should go.
01:05:13It's early.
01:05:14Come with me.
01:05:22Brooke, I'm leaving.
01:05:24I'll see you in the morning.
01:05:26Oh, and the husband scowls in the shadows.
01:05:29Fuck off.
01:05:31Fuck off?
01:05:32Well, fuck me, newsboy.
01:05:33Yeah, fuck you.
01:05:39Help!
01:05:41Help!
01:05:44Get off of me!
01:05:45Get off!
01:05:46What is wrong with you?
01:05:47Are you a man so jealous he can't control himself?
01:05:49You're fucking crazy!
01:05:50Fuck you!
01:05:51Are you okay?
01:05:52You're bleeding.
01:05:53I'm fine.
01:05:54Oh, my God.
01:05:55Do you need to go to the hospital?
01:05:56I'm not going to the hospital.
01:05:57I'm fine.
01:05:58She's right.
01:05:59You're a mess.
01:06:00Look, I'm done.
01:06:01Do you want to grab a drink?
01:06:02Let's go.
01:06:03Okay, fine.
01:06:04Fine.
01:06:05Let's go.
01:06:06Let's go.
01:06:07Are you hurt?
01:06:08Physically.
01:06:14I'm dropping him.
01:06:16Okay, let's go home.
01:06:25Oh, and are you sure you don't know that woman?
01:06:28The one that was with Ansgar?
01:06:30I don't know her.
01:06:32So you didn't meet her at Gramercy Bar when I was in Paris?
01:06:36Not that I remember.
01:06:40Do you remember this?
01:06:41Do you remember this?
01:06:50What?
01:06:52She gave this to you?
01:06:53When did she give this to you?
01:06:55What did she say?
01:06:56Well, I want you to tell me.
01:07:00I don't understand.
01:07:04She gave that to you?
01:07:05Yeah, she did.
01:07:07Okay, maybe I gave her an autograph.
01:07:09I don't remember.
01:07:10You know, it was crowded and I can't...
01:07:13So you talked to her?
01:07:15I just don't understand why you couldn't say that to begin with.
01:07:21Honestly, it was all a blur.
01:07:25Okay?
01:07:27Okay, look.
01:07:28All right, I...
01:07:30Right.
01:07:33I was leaving with her.
01:07:35I was leaving with Adam.
01:07:36Some girl comes up.
01:07:37She asks for an autograph.
01:07:40Is this something we need to make a big deal out of?
01:07:42A girl at a bar?
01:07:44Do we need to make a big deal about it?
01:07:48You tell me.
01:07:51I don't know.
01:07:52She's a fan.
01:07:53She can say anything.
01:07:54Like what?
01:07:55Who knows?
01:07:56Crazy shit.
01:07:58You think she would do that?
01:08:01You never know.
01:08:02I...
01:08:03Look, you try to be nice.
01:08:05Give an autograph.
01:08:06Give them a picture.
01:08:09You took a picture with her too?
01:08:12Yeah.
01:08:13Yeah.
01:08:15On her cell phone?
01:08:17Yeah.
01:08:18She said she was gonna put it online,
01:08:20which I was not very happy about.
01:08:23Are you sure she used her cell phone?
01:08:25Yeah, Adam took the picture.
01:08:28Look, what difference does it make?
01:08:32You're lying.
01:08:36No, I'm not.
01:08:38I want you to tell me
01:08:40exactly
01:08:42if something happened
01:08:43more than what you're telling me.
01:08:47Don't lie to me.
01:08:54All right.
01:08:56All right, what?
01:08:57You're right, okay?
01:08:58There's more to the story.
01:08:59There's a story?
01:09:03Look, okay,
01:09:04I never meant for things to get out of hand.
01:09:07What?
01:09:09You were spending a lot of time with him,
01:09:11and I was losing it, okay?
01:09:13Oh, my God.
01:09:14What did you do?
01:09:16Oh, my God.
