Salón de té La Moderna - Episodio 216
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Short filmTranscript
00:00As soon as you know something, tell me.
00:02I'll come with an arrow.
00:08Oh, and Marta, if you see someone walking down the street, let me know immediately.
00:13If I see anything suspicious, I'll let you know.
00:20Hi, Marta. Visiting?
00:22Yes, well, but I was leaving. Goodbye.
00:25Goodbye, Marta.
00:26Goodbye.
00:27Bye.
00:28Goodbye, Marta.
00:29Goodbye.
00:36Do you really think there's someone spying on you on the street?
00:39Well, it's just my impression. I don't know why.
00:43But maybe it's another one of my hallucinations. You don't have to worry.
00:47I can't stop worrying about you for a moment, Matilde.
00:50I know.
00:52And this will be solved very soon.
00:55And I'm still determined to enter that sanatorium as soon as Clarita returns.
01:01Jaquecan is in bed. I need to go to the terrace to get some fresh air.
01:24Bye.
01:41I suppose your mother has informed you of my conditions to keep quiet.
01:46Yes. She has explained it to me with meridian clarity.
01:50And? What do you have to say?
01:54That I don't accept them. I'm not going to flee the country like a plague.
01:59And are you aware of the danger you're in?
02:01And what do you make your mother do if you don't accept that treatment?
02:04Yes. She's not talking to any idiot.
02:07Darling, put aside your pride and think calmly.
02:11You have no choice. You have to accept Fabio's demands.
02:14Fabio.
02:18Considering the magnitude of the deception of which I have been a victim all this time,
02:22I think my conditions are the most reasonable.
02:27I see.
02:28Fabio, but it's not about what you think.
02:33It's about what I want.
02:35Then I have no choice but to go to the police.
02:38And not just because it's my duty as a decent citizen.
02:42Also so as not to seem an accomplice to the eyes of justice.
02:47Listen to us, daughter, please.
02:50You won't miss anything when you're out of Spain.
02:53You will be able to have the same opulent life you have here.
02:57That's right.
02:58Your mother has taken care of preparing you a good economic mattress.
03:02The current account that awaits you in Switzerland is well filled.
03:05Is that facing justice?
03:07And I guarantee you that you will lose.
03:10You have to leave the country. Don't you have another one?
03:12Now you just have to choose where you want to go.
03:15I'm not going to leave here.
03:17Not until I finish what my mother has not been able to finish.
03:21Matilde has to pay for everything she has done to me.
03:24No, that matter is over.
03:26I want you to set a date for your departure.
03:29And that you swear to me for the most sacred thing that you are going to leave that poor woman alone.
03:32I don't know, have you ever thought about leaving the basement since I discovered you?
03:36Of course not.
03:38I have no interest in being discovered.
03:41Well, better like this.
03:43You have to be very clear that this is another of my conditions.
03:46You will never be able to approach Matilde or Íñigo again.
03:50Otherwise, I will report you in my last words.
03:53Admit that you have been defeated and start a new life.
03:55I'm not going to give up my commitment.
03:57I'm going to finish what I started.
03:59Agree?
04:01Well, think about it.
04:03If you don't do what I ask of you,
04:05or you leave this house just once,
04:07I will immediately go to the police.
04:10Have no doubt.
04:12Your time here is running out.
04:18You are impossible, daughter.
04:21I'm not going to let you go.
04:24You are impossible, daughter.
04:37Estrellita Castro showed sympathy with her followers
04:40who came to Masa to greet such an illustrious actress and singer
04:44and get a record signed by her admired celebrity.
04:48But ...
04:49And they didn't say anything about the store?
04:51Yes, he named the store, the gallery where it is and the modern one.
04:55Because Estrellita Castro had a tea with pastas after the signing.
04:59But then it couldn't have turned out better, right?
05:02Besides, she was charming.
05:05And she told me that she wants to take some pictures in the studio when she returns from Toledo.
05:09We have to have everything ready.
05:11So that when she comes, she sees that ours is a vanguard photographic studio.
05:14You'll see how charming she is.
05:16I would love to talk to her again.
05:18Her words encouraged me.
05:20Very good, because I missed you.
05:22After what happened with Mrs. Juanes, you were a little discouraged.
05:26Yes, but Estrellita Castro was very nice to me.
05:30It is a blessing to meet a woman who has always fought for her dreams.
05:34Thanks for taking her to the store.
05:36No, thank Celia.
05:38The credit is hers.
05:40My partner, who is a big shot.
05:42Well, someone has to get the business going.
05:45Yes, and I have to apologize because these days I've been a little distracted.
05:50You were like Ida.
05:52In your head you didn't have records, of course.
05:55Did you have anything more related to cinema?
05:59Yes, it is possible that lately I am more interested in the seventh art than music.
06:05And do you have anything else to tell us?
06:07No, what I have to tell you is that we have to have breakfast quickly because otherwise we will be late.
06:12Celia, ask Agustin if he tells you anything else.
06:16What am I going to ask him?
06:18Flo will tell Laura when she wants.
06:20I'm sure he tells you more things than friends and his sister.
06:25Well, we finish breakfast and go to the store.
06:28How good it is.
06:34No, no, no.
06:36What's wrong with you?
06:37That you are more nervous than an anarchist from the Vatican.
06:40Nothing happens to me, I just like to do my job well.
06:42Could you give me a hand?
06:44As soon as I read about Estrellita Castro.
06:46They talk about the gallery in all the press.
06:48You'll see how happy my father gets when he reads it.
06:50Not so much, it's not the first famous one that happens around here.
06:53Nobody would tell him.
