Sueños de libertad - 107
Sueños de libertad - 107
Transcript
00:00How would you feel if you brought the disease here?
00:09If Julia falls sick or worthy?
00:12It's okay.
00:13I'm not going to bring my mother, don't worry, but I'm going to look for another solution.
00:18I swear.
00:19I've seen them in the office before, together, and I'd swear they were about to kiss.
00:25Is it possible that you are misinterpreting a situation that is not?
00:30I hope so.
00:31Are you really never going to forgive me?
00:34I doubt it.
00:35And what do you expect?
00:36That we live under the same roof like this?
00:38Unfortunately, yes.
00:40We are married and we cannot throw each other aside.
00:42Well, you're wrong.
00:43Because if this is what it is, I'm packing my bags this afternoon and I'm going to live
00:47comfortably.
00:48I'm not going to move from here.
00:49Look, I'll talk to your husband, I promise you.
00:53And please don't go.
00:55Really.
00:58Thank you.
01:00That child has to be above everything.
01:02Especially if what is interposed has so much to lose.
01:06Begoña would be expelled and you will be guilty of it.
01:22I love you.
01:23I love you.
01:24I love you.
01:25I love you.
01:26I love you.
01:27I love you.
01:28I love you.
01:29I love you.
01:30I love you.
01:31I love you.
01:32I love you.
01:33I love you.
01:34I love you.
01:35I love you.
01:36I love you.
01:37I love you.
01:38I love you.
01:39I love you.
01:40I love you.
01:41I love you.
01:42I love you.
01:43I love you.
01:44I love you.
01:45I love you.
01:46I love you.
01:47I love you.
01:48I love you.
01:49I love you.
01:50I love you.
01:51I love you.
01:52I love you.
01:53I love you.
01:54I love you.
01:55I love you.
01:56I love you.
01:57I love you.
01:58I love you.
01:59I love you.
02:00I love you.
02:01I love you.
02:02I love you.
02:03I love you.
02:04I love you.
02:05I love you.
02:06I love you.
02:07I love you.
02:08I love you.
02:09I love you.
02:10I love you.
02:11I love you.
02:12I love you.
02:13I love you.
02:14I love you.
02:15I love you.
02:16I love you.
02:17I love you.
02:18I love you.
02:19I love you.
02:20I love you.
02:21I love you.
02:22I love you.
02:23I love you.
02:24I love you.
02:25I love you.
02:26I love you.
02:27I love you.
02:28I love you.
02:29I love you.
02:30I love you.
02:31I love you.
02:32I love you.
02:33I love you.
02:34I love you.
02:35I love you.
02:36I love you.
02:37I love you.
02:38I love you.
02:39I love you.
02:40I love you.
02:41I love you.
02:42I love you.
02:43I love you.
02:44I love you.
02:45I love you.
02:46I love you.
02:47I love you.
02:48I love you.
02:49I love you.
02:50I love you.
02:51I love you.
02:52I love you.
02:53I love you.
02:54I love you.
02:55I love you.
02:56I love you.
02:57I love you.
02:58I love you.
02:59I love you.
03:00I love you.
03:01I love you.
03:02I love you.
03:03I love you.
03:04I love you.
03:05I love you.
03:06I love you.
03:07I love you.
03:08I love you.
03:09I love you.
03:10I love you.
03:11I love you.
03:12I love you.
03:13I love you.
03:14I love you.
03:15I love you.
03:16I love you.
03:17I love you.
03:18I love you.
03:19I love you.
03:20I love you.
03:21I love you.
03:22I love you.
03:23I love you.
03:24I love you.
03:25I love you.
03:26I love you.
03:27I love you.
03:28I love you.
03:29I love you.
03:30I love you.
03:31I love you.
03:32I love you.
03:33I love you.
03:34I love you.
03:35I love you.
03:36I love you.
03:37I love you.
03:38I love you.
03:39I love you.
03:40I love you.
03:41I love you.
03:42I love you.
03:43I love you.
03:44I love you.
03:45I love you.
03:46I love you.
03:47I love you.
03:48I love you.
03:49I love you.
03:50I love you.
03:51I love you.
03:52I love you.
03:53I love you.
03:54I love you.
03:55I love you.
03:56I love you.
03:57I love you.
03:58I love you.
03:59I love you.
04:00I love you.
04:01I love you.
04:02I love you.
04:03I love you.
04:04I love you.
04:05I love you.
04:06I love you.
04:07I love you.
04:08I love you.
04:09I love you.
04:10I love you.
04:11I love you.
04:12I love you.
04:13I love you.
04:14I love you.
04:15I love you.
04:17I just can't stop being surprised...
04:20Me?
04:21Yes.
04:22By all you know about flowers.
04:26You could buy them in a florist...
04:29...but we didn't know much about them.
04:32At least I knew they had to have lenghty stems.
04:35Of course!
04:38Well, if you let me, I'll pick a few more flowers...
04:40...and hand them over to my father around the table.
04:42Of course.
04:46Ah!
04:47Something bit me.
04:48Ah!
04:49A viper!
04:50A viper bit me!
04:51A viper bit me!
04:52What?
04:53A viper bit me, Claudia.
04:54Mateo, what are you saying?
04:55Calm down.
04:56What's wrong?
04:57Call the hospital.
04:58Call Dr. Borrell.
04:59Mateo, calm down, please.
05:00I can't feel my arm.
05:01How was your head?
05:02Round or flat?
05:03I don't know.
05:04Round.
05:05Round.
05:06Mateo, stop looking at him.
05:07Mateo, for God's sake.
05:08A snake bit me.
05:09You really gave me that.
05:10It hurts.
05:11Here you go.
05:13Here you go.
05:14The rice with chicken and the chicken with rice.
