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00:00A FEW HOURS EARLIER
00:13How do you feel after dinner?
00:15Good, good.
00:17I feel better now.
00:20Do you know where Pietro is and who I am?
00:23Of course I do.
00:25We're at our house.
00:28And you're my wife, right?
00:29And the stewed potato omelette you made for me was delicious, as always.
00:35Oh, honey.
00:37It's a good thing my shirt didn't get to my body.
00:40I'm sorry.
00:42The last thing I want is to worry you.
00:44No, honey, don't apologize.
00:46It's not your fault.
00:50It's hard for me to believe what you've told me.
00:56I didn't know who you were or where you were.
00:59It's been terrible, really.
01:00You looked at me as if it were the first time you saw me.
01:06Pietro?
01:10Who is this?
01:12What do you mean, who am I?
01:14Pietro, I'm Antonia.
01:17I'm your wife, honey.
01:20Pietro, you're scaring me.
01:23Pietro.
01:25Let's go home.
01:27Let's go home, okay?
01:29Honey.
01:31Please.
01:33Pietro.
01:37Come on, Pietro.
01:39Calm down.
01:40Come on, Pietro.
01:42Calm down.
01:53I can only remember that we argued, Antonia.
01:56And...
01:58And then I have a big emptiness.
02:02That ends when we sit at this table.
02:10What's happening to me?
02:13I don't know.
02:16But don't worry, we'll figure it out.
02:22I'm so lucky to have you by my side.
02:24No.
02:25You're both lucky.
02:28Come on.
02:29Go to bed, you have to rest.
02:35I hope he wakes up tomorrow and discovers it was all a nightmare.
02:41Yes.
02:46I promise I'll get better.
02:50Okay?
02:51Okay.
02:55Good night.
02:56Good night.
03:02Antonia.
03:04I forgot something else.
03:11¿Qué ha pasado?
03:12Nada.
03:14No te he dicho que te quiero muchísimo.
03:16Sí, claro.
03:18Qué tonta.
03:21Venga, descansa.
03:41Venga.
03:58Mira como tengo las manos después de pasarme la tarde limpiando.
04:01Parece que las he metido en calviva.
04:03Es que los libreros tienen las manos más delicaditas.
04:06No, lo que pasa es que aquí mi maridito
04:09You see? That's how they pay me for wanting to have a clean house.
04:12Well, clean and intoxicated.
04:14Because not even in World War XIV there were gases as harmful as the ones I noticed when I entered the corral.
04:19My God, I don't know how you didn't stay there stiff.
04:21Look, that's better. I wouldn't have to put up with your mother's comments.
04:24Let's see, but my mother was wrong.
04:27Could we have stayed there in the house?
04:29No, but for once you could have done my part.
04:32Well, look, I did what I could, okay? I did what I could.
04:35But she was right.
04:36If it was because of her, who asked me to open the windows...
04:39Well, yes, the heroine.
04:41They propose the same thing for the medal of civil merit.
04:44Well, enough already. Let me get an idea of what happened.
04:47Miguel, you're going to have to take a very deep course with Esperanza to explain the commandments of cleaning.
04:53Look, if Cañete gives me the right.
04:55Well, I'm going to the displays. I have to change the environment, mate.
05:02Don't bother, friend, but Trini is more right than a saint.
05:05A little more and you'd be on the headlines.
05:07Yes, I know, I know you're right.
05:10But apart from the little mistake with the salfumán,
05:13I made him shine at the bottom of the drawers.
05:16What they can't deny is that you did everything with your best intentions.
05:19Yes, but I've forgotten very little.
05:21I killed you at work and I've only got scolding and bad faces.
05:25You'll have to persevere.
05:27Or give up and let it go.
05:29Of course, and that Leonora camps around your house like a general for a taken city.
05:33It's not that I like it, but it will be temporary.
05:36I don't see you letting yourself be carried away by the current.
05:38Look, Francisco, there are times in life when it's better to close your eyes and let the storm pass.
05:42I don't agree, Miguel.
05:44You've lost a battle, but the war continues and you can't give up.
05:47You have to persist, persist and persist again.
05:50I don't see it clearly. Trini is fed up with these fights.
05:52Miguel, persist, persist and persist again.
05:56And then persist again.
05:58Or do you want Leonora to stay in your house until Leon makes the first communion?
06:01No, shut up, shut up, shut up. I prefer to be in hell inside the cauldron.
06:04Well, Leonora's wish can be fulfilled if you give up now. Think about it.
06:07Well, yes, I'm in a hurry.
06:10Well, you already have the recipe for your evils.
06:12Persist, persist and persist again.
06:16Persist, persist and persist again.
06:19That's it.
06:21Persist, persist and persist again.
06:23You've got it.
06:27Leave it.
06:31Leave it.
06:38Good morning. Enjoy your meal.
06:40Good morning, Rodrigo.
06:42Sir, I'll wait for you outside.
06:43Thank you. No, no, no, stay, stay. We'll leave right away.
06:49Good morning, Rodrigo.
06:51Nice show you put on yesterday.
06:53I'm very sorry about what happened.
06:55It's too late to be sorry.
06:57I'm afraid what happened yesterday will have very bad consequences for the Foundation.
07:01It wasn't Rodrigo's fault. The lieutenant provoked him.
07:04I'm not going to get into that, Paula.
07:05But, Mother...
