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00:00Oh
00:06The contador dynamic Julio Sunita
00:10Esa niña es mi hija, pero como se atreve a hacer algo así me hubiera gustado que mis abuelas me hubieran contado recetas
00:17Me tienes a mí para eso y para todo lo demás
00:21para ella siempre
00:23Ahora si puedo irme tranquila vas a hacerlo
00:28O de lo contrario voy a llamar a tu marido ahora mismo y le voy a contar lo que ha pasado entre nosotros hace un rato
00:34Así en resumen le he dicho que se va a casa con un senito rita la cantadora porque yo no un 2%
00:39cómo lo has conseguido
00:40se había plantado en un 5 un proyecto en el que andábamos trabajando antes de que muriera
00:46cuando lo veas sabrás de qué se trata es que eres lo único que me queda en este mundo
00:50yo no quiero verte sufrir
00:52Y mi hija y su madre
00:54Al final no hemos ido a pasear por el río
00:56Pero mañana iremos sin falta
00:58Bueno intentaré portarme muy bien
01:00para que también me des el desayuno
01:04Mañana te daré los billetes
01:06Algo que pueda hacer yo para solucionar esto
01:22Sueños de libertad
01:24Vivir de otra manera
01:26Alas para volar
01:28Adonde el alma quiera
01:30Sueños de libertad
01:32El corazón no espera
01:34Está pidiendo otra oportunidad
01:40Sueños de libertad
01:42Aunque el pasado duela
01:44Volver a comenzar
01:46Amar a quien yo quiera
01:48Y darles libertad
01:50Vivir sin miedo y sin mirar atrás
02:10Sueños de libertad
02:20Sueños de libertad
02:30No sé, ¿crees que voy bien para ir a visitar a unos clientes después del enterro?
02:36¿Vas a ir a trabajar después?
02:38¿Ah, sí?
02:40Perdona que no te lo he comentado
02:42Pero vaya que si tú me necesitas yo me puedo quedar a tu lado todo el día, ¿eh?
02:46Ve donde tengas que ir
02:51Cariño, yo sé que perder a una madre es de los momentos más difíciles por los que uno tiene que pasar
02:58Pero piensa que Mercedes se ha ido en paz
03:01Y que por lo menos ha podido vivir sus últimos momentos a tu lado
03:05Debes sacarla del sanatorio en cuanto empiece el brote de gripe
03:10Bueno, ahora ya no sirve de nada lamentarse por la decisión que tomamos
03:15La decisión la tomaste tú
03:21Pues sí, la tomé yo pensando en que era lo mejor para todos y utilizando el sentido común
03:26Pero bueno, si tú te sientes más tranquila contigo misma culpándome de todo pues oye, adelante
03:32Total, ya empiezo a estar acostumbrado
03:35Aunque sí creo que deberías aprovechar para hablar con don Agustín
03:38Seguro que él sabe darte las palabras de consuelo que a mí no me aceptas
03:43Prefiero que sea Mateo quien oficie la ceremonia
03:46Mateo, y lo dices ahora
03:51Pegoña, don Agustín lleva siendo el guía espiritual de esta familia desde hace muchos años
03:55Es de nuestra confianza
03:56Eso también me lo vas a negar
03:57Está bien, hablaré con él para comentarle tus deseos
04:08Cariño, ahora toca recordarla y estar agradecida por los momentos que pasaste
04:12Cariño, ahora toca recordarla y estar agradecida por los momentos que pasaste con ella
04:16Que fueron pocos, sí, pero intensos
04:19Y me alegro de haberte dado por lo menos eso
04:22Aunque solo tenga tu desprecio como respuesta
04:35Disculpa la espera
04:37A este abogado le encanta charlar y yo ya no sabía cómo cortarle
04:40¿Ha ido bien?
04:41Sí, ya hemos redactado un borrador para el contrato de distribución con Francia
04:46¿Tan deprisa?
04:47Sí, y me ha asegurado que Patricia Lambert va a hacer bien su trabajo
04:50Porque si quiere cobrar su comisión tendrá que demostrar que ha puesto todo su empeño
04:54Y acreditar con detalle todas las reuniones
04:58Yo es que no tengo ni idea de lo que me estás hablando, pero vaya
05:00Que eres una hacha en los negocios
05:04¿Te parece si paseamos un rato antes de volver a Toledo? Así te relajas
05:09Claro
05:11Me repatea que mi hermano se lleve todo el mérito de un trabajo que es compartido
05:16A Patricia la contacté yo
05:19Yo la traje
05:20Es muy injusto, no te voy a decir que no
05:23Y que encima se presente ante todos como el alma de la fábrica
05:26Como hizo con ese artículo de España Hoy
05:28Ya, ya, si es que leyéndolo parecía que había levantado la fábrica él ladrillo a ladrillo
05:32¿Y tu padre no dice nada?
05:34Mi padre anda todo el día templando gaitas
05:37Pero echo de menos un poco de contundencia defendiéndome
05:40Tampoco sabes lo que dice cuando están a solas
05:43Si se lo dice a escondidas no me sirve
05:45Me gustaría que alzase la voz delante de todos
05:49Pero ya sé que terreno piso
05:52No te entiendo
05:54Que este mundo no está hecho para las mujeres y menos el empresarial
05:58A veces creo que me dejan estar ahí porque creen que doy una nota de color entre tanto gris
06:01Pues sí, no te voy a decir que no
06:04Por suerte tengo a Isabel, me siento menos sola ahora
06:08¿Tu nueva secretaria?
