Sueños de Libertad - 109
Sueños de Libertad - 109
Transcript
00:30Conocerla
00:32No, no, no, no, no, no, no, mom, don't get upset!
00:39You are burning!
00:40Nurse!
00:41Well, in that case, my wife and I will be delighted to be with you
00:45and show you the jewels of our city.
00:47I was thinking of something a little more petite.
00:50How do you say in Spanish?
00:52Intimate?
00:54Yes
00:56What is that?
00:58What is that?
00:59I specify that the citizen of Spanish nationality, Mr. Valentin Merino Vazquez, died on March 26, last year in the city of...
01:06Help me, help me!
01:29Help me, help me!
01:59Help me, help me!
02:05Dreams of freedom
02:21Really? Great.
02:24I'll send it to your office so you can examine the ex-antema.
02:27Thank you, Urquijo. Thank you. I owe you one.
02:35I just hung up on Dr. Urquijo. After half an hour on the phone.
02:39It seems that he will be able to attend to Leonor tomorrow.
02:41That's great. Let's see if he can get the diagnosis.
02:44Yes, I'm sure he will.
02:46By the way, how did it go with Maria?
02:48Well, I wouldn't know.
02:51Is there a problem with her pregnancy?
02:53It's hard to know. It's like she doesn't want anyone to help her find out.
02:58Are you also afraid?
02:59Afraid? That's not the right word.
03:02She doesn't even want me to ask her four routine questions and she's completely defensive.
03:08Has she told you at least who's taking her to Madrid or has she given you her phone number?
03:11No, I've asked her, but she's gotten very nervous.
03:14That if she wasn't a girl, that if she wasn't a fool...
03:17Has she told you that?
03:18Yes, and then she's practically kicked me out of the house.
03:22Seriously?
03:23Yes. It's not normal for a first-timer to have that attitude.
03:28It's as if she wasn't excited about it.
03:31Do you think Andrés might have something to do with this?
03:34Andrés? Why?
03:38Well, I didn't tell you anything, but a few days ago he told me that he was in a bit of a hurry to have intimate relationships, being in his state.
03:46Well, those doubts are completely normal.
03:50Yes, but as much as to pretend to have a flu so as not to sleep with him.
03:54Did he do that?
03:55Yes.
03:56Well, I don't think Andrés has any problem respecting his time or his desires.
04:00No, I agree. In fact, that's what I told him. Talk to him and stop making things up.
04:05And how did he take it?
04:06I'd say he took it well, but I think he's still so upset about his pregnancy. I don't think he'll listen to me, I don't know.
04:12How strange everything is. Anyway, what a woman.
04:16Sorry, I was communicating. My mother.
04:19What's wrong?
04:20My mother has received bad news and she has fainted.
04:23Do you know if she has a pulse?
04:25Yes, but she doesn't react.
04:27Is she at home?
04:29I'm going there.
04:35Let's go.
04:36Jaime, do you mind if I go to see her?
04:38I'm practically her neighbor, she picks me up on the way.
04:41Yes, but...
04:43Do you prefer she does it?
04:45If you don't mind...
04:46I've had her before.
04:48Let me.
04:49Yes, yes, of course. Go ahead.
04:51Let's go.
04:53Let's go.
05:13Thank you very much, Mrs. Fermin.
05:15You will see that with the wonders that the chest brings, you reconquer your husband in a moment.
05:19I hope you're right, daughter.
05:21I assure you that your husband is worth the effort.
05:23Because there are every little gem out there.
05:27Don't say that.
05:28Well, goodbye, Carmen. See you later. Thank you very much.
05:37Can I ask you why that has come?
05:45This is what it comes to.
05:47What are you doing with the savings card in your hand?
05:49Did you leave it in the kitchen?
05:50Well, woman, I forgot to put it in the closet.
05:52Whatever it is, I'm going to tell you how extraordinary it is.
05:58Look, Carmencita, calm down, because all this has an explanation.
06:00Stop being Carmencita.
06:02And tell me it was for the entrance of my dream flat.
06:04It has been because, as it is not so, I tell you that you are going to miss the street to run.
06:08Carmen, I am not a nobody, okay?
06:10But who said you don't...
06:12Oh my God, this is not because of the conversation we had the other day, right?
06:15Of comparing you with your brothers.
06:17It's just that none of them is more than me.
06:19Let's see, who do I get to warm your head for?
06:22Carmen, I have the same right as them to want to be ambitious and buy me new and beautiful things.
06:26Nice favor that Don Damián has done to you at this point in life.
06:29Carmen, at least now I know where I come from and who I am.
06:36My dear, that man has taken you hunting and you have shot four times, he does not make you one of the queens.
06:42Well, you will say that.
06:43I say it and you said it, two parts of the radio.
06:46Look, Carmen, the only reality here is that the four of us are children of the same father.
06:50My life, listen to me well.
06:52You have not had the same education or the same life that your brothers have had, huh?
06:56Nor are you going to have it no matter how hard you try to spend everything we have on things.
07:01You don't see me at his level either, do you?
07:03Don't be silly, I don't need you to do it.
07:05I love you as you are.
07:06Yes, poor as a rat.
07:07Well, you will be poor, but you are also good, affectionate, intelligent, handsome.
07:15And a lot of other things that are not bought with money.
