Sueños de Libertad - Capítulo 117
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00:30to make you rich.
00:33So dare to do it, my love.
00:38What if I'm wrong?
00:40Well, I'll be here to comfort you.
00:44Be careful with your behavior.
00:46Or next time I'll be forced to tell the bishop.
00:49I really can't believe we're having this conversation
00:51for the simple fact of having helped people.
00:53Don't worry.
00:54If he has nothing to hide, he shouldn't worry.
00:58See you later.
00:59See you later.
01:27Live another way
01:29Wings to fly
01:31Wherever the soul wants
01:33Dreams of freedom
01:35The heart doesn't wait
01:37It's asking for another chance
01:42Dreams of freedom
01:44Even if the past hurts
01:46Start again
01:48Love whoever I want
01:50Shout my truth to them
01:53Live without fear and without looking back
02:13Dreams of freedom
02:23Dreams of freedom
02:39This isn't signed by my father or my brothers.
02:42It's the renewal of the credit policy.
02:44You're the first.
02:45I think it's fine, but don't tell me anything
02:47where my signature isn't final.
02:49Yes, sir.
02:50Marta, sign the credit policy.
02:53Pass it to her, please.
02:54Thank you.
03:02By the way, I've made some amendments
03:04to the contract with Lambert.
03:05I'm waiting for a good review from Paris.
03:09That contract was already reviewed
03:11and approved by the lawyers and by my father.
03:13Well, it was poorly reviewed and poorly approved.
03:16With what right?
03:17You make changes in a contract without telling anyone.
03:20With the right you give me
03:21to be the director of more experience
03:23and with the intention
03:24that they don't abuse our good faith.
03:26And don't get angry, Marta.
03:27You know perfectly well that if we're negotiating
03:29with the French, it's thanks to me.
03:31Jesus, are you trying to provoke me?
03:34Because lately you've been very high
03:35and more in front of Isabel.
03:37I can leave if you want.
03:39No, you stay, Isabel.
03:40Let me show you something.
03:48Where is it?
03:49Here.
03:52The issue of who takes care of the expenses
03:54and the merchandise suffers imperfections in transit.
03:57What's wrong with that?
03:58Do you think it's normal
03:59that we have to be the ones who pay for everything?
04:06It's the usual.
04:07Our own lawyers can confirm it
04:09or even Isabel, who was aware.
04:11Isabel?
04:12But she was the one who drafted those changes.
04:15Take advantage and explain it to her.
04:17Come on.
04:18But hurry up.
04:19Lately, my sister doesn't step foot in this office.
04:21But...
04:22Well, Mr. Jesus proposed that,
04:24in the case of imperfections,
04:26each of the parties would take 50% of the expenses.
04:30Great.
04:31I should have consulted him.
04:32Isabel,
04:33you're the CEO of this company,
04:36not a spy at my sister's service.
04:38I hope you didn't throw it all away
04:40because you got carried away.
04:42I did it for the company's sake.
04:44No, what you've done is bridge me
04:46with a contract I already had.
04:49And the fact that the French are your thing...
04:52Good thing everyone knows
04:53that I was the one who brought Patricia Lambert here.
04:59Please answer, Isabel.
05:03Queen's Perfumery.
05:06Good afternoon.
05:08One moment, please.
05:11It's Mrs. Lambert.
05:14Pass it to me.
05:17Patricia, how are you?
05:21Yes, it was a last-minute change.
05:25Because it's a fair and equitable clause,
05:2750-50.
05:30Did you not like it?
05:32Then make it look good.
05:36I remind you that we have an agreement.
05:38And if you want to get your share,
05:40you have to look out for the interests of both parties,
05:42not just yours.
05:44Very good.
05:45Goodbye.
05:48Problem solved.
05:49They accepted the clause.
05:50No, I had the impression that it was still to be seen.
05:53Patricia, it was her job.
05:54Have faith.
06:07I know you want to assume what happened.
06:11But you'll see that soon you'll get over it.
06:13We'll both get over it.
06:17Together we can do anything.
06:21I need you by my side.
06:26Come in.
06:30I came to pick up the tray.
06:32Don't worry, don't bother.
06:34I'll take it down now.
06:35Let it touch the factory.
06:37I see you've at least regained some appetite.
06:39Having the queen's lieutenant here,
06:41it's impossible to skip a meal.
06:44I'll be back for dinner.
06:46Remember, you have an appointment with Jaime.
06:48He won't notice.
06:52Goodbye, my love.
06:53Goodbye.
06:56Could you keep him company for a while?
06:58As long as I need to, of course.
07:00Thank you.
07:10Oh, my God.
07:11You finally got him to eat from your hand.
07:15I told you he was capable of doing anything to get it back.
07:18Of course, you took action, yes.
07:21What's so bad about me wanting to take a walk with you?
07:24I know you and I know that when you get so affectionate,
07:27you want to tell me something.
07:29Tell me what it has to do with the postcard.
07:32Or am I wrong?
07:33Why do you say that?
07:36Or am I wrong?
07:37Why do you say that?
07:38Because it's been missing for two days
07:40and suddenly, by magic, it appears in the closet
07:42where we always leave it.
07:43Maybe it fell behind the coffee pot, woman, I don't know.
07:46You're talking nonsense.
07:47What do you have to do with the postcard?
07:50More than with the postcard, it's with the money in it.
07:53No way.
07:54Don't tell me you bought another whim.
07:56I haven't bought anything, woman.
07:58But, let's see.
07:59Oh, I hope so.
08:01You brought me here so I don't yell at you in front of everyone.
