Salón de té La Moderna - Ep 210
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00:00I have not managed to make him come to his senses. He has left without wanting to listen to me.
00:10Well, he shouldn't have allowed it. That he goes around knowing everything he knows puts us in danger.
00:16I told you I had suspicions. Don't try to blame me for all your mistakes.
00:21Enough of useless debates. What happens if he goes to the police station now to report us?
00:26He won't do it. Believe me.
00:28And why not? Have you seen how he looked at us?
00:32He is not so impulsive. He knows that would get him to a point of no return.
00:40With all the time he spends in this house, he knows that it is easy for the matter to get to him.
00:45How can he be so sure? Besides, with the friendships he has and the circles in which he moves, I'm sure everyone would believe him.
00:53Fabio is a very thoughtful man. He thinks a lot about everything he does. He's not going to tell us.
00:59If he kills my reputation, he will also do it with his.
01:03We'd better not. Because he spends all day talking about his morals.
01:08And if he does what he really thinks, I'm sure he'll be entering the police station now.
01:14I'll talk to him as soon as possible. He'll have to listen to me. I'll get him to dissolve. Listen to me.
01:20We'd better not. Because we are in his hands. And it seems he has decided to sink us.
01:51Good morning.
01:53Good morning.
01:54You get up early, don't you?
01:57I have no choice.
01:59I imagine you are waiting for Pietro to go to work.
02:03Yes.
02:04And you would like to stay a little longer in bed, right?
02:07The same thing happened to me when I was your age.
02:09Although tonight I have barely been able to sleep.
02:12So when it dawned, I was tired of going around in bed and I left early.
02:18I imagine it must be difficult to sleep and have a calm head with everything that is happening to you.
02:23Yes, a lot, really.
02:25Although, given the circumstances, I think I'm holding up pretty well.
02:30Well, it's normal, Lucia. You come from abroad, a strange country.
02:34And the shock of finding my husband about to marry another woman.
02:39I knew it wasn't going to be easy to find him.
02:42But I confess that I didn't expect this.
02:44That he was going to get married right now is bad luck.
03:05Matilde?
03:14Matilde?
03:20Good morning.
03:24You left early.
03:26Although you think I don't have my head in my place, I realized that we hardly had anything to eat.
03:32And I bought some snacks for breakfast.
03:34You're right.
03:37I should have been more attentive too.
03:40And although I could have taken advantage, no.
03:43I haven't bought any medals.
03:46I see you're still angry with me.
03:50I think I've already overcome that point.
03:52Rather disappointed.
03:54I understand you.
03:56But I need you to understand me too.
03:58This isn't easy for me.
04:00It's the first time I've seen myself in a situation like this and I'm lost.
04:05Everything I've done has been for you.
04:09For me?
04:10Yes.
04:11Or for you?
04:12Well, I think it would be better if we calm down.
04:16Because talking about being distrustful doesn't solve anything.
04:19You're right.
04:21And I have no interest in convincing you that I'm not crazy.
04:25Neither you nor Dr. Mendoza.
04:27Of course, you don't need my opinion to put a label on me, lock me up in a sanatorium and throw the key.
04:32It hurts me a lot.
04:34To hear you talk like that.
04:37Me too.
04:42And I understand, Antonia. Don't believe me.
04:44Everyone is kind to me.
04:47But I can't help feeling a little lonely.
04:50Has it ever happened to you to feel like a fish out of water?
04:55Well, yes, the truth is yes, Lucia.
04:57Life makes you mature suddenly.
05:00Look, Lucia.
05:01I have nothing against her.
05:03But understand me.
05:04For me, Antonia is like a second mother.
05:07All I want is for her to be happy.
05:09My heart will always be with her.
05:11Of course, Marta.
05:12I understand. Don't worry.
05:14And I don't want you to think that I'm going to try to convince you of something.
05:18But it's good for me to talk to you.
05:21I don't know.
05:22It seemed to me that you understand my situation.
05:25Well, yes.
05:26And I wouldn't like to be in his skin, really.
05:30I wish Pietro's life hadn't appeared this way.
05:34But it couldn't be anything else either.
05:37Que chivuefa.
05:38It is what it is.
05:41Although now all this situation...
05:43I don't know.
05:44It seems like a bad joke.
05:47Look, Lucia.
05:48Sometimes things happen that we can't control.
05:52Good morning.
05:53Good morning.
05:54Good morning.
05:56Marta.
05:57What are you doing up so early?
06:00It doesn't seem to me that today you have to clean in the bookstore, right?
06:03No, no, no.
06:04I don't have to.
06:05The only thing is that Mrs. Lázara had asked me to clean the first floor before opening.
06:08Because of the drugstore convention.
06:10Yes, yes, yes.
06:11Then let's go.
06:12I'll call you later.
06:13Okay.
06:14Goodbye, Lucia.
06:15Have a good day.
06:16Have a good day.
06:22Sit down, please.
06:24Sit down.
06:38Íñigo, I admit that very strange things are happening to me.
06:42For which I have no explanation.
06:45I know it's impossible for you to hear it, but when I hear it, it's very real.
06:49And I would like your first reaction not to question me, but to believe me.
06:54I understand you.
06:57What happens to me is that ...
07:00I don't understand how you can see and hear Carla, knowing that she is dead.
07:05I don't understand it either.
07:08But it happens.
07:10And there has to be an explanation that is not that I'm crazy.
07:13Which is the first thing women think.
07:17And I'm sorry, Íñigo, but I'm not crazy.
07:20It's just that I'm not.
