• 4 months ago
Transcript
00:00Wait.
00:03Whatever, okay.
00:05Guys.
00:07Our plan is working.
00:11Everything is in order.
00:12Thanks to your help.
00:15Except you, Mili.
00:17It's not just about London.
00:19If it was up to me, this necklace thing ruined Civan Korhan badly.
00:23You wait.
00:25I will reveal all the filth.
00:27I don't think you'll find anything about Civan, let me tell you that.
00:31In fact, even a sweet man can try, you know, in his own way.
00:35What is sweet?
00:36He says let's get up and go, let's sit down and continue.
00:39Diamond smuggling is okay.
00:41But there is no weapon and drug smuggling.
00:44I mean, maybe he's been involved in these things before, but he's not doing it right now.
00:49You're working with us to not go to jail, not Civan.
00:52Don't forget that, okay?
00:55Yes.
00:57Good.
00:58By the way, Hilal is still mad at you.
01:00Let her know.
01:03Your poisons blew me up, you see, Aunt Ayla?
01:06Oh, she's a sweet girl like honey.
01:08I think you'll figure it out, don't worry.
01:12You'll figure it out, you'll figure it out.
01:14Because we already got you in between because you're Hilal's friend.
01:17So if you can't figure it out...
01:20If I can't figure it out, yellow girl, if I can't figure it out.
01:22Huh, please.
01:23If you can't figure it out.
01:24If I can't figure it out.
01:25Huh, tell me.
01:26Go on.
01:27Ece.
01:28Can we go back to our plan now?
01:30Let your brain work, not your chin.
01:32Guys, listen to this.
01:36Now, we're a production company.
01:39We only have a movie to shoot in Tangola.
01:42I'm the producer.
01:48Ece, you're the lead actor.
01:50Ali, you're the director.
01:52Aunt, you're the screenwriter.
01:54We're going to the movie.
01:55We're just going to observe.
01:57How is the entrance and exit?
01:58Where is the security?
01:59Where are the cameras?
02:00How are people's behavior and habits?
02:02Keep your eyes open for all of them.
02:04Today, discovery.
02:05Tomorrow, operation.
02:06My hair is not falling, is it?
02:15Welcome.
02:16Let's go inside.
02:25What happened to my hair?
02:28You're not going to break your promise this time, are you?
02:31Of course.
02:32When did I break my promise to you?
02:35I'm blinking, but you can't see it.
02:37Anyway.
02:46Wow.
02:48Wow.
02:50This is the vision.
02:52Civan.
02:54This is the vision.
02:56It's great to see you grow up like this.
02:58Thank you.
02:59Come on, Hazar.
03:04Ms. Lena, Mr. Civan is in a meeting.
03:06With whom?
03:07Someone named Mr. Hazar came.
03:10I was going to give this to him.
03:11Can you take a photocopy?
03:12Sure.
03:13What's going on?
03:14We came to your place.
03:15Did we draw charisma, brother?
03:16What kind of face is this?
03:17For God's sake.
03:18No, Hazar.
03:19It's not like that.
03:20You know, we've never met in front of so many people.
03:23That's why we need to be careful.
03:30Hey.
03:32Hey.
03:34Hey.
03:36Hey.
03:38Hey.
03:39Hey.
03:40Hey.
03:41Hey.
03:42Hey.
03:44What's going on?
03:46What's going on, son?
03:50Where do you find these junkies?
03:57Aren't you a little late to be careful, brother?
04:01Huh?
04:04You're in trouble this time.
04:06Huh?
04:07The whole market is talking about your debt.
04:11I'll find a way, Hazar.
04:13Just like I did before.
04:14I'll find a way for this, too.
04:15Okay.
04:17Okay, Civan.
04:18Look, the doctor came to the patient's feet.
04:21Give my offer a try, huh?
04:24Look, we're in different parts of the same organization.
04:27You know that, too.
04:29I have nothing to do with guns and drugs.
04:32This much adrenaline will overwhelm me.
04:35It won't.
04:36It won't, Civan.
04:37You'll get used to it, I say.
04:40Okay.
04:45Young man.
04:46I guess you like to clean up.
04:48While Hazar has a dust cloth in his hand, get your dust out of there, huh?
04:51If you take out that gun, you'll point it out.
04:54And if you don't point it out, then you won't do anything wrong.
04:58Okay?
05:00Put it back.
