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00:30Why are you looking at me like that?
00:33How do you want me to look at you?
00:35I don't know. Normal.
00:40You're not from this world, Luz.
00:45What? I told you it's so funny.
00:48A huge wink.
00:51You don't like it?
00:53I love watching you.
01:01This is the part I like the most about you.
01:04Which one? The left clavicle?
01:13I put my head here,
01:16and I hear your heart beat.
01:23I feel that being here,
01:25nothing bad can happen to me.
01:31You're the one who's looking at me in a strange way.
01:35I was wondering why I've been so stupid.
01:40Making excuses not to be with you when you're what I've always dreamed of.
01:45Really?
01:47Because I'm your blue prince?
01:51Better. Because you're real.
01:53Because I'm your blue prince?
01:55Better. Because you're real.
02:02Stop.
02:11And this?
02:12The scar.
02:14Do you want to know how?
02:19In jail.
02:21Yes, in the showers.
02:23In the showers.
02:54Love.
02:59Good morning.
03:01Good morning.
03:03How did you sleep?
03:05Regular.
03:07I was very tired, but my head...
03:11I see. That's why I didn't know if I should wake you up or let you sleep more.
03:16I'm sorry.
03:18I'm sorry.
03:20I'm sorry.
03:21I'm sorry.
03:27Well, take this warm infusion and go back to sleep, if you want.
03:40Thanks.
03:42I think I'm going to take advantage of the fact that you've woken me up to do something.
03:47What do you want to do?
03:48Well, something that isn't a nuisance for everyone.
03:51What nonsense is that? You're not a nuisance.
03:55You're just going through a time in which you have to take care of yourself,
04:00and above all, let others take care of you.
04:04Well, I'm sleeping in my room all day.
04:08I think I know what's wrong with you.
04:10You can't fool me.
04:14You're bored, right?
04:19It's obvious that you know me well.
04:21Of course.
04:23Well, I'll tell Digna to go down to Toledo
04:25to share some of those travel magazines that you like so much.
04:28Yes, well...
04:30What if I also put you on the radio?
04:33I was thinking of something else. Maybe...
04:35take a walk.
04:39It's too early for a walk, my love.
04:42You don't want to run, or you'll just trip again.
04:45Little by little, yes.
04:47If only I could at least talk to someone.
04:50Do you love me?
04:53Yes, you're very concerned about me.
04:55But you're at the factory all day.
04:57I don't blame you, quite the opposite.
05:00All right.
05:01I'll talk to Maria so she can come and see you.
05:05Maybe that way you'll entertain yourself a bit.
05:08I know you don't have many relationships,
05:10but maybe it's time for you to get to know each other a bit better.
05:13I'm sure you have things in common.
05:15I was thinking about Luz.
05:18But the doctor must be very busy at the dispensary.
05:22I know, but the last time we saw each other
05:24she was offended by something I said, and...
05:27And what was it?
05:29I don't remember, but...
05:32I don't know, it would help me to fix it with her
05:34so I don't have it in my head.
05:37Well, if you don't see it, it's all right.
05:40Well, if you don't see it, it's all right.
05:43It's just that I don't want you to receive visitors
05:45that could upset you, darling.
05:47Of course, I understand.
05:52All right, call her if you want.
05:55But I'll leave an express order
05:56that if you're asleep when she comes,
05:58she won't wake you up.
05:59Okay?
06:00Of course.
06:02I love you.
06:05And me.
06:10Drink your tea before it gets cold.
06:40I love you.
06:52I think it's very bad that you don't invite me to a coffee.
06:54I know.
06:55You're going down to the canteen.
06:57Are you going to give me a goodbye kiss at least?
06:59Of course.
07:00See you later.
07:01I'm sure it's ready.
07:02I know it's very early, but...
07:05Hello.
07:06Hello.
07:07Good morning.
07:08Mother, what...
07:10Son?
07:11What are you doing here so early?
07:12Are you sick or something?
07:13No, I'm not.
07:15I've come for a prescription
07:17for Isidro's pills.
07:19Well, no, I have it ready.
07:21I'm sorry.
07:22Of course.
07:23If you don't mind, I'll bring it home later.
07:25Really? Would you do me that favor?
07:27Yes, of course.
07:28Well, then I'm going to work.
07:31See you later.
07:33Shall I close the door?
07:34Yes, please.
07:44Well, I have to go too.
07:46I won't bother you anymore.
07:48Have a good day.
07:54I was on my way home
07:56and I realized I'd forgotten my phone.
07:58So...
07:59Jaime.
08:00No, Luz.
08:01You don't have to explain anything to me.
08:03Your smile says it all.
08:05I wish you'd found out some other way.
08:08That doesn't matter.
08:10I'm happy to see you happy.
08:14Well, I'm going now.
08:16Bye.
08:34Dispensaria Perfumerias de la Reina?