07:06I'm not going to.
07:08But his aunt, Grandma, Countess Cristina de Tucci, is a character of high society.
07:13We're not only going to lose the Foundation's donations,
07:17but this incident could end up becoming a major scandal.
07:22I shouldn't have lost the stripes.
07:24Of course not.
07:25You should have kept your form. At all times.
07:28I don't even want to think about what would have happened if it hadn't been for your intervention and Mr. Fermin's.
07:33It would have been a nice fight.
07:35Although I would have bet on the lieutenant.
07:38I apologize again.
07:40But I also have to say that I only defended my mother from that guy.
07:43But let's see, we all listen to him.
07:46If someone has to be scandalized, it's us.
07:49Rodrigo's reaction was out of place, taking into account the circumstances.
07:52It's clear that lately you've taken a liking to the idea of going against me, right?
07:56I don't see anything wrong in thinking differently.
07:58It's neither good nor bad. I just expect something else from you.
08:01Well, let's have breakfast in peace.
08:05Emiliano, what are you going to do to fix yesterday's mess?
08:11You mean, apart from the check I signed?
08:13It wasn't small.
08:15Yesterday I asked Fermin to send the countess a supply of his best chocolates from the Pedraza family.
08:21With a note written by me.
08:23Trying to get him off the hook.
08:26Do you really think you can please them with a gift?
08:30Well, yes, son, yes. I hope so.
08:33We're not talking about the shit of the Philippines either.
08:35Excuse me. A masseur has brought this.
08:40Go for God's sake.
08:47The countess says she cannot accept our gift.
08:51And that her nephew, Lieutenant Márquez, is still waiting for an apology from Rodrigo.
08:58In that case, it would be better for you to sit down.
09:00Do you care if I decide that, Rodrigo? Do you care?
09:07Well.
09:10Let's all calm down, huh?
09:12I'm going to see what I can do.
09:15I'm going to talk directly to the countess.
09:17Let's see if I can convince her to lower the fumes to her nephew's pedometer.
09:21Thank you, Mr. Emiliano.
09:23You're welcome. Go to the office.
09:26I'm going to the store.
09:31These chocolates are delicious.
09:33You should go around making more gifts.
09:36So they don't return them to us.
09:42Rodrigo.
09:44What?
09:47What?
10:00Don't you have anything to tell me about yesterday's party?
10:05About the auction?
10:07I don't know.
10:09Maybe what you saw in the library?
10:14No.
10:17If you want to hurt me,
10:19I warn you that I don't care anymore.
10:23And if what you're looking for is my approval,
10:26that will never come.
10:28From you, the only thing I expect
10:31is that you fix this matter
10:33before it affects my foundation.
10:39And now I'm going to the library.
10:45To read.
10:48To read.
11:01And that smile?
11:02Nothing, my business.
11:04You know this is your house.
11:08Hey, who is that lady?
11:11And how does she know Mrs. Lazaro?
11:13And what else, Teresa?
11:15The important thing is that Mr. Fermin's wife
11:17has been very entertaining for a few days.
11:18And softer than silk.
11:20Well, I don't know if it's that bad.
11:23Don't believe me?
11:24Yesterday afternoon Vanessa
11:25threw a tray full of cakes on the floor.
11:27And the vampire didn't scold her.
11:29What's more, she helped her pick it up.
11:32Well, that's a novelty.
11:35Come in.
11:37You scared me.
11:38I've noticed that they haven't taken their eyes off me for a while.
11:41Is there anything you want to ask me?
11:43We were just checking if clients were coming in.
11:46Anyway, I'm going to get you out of doubt.
11:49That lady I was talking to
11:51was the wife of an important industrialist
11:53who left a good amount of money in the auction yesterday.
11:57Happy?
12:04But who does she think she is?
12:05The queen of Saba, all of a sudden?
12:08Well, look, she will make peace with high society,
12:10but she hasn't achieved it for her merits,
12:12let alone marry Don Fermin.
12:13Well, Teresa,
12:14whatever I do or stop doing the vampire is none of our business.
12:16Oh, I know, but it makes me mad
12:17to see her with those airs of grandeur out there
12:19when she doesn't deserve it.
12:21Don't get mad, woman.
12:23Look, I invite you to the cinema.
12:25I feel like going there
12:26after seeing how it's organized for a shoot.
12:30I don't know if I'm going to be able to focus on the movie.
12:34I can't get my head out of Antonia and Pietro.
12:37Hey, what if we go through the corral before and visit them?
12:40Sounds good to me.
12:41As long as we don't run into Miguel.
12:43Come on, why is that?
12:45I can't tell you.
12:46What do you mean you can't tell me?
12:48It's like in those spy movies,
12:50like the one Inés is shooting.
12:52Yes.
12:53If I told you,
12:55I'd have to kill you.
12:59Come on.
13:00You watch a lot of movies.
13:01Come on.
13:02I just cleaned up.
13:11Well, how are you?
13:12Have you recovered from the blow that Cesar's animal gave you?
13:16Yes.
13:17I'll be ready for a good fight in no time.
13:19I have to recover these days that I've been locked up here.
13:21We're going to burn Madrid when you get out.
13:23You'll see.
13:26I was hoping you'd stop by the auction yesterday.
13:28I sent you a note inviting you.
13:29I...
13:31was heading to Las Pujas.
13:32I got the message late.