05:01Put it...
05:02Put it back.
05:03Okay.
05:08New generation, bro.
05:10They're getting very excited.
05:13It's not clear what they're going to do.
05:18Hazar, thank you so much.
05:21You came on such a difficult day.
05:22You reminded me of my situation.
05:23Thank you, Civan.
05:26Civan.
05:34My brother.
05:36Civan.
05:38Look.
05:39You're doing business with a lot of countries.
05:42We know where you put what.
05:45When it comes to my two or three containers of weapons, there's no room.
05:48I'm a smuggler.
05:49Okay?
05:51My father was a smuggler, too.
05:53Look, tell me a precious stone, tell me a mine.
05:56I'll take it from wherever you want, wherever you want.
05:58Deliver it as much as you want, wherever you want.
06:00Give it to me.
06:01My mind works on small things, Hazar.
06:03But the ship you need, the truck, the container.
06:06They're more than enough for me.
06:07Civan.
06:08The guys I work with have been caught.
06:10I have to deliver this by next week.
06:14I can't do anything.
06:15I'm sorry.
06:17Okay, brother.
06:19Look, don't say no.
06:21The day will come, the conditions will change.
06:24You will come to our door...
06:25Hazar, I know.
06:26I know.
06:27I know that just as our door is always open to you,
06:30your door is always open to me.
06:32I know.
06:35So be it.
06:41I wrote it aside.
06:45So be it.
06:56So be it.
07:14As we said, Mr. Zumba.
07:15Your geography is something for our film, Kaftan.
07:19Yes.
07:20I knew that one day our barren lands would be understood.
07:24I think that day is today.
07:26By the way, our traditional food is being cooked upstairs.
07:29Would you like to try it?
07:31No, no.
07:32Let's not take up any more of your time.
07:34Excuse us.
07:37Mr. Ali, you're the manager, right?
07:41What was your surname again?
07:46Ali...
07:48Bilge Ceylan.
07:49You must have heard.
07:50Ali Bilge Ceylan.
07:54Ali Bilge Ceylan.
07:56Bilge Ceylan.
07:58Anyway.
07:59Which films did you shoot?
08:01Now, you don't know Turkish films, of course.
08:04How can that be?
08:06My special interest is Turkish cinema.
08:09My God.
08:11What do you mean?
08:12Is that so?
08:14It's so beautiful.
08:15Wow.
08:17It's a coincidence.
08:18Our consulate is, as you know, very quiet.
08:21Look.
08:22No one is coming to get a visa.
08:24So I started a high-level license on Turkish cinema.
08:34Bravo to you.
08:35Really.
08:38What did I shoot?
08:40What didn't you shoot?
08:42For example,
08:44Selvi Boylum
08:47Ak Yazmalım.
08:48Even the accent changed when I shot it.
08:51Ak, but Ak.
08:52Ak Yazmalım.
08:54Selvi Boylum.
08:56I thought it was Al Yazmalım.
08:59Anyway.
09:00Sorry for my poor Turkish.
09:02But,
09:03wasn't this film shot in 1977?
09:08This is the reinterpretation of the original.
09:11Interpretation.
09:12A new interpretation, yes.
09:15Ilyas is an astronaut instead of a truck driver.
09:19He's my partner.
09:20He's a very good astronaut, isn't he?
09:25Isn't he?
09:27I think you're the scriptwriter.
09:29Yes, yes.
09:30I'm starting from my own personal life, my memories.
09:36Have you ever been to Tangola?
09:38Dozens of times.
09:40But in my dreams, of course.
09:42Okay.
09:43Now,
09:44I don't know, do you know?
09:46The name of our beautiful country
09:48is remembered by the diamond smuggling.
09:50Oh, oh.
09:51Oh, oh.
09:53The film has nothing to do with this subject, does it?
09:57No, no.
09:58No.
09:59No.
10:00No way.
10:01Never.
10:02Never.
10:03It's not possible.
10:04I've never heard of it in my life.
10:05I'm an actress.
10:06I read a lot.
10:07I know everything.
10:08Yes.
10:09Our film is a period film.
10:11It takes place in the era of Cilalıtaş.
10:14But our scriptwriter...
10:17He's already starting from his own life.
10:20Yes, from his own life.
10:22The era of Cilalıtaş.
10:24Thank you, dear producer.
10:27He always likes to complete me.
10:29Thank you.