05:17Thank you, Dad.
05:18Thank you very much.
05:21It's hard for us to cover expenses, Carmen.
05:23We can't even save.
05:25Have you noticed, Nilo?
05:26Have you really noticed?
05:28Why should I compare myself to Tassio?
05:30To make me look bad like you?
05:32Besides, I don't understand you.
05:33You were the first one to defend Mr. Damián.
05:35Yeah, but after talking to you, I saw him.
05:38Do you know what he's going to do this afternoon?
05:40What?
05:41He's going to make new shirts for the tailor shop.
05:43And he gave them back to me.
05:44I'm his son.
05:45I only have two shirts.
05:46One for work and one for Sundays.
05:48Do you think I don't care?
05:51I also feel small.
05:53When a client enters the store,
05:55she spends everything I earn in a month.
05:57No, but the client is not your mother.
06:01You know what?
06:02I'm grateful.
06:03Because we both have a job.
06:04And an honest job that allows us to live well.
06:07And wouldn't you like to have a little more?
06:10Well, yes.
06:12But it will come.
06:15When we start making numbers at home,
06:17I think of us.
06:20And I have a crazy desire to continue working
06:22with even more income.
06:24For us, for our family,
06:26for our future.
06:30Doesn't that make you happy?
06:32Of course it does.
06:34That's what you have to think about.
06:36And not in the people who are born with everything given away.
06:39Because you know what I'm telling you, my love?
06:41That many times,
06:42those people have at least the most important thing.
06:46Happiness.
06:49And we have plenty of that.
06:55You're right.
06:58Well, let's go eat,
06:59or we'll get cold.
07:02Let's see.
07:06Don't move.
07:07What are you doing?
07:08No, no, no.
07:09Yes, it's just a little water.
07:11Mateo, please.
07:13Mateo!
07:15Just a little water,
07:16so you can get over it.
07:17Oh, it's so hot.
07:18Come on, I'm going to add a little garlic.
07:20Garlic?
07:21No, no, no, no garlic.
07:22No, no, no, no.
07:23No, no, no, no.
07:24No, no, no, no.
07:25No, no, no, no.
07:26No, no, no, no, no.
07:27No, no, no, no, no.
07:28No, no, no, no, no.
07:29No, no, no, no, no.
07:30No, no, no, no, no.
07:31Garlic is antiseptic.
07:32Garlic stings, doesn't it?
07:33No.
07:36There, there.
07:38You have to calm down, eh?
07:43Claudia.
07:47Hey,
07:48do you promise me nothing's going to happen to me?
07:50What you have to do is calm down,
07:52because if you get a hamacuco in the middle of the field,
07:54I don't know what to do with you.
07:55Come on, get up.
07:57Here, drink some water.
08:03Better?
08:05Yes, better.
08:08Go away.
08:09Hey.
08:10What?
08:12How did you know how to act like that?
08:15Because when I was a girl,
08:16one day I went with my father to Proserpina,
08:18and we were having a great time,
08:20until a crab bit me.
08:21What?
08:22Yes, there are a lot of crabs in that reservoir.
08:25There's a lot of blood and flies.
08:27So, as I started to cry and cry and cry,
08:29my father had to make a natural remedy
08:31to cure me.
08:32And since then, he told me
08:34a lot of remedies he made with calendula,
08:36with lavender,
08:37so that when I went out to the field,
08:38I could play with the animals.
08:41But come on,
08:42this isn't the first snake I've seen.
08:44Come on, I've made a huge fool of myself, haven't I?
08:47A little bit, yes.
08:51And you promise you won't tell anyone?
08:53No, I'm not going to tell anyone.
08:54But come on,
08:55I'm not going to forget that in my life, Mateo.
08:57Come on.
08:59A snake!
09:03You're so bad, aren't you?
09:06It's been great, Mateo.
09:09Come on, help me pick it up.
09:10I want to pick up my father's flowers before I go.
09:13That's it.
09:14In honour of your father,
09:15because if it wasn't for what I've taught you,
09:18he'd probably still be scared.
09:20What's wrong with your body?
09:23Come on, auntie, what else do you have to say?
09:26You're going to wear long socks, aren't you?
09:28I don't know why,
09:29maybe you're going to get a nail in your ankle.
09:31Hey, that's enough with Eo, isn't it?
09:34Stop it, Mateo.
09:35It's as if you don't love Madrid.
09:37Yes, I'm from Madrid.
09:43I have a proposal for you.
09:45But first you have to know
09:46that what I'm going to propose
09:47is an increase in expenses in the medium term,
09:50although I think that in the long term
09:51it could mean a revolution for Perfumerías de la Reina.
09:54Get to the point, Marta.
09:57Over the last few years
09:58we've been growing and developing the company,
10:01but the truth is that I think we've hit rock bottom.
10:04What do you mean?
10:05That we should be more ambitious
10:07and expand the market.
10:09And that's where your proposal is going, I suppose.
10:12It's an idea that Luis brought to us,
10:14with the idea of expanding the laboratory
10:16to open up to the international market.
10:18More specifically, to the French market.
10:20Someday.
10:22I think that before we expand the laboratory
10:24or increase production,
10:25we should first make that idea feasible.
10:28Basically, find a way out.
10:31And I think I've found that way out.
10:33Well, don't keep us waiting any longer,
10:35and surprise us, come on.
10:38Does the name ring a bell?
10:39Patricia Lambert.
10:42No, not to me.
10:43Not to me.
10:45But I suppose she's the woman in the photo.
10:47She's Spanish,
10:48and the wife of an important French businessman.
10:51In addition to being influential in high society in Paris
10:54and in the business world.
10:56Yes, I know Monsieur Lambert.