08:38Begoña?
08:40I think he's as excited as I am.
08:43Father, we're disgusted.
08:45Yes, we need more preambles.
08:46Tell us, what's the big news?
08:49The Circle of Businessmen of Spain
08:51is giving us an award.
08:53What?
08:54Wow, wow.
08:56What's that?
08:58They've considered that
08:59Women's Desire is the product of the year.
09:03May I?
09:06We unanimously award
09:07the award to the product of the year
09:09Women's Desire
09:11for its quality and innovation.
09:13It's time they took us into account
09:14for something more
09:15than to pay the share of partners.
09:16Maybe our time had not come.
09:18Regardless of whether this award arrives late or not,
09:20it's great news.
09:22Of course.
09:23And a very good reputation for us.
09:25And a good base to negotiate new contracts.
09:27We will receive the award tomorrow
09:29at an event at the Casino de Madrid.
09:31What a luxury.
09:32You'll have to put on your best clothes
09:34so you don't get out of tune.
09:36What?
09:37Is Marta going to get that award?
09:39I thought you only allowed one person to attend.
09:42You'll have to prepare a speech of thanks.
09:44You know how these things go.
09:46Of course.
09:47What a responsibility.
09:49Marta, you'll be up to the task.
09:51As always.
09:52Yes, but don't be too passionate
09:54with your sister's speech.
09:55We already know what each one of us
09:57in this family picks up.
09:58Your sister has shown with growth
10:00to be up to the task on multiple occasions.
10:04What's wrong?
10:05Aren't you happy, Jesus?
10:07Of course.
10:08It's just that I sincerely believe
10:10that she should be a father.
10:12Or, in her case...
10:13Her eldest son.
10:15Well, not because she's the eldest,
10:18but because she's the director of this company.
10:21I think that would be the most logical
10:23and fair thing to do.
10:24What's not fair to you?
10:27It's obvious.
10:28I was the one who had the idea
10:29to launch that product on the market.
10:31Actually, it was Floral
10:33who came up with it first.
10:35Yours was the idea of stealing the initiative.
10:38But it seems like you've forgotten
10:40that part of the story.
10:42Well, I think you're the one
10:43who's losing his memory.
10:44And now he makes me believe
10:45what he praised at that moment.
10:47I don't like you being our father, Jesus.
10:49This isn't about you, Andres.
10:54The end doesn't justify the means, Jesus.
10:56I think we've talked more than once about this.
10:58So you're going to accept whatever I say.
11:00A company consists of making decisions
11:02with the best criteria,
11:03not of obeying like a pussy anime.
11:05If what you want is for me to shut up,
11:07then fire me.
11:09I already did it once.
11:11So don't tempt fate, Jesus.
11:13Let him be.
11:15Father, if Jesus wants to get the award,
11:17I think it's fine. I don't care.
11:19Marta, you deserve it.
11:21No, what I want is to live in peace.
11:24And it's true that Jesus had the idea,
11:26even if the ways weren't the most appropriate.
11:29The idea is as important as the execution.
11:32And it was you, Marta,
11:33who made sure this wonderful product
11:35was on the market on time
11:37and in the best conditions.
11:40And now it's time for us to acknowledge
11:42everything you've done
11:43so this company can be what it is.
11:46I thank you for your words.
11:48You deserve it, daughter.
11:50Congratulations, Marta.
12:04Hello, Begoña.
12:05You're early.
12:07As soon as you called me.
12:09I'm sorry about how we ended the other day.
12:11It wasn't me the other day.
12:19Are you feeling better today?
12:24I'm not crazy.
12:26What is this?
12:28I want you to tell me.
12:30What is this?
12:32I want you to tell me.
12:34I think this is what's causing me hallucinations
12:37and what makes me so tired all day.
12:41It's Jesus.
12:42He's giving it to me.
12:44Begoña, you seem very upset.
12:46Do you want me to...?
12:47Luz, look at me.
12:48I'm fine.
12:50It's me.
12:51I'm back.
12:53You have to believe me.
12:55I've been like this because of Jesus.
12:57Do you mean your husband is poisoning you?
13:00Let's see.
13:03I've been insisting for a few days
13:05that I take some infusions
13:06and he brings me one in the morning
13:08and one at night.
13:09And he waits very attentively for me to finish them.
13:11Last night,
13:13I threw away the content of one of the teas
13:15and made him believe that I had drunk it.
13:17This morning he did the same
13:19and it was me again.
13:22My God.
13:23It's the truth.
13:28This doesn't smell strange at all.
13:30Because Jesus isn't stupid.
13:32He knows how not to leave a trace.
13:36You don't believe me.
13:39Begoña, there's something wrong.
13:41What?
13:42Jaime did an analysis on you.
13:45Of course.
13:46Did he?
13:49No, Begoña.
13:51There's no trace of any toxic substance in the blood.
