Sueños de libertad Cap 132 (29-08-24)
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00:00Luz, I need to get out of here, and I need your help.
00:05Will you help me?
00:07Of course, Begoña. I'm going to help you. I'll do whatever it takes.
00:13Where are you going?
00:15I'm still thinking about going to England.
00:17I know people there who can help me from scratch.
00:19And Jesus would never find me.
00:20And if he did, it would be very difficult for him to bring me back.
00:23What's the plan?
00:25Jesus must trust me.
00:26He must think that I am still under the effects of the drug, and that I have ceased to be a danger.
00:31How will you go?
00:32I'll take a train to Lisbon, and from there I'll travel to England.
00:35This time I have everything planned, Luz. I won't let myself be carried away by my impulses.
00:38Everything will be fine.
00:41Okay.
00:42I'll help you in everything you ask.
00:45But...
00:47I don't know how.
00:48Okay.
00:49I'll help you in everything you ask.
00:52But...
00:53I think you need an ally.
00:55Someone who can help you from the inside.
01:00If you're thinking about Andrés, I can't tell him.
01:04But why? Andrés has always been willing to help you.
01:06He will do anything to get you out of this house.
01:08Luz, I can pretend in front of Jesus for a while.
01:12But do you really think Andrés could, after knowing that Jesus has poisoned me?
01:15I think it's worth trying.
01:18I can't risk it.
01:19As soon as Jesus sensed the slightest movement, everything would be lost.
01:22And my life is at stake.
01:24Andrés will understand the gravity of what you're trying to do.
01:27And he will do anything to help you.
01:29Andrés has to focus on his wife.
01:31They just lost a baby, and he needs him by his side.
01:35I can't be so selfish.
01:37Okay.
01:40Do you feel ready to start this farce?
01:44I have to be.
01:45I have no other choice.
01:48I'll do anything to help you.
01:50The most important thing right now is that no one suspects anything.
01:54Especially Julia.
01:57It makes me so sad to think about what that little girl is going to miss.
02:04Julia will come with me.
02:07What are you saying, Begoña?
02:09Did you really think I was going to leave that monster in her hands?
02:12No.
02:13No, Begoña, you have to reconsider.
02:15If you take her daughter, Jesus can report you for kidnapping.
02:18And you could go to jail.
02:20Luz, Julia is not my blood, but she is my daughter.
02:23Don't do it, please.
02:25Do you want me to save myself?
02:27Begoña, Jesus may not find you.
02:30And after a while, everything will be lost.
02:32But if you take her daughter, he won't stop beating you and punishing you.
02:39But how am I going to leave her?
02:41Luz, how would Julia feel if she woke up that morning
02:44and I had disappeared?
02:46If you really want to disappear, you have to do it alone.
02:50I don't know.
02:51I don't know, the idea of leaving without her ...
02:54It's very hard, I know.
02:56But for her to be okay, you have to be okay.
02:59And for that you have to leave as soon as possible from this house.
03:02Be safe.
03:03You'll come back for her.
03:08Maybe she's right.
03:11You should go.
03:13In case Jesus comes back before time.
03:15Take care, friend.
03:41I know it's very early and I'm sorry for coming without warning, but today ...
03:46Today is my birthday.
03:48Oh, congratulations.
03:51Come in, come in.
03:55It's true that you told me it was this week, but I didn't remember ...
03:58No, don't worry.
04:00It's been a long time.
04:02It's been a long time.
04:04It's true that you told me it was this week, but I didn't remember ...
04:05No, don't worry.
04:07It's true that you told me it was this week, but I didn't remember ...
04:09No, don't worry.
04:11Yes, you already gave me a gift.
04:13And as it was today, I bought a cake to thank you.
04:15And as it was today, I bought a cake to thank you.
04:17Wow.
04:19Well, come in, come in, please.
04:21Sit down.
04:23If you allow me the bag, we leave it here.
04:27You can sit down as if you were at home.
04:31Well, I'm sure it's delicious.
04:33Do you want some coffee?
04:35Yes.
04:45Wait, we have to do this right.
04:47I think I have the kitchen ...
04:55Look.
05:01You have to make a wish, but you don't have to say it out loud.
05:03It's your birthday.
05:05Okay.
05:13That's it.
05:15Congratulations.
05:23Is something wrong?
05:25It's his birthday.
05:27Is it a strange time for a celebration?
05:29Is it a strange time for a celebration?
05:31I'm sorry to have come so early,
05:33but I wanted to share this moment with my only friend.
05:35but I wanted to share this moment with my only friend.
05:37Come on, sit down.
05:39He brought a cake that looks delicious.
05:41No, I'm not going to finish dressing.
05:43Joaquín.
05:47Ah, Isabel.
05:49Congratulations.