07:19How do I have to tell you?
07:20We don't need to feel rich because we already are.
07:24We love each other.
07:26And that is our greatest treasure.
07:28Look, Carmen, leave it because you don't understand anything.
07:31Well, explain it to me, my life, explain it to me.
07:32Well, no one is going to make me feel like a bastard, no one.
07:34Shut up!
07:36And you think that by spending all our savings on I don't know what, you're going to feel better?
07:40Well, yes.
07:41Because worse than I feel, I don't think I will be, Carmen.
07:45Let's see, what were you spending money on?
07:48Do you really want to know?
07:58The tension has dropped a bit.
08:00Your brother and Gemma have gone for the medicine, right?
08:02They should be about to arrive.
08:04They have gone to two pharmacies just in case.
08:06What happened?
08:08Life, that hits us in the heart, daughter.
08:11When they come back with the medicine, take two pills and you will feel that pain in the neck again.
08:16I don't like pills.
08:18I can take a pill or any other infusion.
08:21Ignace, the tachycardia is strong, the medicine is better.
08:25Then ask the person closest to you for help and lie down in the most comfortable place you can find.
08:30I say this because the worst of these faintings are the falls it causes.
08:34We have to avoid at all costs that the head is hit.
08:37Thank you, doctor.
08:38I will take care of it.
08:40When I notice a symptom, I will take the pill and look for a chair.
08:46The best thing is that the next few days you keep resting to avoid a new episode.
08:51I can't.
08:53I have a lot to do.
08:55In the big house there is an important meal.
08:58No, no, nothing of that, mother.
09:00Tere and Gemma are going to take care of everything.
09:02And besides, I'm going to call Uncle Damián right now to explain the situation to him.
09:05It is the most reasonable thing.
09:06I can't.
09:07I can't stand still.
09:09I have to keep my head busy.
09:11I have to forget.
09:12Digna, Digna, the most important thing now is to relax.
09:15I know it's difficult, but your health is asking for it.
09:18You have to take care of your health.
09:21What do you think if I accompany you to the room and you take a break?
09:29Very well.
09:32Thank you, doctor.
09:33Yes, ma'am.
09:35If you need me, you know where I am.
09:50Andrés.
09:51Son.
09:53Has Mrs. Lambert arrived yet?
09:55Not yet.
09:56They were waiting for her on Tuesday, Jesus.
09:58And what do you think?
10:00Do you think she will let herself be loved?
10:02She seems very intelligent and easy to make contacts.
10:05Especially contacts that are very productive.
10:08That's just what we need.
10:10And have you already thought about how you are going to approach the negotiation?
10:13Yes, Marta is the one who has contacted her.
10:16It should be the one who leads the singing voice.
10:18It seems good.
10:19Two women ahead of their time.
10:22I suppose it will be understood wonderfully.
10:24Yes, let's hope the one ahead of us is Jesus.
10:27As he always does when he senses that he can put a little medal.
10:29Andrés, let's have the party in peace.
10:31I don't want problems with your brother.
10:33Don't worry, father.
10:35You don't fight if you don't want to.
10:37And I'm not looking for problems.
10:39It's better for you.
10:41Either the three of you go at once,
10:43or all the efforts Marta has made to win that woman will have been in vain.
10:45And what about you?
10:47Me?
10:49I have a little to say.
10:51Your time has come and I hope you enjoy it.
10:53Patricia, go ahead, please.
10:55What a wonderful house, how welcoming.
10:57Thank you.
10:59Well, do you already know my brother Andrés?
11:01Welcome to our humble home.
11:03Thank you for the invitation.
11:05And he is my father, Don Damián de la Reina, the architect of all this.
11:08A pleasure to meet you.
11:10The pleasure is mine.
11:12Call me Patricia, please.
11:14As you wish, Patricia.
11:16I have already been informed that you have been visiting our facilities.
11:18That's right.
11:20His children and his nephew have been wonderful hosts.
11:23I have to tell you that I am very impressed with everything I have seen.
11:27You don't know how much I'm glad.
11:29I am very happy.
11:31I see that you defend yourself in French.
11:33A little bit, nothing more.
11:35When I was young, I read French poetry.
11:37Les sanglots longs des violons de l'automne
11:40blessent mon coeur d'une langue monotone.
11:43Paul Verlaine?
11:45Bravo, very good.
11:47Nothing, I messed it up a little bit, but now I hope,
11:49if God wants,
11:51to make a visit there
11:53and refresh my knowledge a little.
11:55If you do, do not hesitate to return the visit.
11:58Avec plaisir.
12:00Excuse me.
12:02I was putting the thing in the garage.
12:05Well, we are not all there,
12:07but those who are missing will not take long to come,
12:09so we can go to the living room.
12:11Thank you.
12:13Teresa, if you do me a favor,
12:15bring us the canapés,
12:17let's go chop something, I don't know.
12:19Well, what a fabulous house you have.
12:21It's impressive.
12:23Not to mention the garden.
12:25It is an absolute delight.
12:27It is more beautiful in nature
12:29than the photos I saw in a Spanish report today.
12:32Wow, I see that you have done your homework
12:34before coming to visit us.
12:36But think that flowers are the raw material
12:38of our fragrances,
12:40so we take care of them with as much care
12:42as our products.