10:30It's really interesting.
10:33This diamond smuggling is our private blood.
10:37Mr. Firuz will come here to meet us
10:41about the smuggling issue
10:43in order to avoid our unfair reputation.
10:50Mr. Firuz?
10:51He will come here.
10:52Your Firuz...
10:53I mean...
10:55He will be here soon.
10:56So we don't have much time.
10:59Here?
11:00Yes.
11:01Then let's leave.
11:02Excuse us.
11:03We have to leave.
11:04Let's leave.
11:05Because I got an inspiration.
11:07I have to go and write.
11:08Our scriptwriter writes very well.
11:14Let's not leave without tasting the food.
11:20You mentioned Tangola's food.
11:23It would be very wrong to leave without tasting Tangola's food.
11:28It would be a shame.
11:29I love to eat.
11:32I want to try it.
11:34Let's go upstairs.
11:35Let's go.
11:36Let's go.
11:37Let's taste it.
11:38As you wish.
11:39Let's taste the food.
11:40Thank you very much.
11:41Thank you very much.
11:42Thank you.
11:43Then let's fill our stomachs.
11:44I'm very hungry, by the way.
11:47Would you like to take this?
11:48Mmm.
11:49Put the sauce of the pineapple.
11:50Put that too.
11:51I didn't eat that.
11:52Mmm.
11:54It's incredibly delicious.
11:57Which sauce do you use?
11:59Mmm.
12:00Put that.
12:01I didn't put that.
12:02I didn't put that either.
12:03It's incredibly delicious.
12:06Which sauce do you use?
12:08Mmm.
12:09She's so hungry.
12:10She took everything she found.
12:11But...
12:14It's so crispy.
12:15I have to eat one more.
12:21The chief is entering the building.
12:22We have to go.
12:23Quick.
12:24Ece.
12:25We have to leave the chief's place.
12:27Try not to leave until I tell you.
12:29Okay?
12:30Okay.
12:31Thank you.
12:32Thank you, sir.
12:33Thank you.
12:37It's interesting, good.
12:38What's this?
12:40Seed.
12:59Sir.
13:00Can I get some more seeds?
13:05Mr. Onur!
13:10I couldn't say goodbye.
13:12But when I said filmmakers,
13:14Mr. Firuz wanted to meet you too.
13:19Here are the filmmakers.
13:31Nice to meet you, Mr. Firuz.
13:34Me too, me too.
13:42So you're filmmakers, huh?
13:45Yes.
13:47We're going to make a film in Tangola.
13:50Is that so?
13:52How nice, how nice.
13:55I'd be very happy if I could help.
13:58I'd be very happy if I could help.
14:01Thank you.
14:05Mr. Onur!
14:08Can you tell me a little bit about your film?
14:11Of course.
14:13Our film is from the gardens of heaven in Tangola.
14:23Actually, Ms. Ayla is our screenwriter.
14:25She knows a lot about the subject.
14:28Excuse me.
14:30Mr. Firuz.
14:31Mr. Rumba.
14:32It's not Rumba, it's Zumba.
14:34Ms. Ayla, can you give me more detailed information about the film?
14:38Ms. Ayla!
14:39What are you doing here?
14:42Mr. President, our Civan Koral may be working in Tangola.
14:46The connections in Turkey are over.
14:48Is it Tangola's turn?
14:51What's with that costume?
14:53Look, Mr. President.
14:56We...
14:59How am I going to...
15:04What are you doing?
15:05We have to go, Mr. President is here.
15:07No, wait.
15:08I ate everything there.
15:09I had to go.
15:10We can't go.
15:11I told you to stay inside.
15:12You said it.
15:13We can't go.
15:14I found the necklace.
15:15Look.
15:16Where is it?
15:17Necklace, necklace.
15:18I found the necklace.
15:24Take me on your back.
15:27There's no one.
15:28Don't look around.
15:29Okay, okay, okay.
15:37We're working with a lot of detail.
15:39That's why we came here in this costume.
15:44I didn't even eat one of what you said.
15:46You should know, Ayla.
15:47Okay?
15:49What are you doing here?
15:50What have you done so far?
15:52What are you going to do from now on?
15:54You're going to report to me every second.
15:58Okay, Mr. President.
16:00Let's see how long he can run.
16:03I'm going abroad today.
16:05When I come back, I'll be on top of you.
16:07On top of us, Mr. President.