06:20¿Se puede?
06:21Claro
06:34Puedes llorar, yo también he llorado
06:37Intento no hacerlo, lo que pasa es que estoy rota por dentro
06:43Porque voy a echar mucho de menos a mi mamá
06:47Lo sé, pero ella siempre estará aquí, contigo
06:53En este hueco entre el pecho y la espalda vive la gente que nos deja, en nuestro corazón
06:59Eso que dices es precioso, mi amor
07:02¿No te acuerdas de quien me lo enseñó?
07:05Tú, cuando me llevabas poquito tiempo en esta casa
07:09Una tarde, que vi una foto de mi madre entre unos cromos
07:16Y te lo dije con esas palabras
07:18Y me hiciste sentir un poquito mejor
07:22Tú también me has hecho sentir un poquito mejor
07:24Tú también me has hecho sentir un poquito mejor
07:29Qué suerte he tenido de encontrarte, Julia
07:31Suerte la mía, por convertirte en mi nueva mamá
07:43Julia, cariño, ve a cambiarte los zapatos y enseguida voy a buscarte
07:47Sí
07:54Tendrías que verla trabajar
07:56No es de las que se deja cegar por sus jefes, sino de las que planta cara
08:00Y creo que lo hará, dado el caso, si mi hermano...
08:05Pues me alegra que tengas a alguien que te apoye, ese Tercia
08:09No te importa mucho, ¿no?, lo que te estoy contando
08:11No, no, me importa, me importa si a ti te importa
08:14No, no, no, no, no, no, no, no, no, no, no
08:16No, no, no, no, no, no, no, no, no
08:18No, no, no, no, no, no, no, no
08:20No, no, no, no, no, no
08:22Si a ti te importa
08:24¿Pero?
08:26Pero me da la sensación de que le das mucha importancia a la empresa
08:32Anda, suelta ese reproche
08:35No, Marta, sí yo entiendo perfectamente que te preocupe tu trabajo
08:39Pero la vida es lo que hay cuando sales de él
08:42Nosotras, nuestras escapadas, nuestros momentitos a solas
08:45para mí eso es la vida
08:48Noches como las de ayer
08:50And I know it.
08:54If I wake up every day with a smile,
08:57it's because I know I'm going to be with you.
09:00Otherwise, right now, I could give up everything, except you.
09:06And we should go back if I want to arrive on time for Mercedes' funeral.
09:10I'll leave you in La Colonia before I go home.
09:16Thank you for your understanding, Mr. Agustín.
09:19On his behalf.
09:22Of course. And thank you for everything.
09:35What did Mr. Agustín say?
09:37He's been understanding,
09:39although I imagine he found it offensive to leave him out.
09:43But if Begoña prefers Mateo, then so be it.
09:46Mateo is fine.
09:48The only thing that matters is that Begoña has a good time.
09:52I'll talk to Mr. Agustín to calm her down.
09:55I'm sorry, but there's something we haven't discussed that should worry us.
09:59What is it?
10:00It won't be dangerous to keep an eye on the body.
10:02I say that because the flu is very contagious and...
10:04The coffin has been sealed for safety,
10:06but if you prefer to stay at home, we'll understand, Maria.
10:10Why are you going to stay at home?
10:12Don't you feel well?
10:14No, I was asking about the risk of contagion.
10:16But your brother told me that it doesn't exist.
10:18So, of course, I'll go with Begoña in these hard times.
10:23How is she?
10:25Her mother just died. I think you can get an idea, right?
10:29When my father died, she was so angry that she wanted everything to end as soon as possible.
10:34Feeling accompanied is vital to get through this.
10:37And not so much today, but...
10:39from tomorrow, when she has to go back to her routine.
10:43Yes, that's when you can feel the absence.
10:45Speaking of absence, where is your sister?
10:48She's in Madrid with the lawyer,
10:50signing the contract with Lambert.
10:52She'll go straight to the cemetery.
10:56I'm going to go up again to see what the hell is going on.
10:58We're going to be late.
11:09Daughter.
11:11I accompany you to the feeling.
11:13What has happened has been a terrible misfortune.
11:18A lot of courage.
11:19You know you have me here for what you need.
11:22Thank you.
11:29I don't even know what to tell you.
11:31Not much to say at times like this.
11:33Well, at least you could say goodbye to her before she left.
11:37We didn't have time to say many things.
11:41But I know that even if she died,
11:43I will always have her present.
11:46I'm very sorry, Begoña.
11:48We should get going. We're very late.
11:51Let's go.
12:00Let's go.
12:02Yes, let's go.
12:11Good morning.
12:12Good morning.
12:13What a surprise to see you here.
12:15Yes, I was going to officiate an intimate ceremony
12:17and it seems that there has been a small change of plans,
12:20so I said, I'm going to visit this girl.
12:22With this girl, I guess you mean me.
12:25You guess right.
12:26I imagine that he sends my mother.
12:28And if so, I ask him that when I call her,
12:30I also imagine that he will call her,
12:32tell her that I still think the same.
12:35It is normal for children to want to know
12:38It is normal for children to want to take a path
12:40beyond that dictated by the parents
12:42and that the parents only try to guide their children
12:45so that they do not stumble.
12:47And now comes when he is going to tell me
12:49that my mother only wants the best for me,
12:51just like you.
12:52I have been lacking a little humility in you, Claudia.
12:56I'm sorry.
12:58Your mother, on the one hand, and I, on the other,
13:00we have tried to help you so that you can rekindle your life.