12:44I have no doubt.
12:46Well, I would like to propose a toast
12:49to the health of our collaboration.
12:53Bravo.
12:54Cheers.
13:11Are you sure it's not serious?
13:13No, he just has to pay more attention
13:16to make sure he's not high
13:18and control his nerves.
13:20That's not going to be easy.
13:21I understand that it is because of the bad news
13:24you have received, right?
13:26We have received a letter
13:28with the death certificate of my brother Valentín.
13:30No.
13:32Poor woman.
13:34I am very sorry.
13:36I accompany you in the feeling.
13:38Thank you.
13:41We are very shocked.
13:44Especially my mother,
13:46with what it cost her to cross the page
13:48and do this.
13:49I am surprised that she has become like this.
13:53At least I hope that all this will serve
13:55to close this sad story
13:58for my family, forever.
14:05And how are you?
14:07Well, if I tell you the truth,
14:09I haven't had time.
14:11I'm taking care of my mother,
14:13especially because she is the one who suffers the most.
14:15But she is not the only one.
14:17No, it will also be hard for me, Luz.
14:19Of course.
14:21What happens is that
14:23I came to fantasize
14:25about the possibility of meeting my brother again.
14:28And now I have to assume
14:30that this will never happen.
14:33You don't know how sorry I am.
14:50I have to go back to the pantry.
14:52I have...
14:54I have patients waiting.
14:56Of course.
15:20Hello.
15:23I was told, Tere,
15:25that you asked for an infusion.
15:27Aren't you going to come down?
15:29We are waiting for you to eat.
15:31I'm not hungry.
15:33I just came from my mother's sanatorium
15:35and I just want to rest.
15:37I see.
15:39Well, let's do one thing.
15:41If you agree,
15:43take that fabric quietly
15:45and as soon as you finish,
15:47come down and join us, okay?
15:49Okay.
15:55I told you this morning.
15:57I told you it was an important lunch.
15:59Besides, we all need it.
16:01The whole family.
16:03Well, apologize to them, please.
16:05And what do you want me to tell them?
16:07Well, I don't know,
16:09that I don't want to infect them with the Asian flu, for example.
16:11Stop with those pamplins now.
16:13Those pamplins worried you a lot
16:15when I proposed to bring my mother home.
16:17Begoña, don't start.
16:19I told you this morning
16:21that you would take all possible precautions
16:23so as not to get infected.
16:25Yes, it's what I've done, Jesus,
16:27but I don't want to see anyone.
16:29Please respect my decision.
16:31Are you going to tell me once
16:33what's wrong with me?
16:35What's wrong with me
16:37is that since you walked in,
16:39you've only talked to me about that important meal
16:41and you've been unable to ask me
16:43not even once about my mother.
16:45You're right.
16:47Forgive me.
16:49Forgive me.
16:57How is Mercedes?
16:59Bad.
17:01Bad, she's very bad
17:03because the fever doesn't stop rising
17:05and I can't help but feel guilty
17:07because she's so sick.
17:09Well, stop torturing yourself over that
17:11because you did what you had to do,
17:13which was to ensure her well-being.
17:15Besides, you don't have a crystal ball
17:17to foresee that outbreak, do you?
17:20I still feel like such a bad daughter.
17:24Don't say that.
17:26Don't even joke about it.
17:29Come here, come on.
17:31Don't blame yourself too much, Jesus.
17:33I've taken precautions, but
17:35it's better to avoid risks.
17:39Well, don't think about that now.
17:41Look,
17:44you take that pill quietly
17:46and then, if you feel better,
17:47only if you feel better,
17:49go down to the dining room
17:51so Mrs. Lambert can meet you.
17:53My God, Jesus, don't give up.
17:55I wouldn't insist so much
17:57if it wasn't really important for the business.
17:59The business, the business, the business.
18:01I'm starting to get tired of that word.
18:03I think I've done enough for the damn business.
18:05I'm posing as a puppet for that report,
18:07don't you think?
18:09Yes, so that you don't look down on yourself too much,
18:11let's say.
18:12What?
18:13Well, I'm starting to get tired
18:15of you punishing me and punishing me.
18:17I can't look at the face of the person
18:19who did this to me every morning,
18:21the person who should love me to death.
18:23Do you really think I have to forgive you?
18:25Come in.
18:29Thank you, Terry.
18:31Leave it there, please.
18:39Get out if you want to.
18:48The famous Guajala made by Gaspar.
18:52With honey from Toledo, delicious.
18:54As you like, eh?
18:56Thank you very much, Gaspar.
18:58Have you eaten well?
19:00Much better than the omelette from the other day.
19:02Mom, please.
19:04Thank you for the service, may God reward you.
19:07If you don't mind, I prefer that you reward me.
19:12What's up?
19:13If you don't mind, I'd rather you pay for it.
19:17It's a joke, woman.
19:19It's the joke I always tell Don Agustín.
19:21I'm starting to laugh.
19:23Don Agustín won't like it.
19:25Tomorrow's the mass with Juan Felipe
19:27and I want you to be there.
19:29Mom, stop it. He doesn't have to see it.
19:31Besides, I'm sure he knows everything perfectly.
19:33I'll believe it when I see it.
19:35And I want to see you there.
19:37I'll try to escape to accompany you, yes.
