Sueños de libertad - 103

  • 3 ay önce
Sueños de libertad - 103
Döküm
00:00Oh
00:06You know what I want to know is who my father was.
00:09If you want to know the truth, I will tell you.
00:15What's wrong?
00:17I'm listening to my mother.
00:19My daughter.
00:21Mom.
00:22Oh my God, let your mother see you and touch you.
00:24But mom, what are you doing here?
00:26Luis has confirmed it to me.
00:28My father and he loved each other.
00:31He told me the whole story.
00:33Father, what game are you playing with my aunt?
00:35Whether I bring it or not, it's none of your business.
00:38You're no one to meddle in my private life.
00:41No, if I respect him, and a lot.
00:43That's why I want to warn him that he's making a mistake.
00:46Maybe you should go back to the cabin. It's traumatic, I know.
00:51Then don't.
00:52And if you're determined, I'll go with you.
00:58I love you.
01:28I love you.
01:58I love you.
02:08Here they are.
02:10Hold it, please.
02:21Thank you.
02:24You didn't remember her, did you?
02:28It's like we left her.
02:30You were mostly at the top.
02:35You exposed yourself a lot by helping me, Luz.
02:39I've never thanked you.
02:41Yes, you did.
02:42When you were dying.
02:45You would have done the same for me.
02:47You could have paid a lot for all this.
02:50And not just with your job.
02:53I'm glad to have you as a friend.
02:56Thank you.
03:26I'm sorry.
03:32If I hurt you again, I'm sorry.
03:35I can't do it.
03:36Andres.
03:40You can do it.
03:42I trust you.
03:45Let's go. Listen to me.
03:46No, no, no.
03:47Don't worry. I'm fine. I'm fine.
03:56I love you.
04:05They have to take you to a hospital.
04:07You're in danger of death and I won't let that happen.
04:09No, please.
04:11What do you want? For Julia to see you die?
04:18Are you okay?
04:20Not everything.
04:22Not everything, Luz.
04:24I can't breathe.
04:26My hands are shaking.
04:31Breathe. Slowly.
04:33I can't breathe.
04:35I can't breathe.
04:37Sit down.
04:39Don't let go of me.
04:42Don't be scared. I'm here with you.
04:45You're having a panic attack.
04:47I know.
04:49Breathe. That's it.
04:51Nothing bad is going to happen to you.
04:53I promise.
05:05Hi.
05:07What are you doing here?
05:09What can I do, Carmen? I came to work.
05:11I feel much better now.
05:13Fina told me.
05:15But the doctor said you weren't in bed.
05:17What did she want me to do?
05:19She also told me your mother-in-law was here.
05:22She came in like an elephant.
05:25This is something else.
05:27You finally brought me to the store.
05:29Mom, this is Carmen.
05:31My other colleague and my friend.
05:33Carmen, what a beautiful name.
05:35If it hadn't been for my husband, my Claudia would have been called like that.
05:37Have I told you many times?
05:39You have to see how well the uniforms suit you.
05:41Thank you very much, Mrs. Ramona.
05:43I've worked in this store for years.
05:46But before, it was smaller.
05:48You see? They have already put together the two rooms.
05:51And why did you leave it?
05:53Because I got pregnant with my Claudia.
05:55And I had to be a mother.
05:57And how did you come here?
05:59Because not everyone can work here.
06:01You have to have cash here and above all, be very single.
06:03Well, I'm married.
06:05I'm still here because I love my job.
06:07Are you married?
06:09Yes, with Tassio. He's a factory worker.
06:11Well, you'll leave him when you have a child.
06:18Hello.
06:22What do you want?
06:25Luis.
06:28I'm here to apologize for being so direct before.
06:31But I think it's time for us to face the truth.
06:37Our father was in love with another man.
06:39Although it's hard for us to accept it.
06:41I know.
06:43I know.
06:45Although it's hard for us to accept it.
06:47I know.
06:49It's hard to get the idea.
06:51Not only because of what it was, but because of what it could mean.
06:53That double life.
06:55That's why it was so clear.
06:57I've always had my father idealized.
06:59That's the problem.
07:01You were right.
07:05I think, Luis, that father and mother got married very young.
07:09And father didn't know what was happening to him.
07:12And he thought he was in love with mother.
07:14But no.
07:16Although I think he did love her.
07:18But not in the way she needed.
07:22What are you doing there?
07:24No, we have to take this off.
07:26It takes away the store's category.
07:28Here we just have to put the perfumes that have more class.
07:33Mom, look.
07:35These chests are the star product.
07:37And Mrs. Marta wants us to have them there.
07:39That's tacky.
07:41But Mrs. Marta is the owner of the store.
07:43I still have the title of best perfumer of La Reina.
07:48A client just came in and I didn't even notice.
07:50I'll take care of it. Do you have any offers?
07:52Romero's perfumes on sale.
07:54You have to sell them to him.
07:56Watch and learn.
07:59Good morning, ladies.
08:01Welcome to La Reina's perfumery.
08:03What you're going to find here are jewels.
08:05You won't find anything like it anywhere else.
08:07I want your soap.
08:08We have a spectacular offer.
08:10You're not from here, are you?
08:12No, no, I...
08:13I said it, because I recognize people who are not from the area.
08:16Do you prefer a perfume?
08:19La Reina's perfumes are wonderful.
08:22No, thank you very much.
08:24I was just looking at it.
08:27This is a dead man.
08:29As soon as he talked about perfumes, he left.