06:55Estrellita Castro is very famous.
06:58Yes, yes, you're right, you're right.
07:00Why don't you go to the other store to unpack the excursion guides that have just arrived?
07:05If it doesn't suit you, you send me to work.
07:08That's called abuse of power, did you know?
07:14What a mess.
07:16Have you put it on the train? Have you checked with your mother?
07:19My mother is not a suitcase.
07:21Yes, sorry, I mean, if she's on her way from Guadalajara.
07:24Well, yes, and she even told me goodbye from the window.
07:26With the handkerchief in her hand.
07:28Thank goodness.
07:29A couple more days and she'll find out all the mess we have set up in our jobs.
07:33The further away she is, the less danger there is that she finds out.
07:36Yes, the apocalypse would have come earlier if suddenly my mother finds out
07:40that we have told everyone that we are single
07:42and that we are preparing a fake wedding.
07:44Yes, we should have finished with this farce a long time ago.
07:48Well, yes, but now it's too late.
07:50We can't tell the truth anymore.
07:51I don't think our bosses would be very excited to know
07:54that we have been deceiving them for so long.
07:57Well, let's see what we do.
07:58Elías is still committed to the organization of the wedding.
08:01Now, on a break, we have to go talk to the priest.
08:03Yes, well, you'll have to tell him something.
08:05Because, the truth is, we can't get married twice.
08:07That would be bigamy.
08:08And that, apart from being a sin, is a crime.
08:11I don't think so.
08:12If you marry the same woman, I don't think they'll tell.
08:15Well, you'll have to come up with something.
08:17And that's it.
08:18Okay.
08:19Okay, I'm going to work.
08:20Yes, yes.
08:21See you later.
08:26What a mess your wife and you have made.
08:29Well, you're already telling me what all this is about.
08:38Well, I think, Cañete, it's time for you to come back.
08:40I'll be there the day after tomorrow.
08:42We'll see what happens.
08:43Well, has it been worth it for you to spend a few days in town?
08:46I think so.
08:47When I got there, my grandfather was in the basement.
08:50And he went to see me, and I went up the stairs running like a kid.
08:53What an illusion he made him see me in town.
08:55Well, I'm glad, I'm glad.
08:57And what's being said out there?
08:58Has Mrs. Lázara been able to get me fired for going to the rehearsals?
09:01Well, look, at the moment I don't know anything.
09:04But here we all hope that you continue to maintain your work when you return.
09:07Whatever it is, it will be.
09:08There's no point in worrying now.
09:11Well, how are you? How are you feeling?
09:16Well, look, you're going to be stoned.
09:19Mrs. Lázara has asked me to make peace.
09:22And she has offered me a kind of deal.
09:24If I stop investigating her, she stops pressuring me to fire me.
09:29And look, I don't know if I should tell all this to Don Fermín.
09:33That's very risky, Teresa.
09:35If Don Fermín doesn't believe you or becomes part of her,
09:38then you're going to have to deal with a rabid manager.
09:42Yeah, I don't know if it's very naive, but what if he believes me, Cañete?
09:46What if he believes me and we can get rid of her?
09:49Well, you would continue to have her as an enemy.
09:51And you would have made Don Fermín lose the only sentimental relationship he remembers.
09:55Come on, whatever he does, I lose.
09:58Mrs. Teresa, are you talking to Cañete?
10:01Yes, give him memories.
10:02And tell him that we are here without him like cattle without heads.
10:05That he is a head of category.
10:07Let's see, it's a way of speaking that I don't want to compare with the animal.
10:11Cañete, what memories are you talking about?
10:14What do you want?
10:15Nothing, I wanted to tell him that if he could sit me in my break, in the break.
10:18If it's not inconvenient.
10:19I'm sorry, Cañete, but I have to let you go.
10:21We'll talk later.
10:23Goodbye, goodbye, goodbye.
10:26Oh.
10:28Teresa.
10:29Well, I'm very happy to find you both together.
10:31So you will also find out.
10:33Elías, from this moment until Cañete returns, you will occupy his position.
10:38So you, Teresa, are discharged from the extra load you have to cover the head of waiters.
10:44I appreciate it.
10:45As you can see, I am very concerned about the well-being of the employees in my position.
10:51Mrs. Lázara, I hope to be up to the task and not disappoint those who have entrusted their trust in me to carry out this extraordinary task.
10:59It is a pleasure for me, I accept it with pleasure.
11:02Head of the waiters, what a triumph.
11:05Head of substitute waiters, Elías.
11:09Please don't make castillos in the air.
11:11Man, but I say that it would be better to be a boss for a day than never.
11:15Mrs. Lázara.
11:16Well, I think we should meet at the template to announce my appointment.
11:21Congratulations on your new position.
11:23Thank you very much, Mrs. Teresa.
11:26Head of the waiters, me.
11:29Me.
11:33And this is the whole story.
11:35In short, I have been married to Trini for a long time and we have been hiding it for a long time to keep her job.
11:42But now she is pregnant and we have to pretend a wedding.
11:45But now she is pregnant and we have to pretend a wedding.
11:49No, yes, I see it.
11:51Single and with a creature ... It is not very well seen that we say.
11:55I'm desperate to have to continue with this mess.
11:59Well, I don't want to put you in a worse position, but ...
12:02As my father finds out that you have cheated on him, he will not even give him a pinch of grace.
12:05He will not forgive you.
12:06And look, he's going to give you a wedding gift.
12:08I don't know what's going to happen to us.
12:12Don't get like that, man.
12:14I'm not going to say anything.
12:15I'll be a grave.