19:39Yes, but it will change you, won't it?
19:41It will be a disaster.
19:43At least put on the Sunday suit.
19:45The only one I have, yes.
19:47Look, Gaspar, we'll be delighted to see you there.
19:49Come as you come.
19:51Delighted.
19:53Have you already prepared the reading?
19:55Yes.
19:57As soon as I finish this, I'm going to the store.
19:59No, no, wait a minute, I have to tell you something.
20:01What's up now?
20:03Your uncle Pepe.
20:05This weekend he's going to Matanzas.
20:07And I want you to come with me.
20:09No, I'm not going.
20:11Besides, I don't like Matanzas.
20:13I feel very sorry when they kill the poor pig.
20:15Well, look the other way.
20:17I just want you to accompany me and let me see the town.
20:19No, Mom.
20:21Wait a minute.
20:25Uncle Pepe's Matanzas.
20:27Where are Joselito and Joselito's family going?
20:29Come on.
20:31Well, look, that's good, isn't it?
20:33So between Morcon and Morcon,
20:35you resume contact.
20:37No, Mom.
20:39There's nothing to explain.
20:41You go there, you see Cone, you laugh.
20:43And then on Sunday night you go back to the neighborhood
20:45with your suitcase full of morcones and potatoes
20:47for all your companions.
20:49No, Mom, I'm not going to Matanzas.
20:51I don't like so much meat and so much viscera together.
20:53Much less in the United States where I am.
20:55I'm going to tell you where you are.
20:57You are alone, alone, alone like the moon.
20:59But from that Matanza
21:01you come out with your life arranged
21:03like my name is Ramona Romero.
21:05Good afternoon. Good afternoon, Father.
21:07Hello.
21:09Are you okay?
21:11Here, Mrs. Remilco, who organized a great plan
21:13for this weekend in Don Benito.
21:15And look, with a face.
21:17Come on, look, I'm looking for you.
21:19Me?
21:21Yes, because your colleagues told me to let you know
21:23because a car from Madrid has arrived
21:25and the store is full.
21:27Well, you didn't have the day off today.
21:29Come on, Mom, this is an emergency.
21:31Thank you very much for letting me know, Mateo.
21:33Well, I'll call your uncle and tell him we're two.
21:39Don't tell him we're three.
21:41Joselito doesn't even come close.
21:49Thank you.
21:51You're welcome.
21:53Excuse my father, he's having a call
21:55and he's taking up more than expected.
21:57Nothing, don't worry.
21:59During lunch he made it very clear to me
22:01and that's why we're here.
22:03To enjoy this delicious combination
22:05and talk about business.
22:07That's what I'm saying.
22:09What do you think, Daniel, as a woman?
22:11Do you see any possibilities of commercializing it in France?
22:15You're one of mine, you go to the point.
22:17Can I be honest with you?
22:19Please.
22:21This chest
22:23seems like a jewel to me.
22:25For its aesthetics, for its concept
22:27and also for its quality-price relationship.
22:29There you have the artifice of that jewel.
22:31Congratulations, Marta.
22:33Really, because you've been able to perfectly
22:35capture what women want today.
22:37It's not a luxury product,
22:39but it's a luxury product.
22:41I suppose you've spent hours and hours
22:43in the store
22:45trying to decipher
22:47what the customers demand.
22:49Without a doubt, that's the best market study.
22:51I'm sorry, Patricia, but you haven't answered me yet.
22:53Do you think it would have come out in France or not?
22:55You don't have to overwhelm our guest.
22:57No.
22:59Don't worry.
23:01Don't overwhelm me.
23:03Well, I honestly think
23:05it fits perfectly with the audience
23:07of L'Assegal Gimauve.
23:09That's good news.
23:11In fact, Marta, I'll tell you
23:13that your products are so powerful
23:15that with the right focus
23:17they could be sold very quickly
23:19in the stores of Peugeot and Lefebvre.
23:21The one of the Champs Elysees.
23:23Oh, darling.
23:25Let me introduce you
23:27to Mrs. Lambert.
23:29Patricia, Begoña.
23:31Nice to meet you.
23:33Likewise.
23:35I'm sorry I was absent during lunch,
23:37but I went to visit my mother
23:39and she was really exhausted.
23:41Nothing, you're more than welcome.
23:43How is your cold?
23:45I hope it gets better soon.
23:47Your husband has already put me on the current.
23:49Yes, I hope so too.
23:51Don't you mind that I have to go to work at the dispensary?
23:53Yes.
23:55With Jaime, Marta's husband?
23:57Yes, I'm a nurse.
23:59Well, it's impressive.
24:01Of course, Perfumerías de la Reina
24:03is a completely family business.
24:05Yes.
24:07We just need to put Maria,
24:09Andrés' wife, and we'll have the full house.
24:11That girl is adorable.
24:13But in her condition it's better
24:15that she doesn't work too much.
24:17Well, I'll let you enjoy
24:19the lovely dessert.
24:21Where were we?
24:23We were talking about the future success
24:25of Eneros de Mujer.
24:29Thank God you came to save me
24:31from the mess where my mother wanted to put me
24:33with Matanza.
24:35Do you think that's why?
24:37I don't know, maybe the woman wants you
24:39to spend the weekend together.
24:41She wants to mess with Joselito.