08:04Carmen, let's see.
08:06I've got a good business
08:08and I'd like to tell you before doing anything.
08:11Oh my God, now a business.
08:13Let's see, what is it about?
08:15How much money do I have to invest?
08:17You know, Carmen,
08:18the more you invest in business, the greater the profit.
08:20Tassio, how much?
08:2110,000 pesetas.
08:2210,000 pesetas?
08:25I managed to get that thief husband to drag himself
08:27asking me for forgiveness.
08:29What I don't understand
08:30is how you managed to get Jaime to play along
08:32telling everyone that you've lost a child
08:35that he knows didn't exist.
08:38Luck.
08:40It's in the bold.
08:42What do you mean?
08:44Because Jaime is a respectable doctor.
08:47I'm surprised he lent himself to any trick
08:49to validate your lie.
08:51Maybe he's not as respectable as you think.
08:53I really don't understand anything.
08:58I found out by chance
09:00that he and Dr. Borrell are lovers.
09:05What?
09:06I heard them on the phone,
09:07in a very heated conversation,
09:08but you can't say anything, Gemma, please.
09:10And you blackmailed him.
09:11Well, that's a very ugly word, no.
09:14I warned him
09:15that if he wants to continue playing doctors with the doctor
09:17without the family finding out,
09:18he has to follow my lead and shut up.
09:21Maria, I think you've crossed a line.
09:23Oh, Gemma, don't be silly.
09:25Besides, if Jaime doesn't want trouble,
09:26he shouldn't cheat on his wife.
09:29The truth is that he's lucky
09:30that the man stops flirting with her
09:32and then ends up cheating on her in his own house.
09:35Gemma, please, I repeat,
09:36not a word to anyone.
09:38If Jaime finds out,
09:40he wouldn't have any reason to follow my lead.
09:42Please.
09:43It'll be a grave, don't worry.
09:46You're the only person I trust in this house.
09:48Don't let me down.
09:53Oh, don't worry.
09:54How can I not worry, Tassio?
09:55It's all the savings we have for the house
09:57after giving you the whim of the fridge.
09:59Carmen, I know, I know.
10:00But, woman, maybe in a month,
10:02we'll be able to pay off the mortgage.
10:04You're multiplying too fast.
10:06There's no honest business
10:07that's as fast as those numbers.
10:11Tassio, no, no.
10:12You're not thinking about playing again, are you?
10:14No, no, woman, no.
10:15This isn't a trap.
10:18It's a new business that Íñigo, the new operator,
10:20has offered me.
10:22Oh, another one.
10:24What's that business about, if I may ask?
10:28Well, look.
10:29Íñigo has a cousin
10:31who works in a German home appliance factory.
10:33And the cousin gives him all the models
10:35that Jesse discards,
10:36and then he leaves them as new ones.
10:38And then Íñigo resells them?
10:40Yes, yes, and makes good money for each one.
10:42If not, why do you think that boy lives so well?
10:44He invited us to the Bernabéu stage and everything.
10:47Being a simple operator.
10:48I see.
10:49And if he's doing so well,
10:50why is he still a simple operator?
10:54Well, I don't know.
10:55He'll know.
10:56Besides, you don't kill to work.
10:58So, what's important here, Carmen,
11:00is what you and I do.
11:02Which would be reselling defective appliances.
11:04Because they're so good, Carmen,
11:05they work perfectly, in my case.
11:06I don't know, Tassio.
11:07That sounds very strange to me.
11:08What do you want me to tell you?
11:11Look, to give you an idea,
11:12I've already sold two last generation radios.
11:14And I've made almost double the money with them.
11:16Imagine what we'd do with 50 appliances.
11:18That's crazy.
11:19Well, that crazy amount of money could be ours.
11:24Wait a minute.
11:25Those radios...
11:26You bought those radios with the money in our pocket.
11:29That's why they didn't show up.
11:31Tassio, no.
11:32I don't like you doing this behind my back.
11:33I know, but it worked out well.
11:35And it'll work out well again.
11:36Besides, I'm telling you all this
11:38to see what you think.
11:39Because I need your approval.
11:42I don't know, Tassio.
11:44I...
11:45What do you want me to tell you?
11:46I think it's crazy to invest all our savings
11:47in a business we don't know if it's going to work or not.
11:49Carmen, it works because I've already tried it.
11:51But if you don't like it, I'll forget about it and that's it.
11:55That's the most sensible thing.
11:57But thank you very much
11:59for telling me and not throwing it away without my consent.
12:03Thank you for the ride and for listening to me.
12:06Although a couple of shouts also took me away.
12:22Digna, I'm going to the factory.
12:24Very well.
12:28Then I'll need your advice
12:30to see if you can guide me on some furniture changes
12:33I want to do in the office.
12:35That's very personal.
12:36I think you should ask your daughter for advice.
12:40For God's sake, Digna.
12:41Let's go back to our worst moments.
12:45How long are you going to keep punishing me?
12:48I'm trying to do my job in this house
12:50as best I can.
12:52By the way, I have to go see how dinner is going.
13:03It's time, Digna.
13:08Is everything okay?
13:10Yes, just business problems.
13:13I'm leaving.
13:14Begoña,
13:16I have to ask you something.
13:20What?
13:36Hello.
13:37What are you doing here so early?
13:39I came to see how you were.
13:41When you tell me if your brother and you are still angry,
13:44I'll tell you if I'm okay or not.
13:46I can't stand seeing you argue one day like this and another like that.
13:49Mom,
13:50I don't like being like this either,
13:52but what can I do?