13:34And I already had much better plans with the Apollo racers.
13:38I'm sorry.
13:39I also wanted to tell you about a business I'm running with my father.
13:43You can tell me now, if you want.
13:45Excuse me, Mr. Iván.
13:46Would you like me to order something to eat?
13:48Yes.
13:49We'll take a stand.
13:51Very well.
13:52I'll bring it to you right now.
13:55She's not bad, the maid.
13:57I'm sure you and her...
13:59Don't say nonsense.
14:00I've known her since I was born.
14:01Much better.
14:02If you've had time to catch her, it's enough.
14:05Look, focus on what we're talking about.
14:07It's much more important.
14:09This business can make us very rich.
14:11Well, congratulations to your father and you.
14:13You'll tell me what I'm doing with all this.
14:17I want to make more money.
14:18Something my father would be willing to give me.
14:21And for that, I need you.
14:24How much money would we make?
14:26If everything goes as planned and the product is a success,
14:29we could be talking about...
14:31several million pesetas.
14:35Give me more information.
14:38What is the business and what should I do exactly?
14:41I'll tell you as the story grows.
14:45For now, I just wanted to know if I could count on you.
14:47But, man, please.
14:48We're friends, right?
14:51Of course.
14:53Deal?
14:55We're going to be immensely rich.
15:04What a mess these dolphins have set up.
15:07I hope that when they finish, they leave it as clean as it was.
15:11Don't be so picky, woman.
15:13The art that Inés has deserves to be done.
15:16Of course, because you don't have to clean it.
15:18Cleaning does have merit.
15:20Well, and carrying a tray full of coffees every day
15:22also has merit and a lot of art.
15:26Come on, let's shoot.
15:29First.
15:31Sound.
15:34Action.
15:40And action.
15:48Cut, cut, cut.
15:49Inés, look up a little more.
15:51Yes, thank you.
15:53Come on, let's do it again.
15:54First position.
15:56Sound.
16:02And action.
16:04Inés, look up.
16:09Up.
16:12Cut.
16:14Inés, let's concentrate a little.
16:17Come on, let's do it again.
16:19First position.
16:20Silence.
16:21Sound.
16:26And action.
16:32Cut.
16:33Let's go.
16:34Come on, let's continue with the opening.
16:36Come on.
16:41Well, you can leave it now, please.
16:43But I didn't say anything.
16:45What a bore.
16:46I was sleeping.
16:47Let's see, were we distracting you?
16:49Well, yes, yes.
16:51Why don't you go to work?
16:52And when the atmosphere is more relaxed, you know.
16:54Man, of course.
16:55Let's go back to work, really.
16:56Hope you don't fall under the water.
16:59Come on.
17:02Inés, are you okay?
17:04You seem a little tense.
17:05Yes, I'm fine, I'm fine.
17:06But I don't know if I can shoot today.
17:09I feel empty, blank.
17:11You have to overcome yourself.
17:13Do you want me to help you review the dialogue?
17:15No, but if that's not it, it's just that...
17:17I can't interpret my role because...
17:19Well, because I need to stop.
17:21Agustín already said that you can't stop anymore.
17:23But you'll see that when I say action, your nerves go away.
17:27This is a disaster.
17:28We can't go on like this.
17:29What's going on?
17:30The actress who was going to work with Inés doesn't show up.
17:32They say she's fallen asleep.
17:33They're going to have to go get her.
17:35This is going to delay the shooting plan a lot.
17:39Let's see.
17:40Attention.
17:41Attention.
17:43We're going to stop for a couple of hours, okay?
17:49Do you want us to go to Agustín's office and you relax there?
17:51Yes, yes, let's go.
17:57This is a catastrophe, Agustín.
17:59We can't afford to stop.
18:01Well, you know that there are always unexpected shots.
18:03You know it by heart.
18:04Yes, yes.
18:05You can count on them, but we can't waste any more time.
18:07Let's go on a tight schedule because of Inés.
18:09Her insecurities are going to ruin this film.
18:11I fully trust that little by little she will focus.
18:13Yes, yes.
18:14Well, let's hope she does soon, because if not, we're lost.
18:22Yes, right?
18:26Emiliano.
18:27It's a pleasure to have you here.
18:29I hope that yesterday's dispute with the countess has been settled.
18:33We're on it.
18:35I'm sure everything will be fine.
18:37Anyway, I'm going to take a walk around the room.
18:40If the cat is entertained, the mice take advantage of it.
18:44It's admirable.
18:46It's admirable how talented your wife is.
18:49You know, you're lucky to have a woman by your side,
18:52with a good disposition.
18:54We could say the same about Maruja, right?
18:57The work they do at that foundation is incredible.
19:01It's a shame about that unpleasant incident between Rodrigo and the military.
19:05Yes.
19:07It was going to be a real headache.
19:10Because now it's my turn to fix the mess.
19:13Do you mean that the apology note was useless?
19:17The countess rejected the sweets.
19:19So I'm afraid those sweets only worked on my son's stomach.
19:24He must have swallowed them all by now.
19:27What are you going to do now?
19:30What am I going to do, Fermin?
19:32Interview her.
19:34Whatever it takes to put Maruja in a good place.
19:38I don't want her reputation to be affected by an absurd incident like that.
19:43I think we're both capable of doing anything for the love of our wives.
19:48Yes.
19:50Yes.