08:31What he came for was to pick up samples.
08:33And the samples are for the clients.
08:35What a beautiful photo.
08:37You take a photo like that
08:39and I'm sure you'll find a husband.
08:41But come on, it's you.
08:43How cute.
08:45Of course, he's already home.
08:47Let's see how you have the warehouse.
08:51I'm really sorry, Carmen.
08:53He just got here and I want him to leave.
08:55No, it's okay.
08:57I guess you haven't told him anything.
08:58Are you crazy? How could I tell him anything?
09:00Well, your mother will have to tell him at some point.
09:03This is terrible.
09:05We had it much better.
09:07I'll fix it.
09:11Yes, at some point I'll have to tell him.
09:16Do you think your mother knew?
09:18No, no, no.
09:20I think she felt something was missing,
09:22but I don't think she imagined there was someone else.
09:24She wouldn't have told us.
09:26Well, it's time for her to know, right?
09:28She has to know the whole story.
09:30What?
09:32Luis, are you crazy?
09:33What do you mean?
09:34Yes, yes, what's the point of knowing that?
09:36You shouldn't feel cheated, Joaquin.
09:38She always had the feeling that her marriage
09:40didn't work out well.
09:41She has the right to know.
09:42No, please.
09:43You would hurt her irreparably.
09:44No, what has hurt her all this time
09:46is feeling that she didn't feel loved because of her.
09:48Luis.
09:49We can take that burden off her, Joaquin.
09:51No.
09:52Father is the past.
09:53And it can't be changed.
09:55Mother is happy now.
09:57And cheerful and calm.
09:59Why do you want to make her bitter?
10:01It doesn't make any sense.
10:03Do you like to live cheated?
10:06We're not talking about me now.
10:07No, no, answer me.
10:08Would you like not to have found out about Gemma?
10:11Gemma is present.
10:13And father is past.
10:14That's the difference.
10:16I am free to make a decision.
10:18And mother doesn't gain anything
10:20knowing that her husband cheated on her.
10:21And less the reason.
10:23No, I'm sorry, but I don't agree.
10:25Everyone has the right to know
10:26why and how her life has been.
10:28Listen to me carefully.
10:29Don't you dare say anything to mother.
10:31You would hurt her unnecessarily.
10:33Agree?
10:36Luis.
10:38Luis, look at me.
10:41Look at me.
10:43Listen to me.
10:49In Toledo, everything is the same.
10:51Yes, Cristobal.
10:53I'll call you.
10:55I hope it goes well for Brazil.
10:57Thank you.
11:02Were you talking to someone who is in Brazil?
11:06Actually, yes, aunt.
11:08Where are you?
11:10At the moment, I'm just trying to find some information.
11:13Are you looking for Valentín?
11:15Are you doing that?
11:17Listen, aunt.
11:18I don't want you to get your hopes up.
11:20No, no, of course not.
11:23Wait.
11:36When were you going to tell me?
11:38When the time was right.
11:40I haven't found anything yet.
11:42Brazil is a huge country.
11:44And looking for Valentín is like looking for a needle in a haystack.
11:46Yes, I can imagine.
11:48And I didn't want to rush it or tell you
11:50and that it was for nothing.
11:52But I've already found out.
11:54So tell me who he is.
11:55What did he tell you?
11:56That he was Cristobal, a friend.
11:58An ex-comrade of the army.
12:00Now he lives in Brazil
12:02and he knows a lot of important people there.
12:04He told me that locating someone
12:06in that vast territory is very complicated.
12:08Yes, but he wants to look for them a lot, doesn't he?
12:11Aunt, we have to be realistic.
12:13We don't know the exact date he could arrive.
12:16And we don't know if he could change his name.
12:20Even so, I'm going to do everything I can
12:22to find him.
12:25Why are you doing this?
12:27Why now?
12:30Since I found out what really happened to Clotilde,
12:32I can't get it out of my head.
12:35I want to know why Valentín did what he did.
12:37That same question tortures me
12:39since that fateful day.
12:43You don't know what it's like to live with that anguish
12:45all these years.
12:47No one wants it.
12:50It's amazing how strong you are, aunt.
12:53Not as strong as you think.
12:55If I do this,
12:57it's mostly for you.
12:59Seeing you suffer for a son
13:01is something that breaks my heart.
13:06Look, you even have a canteen.
13:09We were satisfied with having a good time in the courtyard.
13:11Well, the men, of course.
13:14Although from time to time I would hit him
13:16with a whip or something.
13:18Mom, I didn't expect this to be like 20 years ago.
13:2024.
13:22I was talking to Isidro.
13:24Why didn't you tell me you worked with his daughter?
13:26I was going to know that you knew Isidro, Mom.
13:28I know all the old guards here.
13:30The good ones.
13:32Hi, Claudia. How are you?
13:34Good morning. She's my mother.
13:36She came from town a few days ago.
13:38Nice to meet you, ma'am.
13:40Nice to meet you, too.
13:42Can I have a glass of wine?
13:44Let's go.
13:46My God, everything has changed a lot.
13:48I don't know where we're going to stop.
13:50I'll have a good wine.
13:52A good wine.
13:54Claudia, you shouldn't have gotten up.
13:56I know.
13:58What did you want me to do?
14:00At least I'm going carefully.
14:02You must be Father Mateo, right?
14:04My daughter talks a lot about you.
14:06Nice to meet you, ma'am.