07:22And it's not that I don't want to go to the sanatorium, it's just that I don't see the need.
07:25Because apart from these isolated episodes, my head works just as well as ever.
07:31I'm glad you don't have it so clear.
07:35And I don't see the need to keep seeing Dr. Mendoza either.
07:38Believe it or not, Dr. Mendoza has helped many people.
07:42Yes, Íñigo, but I think it doesn't suit me.
07:45And I think he's confusing us.
07:48And that's why I want to go to the consultation to say goodbye and to make my opinion clear about that medal.
07:54And honey ...
07:58Do you really think it's necessary to face it like that?
08:02I'm just curious to know where he thinks I bought that medal.
08:06And in case I have to ask any dependent if he had a crazy face.
08:12Matilde, please.
08:14Do you know what hurts me the most?
08:18That my husband doesn't believe me.
08:22Íñigo, please tell me if you believe me.
08:25Tell me you believe me, please.
08:26And tell me you believe me when I tell you I didn't buy that medal.
08:29I believe you.
08:31I believe you, my love.
08:33And I promise you that deep down in my heart I know that something is escaping us.
08:48But I assure you that we will deal with it.
08:50Thank you, my love.
08:53Forgive me.
08:56Forgive me.
08:59Forgive me.
09:03Forgive me.
09:24What's wrong with you, Teresa?
09:25I notice you are less martial than usual.
09:27Because I'm tired.
09:29With the absence of Cañete, I have to take care of his obligations plus my own.
09:34There are a lot of them.
09:36It's normal. We are not used to being without Cañete.
09:39By the way, I come from the upper room and I've seen that Marta and you have left him...
09:43Great. Like a goldfish.
09:45I wanted to thank you.
09:47Well, thanks for the compliment.
09:50Are you okay?
09:51Well, it's never too bad to recognize a well-done job.
09:54And not just the one from now, the one from always, which has much more merit.
09:58Have you seen if you have a fever or something?
10:00Leave that man alone, I'm serious.
10:03By the way, how is the cancellation of Miguel and Trini's wedding going?
10:07Regular, not decimal.
10:09I already saw myself as a godmother in the church corridor.
10:12And of course, I have been eager to get married after Antonia's non-wedding.
10:16It's just that Marfario has the weddings here.
10:20Of course.
10:21Good luck, we don't have it here.
10:23What worries me the most is the state in which Trini is.
10:28What do you mean the state in which Trini is?
10:31Nothing, nothing.
10:32Esperanza, tell me.
10:35Okay.
10:37I have always suspected that Trini is in a state of good hope.
10:42Oh, no one has escaped.
10:54Fabio, thank you very much for coming.
10:56And for doing it as early as I asked you.
10:59Sit down.
11:04I know it hasn't been easy.
11:06And you're doing it with a grudge.
11:08But it is important that we have this conversation.
11:10I am willing to listen.
11:12But of course I doubt that I will understand your motives.
11:15All this that has happened is unthinkable.
11:18Inaudible, I would say.
11:20With that attitude, Fabio doesn't seem willing to understand anything at all.
11:23But you know what? I don't care.
11:26After the hell I've been through, I'm not going to bow to his arrogance.
11:30Daughter, please, he has come to listen to us.
11:32But doesn't he realize, mother?
11:35He has already made a decision before coming.
11:37I don't know why he has come if he doesn't want to believe us.
11:40Fabio, excuse my daughter.
11:42As you will understand, the time she has been locked up has affected her emotional stability.
11:47Well, I see her very calm.
11:49You see, Fabio.
11:51Carla is absolutely innocent of all the crimes she is accused of.
11:56She has not killed Aguirre.
11:58And of course, she has not planned the accident of Íñigo, Matilde and the girl.
12:03Nor has she sent a hitman to her wedding.
12:06It's hard for me to say how ridiculous it sounds.
12:10A long list of accusations.
12:12Surely it has nothing to do with Aguirre.
12:14A long list of accusations.
12:16Surely it has nothing to do with any of those matters.
12:19Of course not.
12:21Everything is part of a plan that Íñigo and Matilde have plotted
12:24to blame Carla and thus ruin her life.
12:27I don't understand, Bárbara.
12:30Why would they want to do something like that to your daughter?
12:32Well, ask them.
12:35That in addition to being the victim of all this, I have to be giving explanations.
12:39This meeting is a waste of time.
12:41I've heard that before, that you are innocent.
12:43Well, it doesn't seem so.
12:45On the contrary, it seems that anger moves you, it is seen in your face.
12:48You don't know what you're talking about.
12:50That is the best argument for you to create your version of the story.
12:54That you have considered that the only possible solution
12:57was to pretend Carla's murder and blame Íñigo.
13:12Irini.
13:14Yes?
13:15Look, I don't want to be indiscreet or get into where they don't call me, but...
13:20Are you pregnant?
13:23Me, pregnant?
13:24Well, let's see.
13:26I've eaten a little more than usual lately, but I'm not pregnant.
13:29I see.
13:30You're a little chubbier.
13:31Yes, a little.
13:32I had noticed, but you have to be polite and those things are not to be said.
13:38Yes, I already knew that what Esperanza had told me could not be true.
13:41That they are the typical rumors that arise when a couple wants to get married a little fast.
13:45You have to see how people are.
13:47I was thinking, Íñigo, it's impossible.
13:50Would you have told me something like that?
13:52Well, of course.
13:53And thank you for the trust.
13:55Well, I'm glad for you.
13:56That everything is always much easier if you get married without a gift.
