Sueños de libertad - 101
Sueños de libertad - 101
Transcript
00:00What you've done is your fault, and only yours.
00:10And with that, what do you mean?
00:12You've destroyed our marriage.
00:14Well, we were both on our way to the winery.
00:19Claudia, what's wrong?
00:20Oh, I don't know, something's not right.
00:22Mom, I have to think.
00:25It's outrageous to think that this isn't a love letter.
00:29No, Joaquin, no.
00:30My father wasn't one of those men.
00:32He was married, he had three children, he loved us madly.
00:35It's not about resting just today.
00:38Today and tomorrow.
00:40Until we prove that things are as they should be,
00:43it can be three days or three weeks.
00:47How are you?
00:50Well, look, with a feeling of terrible guilt.
00:53Because my mother is at the sanatorium again.
00:55Alone.
00:56Look, I can't publicly acknowledge you as my son,
00:59but I'd like you to give me a chance to treat you as such.
01:03I'm glad you didn't go to the sanatorium,
01:05that you didn't listen to me.
01:07What's the point of going to the sanatorium
01:10if what I want most is here?
02:26Hello.
02:27Hello.
02:28How's the distribution of glasses?
02:30Very well.
02:32But I'm not exaggerating when I say that
02:34around 20% of the workers needed glasses.
02:38That's a lot of people.
02:40You can say that.
02:42I imagine that for Don Evaristo
02:44it wasn't a priority in the ophthalmological examination.
02:47So many of them didn't even know they had sight problems.
02:51And how about you?
02:52How are you adapting to the routine?
02:54You don't know how eager I was to go back to the consultation.
02:57I was so eager to go back to work.
02:59We missed you around here too.
03:04Any news?
03:05I've met Jaime at the ophthalmology
03:07and he told me you were in charge.
03:09Yes, no, it's been a pretty quiet morning.
03:11No patient has come.
03:13No one has come?
03:14Well, Andrés has come, he wanted to talk to me.
03:17Talk to you?
03:18Yes.
03:19Andrés has come, he wanted to talk to me.
03:21Talk to you? About what?
03:25Well, he's come to tell me
03:27that he felt a lot about what had happened to my mother
03:29and that he could count on him
03:31despite everything that had happened between us.
03:33I imagine you let your mother back into the sanatorium, right?
03:37This morning.
03:39I'm very sorry.
03:40It must have been very hard.
03:44But I'll be more vigilant there.
03:46It will be more difficult for him to think about the other day.
03:48I don't know, Luz.
03:49The poor thing, all she wants is to be with me
03:51and I'm not even able to give her that.
03:53Then go see her more often.
03:55I can't, I'll have to wait.
03:57Her doctor has told us that visits are currently canceled.
04:00Really? But how is that possible?
04:02Well, because she says she has to adapt again
04:04to the rhythm of the sanatorium.
04:05But she won't understand.
04:07I feel like I've failed her.
04:08It's like...
04:09like the fish that bites its tail.
04:12Look,
04:13that's why I think it's going to be very good for me to be here.
04:15To think about something else.
04:17I agree.
04:18And I'm very happy with your decision.
04:20But little by little, what has happened to you is very serious.
04:23Take your rest.
04:25We need that wound to heal well.
04:28I'll keep that in mind, Doctor.
04:30I mean it.
04:32You know how things work here.
04:34Today we haven't had much tracking,
04:35but at any moment four patients come and we can't take it anymore.
04:38That's true.
04:39By the way, what a good idea.
04:44Look.
04:47This arrived the other day.
04:49What is it?
04:50It's an invitation for a nursing congress
04:52to be held in Madrid.
04:54If we want you to leave that house,
04:56it's better if you're sitting in an auditorium listening,
04:59instead of going from there to here to see patients.
05:01Will there still be room?
05:03Of course.
05:04You'll be with colleagues, you'll share experiences,
05:07you'll learn new techniques.
05:09It will be good for you to think about something else
05:11other than your mother or your family.
05:14What do you think?
05:16I think it's a very good idea.
05:18Like all the ones you have.
05:20I'm going to make a call.