14:08I'm glad my daughter has a priest as a friend.
14:12Yes, we all need someone to guide us
14:14on the right path, Father.
14:16Well, yes.
14:18If you have a moment this afternoon,
14:20I would like to confess that since I arrived,
14:22I have not stopped criticizing everything.
14:24I didn't realize it, Mom.
14:26Well, Claudia, did you like the menu I prepared for you?
14:28Well, Gaspar, it was great.
14:30Thank you very much.
14:32And to you too, Mateo, for bringing it to me.
14:36But are you so sick that you have to carry
14:38the food to bed?
14:40What kind of disease is this, daughter?
14:44Drink this.
14:48Thank you.
14:50It's a Valerian, it will do you good.
14:52And I'm sorry I told you to go to the cabin.
14:54Maybe it was too soon.
14:56Luz, please, I already told you
14:58that you did it because you wanted to help me, that's it.
15:00Go to the pantry, you have a lot to do.
15:02No, I don't want to leave you alone.
15:04I'm fine, really.
15:06I just need to rest a little, that's it.
15:08Really?
15:10It's okay if you insist.
15:12The truth is that I still have to fill out some reports
15:14and then I make an appointment.
15:17An appointment?
15:19Yes.
15:21With a colleague.
15:24But...
15:25How quiet was he?
15:27He's a colleague from the Faculty of Toledo.
15:29He's here by chance.
15:31Hello.
15:32Hello.
15:33If you feel bad, don't hesitate for a second.
15:35Call me.
15:37Done.
15:38Is there a problem?
15:39I'm leaving, I'm in a hurry.
15:41Begoña will tell you now.
15:43Hello.
15:51Are you okay?
15:52Yes.
15:53Did something happen?
15:54No, no, not at all.
15:55I went out with Luz and I started to feel bad
15:57suddenly, but I'm fine now.
15:59I see.
16:02Tell me the truth.
16:04We went back to the cabin.
16:06Oh...
16:10Look, Mom, I have to tell you something.
16:13What's wrong? Is something worse?
16:15Tell me what's wrong.
16:17You're not going to be a daughter.
16:18No, no, that's not it, Mom.
16:20Tell me, tell me, for God's sake.
16:24Look, it's just that...
16:27The thing is, Mom, it's just that...
16:30Well, what happens is that with the suit in the store,
16:34in the end, as I get very tired,
16:36I forget to eat.
16:38And then, if I don't eat, I get even more tired, of course.
16:42Well, I see you well, daughter,
16:43apart from paleness.
16:44Come on, I even think you've gained some weight.
16:46You look fatter.
16:47Let's see, get up so I can see you.
16:49It's not necessary, Mom.
16:50Of course it's necessary, get up.
16:54Well, I think you've gained some weight, daughter,
16:56but you feel good, huh?
16:58You've always been very tiny.
17:00Here's your mother, in case you need her.
17:04Thank you, Mom.
17:06It's just that I've been having nightmares
17:08about what happened there for a while.
17:09I didn't know.
17:10Yeah, I told Luz.
17:12And I think that facing my fears
17:14and going back to that place would be a good therapy.
17:16Yeah, and has it helped you?
17:18No, no, the truth is that
17:20as soon as I've set foot in there
17:22and I've seen the room, the sheets,
17:24the remains of what happened there...
17:26No, no, you don't need to explain it to me, Begoña.
17:27If you feel bad, don't worry.
17:29No, no, I feel good talking about it,
17:31but I don't know, it's like an attack.
17:33And Luz has had to take care of me.
17:35Well, I'm very sorry.
17:37No, I didn't mean to blame you for anything.
17:39I know, I know.
17:40And if I'm honest with you,
17:41I don't want to go back to the place
17:43where I almost lost you forever.
17:46But the important thing is that it's over.
17:48Now you're here and you're fine.
17:50You're safe.
17:53Yes.
17:55Look, it's been good talking to you.
17:58Now I feel a little better.
18:00I'm sure these nightmares will pass soon.
18:02Yes, I hope I can close that chapter.
18:05Although, you know what?
18:09I also feel grateful
18:10because I was able to feel very wrapped up in Luz
18:13and especially for you.
18:18I'll never leave you alone.
18:22You know that.
18:25I just hope your brother
18:27and your father never find that place.
18:30After all, that's where we all escaped
18:32and everything,
18:33even if it was only for a few days.
18:37Thank you.
18:48Teresa, put some faizan in the oven.
18:57Don't tell me you're making the apple cake.
19:01Soriano's son has brought me a few
19:03and I wanted to take advantage of them.
19:05But what are you doing?
19:06Are you crazy?
19:07But don't you see what this machine cuts?
19:09Do you want to lose your fingers?
19:11Mother, if it's so dangerous,
19:12do the usual rods come back?
19:14I like the usual rods more.
19:16Yes.
19:17But I'll have to use this device
19:19that Sara made me buy, right?
19:22By the way,
19:24do you know anything about her?
19:25Nothing.
19:27Since she went to San Sebastián,
19:28she hasn't written to me or called me.
19:32Have you done it?
19:35The truth is, no.
19:38Well, she did write to me.
19:40She's doing very well.
19:42Studying a lot.
19:44With the beautiful relationship you had.
19:47And you, determined to continue
19:50with the doctor's,
19:51who doesn't take you anywhere.
19:53That's something from the past.
19:54And that's where she has to stay.
19:57Well,
19:58sometimes it's not easy
20:00to leave behind the relationships we ended.