12:21Well, I don't know how to thank you.
12:25You have it very easy.
12:27You just have to tell my father the great progress that his son is making in the bookstore.
12:32I guess I have no other choice.
12:34I hope you don't abuse this.
12:35Just the right thing.
12:38Well, thank you.
12:41Now I just have to solve the interview with the priest Elias has asked me for.
12:45If it's over, it's over.
12:47I'm not going to get out of this one well.
12:50Why not?
12:51You just have to ask the priest for confession before taking out the subject of the wedding.
12:56Confession? For what?
12:57To confess your sin.
12:58What sin?
13:00I have the feeling that you are not fully aware of the seriousness of the situation.
13:05And what makes you think that?
13:06That I consider it a priority to wait for the patient's sister to return.
13:10We are running an unnecessary risk.
13:12In addition, the meeting with the girl may further destabilize the precarious mental situation in which Matilde is.
13:18For her it is important to explain to her what is happening.
13:22So that she does not find out about other people and that creates more unrest.
13:25I understand, but you yourself will have proven that your wife's situation is getting worse at times.
13:32With all sincerity.
13:34I believe that for your own good we must enter it as soon as possible.
13:37I'm sure she's showing new symptoms.
13:41That's right.
13:43Now she says she's being followed, that she's being watched.
13:51What's going on?
13:53Do you have anything to tell me about it?
13:56In this case it is not a way of the patient.
13:58I have to admit that I have commissioned some healers to follow her husband.
14:04I don't understand why you did that.
14:06It is only out of precaution, a usual measure in these cases.
14:10We must protect the patient from herself and everyone around her.
14:14A psychotic outbreak can have fatal consequences.
14:17Keep it in mind, Mr. Peñalver.
14:19I don't like to be watched by my wife.
14:21And much less to find out about the way I'm doing it.
14:23All this is for your wife's safety.
14:26It is a provisional measure.
14:27It only takes hours for the sister to return and we can start with Matilde's recovery.
14:32I still don't like what you've done. You should have consulted me.
14:35I didn't think it necessary to give the characteristics of this case.
14:38And I thought you would agree to take the measures you consider appropriate.
14:42Yes, I can agree with you as long as I keep up with your plans.
14:46I apologize.
14:48But I assure you, I assure you that I am the first interested in your wife recovering her sanity.
14:54Look, if you think it's okay, until the income occurs, these healers will continue to watch your husband.
15:01I'm sorry.
15:04It's okay.
15:10But let it be the last time I take a step without my consent.
15:15Count on it.
15:19Come with me to the door.
15:31I've been here more hours than a clock and it turns out that when something interesting happens,
15:36I was already on my way home.
15:38What are you going to do, Esperanza? You're not lucky.
15:41Well, the security guard told me that there was a ruckus, everyone asking for an autograph.
15:48And Mr. Fermin took her later to the reservation to take a walk.
15:53Do you have a crime to lose it or not?
15:55Oh, if I had money, I would buy a gram and all his records.
16:01Don't you like Estrellita Castro?
16:04Oh, maybe you're more into jazz or swing, the modern music that comes from America, right?
16:10Well, I'll tell you one thing, youth has no idea about music.
16:14Because good music is the same as always.
16:20What's wrong with you, girl?
16:21For God's sake, talking to you is like talking to a broom.
16:25You drive it wherever you want, but you don't answer it.
16:29No, nothing's wrong with me, Esperanza. I'm thinking about something.
16:35You haven't gotten into any trouble?
16:37No, it's study stuff that I got into my head.
16:40Oh, well, look, that's very good.
16:42Let your head be filled with letters and numbers better than with birds.
16:46Oh, don't leave it and work for a future.
16:49Spending your whole life as a cleaner, I don't recommend it to anyone.
16:53Marta, I need you to clean the reservation thoroughly.
16:56A cycling association is coming to do their annual meeting.
16:59Apparently, they want to organize a bike ride around Spain, I don't know.
17:04Good morning, first of all, right?
17:06There are more people here.
17:08Good morning, Esperanza.
17:10What? Is your break over or are you going to stay here and live forever?
17:14No, ma'am, I have a humble but very affluent house.
17:20I have a humble but very affluent house.
17:23And I'm glad.
17:25But, Mrs. Laza, my shift ends at noon.
17:28Yes, I know. Don't worry, we'll pay the extra hours.
17:31Is there a problem?
17:33What problem will the girl have?
17:35She's going to leave the reservation like the goldfish.
17:38I didn't expect less.
17:41It seems to me that you had other plans for this afternoon, right?
17:44Yes, and if I stay to clean, I won't have time.
17:46And what is that so important?
17:49If you don't tell me, I can't help you.
17:54I can't tell you much because I promised Matilde.
17:58I'll tell her, but she'll forget it right away, okay?
18:01And promise me that you won't tell anyone.
18:03Well, I don't know.
18:05I'll tell her, but she'll forget it right away, okay?
18:08And promise me that you won't tell anyone.
18:10It seems that you don't know who you're talking to.
18:12Yeah, that's precisely why, Esperanza.
18:15Well, Matilde needs help to not get her in the sanatorium.
18:20What are you telling me? But I thought she was fine.
18:23No, no, and she's fine.
18:25The only thing she needs is a cable to prove it.
18:29Well, that's it.
18:31This afternoon I'll clean the reservation.
18:34But what if Mrs. Lázara finds out?
18:37Don't worry about that.
18:39I'll tell her that you felt unwilling and that I gave you permission to go home.
18:43That's why I'm the boss cleaner, right?
18:49Thank you very much, Esperanza.