01:09:17Um, can we pull over?
01:09:19Can we just go?
01:09:20No, no, no, no, no.
01:09:21I need to get out.
01:09:22Can you let me out?
01:09:23Brooke, Brooke.
01:09:24No, can you stop the car?
01:09:25Can you just stop the car?
01:09:26Brooke, stop.
01:09:27Stop the car right now, goddamn it!
01:09:29Brooke.
01:09:31Brooke.
01:09:32Hey.
01:09:33Hey, just come back to the cab, okay?
01:09:34We can go home and talk.
01:09:35Just say what you have to say.
01:09:38Oh, my God, you can't even say it.
01:09:47Brooke.
01:09:48Hey.
01:09:49Hey.
01:09:51I made a mistake.
01:09:52Don't touch me.
01:09:53You have to hear me, okay?
01:09:54In all the years we've been married,
01:09:55I have never said
01:09:56In all the years we've been married,
01:09:57I have never done anything
01:09:59inappropriate.
01:10:00I've never done anything
01:10:01to undermine our relationship.
01:10:03Owen,
01:10:04did you have sex with her?
01:10:10You had sex with her?
01:10:17I feel terrible, okay?
01:10:19I don't know what...
01:10:21I'm sorry.
01:10:22Brooke, please.
01:10:23Just listen, okay?
01:10:25Just listen, hey.
01:10:26Get away from me!
01:10:33All those women at work
01:10:34that you go on trips with,
01:10:35your late-night outings.
01:10:37Give me your phone.
01:10:40Please, just go home.
01:10:41No.
01:10:42I want your phone
01:10:43to look through all your texts
01:10:44and everything right now.
01:10:55Okay.
01:11:26It's gonna come a day when I see you
01:11:30Somewhere in the city with somebody new
01:11:33Will you stop and say hi
01:11:36Or walk on by
01:11:37Like I never even loved you at all
01:11:40Maybe I'll see you at a party
01:11:43Heart stops cause you're looking right through me
01:11:46In your eyes I've become invisible
01:11:50Like I never even loved you at all
01:11:54Like we were never barely holding on
01:11:57Like we were never fighting through the storm
01:12:00Like our hearts never had a home
01:12:04Like I never even loved you at all
01:12:07Like we were never crying on the floor
01:12:10Like we were never calling out for more
01:12:14Like our hearts never had a home
01:12:17Like I never even loved you at all
01:12:24I can...
01:12:25I know the truth.
01:12:27Oh no.
01:12:28What did you do?
01:12:36You don't understand.
01:12:37I actually met your wife a few days ago.
01:12:40What are you talking about?
01:12:43She hired me.
01:12:47Hired you?
01:12:48Yes.
01:12:50For what? Like a job at the gallery?
01:12:53No.
01:12:54Then for what?
01:12:55She hired me as a...
01:12:57an operative.
01:12:59A decoy.
01:13:02What?
01:13:03I knew you'd be at Gramercy that night.
01:13:09She set me up?
01:13:11Yes.
01:13:15You were supposed to have sex with me?
01:13:18No.
01:13:19No, okay?
01:13:20That was my own fuck-up because...
01:13:23actually,
01:13:25you really are number four on my list.
01:13:39Sorry, I don't want to talk about it right now.
01:13:47Okay.
01:14:18Hey, Owen, did you just call?
01:14:20We've got lots of Senator McVane tips coming in,
01:14:22so keep your phone close by.
01:14:24Okay.
01:14:25I'll call you back.
01:14:26Bye.
01:14:27Bye.
01:14:28Bye.
01:14:29Bye.
01:14:30Bye.
01:14:31Bye.
01:14:32Bye.
01:14:33Bye.
01:14:34Bye.
01:14:35Bye.
01:14:36Bye.
01:14:37Bye.
01:14:38Bye.
01:14:39Bye.
01:14:40Bye.
01:14:41Bye.