14:00Of course.
14:01Well, I'm going to continue with the work and with so much work that Mrs. Lázaro has put on me,
14:05that I don't give up.
14:06How are you with her?
14:09Well, bad, Trini.
14:10Bad.
14:11I hope things get better, but if they don't get better,
14:15maybe we'll all get a surprise.
14:17You're scaring me.
14:19Well, don't worry.
14:22God willing.
14:24Come on, get to work.
14:27I look at you and it seems incredible to me that you have not realized the gravity of what you have done.
14:33Even if it were only because it is impossible that you do not end up paying for it.
14:37Fabio, please.
14:39We have done nothing but save Carla's life
14:43and keep her out of jail for crimes she has not committed.
14:46Tell me, what will happen?
14:48What will happen when Íñigo and Matíles find out about all this nonsense?
14:52What will happen when Íñigo and Matíles find out about all this nonsense?
14:56What do you mean?
14:58Are you threatening us, Fabio?
15:01No.
15:02No, it's just a warning of what could happen.
15:05And now I'm leaving.
15:07I've heard too many inconsistencies for today.
15:09Fabio, for God's sake, wait.
15:16And now what are we going to do?
15:18I'm not going to tell you out there.
15:20No.
15:21It does not only allow her class and her condition.
15:25Nor the bond that unites us.
15:27Well, I have thought of a threat and a very real one.
15:35Celia, is Laurita?
15:38No.
15:39Your brother has gone to see your uncle to talk about the new radio station.
15:42And then he told me that he would go home, that he works more concentration there.
15:46She is always so busy.
15:48Yes, she needs to deliver it as soon as possible and with the agitation of the store she hasn't been able to advance much.
15:53Yes, yes, it's very dynamic, but then it's hard for her to get to everything.
15:56By the way, how did it go with Mrs. Juanes? Laura told me you had finished the sessions.
16:01Yes, a shame. Mrs. Juanes is wonderful. She opened my head in a way. It was a before and after.
16:08Inés, I love to hear that.
16:11Yes, the truth is that meeting her has changed my life.
16:14Really?
16:15Yes, yes, really.
16:17Inés, how are you? Your sister told me that your logopedas had to leave.
16:24Yes, a shame. But her sessions went very well for me and I have regained my desire to sing.
16:30She has left me a table of exercises that I am going to fulfill at every turn.
16:33I am very glad that you are so determined. You already know that you are still my favorite to be the protagonist of the court of the pharaoh.
16:41By the way, I'm going to look for some recordings that I have of the play so that I can listen to them and serve as a reference.
16:50I would love to. And now I have to leave you because I have to go to work. Goodbye.
16:56Goodbye.
17:00Celia, I wanted to thank you for helping me try to keep Laurita.
17:07Really, I had a date with the distributor and I didn't feel well.
17:11But you can see that Laurita is not very receptive, she is not very much for work.
17:16Well, don't take it so seriously. Laura has had relationships that have not gone well for her.
17:21And it's normal that it's hard for her to let herself go.
17:25If at least I could, I don't know, have a moment of intimacy with her, like a date.
17:29I'm sure I could convince her that I'm not going to let her down, that I'm a person who goes head-on.
17:38I think I just came up with a way for them to have that date.
17:50Don Fabio, good morning. What a joy to see you here.
17:56Don Fermín, I say the same. How are you?
17:59Too busy. But I prefer that to boredom. Sit down, please.
18:04Come.
18:08And you? How are you? You seem somewhat restless.
18:12Well, it's just tiredness. Too many calls, too many meetings and very few hours of sleep.
18:19Then I celebrate that it is only the excess of work that is the reason.
18:23By the way, I wanted to ask you, how have you managed the liquidation of the companies of the Morconde group that you had planned to do?
18:31Sorry, but there is not much to tell about that right now.
18:36I prefer not to go into details, more than anything, so as not to waste your time.
18:40By the way, are you in contact with Iñigo Peñalver?
18:44I called his apartment and I went through the Madrid-Cabaret, but I can't get in touch with him.
18:48Maybe he's been here, I don't know.
18:50No, not today, but if something happens and I can help you in some matter.
18:55No, no, no. It's just that I haven't heard from him for a long time and I wanted to say hello to him to tell him a few things.
19:02It's urgent and I don't care. As soon as I see him, I'll pass him the message.
19:06No, don't worry. You can wait.
19:08I don't think the man is going through his best moment because of the health problems of his wife Matilde.
19:14I don't know if he's okay.
19:17Not in detail, but yes, enough to know that it is a very delicate situation.
19:22A very bitter drink for the couple.
19:25That's why I wanted to see him, to convey my support and ask him how Matilde is evolving.
19:30Sure.
19:33Good morning, Mrs. Bárbara.
19:35Good morning.
19:36Bárbara, I didn't expect to see you here.
19:40I'm sorry I don't serve you as you deserve, but there are urgent matters that require me.
19:46Hmm.
19:50May I know what you're doing here?
19:58It's not your fault.
20:00I hope it's not what I'm afraid of, asking for Inigo.
20:04Well, of course that's why I'm here.
20:06You won't expect me to sit idly by after what you've done.
20:10Listen to me, Fabio, listen to me carefully.
20:12You're making a mistake.
20:14It's not the first time they try to coerce me.
20:17What makes me sad is that this time you're the one doing it.
20:21I warn you, don't challenge me.
20:23I don't care what you tell me.
20:25I know perfectly well what I have to do.
20:28And what are you going to do to remedy it, and at the same time not stain your shoes with mud?