13:55It can't be.
13:57No, it can't be.
13:58There must be a mistake.
13:59I swear.
14:00I'm sorry, but the blood doesn't lie.
14:01Look, I don't know what happened.
14:03But I know how I was yesterday
14:04and I know how I am today.
14:05And I'm sure
14:06that Jesus is doing something
14:07to have me subdued.
14:08You and I know
14:09that's what he's always wanted.
14:10I know.
14:11I know.
14:12Look, every time I've tried
14:13to get rid of his yoke,
14:14he's hurt me.
14:16He already did it with the light shot
14:17and he's done it more times.
14:18What a coincidence
14:19that I ask him to go to London
14:20and look,
14:21he's trying to keep you by his side at all costs.
14:24But the tests...
14:25Please, Lu.
14:26Forget about the tests.
14:27You have the infusion.
14:28Give it to me.
14:29Do you want me to send it to the lab?
14:30Yes.
14:31I want them to analyze
14:32what he's forcing me to take.
14:34Okay.
14:35I'll hurry them,
14:36but it'll take a few days.
14:37What are you going to do until then?
14:39What I've been doing all this time.
14:41Survive.
14:47You didn't have to humiliate me like that.
14:49I've just told you how things are.
14:51Yes,
14:52remembering that you had to relegate me
14:54at a certain time.
14:55Look, son,
14:56what I'm not going to allow
14:57is that you question me
14:58every single one of my decisions
15:00with that uncontrollable temperament that you have,
15:03especially after everything I've done for you.
15:06You know what I mean.
15:08Don't come to me with that now, please.
15:10I'm sorry, son,
15:11but for better or for worse,
15:12I have the same relationship with you
15:13as with your brothers.
15:16I've given you what's not in the scripts,
15:19no matter how much it hurts you.
15:21You'll always keep it that way.
15:23That will always be there.
15:26Well, I have nothing more to say.
15:29A good healing won't hurt you, Jesus.
15:33Well, that's enough.
15:34Why are you doing this to me, Father?
15:35What am I doing to you?
15:36Punishing me.
15:37Look, there's no punishment here.
15:39But you just said yourself
15:41that you'll always keep
15:42the damn past of this family.
15:43Having it in mind
15:44doesn't mean I didn't make my decisions
15:46with good judgment.
15:48Or are you going to question me again?
15:52If I want Marta to represent us,
15:54it's not to punish you,
15:55but because I have enough reasons
15:57to think it's the best option.
16:00But you can think whatever you want.
16:03I'm starting to get tired of your attitude
16:05and your constant complaints.
16:08Desire for a woman was my idea.
16:10I don't want to take credit for what I did.
16:11Nobody does, son, but your sister...
16:13My sister worked hard, I'm not saying she didn't.
16:15But I see that award
16:16as a recognition of a career.
16:19What do you mean by that?
16:21I've been working in this company
16:22every day for a long time.
16:24And I deserve much more than her
16:25to go to that damn circle of businessmen.
16:27Don't be childish, Jesus.
16:29I remember when you were a kid
16:30and you begged me
16:31to let you go out
16:32with your classmates from school.
16:34No, don't make fun of my father.
16:35Please, I'm begging you.
16:37Is it that important for you to go to that event?
16:41Or...
16:42Is it hard for you
16:44for your sister to take advantage of you?
16:47And to do it in a dirty way,
16:49working hard?
16:53Is that it?
16:55Can't you stand
16:56that your brothers cast a shadow on you
16:59and that they can be just as good as you?
17:02Don't give me lessons at this point.
17:05Well, you're going to have to get used to it
17:06because your sister is gaining weight
17:08more and more in the factory.
17:10And you know why?
17:12Because she's missing something that you're missing.
17:17Honesty.
17:19Honesty.
17:23Father, you don't know what you're talking about.
17:25Marta is not what she thinks.
17:29What do you mean by that?
17:34Come in.
17:36Excuse me.
17:37What do you need, Isabel?
17:38I just wanted to remind you
17:39that today is the day
17:40that you have to send the payroll to the manager.
17:42Very well, then.
17:43Collect them all and bring them to me.
17:44I have to review them.
17:45I will do so.
17:46And excuse me.
17:47I didn't want to interrupt.
17:48Don't worry, Isabel.
17:49I was leaving.
18:07Beautiful handkerchief.
18:11He told me to buy something nice from you
18:13and so I did.
18:15Do you want anything else?
18:18No, you can go.
18:31Claudia.
18:33Hello, Father.
18:35It hurts to hear what they say about you and Father Mateo.
18:38It's a lie.
18:39They've done a lot of harm
18:40and forced a poor man to leave here unnecessarily.
18:42When Mateo told me he was leaving,
18:44I was sad and angry
18:46because I don't think what they say is true.
18:48I can't believe it.
18:50No, of course you don't believe it.