13:54He'll get over it, won't he?
13:56I need you to be okay.
13:59Especially now.
14:01And I have no interest in opposing him,
14:03but I can't support Joaquín in the pool project.
14:06Do you think he's that crazy?
14:08Yes.
14:09Of course I think he's crazy.
14:11Me, you and everyone else.
14:12Because he's a chimera.
14:13Yes, but he would be our chimera.
14:16Mom, it's a very risky project.
14:20There are too many things that could go wrong.
14:22I think it's much more sensible to bet on what we have here.
14:24Besides, you agreed with me.
14:26Have you changed your mind?
14:28You've read the article in the magazine, haven't you?
14:32That one dedicated to the Reina family.
14:34Please, Mom.
14:35Are you going to come with that too?
14:36Yes.
14:38Because it's perfect
14:39to see what that company looks like from the outside.
14:42That company.
14:44I don't understand.
14:45Where does it want to go?
14:46Everyone who reads that
14:48will know what kind of company it is.
14:51A very familiar one.
14:53Is that so?
14:54Isn't it familiar?
14:55Yes.
14:56Familiar.
14:57From a single family.
15:00The Reina family.
15:07You don't have to worry.
15:08All I've done this morning
15:09is corroborate his disgusting lie.
15:12Although I don't know why you're asking me.
15:13I was listening from the corner of the door, weren't I?
15:16Maintaining that version is the best option for everyone, Begoña.
15:19Don't be mistaken, Mr. Damián.
15:21If I haven't told Igna the truth,
15:22it's because I've found it very cruel
15:24to make that poor woman suffer more.
15:26Believe it or not,
15:28that's exactly the same reason
15:30I've had to lie.
15:32To avoid the suffering of both families.
15:34Are you referring to the lucky shot I received?
15:37Or the other shots?
15:39Don't play with me, Begoña.
15:40I'm not.
15:41It's dangerous to play with you.
15:43Although the truth is like water,
15:45even if we try to contain it with our silence,
15:47it will end up overflowing,
15:49taking everything in its path.
15:51None of that will happen
15:53if no one loses their calm.
15:56So if Igna asks again,
16:00you know what you have to tell her.
16:11No.
16:31I don't understand why you're telling me all this.
16:33What does it have to do with the spa?
16:35Think about it, son.
16:38If your father decided to keep it a secret,
16:40it's because he saw a way
16:42to take a different path,
16:44getting rid of the Reina family.
16:49You've always believed
16:50that the company was the most important thing for him.
16:53I, too, was convinced.
16:55I've been convinced for a long time.
16:58But now I know that at the end of his life,
17:00his dreams were different.
17:04What do you want me to do?
17:06Abandon the company
17:09now that I'm at my best
17:11to embark on a project
17:12that I don't know where it's taking me?
17:13Get to know him.
17:15If he saw a business in that spa,
17:17it's true.
17:19Besides, now it's convenient for us
17:21to keep our distance from the Reina family.
17:24And your father is putting him on a plate.
17:27It seems he's guiding you from above.
17:30I don't know, Mother.
17:31I do know.
17:33Your brother and you together can go very far.
17:36He with his wealth and you with your talent.
17:39You can give back to the Merino family
17:41the place that belongs to them.
17:44Wouldn't that be wonderful?
17:58You're here again.
18:00I hope you're not returning the soaps
18:01you took the other day as a gift.
18:03No, on the contrary.
18:04They liked it so much
18:05that I had to go to the post office
18:06to send some letters.
18:08I've come to get a box for myself.
18:10Ah, that's great.
18:12Gifts for yourself are the best.
18:15Because you can never fail.
18:17That's true.
18:26Is something wrong?
18:27No, nothing.
18:28I was looking at your handkerchief.
18:30It's beautiful.
18:32Thank you.
18:34And of very good quality.
18:36I saw it in Toledo,
18:37and not anywhere else.
18:39In the Canobas shop, no less.
18:41I love that shop.
18:43And the one in Madrid.
18:44I don't know if you've been there,
18:45but it's spectacular.
18:46Yes, yes.
18:47I know both of them.
18:48How lucky you are
18:49to be able to afford it.
18:50With my salary,
18:51I can't even afford
18:52to buy a button there.
18:53No, no.
18:54Not with mine either.
18:55Don't even think about it.
18:57So?
18:59They gave it to you?
19:01Yes.
19:02It's a gift from my father.
19:06Tell him it's exquisite.
19:08I'll tell him.
19:09Good.
19:10I'd like my father
19:11to give me gifts like that,
19:12or, I bet,
19:13to ask a good boyfriend
19:14to give it to me.
19:16But neither my father
19:17nor I have a boyfriend,
19:18so I'd better save up.
19:21Isabel, if you don't mind,
19:22I'll charge you.
19:23It's just that
19:24my shift is about to end
19:25and I have to put up
19:26two exhibitors.
19:27Of course, woman.
19:28If I'm like you,
19:29I have to do a thousand things
19:30before I go out,
19:31so...
19:32Of course.
19:34Here.
19:35Take it.
19:42Here's your change.
19:44Thank you.
19:45I hope you enjoy the soap operas.
19:47Thank you.
19:50Beautiful.
19:51The handkerchief.
19:57Patricia Lambert has confirmed it.
19:59Well, then...
20:00Come in.
20:02I'm sorry, Mr. Damián.
20:03I didn't know you were busy.
20:04Don't worry, Tassio.
20:06Jesús was about to finish.
20:07Don't worry.
20:08No, I don't want to bother you.
20:09I just wanted to tell you
20:11that I'm not going into the business
20:12I told you about.