20:36For my daughter, I'll do anything.
20:38Don't make me prove it to you.
20:40If you don't leave me another option, I will.
20:44I will.
20:45I will.
21:12Good morning, Marta.
21:13How are you?
21:15Good.
21:17Yesterday I started tidying up the warehouse so that when you come in, you'll have it a little easier.
21:23Ah, well, I appreciate it.
21:27You can't imagine how many books Miguel has.
21:29Well, one falls on your head and kills you.
21:34So you've decided to start studying.
21:37Yes.
21:39It's a bit difficult for me with so much work, but I want to try.
21:43Hey, maybe yesterday I acted like an idiot about the book.
21:48I hope I didn't make you feel bad.
21:51I know that my opinion doesn't matter, and that everything I say or stop saying doesn't matter, but...
21:55I really think you do very well in studying.
21:59It's not easy for those of us who have it all against us.
22:02Of course, I never stop to think about it.
22:05In my life, everything has been done for me.
22:08You are very lucky. Don't waste it.
22:11It's hard for me to let go, you know.
22:15And look, my grandmother always says that knowledge doesn't take up space, and I think she's quite right.
22:22I like that phrase.
22:24I'm sure your grandmother is very wise.
22:26Yes.
22:28And even though she's an adult, she always has a book in her hand.
22:35I was ashamed to talk about all this with you, really.
22:38I don't know, you're a university student, you've studied so much...
22:45By the way, how much time do you have left to graduate?
22:49Oh, what a good question.
22:51The truth is that I don't know, because I take it all very calmly.
22:55Now, seriously, forgive me.
22:57I acted like an idiot the other day.
23:00I've always had everything done in life, and that's why I allow myself the luxury of wandering.
23:06Thank you for being so honest with me.
23:11I don't want to tell you my sorrows, but...
23:15Well, I've had to pull the chestnuts out of the fire since I was very young.
23:20Well, then yours has twice the merit.
23:23Yes, I think we should all have the most opportunities to get a good education.
23:28But of course, that depends a lot on where you were born.
23:31Of course.
23:33Before judging someone, you have to keep in mind that not everyone has the same opportunities as you.
23:39Trying to study is the only thing that remains for us who have not been lucky enough to prosper in life.
23:45And no one is going to give me anything, and it's not going to be easy.
23:49That's something I've learned from the bad ones.
23:52So if I have to study and work at the same time, I will.
23:56And I think it's going to be worth it.
23:59You are a very brave and very fighting woman.
24:03An example for a thug and a liver like me.
24:07Don't talk like that about yourself. I don't think that's the case.
24:11That's you who sees me with good eyes.
24:14Well, I'm sorry I don't want to waste your time or make you leave work later because of me.
24:19I just want to tell you that I really like talking to you and I always learn something new.
24:46My mother, if you look at them, they will kill you.
24:51You see, I was right. Mrs. Lázara looks at me that way.
24:55But what have I missed, ma'am?
24:58You will find out in due time, like the rest of your colleagues.
25:02Man, woman, don't be like that, you have me worried about so much mystery.
25:06No, man, no, you hit the glasses, come on.
25:08With this wedding, you are all very clueless.
25:11Shut up, shut up, don't talk to me about the wedding, what a job.
25:14Well, for God's sake, I don't know what the issue is.
25:17It seems that it affects you more than hope.
25:19It can be affected, but defeated, never.
25:22That one has to fight for what one wants, right?
25:25Well, I have put all my machinery in motion, Mrs. Teresa.
25:28But as you said, you will find out in due time.
25:31Well, there is not much time because the wedding was today.
25:34And the roof of a hermitage is not something that can be fixed so easily.
25:37Of course, unless ...
25:40What?
25:42Let's see, I don't want to say anything.
25:44It's not that I'm giving false hopes to people.
25:46But something is going to happen, Mrs. Teresa.
25:49Elias, Elias.
25:51Tell me what you're up to, tell me now.
25:53Let's see, look.
25:54For me to plan something for real,
25:56the first thing I need is to absent myself from the hall for a while.
25:59Would it be possible?
26:01Now? Yes.
26:03In the middle of the convention?
26:05Yes, be careful, but everything is organized, I have applied well.
26:07The agape has already been served.
26:09And Montero and the others are preparing to pick it all up when this is over.
26:12Sure?
26:14Well, okay, Elias, but just a little while.
26:16That you are able to be out all day.
26:18Thank you, ma'am.
26:20And it will be a matter of little, to specify a couple of issues.
26:21But I think it's going to work out, so I'll be right back.
26:23Run.
26:25Eh, Montero.
26:27Replace Elias.
26:29Take care of the clothes.
26:37I hope he didn't have the guts to release Elias
26:40when we know that Cañete is delivering.
26:42It is an important thing, Mrs. Lázaro.
26:45He will be out for a short time.
26:47A short time is the one you have left in this room.
26:49I don't think it will happen today.
26:51That?
26:53That's what I'm telling you.
26:57You say a lot of things.
26:59Let's see if any of them are true.
27:07Breakfasts, snacks and sensational events
27:10in the modern tea room,
27:13quality and enjoyment always usual.
27:19A little bit of everything.
27:31Agustin, but what are you doing here
27:33with what is falling and without umbrellas?
27:36He's looking for what he doesn't have.
27:38Well, more than looking, I've come to bring this to Inés.
27:40Although I see, I still get a pulse of gift.
27:44These are the recordings in the court of Pharaoh.
27:47I've tried not to get too wet, but...