19:52The love we have for them forces us to make certain sacrifices.
19:57Anyway, I trust you'll forgive me, but as you can imagine, I have a lot of work to do.
20:03I'll go with you, Meliano.
20:18What did he tell you?
20:20Nothing he didn't know.
20:21That he's willing to do anything for his wife.
20:25Your suspicions about the lack of love in that marriage are unfounded.
20:29Are you sure?
20:30I don't usually make mistakes with these things.
20:32Sometimes you have to be the first one.
20:35He's going to confront the countess.
20:36To put an end to yesterday's scandal once and for all.
20:39And that's not a good thing for anyone.
20:42What surprises me the most is that it's now that Emiliano is so worried about Maruja.
20:48Especially after what I saw before the altercation with Rodrigo.
20:54Apparently, your friend was alone in the library with Miss Cavalieri.
20:58Well, that doesn't mean anything.
20:59Maybe he was looking for a book to lend her.
21:02No, maybe he was doing other things when Maruja found them.
21:05Those are your delusions.
21:07We shouldn't make such ugly comments.
21:10You say that because you didn't see Maruja's face when she left there.
21:13She was decomposed.
21:14And two minutes later, the couple left laughing.
21:17The truth is that I don't know how Maruja didn't say anything.
21:19Maybe he didn't say anything because nothing happened.
21:23Think whatever you want, Fermin.
21:24But I know very well what I saw.
21:27Emiliano is an honest man and his marriage is exemplary.
21:30And it bothers me to be talking about this matter.
21:34Well, that's it. I don't insist anymore.
21:36But come on.
21:37I would have a doubt more than reasonable.
21:48Inés, you know the role perfectly.
21:51Now you just have to do what suits you so well, which is acting.
21:55And you'll see that you end up being the Spanish Greta Garbo.
22:01What happened?
22:04The actress who was going to shoot with you hasn't fallen asleep.
22:08She got a more important role in another production.
22:11And she hasn't hesitated.
22:13She has left us stranded.
22:15She has left us stranded.
22:17But what a lack of professionalism, right?
22:19I guess you'll sue her.
22:21No, no, no. We can't.
22:22We had a contract with specific dates.
22:26The problem is that her scenes would have to have been shot days ago.
22:29I mean, legally, she has no commitment to us.
22:33Then you'll have to find another actress.
22:36We're on it.
22:37All this is my fault.
22:39The shoot was delayed because of me.
22:41No, it's not your fault. You needed those days.
22:43Yes, but I haven't thought about my colleagues or you.
22:45First the failure of The Shadow of Love, and now this.
22:47I'm putting you on the brink of ruin.
22:49Almost on the brink.
22:51I risk everything with this film.
22:54The problem is that every day the losses increase.
22:57But I'm sure.
22:59Inés, I'm sure we're going to get through this.
23:02But I can't do anything while you're looking for a replacement.
23:05No, I...
23:06The best thing you can do is go home and rest.
23:09You can make sure she's going to rest.
23:10Yes, yes, I'll take care of it, even if I have to work hard.
23:12No, really, there's no need. I'm better now.
23:14Trust me, please.
23:15Of course I do.
23:16Ballesteros and I are going to look for another actress,
23:18to change the shooting plan,
23:20to rewrite the script if necessary in order to move forward.
23:23And Ballesteros, how is all this being taken?
23:27Okay.
23:30Sorry.
23:32Yes.
23:35I'm coming now. Yes.
23:38Excuse me.
23:41Yes.
23:49Well, it's a shame that the shooting has stopped.
23:51Yes.
23:53I think there's a lot of bad luck in that guild.
23:57I saw too many people to do so little work.
24:01So the film has stopped.
24:03It seems so.
24:06Is Antonia okay?
24:07Yes, she's fine.
24:09Oh, are you here for Pietro?
24:11How is he?
24:13Well, not very well.
24:16Yesterday he stayed...
24:18He stayed in Mablanco, in the middle of the corral.
24:21I didn't even know who I was or where he was.
24:24Horrible.
24:25But he had come to work.
24:27Yes, and so normal.
24:29He called and argued twice.
24:32He recovered after a while,
24:34but then he didn't remember anything about what had happened.
24:38But did they go to the hospital?
24:40Because these misgivings are already too frequent.
24:43Well, I would have liked that.
24:45But he insisted that he didn't want to.
24:47And this morning he got up well
24:49and also insisted that he wanted to come to work.
24:51He should have stayed at home, resting.
24:54Yes, I would have liked that.
24:56But at least here I want to think that I have him under control.
24:59Imagine what happens to him alone in the middle of the street.
25:02Yes.
25:04Well, I already told him that he can count on us for whatever he needs.
25:08We will be aware, right?
25:10Yes, I will keep an eye on him,
25:12with the excuse that the floor of the workshop is always full of flour.
25:16Look, and we could also tell the boys who come to help him
25:21to stay longer.
25:23And so Pietro is accompanied as long as possible.
25:26Yeah, well, he can't notice that we are controlling him either.
25:30Don't worry, I'll tell him to teach them
25:33in case they stay as apprentices and that's it.
25:35Yes, it's a good idea, really.
25:37I really don't know how to thank you for everything you are doing for me.
25:40I alone could not cope with this.
25:43If it were not for me, Marta would not be here.
25:46You haven't told him anything?
25:48No, I don't want him to be calm.