20:13One moment, one moment.
20:15What are you talking about?
20:16It's just that now
20:17it's also common
20:18for the guys
20:19who bring in the operators.
20:20He's not a guy.
20:22It was a good investment opportunity
20:24and his father came
20:25to give me some advice.
20:27A couple of tips.
20:28That's all I gave him.
20:31Let's see, kid.
20:32You interrupted
20:33a private conversation.
20:34Yes, yes, I know.
20:35I apologize.
20:36I'm leaving.
20:37No, no, no.
20:38Since you interrupted us,
20:39come in and tell us about the business.
20:41Jesús, stop.
20:42No, Father.
20:43Tell him what I was going to tell him.
20:45Let's see if I got it right.
20:47You want to go from an operator
20:49to a businessman.
20:51Sorry.
20:52From one night to the next.
20:53Is that it?
20:54That's the idea, yes.
20:56What happened?
20:57Why did you back out?
20:59You can tell us.
21:01Well, it turns out
21:02that we had to invest a lot
21:03of initial capital
21:04and talking to my wife,
21:05it's better that we don't spend
21:06the money we have saved
21:07for the house.
21:08Of course, of course.
21:09Totally understandable.
21:10But are you sure about that?
21:12Think that opportunities
21:14don't come when you want them to.
21:16They come when they come.
21:17Antasio, come in, please.
21:19Close the door and come in.
21:23Sit down and tell me.
21:25The other day you were very excited
21:28when you told me about your projects.
21:31Yes, that's true.
21:33But then,
21:34talking to Carmen,
21:35it's better
21:36that we don't get caught
21:37with this.
21:40You can tell
21:41that she finds it so funny.
21:43Your naivety, Antasio.
21:45Look, for your information,
21:47there is no opportunity without risk.
21:49In business, nothing is easy.
21:51Or do you think this man
21:52was given the empire
21:53that he created out of nowhere?
21:55I'm not the only one
21:56who has fallen for this company.
21:58All the workers
21:59do it every day,
22:01from the first to the last.
22:05Anyway,
22:06I won't entertain you anymore.
22:09And you,
22:11it will be better
22:12that you continue to save.
22:13So, with a little luck,
22:14I calculate that in 10 or 15 years
22:16you can already have your little house
22:18that is coming.
22:19It's coming.
22:22See you later.
22:31Don't listen to him.
22:33He likes to provoke.
22:35Actually, he hasn't told any lies.
22:37Or are you going to deny
22:38that he didn't risk anything
22:39when he started with the company?
22:41There is always a risk.
22:42I'm not going to deny it.
22:43When I started, I was very young
22:45and the dream of raising it with my hands
22:47was nothing more than the fear of failure.
22:49I will also tell you that
22:50on more than one occasion
22:51and on more than two
22:52the bank was about to lose everything.
22:54But fortunately,
22:55things turned out well.
22:57Yes, it can be seen.
23:00Starting a business
23:01is a path full of complications, Estasio.
23:03And not everyone is prepared for it.
23:07Stay calm with your decision.
23:10And enjoy what you do,
23:11because you do it very well.
23:14I really appreciate your advice.
23:17You don't have to thank me.
23:19You know I'm here for what you need
23:22and when you need it.
23:24Thank you.
23:42Isabel just came out the door.
23:44Isabel, my secretary?
23:46Yes.
23:47She came to buy some soaps
23:48and I got very nervous.
23:51Why? What's wrong?
23:52Well, I was just trying on the handkerchief
23:54you gave me when I came in.
23:57That's why I gave it to you.
23:58So you can show it off.
24:00Even if it's not at work.
24:02Yes, but I knew it was from Cánovas
24:03and that it was very expensive.
24:05I got very nervous.
24:06I told her it was a gift from my father.
24:08Do you think he stole it?
24:09Oh my God.
24:11What's wrong?
24:14This morning she saw
24:15that I had bought something in Cánovas,
24:16precisely.
24:18Well, I'm sure she realized
24:19that you gave it to me.
24:21Look, I told her it was a gift for me.
24:23In fact, she's only seen the box.
24:24She doesn't even know
24:25if there's a handkerchief
24:26or what color it was.
24:27So there's nothing to worry about.
24:30Yes, but this Isabel
24:31is longer than long.
24:32I'm sure she didn't stitch it with thread.
24:34Stitched without thread.
24:36Without thread.
24:37But she's very smart, yes.
24:41Although it wouldn't be crazy
24:42to think that since your father
24:45has trusted me all my life,
24:47he asked me
24:48where he could buy you
24:50a good quality gift.
24:52And since I've been buying in Cánovas lately,
24:54I've recommended it to him.
24:59There's nothing to worry about.
25:01I've already told you this morning.
25:03What have we agreed on?
25:05That when you're nervous
25:06or you think something's going wrong,
25:08you just have to look me in the eye
25:10and remember
25:11that everything will be fine.
25:16Better?
25:20Then I'll see you later.
25:22Please.
25:24I'm dying to spend the night with you.
25:28There's not much time left.
25:31Carmín will replace me at nothing.
25:34And I'll go to my room,
25:36I'll change,
25:38I'll take the car,
25:40and I'll see you in Madrid.
25:43And from Madrid to heaven.
25:51Oh...
25:59Your brother and you together
26:00can go very far.
26:02He with his treasure
26:03and you with your talent.
26:05You can give back to the Merino family
26:07the place that belongs to them.
26:10Wouldn't that be wonderful?
26:16I have to talk to you.
26:20What is it?
26:22Luis, I'm not here to argue.