24:43If your orchestra has him, Mateo.
24:45My God, your manipulative mother
24:47didn't do that when you told me about her.
24:49Why do you think she's been the best seller
24:51of the shop for years?
24:53Well, if my parents are the same.
24:55Remember how my parents got along
24:57when I left the seminary.
24:59Others who dance like that.
25:01What I don't understand is why they don't
25:03let us take the course of our lives.
25:07Thank you very much, Mateo.
25:09Thank you for what?
25:11For always being by my side,
25:13helping me,
25:15and giving me good advice.
25:17Well,
25:19I don't know if I'm a good advisor.
25:21Why do you say that?
25:23It's just that sometimes
25:25I have the feeling
25:27that I don't know how to separate
25:29the man from the priest.
25:31Like when I told you
25:33not to move out of La Colonia.
25:35Sorry, did I say something
25:37that bothered you?
25:39No, no, no.
25:41It's just that...
25:43Well, my mother says that...
25:45What?
25:47That you and I...
25:49That you and I what?
25:51Well, that she doesn't understand
25:53that we're friends, Mateo.
25:55Because I'm a priest?
25:57No, because you're a good man.
25:59I don't care what she says.
26:01She can say Mass, come on.
26:03Well, leave that to me.
26:07Mateo, I really like
26:09being with you
26:11and talking about a lot of things.
26:13Although you can't help me
26:15with everything I'd like to,
26:17because there are things you have no idea about.
26:19What do you mean by that?
26:21Well, feelings, relationships...
26:23Wait, wait, wait.
26:25What makes you think
26:27I don't know anything about that?
26:29Being a priest doesn't mean
26:31you're a weirdo.
26:33So, before you became a priest,
26:35you were with someone?
26:37Well, there was something.
26:39But nothing serious.
26:41When I got the call from the High Priest,
26:43I took the women
26:45out of my head and my life.
26:49What do you mean?
26:51It wasn't that hard.
26:53You're lucky.
26:55Lucky for what?
26:59I don't know, Mateo, because I'm in love.
27:03But lately I've only seen toads,
27:05not princes.
27:07Well, maybe
27:09you're looking for
27:11the wrong puddle.
27:15I don't know.
27:17The thing is, I'm alone.
27:19How difficult is this
27:21between love and Mateo.
27:23Yes.
27:29Now, the next step
27:31would be to know
27:33what percentage you'd charge us
27:35for opening the doors to that success.
27:37My fees would be
27:395%
27:41of sales in France.
27:455%?
27:47That's a crazy number, don't you think?
27:49We had thought
27:51about a percentage
27:53of the company's profits.
27:55I see.
27:57I'm playing my reputation.
27:59Introducing a Spanish product
28:01in a very competitive market
28:03like the French one.
28:05I'm sorry, but my percentage
28:07is unprofitable.
28:09So what's all this about?
28:11That it's a magnificent product
28:13and that it would work?
28:15Because I really think so.
28:17On the contrary,
28:19I wouldn't want to represent you.
28:21Well, I'm sure
28:23that with a bit of goodwill,
28:25that percentage could be improved.
28:29I'm sorry, Marta,
28:31but this is my fee.
28:33We're sure
28:35that our products will succeed in France.
28:37We can value a sales percentage
28:39of, I don't know,
28:411 or 2,
28:43but not 5.
28:45I think you should
28:47ask yourselves a question.
28:49Who needs who more?
28:51You or me?
28:53Or you or me?
28:55You don't need to answer.
28:59And that's why you think you have the right
29:01to impose your conditions?
29:03Well, that's how the market works.
29:05And we understand that.
29:07It's just that right now
29:09we can't assume that amount.
29:11But if you were willing
29:13to make some kind of discount,
29:15Patricia,
29:17we would all win.
29:19I'm sorry, Marta,
29:21but 5% is my first and last offer.
29:25Well, another option would be
29:27to go to a closed commission,
29:29and I don't know,
29:31am I wrong?
29:33No, you're not wrong.
29:35It's not an option, not even 5%.
29:37Well,
29:39if it makes you feel better,
29:41Jesus,
29:43I'll tell you that even if we don't reach
29:45any agreement,
29:47this is the best dry martini
29:49I've had in a long time.
29:51Can you make me another one, please?
29:53Thank you.
29:55Can I have the same glass?
29:57Of course.
30:03So I don't have it.
30:05No, the test came out negative.
30:07It's a good thing that the Asian flu
30:09didn't enter the colony.
30:11Anyway, take care of that cold.
30:13This recipe is for a syrup.
30:15Drink it, it's for the cough.
30:17If it doesn't go away in a couple of days,
30:19come back here.
30:21Thank you very much, Doctor.
30:23You're welcome, and take care.
30:27How is Digna?
30:29Better.
30:31She has suffered a hypertensive crisis
30:33that has caused a syncope,
30:35but it is already established.
30:37Is she hypertensive?
30:39No, she has no antecedents.
30:41I think it was more of a nervous
30:43acute crisis.
30:47I didn't know she was so distressed.
30:49Let's say she's going through
30:51a difficult personal moment.
30:53I've recommended her
30:55to rest
30:57to avoid a new episode.
30:59Yes, it's the most convenient.
31:01Now let's see if she listens to me.