18:52You don't believe me and I understand you, daughter.
18:54Of course I don't believe you, Mr. Agustín.
18:56Since Mateo left,
18:57his land has taken advantage of the best opportunity
18:59to leave.
19:00The best opportunity?
19:02Is there really something they say?
19:04Don't play with me.
19:05I'm not stupid.
19:06And I know you're the one who organizes all this.
19:09Do you feel sorry for him?
19:11Is it going to be true, then?
19:13And if so, Holy God,
19:14Mateo should never have been ordained a priest
19:16and somehow I feel responsible
19:18for encouraging him to go back to his secular life.
19:20Because it's better than you a hundred times.
19:22Don't be so insolent, Claudia.
19:24What's the matter?
19:25Did I puncture a bone?
19:26I have nothing to envy
19:27to someone who walks through paths of perdition.
19:29Your little friend will succumb to the temptations again
19:31and when that happens,
19:33I hope someone denounces him
19:34and he is removed from the Church forever.
19:36Stop slandering Father Mateo, huh?
19:38And all because he is much more dear to you
19:40than the workers of the factory.
19:41I'm not going to get into that game
19:42of seeing who is the one who receives the most affection.
19:44I'm over that.
19:45Don't touch it in your mouth.
19:47I know that my commitment to this factory
19:49is to be a good shepherd
19:50and to guide all my sheep.
19:52And when I say all, I mean you.
19:54Well, don't worry, huh?
19:55This sheep is going to look for another flock.
19:57Pride is not good.
19:58You are in excess
19:59when you should bow your head
20:00and behave like a good Christian.
20:02Again?
20:04Are you going to remind me again
20:05that I'm going to be a single mother?
20:07If that were your only sin.
20:10What do you tell me about that poor boy,
20:13from your town,
20:14whom you wanted to deceive?
20:15I didn't want to deceive Mr. Agustin.
20:16He was my mother.
20:17I had nothing to do with it.
20:18Thank God God wanted you to open your eyes
20:20and come to your senses.
20:22I'm starting to think that it wasn't God
20:23who wanted me to open my eyes.
20:25It was you.
20:26It was you who caused all this.
20:28Listen to me, little girl.
20:30I'm not going to let you accuse me of barbarity.
20:32Do you hear me?
20:34You carry too many sins on your back
20:35to be enemies with your confessor.
20:39Come in.
20:42Mr. Jesus,
20:43I brought you the payrolls
20:44that the manager needs.
20:47As soon as I check them...
20:48I have already taken the liberty of doing so.
20:50And if you want,
20:51you don't have to go down to Toledo to take them.
20:53I can take care of getting them to him.
20:56If you would do me that favor.
20:58Of course.
21:00Isabel,
21:01I'm sorry.
21:03I'm sorry.
21:05Of course.
21:07Isabel,
21:08have you found out
21:10anything else about what the Merinos are up to?
21:13I haven't seen Gemma since yesterday.
21:15I'll call her later to see how she is.
21:17Very well.
21:18And think that
21:19if they are going to mortgage the house,
21:20my cousin Luis should also be aware.
21:22Maybe you can
21:23discover something through him.
21:25I'll try to get closer to him.
21:27Thank you, Isabel.
21:28You can go back to your table.
21:31Anything else?
21:33He's going to think I'm a meddler.
21:36But I couldn't help
21:38listening to his discontent
21:39before his father's decision
21:41that his sister
21:42is the representative
21:43in the circle of businessmen.
21:46I'm a meddler if you are, yes.
21:48I'm sorry if I offended you.
21:50But
21:51if I bring up the subject of collations,
21:53it's because I want to help you.
21:55I don't see how.
21:56Reminding him
21:57that he has to be careful
21:59Reminding him that he has a card
22:00with which he can play
22:02and make his father
22:03change his mind about his sister.
22:05Isabel, I already told you
22:06that you would leave that subject to me.
22:08I know.
22:10But if his father was aware
22:12of the likes of his sister,
22:14I'm sure
22:15he wouldn't be so generous with her.
22:17And you think I don't know?
22:19I've been to this before
22:21to tell him.
22:23And why didn't you do it?
22:26Because knowing my father,
22:27he would think
22:28it's just a strategy
22:29to discredit her.
22:31I see.
22:32My sister would obviously deny everything
22:33and my father would believe her
22:35without questioning her.
22:36Because questioning her
22:37would be assuming
22:38that her vices could be real.
22:39And that's something
22:40my father wouldn't be willing to do.
22:43It's a shame
22:44that I can't use that information.
22:47I wish I could give him
22:48something more than my word.
22:51Anyway, if you need me,
22:53I'm in my office.
23:26Come in.
23:31What are you doing knocking?
23:33Do you work here too?
23:36Well, no.
23:37I didn't know if you'd be alone
23:39and I didn't want to bother you.