13:07Look at yourself, for God's sake.
13:09What's wrong?
13:10That you can already guess the forms of sin in you.
13:15A lot?
13:17Enough to worry.
13:19And a lot.
13:20Your wrinkles, your roundness,
13:22the urgency of your taste.
13:25Very soon you will not be able to contain the talk
13:28and you know what they are going to say, right?
13:31Well, if I don't know, you're already here
13:33to remind me from time to time.
13:34You can't get an idea of how cruel it is
13:36for people to make a mistake like yours.
13:39Well, I'll make up for it with the consequences.
13:41You are so irresponsible that you don't even know what you are saying.
13:44Claudia, you still have time to find a way out,
13:46worthy of you, especially for your son.
13:48You have to get together with that boy.
13:50I'm not going to get together with that boy,
13:51with Joselito, because I don't love him.
13:54And you don't want anything with that boy
13:56because you have already cast an eye on another one, maybe?
14:01Well, of course not.
14:02No, no, no.
14:03I'm not going to marry that boy because I'm not in love with him.
14:06Nor am I going to give my son to any Christian marriage,
14:09as you and my mother propose that I do.
14:12Look, I've already decided to raise my son alone.
14:15Because at the moment I have work to do
14:17and strength to raise him.
14:20If the job lasts a long time.
14:22Because you think that Mrs. Marta will keep you independent
14:25when she finds out the truth?
14:26Well, of course.
14:27Mrs. Marta will know how to understand it.
14:30Mrs. Marta will not want anyone to stain the store's good name
14:33and she will have to fire you.
14:36Well, if that's the case, I'll find another job.
14:38And do you think someone will hire you being a single mother?
14:40With your son running around while you work?
14:44Oh, heartless soul.
14:47I can see that you are one of those who have to suffer things
14:50in their own flesh to realize it.
14:53Yourself, daughter.
14:54Yourself.
14:59Yourself.
15:06Tassio.
15:07Yes, I am calling.
15:08This is Inigo, the new reinforcement for the warehouse.
15:10Phenomenal. Here all hands are few.
15:12A pleasure, I'm Tassio.
15:13Enchanted.
15:14Explain to him how we do things around here
15:16and don't be confused, he's not a newbie.
15:18He comes from textiles market.
15:19Well, there they say they pay well.
15:21Yes, I could not complain, really.
15:23So, why did you leave?
15:24Well, you'll be friends at lunchtime.
15:26Get to work.
15:27I'll see what later.
15:28I'll take care of it.
15:32You're telling me why you left the best factory in Madrid
15:35to come to Toledo.
15:36When something happens, nothing happens.
15:37I prefer it to happen too much.
15:39In Madrid, there's a lot of noise, a lot of people,
15:41and a lot of single ex-girlfriends.
15:43Well, well, don't tell me anything else, then.
15:46Let's see.
15:48What does it touch?
15:49Packaging?
15:50Yes.
15:51Look, you have to pack everything
15:52and then take it to the cargo dock.
15:53But I'll explain.
15:55These are soaps,
15:56so it's a delicate product.
15:57The bottom of the boxes
15:58has to be made in the shape of an H,
16:00because of the weight.
16:02Well, here you go.
16:03Show me you're as good as Joaquín says.
16:28Are you deaf or what?
16:30I told you to make it in the shape of an H.
16:32Well, well,
16:33I don't think it's necessary to do it like that.
16:35Well, I'm telling you
16:36that you can break the boxes underneath.
16:38But they're soaps.
16:39I mean, they won't weigh that much.
16:40Well, do it as I tell you.
16:41Do me a favor.
16:43Look,
16:44let's see if we're done soon
16:45and I can drop by the square for a while.
16:47I hope to run into one of the shop assistants again.
16:50I've looked at one before and...
16:53And how was she?
16:55One of those who take out the IPO.
16:56Oh, yeah?
16:57Look, champ,
16:58be careful with what you do
16:59because my wife works at the shop.
17:01Oh, yeah?
17:02And what's your wife like?
17:03One of those who take out the IPO.
17:06Got it.
17:07The shop, private quota.
17:10Keep working
17:11and don't be in such a hurry to finish.
17:12Come on, let's go.
17:27Watch the tone, Perico,
17:28but you're not even here.
17:29To work?
17:30And to listen too, right?
17:31Look, I've been in this business for many years,
17:33so a little respect
17:34and start obeying what I tell you.
17:35Let's see, Tassio, no.
17:37You're as in charge here as I am,
17:39so stop telling me how to do things.
17:41All yours and all mine.
17:51What did you want, Mrs. Agustín?
17:52What do you want?
17:54Are you still upset about the pregnancy?
17:56My mother,
17:57who ate her head with the pregnancy, yes.
18:00She came to see how things were going.
18:02She says she's worried
18:03about the future of the child and mine.
18:06Worried.
18:07Next time,
18:08make it very clear
18:09that you're not going to need anything,
18:11that's why Tassio and I are going to be here.
18:15What's wrong, you don't believe me?
18:17Yes, yes.
18:19Why do you put that face?
18:21Well, Carmen,
18:22because you and Tassio
18:23are not going to be able to avoid the rumors
18:25and that they repudiate me.
18:27The devil's healer,
18:28every time he opens his mouth,
18:29he covers himself with real glory.
18:30Yes, Carmen, but he's right.
18:32Think about it,
18:33there are people who will not understand
18:34that I want to raise my son alone.
18:36And that's another thing,
18:37that this is already noticeable, Carmen,
18:39that Agustin has noticed it
18:40and look how I wear the skirt.