20:03They don't help us know where we are
20:04and how we got to that point.
20:07Don't you think?
20:09I don't know where you want to go.
20:11Are you going to tell me
20:12that you regret letting Sara go?
20:14No, mother, no.
20:15I'm not talking about Sara or Luz.
20:17I'm talking about the family.
20:20About you.
20:24Have you talked to Andrés?
20:26Andrés? No.
20:27Why?
20:29No, nothing.
20:31I didn't understand you well.
20:33What are you doing here?
20:35I was looking for you.
20:37Well, I was talking to mother.
20:39What's wrong? Can't I?
20:40Don't argue
20:41for coming to see me, please.
20:46I'm going to open.
20:48Don't leave here,
20:49neither of you.
20:50And now you tell me about the family.
20:54What were you going to do?
20:56I was talking to mother, nothing else.
20:58Listen to me, Luis.
21:00You're going to hurt her
21:01if you tell her a story like that.
21:03And it's a story
21:04that has no turning back.
21:05Save her the suffering, please.
21:07You'll call it suffering,
21:08but for me it's something else.
21:10Look, Luis, you and I
21:11would be happier
21:12if we hadn't found
21:13that correspondence.
21:15The same as if I hadn't received
21:16the call from that Ernesto.
21:19Ernesto.
21:21Ernesto.
21:22Ernesto.
21:25His name is Gemma's friend.
21:27Friend, he says.
21:30I wish one didn't have to know
21:32certain truths sometimes.
21:34Especially if they have no remedy.
21:37If I look at Gemma, Luis,
21:40and all I feel is
21:42resentment, disappointment, sadness.
21:46If I'm unable to have
21:49a conversation with her,
21:50to look her in the eye.
21:53So please,
21:55I ask you, please,
21:57don't tell mother anything
21:58about our father's story.
22:00I don't want her to feel
22:02the same bitterness
22:03that I'm feeling.
22:04Joaquin.
22:05Because I...
22:06Luis, I would have preferred
22:07you not to know anything.
22:09It's okay.
22:11Really.
22:12Hey, look at me, look at me.
22:13It's okay.
22:15Don't worry.
22:17Mother won't know anything about me.
22:20Thank you.
22:22Thank you.
22:23Yes, yes.
22:25I have to go to work.
22:26Do you want to come with me
22:27and we can continue talking
22:28along the way?
22:29No, no, no, no, no.
22:30Don't worry, no.
22:32I'm going to stay
22:33and have a coffee.
22:34Thank you.
22:50Thank you.
23:15Jesus,
23:16sorry to interrupt you,
23:18but I wanted to introduce you
23:20to Isabel,
23:21our new secretary.
23:22Please.
23:24Good afternoon,
23:25Mr. de la Reina.
23:26Delighted to meet you.
23:28First of all,
23:29I want to thank you
23:30for the opportunity
23:31you are giving me.
23:32Delighted.
23:33Me too.
23:34Maribel.
23:35Isabel.
23:36Isabel.
23:37If you need anything,
23:38don't hesitate to tell me.
23:39I'll start studying
23:40your itinerary
23:41and your relations
23:42with the suppliers.
23:44Very well,
23:45but be careful
23:46not to put too much effort
23:47that we don't want you to get tired
23:48before you start.
23:50It doesn't matter.
23:51I have a thousand things to do, Marta.
23:52Of course.
23:54Have a good rest for tomorrow
23:55to face your first day.
23:56Good luck with that.
23:57Thank you.
23:58Have a good afternoon.
23:59Likewise.
24:00Please.
24:04I'll see you tomorrow.
24:05Thank you for everything.
24:06I know the way out.
24:07Don't come with me.
24:08Thank you.
24:15You could have hidden
24:16a little more.
24:18What a look you gave her.
24:20Marta,
24:21are you telling me
24:22that she...
24:24that those stretched thighs
24:25are the best thing
24:26you've ever found?
24:28Isabel
24:29has a spectacular curriculum
24:30and the best references.
24:32I don't doubt it,
24:33but she should change
24:34her dressing style.
24:35She looks like a teacher
24:36and we're here to give
24:37a good image.
24:39A comment
24:40very much in your style.
24:41Tomorrow,
24:42you give her
24:43the dressing plan.
24:44Skirt over the knee,
24:45lingerie suggestive...
24:47Very funny, sister.
24:48Very funny.
24:49I think it's ideal for the job.
24:50And I'm sorry,
24:51I had other offers
24:52and I had to hire her.
24:53I totally disagree.
24:56What I wanted
24:57was another Elena.
24:59And you won't have her
25:01because what we need
25:02is a girl
25:03you don't find funny
25:04that you don't want
25:05to take to bed
25:06when you see her.
25:07Marta,
25:08what we need
25:09is a secretary like God commands.
25:10Kind,
25:11pleasant,
25:12with a good presence
25:13and above all,
25:14capable of following my orders,
25:15not a sly one for life.
25:16And what you said
25:17is out of place.
25:18Take it away.
25:20I have to remind you
25:21that that secretary
25:23is not only going to work for you.
25:25So what we need
25:27is someone who doesn't give in
25:28to your personal interests.
25:30We need a secretary
25:31who is smart,
25:32resolute,
25:33diligent
25:34and I think I've found her.
25:36Are you done?
25:37Yes.
25:38Well, goodbye.
25:44Rest a lot too
25:46because tomorrow
25:47you'll have to help Isabel
25:48settle in
25:49and solve all her doubts.