05:59Let's do this.
06:09Ah, yes.
06:11Thank you, Teresa.
06:13You're welcome.
06:23You're welcome.
06:53I think he didn't like it very much.
06:55He doesn't have a good awakening.
06:57Don't take it into account.
06:59I should go.
07:01You and I are looking forward to a trip to Toledo.
07:03Since today is your birthday,
07:05there's no reason to be today.
07:07Are you sure you don't change your plans?
07:09I will not allow you to spend your birthday alone.
07:11I will not allow you to spend your birthday alone.
07:13I have a lot of things to do.
07:15I have a lot of things to do.
07:17I have a lot of things to do.
07:19I have a lot of things to do.
07:21I will not allow you to spend your birthday alone.
07:23You're very nice to me, Gemma.
07:25Come on, don't be silly.
07:27What do you think if we meet at four in the canteen?
07:29I have a meal with the family
07:31and I don't think I can leave before that time.
07:33and I don't think I can leave before that time.
07:35Well, I'll be there.
07:37Good.
07:43See you later.
07:51Gemma,
07:53I don't like that woman.
07:55But what's wrong with you, Joaquín?
07:57Why do you take her with you?
07:59Because she works hand in hand with Jesús de la Reina.
08:01And I don't want to see her in our house.
08:03But what fault does she have to have a boss like that?
08:05But what fault does she have to have a boss like that?
08:07Gemma, we have very important things on our hands, really.
08:09I want her far from here.
08:11Can you relax a little?
08:13Isabel is not interested in your business.
08:15She is interested in making a friend in La Colonia.
08:17She is interested in making a friend in La Colonia.
08:19Come on, man, don't be so naive.
08:21In two days she has become your friend.
08:23You know perfectly well, just like me,
08:25that Jesús de la Reina manipulates the people around him
08:27that Jesús de la Reina manipulates the people around him
08:29to achieve his goals.
08:31And you think I'm going to tell her the details of your business
08:33the first thing that happens?
08:35Well, if you spend so much time with her,
08:37sooner or later you'll end up telling her.
08:39I'm not a gossip.
08:41Gemma, I know you have good intentions with that girl,
08:43but really, now is not the time to make friends.
08:45Now we have to be discreet and prudent.
08:48Okay.
08:50But I think you're wrong, really.
08:52Well, I hope you're right.
08:54But please, stop seeing her.
08:56Okay?
09:06Father,
09:08Dignami said he wanted to see me.
09:13Close the door.
09:16Of course.
09:22What's wrong?
09:23Sit down.
09:36Father.
09:40What is the nature of your relationship with Fina?
09:46What?
09:48I think the question is clear.
09:53You know who she is?
09:55She's a store employee.
09:57She's Adela and Isidro's daughter.
09:59So your relationship with her is strictly professional?
10:04Of course.
10:06What's this all about?
10:16What are you going to tell me now?
10:21He hired someone to follow me.
10:23Don't change the subject!
10:27Why did he do this to me?
10:29I just received them this morning, anonymously.
10:32Do you have anything to say?
10:34Then who would want to do this to me?
10:37Why?
10:39I don't know.
10:41Then who would want to do this to me?
10:44Why?
10:46That's what I'm asking, Marta. Why?
10:48Why did you do it?
10:50Why are you doing this to all of us?
10:52Father, I haven't done anything to anyone.
10:55I don't even know who you are right now.
10:57It's me, Marta.
10:59Your daughter.
11:01The same person I was before you received those papers.
11:03No, you're a liar.
11:05You're a liar.
11:06You can't be serious.
11:12What have we done wrong?
11:15What have we done wrong?
11:17Neither you nor your mother have done anything wrong.
11:21And neither have I.
11:24Why is this happening to us?
11:26This is a disgrace, Marta.
11:32I've always trusted you.
11:35And you can keep trusting me.
11:37You've betrayed me.
11:39You've betrayed me.
11:40You've betrayed my trust.
11:42I haven't hurt anyone.
11:45I'm just in love.
11:47Shut up!
11:48Shut up and don't follow me or I'll have a heart attack.
11:52I can't believe my daughter is a...
11:54Now I'm the one who's going to ask you to stop talking.
12:00I won't allow you to insult me.
12:03Have you stopped to think
12:06what would happen if this came to light?
12:10Don't you think I think about it every day?
12:13Then...
12:15why do you do it?
12:18Do you think I haven't tried to deny what I feel?
12:22To settle for my marriage?
12:25Do you think I haven't hated myself?
12:29But none of that has helped, Father.
12:32Why am I like this?
12:37I have no choice but to make some decisions.
12:45What are you going to do?
12:48For now, I can't allow you to represent the family
12:52or the company in tomorrow's award ceremony.