18:48And the worst thing is that I don't know
18:49how to tell Mrs. Marta.
18:50How do I tell her, Carmen?
18:52Well, Mrs. Marta is much more modern
18:53than you think.
18:54Yes, modern until the rumors
18:56of the client start.
18:58Oh, Carmen, really,
18:59I think every day,
19:00the day I come here,
19:02and I would do everything differently, really.
19:06Well, we wouldn't be friends anyway,
19:07you and me.
19:09And now I would be comforting you
19:10with Raquelita and her friends.
19:13Are you laughing?
19:17Oh, Carmen, really,
19:18I don't know what I would do without you.
19:19Your father has thought
19:20that it was best
19:21that after church
19:22you didn't go to the cemetery
19:23and he has his reasons.
19:25He has insisted
19:26that I have to miss class
19:27as little as possible.
19:29That and that he has wanted to prevent
19:30you from having a bad time.
19:33Unfortunately,
19:34you will have a bad time someday,
19:36but the later the better.
19:38Do you think it hurts?
19:40What?
19:42To die.
19:46Look, Carmen,
19:48you just asked me
19:49a very difficult question.
19:52Heaven, nobody knows.
19:55But I want to think that no,
19:57because I wouldn't like
19:58that the people I love
20:00and who are no longer with me
20:03have suffered before their departure.
20:06Do you miss them?
20:08Because my mother
20:09has missed her a lot.
20:11And I, my life,
20:13every day.
20:15You have me.
20:16I have you.
20:21I have you.
20:23And you know,
20:25I agree with you.
20:27You are no longer a girl.
20:29You have become
20:30a beautiful little girl
20:32with whom you can talk
20:33about older things.
20:36Grandpa,
20:37how little you have taken.
20:38Yes,
20:39it was the quick thing.
20:41And Begoña?
20:43She has stayed
20:44a while longer in the cemetery.
20:45It was a shame
20:46to see her,
20:47the poor thing, so wounded.
20:49They had just reunited
20:51and they haven't had time
20:52for anything.
20:54That was the fault
20:55of the one who separated them
20:56for so many years.
20:57There is no right to do that to them.
20:59Julia,
21:00you should go
21:01to pick up your things
21:02to go to school.
21:03If you are in a hurry,
21:04you can take a break.
21:06Let's go together
21:07to prepare something
21:08for you to take, okay?
21:10Dina,
21:11I would like to talk
21:12to you for a moment.
21:14Julia, go to the kitchen.
21:15I'll go now.
21:19What's wrong?
21:22You haven't told me
21:23the word all day.
21:25Yesterday we told each other
21:26everything we had
21:27to tell each other.
21:29I refuse to accept
21:31that what we have
21:32ends like this.
21:34We have nothing, Damien.
21:37I know you don't feel
21:38what you say,
21:39which is the product
21:40of your anger.
21:41I can't take it anymore.
21:42Dina.
21:43Let me go, please.
21:44Yesterday you told me
21:45that you still loved me.
21:47Please.
21:48And love fades away
21:49overnight.
21:51We can't deny
21:52our feelings.
21:53But we can change them
21:55if they don't suit us.
21:58Your loyalty is killing me.
22:02Your lies are killing me.
22:05I'm sorry.
22:06I'm very sorry.
22:07And I will apologize
22:08every time I need to.
22:10But even if
22:11I could forgive you,
22:14I'll never forget
22:15what you've done to me.
22:17Yes, yes.
22:18If you loved me,
22:19you could forget it.
22:20But I don't want to.
22:22I don't want to forget
22:23the harm you've done to me.
22:25But, Dina...
22:27I don't trust you, Damien.
22:29I'm deeply disappointed,
22:31and that doesn't go back.
22:35I want to ask you a question.
22:37Tell me.
22:39Have you told Jesus
22:41that I know Julia is my granddaughter?
22:44And I beg you
22:45not to tell him.
22:47It's been hard for him
22:48to find out that Julia
22:49isn't his daughter,
22:50and to remove the issue.
22:52Don't worry.
22:54I'll remain silent,
22:55pretending,
22:58feeding off your lies.
23:12What are you doing here so early, son?
23:16I came to pay my respects
23:17to Begoña.
23:20How is she?
23:22She's not well.
23:25But if you want to do that,
23:26you'll have to wait
23:27for them to return from the cemetery.
23:30Very well.
23:31I'll come back after dinner.
23:33I'll make you a tartare right now.
23:36I've made tenderloin in salt.
23:37It's delicious.
23:38No.
23:40There's no need.
23:42I've already met the guys
23:43at the bathroom.
23:45What's he doing?
23:47Fausto.
23:48He's going to have another kid.
23:51I'm going to get
23:52the kid's backpack.
23:58I'm leaving too.
24:00I'm going to the factory.
24:04Joaquín,
24:05wait.
24:11I want to talk to you.
24:19You're here.
24:22I thought you'd go to the dispensary
24:23after the funeral.
24:25I've come to pick up these reports
24:26and I've stayed.
24:28So I'm keeping an eye on Begoña.
24:29Has he arrived?
24:31Yes, I'm going straight to his bedroom.
24:33I've seen him very affected.
24:35Too much emotional load.
24:37He's gone from being
24:38compassionate with his wound
24:39to this,
24:40and sometimes the body says enough.
24:42Too many emotions.
24:44And there are wounds
24:45that can't be sutured.
24:48No.
25:00You know,
25:01while we were burying Mercedes,
25:03I imagined my own funeral.