16:09Come on, let's not get caught.
16:10Come on.
16:12This is interesting.
16:14I'm an interesting person.
16:15They usually call me interesting in the market.
16:18Come on.
16:19Wait a minute.
16:20You have to get up.
16:21Come on.
16:27Can't you reach it?
16:29Should I jump?
16:30No, don't jump.
16:31Don't jump, stop.
16:33Pull it.
16:38Come on.
16:43Someone's coming.
16:52Can you help me?
16:54My leg.
16:57Our actor hit his leg.
17:00It's a little sweet.
17:01Women.
17:02My leg.
17:03It hurts so much.
17:04My leg.
17:06Thank you.
17:07Okay.
17:08You're welcome.
17:11We couldn't get it.
17:13We couldn't get the necklace.
17:22When?
17:30I'm so happy right now that I can kiss you.
17:46Don't say anything late.
17:48Should I download it now?
17:51Yes.
17:56Let's go.
18:17Yes.
18:22Honur, if you allow me, I have something to do.
18:29Ece.
18:33Look, I'm telling you not to do things without my knowledge.
18:35You're doing things without my knowledge.
18:38What would happen if you got caught with this?
18:41I would go to jail, Ece.
18:42None of us could save you if you went to jail.
18:46Why are you doing this to yourself?
18:48For you.
18:51For me?
18:59I mean, for you.
19:06I owe you this.
19:07Don't I? I owe you.
19:10Don't worry about me.
19:16You're crazy.
19:18Let's have a coffee with you before Honur returns to the organization.
19:22I could get some fresh air.
19:25Come on.
19:26Of course.
19:27Let's go inside.
19:36Handan.
19:38Do you know why Civan gathered us here?
19:41He must have found the thief and the necklace.
19:43He was going to give this good news himself.
19:46Cameramen are getting ready to sue us.
19:48What?
19:49What are you saying, son?
19:50It was obvious, son.
19:52Look, what are we going to do now?
19:54Are you serious?
19:55Isn't there a way?
19:57There must be a way to get rid of them.
19:59Murat, why don't you talk?
20:01Of course, I'll talk.
20:03Go talk.
20:04I couldn't do it.
20:05How are you going to do it?
20:06The only thing that will get rid of them is money.
20:09So we're going to sell a part of our property.
20:12Or the shares of the company.
20:13Korhan Mucevherat is a family business.
20:16And it will stay that way.
20:17You're right, mother.
20:19So I think it's better to sell a part of our property.
20:23Wait a minute.
20:24Of course there is a way.
20:25Right, mother?
20:26Yes.
20:27I already found it.
20:28I gave the necessary instructions.
20:30That's why I gathered you here.
20:32Brother, you don't interfere with management.
20:34Doesn't anyone consult his family before making a decision to sell?
20:37Hilal, if we had another option, I would have done it.
20:40The list is here.
20:41The land in Göcek, the factory building in Antalya.
20:44The boat in Kalamış.
20:45Look, the list is getting longer.
20:46Boat?
20:47Brother, if it's not a boat, I'm going to travel the world with it.
20:50Oh, I'm so sorry, Elif.
20:52We ruined your plans for the future.
20:54How can we do this to a Z generation?
20:56God damn us.
20:58Look, he doesn't sell the house in London, but he sells our summer house.
21:00Do you see?
21:03We inherited the building from your father in Antalya.
21:06We bought it with our first money.
21:08I won't let you sell it.
21:09Mother.
21:10Mother, please listen to me.
21:11Mother.
21:13Unbelievable woman.
21:15What are you doing?
21:16What are you doing?
21:17Do you think it's easy to make a decision?
21:20Brother, please listen to me.
21:22Please, brother.
21:23Look, I'm sorry.
21:24You give me a right.
21:25What are you doing?
21:26What are you doing?
21:28What are you going to do?
21:29Is that nonsense?
21:35Let's close it like this.
21:36Musti.
21:37Musti.
21:40Girl, are you crazy?
21:41Why are you afraid?
21:42You're calling us here.
21:43Okay, but what's going to happen to this door?
21:45It's stuck.
21:46I called the master.
21:47He says he'll come.
21:48He doesn't come.
21:49It's a shame to call another master.
21:50Honey, we couldn't meet outside.
21:51I told you I bought you a brooch.
21:58We'll sell it.
21:59Hazar trouble will fall off our necks in a few days.