05:21Come on.
05:33This is on point.
05:36Yes.
05:39You're on time.
05:42It's nothing.
05:43But with the tricks Sara has taught me,
05:45I think I cook better.
05:49What's wrong?
05:51Something I don't know?
05:52Did you check the pipes?
05:54No, no, no. Yes, yes.
05:55Everything is fine at home, yes.
05:57Then why do you make that face?
06:02And Gemma is insisting that you don't go.
06:05Has there been another breakdown?
06:07No, no, no.
06:08No, no.
06:09There's no other breakdown.
06:10Then why do you look so sad, son?
06:13Well, mother, because I have other problems.
06:16Come on, cheer up.
06:19You have reasons to be happy.
06:20Do you want lemonade?
06:22Your wife made it. It's delicious.
06:26Son, what do you have to complain about?
06:30Life makes you smile.
06:32Yes, a lot.
06:33You can't complain.
06:35Look at Isidro or Mrs. Mercedes.
06:38Well, mother, I'm not on the brink of death,
06:40but I have other problems too.
06:42Let's see, son.
06:44When life seems like it's going to go wrong
06:46and that everything is going to go wrong
06:48and things get fixed,
06:49it's a lesson that we get
06:51so we can trust it.
06:52Yeah, but not always.
06:53In life, everything goes well.
06:55If you scratch a little,
06:56there's always something good.
06:58Look, for example,
06:59the flood of the house
07:01has helped you and Gemma
07:03live together alone for a while.
07:05And it was necessary.
07:06And living here has made me remember your aunt.
07:10And they are very beautiful memories.
07:12And isn't it a little naive
07:14to see only the good side of things?
07:16It may be,
07:17but it helps to be better.
07:19I've also thought about you.
07:21How are you?
07:22It's true that your brother hasn't found a woman
07:24to start a family yet,
07:26but look at him.
07:28Executive of a company.
07:30What he was looking for and what he deserved.
07:32And you?
07:33You work a lot, a lot.
07:35It's true.
07:36And your wife too.
07:37Son, but you are a married couple.
07:40Let's see when you give me a grandson.
07:42Oh, mother, please.
07:43You argue a lot, it's true.
07:45But the loyalty you feel for each other
07:47is very difficult to find.
07:49No, mother, it's not like that.
07:51Digna.
07:52Today we are in the picture.
07:53Almost no one has come to eat.
07:55Do you want me to serve the first course?
07:57No, no, no, I'll go.
07:59So I'll tell you how I seasoned the stew.
08:03Alessio, Sara.
08:05Don't move, huh?
08:06He has to rest.
08:09No.
08:13Were you going to tell your mother everything?
08:15Of course.
08:17So that she is warned when she returns home, right?
08:21Or do you think she will think
08:22when she sees that we are not sleeping together?
08:24We can solve it, Joaquín.
08:26Please, let's talk, you and me,
08:27and we will find a way to ...
08:29No, Gemma, no, no, no.
08:30I'm fed up with lies.
08:32And don't even think about warming my mother's head
08:34so that she stays here longer.
08:37I know you.
08:38No, please, Joaquín.
08:39Listen to me, I beg you.
08:40No, Gemma.
08:41For me, the sooner people know what you've done, the better.
08:54Come in.
08:57May I?
08:58Yes.
09:01How are you?
09:02How are you?
09:03Better, much better.
09:06Carmen told me you had a heart attack.
09:08Yes.
09:09I hope it stays that way.
09:11But ...
09:12Do you feel bad?
09:13Does it hurt?
09:15No, no, no.
09:16Dr. Borrell has reassured me.
09:18She told me that ...
09:19Well, it's normal to bleed in the first months of pregnancy.
09:22Yeah.
09:23But hey, sit down.
09:24Yes.
09:35Mateo, if I tell you the truth,
09:37I'm scared to death.
09:39I'm terrified.
09:40Well, but Carmen told me you're not in danger.
09:43No.
09:44I'm not, but ...
09:46The baby is unknown.
09:48Look, Mateo, if something happens to him, I'll go after him.
09:51No, no, no.