25:07Seriously?
25:09Totally.
25:11Who would be there?
25:13The response.
25:14What will the priest do?
25:15Who will cry for me?
25:16Or who will be happy
25:17to lose sight of me?
25:19No, that's not going to happen.
25:21Everyone would cry a lot
25:22because it would be a big loss.
25:24No, here the irreplaceable
25:25is you.
25:26You're the doctor.
25:27And I'm your friend.
25:29And a good and great friend
25:30of your friends.
25:33It's ridiculous
25:34that people are determined
25:35to live
25:36with their backs to death.
25:37But if we all know
25:38that one day we will have to.
25:42Don't laugh,
25:43I'm serious.
25:47Didn't you have to go to the factory?
25:50Yes, I should be going.
25:52Shall we go together?
25:54No, I'm going to stay
25:55to finish this.
25:58Jaime, I know you and...
26:01I know you're hiding something from me.
26:04Why do you say that?
26:08Is everything okay?
26:09Is something wrong with Luz?
26:11Yes, yes, yes.
26:12Everything's fine.
26:14And it's a blessing
26:15to be able to count on her
26:16also at work.
26:18Work.
26:21I think we both
26:22take it too seriously.
26:24Maybe we should enjoy
26:25a little more
26:26and enjoy what we have
26:28as much as we can.
26:31Are you talking about Fina?
26:33I thank her
26:34for being by her side.
26:36But sometimes I don't feel like it.
26:40I'd like more of her
26:41later on.
26:43You have all the time in the world
26:44to spend it together, Marta.
26:46Everything.
26:49I know I've told you a thousand times.
26:53But I'll never be able to pay you
26:54for what you've done for us.
26:56Well,
26:57don't worry.
26:58I wasn't going to charge you.
27:00I'm not joking.
27:03I mean it.
27:06We deserve to be happy
27:07as long as we're in this world.
27:12I'm leaving.
27:13See you later?
27:14Yes, at dinner time.
27:22Teresa,
27:23can you bring me some water,
27:24please?
27:32And how long
27:33are you going to keep this up?
27:34Until I feel like it, Mother.
27:37That's a very good answer
27:38for your mother.
27:40Forgive me, Mother.
27:44I just don't know
27:45what she wants me to do.
27:48There are things
27:49you can't forgive.
27:50Exactly.
27:51There are things
27:52you can't forgive.
27:54But this is not the case.
27:57Gemma is very sorry, son.
28:01I made a mistake.
28:03Yes.
28:05But don't give it any more importance.
28:08It is important to me.
28:11It made me feel like
28:13I wasn't up to the expectations.
28:17Again with the same song?
28:19Yes, Mother, yes.
28:20Yes.
28:21Again.
28:24Gemma approached that man
28:27and she fell for him.
28:30But she'd do it again
28:31with anyone else
28:32who promised her
28:34what I'm incapable of,
28:35not even touching
28:36with my fingertips.
28:38Jewels, restaurants,
28:40tickets for men...
28:41What your wife needs
28:43is a husband
28:44who shows her he loves her.
28:47That's what she needs.
28:50You don't see how she is.
28:52You don't see her face, son.
28:55She's learned, Joaquín.
28:58And she's realized
28:59that love
29:00doesn't show up
29:01with expensive gifts.
29:05Joaquín.
29:10You know what, Mother?
29:14It's not the first time
29:15we've distanced ourselves
29:16for this reason.
29:18And I don't think
29:19it's the last either.
29:23And I...
29:26I'm tired of trying
29:27over and over again.
29:31Go, Joaquín.
29:32Joaquín.
29:47Go.
29:52No.
29:56Daughter.
30:08You don't know
30:09you can't eat here.
30:13Done.
30:14Anyway,
30:15you know
30:16you'll be gone
30:17in 20 minutes,
30:18if you take longer.
30:19I'll meet you
30:20at Emiliado's.
30:22Well,
30:23I'll meet one.
30:25Don't worry,
30:26she's not from the store.
30:27Her name is Candela.
30:29I had to make an effort
30:30not to look at her
30:31because she
30:32caught my attention.
30:34I convinced her
30:35to go for a drink
30:36in Toledo.
30:37What's she up to?
30:38I wouldn't go that far
30:39because she's not
30:40like you think.
30:41She's not
30:42until she meets me
30:43and the guard comes down.
30:44And the guard
30:45comes down.
30:46You're so stupid.
30:47Poor you.
30:50What the hell
30:51did you do
30:52with the soaps?
30:53Well,
30:54we packed them.
30:55Are you kidding me?
30:56No.
30:57You should say
30:58you didn't pack them well
31:00because half of the boxes
31:01fell down
31:02because of the weight
31:03and all the merchandise
31:04fell to the floor.
31:05Luckily,
31:06there were some ropes
31:07at the dock
31:08and we were able
31:09to pack it all again.
31:10Even so,
31:11the trucks left late.
31:12Come on.
31:13What a first day.
31:14And you?
31:15You're doing this to me?
31:16Really?
31:17Focus, Etasio.
31:18Focus.
31:19Joaquin,
31:20I thought...
31:21He was just doing
31:22what I told him to.
31:25Very good.
31:26Explain yourself.
31:29Well,
31:30we saw
31:31we didn't have enough
31:32duct tape
31:33for the whole order
31:34so we decided
31:35to pack all the boxes
31:36we could
31:37even if we didn't have
31:38enough duct tape
31:39because some order
31:40could go wrong.
31:41Oh my God.