01:14:42Bye.
01:14:43Bye.
01:14:44Bye.
01:14:45Bye.
01:14:46Bye.
01:14:47Bye.
01:14:48Bye.
01:14:49Bye.
01:14:50Bye.
01:14:51Bye.
01:14:52Bye.
01:14:53Bye.
01:14:54Bye.
01:14:55Bye.
01:14:56Bye.
01:14:57Bye.
01:14:58Bye.
01:14:59Bye.
01:15:00Bye.
01:15:01Bye.
01:15:02Bye.
01:15:03Bye.
01:15:04Bye.
01:15:05Bye.
01:15:06Bye.
01:15:07Bye.
01:15:08Bye.
01:15:09Bye.
01:15:10Bye.
01:15:11Bye.
01:15:12Bye.
01:15:13Bye.
01:15:14Bye.
01:15:15Bye.
01:15:16Bye.
01:15:17Bye.
01:15:18Bye.
01:15:19Bye.
01:15:20Bye.
01:15:21Bye.
01:15:22Bye.
01:15:23Bye.
01:15:24Bye.
01:15:25Bye.
01:15:26Bye.
01:15:27Bye.
01:15:28Bye.
01:15:29Bye.
01:15:30Bye.
01:15:31Bye.
01:15:32Bye.
01:15:33Bye.
01:15:34Bye.
01:15:35Bye.
01:15:36Bye.
01:15:37Bye.
01:15:38Bye.
01:15:39Bye.
01:15:40Bye.
01:15:41Bye.
01:15:42Bye.
01:15:43Bye.
01:15:45Bye.
01:15:46Bye.
01:15:47Bye.
01:15:48Bye.
01:15:49Bye.
01:15:50Bye.
01:15:51Bye.
01:16:02What are you doing here?
01:16:06What are you doing here?
01:16:09I live here.
01:16:11Hey!
01:16:24This is the situation.
01:16:27Oh shit.
01:16:30Did he call and tell you I wasn't here?
01:16:33Did you rush over?
01:16:34She just wanted us all to be on the same page.
01:16:36Look, I realize I crossed the line, I-
01:16:38Yeah, when?
01:16:40What?
01:16:40Why did you decide to cross that line?
01:16:42I was enjoying our conversation.
01:16:44About what? Your boyfriend that you're very much in love with?
01:16:46I had a hall pass.
01:16:48Oh, really?
01:16:50Protecting your little prostitute?
01:16:52I'm not the one who paid her to have sex with me.
01:16:54You weren't supposed to do that to me.
01:16:58I thought that you would be able to say no.
01:17:00I was banking on the proof and in comfort
01:17:02of knowing with 100% certainty
01:17:04that my husband would be faithful.
01:17:06I thought that, you know,
01:17:08if I...
01:17:10What?
01:17:12Say it. Say what you did to me.
01:17:14Even if I created the circumstances...
01:17:16I have never made a move in my life
01:17:18that wasn't about you.
01:17:20And you're right.
01:17:22I fucked up.
01:17:24I reacted.
01:17:26And I did something wrong.
01:17:28But the ironic thing is
01:17:30just for a second, I thought,
01:17:32yeah,
01:17:34I'm doing something fucked up.
01:17:36And I'm doing it for me.
01:17:38For me. Just for once.
01:17:40But it wasn't.
01:17:44You did this to me.
01:17:46Fuck you.
01:17:48Okay, I just really have to say
01:17:50for the record that I have always
01:17:52been completely professional
01:17:54and I have never had an incident like this before.
01:17:56You really have no shame.
01:18:00That might be true.
01:18:02But you know what?
01:18:06I'm not the one who dangled a chick
01:18:08in front of my husband to see if he'd fuck her.
01:18:12I don't know why you'd mess all this up.
01:18:16You have a really nice apartment.
01:18:18You have a really nice apartment.
01:18:32Hi.