12:56I don't give credit.
12:58That award ceremony is a recognition of everyone's work
13:02and that implies me too.
13:04I can't prevent myself from receiving it just because...
13:07Because it's a shame for the family?
13:10Of course I can.
13:13I didn't think your prejudices could dominate the situation.
13:19It's not about prejudices.
13:22It's about principles.
13:25I also thought your principles were to defend the family.
13:29I also thought your principles were to defend the family.
13:33But I see that your retrograde ideas are above me.
13:37I don't allow you to talk to me like that!
13:39Well, right now I can't talk to you any other way.
13:41This conversation is over. That's all.
13:44Now, go.
13:47Father.
13:49Father, look at me.
13:59Father.
14:06Come in.
14:09Good morning, Luz.
14:11Andrés.
14:13What brings you here?
14:15Sorry to bother you, but I need to talk to someone.
14:19Diego hasn't even had breakfast yet.
14:22I can't stand seeing him like this.
14:24He's more and more absent.
14:26He's fading away little by little.
14:29Do you really think he could have inherited his mother's illness?
14:32It would make sense.
14:34But I know it's not what you want.
14:35No, no. I hate the idea of thinking it's not.
14:37It will be the same as always.
14:39Let's see.
14:40Begoña's illness doesn't have to evolve in the same way as her mother's.
14:44She could suffer from these episodes from time to time and then recover.
14:48Mental illnesses are a mystery.
14:51Yeah, and how can I help?
14:53I'm afraid that the only thing that can help Begoña now is rest and love.
14:59But I can't just sit around and watch her deteriorate, Luz.
15:03Begoña needs peace of mind.
15:05That's why everyone around her needs to stay calm.
15:09Trust me. Keep calm.
15:11Luz, it's complicated.
15:13Maria, my wife, is starting to notice that I'm too affected.
15:16I can't stand her talking badly about her.
15:19We have to do something.
15:21Like what?
15:22I don't know. Maybe I should see a specialist.
15:25I'm going to look for someone.
15:27No, Andres, no.
15:28But why not?
15:29I want you to take care of her, not Jesus.
15:32He's the reason for all her problems, Luz.
15:34Let's not confuse things.
15:36Begoña's diagnosis has nothing to do with your sister.
15:39Do you remember what he did to her?
15:40There's no need.
15:41I have him with me every day.
15:44Are you so sure?
15:46I would be more at ease if Begoña was far from Jesus.
15:50Begoña could lose her mind if we put her in the hands of a stranger.
15:53Yes, but she would be in the hands of a professional.
15:55A professional who would give her a very strong medication.
15:57And who would also constantly test her.
16:01I don't know.
16:03Well, I do.
16:04Begoña needs family stimuli.
16:06A world known to make her feel anchored to reality.
16:10You're right, Luz.
16:12I'm sorry, but I feel so helpless.
16:16Begoña is better, calmer.
16:18We trust that she'll be stable in the next few days.
16:21It's not good to make desperate decisions, okay?
16:24Yes, okay.
16:28Good morning.
16:30Good morning.
16:32I'm leaving.
16:35Goodbye, Andrés.
16:36Goodbye.
16:44Is something wrong?
16:45No, why?
16:46I don't know, I thought I was interrupting something important.
16:50Andrés has come for some aspirins.
16:53We've finished talking about Begoña's condition.
16:56Is there any news?
16:58I'm afraid not.
17:07Carmen, good morning.
17:09Good morning.
17:10I wanted to tell you something.
17:12Don't worry, I'm late for work.
17:14Everything you were telling Gaspar yesterday, you were telling me, right?
17:18You're so smart.
17:19So you think I don't deserve a second chance?
17:23Look, Tassio.
17:25You showed me you could change.
17:27And you became the best life partner.
17:30But in a short time, you've played me again.
17:33Who tells me you won't do it again?
17:36So you think the goat will throw you into the woods, right?
17:38That I'm the usual Tassio, without shame,
17:40of whom you can't trust.
17:42I'm sorry.
17:46Carmen, there has to be something I can do to make you trust me again.
17:51Well, if there is, of course.
17:53I can't think of anything.
17:55In this life, we've come to suffer, Tassio.
17:59And with you, it's going to be one after the other.
18:03Well, I've received the message, I won't bother you anymore.
18:09Carmen.
18:13I'm very worried, Gaspar.
18:18About Begoña again.
18:19I've got it all under control, don't worry.
18:21The more you tell me not to worry, the more afraid I am of something happening.
18:25Nothing's going to happen to her, believe me.
18:27The effects she has from the medicine are completely irreversible, I told you.
18:31That's not the only thing that worries me.
18:33It's that...
18:35She, or someone else,
18:38may discover that you're drugging her.