31:42This can't happen again.
31:44Another mistake like this,
31:45Etasio,
31:46and I'll hold you responsible.
31:48I give up.
31:49Me too,
31:50Mr. Joaquin.
31:51I'm glad.
31:53Get to work.
31:54Yes, yes.
32:04You saved my life, man.
32:08Look, Inigo,
32:09I may not have the guts
32:10but I have enough experience.
32:11So, please,
32:12next time,
32:13listen to what I say.
32:14Yes, but why did you do it?
32:15Why did you save my ass?
32:18Because...
32:19you remind me of someone
32:20who always got in trouble
32:21like you.
32:22And maybe it would have been good for him
32:24if someone else
32:25had helped him in time.
32:26Yeah.
32:28There won't be a second time.
32:29So, please,
32:30focus on doing your job right.
32:31Yes, yes.
32:32And be careful.
32:33I've learned my lesson.
32:34Starting tomorrow,
32:35H for good
32:36and L for bad.
32:37Correct.
32:42I'm sorry.
32:56Hot milk.
32:58As you like it.
32:59Thank you very much, Gaspar.
33:03I won't bother you anymore.
33:04Look at yourself.
33:05I'm sure
33:06you're thinking about
33:07a new genius, right?
33:10Another perfume?
33:12Can you bring me
33:13a mouthwash?
33:14Please.
33:15Got it.
33:16Confidential, right?
33:18Another soap?
33:20Mouthwash with cheese.
33:22Perfect.
33:23Joaquín.
33:24What's up, Gaspar?
33:25Man,
33:26finally.
33:28I've been waiting for you for a long time.
33:30Yeah, I've had
33:31a problem with an order
33:32and I came as soon as possible.
33:33What do you want to show me?
33:35It turns out that Mario
33:36has returned here.
33:38Mario?
33:39He hadn't returned to his house?
33:40That's right,
33:41but he came back because
33:42he wanted
33:45to give us this.
33:48What is it?
33:49Open it.
33:53The project he had in his hands
33:54with our father
33:56before he died.
34:00It seems they found
34:01an underground source
34:02of hot water.
34:05On this map
34:06you can see the exact location
34:07of the spring.
34:09There's a detailed plan
34:10to extract that water
34:11and turn those lands into...
34:15Into a swimming pool?
34:17That's it.
34:19They wanted to start a business together.
34:21If we listen to those documents,
34:22that's what it seems, right?
34:23Everything is detailed here.
34:25The volume of the business,
34:26possible expenses,
34:27needs, everything.
34:29They had everything very well studied.
34:31There's one thing I don't understand.
34:33Why give us this information
34:34right now?
34:36Mario
34:37thought that his father
34:38wanted us to have it.
34:40In addition to being very sure
34:41that something like this
34:43could change our lives.
34:50Can you escape for a while?
34:52Yes.
34:54Well, come on.
34:55Pick this up
34:56so we don't argue.
34:57What?
34:59Wait.
35:00Wait a minute.
35:02Joaquín!
35:04If during the journey
35:05the products suffer imperfections,
35:07these can be returned
35:08and discounted
35:09from the final price agreed.
35:11No.
35:14What's wrong?
35:16I don't think it's fair.
35:18How can I know
35:19if the products have been damaged
35:20during the itinerary
35:21or when they have reached
35:22their final destination?
35:23You have no choice
35:24but to trust
35:25Mrs. Lambert's word.
35:27In business,
35:28only the written word is valid.
35:30I learned that
35:31as soon as I entered this factory.
35:33I still remember
35:34a distributor
35:35who swore to me
35:36for his children
35:37that he would respect
35:38the agreement.
35:39And I trusted him.
35:41He swore to me.
35:42Never again.
35:45If my experience
35:46is useful to you...
35:47Please.
35:49It is a clause
35:50that I have seen a lot
35:51in export contracts
35:52and, honestly,
35:54I have never heard
35:55that there was abuse
35:56by anyone.
35:57I don't know.
35:59After the Pyrenees,
36:00things are done differently.
36:01They are very respectful
36:02with the rules.
36:04I see.
36:06But do you know
36:07what I would demand?
36:10Tell me.
36:11That the distributors
36:12would take care
36:13of the labeling in French.
36:15Costs, printing,
36:17although reserving
36:18the final supervision
36:19to you, of course.
36:20That would imply
36:21a reduction in costs.
36:22Indeed.
36:27But I didn't convince you.
36:28Yes, I love
36:29the idea of labels.
36:31What I'm also thinking
36:32is...
36:34not to force them
36:35to buy a percentage
36:36of our other products.
36:39What product are you talking about?
36:41The less known ones.
36:43You see, we offer them
36:44our star product
36:46on the condition
36:47that they add a pair
36:48with a worse outcome.
36:52I am fascinated
36:53by the ability
36:54they have to see beyond.
36:56To find other business paths
36:57where no one finds them.
37:00I have worked
37:01with very reputable entrepreneurs
37:02and I can assure you
37:03that you are far above
37:04many of them.
37:05Maybe that's the problem,
37:06that I'm not a very reputable
37:07entrepreneur
37:08because I'm not a man.
37:10It's twice as hard for me
37:11to show others
37:12what I'm worth.
37:14What am I going to tell you?
37:15I know that feeling, yes.
37:18Every time I get
37:19to a new job,
37:20I have to fight
37:22so that something more
37:23stands out from my CV
37:24than the photograph
37:25that adorns it.
37:27A photo that, on the other hand,
37:28you know, I have to decorate.