23:42Well, about...
23:44about this morning,
23:45it was a mess.
23:47The sheets got stuck and...
23:50I don't know.
23:52The sheets got stuck and...
23:57I'm sorry.
23:59No, no, please.
24:00I've already told you.
24:01You don't have to apologize for anything.
24:04Seeing you happy makes me happy.
24:08Let me tell you that you don't...
24:10that you don't need to be
24:11in a hurry
24:12to enter the pantry.
24:14Much less at work hours.
24:18Okay, I'll keep that in mind.
24:23You're early.
24:25Yes, I thought it would take longer.
24:28By the way, you owe me five euros.
24:31Weren't you a charlatan?
24:33No.
24:34The boy only had one dermatitis.
24:36And the fever?
24:38He got it together with a common cold.
24:41With those symptoms,
24:42it's easy to make mistakes.
24:44Five euros, well earned.
24:46I'll tell you later.
24:49What are you looking for?
24:51Begoña's latest analysis.
24:54It's not in her history book.
24:56They told you over the phone, right?
24:58Yes.
24:59They haven't sent it yet?
25:01Well, the results were good.
25:03I didn't think it was necessary to ask her.
25:06Well, I'm going to call them to send it.
25:16Don't you trust me?
25:18Do you think I'm so bad that I don't know what I'm saying?
25:21I didn't say that.
25:22Yes, but it's what it looks like
25:23when you call to try to corroborate
25:24what I'm telling you.
25:26I want to call because I'm worried about my friend.
25:30And wouldn't it be right to have her analysis here?
25:33I already told you, the results were good.
25:37But well, I'm asking for them.
25:40That's why I called.
25:42Could you call now so they can bring them now?
25:47Understand me, it's just that...
25:49It's just that...
25:51It's hard for me to assume that my friend has lost her mind.
25:54I need something different.
25:56I need hope.
25:59Well, you won't find it there.
26:02I see.
26:04But if you prefer it, call.
26:08No, no, no, no.
26:10It's not necessary, don't worry.
26:14Jaime, I'm sorry.
26:18I don't want you to think I don't trust you.
26:21But this situation is too much for me.
26:25Don't take it into account, please.
26:26No, no, no.
26:28Don't worry.
26:40I notice you're a little agitated.
26:42Well, tomorrow you're being a little agitated, that's all.
26:47You know what?
26:49I'm going to make the house visits.
26:52That way you'll get less tired.
26:54Well, if you don't mind, we'll talk about it later.
26:56I just want to go down for a coffee, I need it.
26:59Of course, take the time you need.
27:02Do you want me to bring you something?
27:03No, no, no need, thank you.
27:05I'll be right back.
27:10I'll be right back.
27:40Hello, I'm Dr. Borrell.
27:43Has Cosme already come out with the packages for the shipment?
27:47Can you tell him to stop by the dispensary for a moment?
27:49Please, I have to give him one.
28:10I'll be right back.
28:57Good morning.
28:59Hi, Isabel. Do you need anything?
29:02I came to see him.
29:03Me?
29:04Yes, he called a new essential oil supplier offering his products.
29:10Ah, very good.
29:12And Mr. Jesus asked me to ask if you are satisfied with the usual
29:16or do you prefer this option to be valued?
29:19Well, the truth is that I am satisfied with Marquinez.
29:23But you can tell Jesus that I thank him that you asked me,
29:28that he took me into account.
29:30On his part.
29:34Good morning.
29:39Luis.
29:40Yes?
29:41What is she doing here?
29:43She came to give me a message.
29:45I could have spent the morning looking for her.
29:47Well, who would have thought to leave her there so that everyone could see her?
29:50Yes.
29:51Excuse me, Joaquín, it has been a moment that I have had to use my laboratory.
29:54A moment that someone could have entered and realized what we are doing with those lands.
29:58It has been reckless.
29:59I know, I know.
30:00Excuse me.
30:02It's just that I have a little head in the clouds.
30:08It's just that yesterday afternoon,
30:10light came through the laboratory and ...
30:15We were finished.
30:18That's why you didn't sleep at home.
30:20It came up.
30:22Well, it was time.
30:24You've been dizzying the perdiz for a long time.
30:27Are you serious?
30:28So serious
30:30that I can't help but think about the future.
30:35Don't tell me you're thinking about a wedding.
30:37Madre is going to have a heart attack.
30:39It looks like I'm kind of crazy, but I don't know, brother.
30:42For the first time, I see myself aging with someone.
30:46What I think is that you are in love.
30:49Not to the point.
30:50Very good.
30:51You'll see when Madre finds out.
30:53No, no, yes.
30:54Yes, he has already found out.
30:55Don't bother.
30:56Yes, yes, yes.
30:57Well, I'm leaving.
30:59I'm going to receive the substitutes who are going to cover some casualties.
31:02I'll see you later.