10:59I've noticed that I've helped other Spanish businessmen
11:02to enter the French market before.
11:05I think I understand where you're going,
11:06but we have no relationship with this good lady.
11:09You're wrong.
11:10I've contacted her.
11:13What?
11:14Yes, well, I got ahead of myself.
11:16Bravo.
11:17Has it bothered you?
11:19I thought you'd be excited to see that I'm following your example.
11:24The most important thing is that she has conveyed her interest
11:27in putting us in contact with the Mogot warehouses.
11:31It would be a perfect place for our products.
11:35She's also interested in getting us an advantageous deal.
11:39And most importantly,
11:40she's also interested in visiting our factory,
11:43so I've committed myself to arranging a visit for her.
11:47Since her husband is in Madrid for meetings,
11:50she'll come to visit Toledo tomorrow.
11:53So I've taken the liberty of booking a suite for her
11:55at the Ambassador Hotel in Toledo
11:58and inviting her to dinner at my place.
12:02What do you think?
12:03Well, I can't do anything but congratulate you for your initiative.
12:07Yes, you had a very good idea.
12:09And besides, you've managed it very well.
12:15Jesus?
12:19You've given us a good surprise.
12:22You were so quiet, sister.
12:25I was waiting to have him tied up before telling you anything.
12:27I see.
12:29And I can't deny that it's an interesting idea,
12:31especially because for now,
12:33it's only going to cost us a night at the hotel and a meal at home.
12:36At home.
12:38Well, now the important thing is that we all go together
12:41so that Mrs. Lambert gets the best impression of the factory
12:44and our products.
12:45That's what it's about.
12:47You've done an excellent job, Marta.
12:50Now, what we have to do is, as they say in Taurian terms,
12:54take over the work.
12:57And I think Luis wanted to show us a new perfume in the laboratory.
13:02That's right.
13:03Come with me, please.
13:06Let's go.
13:13Wow, wow.
13:15So now you're dedicating yourself to copying the queen's Jesus style.
13:21Moving forward without entrusting yourself to anyone.
13:24Very good.
13:25Learning the worst of the best.
13:28Aren't you coming?
13:30Yes, yes, but go ahead. I have to make a call.
13:32I'll be right there.
13:36Okay.
13:51Rodolfo, good afternoon. I'm Jesus de la Reina.
13:55No, I have nothing to tell you.
13:57I'm calling to ask you a favor.
13:59I need you to look for all the information you can
14:02about a Mrs. Patricia Lambert.
14:07From Paris.
14:09Listen to me.
14:10I need all the juicy information.
14:13Do you understand me?
14:15Well, get it there and maybe you'll have a good exclusive for Spain today.
14:20I'll be waiting.
14:21A hug.
14:33But, really, there's no way I'm moving her to my mother.
14:40Yes, yes, yes, I understand.
14:43Okay.
14:44Thank you anyway for your time.
14:49Another negative?
14:51Begoña, what did they tell you?
14:52You've heard it, Luz.
14:56How many sanatoriums have we called already?
14:58Well, everyone in the province of Toledo and Madrid.
15:00But no one wants to admit my mother
15:02because they're afraid she's infected with the Asian flu.
15:04I don't know who to go to.
15:05I don't know what to recommend.
15:07I've already given you the number of everyone I know.
15:10I'm dying of anguish to think that my mother is in the mountains
15:13and that she could get infected.
15:14Calm down, Begoña.
15:15Think that it's not just any sanatorium.
15:17They'll want to take care of her reputation
15:19and they'll do everything they can to prevent infections.
15:21Well, that's what we suppose.
15:22But I need to be sure that my mother is out of danger.
15:25And I won't have her until you get her out of there.
15:27I won't be calm.
15:28Calm down.
15:29Come here, come on.
15:37My God, Luz.
15:39I don't know how to thank you for everything you do for me.
15:43You don't have to thank me anymore, woman.
15:45You're like a sister to me now.
15:48I know you are, yes.
15:50And you don't stop exposing yourself because of me.
15:53The other day you did it again with Jesus.
15:55When I was in the cabin with Andrés.
15:59By the way, I didn't want to ask you.
16:02I imagine that if you didn't want to tell me anything, it's because it didn't go well.
16:08We both witnessed it.
16:10A man and a woman.
16:16In love.
16:18They can barely resist temptation.
16:29Andrés.
16:42Well, it didn't go wrong.
16:44Or...
16:45Or yes, I don't know.
16:48I don't know, what's clear is that...
16:50For me, that cabin has completely changed the meaning.
16:55No.
16:57I don't understand you, Begoña.
16:59Well, that...
17:01For me, before it was the place where I was about to die.
17:04And now it's the place where...
17:07Where what? What are you telling me?
17:15Andrés and I couldn't stop what we felt for each other.
17:19Do you mean that...
17:21We made love.
17:26That's what I call overcoming a trauma.
17:31I'm sorry, I just...
17:32I didn't think it through.
17:34You've left me in pieces.
17:36Don't worry, it's normal that you didn't expect it.
17:38I didn't expect it either.
17:40Well...
17:41Do you know what I'm telling you?
17:44What?
17:45Do you know what I'm telling you?
17:48That I think it's exactly what you needed.
17:50Luz, please, don't start. You're getting very rude.
17:54How are you?
17:55How do you feel?
17:59The truth is that with everything about my mother, I haven't...
18:02I haven't had time to think about it.
18:04You must be thinking about something.
18:10I hadn't been so happy in a long time.
18:15And I'm glad to hear you.
18:17But I mean it from the bottom of my heart.
18:20I hadn't felt so free in a long time.
18:24Without worries that tormented me.
18:26Without...
18:27Without anguish.
18:31And I don't know what the future Luz will give me.