09:52But don't think about that.
09:54Have faith.
09:55Yeah.
09:58This baby, the most important thing I have, you know.
10:01And I want this to go well.
10:04In all my prayers,
10:06I ask for your health and the baby's.
10:08Thank you very much, Mateo.
10:10I don't hate Rosa either.
10:11But apart from my prayers,
10:14I want you to know that you have me here for whatever you need.
10:20Thank you, Mateo.
10:21It's true that since you're here,
10:24I feel a lot of peace.
10:26I feel the same way.
10:29I don't know, since I met you,
10:31I feel like ...
10:33the need to protect you.
10:41Much more now, right?
10:43You're a priest.
10:44Of course.
10:46Do you know if you can stay in La Colonia?
10:49Yes.
10:50I can practice with Don Agustín.
10:52Really?
10:53I'm convinced.
10:55And what did you tell them?
10:56Because, coming from you, I'm sure there's nothing wrong with Don Agustín.
10:59No.
11:00I just told them that I felt very close to the parishioners of La Colonia
11:05and that I thought I could do a very nice job.
11:08Well, and you haven't fooled them,
11:10because we really need you here, Mateo.
11:16Can I come in?
11:17Come in, yes.
11:18How are you, Claudita?
11:20Better, much better.
11:21I'm glad.
11:22Take this, it will make you feel very good.
11:24Carmen, do you mind if I sit at the table, please?
11:26Of course.
11:27Thank you very much.
11:28How are you, Carmen?
11:30How's it going with Tasio?
11:32Well, he worries me.
11:34Why?
11:36Because I went to look for him in the warehouse to tell him what happened.
11:39Carmen!
11:41Claudia, my daughter, who is the father of the child.
11:43I say that he will have to know.
11:45Yes, but I don't say it for that.
11:47I say it because I don't want him to be worried.
11:50Well, one thing.
11:52I went to look for him and he wasn't there.
11:54Paco, the skinny one, was there.
11:56And he told me that he took the afternoon off.
11:58Afternoon off?
12:00Do you think it's normal for him to take the afternoon off to go for a walk without telling me or Pío?
12:05But please, Carmen, he didn't go for a walk either.
12:07Don't think like that either.
12:09I'm telling you, he didn't take the afternoon off to go pray for his sins.
12:15What a aim you have, huh?
12:18No one would say it's your first time.
12:20Surely you're not fooling me if you've been shooting with a shotgun since you were a kid.
12:24Well, the truth is that at some fair I have taken a rifle to throw cans.
12:27And I have won some or another bottle of anise, Mr. Damián.
12:30But not as much as this.
12:31So it's just that you've come out to me.
12:33Do you think the aim is inherited?
12:35At first glance, it is.
12:36You have not only beaten a perdiz, you have a hunter's race.
12:39Of course, you still have a lot to learn.
12:42Well, that's life, right?
12:43One always learns new things.
12:45Yes, you're right.
12:46Although sometimes we forget it.
12:48In your case, I have taken a little more caution from you.
12:51You rush.
12:52Yes, I've been pretty rushed since I was born, basically.
12:55Well, going out hunting with me is going to be good for you.
12:59You have to know how to wait, observe, to be able to anticipate the movements of your prey.
13:04And then...
13:06Go ahead, Blanco.
13:07I understand that I will not learn all this overnight.
13:10Of course not.
13:12But hey, I'll teach you.
13:16So that means you'll let me accompany you to the field more times?
13:20Would you like that?
13:22Of course I do.
13:24Well, I'll be delighted to refuse.
13:25I've enjoyed it a lot, I assure you.
13:27Of course, the rules are the rules.
13:29And you're going to have to pay the tribute of the novice hunter.
13:33You stay with the birds, right?
13:35That too.
13:36But no, you're going to clean my gun.
13:39I'll leave it to you as new.
13:40You'd better.
13:41Otherwise, there is no deal.
13:43No more lessons, no more time together.
13:46I'll manage.
13:48As soon as we get home, bring these beauties to the kitchen
13:51so that Teresa and Gemma can clean them and leave them fresh.