26:24I'm here to tell you
26:25that I'm going to start the ballet project
26:27and that I don't need your approval for anything.
26:31It's a risky project, brother.
26:34You're going to have to make complicated decisions
26:36on topics you don't know.
26:37Yes, yes, yes.
26:38I know,
26:39but I guess I'll have learned
26:41some management skills
26:42all these years working here.
26:43Don't you think?
26:44Of course you will.
26:45And besides, I'm not going to be alone.
26:46I'm going to surround myself with the best team.
26:48Good, good.
26:49A good team is fundamental.
26:53What's the point of all this understanding now?
26:56I don't know why you say that.
26:58Well, I don't know.
27:00If you try to give me the reason
27:01like the crazy people
27:02so I can realize
27:03what I'm going to do
27:04then you can stop doing theater
27:06because neither you nor anyone will stop me.
27:08No, and it's not my intention
27:09to make you change your mind.
27:11Not anymore.
27:13Not anymore?
27:16I've talked to Mother
27:17and she has opened her eyes to certain issues.
27:22And?
27:23And what else, Luis?
27:24What has she told you?
27:25You're making me nervous, as always.
27:26Well, I've realized
27:27that Perfumerías de la Reina
27:29wasn't Father's vital project.
27:31No, no, no.
27:32I would rather say
27:33that it has become yours.
27:34Maybe.
27:36And I suppose
27:37that if Father wanted
27:38to keep the balneary so secret
27:40it's because he wanted to do
27:41exactly what you're doing now.
27:44Get rid of those from La Reina.
27:48So you think it's a good idea?
27:50I think it's a very good idea.
27:53So, are you clear
27:54about what you have in front of you?
27:55Yes, yes, yes.
27:57First, we have to find out
27:58who those landowners are.
27:59Second, we have to tie the deal
28:01and talk to the banks
28:02to see if they can finance it.
28:04And third,
28:05we have to lift the balneary
28:07and put it into operation.
28:09That's nothing, right?
28:10Yes, I have a long way to go
28:12but I think it's the path
28:13I have to follow.
28:14And the path you like to follow
28:15is our father's.
28:17Yes.
28:18Hey, have you thought about
28:19possible names for the balneary?
28:21No, not yet.
28:22I haven't had time, no.
28:24There's still time for that
28:25but maybe
28:27we can launch proposals.
28:31We can.
28:33You and me.
28:36Come on, if you don't want to
28:37I'll step aside
28:38but if you want me
28:39to be part of the team
28:41I'm willing to do it.
28:44I'm willing
28:45to do everything I can
28:47for this project
28:48to succeed together.
28:51Are you serious?
28:52Or have you taken a sip
28:54from the cologne you have there?
28:57Totally.
28:59I've realised
29:00that this could be
29:01a project that is
29:02a great opportunity
29:03for Los Merino.
29:10You've had a hard time, haven't you?
29:13You're right.
29:19It's all right
29:20as expected.
29:21So this is the last time
29:22you make me waste my time like this.
29:25Jaime, please.
29:26We have a deal.
29:28No.
29:29One thing is that
29:30I had to swallow
29:31your damn blackmail
29:32and another very different thing
29:33is to tell everyone
29:34that you're worse
29:35than you really are.
29:36I'm not going to go there.
29:38All right.
29:39Then I suppose
29:40you should tell me.
29:41Yes, I suppose I should.
29:42And that's exactly
29:43what I'm going to do.
29:45Good.
29:46Because I was tired
29:47of being in bed all day.
29:49God, how can you be
29:50so frivolous?
29:52Your lie has hurt
29:53a lot of people,
29:54starting with your husband.
29:56Don't meddle in my marriage.
29:58I don't meddle in yours
29:59or in your relationship
30:00with Doctor Borrell.
30:06Hi, darling.
30:08How are you?
30:10Sad.
30:11Sad, but
30:13it seems I don't have
30:14to rest anymore.
30:16I'll finally be able to go out
30:17and have my head busy.
30:19Are you sure
30:20it's the best thing to do?
30:24I can live a normal life, right?
30:26Yes, yes.
30:27It's not necessary
30:28to rest as much
30:29as Maria says.
30:31Are you sure, Jaime?
30:33I don't know.
30:34Maybe it's better
30:35to wait a few days
30:36just to be sure.
30:37No, no, no.
30:38Your health is not in danger.
30:40It's good that you're recovering.
30:41It's normal.
30:44And now, if you'll excuse me,
30:45I have important things
30:46to attend to.
31:04What kind of lies
31:05has the Secretary of the Diocese
31:06told you about Claudia
31:07and me?
31:08First of all,
31:09good afternoon.
31:10Don't you think
31:11anger shouldn't be
31:12tied to adultery?
31:13He lied to me
31:14to convince Claudia
31:15to come to Algodón with me.
31:16And then he lied
31:17to the Secretary of the Diocese
31:18telling lies
31:19about what happened there.
31:20I haven't lied to anyone.
31:21I only answered
31:22their questions.
31:23And I can assure you
31:24it was very persuasive.
31:25But I already told you.
31:26We were repairing the roof.
31:27Then it was too late.
31:28We missed the train
31:29and then we had to
31:30sleep at the station.
31:31That's all that happened.
31:32The roof
31:33was the Lord's decision,
31:34but spending the night together
31:35was an exclusively
31:36your decision
31:38You have to be miserable
31:39to insinuate
31:40what you're insinuating.
31:41Now that you're a priest
31:42in a vulgar warehouse,
31:43you should know
31:44where the limits are.
31:45And you know it.