18:34But no one will be able to take what's coming to me from that cabin.
18:38Good morning.
18:41Don't be scared, woman.
18:43I'm just a client.
18:46I'm sorry, Digna, but since we haven't won for scares lately,
18:48I've seen her and I've thought, that's it.
18:50That's it. We're done with some story.
18:52I suppose you understand me, right?
18:54I understand you, yes.
18:55We know that your father has been very serious.
18:57And that he's still in danger.
18:58And you can't take that away from him.
19:00You can't take that away from him.
19:02You can't take that away from him.
19:03You can't take that away from him.
19:04You can't take that away from him.
19:05He's still in danger.
19:06And you can't take that away from him.
19:08But you can't live anguished all day thinking about what could happen.
19:11Because that's not living.
19:12I see, I see, I see.
19:13I should take it another way.
19:15But, well, he says he's coming as a client today, right?
19:18Well, actually, it's nonsense.
19:20Well, tell me.
19:21Let's see if I can help you.
19:22The truth is that since the day you put make-up on me
19:25with the woman's wish chest,
19:27I've been thinking that I could change.
19:30Something of...
19:32A new color, lipstick.
19:36And that interest in the new make-up
19:38won't have to do with...
19:40With a man whose last name is...
19:42The Queen.
19:43Oh, Fina, please.
19:44You're going to make me blush.
19:47Sometimes I forget that I've known her since I was a teenager.
19:51So what?
19:53Did something happen between you two or...
19:55Or not?
19:58Well...
20:01I've shared so many things with Damián.
20:03We've known each other for such a long time that...
20:07He also said that he wouldn't have a future with her,
20:09but the other day it seemed like something else.
20:11Yeah.
20:14You know,
20:16I've been living in the big house for a few days.
20:19Well, that has made me
20:22go deeper into the relationship
20:25and we've become more intimate.
20:28And, well, that has led to...
20:30To what?
20:32I don't know why I'm telling you this,
20:34but I'm going to tell you.
20:36That has led to...
20:39To him asking me to marry him.
20:40What?
20:41But I haven't answered him yet.
20:43But why?
20:44Why, darling?
20:45There's no other way than to see the glow in his eyes
20:47to see how excited he is.
20:49Because it's not that easy.
20:50Of course it's easy.
20:51The thing is that we insist on doing the difficult things.
20:53No, it's not that.
20:54The relationship in our family is complicated.
20:57We have to...
20:58Our family is complicated.
20:59We have to count on our children.
21:01I don't know how they're going to take it.
21:02Well, they can take it however they want.
21:04Both of them are grown-ups and they have their own lives.
21:08Fina, he's my brother-in-law.
21:10What will people think?
21:12And now he's going to think about what others think.
21:14Really.
21:15And you?
21:17What you feel, what?
21:18It doesn't matter.
21:22I could try this one.
21:24Well, of course.
21:28Get this out of here, please.
21:30And take it to dock 14.
21:31Go on.
21:33Quickly.
21:38Hi.
21:39Hi.
21:40What are you doing here?
21:41Didn't you have a meeting with Gerifaltes?
21:43Yes, but it's over.
21:45And how are you?
21:46How's work?
21:47Well, how will it go?
21:49Just like it always has to have a routine job.
21:52You don't need to think, right?
21:55And that funeral face?
21:58It's for Gema, right?
22:00Any news?
22:02She says she's going back to Benavente.
22:05What?
22:07She's leaving home?
22:09She's going back to her town?
22:10Yes.
22:11If things are still like this, that's what she says.
22:15Well, Joaquín, you know what to do.
22:17Change them.
22:18No, Luis, I don't have to change anything.
22:20She was the one who went to the party with a stranger.
22:23Let's see, brother.
22:25Are you going to let her go back home just like that?
22:28Luis, I don't care what she does.
22:32No, you don't care.
22:33Look, you don't want to see it now, but you want her.
22:36Look, Gema has always made me feel like someone insignificant.
22:41Because she always wants more and more and I can't give it to her.
22:44So go fry asparagus.
22:47Well, when she leaves, you'll regret it.
22:49No, Luis, when she leaves, I'm going to rest for the last time.
22:53And I'm going to stay wider than long, without tensions or reproaches.
22:56Luis, you're making a mistake.
23:00Look, if you're going to keep talking about my wife, I think I'd better go.
23:05Joaquín, one moment.
23:10I wanted to discuss another topic with you too.
23:13What do we do with Mario's letters?
23:15What do you mean, what do we do?
23:16Yes.
23:17Well, I don't know.
23:19Get rid of them.
23:21I don't even want to think what would happen if Madre found them.
23:23I don't think it's a good idea.
23:24After all, they're part of his memory.
23:27What do you think if we give them to Mario?
23:31I don't know, Luis. Do whatever you want.
23:34I've had enough with my marriage.
23:37Hello, María.
23:38Hello.
23:39If you're looking for Andrés, he just left.
23:41No, no, no.
23:43I was looking for Joaquín.
23:45If you're not very busy, can we talk for a moment?
23:50Yes, of course.
23:53Well, I'm going to go get a coffee.
23:55See you later.
23:56See you later.
24:00Well...
24:02How can I help you?
24:05No, it has nothing to do with me.
24:07It has to do with Gema.
24:14She's beautiful.
24:16Beautiful, beautiful.
24:18She lights up my eyes.
24:19Nothing.
24:22Dina, look.
24:23If you want my opinion...
24:27I think love is a gift that makes your life and it's not easy to find.
24:32That's why when you find it, you can't let it go.
24:35That sounds very nice, but...
24:36Oh, Dina, please.
24:38For once in your life, be selfish and think only about yourself.
24:42You're right.