18:40Do I have to remind you of her attempt to run away with Julia?
18:43Or when she reported you to the Civil Guard?
18:46No one's going to find out anything, I'll take care of that.
18:52Well, if you hadn't called us here at 10, where is my brother?
18:57Speaking of the King of Rome, the Aragon appears.
19:00I don't like to talk like that, Andres.
19:02Father, don't worry.
19:03It's not worth trying to reason with this little rooster.
19:07Look, Andres, on top of that, you're late.
19:10Let's have the party in peace.
19:14First, I'd like to thank you for coming back from the factory.
19:16I asked you to come because I have something important to tell you.
19:20What happened?
19:21Something serious?
19:22There's just been a change of plans.
19:24Marta has given up on representing the family
19:27in the award ceremony of the circle of businessmen.
19:31And what are you going to do about it?
19:33One moment.
19:35Aren't you going to ask her why she suddenly gave up?
19:38Of course I'm going to do it.
19:40You don't give me time.
19:41And has Marta given you any explanation about it?
19:44She doesn't want to neglect her work in the store.
19:46And she prefers someone else to pick them up.
19:49Father, it doesn't make any sense.
19:51Where is she?
19:52And why didn't she come to this meeting?
19:54I've already told you she's very busy.
19:56And so are we.
19:57Andres, we already know that he was very excited about Marta,
19:59but he will have his reasons, right?
20:01We have to respect him.
20:03Sit down, Andres.
20:04The decision is made.
20:06But...
20:07Enough.
20:09Marta is not going to go to the award ceremony.
20:12She will have her reasons.
20:14Well, whatever it is, Marta is not going to pick up that award,
20:17but someone will have to go do it, right?
20:18Yes, someone will have to go.
20:22And it will be me.
20:24What?
20:28Well, if you have nothing else to do, I have to go to the factory.
20:31Yes, go ahead.
20:376 months later
20:40What are you saying?
20:41Is that you came to the store to take my information about Gaspar?
20:45I didn't even tell Pío.
20:47I just wanted to know if he was single
20:50because you want to get in touch,
20:51I'm telling you.
20:52And we both know how it would end.
20:54Well, with Gaspar humiliated.
20:55Yes.
20:57Look, we have to do something, Carmen.
20:59What do you mean?
21:01You and me.
21:02Well...
21:03You and me.
21:05Well, I mean, just in time.
21:08I mean, we got together to help a good friend, that's all.
21:12You're messing with me.
21:13No, no, Carmen.
21:14Let's see, all I want is to prevent a good friend like Gaspar from making the same mistake as you.
21:19To go back to someone who knows he's going to hurt you.
21:23I don't know, what do you think? Do you want to help me?
21:28Well, but let him know that I'm still thinking about each of the words I've said, huh?
21:33I've already forgotten them.
21:36Besides, now we have a good mission ahead of us.
21:39I'm going to show you that we're still a good team.
21:42Mahoum, I'm regretting it.
21:56I'm the head of the family.
21:58It's only logical that I'm the one who goes to the party and picks up the prize.
22:03And so it should have been from the beginning.
22:06But I thought you weren't excited about these things.
22:09And I'm still not excited, Jesus.
22:11Very well.
22:18From now on, I will always be the last option.
22:21I say it because I know what to do.
22:24Look, son, go pick up a prize like that.
22:28It is somehow a recognition within the family and the company.
22:33Wow, and I don't deserve that recognition.
22:36You don't deserve to be given any prize.
22:39I think I made it quite clear to you yesterday.
22:44Father, I had him for many things, but not for a sadist.
22:47Do you dare to call me a sadist?
22:50I'm working harder than anyone else. I'm going to give my skin for this company.
22:54We're not going to give any prize to bad arts.
22:57I would create a bad precedent.
23:00What do you mean?
23:01Are you going to tell me that you have nothing to do with the photographs that arrived to me anonymously this morning?
23:09What photographs?
23:11Don't fool me, Jesus.
23:12I know what you're capable of to achieve your goals.
23:17This decision is completely...
23:18I have ambition, son.
23:21But it also scares me a lot.
23:23You have tried to end your wife's life.
23:27Now you're trying to end your sister's life.
23:30What's your limit?
23:37Get out of here.
23:57Get out of here.
24:12Are you leaving?
24:14Yes.
24:17Listen to me, Mateo.
24:19I want you to know that I have never judged you for feeling what you feel.
24:23When someone has been gossiping about it, I have kept my mouth shut.
24:27In affections, passions are human, no matter how manly you are.
24:32And I know that your feelings have always been sincere.
24:35That you have always acted from the heart.
24:37And I'm going to tell you something else.
24:39I think that priests should go down to earth from time to time.
24:42Fall in love.
24:43Put a face in the air.