27:49That's great. You'll be very excited, but you could have waited for the rain to stop, right?
27:53I could, but as I know that I would do it in anticipation, I couldn't contain myself.
27:56You're the one who doesn't find it.
27:58Well, maybe it's better if I leave now. Please make sure that you can hear me well, because if you get wet, you won't hear anything.
28:08I've tried to protect you, but with the water curtain that is falling...
28:12Wait, why don't you come in and we'll check it together?
28:17If it gets dry and you drink something hot, I can't let it go like that.
28:21Of course, yes.
28:23Let's go.
28:25Go ahead.
28:32Sorry, I'm going to put the house in a mess.
28:34No, no, don't worry.
28:38Should I put the box here?
28:40Yes.
28:46Here you go.
29:02Thank you very much. This coffee tastes better. It's wonderful.
29:07Yes, especially because of Esperanza and Elias. I don't know what got into them with being godparents.
29:12Do you know how bad it would have been?
29:15No, I don't know and I don't want to imagine it.
29:17No wedding, no worries.
29:19Yes, well, don't worry so much, because at some point we have to get married.
29:22And rather soon. I think we're messing up a lot with the hermit thing.
29:26I don't know, we'll have to think of an easier wedding.
29:29Well, we'll think about that later.
29:31Now what we should do is rest.
29:33It's been a very intense couple of days.
29:35I got up and the first thing I thought was, let's see how we're going to get the godparents.
29:39Do you want to make a plan for tonight to celebrate our new wedding?
29:42Oh yes, please.
29:44A movie, a play, what do you want?
29:46Whatever you want, but you'll tell me later.
29:48If the vampire sees me here talking, she'll kill me.
29:51Thank you very much for your patience, but above all for saving me from pneumonia.
29:56What's wrong with you? How could I let you go so calmly?
29:59I mean it.
30:01In any case, I don't want to steal a lot of your time.
30:03I imagine you'll have things to do, right?
30:05I said it as if you weren't busy.
30:08And I think getting up to a play takes a lot of work.
30:10And money. But you know what?
30:12I'm not going to do it.
30:14I'm not going to do it.
30:16I'm not going to do it.
30:18It takes a lot of work.
30:19And money. But you know what?
30:21That's my dream.
30:23The first time I read The Court of Pharaoh,
30:26I thought, I have to produce this wonder.
30:31And you'll do it.
30:33Because when someone has something so clear and puts so much effort,
30:37everything comes out.
30:39You know, I don't really agree with that.
30:43But I'm going to keep trying. That's the reason I get up every day.
30:47You know, there are people who want a palace or fast cars.
30:53What I want is to do that play in such a way
30:56that people come out with their mouths open.
31:00It's very important to have dreams.
31:02Otherwise, life would be very boring, don't you think?
31:05I completely agree.
31:07We have to fight for them to come true.
31:12Always.
31:14And I don't know what these things have
31:16but even if they get complicated,
31:18it's very difficult to give them up.
31:21It's like...
31:22Like poison.
31:37As I told you, the convention of pharmacists is going wonderfully.
31:41I'm convinced that if there is another one, it will be here.
31:44I'm glad, Mrs. Lazarano.
31:45But for now, I prefer to focus on everything going well.
31:48If there is another one, we'll take care of it in the future.
31:52And if there is nothing else to discuss, you can leave.
31:57Well, the truth is that I wanted to talk to you about the dismissals.
32:02I don't know if it's a good time.
32:04To talk about it, yes.
32:05To carry them out, I don't think this is the day to stop anyone.
32:09Don't you think?
32:10I don't know what you mean.
32:13We can't afford to dismiss anyone.
32:16We have a convention going on.
32:17Cañete is not here.
32:18And if those comments are referring to Teresa,
32:20I just saw her in the upper floor,
32:23taking off because everything works perfectly.
32:27I'm sorry, Mr. Fermin, but I think I've expressed myself badly.
32:30I have never said that Teresa is a bad professional.
32:34On the contrary.
32:35Then I don't understand what you mean.
32:37Excuse my frankness,
32:38but I mean her sick jealousy,
32:42the lightness with which she treats certain employees.
32:45And I have to tell you that from my experience,
32:47when you start with a favorable treatment,
32:49in the end they get on your nerves.
32:51So I think the best solution would be to facilitate his departure.
32:55It's what I told him yesterday.
32:57After yesterday's talk,
33:00and meditating on it,
33:03I think it's better to come up with another solution.
33:08What do you think of a conversation with her?
33:13I think it's good.
33:14As soon as the convention is over, I'll talk to her.
33:17No, of course I don't understand,
33:18or maybe I haven't explained myself well.
33:20I mean a conversation between her and me.
33:26Excuse me, but...
33:28Sincerely, I think your authority could be...
33:32I don't know, diminished.
33:34Why?
33:35After all, I'm the owner of the salon,
33:37and one of the oldest employees,
33:39and I'd like to let you know in person.
33:42It's a matter of education.
33:45If you allow me, Mr. Fermin,
33:46I'll give you your word.
33:48I'm sorry to insist,
33:49but as manager,
33:51I think it's my duty to lighten these procedures.
33:58Very good.
33:59Very good.
34:00I trust you to avoid Teresa's dismissal.
34:03Let's hope she collaborates.
34:05Let's end this situation once and for all.
34:08I agree.
34:10But if she doesn't...
34:13If she doesn't,
34:14and only if she doesn't,
34:15I'll have no choice but to stop her.
34:18Good.