25:50You have to be strong, Antonia.
25:52I'm sure everything will be fine.
25:53At least with yesterday's scare,
25:55it seems that Pietro has opened his eyes a little
25:58and now he does want to see a doctor.
26:00I hope they can advance the hospital appointment.
26:03Well, I don't know how he's going to get that.
26:06It's not that easy.
26:10Listen Antonia, maybe we could talk to Don Fermin.
26:24You haven't told me how it was for you in Germany.
26:27I know everything about Celia and her loves, but very little about you.
26:31Well, Germany is not the best place to live now.
26:35The housing is very expensive, there is no work,
26:38prices go up from one moment to another.
26:40Yes, I know it hasn't been very good for them after the war,
26:43but what I want to know is what kind of life you had there.
26:47A normal life.
26:49I worked as much as I could,
26:50I slept, I ate, I worked again.
26:53But what did you do in your free time?
26:56I don't know, did you meet someone interesting?
26:58No, no.
27:00None of that in my free time.
27:02I went out for a walk and nothing more.
27:04Are you sure you don't want to tell me anything else?
27:07No.
27:11I have good news.
27:13We have already found candidates to replace the actress who has left us.
27:16We are going to start the tests as soon as possible.
27:19Well, I can go and give them the replica of my character if they want.
27:23It's not a bad idea, but Ballesteros doesn't want you to spend energy on that.
27:29He prefers to reserve you for the shoot.
27:32In any case, we will find a person suitable for that profile.
27:35I don't know, but it makes me angry.
27:38And Laurita?
27:40She could collaborate.
27:42After so much reviewing with me, she knows the text better than I do.
27:44And you would only have to give the replica in a casting test and nothing more.
27:48It's a good idea.
27:50Of course.
27:52Wouldn't you do us that favor?
27:54No, I would die of shame.
27:56And if I do it so badly that you don't like any candidate because of me?
27:59No, no, it's not that complicated.
28:01You would only have to read the lines of his character.
28:04Of course.
28:06Say yes, please.
28:07Say yes, please.
28:11Okay, but only if you promise me that you won't laugh at me when you see the test.
28:30You shouldn't have insisted on coming here.
28:37I don't know how he's going to react.
28:43This is a very nice place.
28:45He has thought that if one day he comes here and finds it destroyed,
28:49he could do little.
28:51Because people of our class are way above the trash.
28:56My sister has just asked him to leave with very good manners.
29:01And I also advise him not to come here again.
29:04And I hope that the next time he opens the place, he finds it as it is.
29:08Okay?
29:14Let's pretend that you and I haven't had this conversation.
29:33Yes, four coffee and two ice.
29:38Is there a table for us?
29:40Of course.
29:42As for any client.
29:44Take a seat, they will serve you right away.
29:57Has that guy come back here again?
30:00That's right.
30:01And we're going to serve him like it's nothing.
30:04Could you pour a little bit of bleach on the glasses?
30:07Just a little bit.
30:09Don't talk to me about bleach, please.
30:11It was a joke.
30:13The bleach seems soft to me.
30:15I would put something as poisonous as them.
30:17Stop being silly.
30:19Now that the waters have returned to their source, I don't want to have any more problems.
30:23In any case, I thank you for going to talk to the Pedraza.
30:26I thought it was a good idea.
30:27Even if it was only to see the palace where they live.
30:30Someday we will have a house like that.
30:33You know I don't.
30:35I see.
30:37For that we would need the profits of three or four cabarets like this one.
30:41What impression did Ivan's mother give you?
30:44Elegant, polite, but without any affectation.
30:48For me it is quite simple.
30:50Despite being a lady.
30:53It seemed to me too.
30:54It seems to be a lie that a lady with so much class has a son with so little, right?
31:00It gave me memories for you.
31:02I would say that with a lot of interest.
31:05It seems to me that you liked it.
31:09I also found it very pleasant.
31:12I don't doubt it.
31:14Because of how your eyes shine.
31:16Do you want to stop being silly, sister?
31:18Please take care of those vultures.
31:20Well, sorry.
31:22The young customers.
31:24Do you want a stone?
31:26No, throw it to you.
31:28Jesus, a tray.
31:30We have to toast to the life that we run at the cost of provoking barbarians like Ivan Pedraza.
31:34I have a common enemy.
31:36We are offered a business.
31:39Do you want to drink something?
31:42Well, we would have a couple of waitresses.
31:45Like you.
31:47They don't serve.
31:49Do you want to drink something or not?
31:51Don't be angry with the candy.
31:52We will ask for more when he comes to invite us.
31:59Two whiskeys for Don Luis Boquenela.
32:03I can't stand that guy.
32:06I can't stand that guy either.
32:09But unfortunately they are the ones who make the register box rumble, sister.
32:14Although they never pay.
32:16I'm sure he's waiting for Ivan to come
32:18so he can run with the expenses of the farra that are going to be paid tonight.
32:20You have no doubt about that.
32:22Are you going to do something to prevent it?
32:24No.
32:26I already went out the last time I tried to warn him about the type of friendships he frequents.
32:31Are you sure?
32:33Are you going to let them take advantage of Pedraza's son?
32:36I'm sorry, but I have no other option.
32:40Later, sooner, he will realize the same about the kind of people he is going with.
32:44Or he will run out of money.
32:47I'm going to get the champagne.