24:45Because only from experience you can give good advice to the filigrees.
24:48Don't you think so?
24:49Please.
24:52You hear this, don't you?
24:53Well, yes.
24:54Let's pretend I didn't say what I said.
24:56Come on, let's do it like this.
24:57Yes, better.
24:58Yes.
25:06A glass of wine over here.
25:08Better a coffee.
25:09No, Father.
25:11Since when does the canteen judge?
25:13Aspar is right.
25:15Wait, wait, wait.
25:17Has the good priest come to tell me how I have to behave?
25:20Of course.
25:21Father Mateo is an example to follow.
25:23Even Don Damián says so.
25:26Any last advice before you leave?
25:29Come on, I'm listening to you.
25:30In fact, everyone should do it.
25:34Silence, everyone.
25:35Father Mateo is going to speak.
25:37Go ahead, Father.
25:41I'd better go.
25:42I'm going to spend time at the station.
25:43Really?
25:44Are you going to leave all these poor people with a man as machiavellian as me?
25:48Father, go home too.
25:51What are you telling me, Mateo?
25:53Are you sure you want to leave here?
25:55Because apparently there are people who think I'm not up to the job.
26:00Father, don't go on.
26:04I'm the one who should leave.
26:05Be honest with me.
26:07Would you miss me?
26:10There are many happy people who would miss you, yes.
26:13Do you want to leave your good intentions at once?
26:15Don't you get tired?
26:19Where is the wine?
26:21I'm not going to put the wine, Father.
26:22And tomorrow he will thank me.
26:24You stay there.
26:25Don't go to Toledo.
26:27And make sure the waiters don't talk to me like a priest.
26:33Let me go.
26:34You can't leave like this, Mr. Agustin.
26:36Look at me.
26:39Do you see how I can?
26:44Caspar, can you take care of my suitcase for a moment?
26:46What are you going to do?
26:47What am I going to do?
26:48Go get him, help him.
26:49You'll see.
26:55Can you come for a moment?
26:56Yes, of course.
27:04What's wrong with you?
27:07I'm stuck in the never-ending story.
27:10I argued with Andrés again.
27:12And you don't need to be a python to know the reason.
27:15You already know what Begoña's situation is.
27:18And that lately she has been in a lot of trouble.
27:20You already know what Begoña's situation is.
27:23And that lately she has been in a lot of trouble.
27:26And I don't just know it, but I've suffered it more than anyone else.
27:29The little medal is the worst thing I've had to live in this house.
27:32So you're going to understand my situation.
27:35Jesús became a beast when I suggested that he be admitted to a clinic.
27:40Did you tell him that?
27:41What?
27:42He would be safe.
27:43And attended by professionals.
27:44Do you think he's that crazy?
27:46But how dare you give him the opinion about something so delicate?
27:49It's Jesús.
27:51It seems you didn't know him.
27:52Of course, I've sinned naively.
27:55And in the afternoon I did it again because I told Andrés.
27:58My God.
28:00And he thought you did it to keep him away from Begoña.
28:03Is that so?
28:05I can't stand being the bad guy in the movie.
28:07And what did your husband tell you?
28:10I don't want to hear about getting Begoña out of the house.
28:13And I don't know if he says it for her or for him.
28:17I think, María, that you don't know how to see the advantages of this situation.
28:22At this moment, what you have to do is reinforce your role in this family.
28:26And how?
28:28If now everyone sees me as a jealous woman.
28:30Well, do the opposite.
28:32Get the best out of you.
28:34Show your compassion for Begoña, your concern for her.
28:37Become the opposite of what Andrés is thinking of you right now.
28:42You think?
28:44Become her shadow, take care of her.
28:46Make everyone see that you are capable of sacrificing yourself for her.
28:50You'll see.
28:51You're only going to win this game.
29:00Come in.
29:05What happened?
29:07He fell in the courtyard.
29:08I tried to help him, but he fell on his arm.
29:10It's your fault, it's your fault, it's your big fault.
29:13But if he had gone on his knees...
29:14It would have been worse.
29:15It hurts a lot.
29:17Father, I need to explore the arm and I'm going to need you to remove the sotana, if you don't mind.
29:21I can do it here.
29:22Behind the biombo.
29:30Forget about the promotion.
29:32At least this year.
29:33The cards are talking very clearly.
29:38And the tip?
29:40I don't know.
29:47Look at her.
29:48Me here, breaking my back from sun to sun, behind the bar.
29:51When I could be perfectly earning my living here, sitting down and drinking coffee.
29:56No, I've made a mistake in my profession, of course.
29:59Pitonisa is born, it is not done.
30:01Either you have it or you don't, Gaspar.
30:04Whatever you say, Pepa.
30:06You think I'm a charlatan, right?