37:30Take off my glasses,
37:31my hair loose.
37:33I know where it goes.
37:35Exhausting.
37:36Yes.
37:39But at least here
37:40it has not cost me
37:41to be taken seriously.
37:43You have listened to me
37:44and you have valued
37:45my proposals.
37:47Isabel, I am sincerely glad
37:48about your incorporation
37:49to Perfumerías de la Reina
37:53and also to have someone
37:54with whom to be able
37:55to speak the same language.
37:57When I finish the day,
37:58I will start writing a report
37:59explaining these new proposals
38:00to the lawyer
38:01and Mrs. Lambert.
38:03If you think it's good, of course.
38:05What I don't think is good
38:06is that you do it
38:07outside of your work schedule.
38:08Well,
38:09it's not like I have
38:10a lot to do.
38:11Do you have any friends?
38:13Yes, of course.
38:15And from time to time
38:16we meet to go to Madrid
38:17to the theater,
38:19to look at the record shops
38:20and to take a walk
38:21through the bookstores.
38:23Do you like reading?
38:24I love it.
38:25Right now,
38:26I am with a book
38:27by Carmen Laforet
38:28that I am fascinated by.
38:29Yes.
38:31You know,
38:32I met Carmen Laforet
38:33a few years ago
38:34in a station in Barcelona.
38:36Really?
38:37And we started chatting
38:39and we didn't talk about books.
38:40In the end,
38:41she only had her mouth full
38:42talking about her children.
38:43How exciting!
38:44If you want,
38:45I can lend you the book
38:46because it's wonderful.
38:47I'd love to.
38:48I'll bring it to you tomorrow.
38:50A silver coin
38:51for your thoughts.
38:54Your mother
38:55used to say that a lot.
38:58It seems that today
38:59we are remembering a lot
39:00about those who are not here.
39:02Today, I am very aware
39:04of my son, Valentín.
39:06Aunt, come here.
39:08I am very aware
39:09of my son, Valentín.
39:11I am very aware
39:12of my son, Valentín.
39:14I am very aware
39:15of my son, Valentín.
39:16I am very aware
39:17of my son, Valentín.
39:18I am very aware
39:19of my son, Valentín.
39:20I am very aware
39:21of my son, Valentín.
39:22I am very aware
39:23of my son, Valentín.
39:24I am very aware
39:25of my son, Valentín.
39:26What was missing?
39:28She asked me
39:29for forgiveness
39:30for crying over her son.
39:31It is not only crying.
39:32It is not only crying.
39:34It's sadness.
39:41I think of Mercedes.
39:44At least,
39:45she has been able
39:46to leave this world
39:47of someone dear to you.
39:50No one deserves to be buried in a common grave.
39:54Aunt...
39:57Maybe it's a little hard for you to hear what I'm about to say.
40:02But I want you to know that what's in that common grave is just his body.
40:05No.
40:07I know, darling.
40:10I know.
40:13Andrés...
40:15I'll always be grateful to you for wanting to find him.
40:19And to your friend, too.
40:24It's a shame we didn't find him before he died.
40:31I felt that we were very close,
40:35very close to finding him.
40:40But what I receive is his deathbed.
40:45Did someone tell you that I was looking for him?
40:49No, I don't remember.
40:52Well, I told your father.
40:55But no one else in the family.
40:59Why do you ask me that?
41:01Out of curiosity.
41:05Well...
41:08I'm going to check on the food. I'm sure it's almost ready.
41:11Aunt...
41:12I owe you a lot of money.
41:16You owe me.
41:34According to the map,
41:36we should be there by now.
41:39At this point,
41:41about 200 meters deep,
41:43should be the thermal waters.
41:47Don't you think it's incredible
41:49that such an underground paradise has been here for so long
41:52and we didn't even notice?
41:54Well, at first glance,
41:55all I see is a place to hunt rabbits.
41:59Father had it very well thought out.
42:01Yes.
42:02The thermal waters,
42:04the lab,
42:05the annex hotel...
42:07It was a very ambitious project.
42:14I can't stop thinking
42:16what would have happened if Father hadn't died
42:18and the project could have materialized.
42:21Well, now you and I
42:23would be behind a solid oak desk
42:27asking for a table
42:28in the most luxurious restaurant in Toledo.
42:32No.
42:33I don't like that kind of life, Joaquín.
42:36You've never had it.
42:37But you'll have something
42:38if no one wants to give up on it, right?
42:42I don't see anyone
42:43wanting to count on Los de la Reina for the project.
42:46Of course not.
42:48Considering Mario's secretive approach.
43:00What are we going to do with this?
43:03Well, you might think it's a chimera, but...
43:07But what?
43:10I think we should follow our father's legacy.
43:14You're not serious.
43:17Why not?
43:20Joaquín, you're my brother, and you don't...
43:24I don't what?
43:25I don't.
43:26I'm not a man with initiative, am I?
43:29No, you're not.
43:30With determination.
43:31I'm not saying that.
43:32Then what are you saying?
43:35That I'm a perfumer.
43:37And you?
43:38Luis, I have a university degree.
43:42And I prepared myself very hard
43:43to take part in this company.
43:45And I would have done it
43:46if my father hadn't died.
43:49Listen to me.
43:51This is our chance to show
43:52that we're not only worth it
43:53to keep our promises.
43:56You've said it over and over again.
43:58That we must get our place back.
44:01Well...
44:04This is the way to do it.
44:12What doesn't convince you?
44:15No, I think we're complicating our lives.
44:17No, Luis.