32:56Thank you, Jesús.
33:02I'm sorry that no one wants to see Pietro.
33:05Although I don't know who is betting on whether it's Pietro or Antonio.
33:08I just don't want to think about another possibility that is not his recovery.
33:11I hope it's something temporary.
33:13But at least, what are you doing here?
33:15Shouldn't you be with the boy?
33:16The poor boy.
33:18It's just that Salfumán is still there.
33:20He's back there.
33:22And the poor boy doesn't stop coughing.
33:24You can see that the smell irritates his throat.
33:26Well, if he's coughing so much,
33:29we'll have to go to the doctor right now to see if he's cold.
33:32That's a lot of expense.
33:34Well, but it's the only way we have to stay calm.
33:39Besides, the four of us will have to go.
33:41The four of us? For what?
33:43Because that's how you tell the doctor Leon's symptoms.
33:46You're right. He loves to be heard.
33:48Well, he may not have coughed so much.
33:50A couple of times, the poor boy has choked on the same thing.
33:52Come on, I was exaggerating a little.
33:54Not to mention that the smell of Salfumán was a disaster.
33:58Be careful with what you say about me,
34:00that a liar has no hair.
34:02It still stinks.
34:04And I had to get the boy out at the risk of becoming constipated.
34:06Yeah, I understand.
34:08I'm still the responsible father,
34:10and you're the grandmother who keeps saving Leon from all these dangers.
34:12You said it, not me.
34:13No!
34:16I prefer to be alone for a while.
34:19That's it, we've got it.
34:21Did you see what you've done?
34:23You want to say what your husband has done?
34:25Oh, please.
34:27Come on, come on, inside, please, father.
34:29No, no, no, no, no, no, no.
34:31You leave the boy to me.
34:33Well, then you pay.
34:37But hey, what's wrong with Leon?
34:41Wow!
34:44Thank you very much.
34:46And come back soon, we'll have a lot more news.
34:51Good afternoon.
34:53Hello.
34:55Paula, this is a success.
34:57You have the store full at all times.
34:59Yes, the truth is that I can't complain.
35:01And I haven't bought you anything yet.
35:03I must be looking like a very bad mother.
35:05Wait until I get a second order,
35:07which is going to be a much more modern genre.
35:08But with the taste you have for clothes,
35:10I'm sure they'll take it out of your hands.
35:12I had thought of inviting the niece of the Italian ambassador,
35:15whom I met yesterday at the party.
35:17I don't think inviting Elena Cavalieri to the store
35:19is a good idea.
35:21Besides, she'll probably be busy with other matters.
35:24And anyway, if you don't need advertising,
35:26your clothes sell by themselves.
35:28No, but yesterday at the flea market ...
35:30Paula, Paula, I'd rather not talk about that.
35:33So, you're going to invite Elena Cavalieri
35:36to the flea market?
35:38So, what are you here for, mother?
35:40If it's not to buy clothes or talk about the auction?
35:45My father has sent you to fix up
35:47the arguments we've had.
35:49No, he didn't send me.
35:51But the truth is that you would have to
35:53solve your disagreements.
35:55He's still your father, don't forget that.
35:57I don't understand how you can accept his plans
35:59without making a fuss.
36:01It's not true that he's going to keep
36:03both production models.
36:04He's going to work with the crops
36:06and with the people who live from them.
36:08Well, I don't think he lied to me.
36:10And besides, no matter how much fiber is invented,
36:12natural fabric will always be used.
36:14So don't get dramatic with that.
36:16We know each other.
36:18Come on, do you want me to go to his office
36:20and give him the reason, even if I don't have it?
36:22No, I'm not asking you so much either.
36:24Mainly because he's not there.
36:27He's tried to fix things up
36:29with Tucci's countess
36:31so that the lieutenant intercedes
36:32and he hasn't succeeded.
36:34Those people are arrogant.
36:36They will never admit that they were wrong.
36:38Well, yes, they are.
36:40But they can hurt us a lot.
36:43Your father wants the lieutenant
36:45and Rodrigo to meet tomorrow
36:47and for Rodrigo to apologize to him.
36:49Is it a joke?
36:51No.
36:53Rodrigo is not to blame for anything.
36:55He only defended himself.
36:57You can't force him to do something
36:59so humiliating for him.
37:00We just settled in Madrid.
37:02We can't fall into misfortune
37:04or have a scandal.
37:06I don't understand.
37:08Is what you're asking Rodrigo so humiliating?
37:10The future of the foundation's donations
37:12is also at stake.
37:14Let's see if you understand.
37:16Rodrigo will have to do it.
37:18His duty is to serve the Pedraza family.
37:21Excuse me.
37:23I have to see to the lady.
37:28Hello, good afternoon.
37:30Good afternoon.
37:39Aren't you going to say anything?
37:42You better start.
37:44Are you sure?
37:47Let's see.
37:49I know that our problems are short-lived
37:52compared to those of Pietro and Antonio.
37:54Well, we also have Leon,
37:56who is a joy.
37:58And we love each other madly.
38:00Yes, well, there's no doubt about that.
38:02But I can't stand your mother
38:04for another minute.
38:06It makes me nervous, it makes me sick.
38:08Well, well, that's it.
38:10You don't need to talk anymore.
38:12I don't say she shouldn't take care of her grandson.
38:14But I can't live with her anymore.