24:45But I'm not a young girl anymore.
24:47Oh, no, no, no.
24:48Don't come to me with things of that age.
24:50She's full of life, look at her.
24:55Tell me what you see.
24:58Do you want me to tell you the truth?
24:59What do I see?
25:02Well, I see an older woman...
25:05with painted lips...
25:07thinking that makes her special.
25:11With painted lips or without painting,
25:13what I see is a beautiful woman...
25:16with a lot of charm, with a smile on her face, happy...
25:21I'm not surprised Don Damian fell in love with her.
25:26You are beautiful, inside and out.
25:29Think about what I said.
25:31Yes, I will.
25:32But I have to think about other things, too.
25:34I just hope she listens to me.
25:35I'm almost like her daughter.
25:37No.
25:38You're not almost.
25:39You're not almost.
25:43For now, I'm going to make her, if possible, more beautiful.
25:49Fina.
25:52Don't tell your boss about this.
25:55No.
25:56Let's not get her involved.
25:57No, no, no, no.
25:59I'm a tomboy.
26:00I promise.
26:03I like that one.
26:04Yes?
26:05Let's try this one.
26:07Look, Joaquín, I don't want to meddle in your private life.
26:11But...
26:13I know what happened between you two.
26:15I don't know why I imagined it.
26:17And I'm sure you served him well, didn't you?
26:19Your little trips around Madrid.
26:21Gemma is having a very bad time.
26:23And she's very sorry.
26:25What happened with Ernesto didn't mean anything.
26:27That's why I think you should forgive him.
26:32Yes, I witnessed those encounters.
26:34There was really only discomfort.
26:37Well, he saw her many times with that guy to be so uncomfortable.
26:41He asked her to leave him alone.
26:43But he wanted to sink her.
26:47Please, what he told you were lies, exaggerations.
26:49If Gemma loves you madly,
26:52she was unlucky enough to meet a man without scruples.
26:58Aren't you going to tell me anything?
27:00Look, Maria.
27:02The only thing I can tell you, without offending you,
27:04is that you don't meddle in my life.
27:07No, please, don't take this conversation the wrong way.
27:10I would never have taken this step if it weren't because I don't want Gemma to leave.
27:14And why is that?
27:15Because she's the only one who's helped me since I got to Toledo.
27:18The only one who I consider my friend.
27:20Because she's a good person and frank.
27:22She's a bit grumpy, yes.
27:24But because she speaks without scruples, with that wisdom
27:26that only some people have innately.
27:28Well, very well.
27:29I can see that you really appreciate her.
27:31But here, the only important thing is that my wife has betrayed me.
27:33Please, I ask you to reconsider your attitude.
27:35No, Maria, I don't have to reconsider anything.
27:37This conversation ends here.
27:40It makes no sense to discuss my intimacy with you.
27:43Joaquín, please, listen to me.
27:44I have nothing to listen to.
27:46I'm not going to forgive my wife because you don't want her to leave.
27:49I'm asking you to think about her.
27:52Did she think about me when she saw herself with that moron?
27:55Besides, how do I know that it's not a joke of yours
27:57so that your little friend doesn't leave?
27:58Because I'm telling you the truth.
28:00I don't care, Maria.
28:03And this conversation ends here.
28:05Okay?
28:07I have a lot of work.
28:09So if you'll excuse me...
28:24What are you doing here?
28:25I finally find you.
28:26I've been looking for you everywhere.
28:28I had to think about it and Luis told me you were here.
28:30Yes, this is the only place where I can think calmly lately.
28:34How are you?
28:36It's not my best day, really.
28:38I keep thinking about my mother.
28:41You can leave it closed because I have good news for you.
28:44What news?
28:46I've been calling my former colleagues
28:48and I've managed to get them to take care of your mother in a military hospital.
28:50Really?
28:52Yes, but only until the outbreak of the Asiatic flu happens in the hospital.
28:55Of course, if that's enough for me,
28:57I just want to get her out of there as soon as possible.
29:00The hospital is in Madrid
29:01and it has a very good psychiatric unit.
29:06I don't know how you do it, Andrés,
29:08but you always show up when I need you the most.
29:11I don't know how to thank you.
29:13You have nothing to thank me for.
29:15We can't let your mother run the risk of getting infected.
29:19And I would never leave you alone with a problem like this.
29:22Thank you.
29:23Thank you.
29:24Thank you.
29:36Wait, wait.
29:40There's something else I wanted to tell you.
29:45What is it?
29:47I already told you that what happened here was very important to me.
29:51I was very honest when I told you,
29:55and I want you to know that I don't regret anything.
30:01But...
30:02I don't think I like what you're going to say.
30:06I wish it were different.
30:09I wish everything we dreamed of together that day
30:13had never happened.
30:16But...
30:17But...
30:20even if it breaks my heart,
30:24I will stay away from you.
30:28Again?
30:30I'm going to be a father and it wouldn't be fair.
30:32Andrés, you don't have to give me explanations.
30:35I understand you perfectly.
30:40One of us had to be a little...
30:44sensible in all this.
30:47And this time it's your turn.
30:52I hear you say this and...
30:55although I think it's...
30:56the right thing to do,
31:00I can't help
31:01feeling what I feel for you.
31:05Me neither.
31:08Pico, I love you.
31:12I love you madly.
31:15I love you too.
31:18And this breaks my heart.
31:26I'm sorry.
31:27I'm sorry.
31:47Is everything ready?
31:48Yes.
31:49I've also taken the liberty of ordering a flower center
31:52and a large reserve bottle
31:54to receive Mrs. Lamberta at the suite.
31:56If you think it's appropriate.
31:57Of course.
31:58All this at the Hotel Embajador?
32:00Yes, yes.