31:46What have I done to you?
31:48Why are you so resentful
31:49of me?
31:50Is it because I officiated
31:51Mrs. Mercedes' funeral?
31:52Is that what's wrong with you?
31:53I don't allow you
31:54to speak to me like that.
31:55It's clear that my presence
31:56here bothers you.
31:57But wanting to destroy
31:58my career
31:59is crossing the line.
32:01Don't think you're so important,
32:02boy.
32:03I only did what
32:04Claudia's mother asked me to do,
32:05which was to watch
32:06the little virtue
32:07that she still has
32:08and, at the same time,
32:09uncover the little vocation
32:10she saw in you.
32:11Ramón is behind all this?
32:12She was already smelling it.
32:14The instinct of a mother
32:15is practically infallible.
32:17Maybe
32:18nothing will happen
32:19between you that night,
32:20but you can't deny me
32:21that girl
32:22stirs you up inside.
32:24I don't resent
32:25what I feel for you and Mateo,
32:26but...
32:27compassion.
32:29I'm just trying to prevent
32:30you from falling
32:31into the temptation of karma.
32:32Enough!
32:33You've played too dirty.
32:34I'm not going to let you get away with this.
32:37I'm going to do the same.
32:39So you can be careful now.
32:51Mateo,
32:52are you okay?
32:54Have you been listening?
32:56No, not enough
32:57to know what you were talking about.
33:00It's normal
33:01that you feel that way now,
33:02but you'll see
33:03that the time
33:04and future children
33:05you have
33:06will dilute that sadness.
33:08I hope so.
33:09Now I see it impossible.
33:11As Machado said,
33:12everything happens
33:13and everything stays.
33:14And I say this
33:15knowingly
33:16because
33:17before your brother
33:18Jesus came into the world,
33:19Catalina,
33:20my wife,
33:21went through the same trance
33:22as you.
33:24I didn't know
33:25that a mother lost a child.
33:26Yes,
33:27it wasn't something
33:28that your mother and I
33:29would like to remember.
33:31I'm not surprised.
33:33But I take it to heart
33:35because after that,
33:37we had three beautiful children
33:39who made us very happy.
33:41And I'm convinced
33:42that you will follow
33:43the same steps.
33:46Thank you, Father,
33:47for trusting us with that story.
33:49It means a lot to us.
33:51When you receive
33:52such a hard blow,
33:54you realize
33:55the true value
33:56the family has.
33:57And you don't know
33:58how sorry I am, son.
34:00I never wanted you
34:01to go through this
34:02or any of you.
34:04Andrés and I
34:05will do everything
34:06in our power
34:07to be a united
34:08and happy family.
34:10And as many as possible,
34:11of course.
34:12God bless you, daughter.
34:13God bless you, daughter.
34:16Mateo,
34:17don't worry.
34:19If you want to go home,
34:20we'll talk about it
34:21later.
34:22No, Claudia, no.
34:23There won't be
34:24any more visits to Godot
34:25or anywhere else.
34:27Mr. Agustín suggested
34:29that I ask you
34:30to come with me.
34:31But it was a trap
34:32to unmask me.
34:34Unmask you? How?
34:36That worm
34:37thinks that
34:39you and I
34:42hide our feelings.
34:44But...
34:45Where did you get that from?
34:47Your mother.
34:49She told it to Mr. Agustín
34:51and the wretch
34:52made a trap
34:53so I would supposedly
34:54fall into temptation
34:56and prove I'm no good
34:57as a priest.
35:00I'm shameless.
35:04Are you okay?
35:07Claudia,
35:09don't worry.
35:10You have nothing to do with this.
35:12Mateo, it's just...
35:15It's just that Mr. Agustín
35:16isn't going so badly
35:18without a path.
35:20What?
35:22That...
35:24You...
35:25Well,
35:26that you and I...
35:27That I...
35:28That I...
35:29That I...
35:31That I have feelings for you.
35:54Excuse me.
35:55As I know you like
35:56random tea,
35:57I've taken the liberty
35:58of bringing you
35:59one with cookies.
36:00Thank you.
36:01You've read my mind.
36:03I'd also like
36:04to apologize
36:05for not consulting you
36:06on the changes
36:07in the contract
36:08with the galleries, Moro.
36:10It's all clear, Isabel.
36:11Don't worry.
36:12You just did
36:13what my brother asked
36:14and you do
36:15an excellent job.
36:16Thank you.
36:18No one in the world
36:19would want you
36:20to consider me
36:21a disloyal person.
36:22I promise you
36:23it wasn't my intention.
36:24Do you want to go around?
36:25It's forgotten.
36:27Thank you again.
36:29I'm very happy
36:30to hear you say that
36:31because
36:32believe me,
36:33I really appreciate it.
36:34Thank you.
36:37What a mess.
36:38Don't worry.
36:40Let me help you.
36:41Don't rush.
36:42There's no need.
36:44Are they...
36:45Are they the store's bills?
36:47Yes.
36:48Give them to me.
36:49I'll clean them
36:50and keep them all here.
36:51Is there a problem
36:52with the bills?
36:53Absolutely.
36:54I was just going to make sure
36:55that all the data
36:56was correct.
36:58I haven't asked you
36:59for that kind of work.
37:01In my previous job,
37:02the workers' payroll
37:04was a real mess.
37:06If you don't think it's necessary,
37:07I can leave it
37:08and take care
37:09of other things.
37:11Although I think
37:12in a couple of days
37:13I could have finished
37:15and organized
37:16all the payrolls.
37:17No.
37:18It's perfect.