18:51You're welcome.
18:53Matilde does whatever she wants.
18:56And good luck.
18:58I'm sure everything will be fine.
19:00I'm going to need it, yes.
19:03Come on, give me a hand now.
19:25What bad luck we have.
19:27What's going on?
19:29This spotlight has broken.
19:31I need it for the session with Estrellita Castro.
19:33And it shines less than a candle of two cents.
19:35Well, but you can still use another one.
19:38No, I need one anyway.
19:40And I can't order another one for tomorrow because all the spare parts come from Barcelona.
19:44Well, but maybe with a light bulb or with the outside light.
19:48Or I'll make a portrait of Carboncillo.
19:51No, Laura, no.
19:53We have to cancel the session.
19:55No, Celia, we can't cancel it.
19:57Being a business that is just starting, it would be horrible.
20:00We have to, I don't know, think of some option.
20:02I know, Laura, I know.
20:03But without this spotlight, the studio can't shine well.
20:05And so there will be some photographs of those that people put on their passports.
20:09And that's not going to happen.
20:10But cancelling is not an option.
20:12Let's start.
20:16What's going on?
20:18But what are those faces?
20:20You should be happy after yesterday's success.
20:23Joy doesn't last long.
20:25We've lost the studio's main spotlight.
20:29We're going to have to cancel Estrellita Castro's photo shoot.
20:32Don't you have a spare?
20:34No.
20:36Listen, but now that I think about it, you have several theaters.
20:42Maybe you can lend us a spotlight?
20:45Yes, of course.
20:47If I don't have one, I have a similar one.
20:51Today I can check it.
20:54You've saved our lives.
20:57I'm sorry.
20:59Maybe I've taken too much confidence.
21:01No, no, no, no, no, no, no.
21:02It doesn't matter.
21:03You know that you can count on me whenever you want.
21:07I'll keep that in mind.
21:11Well, I'm going to the studio.
21:13I have to select the photographs that I have to show Estrellita Castro.
21:17This afternoon I'll stop by the warehouse for your spotlight.
21:19Thank you very much.
21:24Well, the problem is solved.
21:28I think that tomorrow we can go see Estrellita Castro at the Madrid-Cabaret.
21:33It's a great plan.
21:34They say it's a lot of fun when she gets involved.
21:37And that way we could get to know each other better.
21:40I don't know what you mean by getting to know each other better,
21:43but I'd like to go little by little in this story.
21:47I have my reasons.
21:49Any bad experiences?
21:51I don't want to talk about it.
21:56No problem.
21:58Really.
21:59We have all the time in the world to be sure of our relationship.
22:05Yes?
22:22The books you asked me for are still in the back room.
22:25Are you going to pick them up today?
22:27I don't know.
22:28I have a lot of things to do today and I can't carry them.
22:32I'll take you wherever you want and we'll talk for a while.
22:35No, I have to go somewhere today and I don't need company.
22:39I'll take you home and that's it.
22:41No, don't insist.
22:43I'll take them tomorrow.
22:45As you wish.
22:46It's been hard for me to get them together.
22:48I know and I appreciate it, but I'm telling you I can't today.
22:51Don't insist anymore, please.
22:54Hey, did you stand in line when our Guita Castro came?
22:58Why would I stand in line?
23:00I don't have any of his records for me to sign,
23:03or any money to buy it.
23:05Well, I don't know, a photo or any paper.
23:09A signature doesn't feed you.
23:12Well, but it's a nice memory.
23:15That's for whoever wants it.
23:17Besides, yesterday...
23:20Yesterday I had to go to a place that a friend had asked me to go.
23:23The same place as today?
23:25Yes, the same place as today, but you don't care.
23:27It's a bit of a hassle, isn't it?
23:29Well, I was asking because it's nice.
23:31But it's such a mysterious place where you can't say anything.
23:34Well, no, I can't.
23:35And stop trying to get into where they don't call you.
23:37I already know guys like you who want to know everything about you.
23:40Like me?
23:41What's up? We're back to square one.
23:42Look, neither to the beginning nor to the end.
23:44That's it.
23:45You'd better not go crazy with me.
23:57I've proposed to Elias to take on the position of Chief of Staff until Cañete returns.
24:01But if you don't like it, we can find someone else.
24:04I don't see why I should not like it.
24:06It's a decision that's up to you as a manager.
24:08Well, since we haven't been in agreement on the decisions I've made lately,
24:12I've preferred to comment on them.
24:14I suppose you're referring to the dismissals of Teresa and Cañete, right?
24:18Look, Mr. Fernández, I don't want to bother you.
24:20So from this moment on, I'm going to inform you of every step I take.
24:25I don't want to be a burden and you have too much directing this room.
24:28It's not convenient or practical for me to ask for an opinion for everything I do.
24:33Mrs. Lázara, believe me, if I've appointed you manager, it's because I fully trust you.
24:39In your ability to work and to organize.
24:45You don't know how important those words are to me, Mr. Fermín.
24:49Well, I thought I had lost your trust.
24:52Very badly done.
24:54Mrs. Lázara, believe me, when I tell you that I'm very sorry if at any time you have felt questioned by me.
25:00It wasn't my intention.
25:02I appreciate you in everything that matters.
25:05In everything.
25:08You have a heart of gold.
25:11You have a heart of gold.
25:15Yes?
25:18Mr. Del Moral, come in. Mr. Fermín is waiting for you.
25:21Good morning.
25:22Don Fabio, thank you for coming so soon.
25:25It's always a pleasure to approach the modern.
25:27Congratulations on the success you've had with the visit of Estrellita Castro.