30:09Well, I can show you that you're wrong, sit down.
30:12I accept the challenge.
30:15The fate of every man is written on the lines of his hand.
30:19Oh yeah?
30:20Well, the most you're going to read is the cut I made when I threw the trash.
30:25Come on, what does my future look like?
30:27This is not going to happen.
30:28You have to ask me a specific question.
30:31Well, I don't know.
30:32I don't know.
30:37I understand.
30:39Love.
30:40Let's see, I haven't said anything.
30:41You forget I'm a pitonisa?
30:43Well, that's easy, man.
30:44Everyone is interested in love.
30:52I see.
30:53I hear.
30:55I see.
30:57But I see a woman.
30:59Yes, yes, look.
31:02It's very clear that a woman is going to come into your life, Gaspar.
31:06Look here.
31:07And when is that going to be, more or less?
31:10Well, very soon, very soon.
31:14Well, this is it, it wasn't for long, Father.
31:17This, when I was on the boat, I did it one day and another too.
31:19Well, I would say it, how it hurts.
31:21But if the doctor has been very fast, I'm sure it hurts less.
31:24You say it.
31:25I'm going to send him some analgesics for the pain.
31:28Well, go giving me one.
31:30Father, one important thing about the treatment.
31:33Do not mix alcohol with the pills.
31:35It would be very strong for the liver.
31:36Well, of course, because I take it.
31:38And I need you to be for a few days with the headband on.
31:41So that it is at rest during the recovery.
31:44Is it necessary? Do I have to go to mass, visit the sick?
31:46I'm a busy man.
31:48I can't consecrate the hosts or give communion with a single arm.
31:53I'm afraid you're going to need help to do all that.
31:55Help from whom?
31:56I don't know, you don't have a family member who can come and lend a hand?
31:59I have no one.
32:01How am I going to get dressed or prepare the food?
32:04Look, I'm sure there will be a lot of people in town who are delighted to help you.
32:07Well, if he doesn't mind, I can help him.
32:11You don't go?
32:12Well, I can delay the trip.
32:14No way.
32:15As you wish.
32:16It's just that now I feel bad because it was just when I went to grab him.
32:21Let's see, here you go.
32:23Let's see, here you go.
32:25This pain kills me.
32:37Remember that we have to go two by one, okay?
32:39And nothing to compare, right?
32:41Although he looks at us with the face of a lamb.
32:43I already told you that the Sonsoles is a friend.
32:45Now that she is single, it is convenient for her.
32:46As she finds another, you will see.
32:49The Sonsoles.
32:50How are you?
32:52Well, I came to talk to Gaspar.
32:53Oh no, it was a very bad day today.
32:55Why?
32:59Well, you can see it yourself.
33:02Who is that woman?
33:06Pepa, his girlfriend.
33:08Of course.
33:09What do you mean his girlfriend?
33:11Oh, you didn't know, maybe.
33:13You know perfectly well that I didn't know.
33:15Are you laughing at me?
33:16No, no, no, not at all, Sonsole.
33:18But Gaspar is our friend and we have to tell you.
33:21He has fallen in love with another.
33:23We'll see about that.
33:25No, no, no.
33:26How are you going to bother him?
33:27For a while they have the poor.
33:28Look, they are in love.
33:30A lot.
33:31It's better to leave things as they are, huh?
33:32A temporary retirement is the most elegant.
33:34But I thought Gaspar was still interested in coming back to me.
33:38No, no, no, no.
33:40You have misinterpreted the signals.
33:43Look, he's crazy about Pepa.
33:46Everyone knows that, imagine.
33:52Very good.
33:56Clarissa.
33:57There is Clarissa.
33:59How are you?
34:00Guys.
34:01Pepa just has read my hands
34:03And you know what?
34:04What?
34:05The woman of my life is about to enter through that door.
34:07Ay.
34:08Come on, don't be unfair.
34:09Yes.
34:10And when? Right now?
34:12Soon, soon, soon
34:13Soon, soon.
34:14Well, you'll have to be careful.
34:16Yes, yes.
34:21Come in.
34:23Do you need anything?
34:27I've prepared a consommé that will make you feel wonderful.
34:30I'm going to tell Teresa to bring you a cup.
34:33Your hands are freezing.
34:35Bring it.
34:37I'm so glad you're always with me.
34:39You're a good girl.
34:41And not just with me.
34:43With everyone.
34:45I'm so happy.
34:47That's why I'm so sad to see you like this.
34:49Without your usual natural happiness.
34:53You don't know how much I miss you at home.
34:56Especially Julia, who's out there all day.
34:59From one side to the other, asking for attention and affection.
35:03I'm sorry.
35:05I don't want to burden you with more weight than you already have.