32:01Where you told me.
32:02In the best suite.
32:03Perfect.
32:04And thank you for being attentive to the details.
32:09I've been looking for you.
32:11Do you have the sales report for next quarter ready?
32:14I'm finishing it,
32:15but I've been very busy
32:17with Mrs. Lamberta's visit tomorrow.
32:19You don't have it then?
32:21I'll have it soon.
32:23I asked him to give priority to Mrs. Lamberta's visit.
32:27I don't think there's anything more urgent.
32:29Well, I also asked for that report urgently.
32:32Isabel only followed my orders.
32:34Now she will take care of your matter.
32:39Don't just stand there and do what I've asked you to do.
32:44Right away, Mr. de la Reina.
32:53I think we've done the right thing hiring this girl.
32:55Oh, yes.
32:56What are you going to tell me?
32:58Don't even blink.
33:01Have you found the shoehorn?
33:03Don't fool her.
33:05Yes, you're in charge of that.
33:07It's dedicated to you exclusively.
33:09Preparing the visit tomorrow is a priority and you know it.
33:13So I'm not covering up for the secretary.
33:16If that's what you mean.
33:18What you're doing is clear.
33:20What you're doing is clear.
33:22You're trying to intimidate me, sister.
33:24Oh, you have the exclusivity of ambition.
33:26Well, well, my sister, that stranger.
33:29But the truth is coming to you.
33:31You've been secretly taking the subject of that French woman
33:34to be the first one to tell her father
33:36and so point you out.
33:38Am I wrong?
33:39Well, yes.
33:40Look, I haven't learned that from you.
33:42In fact, I had already told Luis
33:44and if I didn't tell him anything in advance, Andrés,
33:46it's because he didn't shoot me.
33:48I see.
33:49It's all against me.
33:51And as an extra, you're looking for a secretary
33:53to the extent of your interests.
33:55Bravo.
33:56And she's got you down.
33:57She's perfect.
34:00Look, if there's someone who's always wanted to appear
34:02and take all the honors,
34:04that's always been you.
34:06I have to remind you.
34:08The bochornous report in which you are the undisputed star.
34:12Come on.
34:13That report has nothing to do with this.
34:15But I see that you have chosen.
34:16Of course I do.
34:17Because it's another of your maquiavelic maneuvers
34:19to stay alone in the center of the stage.
34:23It's funny that you tell me precisely.
34:25You.
34:26Your performance today has been from Hollywood actress to the top.
34:29Come on.
34:30What a way to expose arguments.
34:31My God.
34:32You even had the detail of stabbing me.
34:34All thought out.
34:35Yes, ma'am.
34:36Jesus, when I make decisions,
34:38I do it in favor of the company and the family.
34:43You don't know how tired I am
34:45of your envies and your grudges.
34:48And those ways of a half-haired thug that you spend.
35:16Hello, honey.
35:20Are you coming from another of your walks through the field?
35:25I wanted to talk to you.
35:26Tell me.
35:29Maria, I'm sorry.
35:33I feel like I treated you yesterday.
35:38I was selfish and inconsiderate.
35:41And I didn't take into account your feelings.
35:44You were right.
35:45I was thinking about something else.
35:48What are you worried about, Andrés?
35:51I can't always pay for your worries,
35:53especially if you don't share them with me.
35:55You already know.
35:57Work things and the relationship with my brothers.
36:01Anyway, things that you don't blame yourself for.
36:04Quite the opposite.
36:06You're always there, thinking about me.
36:09Of course.
36:11I'm your wife.
36:14We're a family.
36:17And sometimes I forget.
36:21And that's why I want you to forgive me, please.
36:27Andrés, sometimes I feel like I mean nothing to you.
36:31Maria, that's not true.
36:33You're my present and my future.
36:36And I promise it won't happen again.
36:39You deserve all my attention.
36:40You've promised me this so many times.
36:43And then, whatever happens, happens.
36:47And I always stumble when you ask me for something.
36:49I'm tired of waiting for you, Andrés.
36:52Of chasing you.
36:54Of juggling so you can give me a little attention.
36:58I don't know, sometimes I think I should be tough on you
37:00and then things would be better for me.
37:04You're right.
37:06You're absolutely right.
37:09Is this how men work?
37:13Do I have to get serious?
37:16Because I'm the only one who surrenders here.
37:19And I always get much less than I give.
37:22It's true.
37:25And I don't blame you because you don't trust me.
37:29But I promise I won't let you down.
37:31I won't let you down, Bea.
37:34I love you so much, Andrés.
37:38But sometimes you make it very difficult for me.
37:41I've been an idiot.
37:44But I promise I'll make it up to you.
37:48Bea.
37:51Bea.
37:53So, will you forgive me?
38:02Sorry to interrupt.
38:04No, no, don't worry.
38:05You're just in time.
38:07What's up? Is something wrong?
38:10I've been thinking about Maria's pregnancy.
38:13The doctor who treats her is in Madrid
38:15and I'd like someone to watch her closely.
38:17And I thought maybe you could take care of it.
38:20Honey, I'm very well taken care of.
38:22Really.
38:23And I'm sure Jaime has a lot of work.
38:26No, no, no, Maria, don't worry about that.
38:27Really.
38:28He'll be delighted to follow you.
38:31Thank you for your trust.
38:32Thank you very much.
38:34You make me feel a lot more at ease.
38:36And you too, right, honey?
38:38Of course.
38:40Thank you.
38:49Joaquín.
38:51Are you alone?
38:53Yes, of course.
38:54What a surprise you came to see me.
38:56Surprise?
38:57The surprise I've had at work today.
38:59Guess why.
39:01I imagine Maria has gone to talk to you.
39:03That's right.