13:55And I'm going to change, to go to the factory.
13:58Okay.
13:59Thank you very much, Don Damián.
14:01No, thank you, son.
14:04For this time.
14:05This is also pending.
14:09How has Mergeres been?
14:12Well, with his doctors he will be much better attended.
14:18I couldn't stand another scare like the one he gave us.
14:22It was a disgust, yes.
14:24Well, changing the subject, we already have a secretary.
14:28I've already called the best secretariat academy in Toledo and another one in Iescas
14:32and they're going to do a pre-selection with the best students who have passed through there.
14:35You could also have done a selection in person, right?
14:37You could have done it too.
14:38Whenever you want.
14:39No, no, no, we know your criteria.
14:41What if you don't?
14:42Nothing, that at the end of the day I assure you that you will have someone who will help you.
14:46And I assure you that you will have someone sitting there in the secretariat.
14:49Let's see if it's true.
14:50But have experience, please.
14:51And make possible references.
14:53Yes.
14:54We can't waste time selecting them.
14:56Don't worry.
14:59Hey, Marta.
15:00And this, this from here, from the newspaper España Hoy?
15:04So with double underline?
15:05What is it?
15:06Yes, what he has pointed out to you is that they have called because they want to make a report to the company.
15:10With photographs, interviews and those things.
15:13I see.
15:14But that's press at the national level, right?
15:17And when would it be?
15:18Well, we haven't specified dates.
15:21In fact, I have been quite dodgy.
15:23I told them that I would call them when I clarify to see if we decide.
15:26And why did you do that?
15:28Because lately our family has been through a lot.
15:31And I don't think it's wise to get a journalist to ask questions that may create bad publicity for us.
15:36But what are you saying, Marta?
15:38Are we going to take advantage of free advertising for all of Spain?
15:41Jesus, they are not only interested in the company.
15:45So what?
15:46They want to make a report about us, the Queen's.
15:50You know, a report that is pure gossip to open a section of social echoes.
15:55Oh.
16:02Hello, Tassio.
16:03Hello, Mrs. Dina.
16:05What are you doing with those shotguns?
16:07Well, cleaning them.
16:08You will see that I went hunting with Mr. Damián.
16:11Ah.
16:12And how was it?
16:13How did you spend it?
16:15Well, look.
16:18I bring him two beautiful perdizas and a faysan.
16:21The faysan is a work of Mr. Damián, I don't see what aim he spends.
16:24And how is it that Damián has taken you hunting with him?
16:27Well, I don't know.
16:28I guess he needed someone to take him the rifles and ammunition.
16:31And since I'm his driver, I'm sure I'd catch him.
16:34Well, I guess you're going to go out with him more often.
16:38Well, I haven't been bad at all, I tell you the truth.
16:41And have you had a good time?
16:44Very good.
16:46I'm glad for you.
16:47And for him.
16:48I hadn't seen him so relaxed in a long time.
16:50You think?
16:51Yes.
16:52He's been very worried for a while.
16:54First, Isidro's illness and then his mother-in-law's.
16:57But this morning I saw him especially happy and smiling.
17:02It must be that your company does him good.
17:04So do merits, because he likes to be with you.
17:07Thank you very much, Mrs. Dina.
17:09The truth is that your words are knowing me to glory.
17:13It's still very, very, very, very exaggerated, Tasio.
17:16I'd better know about those loopholes.
17:18But I'm sure I'm not going to catch that one.
17:22They would interview us.
17:24Photographs of us, the house, the alcoves.
17:29But can we control a little what is said and what is not?
17:33I guess.
17:35But it seems to me that you expose yourself too much, Jesus.
17:37But don't you see, Marta?
17:39As you have said, our family has gone through a lot.
17:42And the few times we have been in the press as a family
17:45have been for events that have been about to destroy our lives.
17:48But with this,
17:50with this now we can show ourselves as what we are.
17:53Like a great family of united businessmen, despite everything we've lived.
17:57I don't know.
17:59Although maybe it's a way to open a new chapter.
18:02But...
18:03Record it with fire, sister.