38:16Every patient has a limit
38:18and mine has exceeded it twice.
38:20Let's see, Leonora is my mother,
38:22but it's true that she's a pain in the ass.
38:24And I realize how difficult it is for you.
38:26It's normal.
38:28And what do we do?
38:30Well, I have good news.
38:32This morning my mother asked me
38:34where we had left the suitcase.
38:36Do you think she's thinking of leaving?
38:40But my love, that's the best news
38:42they've given me in ten years.
38:44Well, not the best,
38:46because the first was when you told me
38:48we were going to be parents.
38:50Well, no, the second, the third,
38:52because the second was when we got married.
38:54What are you doing?
38:56What's wrong?
38:58How nice to be your father!
39:00How nice, my love!
39:06What's wrong?
39:08What's wrong?
39:12I know a very discreet snack bar
39:14near Villa del Pardo
39:16that I think you would like.
39:19Elena.
39:21It's just a matter of having a nice time
39:23and good company.
39:24Yes, of course, I understand
39:26that you have other commitments,
39:28but no, no,
39:30I thought we could see each other soon.
39:33Well,
39:35no, no, no,
39:37of course, as you wish.
39:39It will be another time.
39:41It's been a pleasure talking to you.
39:43Of course.
39:45See you soon.
39:48Stupid.
39:55Pepita,
39:57can you come here for a second?
40:00Yes, sir.
40:02Were you listening?
40:04Me?
40:05Yes, and you?
40:07No.
40:09Your business is none of my business.
40:11Besides, I don't care what I hear.
40:13If I already know how you deal with women,
40:15I won't be surprised.
40:17I love that you know me so well
40:19and that you accept me as I am.
40:21I guess that's why I'm still here.
40:23You are very beautiful this afternoon,
40:25more than usual.
40:27Emiliano.
40:28Don't be in such a hurry,
40:30stay with me for a while.
40:32No, Emiliano, I have a lot of homework.
40:34Well, it's time for another maid.
40:36Let's go to your room.
40:38No, the house is full of people who can't see us.
40:40Listen, listen,
40:42Maruja won't be back for dinner,
40:44Paula is in the store,
40:46and Ivan,
40:48anyone knows where Ivan is.
40:50But the rest of the service is there.
40:52Why are you so hard on me
40:54and in the end you're going to do what I ask?
40:56Or am I wrong?
40:58No, right?
41:00Let's go.
41:02Let's go to your room.
41:04Come on.
41:18Don Germín, what a surprise.
41:20What are you doing here?
41:22I came as soon as possible.
41:24Please, come in.
41:28No, no, don't get up, please, don't get up.
41:30How are you?
41:32More or less well, doctor.
41:36I appreciate your visit.
41:38It's the least I could do.
41:40Besides, I have good news for you.
41:42Well, sit down, please.
41:46Do you want a coffee?
41:48No, no, thank you, Antonia, thank you.
41:49In the course of the intervention,
41:51Teresa has put me in contact
41:53with a very well-known doctor, a friend of mine,
41:55and I have asked him to take care of your case.
41:59And how did he get so upset?
42:01No, he didn't get upset, Pietro.
42:03Besides, Antonia told me
42:05that there is no way they can be treated in the hospital.
42:07I couldn't stay with my arms crossed.
42:09Honey, don't get upset for telling him,
42:11but we couldn't go on like this.
42:13Pietro,
42:15we've known each other for many years
42:17and I know you're not one of those
42:19who only care about your health.
42:21But what happened yesterday,
42:23you have to take it very seriously.
42:27I don't know how to thank you, Mr. Fermin,
42:29for being so concerned about me.
42:31You don't have to thank me for anything.
42:33The people of La Moderna are my family.
42:35All you have to worry about now
42:37is getting well.
42:40I know.
42:46The truth is that
42:48I'm afraid, Mr. Fermin.
42:54I don't know what's happening to me.
42:56I don't know.
43:00I don't know if I'm going to lose my mind,
43:03if I'm going to stop being who I am,
43:06if I'm going to forget everything I've lived in this life.
43:11I don't suppose it's the worst, Pietro.
43:13Everything can be temporary.
43:17What if I forget even love, Mr. Fermin?
43:23What if I forget how much I love my wife?
43:29Darling, I'll always be here.
43:31And you'll be here for a long time, Antonia.
43:34Don't doubt it.
43:36Pietro, my friend, Dr. Ramiro,
43:39will visit you very soon
43:41and I'm sure he'll give you the right treatment.
43:43Now, before you see him,
43:45you'll have to go through some tests.
43:48Yes, of course.
43:50When will they tell me?
43:52Well, I've got them to be done tomorrow.
43:55So soon?
43:57Yes, yes, we don't have time to lose.
44:00Besides, I need him in the lab at 100%.
44:03You know that.
44:05I'll be there.
44:07I assure you.
44:09You don't know how much we thank him for everything he does for us.
44:12Pietro, why are you so serious?
44:15I assure you he's in the best hands.
44:18Because I feel ashamed, Mr. Fermin.
44:21Very ashamed.
44:23He must have had to move a lot of strings
44:25for me to be treated so soon.
44:28You should be ashamed of yourself
44:30if I hadn't done anything for you.
44:32We've been friends for a long time, Pietro.
44:34It's the law that we help each other.
44:37It's an honor for me
44:38that you take me into so much consideration.
44:41Really.