22:01Good, good.
22:03But it's small.
22:04It's small.
22:05It will only last a few days.
22:06Then this guy will come after you again.
22:08What are we going to do?
22:09Okay, but what can I do?
22:10This was the only thing I could do.
22:11You used to work for Hazar.
22:13Now you're with these secret agents.
22:15What if Hazar finds out?
22:17What if Onur finds out?
22:19It doesn't fall off my neck in two minutes.
22:21Let me think properly.
22:23Honey, Onur won't kill you.
22:25But Hazar...
22:28Is he crazy?
22:29What is it?
22:30What is breaking the door?
22:31You broke my door.
22:32I can't stay at home.
22:33I can't sleep properly because I can't sleep.
22:34I can't think properly because I can't sleep.
22:36I can't plan because I can't think.
22:38After that, I can't handle your business.
22:40I can't find the money.
22:41That's right.
22:42Where did you really stay?
22:44I didn't stay at the hotel, of course.
22:47I stayed at Onur.
22:48She stayed at Onur.
22:50Yes.
22:54Well, that's great.
22:55When did he go and get the necklace?
22:57I don't understand.
22:59Me neither.
23:01One of his team members worked on his own.
23:03And Hazar couldn't eat.
23:04Are you aware of that?
23:06He's not one of us.
23:08I mean, he's not like us.
23:11He doesn't know the rules anyway.
23:12He doesn't fit in the palm of his hand.
23:14But he does what he does.
23:15He completes his duty.
23:16I mean, he doesn't waste your trust.
23:19Then he asked about his hairbrush.
23:21I told him.
23:24He said, let me do the DNA test.
23:26I said, okay.
23:27I said, okay.
23:29And it's better.
23:30After all, it comes out faster.
23:34And...
23:36I don't know.
23:37I liked it.
23:38I mean...
23:40I felt good about myself.
23:43It's kind of annoying.
23:46But on the other hand...
23:49You can trust.
23:51You feel safe around yourself.
23:54You feel comfortable.
23:55It's kind of weird.
23:59Wait, wait, wait.
24:01Did you tell Onur the biggest secret of your life?
24:07Do you feel anything for Onur?
24:11Onur.
24:13Do you feel anything for Ece?
24:15No, not at all.
24:17I'd rather die.
24:19You don't trust anyone in such a short time.
24:22She's different.
24:23She's different?
24:25She's different.
24:27I mean, not from us.
24:29Not from our team.
24:30Onur doesn't look like anyone around me.
24:33Yes, he doesn't.
24:35Because he's a cop.
24:36When he finds the opportunity, he'll put you in jail.
24:38As long as you're useful, he'll keep you.
24:40Then he'll throw you in jail, girl.
24:42The girl is a thief.
24:44First, she'll gain your trust.
24:46Then she'll sell the secrets about us to who knows who.
24:49Open your eyes, Ece. Open.
24:51Don't lose yourself.
24:53Aunt, don't you know me?
24:55I have a mission before anything else.
24:57What have I lost myself to?
24:59Musi, don't be crazy.
25:01It's like you don't know me.
25:03Even at night, I sleep with my eyes open.
25:05Okay.
25:06What will happen if Elif is your sister?
25:08What will happen? There's no change in the plan.
25:10You, me, Elif, Tası Tara, we'll get together and leave.
25:12The plan is the same. The three of us.
25:14Good.
25:15Will Onur allow it?
25:17Onur?
25:18Onur right now?
25:19What does Onur have to do with me?
25:21You keep saying Onur.
25:22Are you aware? You're obsessed with Onur.
25:24What Onur?
25:25Onur down, Onur up.
25:27Onur, Onur, Onur.
25:28I said.
25:29Pinch.
25:30Did it hurt?
25:37Good, good.
25:39Look, Onur.
25:40You're the boss of this team.
25:42He's your employee.
25:43If he finds out you're in contact with him...
25:46There's no such thing.
25:47I'm not saying there is.
25:48I'm telling you to be careful.
25:50Look, Onur.
25:51You've become very strange since this girl came.
25:53You're doing things you've never done.
25:58The DNA sample you gave me this morning...
26:00It has something to do with him, doesn't it?
26:04Nothing escapes you either.
26:06Yes, there is.
26:11Ece thinks Elif is her sister.
26:14The DNA samples of one Ece and one Elif I gave you.
26:16What else, Onur?