25:31It has had a lot of repercussions.
25:33Exclusive success of my niece and her partner who are committed to scheduling events to promote the gramophone store.
25:40But sit down, sit down, please.
25:42Although I like to brag about partners, I didn't bring you here for that.
25:46What can I do for you?
25:49Look, there's something that keeps worrying me.
25:54Because I know for a fact that you're still selling assets of the Morcuende company.
25:59That's true.
26:00I don't know why this financial maneuver worries you.
26:03Well, it worries me a lot.
26:04I would even say that it even takes away my sleep.
26:07Because there are also certain rumors that are nothing but rumors.
26:12What have you heard?
26:14That they intend to sell the gallery.
26:20So that the tenants don't know what to expect.
26:24And neither do I.
26:26Well, pay attention to everything you hear.
26:28Rumors always sin of alarmists.
26:31Yes, but it is true that they continue to sell the company's assets.
26:35That's right.
26:37We are trying to heal the company.
26:39What happens is that we are having to get rid of more companies than we expected.
26:44The accounts are not as good as we thought.
26:46Yeah.
26:48So you guarantee me that the gallery is not going to go on sale?
26:53The gallery is one of the most profitable businesses of the Morcuende company.
26:56Their intention is to keep it.
26:58Well, you don't know how happy I am to hear that.
27:00But know that I cannot guarantee it 100%.
27:04I am only the provisional manager.
27:06The owner is Mrs. Bárbara.
27:07She is the one who has the last word.
27:09Although at the moment she is delegating all the decisions to me.
27:13And she is very lucky to have you to help her.
27:16Because I imagine that after the death of your daughter, Mrs. Bárbara will not have the head for these ministries.
27:23It has to be very difficult to overcome something like that.
27:27Do not doubt it.
27:30What happened to Carla is a tragedy for any mother.
27:35And for those of us who are close to her.
27:49Daughter, you shouldn't get close to the window. Someone could see you.
27:54Don't worry, mother, no one can see me from here.
27:57I'm just enjoying a little bit of the sunlight.
28:00Staying here locked up is a torture.
28:03Well, that could end whenever you want.
28:06You just have to tell me what country you want to travel to.
28:08And so you would be free.
28:10And you would prevent Fabio from reporting you to the police.
28:12I'm very sorry, mother, but none of that goes into my plans.
28:15Besides, I don't think Fabio has the guts to do it.
28:19Not for you, not for me.
28:21I'm not so sure.
28:23He should give in to your demands.
28:25No, we should have been more determined.
28:28And have eliminated that problem a long time ago.
28:30Remember I told you?
28:31Not at all.
28:33And I have a little bit of a head.
28:35Before making a request out of nowhere like that.
28:37Oh, mother, please.
28:38You don't have to get like that. I just ask you to think about it.
28:41There is not much to think about to realize that it would be a mistake.
28:44If Fabio disappeared now, or if he died in an accident,
28:47it would cause such a stir that it would be of no use to us.
28:50It depends on how it's done.
28:52Do we know people who could take care of that job?
28:55No.
28:56No, because sooner or later they would suspect me.
28:59And that would only serve to lengthen your confinement a little more.
29:03And in that case, I couldn't even leave the country.
29:06Mother, I understand.
29:08But you have to understand me.
29:10I can't stay here and I don't want to leave without having concluded my matters before.
29:14So we have to find another solution.
29:16Oh, daughter, please, come to your senses.
29:19Understand that we are in Fabio's hands.
29:21And that you have to accept all the conditions that he has imposed on you.
29:27Okay.
29:29I agree.
29:30I have no choice but to swear not to get close to Matilde again.
29:36Are you being completely honest with me?
29:38Yes.
29:40I will accept Fabio's conditions.
29:43I assume that I have lost this hand, but not the game.
29:46What do you mean?
29:48That I will leave Spain.
29:50But first I want Matilde to end up locked up in the sanatorium.
29:54So I leave it in her hands.
29:56In hers and in Dr. Mendoza's.
29:59It seems reasonable to me.
30:01We will not let you down.
30:03But I hope you do your part.
30:06I have given him my word.
30:17Shh.
30:20How did it go with the priest?
30:22Bad, bad.
30:23We have run into the church, my friend Salvita.
30:25I don't know what happened, but the priest has refused to marry Miguel's daughter.
30:28Even if they were...
30:30Don't leave them.
30:32And he didn't tell you why?
30:34No.
30:35And if I insist more and ask for explanations, he is capable of condemning us to the bonfire.
30:38Because you have to see what a bad gene the paternoster has here.
30:41For me, he already had the date committed and he has been brave enough to admit his mistake.
30:45Yes, it could be.
30:46But he could have chosen another date.
30:48Because he has said that there is no wedding and there is no wedding.
30:51If they continue to be so capricious, the priests will lose all their devotees.
30:54What is clear is that this church is discarded.
30:56Yes, but we will find another one.
30:58Because I will not stop until you see the two married as God commands.
31:00But if they leave us their jobs...
31:02You don't need to put so much effort in it, Elias.
31:04But how not?
31:06I find another church like my name is Elias Tejada.
31:08And I'm as sure as the amount of work I have for my new position.
31:11Chief of the substitute waiters.
31:14It's like being a general. An army without him is lost.
31:17So, well, I'm going to lead the attack against the snacks.
31:20Good luck, Napoleon.
31:22Yes.
31:23Goodbye.
31:28How has everything gone around here?
31:30Good, good, good.
31:32I have put the new guides of excursionism in the showcase and we have sold a couple.
31:35You should take a look.