31:03Yes, well, I can remind her
31:05when I see her at home.
31:07On the way, I'll do the follow-up.
31:09I'll take care of it,
31:11there's no need.
31:13Luz, I don't understand
31:15why you insist on attending her.
31:17We are practically neighbors.
31:19Jaime, you know enough.
31:21Luis trusts me more.
31:23And it doesn't cost me anything.
31:25Luis?
31:27And it's a matter of trust, of course.
31:29Please,
31:31don't look for trouble.
31:33No, all I'm saying is that
31:35patience is worthy, isn't it Luis?
31:37Well,
31:39it's okay, it's okay.
31:41In any case, you know where I am
31:43in case you need anything.
31:45Thank you very much.
31:47That's just what I wanted to hear.
31:49Well, maybe you like what you hear now.
31:51I like it.
31:53I have a plan for tonight.
31:55Cinema and dinner,
31:57the light of the candles.
31:59What do you say?
32:01I'm so tired
32:03that I could fall asleep in the first scene.
32:05Well, we skip the cinema and go straight to the candles.
32:07And I promise you
32:09that I will do everything in my power
32:11to prevent you from falling asleep.
32:15I'm sorry,
32:17but I'd like to go to bed early today.
32:19Do you mind if we leave it for another day?
32:21No, of course not.
32:23Thank you.
32:45I went to read the letter.
32:47It seems
32:49I've had a strong rise in tension.
32:51Thank goodness
32:53Gemma and Luis were here.
32:55You don't know how I feel.
32:57Despite what he did,
32:59it's terrible news.
33:01The most terrible
33:03I can receive from a mother.
33:05I haven't told my children yet
33:07about us
33:09or about the wedding, you understand, right?
33:11Of course.
33:13Now, the only important thing
33:15is that you recover as soon as possible
33:17and we will take
33:19our plans
33:21as soon as you are better.
33:23Your understanding
33:25and your love
33:27do me a lot of good.
33:29For you,
33:31I would be able to separate the seas
33:33from the asphalt.
33:35I hope you don't come back to my house.
33:37Now it's also yours
33:39and I could take better care of you.
33:41No.
33:43But now I think I should stay here
33:45with my children
33:47and go through the pain with them.
33:49But what I want most
33:51is to live with you.
33:53I don't see the time.
33:57Damien,
34:01I didn't expect this blow
34:05and I need time
34:07to assimilate it.
34:09I will wait for you all the time it takes
34:11as you have done
34:13for so many years.
34:23Hi, mother.
34:25Hi, uncle.
34:27How is mother doing?
34:29Fine.
34:31Your uncle has come to keep me company.
34:33You shouldn't leave work
34:35to come and see me, son.
34:37I will come whenever I need to
34:39until I make sure they don't beat him up anymore.
34:41I wish that was the problem.
34:45Is it better if I keep this where I can't see it?
34:47Leave that where it was.
34:49Mother, the sooner we forget about this,
34:51the better for everything.
34:53Leave that where it was, I said.
34:59Come in.
35:05Can I come in?
35:07What do you want?
35:09With Mrs. Lambert's visit,
35:11I haven't had time to talk to you.
35:13I wanted to know
35:15how your mother is doing.
35:17She's not well, Andres.
35:19Her fever hasn't gone down
35:21and we can't transfer her
35:23to the hospital you found.
35:25You don't know how sorry I am.
35:29If you want,
35:31I can wait until you leave
35:33and we can go for a walk together.
35:35No.
35:37It's fine.
35:39Then,
35:41I won't bother you anymore.
35:43Wait.
35:49I'm sorry.
35:51I have no right
35:53to treat you like this.
35:55This morning, when I saw
35:57my mother so ill...
35:59Don't worry.
36:01You don't have to give me explanations.
36:03It's likely
36:05that this fever will take her away.
36:07And I keep thinking
36:09that she would be safe
36:11if I hadn't taken her back to the sanatorium.
36:13Begoña, stop thinking that.
36:15It's not true.
36:17Yes, it is. Jesus wanted her to leave and I listened to him.
36:19I'm as guilty as he is.
36:21Don't be so hard on yourself.
36:23Do what you can for her.
36:25Even risk your life going to see her.
36:29Please tell me if I can do something for you.
36:31Anything.
36:35Yes, there's something you can do.
36:39Get away from me.
36:43Don't you know how hard it is to have to say no?
36:45Not being able to have us.
36:49If we don't want to hurt each other anymore,
36:51it's better if we respect that space you asked me to leave.
36:55If I were the one proposing it,
36:57you wouldn't do it, Begoña.
36:59I don't know what I see you suffering like this.
37:01You understand, don't you?
37:05Please leave.
37:29I just met Andrés.
37:41Why does it have to be so hard?
37:45Begoña, calm down.
37:49This morning, when I saw my mother,
37:51I realized how fragile and vulnerable we are.
37:53She has lived her whole life locked up and alone.
37:55And I don't want the same thing to happen to me.
37:57You're not alone, woman.
37:59But I do live locked up in a house,
38:01with a man I'm afraid of
38:03and who is impossible to love.
38:05And on the other side of the corridor,
38:07I live the person I would like to spend the rest of my life with.
38:09Come here.
38:17I'm sorry.
38:19I'm sorry.
38:21I'm sorry.