35:08No, Julia.
35:10She's a wonderful girl, you know?
35:13And she adores you.
35:15She's impatient for you to get well.
35:19I miss hearing her laugh so much.
35:22She doesn't laugh much these days.
35:25She's very worried about you.
35:27But she's a very happy girl, like you.
35:30And since you're going to get well soon,
35:32the girl will smile again.
35:34And so will you.
35:36You'll see.
35:38If you don't need anything else,
35:40I'm going to finish my homework.
35:42Dina, wait.
35:44Wait, I do need something else.
35:46Tell me.
35:48I need you to promise me
35:50that you'll always take care of Julia.
35:52Of course.
35:53I'll always take care of her.
35:54I adore that girl.
35:55No, Dina.
35:56If one day I'm not here,
35:58promise me
35:59that you won't let go of her hand when she's afraid
36:01and that you'll sleep with her if she feels lonely, please.
36:03Dina.
36:04Dina.
36:05Dina.
36:06That you'll sleep with her if she feels lonely,
36:07please.
36:08Begoña, you're not going anywhere.
36:09This is your home.
36:10I need you to promise me.
36:12Of course.
36:13Of course I promise you.
36:15I'll take care of her
36:16like she were my granddaughter.
36:18I'll take care of her
36:20and you.
36:22And now...
36:24let you rest.
36:36This is a disgrace, Marta.
37:04I've always trusted you.
37:06And you can keep doing it.
37:09You've betrayed me. You've betrayed my trust.
37:13I haven't hurt anyone.
37:16I'm just in love.
37:18Shut up! Shut up and don't go on, or I'll have a heart attack.
37:23I can't believe my daughter is...
37:25Now I'm the one who's going to ask you not to go on talking.
37:31I won't let you insult me.
37:34Have you stopped to think what would happen if this came to light?
37:44Marta.
37:46Andrés.
37:48Have you told your father that you've given up the prize?
37:51Did he say that?
37:52Yes, and it's not true.
37:55So what? The point is that I'm not going to take it.
37:59And that's it? There's no further explanation?
38:02No, I've given up and that's it.
38:06And why?
38:08Because now I have other priorities.
38:11Andrés, don't turn around.
38:13Come on, Marta. I'm your favorite brother.
38:16Do you remember?
38:18Believe me, right now I remember more than ever.
38:23The stew was delicious.
38:26Wait, I'll help you pick it up.
38:27Hey, don't move. You're our guest.
38:29You've helped me, Gemma.
38:30I wouldn't have been able to do it alone with the mess in the house.
38:33It's a shame you didn't come to join us.
38:35Don't worry. The food was great.
38:38I'm very grateful, really.
38:40I'm not anymore.
38:41I was wondering why my son was so determined to live a lonely life.
38:46Maybe because he hadn't found the right person yet.
38:49Think about it.
38:50How is fate, right?
38:52When you least expect it,
38:54the person who will change your life forever appears.
38:57But you have to take care of love.
38:59Things don't stay the same.
39:01Not so much.
39:03Although I believe, Luis,
39:05that with a woman like her, you'll have it very easy.
39:08Besides, she's beautiful, understanding, very smart.
39:12Dignam, please stop. She's going to hit me.
39:14And she has a lot of sense of humor.
39:16Well, mother, leave something for me, right? She's giving it all to her.
39:19Do you want coffee?
39:20Yes. I'd like to take a little break before going back to work.
39:23I'll bring it right now.
39:27Does it have to do with Jesús? Did he ask you directly?
39:29Jesús will do a great job collecting that award.
39:32It will be Father who collects it and not him.
39:34Really?
39:35Marta, what's going on?
39:37I need a convincing explanation this time.
39:39The usual is happening.
39:40You can't breathe in this house, Andrés.
39:42What does that mean?
39:43That we live in a golden cage and that we're supposed to have everything.
39:46Because we have service, a driver, a lot of cars,
39:50an incredible house with a beautiful garden.
39:53But none of this is free.
39:55You're scaring me.
39:58In exchange for a life full of luxury, we have to realize,
40:00hide what we feel, put on a good face,
40:04give up our freedoms, make decisions.
40:07To be who you really are, we could be.
40:09You know?
40:11If I could, I would leave here forever.
40:14I would break with everything and start from scratch somewhere else.
40:19I would go away from this damn place and this strange character
40:22that I have become to survive among those of the Queen.
40:26Marta, can you trust me and tell me what's all this about, please?
40:29This family is a big farce.
40:31I don't know who is who anymore.
40:33And I can't stand it anymore.
40:42What a beautiful couple.
40:44I had my three children there.
40:46Do you like hydrangeas?
40:48It's my favorite flower.
40:50My husband gave me a bouquet on every special occasion.