25:59The first thing
26:00you have to pay attention to
26:01is the appearance.
26:03Because even if the monkey
26:04dresses in silk,
26:05the monkey stays
26:06and the thief
26:07has nowhere to go
26:08and that shows.
26:09However,
26:10the ladies are seen.
26:11Well, Mom,
26:12I prefer to trust the clients
26:13and treat them kindly
26:14so they come back another day.
26:15Yes, well,
26:16kindness,
26:17everything you want,
26:18but with character,
26:19with determination.
26:20Let them know that you know
26:21what you're talking about.
26:22Those modern things
26:23that the client
26:24is always right.
26:25No, no,
26:26if they come here
26:27it's because you
26:28know more than them.
26:29Maybe that theory
26:30would have worked 20 years ago, Mom,
26:31but the people
26:32who come to the shop
26:33are very informed.
26:34Are you going to tell me
26:35how things work?
26:36Look, shut up and listen.
26:37If a pregnant woman comes in,
26:38you make her baby food.
26:40The talcum powder,
26:42La Colonia.
26:44Good afternoon.
26:45Good afternoon, Mrs. Marta.
26:47I thought you were still unwilling.
26:48Thank you very much,
26:49but I'm much better now.
26:50I'm glad.
26:52And yearnings?
26:54You know there should always be
26:55a safe here,
26:56it's our last product.
26:57I see.
26:58Let me tell you,
26:59Mrs. Marta,
27:00that you are radiant.
27:03Thank you.
27:04And you?
27:05Ah, Ramona Romero,
27:06Claudia's mother.
27:07We talked yesterday.
27:08Yes.
27:09Well, it's normal
27:10that you don't remember me
27:11because many years have passed
27:12and you were very pretty.
27:13No, excuse me for the confusion.
27:14Yes,
27:15when I worked here
27:16at my daughter's age,
27:17well, I was giving her
27:18some advice.
27:19Well, I had the title
27:20of best dependent
27:21of the queen's perfumery
27:22store
27:23for three consecutive years.
27:24What an honor.
27:26Let me tell you
27:27that this one
27:28clings to her mother.
27:30May God bless you.
27:31Thank you.
27:32What a woman, what a lady.
27:34I'll get the safe right away, Danilo.
27:35No, no, please.
27:37Stay here
27:38taking care of your mother,
27:39don't leave her alone.
27:40I'm going to get the safe.
27:42It's a pleasure to see you, Ramona.
27:43As usual.
27:44See you later, Mrs. Marta.
27:48What a presence.
27:50How the last name shows.
27:51Mrs. Marta
27:52is a very important woman, Mom.
27:54She leads the company
27:55along with her brothers.
27:57And what does she do
27:58when she's not at home?
27:59What happens, doesn't she have a child?
28:01No.
28:02Well, come on,
28:03since she hasn't been
28:04in a hurry,
28:05she'll get over it
28:06because if she does,
28:07I'm telling you,
28:08she doesn't have much time left.
28:09Well,
28:10that's like your partner, Carmen.
28:11Another one at home
28:12when she should be at home
28:13having a child.
28:14Well, Mom, what's wrong with the kids?
28:15But what's wrong with you?
28:17This is not extreme fatigue.
28:18She had eaten me,
28:19I know.
28:20What's wrong?
28:22What?
28:23I don't know, Mom.
28:24I've been up and down
28:25with the kids all the time.
28:26What's wrong?
28:30I can't take it anymore, Mom.
28:35What are you looking at?
28:36They're...
28:41No.
28:42No, no, no, no.
28:44No, daughter, no.
28:46Oh, the Virgin.
29:00I'm already here.
29:04And another drink?
29:06No.
29:08What are you doing with your shoes
29:09full of mud?
29:11Hi, Carmen.
29:12What?
29:13Have you seen your husband?
29:15He's gone hunting
29:16with the boss himself again.
29:17What do you think?
29:18Well, this time he's gone
29:19just to practice a little.
29:20Don't worry, man,
29:21I understand.
29:22I understand that you have to
29:23give the size of Dante and Don Damián.
29:25Well,
29:26didn't they come back from hunting yesterday
29:27talking as if they were
29:28two little friends
29:29that Manolo gave you?
29:30The one with the machines.
29:32Should I put something on you, Carmen?
29:33No, nothing.
29:34Thank you very much, Gaspar.
29:36Can you explain it to me?
29:39I've already explained it to you, Carmen.
29:40What happens is that you are
29:41a distrustful person.
29:42Don't you realize
29:43that I wasn't lying to you?
29:44Well, you told me
29:45that you went with a partner.
29:47What do you mean Don Damián
29:48is taking you hunting?
29:49Well, I don't know, woman.
29:50Now that I'm his driver,
29:51I'm gaining more confidence
29:52with him.
29:53And if he's still sick,
29:54who was with him
29:55hunting, I don't know.
29:56Anastasio, don't lie to me anymore.
29:58Where have you been?
29:59Carmen, I'm explaining it to you.
30:00Where have you been?
30:02Well, Don Damián
30:03has given it to me.
30:04So Don Damián gives you a shotgun,
30:07he gives you the afternoon off
30:09and bills.
30:11And all this hidden from your wife.
30:13Look, Anastasio,
30:14I'm starting to get a little nervous.
30:18Was that money for some job?
30:22Anastasio,
30:23is Don Damián forcing you
30:24to do some dirty job?