18:05We are a united family and that's what we're going to give them.
18:07Well, what about the united family makes me laugh.
18:10Yes, it is true that maybe
18:13it would be a way to make a good ad
18:17and gain ground for the competition.
18:19The competition. Floral has never done anything like that.
18:22We will be the first and those who come after us will laugh.
18:26Let's go.
18:30Let's do it. Yes, you have convinced me.
18:32That's it. Who called you? What's the journalist's name?
18:34I don't remember. It's written here.
18:38Oh, it's Rodolfo.
18:42Rodolfo Ramírez?
18:44Do you know him?
18:48This is bingo.
18:51We met once in Madrid at the casino, at an event.
18:54Well, let's leave it there.
18:55Oh my God.
18:56Well, beyond the casino, do you think he's a professional journalist?
19:00Well, yes.
19:02But more than anything, I think he's a guy we can bring to our turf
19:05and get a report that will put us on a pedestal.
19:08You take care of calling him and I'll take care of the secretary.
19:10At your service.
19:12That sounds good here.
19:18Your coffee, Luis.
19:19Yes.
19:20It was a coffee, wasn't it?
19:21Yes, yes, a coffee. Thank you, Gaspar.
19:22It's just that I have my head upside down.
19:24Tonight, everyone comes from Saponificación
19:26to hear the game between Real Madrid and Wiener
19:29and I'm not cooking enough, really.
19:31The truth is that I'm not following the cup.
19:33Are you serious?
19:34Didn't you hear about the three goals that the Turks scored?
19:37Well, goals, goals.
19:38Now, the referee took a penalty.
19:40Excuse me, Gaspar.
19:41The person you were expecting is arriving.
19:43Who told you to stop me, man?
19:47Mr. Garcés, thank you for coming here.
19:50Don't worry.
19:51Fermín?
19:52Yes, it's me.
19:53Luckily, Toledo was on my roadmap.
19:56This week, I attend a topography seminar in the city.
20:01Is something wrong?
20:03No, I don't know.
20:05It reminds me a lot of a person I met a long time ago.
20:10I think it would be better not to keep hiding it.
20:14I lied about my name.
20:16I'm...
20:18I'm Luis Merino.
20:20Gervasio Merino's little son.
20:22And why did you give me a fake name?
20:25Because I was afraid that if...
20:27if I told you who I was,
20:30you wouldn't accept this meeting I wanted to have with you.
20:33Please, have a seat.
20:35Look, if it's not about business,
20:38I'd appreciate it if we left it here.
20:40It's...
20:41Mr. Garcés, it's just that...
20:44I want to know things about my father.
20:46And I know you were good friends.
20:48Please, have a seat.
20:49Many years have passed.
20:51I barely saw you a couple of times.
20:53The person I saw most often was your brother, Joaquín.
20:58Although it's undeniable that you look a lot like your father.
21:02They usually tell me that.
21:04It's only going to be a few minutes.
21:06Really.
21:10Thank you.
21:16Tell me.
21:17What do you want?
21:18I already told you that I just want to get to know my father better.
21:22He passed away too soon.
21:24How did you find me?
21:26I haven't stepped foot in this factory for at least 20 years.
21:29Well, it was because of some work we did at home.
21:31An old file of my father appeared and...
21:36it turned out that it had a double bottom.
21:39And there I found some letters...
21:42some private letters from you.
21:46Letters?
21:48Yes, but I haven't read them.
21:50I assure you.
21:51But I was hoping that you could clarify...
21:54Well, as you will understand, I don't remember what I put in those letters.
21:59Are you going to give them back?
22:01Is that what you made me come here for?
22:02I already told you that I haven't read them.
22:04But I have been able to see a little above the header and...
22:07Look.
22:08I'm sorry, but I'm a very reputable professional.
22:11And a married man.
22:13With children and grandchildren.
22:15And the same could be said of my father.
22:18That doesn't mean that, in spite of everything,
22:20you had a special friendship.
22:25What are you insinuating?
22:27How dare you?
22:29I don't want to offend you or reproach you for anything.
22:31For me, this is not easy, Mr. Garcés.