39:04Your dearest friend has gone to give me emotional advice.
39:08And you felt bad.
39:10What if I felt bad, Gemma?
39:12But how could you get the boss's wife
39:13into our marital problems?
39:16Well, Joaquín, I didn't look for it either.
39:17It just happened by accident.
39:19But how did it happen by accident?
39:21Gemma, he's my boss.
39:22Don't you realize?
39:23But he's also your cousin.
39:25And Maria and I trust each other.
39:26She was desperate.
39:28Look, what happens between you and me
39:29is between you and me.
39:30You don't paint anything, Tercero.
39:31I'm sorry.
39:33I didn't know what to do.
39:35The only thing you do
39:37is ruin it even more.
39:39And you've gotten my brother involved.
39:40You've gotten Gaspar involved.
39:41Who's going to be the next Gemma?
39:42The postman?
39:43I don't know what to do anymore.
39:44I don't know who to ask for help.
39:45Nobody.
39:46Nobody.
39:47Because he's not going to forgive you in life.
39:49So please pack your bags
39:50and go to Benavente or Madrid
39:52to take your sewing classes.
39:54Gemma is not going anywhere.
39:57And what are these screams?
39:59What do you want?
40:00For the whole house to find out
40:01about your intimacy?
40:04Gemma,
40:05I'm going to see if the gentlemen
40:06need anything else.
40:20The truth is that Andres
40:21has sinned of excessive jealousy.
40:23He has done it with good intentions,
40:24but I think you have too much work
40:25to bother with this.
40:27No, no, no.
40:28It's not a bother.
40:30Besides, I already told you
40:31that the follow-up of my pregnancy
40:32was carried out by my trusted obstetrician.
40:34And I don't want you to get upset,
40:35but you're not a specialist.
40:37No, no, I'm not.
40:39Nor do I intend to replace your doctor.
40:41I'm just doing some routine tests
40:42to make sure everything is fine.
40:43I'm very well taken care of, Jaime.
40:45I don't doubt it.
40:47Maria, it's just a check-up.
40:49Your doctor will understand perfectly
40:50that if your brother-in-law is also a doctor,
40:51he wants to do a follow-up.
40:52That's precisely the problem.
40:55I'm not following you.
40:57Look, Jaime,
40:59you're my brother-in-law,
41:01and I don't know if someone in the family
41:03and also a man
41:05is the right person
41:06to do that kind of follow-up.
41:08I see.
41:10The treatment with a gynecologist
41:11is something very intimate for a woman.
41:14And I don't know if having that kind of relationship
41:16with you,
41:17living in the same house
41:18and in the same apartment
41:19is a good thing.
41:20No, no, I understand perfectly.
41:22I didn't want to say it in front of Andrés
41:23because I was embarrassed.
41:25But I don't think it's necessary to pretend.
41:27And I'm very sorry
41:28to have put you in that situation.
41:29It wasn't my intention.
41:31I'm sorry
41:32for not being more honest.
41:33Really.
41:35I didn't know how to address the issue.
41:37Well, it's all clear now.
41:39And in any case,
41:40you know where I am
41:41if you need me.
41:43Of course.
41:44In the room next door.
41:45Yes.
41:46And that gives me a lot of peace of mind.
41:47Thank you.
41:48No, you're welcome.
41:50Okay.
41:51I'll leave you.
42:04María, can I come in?
42:08Gemma, what's going on?
42:11It wasn't a good idea
42:12to ask you to talk to Joaquín.
42:16He doesn't even want to see me now.
42:18What do I do?
42:20What do I do?
42:25What happens between Gemma and me,
42:26mother,
42:27stays between the two of us.
42:28It's none of your business.
42:30Don't even mention it.
42:31If you think I'm going to stay
42:32with my arms crossed
42:33watching you destroy your marriage,
42:34it's because you don't know me.
42:36I have a reason.
42:37You have a wounded man.
42:39And that's not a reason or a reason
42:40to throw everything away.
42:41Have some head, for God's sake.
42:43She did what she did, Gemma.
42:45She learned her lesson.
42:47And now she's desperate
42:48for you to forgive her.
42:49Oh, I see
42:50you went to her
42:51with your lamb face
42:52to ask her to defend you,
42:53didn't you?
42:54She has her reasons.
42:55Stop it, Joaquín.
42:57You're very wrong.
42:59It's quite the opposite.
43:01She asked me not to meddle
43:02so you wouldn't get angry anymore.
43:04I see she's listened to you.
43:05Of course not.
43:07I can't stand how you're suffering,
43:08knowing, as I know,
43:09that you both love each other.
43:12How can you say that, mother?
43:14This isn't love.
43:16This is...
43:17a daily struggle.
43:18And I'm making an effort every day.
43:20I've been making an effort for years
43:21and I only get reproaches.
43:23And more reproaches.
43:24And she always wants more.
43:26And in the first shift,
43:27she went with a guy.
43:28But she doesn't see it,
43:29that I can't take it anymore.
43:31But you love her.
43:33Son,
43:35love doesn't always go
43:36down a straight path.
43:38But it's still love.
43:40No, I can't be like you and father.
43:42I can't accept that my wife
43:43doesn't love me
43:44and I continue with her.
43:48I'm sorry.
43:49I didn't mean to say that.
43:51Forgive me.
43:53I think it's best
43:54if we end this conversation.
43:56No, mother.
43:57I really...
43:58Please, leave me alone.
44:00Please.
44:17Please.
44:35Yes, look,
44:36I'm Mercedes' daughter.
44:37I told her partner
44:38that I wanted to move my mother
44:39to the city center
44:40until the Asian flu outbreak
44:41is resolved.
44:43Well, I'd like to do it
44:44tomorrow.
44:47What?