38:29Do you think I can keep my sorrow
38:31like you wanted to do with that paper?
38:39But you're listening.
38:43Valentín doesn't deserve anyone to feel any sorrow for him.
38:45I'm going to pretend I didn't hear anything
38:47because I know you don't know
38:49what you're saying.
38:51I know it perfectly well.
38:53Joaquín, this is not the time.
38:57Son, I love you very much.
38:59And Luis too.
39:01But no one will erase
39:03what I wanted,
39:05loved and loved your brother
39:07despite what he did.
39:09And I hope that one day you'll be a father
39:11so you can understand me.
39:13I don't understand, mother.
39:15How can you love a murderer?
39:17He's done a lot of crazy things, yes.
39:19But he's dead.
39:23Son, what's the point
39:25of feeling so much
39:27resentment towards him?
39:29But how am I not going to feel resentment
39:31towards my brother?
39:33If because of what he did
39:35we are the way we are.
39:37If because of his fault we continue dragging
39:39the weight of shame
39:41all over the neighborhood, all over Toledo,
39:43in front of our cousins and our uncle.
39:45And if because of what he did
39:47we continue to live on the charity of those of the queen.
39:49I think you're going too far, Joaquín.
39:51Do I lie, uncle?
39:53I don't care what you think.
39:55I can't allow you to say that in front of your mother.
39:57And less in these moments.
39:59Don't be fooled.
40:01Valentín destroyed the two families.
40:03And no matter how much Malvas is raising now,
40:05I'm not going to forgive him in life
40:07for burying my mother alive.
40:11Well, I do hope you forgive him, son.
40:15I hope so.
40:19I brought him into the world.
40:21I did.
40:25And I'm going to cry for him.
40:27And I'm going to hold grudge against him.
40:29No matter who I hold grudge against.
40:33I'll go alone.
40:45I'll go alone.
40:47I'll go alone.
41:11He's a child and he takes money from our savings
41:13to spend it on a whim.
41:15But without telling you anything.
41:17Oh, look, Gaspar, I haven't said anything.
41:19These are private things.
41:21If private is a milk, Carmen,
41:23are you going to leave me now?
41:25Come on, unbutton.
41:27Well, nothing, I see the postcard
41:29and I see that there is an expense
41:31and I tell him what this is.
41:33And he tells me that in life you have to move forward
41:35and give yourself some luxuries.
41:37But where did he get that aristocrat vein?
41:39Well, I don't know, but you already know him.
41:41When he gets something in his head,
41:43what milk did he buy this time?
41:45A car, another motorcycle, because we know his tastes
41:47and his whims.
41:49Because he's like a child, come on.
41:51Well, the thing is that the whim is not so much for him
41:53as for me.
41:55Did he buy you a motorcycle?
41:57No, I'm stupefied.
41:59Every time we go through this store
42:01of home appliances of the Faculty of Business.
42:03Yes, yes, in that store there are very expensive things, Carmen.
42:05Well, a fridge, Gaspar.
42:07A fridge, the largest in the store.
42:09Can't you imagine?
42:11They have to go up to the floor.
42:13Well, they've had like some pulleys.
42:15All the neighbors there looking as I went up to the fridge
42:17as if it were that, the BFN.
42:19I applauded, they missed it.
42:21My God, what would I give for having a fridge like this
42:23in this canteen?
42:25Come on, I'll hug you with my kisses.
42:27No, no, no, no, it cost him a bit.
42:29On the contrary, he made a fuss of the 15th.
42:31I don't know what he thinks here, the marquis of I am nobody.
42:33What are you talking about, couple?
42:35Nothing, about time.
42:37Yes, yes, about time.
42:39What did he buy?
42:41What did he buy?
42:43What? Have you already filled the fridge with cider and claret?
42:45Well, the truth is yes.
42:47So we can invite your friends one day
42:49and we'll bring out the fridge.
42:51What do you think?
42:53You're not going to give it to me so easily, are you?
42:55Well, here there is a mess and here the Tate has a job.
43:01Look, Carmen, you're right.
43:03I'll give it back today because we can't spend so much money.
43:05Oh, no.
43:07In fact, that's it.
43:09No, Carmen, I know perfectly well
43:11that I'm going to get something fresh out of the fridge
43:13and you're going to be down all day.
43:15I just want you to be happy, nothing more.
43:17Well, maybe I'm a little more angry about the bill,
43:19but it's already happening to me.
43:21Really?
43:23Carmen, look, I know perfectly well
43:25that I should have told you before buying it.
43:27But I just want the best for you.
43:31But if I already have the best.
43:33A wonderful husband.
43:35Yes.
43:37And a piece of fridge
43:39that you're not even going to return.
43:41Well.
43:45Thank you, Mare Carmen.
43:51You're here.
43:53Mom.
43:55You're back.
43:57Yes, of course I'm back.
43:59I couldn't sleep. Do you know if you were better?
44:01Well, we can go now.
44:03Let's go.
44:05Help her.
44:07Where are we going?
44:09To our house.
44:15Mom, you...
44:17You live here?
44:19No.
44:21You and I have always been together.
44:25No, Mom, I...
44:27I live quite far from here.
44:29You came a few days ago.
44:31Do you remember?
44:33I want to leave.
44:37They want to poison me.