30:26Carmen, don't talk nonsense.
30:27I'm not talking nonsense
30:28and I'm not going to repeat it
30:29because we're in a public place.
30:32Look,
30:33you were the first one
30:34who told me
30:35that you were going to respect
30:36what he had or not
30:37with Don Damián.
30:38And you're not doing it.
30:39Yes,
30:40that's before you know
30:41that what you have with Don Damián
30:42requires a shotgun
30:44and that in return
30:45he gives you bills.
30:46This has been a matter of trust
30:47and another very different
30:48is that you have gotten involved
30:49in illegal issues
30:50that incriminate me.
30:55Very well.
30:57Again, your silence for an answer.
30:59You will know what to do, Anastasio.
31:01But you don't have to go to jail.
31:04Or worse,
31:06to the cemetery.
31:11Sorry,
31:12I was looking at the clock, sorry.
31:14Sorry.
31:22Gaspar,
31:26can you put me
31:27something to drink, please?
31:30You're a little loaded
31:31to be the head of the afternoon,
31:32don't you think?
31:33No, no,
31:35it's none of your business.
31:36You're my mother,
31:37you're my mother.
31:38No, you're not, right?
31:39A luxury, come on,
31:40a luxury.
31:41I think you've had enough,
31:42Joaquín.
31:46Are you going to blame me or not?
31:47Calm down, Joaquín.
31:49Don't make a scene, please.
31:52I'm going.
31:54Give me the shotgun.
31:58I want it.
31:59Give it to me.
32:29I'm going.
32:30My father has already had dinner
32:31and he's already gone to bed.
32:34My God, she's so beautiful.
32:36Where are you going so elegantly?
32:37To dinner.
32:39I see.
32:41Well,
32:42enjoy the evening.
32:43Thank you.
32:50I'm going to bed.
32:51I'm going to bed.
32:52I'm going to bed.
32:53I'm going to bed.
32:54I'm going to bed.
32:55I'm going to bed.
32:56I'm going to bed.
32:57I'm going to bed.
32:58I'm going to bed.
32:59I'm going to bed.
33:00I'm going to bed.
33:01I'm going to bed.
33:02I'm going to bed.
33:03I'm going to bed.
33:04I'm going to bed.
33:05I'm going to bed.
33:06I'm going to bed.
33:07I'm going to bed.
33:08I'm going to bed.
33:09I'm going to bed.
33:10I'm going to bed.
33:11I'm going to bed.
33:12I'm going to bed.
33:13I'm going to bed.
33:14I'm going to bed.
33:15I'm going to bed.
33:16I'm going to bed.
33:17I'm going to bed.
33:18I'm going to bed.
33:19I'm going to bed.
33:20I'm going to bed.
33:21I'm going to bed.
33:22I'm going to bed.
33:23I'm going to bed.
33:24I'm going to bed.
33:25I'm going to bed.
33:26I'm going to bed.
33:27I'm going to bed.
33:28I'm going to bed.
33:29I'm going to bed.
33:30I'm going to bed.
33:31I'm going to bed.
33:32I'm going to bed.
33:33I'm going to bed.
33:34I'm going to bed.
33:35I'm going to bed.
33:36I'm going to bed.
33:37I'm going to bed.
33:38I'm going to bed.
33:39I'm going to bed.
33:40I'm going to bed.
33:41I'm going to bed.
33:42I'm going to bed.
33:43I'm going to bed.
33:44I'm going to bed.
33:45I'm going to bed.
33:46I'm going to bed.
33:47I'm going to bed.
33:48I'm going to bed.
33:49I'm going to bed.
33:50I'm going to bed.
33:51I'm going to bed.
33:52I'm going to bed.
33:53I'm going to bed.
33:54I'm going to bed.
33:55I'm going to bed.
33:56I'm going to bed.
33:57I'm going to bed.
33:58I'm going to bed.
33:59I'm going to bed.
34:00I'm going to bed.
34:01I'm going to bed.
34:02A great dinner, consisting of a faisan that's been served,
34:03has been hunted...
34:04And I've cooked.
34:05We've put together a team.
34:06Perfect.
34:07Shall we toast?
34:08Why shall we toast?
34:09To us.
34:10Of course.
34:11Remember why we came to here?
34:12To see you and to be part of it,
34:14for the good of a couple.
34:15And to those who can't see you.
34:17I tried, but no, I can't.
34:18Remind me why we came all the way here.
34:21So you can give me my briefcase back.
34:23Or have you forgotten?
34:25It's a joke.
34:26But I have to admit that Peñaranda's breakfast
34:29left my memory a bit damaged.
34:31It was good, huh?
34:32Yes.
34:33You have a very good taste for wines, Doctor.
34:41Well, what are you going to tell me where you've hidden my briefcase?
34:44I also have a very good taste for hiding things.
34:48I mean, it's not even a clue.
34:50If it's cold, hot, something.
34:52It's cold here.
34:54It's cold here.
34:55Okay, it's cold here.
34:57And here?
34:58It's warm.
35:01It's hot.
35:05I'm burned.
35:09Well, then...
35:11I'm...
35:13I'm leaving.
35:15Wait.
35:16Another glass?
35:17I have a bottle of wine.
35:19Yes, yes, please.
35:23By the way, I wanted to thank you for letting me sleep here the other day.
35:28Yes.
35:29I hope I didn't bring you any trouble with Luis.
35:32Did he tell you anything when I left?