37:20Thank you.
37:21Perfect?
37:22I'm going to get dressed.
37:24I'll be back in the office.
37:39Isabel,
37:40I'm going to make a message.
37:42I don't want to be late.
37:43See you tomorrow.
37:44See you tomorrow.
37:52See you tomorrow.
38:13Shall we go now?
38:15We need to talk.
38:18Sure.
38:19What's wrong?
38:21What are you doing?
38:23I think you should keep it
38:24until we leave La Colonia.
38:26Just as a precaution.
38:28Yes, I know, Marta,
38:29but until now
38:30I was the one who was afraid
38:31and you were the one
38:32who avoided my fears.
38:34What happened?
38:35Nothing,
38:36I just think
38:37that maybe lately
38:38I've let myself go
38:39for what I feel
38:40and that we can't go on like this.
38:43Like what?
38:44Loving each other
38:45like we love each other?
38:46No.
38:48I just think
38:49that we should
38:50try to make space
38:51for our encounters.
38:52No, don't tell me
38:53about this again, Marta.
38:54I didn't say we shouldn't see each other,
38:55I just...
38:57You know that if they find out,
38:58we could go to jail.
39:00You understand that.
39:01Of course,
39:02from the first day.
39:03What I don't understand
39:04is why you're telling me
39:05these things all of a sudden.
39:06Has nothing happened?
39:08No, everything is fine.
39:10No, nothing is fine.
39:12Because living like this
39:13is not living.
39:14What are you doing?
39:15Why are you giving me back the handkerchief?
39:16Because I'm only going to wear it
39:17when I can wear it without fear, Marta.
39:19Where are you going?
39:20That's what I'm asking myself.
39:21Where are we going?
39:22Because this is a dead end.
39:29Everything is fine.
39:49Everything is fine.
40:15Am I interrupting?
40:17No.
40:20Do I need to go to the office?
40:23Do I have to go to a factory worker
40:25to ask for advice
40:26to invest in a stock exchange
40:27or something like that?
40:31Don't make that face, Father.
40:32Etasio is getting too confident
40:34with you.
40:36He gives you his hand
40:37and they end up taking your arm.
40:40You have to be nice
40:41to the people who work with us.
40:43They are the company.
40:45The ones who take it out
40:46day by day.
40:50No, thank you.
40:52And you shouldn't either.
40:55I think you're overreacting.
40:58Don't worry.
40:59I'm just relaxing a bit.
41:01I see.
41:07So?
41:08How are things
41:09with my future stepmother?
41:11Did I tell you?
41:12The third-degree that she subjected me to
41:13to get information
41:14about Valentín and Clotilde.
41:16Yes, she's worthy.
41:17She's a bit upset.
41:19Yes.
41:22She's asking a lot of questions.
41:24I even found out
41:25by asking your wife
41:26too many questions
41:28about the gunshot she received.
41:31Oh, yeah?
41:33Well, she's going to marry them
41:35but make it short.
41:38How can I tell you
41:41not to talk about your aunt like that again?
41:45For your information,
41:47she's still just that.
41:49Your aunt.
41:50Oh.
41:52So there's no wedding?
41:53The last time we spoke,
41:54she told me she had
41:55accepted her proposal.
41:58But then she got upset.
42:01I don't want to talk about that.
42:11So,
42:12she's asking too many questions.
42:17She's upset.
42:19I suppose she didn't take it
42:20as well as you thought
42:21about hiding from her
42:22that Julia was her granddaughter.
42:25I repeat,
42:26I don't want to talk about that.
42:28All right.
42:29Deal.
42:32As long as you assure me
42:33that she's worthy,
42:34I'll stop getting upset
42:35with uncomfortable questions
42:36and I'll also stop
42:37doing it with my wife.
42:38That's it.
42:39Stop worrying about being worthy
42:41and pay more attention
42:42to the woman you sleep with.
42:44Begoña
42:45is the only one
42:46who knows the truth
42:47about Valentí and Clotilde's death.
42:50And now that her mother
42:51has passed away,
42:52I can't pressure her
42:53with the divorce.
42:55Your wife is getting
42:56away from us.
42:59Well, don't worry
43:00about my wife.
43:02I'm thinking
43:03of changing my strategy
43:04with her.
43:09Changing your strategy?
43:11What strategy?
43:12Yes.
43:14I've been too,
43:15let's say,
43:16benevolent with her.
43:19Benevolent?
43:21Do you remember
43:22that she was about to die
43:23because of one of your shots?
43:25That was an act of madness,
43:26Father.
43:28A mistake
43:29that I'll regret
43:30for the rest of my life.
43:31But she has to admit
43:32that she took me to the limit
43:33by running away with my daughter.
43:37And since then,
43:38I've only dragged myself
43:39in front of her
43:40like I'd never done
43:41before.
43:42I even brought her mother
43:43here,
43:44to this house,
43:45to get her forgiveness.
43:47And what have I gotten in return?
43:49Despise,
43:50and more despise.
43:52And that as soon as
43:53I turned around,
43:54she'd run to console herself
43:55in my brother's arms.
43:57But the looks
43:58are over.
44:00I'm going to be respected.
44:12How did it go
44:13at the factory?
44:15Have you been able
44:16to clear things up
44:17with your brother?
44:19We've finally been able
44:20to tell each other
44:21the truth.
44:22Did you two fight?
44:23Joaquín, I don't think
44:24it's my fault
44:25that you two...
44:26No, no, no, Gemma.
44:29The only thing
44:30that's your fault
44:31is that I've stopped
44:32feeling small.