44:20We're assuming what we really are.
44:22And what our father would have wanted for us.
44:25Are you serious?
44:26Yes.
44:27But I know you're reluctant
44:29because you're part
44:30of the company's management.
44:31But don't be fooled.
44:32The Queen's people will always rule.
44:36On the other hand, this, Luis...
44:40It would only be ours.
44:43So you're considering
44:44raising the spa?
44:47Yes.
44:48And you want to tell me
44:49how we would do it?
44:50Because I don't think
44:51we'd have enough savings
44:52to buy the land.
44:53We'd talk to the bank.
44:54For what?
44:55To ask for a loan
44:56and for them to cool our interests?
44:58We just have to negotiate with them.
45:01And it'll be easy
45:02as soon as they see
45:03the opportunity this business offers.
45:08I don't know, Joaquín.
45:10I don't think
45:11this will end well.
45:15We'll never know
45:16if we don't try.
45:28When my mother died,
45:29I was a child.
45:31And there you had me
45:32with the tie
45:33that tied me to my feet.
45:37Everyone accompanied me
45:38in my feelings
45:39and lamented my loss.
45:41I didn't understand anything.
45:44Not even the next day
45:45my mother wouldn't read
45:46the story to me
45:47at night.
45:51I didn't know
45:52what I was doing.
45:54I didn't know
45:55what I was doing.
45:56Poor thing.
45:59What would you like
46:00to hear, Begoña?
46:05That I'll be able
46:07to move forward
46:08after this attack.
46:14Of course you will.
46:21Right now
46:22I'm so confused
46:23that I have my doubts.
46:27My father's loss
46:28was very hard.
46:30It's been a year and a half
46:31and I still feel his absence.
46:35And now
46:36when I recover
46:37a lost mother,
46:41why did God
46:42have to take her away
46:43so quickly?
46:45Because the one up there
46:46is so cruel
46:48that I don't know
46:49what to do.
46:50And the one up there
46:51is so cruel
46:53is something I've been asking myself
46:54all my life.
46:57And I still don't have
46:58answers that convince me.
47:00But think that at least
47:01you were able to know
47:02the truth about who she was.
47:05To have close conversations
47:06with her.
47:08To give her hope
47:09in her last days.
47:11That was one of the last
47:12things he told me.
47:15But then you have
47:16to be happy.
47:18The truth is
47:19that it was a hard farewell
47:20but
47:22but very beautiful.
47:25It had a lightness
47:27that was scary.
47:30It's as if
47:31it had healed suddenly.
47:33She wanted to leave
47:34without leaving anything
47:35to the inkwell.
47:36That's what I think.
47:40On the other hand
47:43What about you?
47:45I wasn't honest with her.
47:46Why?
47:47I don't understand.
47:49I had to promise
47:50that I would be happy
47:52and that I would be proud
47:53of every day of my life
47:55and that I would feel
47:56proud, Andres.
47:58Of many things, Begoña.
48:00Of your job
48:01or the work
48:02you do with Julia.
48:04I gave myself to others
48:05so I wouldn't see reality.
48:08My husband is a man
48:09who doesn't give me
48:10what I need.
48:13And what do you need?
48:14A bit of warmth.
48:16Nothing else.
48:20A warmth
48:21that I only felt with you.
48:26Why don't we go to the mountains?
48:29To the place
48:30where we met
48:31for the first time.
48:32Let's go for a walk.
48:35Do you think
48:36I don't want to?
48:38There's nothing
48:39in the world
48:40that I want more.
48:41But we'd only hurt each other more.
48:44I know.
48:48I've always admired
48:49your ability
48:50to rationalize
48:51what you feel.
48:52It's hard for me
48:53to have a world.
48:55It's like trying
48:56to contain the flow
48:57of a broken ray.
49:00I have the feeling
49:01that I've controlled it
49:02but nature
49:04always goes over.
49:07Why don't we go
49:08to the mountains?
49:09I don't know.
49:11It's not easy for me
49:12to act like I don't know anything
49:15and live behind
49:16what my heart dictates.
49:18But we can't do
49:19anything else, Begoña.
49:23I have to make
49:24a lot of mistakes today.
49:29Begoña.
49:31Come here.
49:39Do you believe
49:40in life after death?
49:45Maybe I can be happy there.
50:09It's very cult.
50:10You know,
50:11books, concerts.
50:13I think we'll get along
50:14very well from now on.
50:15Really?
50:16Why don't you go to Madrid
50:17with her instead of me?
50:21But what happened?
50:24Andrés and Begoña
50:26hugged on the porch.
50:28You have to find
50:29a way to get
50:30the marriage annulment.
50:31Jesus would kill me.
50:33He was about to do it.
50:35I don't know.
50:36He was about to do it.
50:43Luis, Luis.
50:44We could go little by little.
50:46Besides, the Balnearios
50:47are not as popular
50:48as they used to be.
50:49And if they were in love
50:51and had a daughter in common,
50:53why would he kill her?
50:54I'm telling you,
50:55people will start talking.
50:56I'd rather tell everyone.
50:57No, no, Claudio.
50:58What are you saying?
50:59Are you crazy?
51:00Don't worry,
51:01I won't say anything.
51:02He received the death certificate
51:03from Valente.
51:04How is that possible?
51:05Why am I telling you
51:06I don't need to get anything?
51:07They're for this afternoon's game
51:08between Real Madrid
51:09and Osasuna.
51:10Andrés and Begoña
51:12on the porch
51:14hugging,
51:15about to kiss.