35:35Evidently, he thought that you and I...
35:40And you got him out of his mistake, of course.
35:43No.
35:45I don't have to give him explanations.
35:48No, no, no.
35:49I toast to that.
35:51Look, today I'm perfectly fine.
35:53I'm not going to need to stay in your bed.
35:57Well, is it because you don't want to?
36:00Are you sure?
36:05Jaime.
36:08I'm very comfortable with you.
36:10It's very easy to talk.
36:12To be.
36:13To be.
36:15Besides, you're the only person who knows my secrets.
36:18Who else knows about me?
36:22I don't know if it's because of that, but...
36:24I love you.
36:41I must confess that I have been wanting this for many days.
36:45Me too.
36:48You have given me back the illusion for life.
36:50Right now.
36:51God, what a paradox.
36:52Right now.
36:54Let's not think about tomorrow.
37:03This morning I told you about my dreams.
37:05But now that I think about it, you've never talked about yours.
37:08Oh, my dreams.
37:11Well, I'm sure you can imagine what they are.
37:15I dream that these two families will be reunited again.
37:18To see and talk to my son Valentín, even if it's just a minute in what I have left of life.
37:24That dream is very difficult, I know.
37:27That my two children get what they are looking for.
37:30That they give me a granddaughter or a grandson.
37:34And I keep dreaming of something I've always wanted to do.
37:38Live in Paris.
37:39In Paris.
37:40Yes, seriously.
37:41Oh, my.
37:42You want to live in Paris.
37:43Oh, my.
37:44You want to live in Paris.
37:46And I was about to get it.
37:49Gervasio was offered several jobs there.
37:52And they were all very good.
37:53But suddenly you came up with the idea of ​​creating this company and Paris disappeared.
38:00So I was to blame for frustrating your dream of going to Paris?
38:04No, don't get me wrong.
38:06That I have not lived in Paris does not mean that I consider that I have had a bad life.
38:11No.
38:12In spite of everything, of everything.
38:16I think my life has been a fortunate life.
38:21And I am very grateful.
38:23You are an admirable and worthy woman.
38:25And I could not help feeling guilty.
38:28Guilty? Why?
38:30You just said it.
38:32If it weren't for me, you would have gone to Paris to fulfill your dream.
38:36Well, you don't always get what you have planned in your life.
38:41I have to give you the reason for that.
38:44Who was going to tell me that fate would plan a moment like this for us?
38:49And it's not because I haven't dreamed of him many times.
38:52Well, let's enjoy it.
38:54Yes.
39:04Damian, I have to tell you something.
39:08Tell me.
39:09I stayed here because my house was flooded.
39:15But I have followed for you.
39:19Because I also want to spend more nights of insomnia by your side.
39:39Come on, man.
39:41Come on, man.
39:44Come on, lie down.
39:46Come on, I'll tell you tomorrow.
39:49Julia, are you okay?
39:51Yes, I'm fine.
39:54Come on, man.
39:56What happened?
39:59It's with the eye a little bit up.
40:01Come on.
40:03Don't go to bed, man.
40:04I'm fine.
40:06The wallet.
40:07I have the wallet.
40:08You have it.
40:09I keep it, don't worry.
40:10Do you have a girlfriend?
40:12Put your head down.
40:13Come on.
40:14Look, listen to me.
40:16Put your head down.
40:20I'm fine.
40:21I'm fine.
40:22I'm fine.
40:23I'm fine.
40:26Thank you.
40:38Well, the girl will have to sleep here.
40:40Yes.
40:45Thank you very much for bringing the house.
40:47You're welcome, woman.
40:49I was about to call the barracks of how worried I was.
40:54I didn't expect you to come back, to be honest.
40:57No, neither you nor anyone else, Gemma.
41:00I was also convinced that I wasn't going to take the bottle again.
41:04My God, what we needed.
41:06As if we didn't have enough already.
41:08I...
41:10I don't want to get into your things either, but...
41:12I didn't stop talking nonsense about love and...
41:16living cheated and things like that, Gemma.
41:19Well, he's drunk.
41:21You know what's going through his head?
41:23Sure.
41:24I know.
41:26Well, I have to go back to the canteen, Gemma.
41:42Bye.
41:48I can't leave you like this, Gemma.
41:50It doesn't matter, Gaspar.
41:51I'll make you a coffee. Do you want something?
41:52No, don't worry. Really, really.
41:54Are you sure?
41:55Yes.
41:56Come on, sit down for a moment.
41:57And I...
42:03I'm really fine.
42:04Don't worry. It's just...
42:06It's just...
42:11I'm sorry.
42:13It's just that Joaquín and I have been a little distant for a few days.
42:17That's all.
42:18And that?
42:20Marital problems.
42:22Well, you have experience with that, but...
42:24you know it's in the order of the day.
42:26So...
42:28Well, I hope you clear it up soon, because...
42:31it's very easy to relapse when you have to inherit the bottle and...
42:35I haven't seen Joaquín like this in a long time.
42:39That's why I'm asking you not to serve him in the canteen.
42:42Joaquín is an adult, Gemma.
42:44And if he wants to drink, he'll end up drinking.
42:46Better there. I have him under control.
42:49The most important thing here...
42:51is that he solves those problems so serious that he torments her.
42:55No?
42:56Uh-huh.
43:01Thank you very much for bringing him home. Really.
43:04Thank you very much.
43:08I have to go.
43:10Are you okay?
43:11Yes.
43:12Good.