44:34Small
44:35in front of Luis,
44:36in front of Jesús de la Reina,
44:38even in front of myself.
44:39Joaquín...
44:40It's true, Gemma.
44:42Now I know
44:43that if I used to feel small
44:44in front of the world,
44:45it wasn't the world's fault,
44:46it was my fault.
44:48I've told you before
44:50that you're worth
44:51more than you think.
44:52Yeah, but I didn't believe it.
44:55And now I do believe it.
44:58After hearing you,
44:59I thought...
45:02What if you're right?
45:04What if...
45:06What if...
45:07What if...
45:09What if I'm capable
45:10of doing anything
45:11I set my mind to?
45:13So, from now on,
45:14I'm going to be
45:16the man I want to be.
45:18The man you told me
45:19I could be.
45:20Me and anyone
45:21who knows you.
45:22And I know there will be
45:23many obstacles along the way
45:24and I'll even face them myself,
45:25but I swear,
45:26in the memory of my father,
45:27I'm going to do
45:28everything I can
45:29to make his dream come true.
45:30I'm so happy
45:31to see you like this.
45:32Thanks to you.
45:34I wish I could've shown you
45:35how much you're worth
45:36before.
45:37And above all,
45:38how much I care about you.
45:39Well, no.
45:41Let's just say
45:42I haven't been very
45:43receptive either.
45:44Don't do it again.
45:45What?
45:46Blaming yourself for everything.
45:48I've also had a lot
45:49to do with
45:50how bad you were.
45:51All my frustrations
45:52haven't helped at all.
45:54No, Gemma.
45:56You're also special.
45:59Do what you do
46:00and say what you say.
46:03Can I ask you a question?
46:06Go ahead.
46:10Is Cabrito Asado
46:11still in the fridge?
46:13Yes.
46:14And Magdalenas.
46:17But if he wasn't,
46:18I'd cook him for you a thousand times.
46:21No.
46:22Do you want us to be together?
46:25Just let me change
46:26the sheets in my room.
46:27No, no, no.
46:29You don't have to
46:30change any sheets.
46:32The ones in the wedding bed
46:33are clean.
46:36That's enough for us.
46:39If
46:40you want us to sleep together,
46:41of course.
47:06I'm sorry.
47:22Where did you get them?
47:25I thought you ran out.
47:29They were given to me.
47:30No.
47:34I'm going for an infusion.
47:36Are you avoiding me again?
47:40I'm not avoiding you.
47:42What do you want?
47:47You drank.
47:49What else do you want?
47:51Then you'll go for that infusion.
47:53Now,
47:54let's talk a little.
47:55I just want to have
47:56a nice time with my wife.
47:57What do you mean?
47:59Like this morning,
48:01when she accused me of
48:02provoking Maria's abortion.
48:05I see.
48:07I'm sorry,
48:08it was a bit sudden.
48:10But I was upset with you
48:11and I think you were right.
48:14I don't think
48:15there was a reason to be so cruel.
48:17Don't pretend to be innocent.
48:19Or do I have to remind you
48:20how that poor girl
48:21surprised you
48:22in Andrés' arms?
48:24Are you kidding me?
48:25What did Andrés do to you?
48:27He was consoling me
48:28for my death.
48:29Bullshit!
48:31I also tried to console you
48:32when your mother died.
48:34And you rejected me
48:35as if I had the plague.
48:36I'm fed up, you hear me?
48:37I'm fed up.
48:39Jesús,
48:40I just took a pill
48:41to sleep.
48:42I'm not in the mood for arguments.
48:45Come here.
48:49What are you doing?
48:50No more excuses.
48:53You're my wife
48:54and you're going to start
48:55behaving like this.
48:56Jesús.
48:58Stop.
49:00I'm not in the mood.
49:01I don't want to.
49:03Jesús.
49:06Stop, please.
49:07Don't you realize
49:09how much I've missed you?
49:11I'm not going to hurt you.
49:12I'm not going to hurt you.
49:13I just want...
49:14I just want you to love me a little.
49:15I don't want to.
49:16Stop.
49:18Stop.
49:20I love you.
49:21I love you.
49:24You're my wife.
49:26Don't you realize that?
49:33I love you madly.
49:34I love you madly.
49:53Do you think it's time
49:55for us to go back to normal?
49:57This is normal.
49:58You're in your place
49:59and I'm in mine.
50:00We'll never go back
50:01to that mirage we had.
50:03We had a great night
50:04with the guy from Fonsalida
50:05and we reached an agreement.
50:07We have to fuck.
50:08Do you know how hard it was
50:09for me to decide on this?
50:10This works like this.
50:11I already told you.
50:12Damn my luck, really.
50:14Does Jesús have anything to do
50:15with your sadness?
50:20To start with this business,
50:22I need to raise
50:23an amount of money
50:24that I don't have anymore
50:25and if I go to a bank
50:26like you did the other day,
50:27they're going to laugh at me.
50:28Speak clearly, Tassio.
50:29I need a loan
50:30as soon as possible.
50:31I know you're a man of God
50:32and between us
50:33there's nothing
50:34but spiritual feelings.
50:36Claudia, please.
50:37This is all crazy.
50:38Stop fooling yourself.
50:40I don't feel anything
50:41like what you feel.
50:43That girl,
50:44Sonsi Peralta,
50:46is one of her secret
50:47friends from Madrid.
50:49Let's finish this.
50:51Because my liver is telling me
50:53that for the project
50:54of our life,
50:55we have to get rid
50:56of the contacts
50:57that Gemma made in Madrid
50:58while she was with another man.