22:34But I need to know certain things about my mother's true personality.
22:38All this is absurd.
22:41I don't remember at all having written any letter to Gervasio Merito.
22:46I dealt with professional matters with Don Damián de la Reina.
22:50I have those letters.
22:52Signed by his fist and letter.
22:54You've read them, haven't you? Stop lying to me.
22:59Here's one of them.
23:11There's his signature.
23:13I recognized it.
23:16I didn't...
23:20I didn't write this.
23:22And I won't allow you to accuse me of anything.
23:25Far from my intention.
23:27I just want to know the truth, Mr. Garcés.
23:30My father was a reference for me.
23:33An example to follow.
23:36And I need to know certain things.
23:38To clarify them.
23:41Please.
23:42Only you can help me understand it.
23:45Leave me alone.
23:47You're going crazy.
23:50What a waste of time.
23:56Good afternoon, ma'am.
23:58How can I help you?
24:00Vera, I...
24:05I like the perfume you're wearing.
24:07Do you sell it here?
24:09Everything I like can be found in this store.
24:12Perfumes, soaps, makeup and everything else.
24:15Whatever you want.
24:17How do I know I can trust you?
24:19Oh, ma'am, you can trust me.
24:22I have very good taste.
24:26Are you alone?
24:28Carmen is in the warehouse.
24:30And Claudia? Is she better?
24:32Well...
24:36I've read the doctor's report and it says extreme exhaustion.
24:40She didn't even know it was a disease.
24:42Much less that she couldn't ask for a leave.
24:44Well, if Dr. Borrell says so.
24:49This Claudia, when something doesn't happen to her, something else happens to her.
24:51A woman who is really sick.
24:53But a while ago I went to her room and she told me she was a little better.
24:56Will she come tomorrow?
24:58No, no.
24:59The doctor said she has to rest for a few more days.
25:04And you're going to have to take care of her?
25:06Well, Carmen and I have to split up.
25:08To bring her food, to see if she needs anything.
25:11Why do you say that?
25:13Because I want to escape with you.
25:15To Madrid.
25:17Wherever.
25:18I can.
25:19And I want to.
25:20When?
25:21Well, we're going to have to wait a few more days.
25:23Let's see if she recovers little by little.
25:26Not one more.
25:27For God's sake.
25:31Hello.
25:32But weren't you in the warehouse?
25:35Yes, but I went to the dock for a moment to see if I could see Tasia.
25:39And nothing.
25:40She didn't come by while I wasn't there, did she?
25:42No.
25:43Well, nobody saw her.
25:45She took the afternoon off without telling me or Pío.
25:54Perfumerías de la Reina?
25:56Mrs. Romero?
25:58I'm Marta de la Reina, I don't know if you remember me.
26:02No, Claudia is not in the store because she is sick.
26:09No, no, it's nothing serious.
26:11It's just that the doctor in La Colonia recommended that she rest for a few days.
26:15No, no, nothing serious.
26:17I'll tell her to call you as soon as she can.
26:20Thank you.
26:23Claudia's mother, who didn't know she was sick.
26:32I'm sorry.
26:46Reina.
26:48The torture is finally over.
26:50What's going on?
26:52I've finished with the period.
26:54I can go back to the bottom, not even looking for the baby.
26:57Well, yes, you can get it this month.
27:00Because a baby of three and a half kilos, a seven-month-old,
27:03if you don't sell it to San Ramón ...
27:06No, Nato, let's go.
27:08That's for not telling us that you can't go to the flu for a month.
27:11Shut up, shut up.
27:13You don't know how bad I had it with Jaime.
27:16He's a better doctor than I thought.
27:19He caught the flight that was pretending the flu.
27:21Did Andrés tell you anything?
27:23No, no, no.
27:25I told him the Chinese story that I was afraid that intimate relationships would affect the baby.
27:29Come on, I'm going crazy.
27:31My God, you have resources for everything.
27:34I wish I were the same.
27:37What's wrong with you?
27:40Ernesto fulfilled his threat.
27:43What?
27:44That I call and tell Joaquín everything.