34:19I'll talk to her then,
34:20and I'll do my best to keep her job.
34:25She deserves another chance.
34:26I know.
34:28And I've already told you that I trust you.
34:35Let's go.
34:54What?
34:55Why do you end up learning tea?
34:57I put the newspaper in my memory.
34:59You have to do this in time.
35:01Besides, now that I've decided to extend my break,
35:04I'll finish by the last second.
35:05Yes, like Don Salvador,
35:07he'll come in through that door.
35:08He'll take a pleasant surprise.
35:10He'll see his son in charge of his business.
35:12Don't you see that Salvita had to take care of the jewelry
35:15during the wedding?
35:16And now that we're not getting married,
35:17do you have the boy there?
35:19You're not smart at all.
35:21Because of this, you married me.
35:23Very good.
35:28What are they plotting?
35:30I don't know.
35:35I think he's coming.
35:37Hide!
35:41Elias, are you soaked?
35:43Yes, of course, Miguel.
35:44But in these moments, it's the least important thing.
35:47Come on, hurry up.
35:48We have a lot of things to do.
35:49Well, I'll try, Mrs. Teresa.
35:51Well, I'm telling you,
35:52the pieces are not good advice.
35:54And if you don't ask, I'll give them to Miguel.
35:57And what about us?
35:58Now, nothing, Miguel.
36:00As the sacred scriptures say,
36:02ask and you will be given.
36:03Seek and you will find.
36:05But what is this man saying?
36:06I think he has a fever.
36:07Well, a fever of union,
36:09of marriage,
36:10of the most beautiful thing in the world.
36:12And that's what I've come to announce.
36:14Get ready,
36:15that with so much wedding,
36:16I'm able to announce that he's getting married too.
36:18No, what I've done is to move Rome and Santiago
36:20so that these two have a church.
36:24We thank you, but ...
36:26But you haven't got it, have you?
36:28Yes!
36:30Yes, yes, the ...
36:31Let's see, it's not the Almita of Santa María del Venado,
36:34but it's the only one they married you quickly.
36:36How quickly?
36:37A lot, Miguel, a lot.
36:39If I have it all arranged,
36:40I have to meet with the priest tomorrow
36:41to bring him your documents.
36:43So don't forget, you have to give them to me.
36:45Yeah, well, let's see, it's just that Elias ...
36:47Yes, yes, yes, Trini, Trini, I know.
36:49You don't have to thank me.
36:50I do this with all my heart.
36:52I do this for you.
36:53No, I think theater
36:55is a much more complicated discipline for the actor.
36:58It's more tiring.
37:00Immediate.
37:02Look, for reasons of life
37:04and for some other coincidence,
37:05I've been able to attend shoots.
37:07And believe me, they are much more exhausting.
37:09Many hours waiting for the set to be set up.
37:11More waiting between takes.
37:13But it's better for me.
37:14More time to prepare the sequence.
37:17That doesn't exist in theater.
37:19There is no time to prepare the scene.
37:21Do you understand?
37:22That's what I mean by immediacy.
37:24Do you understand?
37:25No, no, I don't understand what you mean.
37:27In theater,
37:28everything that happens on stage is unique.
37:31There is no function equal to another.
37:33Everything happens in the moment.
37:35Do you understand?
37:36There is no waiting.
37:38There is no margin for error.
37:40Well, I've seen more than one actor make a mistake.
37:43But that's precisely
37:45what makes that function something unique.
37:49That error is what makes that play unrepeatable.
37:52No.
37:53No unique and unrepeatable functions.
37:55That's getting to the bottom of it.
37:56But look at me.
37:57I left home without an umbrella.
37:59And thanks to that, we're here talking.
38:01You and me.
38:02I made a mistake.
38:07Well, I'll go see if your clothes are dry.
38:18This is almost ready.
38:23Do you want me to serve you more coffee?
38:25No, no, no.
38:26I don't want to bother you anymore.
38:28No, no.
38:29It doesn't bother me.
38:30Really.
38:31It's been a great time.
38:32But I think it's better if you dress me up and...
38:35and I leave.
38:37Okay.
38:40Listen.
38:42Everything in that box is recordings for my brother.
38:56Not exactly.
38:57The recordings...
38:59of the court of pharaohs are mixed.
39:03And...
39:05the box...
39:08is more for you.
39:11For me?
39:13A gift?
39:15But what is it?
39:21But it's a magic lantern.
39:24Agustín, this...
39:26is a wonderful gift.
39:27Thank you very much.
39:29Shall we try it?
39:37Who would have thought that the pharmacists would give so much work?
39:41Well, no, Esperanza.
39:42And look what we've had in the living room.
39:44But come on, none as exhausting as this one.
39:48I'm looking forward to going home.
39:49Well, a storm is coming.
39:51I'll wait for you here.
39:52I'm glad you woke up this morning.
39:56I hope Miguel and Trini's wedding goes well.
39:59Second wedding in two weeks.
40:02I hope this is the good one.
40:03I hope I get along with the others.
40:05Well, I'm sure everything will go well.
40:07It's just because of the trouble Elias has taken.
40:11What an element.
40:13Sometimes he has worse things than a walker.
40:15But when something gets in his boots, he doesn't stop.
40:18What are you?
40:20Woman.
40:21Take off your shoes and rest.
40:23With the suit on and the manager who has her with you.
40:28I see.
40:30You told me yourself.
40:31Since Cañete's gone, Mrs. Teresa up, Mrs. Teresa down.
40:37Well, don't worry about my job, Esperanza.