31:36Yes, it looks good. I'll take a look at it later.
31:38As you wish, but first tell me how is the church.
31:41It seems that my plan has worked.
31:43Yes, this time it has.
31:45I asked the priest for confession, as you told me.
31:49And when we were in the confessional, I told him that we were already married.
31:53And how is the priest?
31:55Bad, very bad.
31:57He told me that the sacrament of marriage is not to be taken lightly.
32:00And that he was doing a very big offense to the church.
32:03I don't know if there is any commandment that says that you can't marry the same woman twice.
32:08I tried to explain to him that we were doing it for a good cause.
32:11But when I told him the deception that we had done to our bosses and co-workers, he got even more angry.
32:19Sure, maybe you could have saved that.
32:21Well, yes, because he made me a liar, a liar and a perjurer up to the top.
32:24Come on, I could already feel the flames of hell burning my calves.
32:28Don't worry, no one can tell you the secret and confession.
32:31Yeah, but it was expensive for me.
32:33I have sent 500 Our Fathers and a thousand Hail Marys of penance.
32:36Are you going to spend two days praying?
32:39At least I haven't told him anything, Elias.
32:42And that he has been insisting for a long time that we had to get married, yes or yes?
32:49Well, I'm glad that the problem has been solved.
32:52Well, yes, yes, and I thank you for the idea you had.
32:57But you heard Elias, he won't give up.
32:59I can't use this trick in the other parishes if I don't want to be excommunicated.
33:04Well, have you come up with something better?
33:06Well, I hope it's soon, because I'm fed up with this.
33:09And Trini can't cover her pregnancy for much longer.
33:12And it's not read in working hours.
33:25It was a privilege to meet Estrellita Castro.
33:28It's surprising how a woman of such fame can be so simple.
33:33Yes, the truth is that her words encouraged me a lot to continue with my recovery.
33:38So, I understand that you are going to continue the specialist's treatment.
33:42Yes, yes, I have already done the exercises of Mrs. Juanes.
33:46And today I will call one of the specialists that she recommended to me.
33:49That's the attitude, honey.
33:51Because I warn you that in this family we are not to give up to the slightest adversity.
33:57I know, you just have to see everything you have achieved.
34:00And how hard it is for me to maintain it.
34:02So please don't fail.
34:04Because you have plenty of talent to get what you propose.
34:09I'm going to put all my energy into singing like before.
34:13Yes?
34:15Come in, come in, Mrs. Lezaro.
34:19Is there a problem?
34:20No, no, no, no, no, everything is the opposite.
34:22Everything is going well.
34:24I just want to tell you that Teresa is working diligently, as always.
34:28And we have a good rapport between the two of us again.
34:31Wow, that's great news.
34:33Yes, I also want to tell you that the appointment of Elias as Deputy Chief of Staff
34:38has been very well accepted by his colleagues.
34:41I knew it was a good decision on your part.
34:45I am very happy to hear you say that, Mr. Fermin.
34:48I would not want to make a mistake that would be against you again.
34:51Don't worry about that.
34:53You know that I am very satisfied with your work.
34:57Thank you very much.
34:59Well, I won't bother you anymore.
35:07Is something wrong, Mrs. Gaza?
35:10Thank you, darling.
35:12Maybe ...
35:14Maybe I overdid it when I questioned the farewells he proposed to me the other day.
35:20Well, if he doesn't agree, it's normal for him not to allow it.
35:24But I came to think that it would not have been a good idea to put him as manager.
35:29Yes, it is clear that he has a lot of interest in the company.
35:32But he still has doubts.
35:34No, no, no, no. I think he does an excellent job.
35:39But I feel that all this has distanced us personally.
35:42And I'm very sorry about that.
35:45And why don't you propose a plan outside of work?
35:49What kind of plan?
35:51Anything that has nothing to do with work and where they can express themselves freely.
35:55Darling, I've been here all day, I can't think of anything.
36:00I don't know, we could all visit some place together in the Sierra de Guadarrama, right?
36:07An excursion?
36:13Well, it's not a bad idea.
36:16Maybe, maybe I'll propose it.
36:19I'm sure he'll accept and fix his relationship. He will.
36:23An excursion.
36:26An excursion.
36:31Marta is going back again later.
36:33Well, yes, it seems so.
36:36She has confessed to me that she is doing some errands for Matilde.
36:40Yes, that's why she can come back whenever she wants.
36:42Although she is going to get lost, it's hard to get lost with the carbonara she is preparing.
36:46Well, yes, to help our friend, whatever.
36:49Apparently, she is doing some investigations to prevent her from entering the mental asylum.
36:54And what does she have to investigate?
36:56She didn't want to tell me and she asked me not to ask her anymore.
37:01It's a shame that this matter comes back.
37:03I thought she had already been locked up.
37:05Me too.
37:07Iñigo had promised that he was not going to let her in, but...
37:11I don't know, maybe he has seen that they have gotten worse or...
37:15I don't know.
37:16In my country, these sanatoriums are not worth much.
37:20The horses make them sick and the sick make them worse.
37:26You are encouraging me a lot.
37:28I don't think Iñigo will lock her up and then throw the key away, right?
37:31Yes, yes, of course.
37:33It will be a trusted sanatorium where they will treat her like a queen, but...
37:38Well, it would be better if she was at home, doing her normal life.
37:43I'm coming.
37:45I'm coming.
37:50Hi.
37:51Is Marta here?
37:53No, no.
37:54We don't know when she's coming back.
37:58Come in, come in.
38:02Hi.
38:03I brought you a Genoese.
38:06It's a typical dessert of our land.