31:04I'm going for you.
31:19Mr. Damián.
31:20Claudia, what's going on?
31:22Sorry to interrupt you here in the middle of the courtyard.
31:26I know you prefer that we make an appointment with your secretary.
31:30Yes, but something tells me that you couldn't wait for so much bureaucracy.
31:34Tell me.
31:36I suppose you have already heard the rumors about Father Mateo and a maid.
31:41Yes, I've heard something.
31:43I'm telling you this is all a lie.
31:45Mr. Damián, I've already talked to Mrs. Marta.
31:47You won't come to tell me now that you're not pregnant.
31:50No, of course I'm pregnant.
31:53And it's quite embarrassing for her to be a single mother.
31:57But I promise you that Mateo...
31:59He's not the father.
32:01No, no.
32:02Mateo and I had an enviable friendship.
32:05In the eyes of anyone in the factory.
32:07But I swear to you that he has nothing to do with it.
32:10Don't suffer, daughter.
32:12I believe you.
32:14Really?
32:15Of course.
32:17Mr. Damián doesn't know how to comfort me with his words.
32:20But I'm not a priest or a confessor.
32:22You don't need forgiveness from me.
32:25But I do need your help.
32:29For what?
32:31You can't let Mateo leave the factory.
32:35Well, what did you think?
32:37The best tortilla in Toledo, right?
32:39Very good.
32:40Wow, right?
32:41Well, you have to try my cooking.
32:42I do it on the last Friday of each month.
32:44Oh, I don't think he's been working in the factory for so long.
32:46Unfortunately, it's just a short one-week substitution.
32:49Well, that's what the boss told me.
32:51Who did you talk to?
32:52Well, he had a mustache and he was a bit serious.
32:55Joaquín, let's see.
32:56It seems very serious, but he's a good guy.
32:58Listen to me.
32:59I don't know if I'll have much more dealings with him.
33:00He looked very tired.
33:01Anyway, I hope to enjoy these days around here.
33:04Of course, woman.
33:05The important thing is that I've put my head in it.
33:07Then, who knows, if being here, the possibility of staying arises, right?
33:10I hope so, son.
33:11Man, what? The usual?
33:13Do you know Pepa?
33:14Substitute Charo.
33:15Tassio.
33:16Nice to meet you.
33:17A pleasure.
33:24Tell me what I owe you for the coffee, Gaspar.
33:26Six carats for you.
33:31If you don't have a woman, don't worry.
33:33You'll give it to me.
33:35Oh, here it is.
33:36Thank goodness.
33:38I knew women had everything in their pockets,
33:40but I never imagined Tarot cards.
33:44My thing is to read the future.
33:46Really?
33:48Really, Claudia.
33:49I'd like Mateo to stay with us.
33:51He's a guy I value a lot.
33:53His father is a good friend of mine.
33:55Well, for what reason?
33:56Don Damián can't let him go.
33:58Yes, but it's his wish.
34:00My daughter told me he did it so he wouldn't keep feeding rumors.
34:04And he's doing the right thing.
34:06I don't know, Don Damián, but I'm furious.
34:09It's very unfair to Father Mateo.
34:11And in the end, those rumors have been fed by someone else.
34:14Yes, I know that boy from your town
34:16sent Agustin to see Bena.
34:17Yes.
34:19Joselito messed with her.
34:20But someone poisoned his ears.
34:23Who?
34:25Well, I'm almost sure it was Don Agustin.
34:31Almost sure?
34:33Well,
34:34I don't think he'll ever admit it, but...
34:37Listen, girl.
34:39That's a very serious accusation.
34:40Do you have any proof of what you're saying?
34:43No.
34:44No.
34:45But since Mateo became a priest,
34:47Don Agustin has done everything he could to get him to leave.
34:50Yes, but you can't accuse someone like that just because of a whim.
34:55I know, Don Damián, but you get along very well with Don Agustin.
34:58And maybe if you press him a little, he'll tell you what happened.
35:01What can I do?
35:02You're putting me at a loss, Don Agustin.
35:04He's a man of God.
35:05Please, Damián, this is very unfair.
35:08Life isn't always fair.
35:10And things don't always turn out the way we want them to.
35:14I'm sorry.
35:24Look, the hermit.
35:25He has the same beard as you.
35:26I know what you're thinking.
35:28Reading the future with cards is nothing but a stupid trick.
35:31Well, it's a bit strange that they charge you.
35:33I give myself to satisfaction.
35:35To me, the truth is that it gives me a little respect.
35:38I would almost prefer not to know what's going to happen to me.
35:40Because, come on, I think it would condition me.
35:42Well, look, I would like to know what the future holds for me with my wife.
35:48Because lately we've been like that, you know?
35:51What? Are you throwing me the cards?
35:53Thinking that the cards will solve your problems is a mistake.
35:56Miracles come to light, boy.