27:47And I have a story at home that I won't even tell you.
27:50My God.
27:52And how did he react?
27:53Well, bad, very bad.
27:55I've never seen him so hurt.
27:59Excuse me if I interrupt you.
28:01Did you tell my mother?
28:02She's not in the kitchen. Do you know where she could be?
28:04Yes, she's in the service room.
28:06She's been out for a while.
28:07Is she not feeling well?
28:08No, no, no, no.
28:09The dream of after eating that doesn't forgive.
28:12You know what? I'm going to take a nap too.
28:20Should I make you something?
28:21Let's go to the kitchen and I'll make something.
28:24No need, I've already chopped something in the canteen.
28:27Wait, wait.
28:29What do you want, Gemma?
28:31That I need to talk to you about Joaquín.
28:33Please.
28:36Is Mrs. López Casas' thing ready?
28:38Yes, let's see.
28:39Yes, it's this box.
28:41He asked for four boxes of women's rings for his daughters and daughters-in-law.
28:44Is the package for Mrs. Vera Martínez from Valladolid important?
28:47Yes, the one with the baby-sitter cases.
28:49I think he must have had a lot of them because he asked for a lot.
28:53So the package is not closed yet?
28:55No, I was going to close it right now.
28:56Okay, we're going to add some lavender soaps as a gift.
28:59She's an excellent and very loyal client.
29:02And what do you think if instead of that we put a couple of lipsticks?
29:06So that she continues to feel beautiful after the pregnancy.
29:08Like a live stream.
29:10I love that live stream.
29:11Yes?
29:13Well, I can also be very direct if I propose to her.
29:17Really?
29:19Yes.
29:25Oh, Marta.
29:27I'm dying to kiss you.
29:31On the neck, on the cheeks, on the lips.
29:38Well, I would still be more direct.
29:41Because if a sailor makes me crazy in your mouth.
29:47I need a mother's escape now.
29:56Good morning.
29:57Good morning.
29:59Has Mrs. Marta already left the tab?
30:01Yes.
30:02Thank you for blowing me.
30:04It's done?
30:06What a bad time I've had.
30:08Hello, Tassio.
30:09Hello, good morning.
30:10I got the message that Carmen is looking for me and I don't know if they know where she can be.
30:13Ah, well, she will have taken the opportunity to go see Claudia or she will be having a coffee in the canteen.
30:17Okay, thank you.
30:18Well, I'm going to keep looking for her.
30:24This is what it can't be.
30:26We can't lower the guard.
30:27My heart is almost coming out.
30:28He's well used to us, to trust us.
30:31Marta, you're right, but I look at you and I can't continue.
30:35This is what must be avoided.
30:37We only have one day, this is going to be impossible.
30:39I know, Marta.
30:40We'll be careful, I promise you.
30:42No.
30:45Marta, what's going on?
30:46This is not a game.
30:48I know, I know it better than anyone.
30:50And even if the person who comes in and discovers us is a relative or an acquaintance, it could be our end.
30:56But look at my father, he's the closest example and he's capable.
31:00Not just because he changes his mind about us, but for a much more real consequence, such as going to a women's prison.
31:07Marta, please don't think about that now.
31:09But how am I not going to think about it? It's inevitable.
31:12We live in the country we live in.
31:14We can't change that right now.
31:17Marta, I promise you that nothing bad is going to happen to us.
31:21I promise you.
31:23Nor that anyone is going to separate us.
31:26Do you promise me?
31:28I swear.
31:31But we'll have to be more careful not to have to use a tab as an excuse.
31:36Even if it's a martyrdom.
31:39For us.
31:41And for Jaime, who has been very generous.
31:47We'll get rid of that scapegoat.
31:50That's it.
31:52Go on.
31:53That's it.
31:55Go on.
32:06How could you deceive your husband?
32:07I didn't deceive him, I swear.
32:09I swear nothing happened to that man. Please, you have to believe me.
32:12It's okay, Gemma, it's okay.
32:13You don't have to swear anything to me.
32:14I promise you that I was wrong.
32:16I was wrong and I feel terrible about it.