26:18Where did this come from?
26:19Tell me from the beginning.
26:21Aunt, I'll tell you.
26:22We're running late.
26:23I think we should talk in the organization.
26:24Eat this quickly.
26:25No, no, I won't eat.
26:26Come on, let's go.
26:27Come on.
26:32Wow.
26:33Do we have a house in Mersin?
26:36It's a house from your father's grandfather.
26:38It looks like it even has stuff.
26:41Oh, Civan.
26:43Did you see?
26:44All the furniture in London is staying with the gentleman.
26:46What happened to our summer house.
26:48I'm going crazy.
26:49Solve this, Murat.
26:50Selvi, you never go to that summer house.
26:53Mom, whether we go or not, that summer house is our summer house.
26:57I mean, Murat and I bought that summer house with our own money.
26:59Whether I go or not, I love my summer house.
27:02Look.
27:04Civan will sell unused places, apparently.
27:08He chose the method that would upset us the least.
27:11Here's the problem.
27:13What's the problem, Murat?
27:14Do we have other problems as if that's not enough?
27:17Mom, this is a temporary solution.
27:19Tell me.
27:20We're going to Batis.
27:22Cameramen's priceless necklace is missing.
27:25Televisions, newspapers, the internet.
27:28They're all going to write about us.
27:30You'll see.
27:31I read a news story this morning that Civan brother
27:34only stole the necklace for the interview.
27:36He even wrote that he could have stolen the necklace himself.
27:39What else?
27:41My son is going to be a thief.
27:43No way.
27:45It would have been better if he did.
27:48Mom, I'm sorry, but you have to be a little careful in this sector.
27:52It doesn't work like that.
27:54I mean, if this company is a family business,
27:56let's all take over the management.
27:58Let's solve this problem.
28:00What's your plan?
28:01Now, mom.
28:02Your eldest son is the brain of the family.
28:05He's number one in money management.
28:07He studied at the best university in the world.
28:10His friends run the country.
28:13But Civan, I don't know.
28:15He's very shopaholic.
28:17Closed market style.
28:18Can I tell you?
28:20But he speaks well.
28:22Selvi.
28:23If you talk a little more, I'll scream.
28:26For God's sake, don't.
28:27Mom, don't be sad.
28:29This is just the beginning.
28:32This money won't save us.
28:35If the cameramen get involved,
28:37they'll take our heads off.
28:39That's right.
28:40We're losing customers anyway.
28:42They don't answer their phones.
28:44I'm telling you.
28:45This is the end of Civan's rule.
28:47It's over.
28:48Selvi, I'm begging you.
28:50Look, I'm begging you, girl.
28:53Don't bother me anymore.
28:56And it's ridiculous to sell the boat on this list.
29:00Take it with the boat.
29:01Italy or Bodrum.
29:03It's huge.
29:04And we don't need to see each other that much.
29:07What did we do to you
29:09that you don't want to see us that much?
29:11You're falling apart the more I tell you to hug each other.
29:16Well, mom, pray that we don't break up in the end.
29:27We'll get these goods out of here right away.
29:29But look, we're doing everything by hand.
29:31They won't hear that we're selling.
29:33Then they'll realize I'm stuck.
29:35Okay, come on.
29:36I'm waiting for the news.
29:39Civan.
29:40Mom.
29:41What's happening to us, son?
29:43It'll pass, mom.
29:44I'm taking care of everything.
29:45Don't make me pass, Civan.
29:47Tell me what's going on.
29:50My queen, don't get involved in such things.
29:52We're taking out a few countries that we don't use.
29:55I don't understand what's going to be grown in this.
29:57Newspapers will be written.
29:58Customers will go.
29:59Mom, look, we're Turkey's biggest whaler company, right?
30:04Look, we have a lot of people talking behind our backs.
30:06We have a lot of jealous people.
30:07These are very natural things.
30:09I'm not the kid from yesterday.
30:10Don't worry, I'll take care of it.
30:11But look, don't hang your face.
30:13Don't hang your face.
30:15Let's see if you can handle this as simple as you say.
30:19This is a family business, Civan.
30:21If necessary, I know how to take care of it.
30:23Like in the old days.
30:25Mom, look.
30:26Don't regret me because I gave you all the authority.
30:30Don't regret.
30:33Don't.
30:45So the girl's problem is not theft.
30:47It's finding your brother.