35:58Besides, I have to go back to work another day.
36:00See you later, Gaspar.
36:01Bye, Pepa.
36:04This girl is so nice, isn't she?
36:06Yeah, she might be nice, but she hasn't thrown me the cards.
36:10Well, how's it going with Carmen?
36:12She's still mad about the appliances, right?
36:15Yeah, she's still mad, yeah.
36:17Has she asked for forgiveness on her knees, begging?
36:19Everything, Gaspar, everything.
36:20It's no use to me.
36:21You don't know how much I miss her.
36:23As soon as I enter the room, I find Vicente in front of me.
36:26Yes, I understand you.
36:27When you're used to someone, it's hard to get used to.
36:30You're not close to her.
36:33That's what happened when we broke up,
36:35but it's just Soles and me.
36:37I still remember her today, look.
36:40Gaspar, don't you dare compare my Carmen to that fresh one.
36:43Or have you forgotten?
36:44Did she hit you with the bus driver?
36:46No, of course not.
36:47But now that the wound doesn't bleed,
36:49I think of the good times there were,
36:52Tassio and many others.
36:54Gaspar, don't you dare, you hear me?
36:55Don't you dare.
36:56There are a lot of women in the world,
36:57and many of them are very nice, really.
36:59But I don't know anyone who's single.
37:01Well, there are thousands, millions, I'd tell you.
37:03Look, without going any further,
37:05this girl you just introduced me to,
37:06she doesn't have a ring on her hand,
37:07and you say she's very nice,
37:08so you could invite her to have a drink someday, right?
37:10I don't know, I don't know.
37:12I need to feel the rush to go out with a woman, Tassio.
37:16Yes, the rush and the romanticism,
37:18all that is very good for movies, Gaspar,
37:20but the reality is that you're getting older
37:21and you don't have anyone to iron your shirts,
37:23so calm down a bit.
37:24No, I'll iron my shirts myself.
37:29Will you invite me?
37:30Yes, come on.
37:55Josefa?
37:57I'm Gaspar.
37:59Gaspar, Gasparín.
38:01Yes, yes, that's it.
38:03Yes, yes, a long time, yes, yes.
38:05Yes, so much that I'm ashamed and I said,
38:07well, I'm going to call Josefa,
38:09to see how she's doing.
38:10Yes.
38:11Yes.
38:12How's the family?
38:13What?
38:14Good, right?
38:15Yes.
38:17And your cousin is single, is she okay too?
38:24No.
38:35What are you looking for?
38:37Begoña's latest analysis.
38:40It's not so historical.
38:42They told you on the phone, right?
38:43Yes.
38:44They haven't sent it yet?
38:47Well, the results were good,
38:49I didn't see the need to ask.
38:55Does it bother you?
38:56No.
39:03Everything okay?
39:05You seem worried.
39:06What were you thinking about?
39:07Nothing, nothing in particular.
39:10Well, I think you were thinking about something.
39:13And I'm not going to deny that I've had a rough morning,
39:15because I've seen how upset you were when we were discovered.
39:19Man, the situation has been quite uncomfortable, hasn't it?
39:22Besides, your mother...
39:23Yes.
39:24But well, I don't think we should worry too much, Luz.
39:26We're all adults.
39:28That's also true.
39:30What are you wearing?
39:34The truth is,
39:35just as you've decided not to have secrets with me,
39:39I don't want to have them with you either.
39:42And...
39:43there's something in between that I'd like to show you
39:45because I'm very excited about it.
39:54Hi, Begoña.
39:57I'm sorry, I didn't mean to scare you.
40:00I was thinking about my things.
40:03I see you've gone down to the living room.
40:04You feel better, don't you?
40:06Digna had to change the sheets.
40:09But are you not feeling well?
40:13Does it bother you?
40:15Yes.
40:17I'd like to get your attention.
40:19May I?
40:24Have you noticed anything strange?
40:27Vibrations?
40:28Lack of sleep?
40:31I'm very tired all day.
40:36What?
40:37How's my wife?
40:40Well,
40:41she was going to get your attention,
40:43but I'm sure she's not well.
40:46And I'm glad about that.
40:50But you shouldn't be here, honey,
40:51you should be upstairs, resting.
40:52I know.
40:53Digna had to change the sheets,
40:55but I'll be right up.
40:56Come on.
40:57No, she can go on her own, don't worry.
41:00Begoña.
41:01See?
41:02I'll excuse you from dinner with the Avellaneda.
41:05Yes, please.
41:07Oh, sorry.
41:09Have you seen a red book around here?
41:12No.
41:13But why don't you ask Digna?
41:14She's upstairs in my bedroom.
41:16And by the way, you're accompanying Begoña.
41:18I'm sorry, honey.
41:19I'd rather you go upstairs with someone.
41:21Of course.
41:34What did you tell her?
41:36Nothing.