43:13Let's see how the night goes.
43:16Put the ice cream down, because I'm sure it's going to spill all over the floor.
43:20And...
43:21get ready for tomorrow.
43:24Because the hangover is going to be a mess.
43:38Why are you laughing?
43:41I was remembering...
43:43how we met.
43:46Who was going to tell me that we were going to end up like this?
43:50I never imagined it either.
43:51I never imagined it.
43:52Especially because at first you looked like me.
43:56What?
43:58No, no. Now finish the sentence and say it.
43:59What?
44:02Well, a straight Jun knows everything
44:04that he was going to take my job away from me.
44:06Uh-huh.
44:07Very good.
44:11The truth is that I gave you good reasons.
44:12Although you didn't receive me very well either.
44:14You were a bit of a pain in the ass, huh?
44:16You weren't used to sharing the office.
44:19No, really.
44:24Another glass?
44:26Yes.
44:28But...
44:29I wouldn't want to abuse your hospitality.
44:32Oh, no, don't worry.
44:33I'll put the wine in your glass.
44:35I keep the good wine for the big occasions.
44:49Are you okay, Jaime?
44:51No, I don't think so.
44:53He's giving me a hard punch.
44:57It's going to blow my head off.
44:59I'll bring you some analgesic for the pain right now.
45:01Thank you.
45:10Is it too much?
45:13No.
45:15If you love me,
45:17my eyes are a bit foggy and...
45:21I'm dizzy.
45:23Don't worry.
45:24Don't get up.
45:29Here.
45:31Thank you.
45:32Slowly and carefully so you don't choke.
45:37Why does this have to happen now?
45:39Right now when we were fine?
45:42Don't worry.
45:43Don't worry about that.
45:45Now rest and relax.
45:47We'll have time to repeat the candle.
45:49Time is just what I don't have, Luz.
45:52Don't worry.
45:53Don't worry.
45:54No, it's not going to happen.
45:57It won't be enough with the pill.
45:59I'm going to need a bit of morphine.
46:03Are you sure?
46:04Yes, please.
46:06Please.
46:15Please.
46:25Don't worry, Jaime.
46:27It'll be over soon.
46:30Don't worry.
46:39Please.
46:41Please.
46:43I can't wait to see our report published.
46:47I think the photos have turned out great.
46:50Yes.
46:51It's not bad.
46:54Is that all you're going to say?
46:57I haven't seen you much because of work.
47:00I didn't like that reporter's attitude.
47:03He was looking for a woman's profile,
47:05which I'm obviously not.
47:07I didn't like the questions he asked.
47:09They were very indiscreet and out of place.
47:12Is there anything you liked?
47:16Begoña, this report is going to be very important for the company.
47:20Yes.
47:21Sometimes you have to make some concessions to get some benefit.
47:25Well, it's done.
47:26Yes, it's done.
47:30And I have to thank you.
47:32Now, after the reprimand?
47:34No, it wasn't a reprimand.
47:35And I'm sorry if it sounded like that.
47:39Why do you want to thank me?
47:41Well,
47:43for giving up that congress you had in Madrid.
47:47I know that after what happened to your mother,
47:49it would have been good for you to clear yourself.
47:53But I want to think that the sacrifice you've made
47:56means that little by little,
47:58we're regaining the bond we had.
48:04Jesus,
48:06I'll go to that congress as soon as I have the chance.
48:09And what I've done today for Julia.
48:11Well, and a little for the one they'll say.
48:14I understand.
48:16Come on, don't give me illusions.
48:17That's what you want to tell me, right?
48:22Jesus,
48:23I...
48:24I thank you for the efforts you make
48:26to please me.
48:28As if you let me work at the dispensary again.
48:31I just want to make you happy, darling.
48:34Even if you refuse to accept everything that comes from me.
48:39I love you.
49:10It seems a lie that you don't know me.
49:16I'm sorry, I'm sorry, I can't.
49:18I can't.
49:23Forgive me.
49:26Forgive me, darling, but it's just that...
49:31I wish you so much that I couldn't help it.
49:34Forgive me.
49:36Forgive me.
49:38Forgive me.
49:41Begoña,
49:42if there's something I've learned all this time,
49:44it's to be patient.
49:47You're what I want most in this world.
49:50I don't want you to be afraid of me.
49:53For the love of God,
49:55don't be afraid of me.
50:08Luz, I'm not willing to mortgage anyone's happiness
50:12for this damn disease.
50:14What do you want to do to me?
50:16That I want to free you from what's to come.
50:18Maybe it's nonsense,
50:20but maybe not.
50:21Maybe this information will help your friend.
50:24Of course it will.
50:25I'll tell Cristóbal to investigate Yeraldo.
50:27Thank you, son.
50:28Thank you for looking for your cousin.
50:30Look, don't you think it's better if he knows?
50:32At first it's going to be hard to convince him, but...
50:34In the long run, it's much better than living in a lie, Jaime.
50:36Luz, it's an honor to worry about your cousin's happiness.
50:40Right now, I can only ask you to please trust me.
50:43He suffered a panic attack after a traumatic event.
50:46Even the bravest people would have collapsed in your situation.
50:49I want to go back to the cabin.
50:52Look, the first thing I wanted to tell you
50:54is that I'm going to take care of the child.
50:56He won't be missing anything.
50:57You're going to need a father to start.
50:59It's not a small thing.
51:00I'm back with...
51:02I'm back with...
51:04With her.
51:08With her.