30:49So he cleaned up the image of a thief in his eyes.
30:52Didn't you clean up a little bit?
30:54Not me.
30:55What do you think is important for Ece?
30:57Why?
30:58Because your weakness brings the end of all of us.
31:03I don't have a weakness for anyone.
31:06Okay?
31:07That's why I'm more afraid.
31:20This beauty.
31:25This rare piece.
31:29Have you been behind closed doors for years?
31:32Did they hide you?
31:36This is a gift for the moment.
31:38After a while, it will be returned to its owner.
31:41Where are you?
31:42Did you wonder where I was?
31:45I wish you looked.
31:46I'm not where I am.
31:47What am I doing?
31:51Why should I worry about you?
31:53I have a lot of important things to do.
31:55Okay.
31:57My heart.
32:03Civan is calling.
32:07Why is Civan calling you?
32:08How should I know?
32:09Answer it.
32:13Hello, Civan.
32:14Ece.
32:15Hi.
32:16I'm so confused.
32:18I wanted to hear the voice of the only person who is good to me.
32:22Where are you?
32:23Aren't you in a high place right now?
32:25Look around.
32:26Act as if you have a view.
32:27Take a deep breath.
32:29Will you eat fish with me tonight?
32:33What do you mean?
32:34Alone?
32:37Let's go to the restaurant.
32:39We can go to the restaurant.
32:41I can call the boat chef.
32:43Just come.
32:47There is no boat.
32:48I know that.
32:49There is definitely no boat.
32:52I'm not available.
32:53I'm a little busy.
32:54Which restaurant?
32:55There is a new place in Bebek.
32:57I went there recently.
32:58Their appetizers are great.
33:00I want you to taste their appetizers.
33:07I was very curious about their appetizers.
33:10I'll call you later.
33:13Can I call you later?
33:14Because I need to watch a program.
33:16I hope you are available.
33:18I really need to see you.
33:20Take a deep breath.
33:21Take it from your nose.
33:23Goodbye.
33:25No, you can't go.
33:26You'll break a pot.
33:27Okay.
33:30You will go.
33:36Use Civan's interest in you.
33:38Let's talk.
33:48Do I have the right to speak?
33:52No.
33:53Good.
33:56Okay.
33:57I will go to dinner with Civan.
33:59I will use his interest in me.
34:04I'll do it.
34:22I love you.
34:53Civan is busy.
34:58This door is not open to anyone.
35:00I'm sorry, Civan.
35:01Get out, Kadir.
35:03What?
35:04Don't do that.
35:05I didn't take those sales decisions for fun.
35:09If you don't understand me, this door is closed to you.
35:13I said we'll talk.
35:15Kadir, get out.
35:19You've been running this company alone for years.
35:21You say your salaries are low.
35:23We don't care.
35:24My salary is not low.
35:25It's not about money.
35:26You don't ask us anything.
35:28You don't talk to us.
35:29You don't tell us.
35:30Don't I tell you?
35:31How can I not tell you?
35:32Didn't I tell you?
35:33That's not telling.
35:34You informed us.
35:35Because you can't do anything without our signature.
35:38When we go to the newspapers tomorrow, we won't be able to find the information we need.
35:45Brother.
35:47Can you talk to Mr. Hazar?
35:51How do you know Mr. Hazar?
35:53I've been a listener.
35:55If we do something with these guys, we'll be fine.
35:58I have no idea what you're talking about.
36:01Their business is not like ours.
36:03Gun smuggling, drug smuggling, secret intelligence.
36:06There's all kinds of filth in these guys.
36:08Okay.
36:09We're not bad at smuggling.
36:11What does it matter if it's stone or something else?
36:14It's not something you've never done.
36:16That's what I'm saying.
36:18When you give your hand to these guys, you lose your arm.
36:21I used to say I'd do business with them.
36:23It took years to clean up.
36:24And it comes at every opportunity, you know?
36:26It comes at every opportunity.
36:27He doesn't give up.
36:28He's always at my door.
36:29He's checking.
36:32Fortunately, we have the power to refuse.
36:38Do you?
36:41Hilal, I'm not going to fall for these guys again.
36:45I don't think they intend to leave you.
36:47They seem very serious.
36:49Brother, think again.
36:51I mean, we're about to get into these things.
36:54At least let him sleep.
36:55I don't even know what you're really talking about.
36:58Don't talk about things you don't know.