40:40Soon I'll have plenty of time to rest.
40:46Esperanza, please leave us alone.
40:49Yes, right now.
40:58It's important.
41:00Because if not, I'd rather talk to you after the convention.
41:04Well, if you're going to do your job, then yes.
41:07This conversation is important.
41:09Look, Mrs. Lazara.
41:11Even if I'm going to say goodbye, I've tried my best at this convention.
41:15As always.
41:16I see.
41:18You've already said goodbye.
41:21Yes.
41:22But before I go, I'm going to tell Mr. Fermin how you are.
41:26And you're also going to tell him that you've been in my neighborhood asking about me?
41:30Or that you've been to my old job looking for dirty traps?
41:35I mean, because you've already started telling things, haven't you?
41:39If that's the case,
41:41I can tell him, Teresa,
41:43that Mr. Fermin is already aware of everything.
41:45And that he's not going to believe it.
41:48Well, we'll see about that.
41:51Be patient, woman.
41:53You can tell him, Misa,
41:54that if Mr. Fermin has put his goodbye in my hands, it must be for a reason.
41:59And believe me, I won't be shaking when the time comes.
42:03Well, look, if you've come to say goodbye, do it and let's end this once and for all.
42:07I haven't come to say goodbye.
42:09I've come to tell you that you have a second chance to keep your job.
42:14A second chance?
42:16Why?
42:18We all deserve a second chance, including you.
42:22So I'm not only offering you to keep your job,
42:25but to have a little more leeway with you.
42:29As long as you stop investigating me and chasing me.
42:37Do we have a deal?
42:44I should go now.
42:48I should go now, yes.
43:18I should go now.
43:38I was about to, Brigida.
43:40I thought, if it was going to be a punctual entry, fine,
43:43but then I thought it over and I can't allow it.
43:46If it were just a few hours, it would be like telling the world I'm crazy and I'm not crazy.
43:50I'm not.
43:51As much as Dr. Mendoza insists.
43:54What do you mean by Dr. Mendoza?
43:56Get ready.
43:57Can you believe he's saying I'm doing things to pretend I'm not crazy?
44:00It's the worst.
44:02It's the worst.
44:03And he calls himself a doctor.
44:05I don't think he's a bad doctor.
44:07In fact, I'm fine with him.
44:08Well, I don't like the way he's acting with me.
44:11So why are you coming to the consultation?
44:13To say goodbye.
44:15It's over.
44:16I'm not going back.
44:18Dr. Mendoza is the one who should go in, not me.
44:21It's the truth.
44:23He's saying very ugly things about me.
44:25Thank goodness Íñigo has finally reacted.
44:27Really?
44:28Yes.
44:29Did he say anything to the doctor?
44:30No.
44:31He told me.
44:33He was honest with me this morning.
44:35He told me he believes me,
44:37that deep down he knows I'm right,
44:39and that I'm the cat in the cage in all this.
44:41So it's over, Brigida, finally.
44:43It's all over.
44:47What's the matter?
44:48Aren't you happy for me?
44:50I don't know, Matilde.
44:52On the one hand, yes, but on the other...
44:54In the end, Dr. Mendoza isn't that bad.
44:58But everything I've told you is true.
44:59I don't doubt it.
45:01But maybe you're judging the doctor too harshly.
45:05But do you really think that doctor is a good and qualified person?
45:09I'm telling you, if it weren't for him, I wouldn't be so well.
45:12I was very bad, Matilde.
45:14And my life changed for the better, and it was all thanks to him.
45:18Well, I guess what works for one person doesn't work for all of them.
45:22And forgive me, Brigida, but our circumstances are completely different.
45:27And I'm not denying that these diseases are very hard,
45:29but I don't have them.
45:31Yeah, yeah, but you...
45:33You still hear the voices.
45:39You too?
45:42Brigida, those voices exist.
45:45They exist.
45:47Someone's talking to me.
45:48Do you understand?
45:49If it's not Ms. Carla, it's someone who's pretending to be her.
45:51And I've also seen that woman.
45:53How many times do I have to say it?
45:55I'm really sorry, Matilde.
45:57I don't want you to be mad at me.
45:58I just want to help you.
46:00I thought you were different, that you believed me.
46:03But well, it doesn't matter.
46:05Because those voices exist.
46:07They're real people.
46:09I'm sure of it.
46:11I'm sure of it.
46:33No, please.
46:38Don't hurt me.
46:42Help me.
46:45Help me.
46:48Help me.
46:50No, I haven't done anything.
46:52Let me go.
46:53Lucia.
46:54No.
46:55Lucia.
46:56Oh God.
46:57Don't worry.
46:58You're Pietro.
46:59Don't worry.
47:00Yes.
47:02What happened?
47:08What's going on?
47:09What's going on?
47:11You were having a nightmare.
47:16Do you want some water?
47:18Are you okay?
47:19No, Pietro.
47:20I'm scared.
47:23I'm afraid they'll hurt me.
47:26Don't worry.
47:28Don't worry.
47:30No one will hurt you.
47:31Don't worry.
47:32Don't worry.
47:38You can see it with your own eyes.
47:41This albaran proves that Matilde bought,
47:44as it says there, the San Cayetano medal.
47:48But that can't be.
47:50It can't be.
47:51This is a lie.
47:52Íñigo, this is a lie.
47:53I didn't buy that medal.
47:55I know, honey.
47:59I'm sorry to tell you that
48:01we don't know what kind of validity this has.
48:05What do you mean?
48:06It's an invoice in her name.