40:56And this is Luis?
40:57Yes.
40:58When he was little, he already had a bouquet.
41:00He was always picking flowers.
41:02Look how chubby he is.
41:03Okay, mom, please.
41:05How are you?
41:06You were great.
41:08Next day, do you bring your album?
41:13Well, I...
41:15That's going to be a little difficult, Igna.
41:17Why?
41:19My parents died in an accident.
41:21And I grew up in an orphanage until the Borrell family adopted me.
41:24I'm very sorry, daughter.
41:26Don't worry.
41:27I hardly keep photos of my childhood.
41:30My adoptive family also died a long time ago.
41:33Wow.
41:34And why were you interested in medicine?
41:37My adoptive father was a doctor.
41:39And I became interested in the profession little by little.
41:42I deeply admire women who go through college.
41:45I would have liked it, but...
41:47Where did you study your degree? In Barcelona?
41:50Yes, in Barcelona, of course.
41:52And how many women did you promote?
41:54Few, right?
41:55Well, enough with the interrogation.
41:58We're already there.
42:00I don't want to interrogate you, for God's sake.
42:03No, I'm sorry.
42:04You don't have to.
42:05I should go back to the pantry.
42:06Really?
42:07Yes.
42:08The food was great.
42:10I'll go with you.
42:11No, you don't have to.
42:12Here's your house.
42:15And good afternoon.
42:17Good afternoon.
42:24Well...
42:27What happened, Baquir?
42:29Nothing, mother. What's going to happen?
42:32Are you sure?
42:33Yes, mother, please. What's going to happen?
42:35I have to go to work.
42:36I'm going to go up to my room for some documents and I'm leaving.
42:40Don Agustín?
42:43Don Agustín?
42:46Wait.
42:47Don't shout. Lower your voice.
42:49What do you want?
42:50Are you going to be my fucking fly or what?
42:52No, I'm not your fucking fly.
42:54I just came to see how you're doing.
42:56Well, you see me.
42:57Discharged and with a hangover.
42:58But with the remains to fulfill my obligations.
43:01And now it's time to give a five-day mass.
43:03Your suitcase.
43:04Aren't you going to leave right away?
43:06Your suitcase.
43:07Aren't you going to leave right away?
43:09Well, no.
43:11Let's see, Don Agustín, I come in peace.
43:15What are you looking for?
43:16I don't trust you.
43:17That you have more good and bad than a roller coaster.
43:20Have you already regretted your idea of leaving?
43:23Well, no.
43:24But I can't leave him like that.
43:26Like what?
43:27Well, he's not in a condition to give a mass.
43:30Besides, I don't know if he's going to be able to move.
43:32Again with those?
43:33I don't need your help.
43:35You did a lot by taking me to the dispensary.
43:37So you have already fulfilled your work of charity today.
43:39Go in peace.
43:41Why don't you listen to the doctor?
43:42And take a few days off.
43:45What do you want?
43:47Give a mass to you.
43:48Well, only if you think it's good.
43:51I see you pretty bad.
43:52I'm in an AI, but I can stand it.
43:54Physical pain is not the important thing.
43:57And the sense of sacrifice is our obligation.
44:01I could replace him until he recovers.
44:03But let's see, Mateo.
44:05Are you good or stupid directly?
44:08I just want to help.
44:10The good or stupid thing, that's what you're saying.
44:13Maybe not stupid.
44:14I see you coming more cleverly.
44:16You have hidden intentions.
44:19Look, that's enough.
44:20I'm not going to continue to indulge in impertinences.
44:22With God.
44:31Ah, I got caught in the mass.
44:36Wait.
44:48Just today.
44:51Come on.
45:06Come in.
45:13Hi, Begoña.
45:15Hi, honey.
45:18What are you doing?
45:23I was looking at my jewels.
45:25They are very beautiful.
45:29Didn't your mother take that medal?
45:35Yes.
45:40Now it's too big for you, but one day it will be perfect.
45:44But it's yours, Begoña.
45:47But one day it will be yours.
45:49No, I don't want it.
45:51You give me this so that when you are not, I have a memory of you, right?
45:56Julia, I will always be with you.
45:58Begoña, tell me the truth.
46:02Why do you ask me that?
46:03Why did you ask Dina to take care of me when you are not?
46:08You can't go, do you hear me?
46:10I'm not going to let them take you to a hospital like your mother.
46:13I'm going to take care of you.
46:14I'll do whatever it takes.
46:16Julia, my love.
46:19I'm not going to any hospital.
46:20So where are you going?
46:24You can't go.
46:25You can't leave me here alone.
46:26I would die without you.
46:28I would die.
46:29Come here.
46:34Julia.
46:39I'm not going to leave you.
46:42Swear it.
46:44I swear it.