38:09Ah.
38:10Genoese is very good.
38:11Yes, it's very good.
38:13And what is it about?
38:15I was talking to her the other day and I wanted to thank her for worrying about me.
38:22It looks good.
38:23You always loved how I prepared it.
38:27It's the only dessert that turned out better than mine.
38:30But you've always had a good hand in the kitchen.
38:32Yes, Pietro.
38:33I did what I could.
38:34Having a cook at home, you have to make a lot of effort to please him.
38:38I know.
38:39Well, I'll give it to him.
38:42You can tell she's a very good girl.
38:44Yes, I have no doubt about that.
38:47She's a girl who has had everything against her in life.
38:50And she has come out of it thanks to her kindness, precisely.
38:54By the way, do you remember anything about the dream you had yesterday?
38:57No, I don't remember anything.
38:59But it's just a dream.
39:00It doesn't matter.
39:02Well, I'll leave you. I don't want to be impolite.
39:05See you later.
39:06Bye.
39:13You don't want to be impolite?
39:15Well, it would be better to be at his house, right?
39:17He's visiting.
39:20She understands.
39:21She's been alone for a long time, right?
39:23Yes, yes, I understand.
39:24But...
39:25Another reason to speed up the procedures,
39:27so she can go back to her house.
39:30It's what I do every day.
39:32Well, maybe you have to do it a little more.
39:43Bye.
39:49Working at the gramophone store sometimes is exhausting.
39:53How was your day?
39:55Well, Celestina's birthday.
39:57Our dear uncle is very interested in Mrs. Lázara
40:00and I don't mean his work as a manager.
40:03But what's wrong? Don't you think it's good?
40:05Well, the truth is that Mrs. Vampira is not very pleased with me.
40:09Oh...
40:10Laurita, really, stop calling her Vampira.
40:12It's not like one day you'll have to call her Aunt Lázara.
40:15God doesn't want it.
40:17Well, look, today I proposed to the uncle to go on an excursion to the mountains,
40:20all together, and he thought it was very good.
40:22But you're coming too.
40:23Don't leave me alone with them.
40:25Well, the truth is that I don't think it's the best plan,
40:27but well, I'll go and make you company to watch her.
40:32I'm going.
40:40Agustín, come in.
40:42Good news.
40:44In the end, I had several spotlights like the one you need in my warehouse.
40:47Tomorrow I'll send it to you with the waiter.
40:49That's great. I knew we could trust you.
40:52Have a seat.
40:55You know I can't make any mistakes.
40:59I'm at your disposal.
41:01Well, don't hesitate to take advantage of me.
41:04Oh, and why don't you take advantage now?
41:07Well, I'm leaving because this is getting very embarrassing.
41:10No, no, no, no, no.
41:12I wanted to talk to you.
41:14Yesterday I saw that you were very happy after chatting with Estrellita Castro.
41:19Yes, it encouraged me a lot and I want to speed up my recovery.
41:23I've already done Mrs. Juánez's exercises
41:25and I've got a date with Amancio Estrada,
41:27one of the specialists she recommended to me.
41:29Look, I'm very happy that you've decided to take that path again,
41:34but I advise you to take it easy.
41:37You shouldn't force yourself too much.
41:39Yes, I'll be careful, but the sooner I recover, the better for everyone, right?
41:44You can't wait for me forever either.
41:46No, I'm not in a hurry.
41:48I promised I would wait to do the court function with you
41:51and that's what I'm going to do.
41:53Agustín is right. It's better not to run.
41:56Yes, but nothing will happen to me to speed up my recovery a bit.
41:59Besides, I'm not a coward.
42:01No, this is not a matter of being a coward or being brave.
42:05Look, I know from experience that shortcuts are not good.
42:11If you're really interested in something, you don't mind going little by little.
42:17Yes, but I'm dying to get on a stage.
42:21That's going to happen.
42:22You, for now, keep going with Mrs. Juánez's instructions
42:26and your new specialist.
42:28If she wants to give an account, she's going to recover.
42:32Well, I don't promise anything.
42:34And I'm leaving so you can keep talking about focus.
42:52Cheer up, that face is not so terrible either.
42:54That Salvita found out about all this, the truth is a pain in the ass.
42:58Don't believe it, maybe it's good help.
43:00It was his idea to confess to Ancura that we were already married.
43:03Salvita is on our side.
43:04I, until I change my mind, the truth is that for me it is a bad loss.
43:08He is interested in keeping the secret.
43:10So he makes sure that I am going to give him good reports about his father.
43:13Quid pro quo.
43:14Well, maybe we can stay a little calm out there.
43:17But then there's Elias.
43:19Elias, who looks like a dog with an ankle.
43:21That is, when he chooses a prey, he does not stop.
43:24Yes, yes, yes, he has refused to surrender.
43:26With how stubborn he is, he will not stop until they give us the cattle of Toledo, if he proposes.
43:31Yes, if at least we had Cañete here to help us with his subordinate.
43:35He'll be back in two days, a whole eternity.
43:40We have to think of something, something fast.
43:45In a place where we get married, but where they can't get there.
43:49Where?
43:50Where?
43:51I don't know.
43:54What is that?
43:56An excursion guide that they have brought to the bookstore.
43:59Salvita told me it was very good and I wanted to take a look at it.
44:02It talks about a place that I didn't even know existed.
44:05Love?
44:07What if we get married in a place where the bears can't get there?
44:13Of course.
44:15Of course, of course, of course.
44:16It's a fabulous idea.
44:18And I think I've read about the perfect place for that.
44:21It's a place far from here and difficult to access.