01:18:34Hi, what?
01:18:38You want to talk about it?
01:18:48Yeah.
01:19:06I need to know, Brooke.
01:19:12Did anything happen in Paris?
01:19:14No.
01:19:18Full honesty.
01:19:20All cards out on the table.
01:19:22No, I'm not going to answer that question.
01:19:28Well, would you please fucking answer that question?
01:19:32Were you unfaithful to me?
01:19:36And what if I was?
01:19:38Meaning?
01:19:40Meaning?
01:19:44I may have made a huge mistake at home.
01:19:46We should just say goodnight now, I think.
01:19:48I'm sorry.
01:20:10I'm sorry.
01:20:20No one's cheating on me.
01:20:22I know it.
01:20:24I can feel it.
01:20:28Cheating?
01:20:30Cheating as in fucking someone who's not me.
01:20:36That's all my fault.
01:20:40Hey.
01:20:44Hey.
01:20:48Can I show you something?
01:20:58Hey, come on.
01:21:10Come on.
01:21:40You see that corner there?
01:21:42Two years ago,
01:21:44I was sleeping there.
01:21:46On that sidewalk.
01:21:48Yeah, I know it.
01:21:52I was drawing pictures on walls with chalk.
01:21:56Some people helped me.
01:22:00You most of all.
01:22:04And now I'm here.
01:22:06And you're here.
01:22:12Look.
01:22:16If I wind away somewhere,
01:22:18that's good news.
01:22:22It means you're free
01:22:24to do whatever you like.
01:22:28No rules.
01:22:36What?
01:22:44I live for each moment.
01:22:50What do you think matters to the universe?
01:22:54If you kiss me
01:22:58or not.
01:23:06You're mine.
01:23:10I bring you in
01:23:12close to me.
01:23:16I wanna change
01:23:18your mind.
01:23:22I bring you in
01:23:26closer.
01:23:28Are you totally with me?
01:23:30Totally
01:23:32with me.
01:23:36In this
01:23:38exact moment.
01:23:42All cards on the table.
01:23:44As they say in Vegas, baby,
01:23:46when you tie,
01:23:48it's a push.
01:23:50Meaning what?
01:23:52Meaning you hiring Amy
01:23:54makes us even?
01:23:56Meaning what?
01:24:06I can't.
01:24:16Meaning I don't have to tell you.
01:24:20And that's what makes us even.
01:24:36I love you.
01:24:38I love you.
01:24:40I love you.
01:24:42I love you.
01:24:44I love you.
01:24:46I love you.
01:24:48I love you.
01:24:50I love you.
01:24:52I love you.
01:24:54I love you.
01:24:56I love you.
01:24:58I love you.
01:25:00I love you.
01:25:02I love you.
01:25:04I love you.
01:25:16Awesome.
01:25:34Wait.
01:25:38Are you coming back for Christmas?
01:25:48Is this it?
01:26:04Yeah.
01:26:10Vegas ticket?
01:26:14No.
01:26:24Departs in three hours
01:26:26from JFK.
01:26:30Christmas in Paris.
01:26:34Two tickets.
01:27:04She wants to wait till morning
01:27:06to open her presents.
01:27:10Do you want to make some hot cocoa?
01:27:22Couldn't get my money back.
01:27:24Couldn't get my money back.
01:27:32Couldn't get my money back.
01:27:54Couldn't get my money back.
01:27:56Couldn't get my money back.
01:27:58Couldn't get my money back.
01:28:00Couldn't get my money back.
01:28:02Couldn't get my money back.
01:28:04Couldn't get my money back.
01:28:06Couldn't get my money back.
01:28:08Couldn't get my money back.
01:28:10Couldn't get my money back.
01:28:12Couldn't get my money back.
01:28:14Couldn't get my money back.
01:28:16Couldn't get my money back.
01:28:18Couldn't get my money back.
01:28:20Couldn't get my money back.