48:08I think it's pretty obvious.
48:10Yes, yes, yes.
48:11I understand that perfectly.
48:12But that could have been fabricated later,
48:14and it's not like that.
48:17Look, doctor, we don't want you to think
48:19that we don't trust your word,
48:21far from it.
48:22But unfortunately,
48:23we have the adversity of certain people.
48:27People who are capable of doing anything to us.
48:31Much more than a simple truth.
48:33I don't know if you understand me.
48:34The truth is that no, Mr. Peñalver.
48:36What my husband means is that
48:39the same person who did that
48:41is the person who put the dead bird in our bed.
48:46Look, I'm sorry to tell you this,
48:48but I'm going to be frank.
48:49I think you're painting a too messy situation,
48:53and now I won't be the one to convince you otherwise.
48:58I don't want to convince you of anything, doctor.
49:01All I want is to tell you the truth,
49:03and I didn't buy that medal.
49:09It's a shame you don't want to trust me for this process.
49:13I've cured many patients throughout my career,
49:15and I know I could help you, Matilde.
49:19But maybe I've done something wrong to you
49:21so that you don't want to count on my services.
49:25So I guess I owe you an apology.
49:28Don't apologize, doctor.
49:30There's someone behind everything that's happening to me.
49:32My husband and I are convinced.
49:36Besides, I know for a fact,
49:38from Brigida, that you're a great professional.
49:42Brigida?
49:44Who's Brigida, my love?
49:46You've never told me about her.
49:48She's a patient of yours, doctor.
49:50A woman my age, more or less.
49:53I see her sometimes in the waiting room or in the garden.
50:04What's wrong?
50:06Look, Matilde,
50:07I don't have a patient called Brigida.
50:11What do you mean?
50:12But I've seen her before I came to see you.
50:15She almost convinced me to come in.
50:18No, I don't know any woman with that name.
50:21And I'm telling you,
50:22in this clinic, we're very scrupulous about appointments.
50:26But are you sure about what you're saying, doctor?
50:28Of course.
50:30Besides, I don't like it when a patient
50:32agrees to so many consultations.
50:36But that can't be.
50:39It can't be.
50:41She has to have a patient called Brigida.
50:45Brigida.
50:47Otherwise, maybe, I don't know, she doesn't remember or...
50:49Calm down, my love.
50:50I'm sure this mistake can be explained.
50:52Right, doctor?
50:54I'm sorry to tell you this,
50:57but I suspect that person is another product of your imagination, Matilde.
51:10I hope you don't continue with the idea of wanting to report us.
51:13What you've done is very serious.
51:15For the friendship that unites us.
51:17Help me.
51:18Covering it would make me a scrupulous person like you.
51:21And we don't look alike.
51:23Your feelings for me were also fake.
51:26And Lucia, how is she?
51:28I wanted to get the subject out of the nightmare.
51:30But then, did you talk about something or...?
51:34Lucia suffered a lot.
51:36And she still has wounds, even if she's better, right?
51:40You don't know how hard it was for me to find these books from the teacher.
51:45Really?
51:46Well, I have to tell you that you know the shelves better than I do.
51:50Thank you very much, I didn't need it.
51:52With Mrs. Juanes, I did everything.
51:54But since she left, I'm not sure this will go well.
51:59Inés, you know that the road is long, but it's worth it.
52:02You have to go little by little.
52:03And above all, don't give up.
52:06I don't know how many times or how many ways
52:08you'll have to tell him so he understands that we don't want to get married there.
52:11Well, if we've done it once, we'll do it again.
52:14We'll tell him clearly so he understands.
52:17I will stop investigating your affairs, Mrs. Lázara.
52:20I want to hear it from you.
52:21If you don't get in where you're not called, I won't promote your dismissal.
52:25I'm sorry, but I proposed to fire you and you didn't agree.
52:29I got Estrellita Castro to come to the store to sign records.
52:32Estrellita Castro?
52:33Mother-in-law, what a surprise! Give me a hug!
52:36Oh, how affectionate you are with what you've always been.
52:38Mother!
52:39My daughter.
52:40Oh, how beautiful!
52:42The plan with Laurita turned out great.
52:44Very well. I'm very happy.
52:46When I was at the door, about to call, with the recordings and soaked in the storm,
52:50I thought, this is not going to go well.
52:53The truth is that it was beautiful.
52:55Good, but there were more details.
52:57Well, he bothered to come to bring the recordings of the Pharaoh's court and the magic lantern.
53:05You deserve someone who treats you so well.
53:07Tell me more.
53:09Miss Castro, welcome.
53:11Why don't you take one of those pictures of yours?
53:14I really want to know your art.
53:16That's done.
53:18It is an honor and a pleasure to immortalize a star of her size.
53:21You can't trust what she says.
53:23Her perception of reality is distorted.
53:25She should be admitted now.
53:26I think she's going to be admitted in a sanatorium.
53:28What do you mean, in a sanatorium?
53:30So her condition is in everyone's mouth.
53:32I don't know if that's positive, taking into account the seriousness of the matter.
53:35The doctor called me after talking to Inigo.
53:38Everything is in order.
53:39What does that mean?
53:40It means that there are people who are following her.
53:42They are waiting for an imminent entry.
53:44Pati, Carla's wish was a hallucination.
53:46Vígita's wish could also have been.
53:48And that doesn't mean you're worse, just that you're affected.
53:51Do you think I'm crazy?
53:52Take it, I'll give it to you.
53:54Thank you very much.
54:02For more UN videos visit www.un.org