44:23What was it?
44:24Peña, Peña...
44:26Here, here, here.
44:27The P for the P.
44:28Yes, yes, yes.
44:29Peña.
44:30Peñalba de Santiago, that.
44:31Peñalba de Santiago is a beautiful town located in El Bierzo, at the foot of the Aquilian Mountains.
44:36Its difficult access, the last 20 kilometers have to be done on the back of mules,
44:40makes the town, despite its beauty, an unknown to travelers who approach those regions.
44:45I think it's a perfect place.
44:47Well, perfect, unless we have to get there, which is not going to happen.
44:52Besides, Elias is not going to get there either.
44:55No, no, no, no, of course not.
44:57We tell them that you want to get married in the church of that town.
45:01We ask for a couple of days off and lock ourselves here in Calicanto.
45:05Well, of course.
45:06And then we come back, like a couple of newlyweds,
45:09we invite them to a tapita of cecina, which is what is eaten there, and...
45:13You see? Problem solved.
45:15In the end, the solution is always in the books.
45:18Well, reading has been mine.
45:20Me too, me too.
45:30You were right, Dr. Mendoza has confirmed your suspicions.
45:35They were watching you.
45:37I knew it.
45:39I knew it wasn't a fantasy, I was sure of it.
45:43Dr. Mendoza ordered two guards to follow you.
45:50That man doesn't trust me.
45:52After everything he's done, do you still trust him?
45:55I don't know.
45:57He made that decision for your sake.
46:04Matilde, he did it so you wouldn't hurt yourself,
46:08so you wouldn't hurt others.
46:10Besides, all we want is for you to get well.
46:14I'd like you to be sure of what you're going to do
46:17and to think about how I'm going to end up.
46:23Matilde, you're not well.
46:27And when your sister Clarita arrives, you'll have to go with those men,
46:30but I'm not going to leave you alone, not for a moment, I swear.
46:34No, no, I'm not going to do it.
46:36Not when Clarita arrives, not ever.
46:38Matilde, don't make this any harder.
46:40Please, don't change your mind.
46:42You need help, you can't stay in this nervous state for so long.
47:02You did it. You did it.
47:05What are you talking about, girl?
47:09Matilde.
47:11Matilde, Brígida is here.
47:14I went back to the confectionery and I asked about Susodicha
47:17and the waitresses told me they knew her.
47:19And? And what else?
47:21Well, they told me she's a client of hers
47:24and that she works in a nearby mercery.
47:26I asked for the address and I was able to talk to her, Matilde.
47:30Marta, I knew it.
47:33I knew it was real. I'm not crazy.
47:35Marta, I'm not crazy.
47:38Marta.
47:44I can't stand this silence anymore, please.
47:46I'm dying of jealousy.
47:48I can't tell you anything else.
47:50And if you had any doubts, I'd tell you.
47:52I value Lucia a lot.
47:54And I'll always have her.
47:57I'm very scared.
47:59It's getting clearer and clearer, Iñigo.
48:01They've set us up.
48:03One in which your dear Dr. Mendoza was trapped.
48:06What did that woman tell you exactly?
48:08Well, she told me her name wasn't Brígida but María
48:11and that she was a student and needed the money to pay for her classes.
48:15I'm grateful that you didn't doubt me despite everything.
48:18Because not everyone can say the same thing.
48:20I'm being very cruel to you, but I need more time.
48:23Well, take the time you need.
48:25Honestly, I thought you were going to make things much more difficult for me,
48:28but you've had your way.
48:30Even if I had thought it through,
48:32I wouldn't have achieved anything by facing me.
48:35Gentlemen,
48:36Mrs. Bárbara seems to have decided to sell all the galleries.
48:41So imagine what that could mean.
48:44That they fall into the hands of speculators.
48:46That they would treat the gallery as a simple and cold business.
48:49Without soul.
48:50I want to take advantage of the break to start studying.
48:53I'm dying to.
48:54You're dying to study?
48:56Yes, because I miss you.
48:58That doesn't happen to me in life.
49:01It's never happened to you,
49:03because you've never had to stop studying to get a job,
49:06but I have.
49:07I don't know what else I have to do to please you.
49:09I haven't been able to find another priest to marry.
49:11I'm so ashamed.
49:13You're laughing.
49:14I should be ashamed.
49:16You don't have to look for anyone.
49:18We've decided to get married in a remote village,
49:21lost in the mountains.
49:22Another wedding and you're leaving.
49:24I'm such an asshole.
49:26If it's not for one thing, it's for another.
49:28I assure you that mine will have a happy ending.
49:30Look at the other wedding.
49:32The deceased woman was resurrected.
49:34That can be understood, for God's sake.
49:36And that woman has come to what she has come.
49:38To try to get her husband back.
49:40Everything I do responds to a single question.
49:43And it's protecting Carla from an injustice.
49:45But what injustice are you talking about?
49:47She did what she did.
49:49And you insist on defending the indefensible.
49:52What a shame.
49:53Because I'm afraid it won't be possible.
49:56I thought she had convinced her husband.
49:58But that young woman has more influence on him than I thought.
50:01Listen to me.
50:03You have to do something.
50:04And you have to do it now.
50:06Because every minute Matilde is on the street,
50:09our situation gets more complicated.
50:11Íñigo has called me before you.
50:13And what did he say?
50:14No, but it was something important.
50:16And we had to see each other as soon as possible.
50:18I'm afraid he's starting to suspect.
50:20He hasn't left us any loose ends, has he?
50:23Tonight Matilde Garcés will sleep in the sanatorium.
50:27That's what I wanted to hear.