44:43Everything will be fine.
44:45You'll see.
45:02You don't know how much I needed this.
45:05It's been a long day.
45:08Now you have to go. I have to keep working.
45:11Why are you in such a hurry?
45:13Go back to bed, woman.
45:15No, it's too late. Your wife should be on her way.
45:18Maruja, now you're going to worry about that.
45:21But she knows perfectly well who I spend the nights with.
45:24She's delighted not to have to share a bed with me.
45:27She may know, but you don't have to show it to her face.
45:30If you don't care about that, I'll decide.
45:32Go on.
45:34Sit down, woman.
45:42Listen.
45:44Maruja doesn't have to complain.
45:47She really has everything she wants.
45:49Today, without going any further,
45:51I've spent the whole day trying to fix the mess
45:54that happened here during the auction, the fight.
45:57That countess and her nephew are horrible people.
46:00Yes, and very stubborn.
46:02During my interview with the countess,
46:04she seemed willing to admit
46:06that her nephew had taken things out of place.
46:08That's exactly what the lieutenant did,
46:10take things out of place.
46:12Of course. But in the middle of our conversation,
46:14she received a phone call from her nephew.
46:17So she told him she was meeting with me.
46:20And I don't know what that brat must have told him
46:23that she has changed completely.
46:25And that's it.
46:27She didn't admit her guilt.
46:29I guess the lieutenant didn't like you talking to his uncle.
46:33You're right.
46:35So she told me that I have to talk to him directly,
46:38to the lieutenant,
46:40who is supposed to be the aggravated one.
46:42The aggravated one.
46:44He's a pain in the ass.
46:46So what I've done is arrange a meeting
46:48in the reserve of La Moderna,
46:50where Fermin and Rodrigo will also go.
46:52And I'm sorry, Pepita,
46:54but your son will have to apologize.
46:56Let's hope everything stays there.
46:58Yes, because I need this matter to be settled as soon as possible.
47:01I have more important things to do.
47:03Of course.
47:05By the way, has Iván made any profit today
47:08or has he spent the day lying on the couch?
47:10His friend Mellado came to see him.
47:12And I think they were talking about business.
47:14Business?
47:16I'll have to see him.
47:18The only business Iván knows is to empty my wallet.
47:23Mother, are you there?
47:28Mother, I need to talk to you.
47:30It's important.
47:32Mother?
47:39I was telling Mrs. Teresa
47:41that thanks to Mr. Fermin
47:43you were given an early appointment
47:45to do the tests at the hospital.
47:47Antonia, why don't you publish it in the ad board?
47:49Why are you going to apologize to Lieutenant Marquez?
47:52If you kneel once, you'll have to do it again.
47:54That man humiliated you,
47:56and I'm not going to look the other way.
47:58At the party, he spent a lot of time
48:00talking to a guest.
48:02I don't remember the name.
48:04I suppose they were talking about business.
48:06No.
48:08I'm sorry, I didn't want to...
48:10If we're going to be friends,
48:12it's better to call things by their names.
48:14You came here to apologize, right?
48:16Well, you won't leave without her.
48:18Rodrigo, please.
48:20Ready to give the replicas to the candidates?
48:22Yes.
48:24Where is Ballesteros?
48:26He's meeting with the art director
48:28to see the material we filmed.
48:30I didn't think Madrid Cabaret would fit
48:32into your idea of entertainment.
48:34I think you don't know me.
48:36I wanted to organize a charity gala
48:38and I thought I'd do it here.
48:40Why are you telling me that?
48:42I'm glad you came to me.
48:44I wanted to see you again
48:46and I didn't know if that was going to happen.
48:48You shouldn't have to be threatened.
48:50You know I'd never do anything
48:52that could hurt you.
48:54You choose.
48:55I'll give you the four-leaf one.
48:57A lucky charm.
48:59It's beautiful, but it shouldn't have bothered you.
49:01Everything I do for you is little.
49:03Don't think this has anything to do
49:05with the generous gesture you made
49:07when you dissolved society
49:09and shared the inheritance with me.
49:11Why not?
49:13You have to believe me.
49:15Millado wants to scam you.
49:17I see you're insistent.
49:19I'm just trying to stop an injustice, nothing more.
49:21Did you really think I was going to bite the hook?
49:23That I wasn't going to find out about you?
49:25Do you know how easy it is to defame someone?
49:27If they're against you,
49:29it could be for another reason.
49:31Tell us, when did you buy the ticket?
49:33What ticket?
49:35The bus ticket, that's why you're packing.
49:37No, I wasn't packing.
49:39So you're not leaving?
49:41I've invested a lot of money in this film
49:43and I can't afford another failure.
49:45That's why I feel so responsible
49:47when I'm not up to it.
49:49We have the actress and she's a gem.
49:51Perfect.
49:53Which one is she?
49:55Don't be ridiculous.
49:57You've been very exciting.
49:59When you want to realize it,
50:01you're so involved in the role.
50:03We already have an actress.
50:05You can rest assured,
50:07because all of them were very good.
50:09You should be as euphoric as I am
50:11because you just witnessed something unique,
50:13the birth of a star.
50:15They gave me the results, Antonia,
50:17and that's why it took a little longer.
50:19And?
50:21And they told me they would appoint me
50:23with the doctor as soon as possible.
50:25What?
50:29Now you're not so brave,
50:31you little rat.