44:49But since when?
44:52And how is she?
44:54But you didn't tell me anything...
44:56It's okay.
44:57It's okay.
44:58Thank you.
44:59Thank you.
45:05Is something wrong?
45:07They just told me
45:08that my mother has contracted
45:09the Asian flu.
45:10Don't tell me that.
45:12Just now I had found
45:13another place to move her
45:14and they just told me
45:15that no,
45:16that it's impossible
45:17to move her right now.
45:18And where were you going
45:19to move her?
45:20To a military hospital
45:21that Andres had found for me.
45:24I don't know what to do.
45:31I'm very sorry, darling.
45:33Did they tell you how she is?
45:35They just told me
45:36that she's stable,
45:37nothing else, but...
45:40But you see how I was right.
45:42It was better not to bring her.
45:43If she has fallen ill now,
45:44she's probably been infected
45:45with the virus for days now.
45:48What does that mean?
45:50Well, obviously,
45:51it was a risk for everyone here.
45:54I'll take my car tomorrow
45:56and I'm going to get my mother
45:57no matter what.
45:58But, Begoña,
45:59you can't do that.
46:00Why not?
46:01What do you mean, why not?
46:02Because you could get infected.
46:03I don't care.
46:04My mother needs me, Jesus.
46:05I won't allow it.
46:06You're my wife
46:07and you won't put yourself
46:08in danger for going to see her.
46:09And what are you going to do?
46:10Are you going to lock me up?
46:11You have to be reasonable.
46:12I'm telling you
46:13for your own good,
46:14for Julia's good
46:15and for everyone's good.
46:19Right now,
46:20all I care about is my mother.
46:21And I'm going to do
46:22what I have to do,
46:23which is take care of her.
46:24So I'm going to see her
46:25as soon as possible.
46:26I don't care what you say.
46:28How can you be so stubborn?
46:30Begoña!
46:34God.
46:40I see your reflection in the glass
46:42as an apparition
46:43in a story by Alain Poiret.
46:47I've been waiting for this moment
46:48for an eternity.
46:49How's it going in Toledo?
46:50Good.
46:51I've ordered a pair of new shirts
46:52for the tailor.
46:53I've taken a chance
46:54with the colors.
46:55Things of love.
46:56And I was about to tell her
46:57that I was going to start
46:58a new suit
47:01for my boyfriend.
47:03No, but I've stopped
47:05because I still don't have
47:06the girlfriend's t-shirt.
47:08Have you had time to think about it?
47:10Of course I have.
47:12Of course I've thought about
47:13what you told me.
47:15Begoña, is something wrong?
47:18You seem serious.
47:20Well, yes.
47:22But it has nothing to do with you.
47:25Gema and Joaquín
47:26are going through a bad time
47:27in their marriage.
47:29And what's wrong with them?
47:30No, I don't want to talk about that now.
47:32I've been thinking about that problem
47:33all morning.
47:35I'm very sorry
47:36that you have those worries.
47:39I don't have more worries
47:40than a lot of people.
47:43Life isn't easy for anyone.
47:46Although I've had
47:47my sweet moment today.
47:50Thanks for the muffins.
47:52I'm glad you liked them.
47:54I saw them at the pearl shop
47:55and I thought
47:56they were made for you.
47:59During the day,
48:00we have to find
48:01a moment of peace.
48:04Even something
48:05like happiness.
48:07This morning,
48:08I had sweets.
48:10And tonight,
48:12we have talks
48:13here in the gallery.
48:16For me, too,
48:17they're wonderful moments.
48:18That's why
48:19I want to have more like these.
48:22I wish you were
48:23always close to me.
48:27Me too.
48:30That's why
48:33I want to marry you.
48:38Me too.
48:47I think it's one of the happiest days
48:48of my life.
48:50We'll get married as soon as possible.
48:53I'll order the suit tomorrow.
48:54You can order the dress.
48:55Whoever you want.
48:56I have to talk to Don Agustín.
48:57No, better with Mateo.
48:58He's more like family.
49:00He's the guy.
49:01And we also have to think
49:02where to make the invitation.
49:03Stop it.
49:05Calm down.
49:06I said yes.
49:08But I want us
49:09to go step by step.
49:10I haven't told my kids yet.
49:12That's why I haven't put on
49:13the ring yet.
49:15I'm sorry.
49:16I let myself go.
49:18You're right.
49:19I haven't talked to my kids either.
49:20But tomorrow won't happen.
49:22No.
49:23It won't happen.
49:26I can't wait
49:27another day.
49:28Me neither.
49:30I'm crazy about you.
49:31I want you.
49:37Claudia.
49:40What?
49:53I have the honor
49:54to introduce you
49:55to Mrs. Patricia Lambert.
49:57Jesús de la Reina.
49:59Nice to meet you.
50:00What do you have
50:01with that kid?
50:02What do I have?
50:03Claudia, we know each other.
50:05You only laugh
50:06when you don't like a kid.
50:08What are you saying?
50:09Are we done?
50:10No.
50:11Just a few more questions.
50:12Have you suffered pelvic pain
50:14or leg swelling?
50:15Look, I'm perfectly fine.
50:16And this is a nightmare.
50:19I won't bother you anymore.
50:21If you want,
50:22you can give me
50:23Sub-Zetra's number
50:24and I'll talk to him.
50:25I have a direct question.
50:28Would you come with me
50:29to, I don't know, visit something?
50:31And maybe
50:32have dinner later?
50:36Mom?
50:38I'm already here.
50:41Gervasio sold me his share
50:42because he wanted to.
50:44And in full of his faculties.
50:46I still don't understand it.
50:50What did you do?
50:52Either you leave here right now
50:54or everyone will find out
50:56that you are his inverse.