37:01Don't comment.
37:02Okay?
37:06Get out.
37:09Get out!
37:10I'm leaving!
37:11Get out!
37:13Get out!
37:16I said get out!
37:29Uncle.
37:30Uncle.
37:31I'm done.
37:32I'm leaving.
37:33Aren't you leaving?
37:34Okay, you go.
37:35I'll close the store.
37:37Aspin.
37:39Oh.
37:41Sister Ayla.
37:42Still stubborn.
37:45Do you think he'll stay at night?
37:47He'll be caught everywhere.
37:49Oh.
37:50I thought you objected to us thinking.
37:58I'll convince him to go out.
38:02Phew.
38:09THE CREATIVE EDGE
38:17ONE YEAR LATER
38:24S ужас, Müfit, why you're still here?
38:27Onur out.
38:28Everyone is out.
38:29Actually, what are you doing?
38:32How many times a day are you coming to this store?
38:35Do I need your permission to come to my nephew's shop?
38:38Please leave. I'll clean up.
38:41What?
38:42What do you mean what?
38:43You.
38:45Yes, me.
38:46You hate cleaning.
38:51You don't forget anything.
38:55Unfortunately.
38:59Don't clean up tonight. I'll finish this.
39:06You used ointment.
39:08Your favorite.
39:12My memory is not bad.
39:18I'm working. Don't bother me.
39:21Oh, you old man.
39:23No, you'll come tomorrow anyway.
39:26What kind of stubbornness is this?
39:28And look, your waist will be held.
39:31Hey, did you hear me?
39:32I heard.
39:34See what you look like.
39:36Get out of here.
39:50Hello.
39:52What happened to our experiment?
39:56Can't we speed up?
40:00You're a lion.
40:02I'll bring you a pie.
40:04Okay, I'm waiting for you.
40:09Kadir.
40:11Increase the safety precautions.
40:15I don't know what Hazar is going to do.
40:17He threatened me.
40:19Let's take our precautions.
40:20Okay, Mr. Civan.
40:22Look at me.
40:23I said increase the safety precautions.
40:25Don't pile up guys like this.
40:27We're already going through a bad time.
40:29Don't let them feel threatened.
40:32There's a general tension.
40:34It's not the turn of the security concern.
40:36Bravo, Kadir.
40:38Bravo.
40:39We want you to show this success you've shown to solve the rules.
40:44Look at me.
40:45It was a trap, a camera, an electric wire, a panic room.
40:49Whatever comes to mind, increase the safety precautions.
40:53As you see fit.
40:54I mean, no one can reach us easily.
40:58Let's take our precautions.
40:59Come on, Kadir.
42:59A few days later.
43:23You.
43:25Me?
43:27Thief.
43:27I'm not a thief.
43:28I'm not a thief, I'm not a thief!
43:37You're on fire, son, you're on fire!
43:39Run, Melih, run!
43:58I feel my trap, I open my arms to the one I love with my heart, my light will shine like this.
44:10I took, I gave, I loved, I learned everything.
44:16What are you doing? I'm scared!
44:18Knock on the door, someone knocks on the door.
44:20You don't have a door!
44:22Right, you could've called from the door, then you might not have been available.
44:25That's fate.
44:29Come, sit down if you want.
44:36What happened to the door?
44:37It's broken.
44:38I broke it.
44:40I broke it.
44:41I couldn't find the key, I got mad, I took it, I broke the door. How?
44:44Don't you have a monkey?
44:46Do you think I'm a thief who walks around with a monkey all the time, gets into my house, gets into my head and does theft?
44:54I don't know that.
44:56By the way, why did you come?
44:59I wanted to check on you, see if everything was okay.
45:03What are you going to check on him?
45:05How much do I dress?
45:07What I wear, how I am, am I beautiful, how sexy am I?
45:12Did you come to check on these?
45:18Civan's interest in you is obvious.
45:20You don't have to question him.
45:22But yes, the more his interest in you increases, the faster it dissolves.
45:27If you're asking that.
45:31I'm going to ask you something. I'm curious.
45:36Go ahead.
45:39Doesn't this situation bother you at all?
45:42I mean, I'm going to get ready like this, I'm going to dress up, I'm going to go eat with Civan.
45:47To get a word out of him.
45:49Doesn't it bother you at all?
45:53Why should it bother you?
45:56After all, you are everyone's friend.