41:38Nothing.
41:39I just wanted to know that everything was fine.
41:43Jesus, you have to stop giving her that crap
41:45before it's too late.
41:47Let's get back to our business.
41:48At least tell me how much she's taking.
41:50Or at least let me administer it.
41:52That way I can make sure the dose isn't lethal.
41:54Shut up.
41:55You've made me an accomplice to this barbarity,
41:57but I won't be responsible for her death.
41:59Shut up, Jaime, shut up!
42:02I take care of my wife, and you take care of yours.
42:05We're...
42:09You're sick.
42:17You're sick.
42:26This is something that very few people know.
42:29And it must continue to be so.
42:32You're scaring me.
42:34Have I ever told you about my father?
42:37Yes, you told me he was a perfumer like you.
42:40And that he died in the most tragic way.
42:42That's right.
42:44But before that happened,
42:46my father discovered some hot springs near here.
42:50And he came up with the idea of building a swimming pool in those lands.
42:53Wow.
42:55It was recently when we discovered the project without planning it.
42:59And my family and I are very excited about the idea of making it happen.
43:14But...
43:16What I see isn't just anything.
43:19There's a projected store and also a small hotel with a restaurant.
43:23This is a very ambitious project.
43:26My father had it all planned out, as you can see.
43:31And there's even a benefit simulation.
43:34Not a single flaw.
43:37It's our legacy, Luz.
43:40The future we deserve.
43:43Have you decided to launch it?
43:46So much so that we've already contacted the landowner.
43:49So soon?
43:50Why wait?
43:51This project has been stored in a drawer for too long.
43:53Yeah, but it must cost a lot of money.
43:55And that's why we're going to mortgage our house.
43:58We're waiting for the bank to give us the green light.
44:01Really, Tim?
44:03Aren't you afraid of getting involved in something so big?
44:06Don't be offended.
44:08You've always boasted about being a humble perfumer.
44:12My father would have liked to see that project launched.
44:16And if we do it,
44:19we'll be honouring his memory in some way.
44:21Of course.
44:22This is the best way to do it.
44:25To keep him alive.
44:29Wherever your father is, he must be very proud of you.
44:36Isabel has taken all the documentation to the manager.
44:38Don't worry about that, Father.
44:41Yes, but I can't help doing it for you.
44:44Worry about me?
44:47Yes, even if you don't think so.
44:49I don't like seeing you so hurt over something.
44:51And I've been thinking about it for a while.
44:53Maybe I've been too hard on you with the award.
44:57Well, as you said before, I'm not a kid.
45:00Are you going to leave me speechless?
45:01What else do you want me to say?
45:03I have other concerns.
45:04My wife, for example.
45:06I'm not having my best time and you're not helping either.
45:09I know. That's why I'm apologising.
45:11And I accept them.
45:12But if you'll allow me,
45:13before apologising,
45:14one should think about not hurting.
45:16I'm always the one who takes their blows.
45:18The one who fits their ex-abrupts.
45:20And the one who has to show twice
45:21so that half of me is recognised.
45:23Always.
45:24And don't you think you're the one
45:26who's caused us to get to this situation?
45:29Are you going to open the trunk of your memories again, Father?
45:32You complain about my reprimands and my ex-abrupts.
45:35But you forget that if it weren't for me,
45:37you wouldn't be here with us now.
45:39So stop complaining and value what you have.
45:42Because I've given much more for you than for your brothers.
45:49I'm sorry.
45:50I don't know if I've come at a bad time.
45:52No, don't worry.
45:53We were dealing with factory matters.
45:55Has Begoña fallen asleep?
45:58Yes, yes, as soon as he got to his room.
46:00Well, it's good that he's resting.
46:02I didn't want to meddle,
46:03but I think Begoña would rest better if...
46:08If what?
46:10Jesus, I don't think this house is the right place for Begoña.
46:15What do you mean?
46:16He knows exactly what he's talking about
46:18and it's not the first time he's said it to Father.
46:20He'd be in a prepared place,
46:22attended to by professionals.
46:24Shut up, Maria.
46:25I'm only saying it because it's dangerous for him to be in this house.
46:28Maria,
46:29no one has asked you for help or your opinion.
46:32Jesus, do me a favour.
46:33I'm tired of this woman and her insolence.
46:36Do you come here to tell me what I have to do with my wife
46:39when you're a newcomer?
46:40Don't take it like that. I'm saying it for her own good.
46:42For her own good?
46:43If you wanted her own good,
46:45you wouldn't suggest she go to a asylum.
46:47That's enough, Jesus.
46:48I didn't say anything about a...
46:50Look, my dear,
46:52Begoña is not moving out of this house.
46:54Do you hear me?
46:55She's my wife
46:57and she has to be by my side, always.
46:59Is that clear?
47:00Always!
47:06That character of yours is our doom, son.