44:39Mom, please don't say that.
44:41Nobody wants to poison you.
44:43I was fine before.
44:45I walked in the garden.
44:47I saw the flowers from the window.
44:49And now, look how they have me.
44:51Mom.
44:53They have me so sick.
44:55That's not because they're poisoning you.
44:57That's because you have the flu.
44:59Who told you that?
45:01No, they're cheating on you.
45:03Take me home.
45:05Mom, that can't be.
45:07I can come and see you more often
45:09so you don't feel so alone.
45:11What do you think?
45:13They want to kill me.
45:15And you don't care.
45:19Mom, how can you say that?
45:21Please, yes.
45:23You're what I want most in this world.
45:25If you're not going to help me, get out.
45:27Mom, of course I'm going to help you.
45:29But you can't go anywhere like this.
45:31Get out of here.
45:33Mom, please calm down.
45:35You don't love me.
45:37You never loved me.
45:39Get out of here.
45:41Bad daughter.
45:43Get out of here.
45:45I don't want to see you in my life anymore.
45:47Get out.
45:49Get out of here.
45:51Bad sheep.
45:53Bad daughter.
45:55I don't want to see you anymore.
46:01Damián de la Reina, tell me.
46:03Fernando.
46:07Yes.
46:09The death certificate has arrived.
46:11Yes.
46:13Don't worry.
46:15You'll get your services generously.
46:17And one more thing.
46:19Don't call here in a while.
46:21This is a very delicate matter.
46:23Yes.
46:25We'll discuss it at another time.
46:27Goodbye.
46:29Who was it?
46:31Nobody.
46:33How are the negotiations with the French going?
46:35What a gem.
46:37A 5% of sales in France has asked us.
46:39And it doesn't go down from there.
46:41Is there anything we can do
46:43to get a more reasonable agreement?
46:45Ask Marta.
46:47The businesswoman of the year.
46:49She's the one who's going to lead the negotiations, right?
46:51Yes.
46:55What's wrong?
46:57Nothing.
47:01Dina has suffered a syncope because of me.
47:05What are you talking about?
47:09Father, stop being mysterious and tell me what's going on.
47:15Your brother has been asking for a few days
47:17about Valentín
47:19in Brazil.
47:21There you go again.
47:23I guess he didn't tell you anything, did he?
47:25Of course not.
47:29But since he saw that he couldn't get anything out of me,
47:33he went to Dina
47:35to see if she had any information.
47:39What kind of information?
47:41According to Dina,
47:43he wants to find Valentín
47:45to ask for explanations for what he has done
47:47and to give him the opportunity to apologize.
47:49And that's what Dina
47:51has heard from Celestial Music, of course.
47:53The prodigal son returns
47:55and asks for forgiveness on his knees.
47:57I don't think you're the best person
47:59to deal with sarcasm in this case.
48:01Why didn't you tell me?
48:03Because I knew how to solve the problem.
48:05Really?
48:07And how did you solve it, if I may ask?
48:11I called Fernando,
48:13Fernando Herrera, the notary, my friend.
48:15And I asked him to write
48:17a fake death certificate for Valentín
48:19and to send it
48:21supposedly from Brazil.
48:23And now that certificate
48:25has arrived at the house of the Merinos
48:27and hence my aunt Dina's syncope.
48:29Am I wrong?
48:31You're not wrong.
48:33The poor thing is devastated.
48:39Well, thank you for helping me again, Father.
48:41It's the only thing I can tell you right now.
48:45But what I don't understand is your displeasure.
48:47It was a masterful play.
48:49In a few weeks, when Dina
48:51assimilates the tragedy, you can
48:53give her flowers again or whatever.
48:55I'm not going to let you
48:57talk like that about your aunt,
48:59much less get involved in my life.
49:01I warned you.
49:07Good night.
49:09I asked her to marry me.
49:11And she said yes.
49:13What?
49:15But how did she do that nonsense?
49:17You call nonsense
49:19one of the best things
49:21that has happened to me in my life?
49:23Even better than knowing my mother?
49:27I confess my pain
49:29and the atrocities I'm doing for you.
49:31And I only receive from you
49:33gratitude and contempt.
49:35Don't let them torture you, Father. Don't do it.
49:37I'm not going to let you, Jesus.
49:39I don't know why I waste my time
49:41getting your chestnuts out of the fire,
49:43because sometimes you deserve to burn with them.
49:57Who is who?
49:59Tuftetra?
50:01It's Dr. González.
50:03González. What else?
50:05Well, you're Dr. Berenguer,
50:07Luz is Dr. Borrell,
50:09you don't give more surnames, do you?
50:11María, I'm not attacking you.
50:13Come on, and don't be surprised
50:15if you get the wedding invitation in a week.
50:17What wedding?
50:19Her wedding with Joselito,
50:21the lonely gold of the town.
50:23The poor baby is crying for her.
50:25Okay, I'm going there.
50:27My mother is worse.
50:29Finding an anonymous grave
50:31in a country of the extension of Brazil
50:33is almost impossible.
50:37And that's why I beg you discreetly.
50:39I need time to convince them
50:41that this is the best for the company.
50:43Discretion is something I practice
50:45both in business
50:47and in my private life.
50:49Wow.
50:51If in the end it will turn out
50:53that we understand each other in everything.