32:19But I haven't disrespected my husband, much less been unfaithful to him.
32:22I swear.
32:23It's your business and I don't want to get involved.
32:25You don't have to help me, Luis.
32:26Please, listen to me.
32:28You have to talk to him.
32:29You have to tell him that I love him.
32:31You have to tell him that I love him as if it were the first day.
32:33Tell him, please.
32:34I beg you.
32:35Help me, Luis, please.
32:38No, Gemma, no.
32:39No, getting involved would be counterproductive.
32:41Don't put me in that bind.
32:43I can't.
32:45I'm sorry.
32:46Really.
32:53I love you.
33:04You tell Carmen.
33:05Thank you.
33:07What?
33:08A lot of suit in the store?
33:09No, the store is fine.
33:11Estasio has been here.
33:13What's up?
33:14Have you argued?
33:15Look, speaking of the king of Rome.
33:17Finally.
33:18Well, I'm doing mutis for the forum.
33:20Don't splash me.
33:21Besides, I have a huge mess with the game tonight.
33:23How are you?
33:24Nothing, man, nothing.
33:26How are you, Carmen?
33:28What's up?
33:29Paco told me you were looking for me.
33:31But where were you?
33:33What is that about taking a free afternoon like this?
33:35Without entrusting yourself to God or the devil?
33:37Well, I hadn't thought about it, woman.
33:39Look, I went to work today and I realized that I wasn't going to give up on conditions.
33:43Well, you can't know why you weren't going to give up on conditions.
33:47Well, because I haven't paid attention all night.
33:49And well, I saw Joaquín and I asked him to please go to rest.
33:52And I'll get the hours back another day.
33:54Estasio, I'm going to ask you one more time.
33:57Where have you been?
34:00I went to the field.
34:01It's beautiful, by the way.
34:03And well, since I was there, I went hunting.
34:07Hunting you?
34:09Alone?
34:12Well, it must be with a Chinese guy, because as far as I know, you don't have a shotgun.
34:16The guy who wet him has a arsenal of guns, he has a gun and I didn't find out.
34:19It's just that the shotgun was lent to me by a partner.
34:22A partner? What partner?
34:24A new one that you don't know.
34:26Show it to me.
34:27One of these days I'll show it to you, yes.
34:30Well, what I was going to say.
34:32Claudia had a loss.
34:35And what does that mean?
34:36Because she's been bleeding this morning.
34:40What are you saying, Carmen? And how is the boy? How is Claudia?
34:43According to the doctor, it doesn't have to mean anything.
34:45Neither for the baby nor for Claudia.
34:48Carmen, but it won't be good either.
34:50And is Claudia feeling very bad or what?
34:52Well, she's scared.
34:53How is she going to be?
34:55Now she has to rest for a few days.
34:58Wow.
35:00It must be avoided that it is repeated because it could mean that the baby is not well implanted.
35:05But what is that?
35:07What does it mean? That I could lose him or what?
35:09I don't know.
35:10And I know.
35:12It's just that the doctor has been as mysterious as you.
35:14Would you like it to be a little clearer?
35:17Or tell the story.
35:20And pay me this.
35:34Jesus, what a mystery.
35:36But son, tell us that news already, you don't have us in the box.
35:38No.
35:39Let's wait for Marta to come in, she had a call.
35:41And I don't like to repeat things 20 times.
35:45Excuse me, it was Jaime.
35:47He will arrive later, he had to stay in the pantry attending to an emergency at the last minute.
35:51Wow.
35:52I'll tell him.
35:53Well, are we all here?
35:54Yes.
35:55Don't leave us a minute more with the intrigue.
35:58Okay.
36:01Well, it turns out that the newspaper España Hoy contacted Marta, right?
36:05And this afternoon I spoke with them to close a topic.
36:09Are we going to be in the newspaper?
36:11What do they want exactly?
36:13You and me.
36:14Please.
36:15Thank you, sister.
36:16Well, it seems they are very interested in making an intimate portrait of the queen's family.
36:22And what does that mean?
36:23Well, it means interviews with all of us, photos also with all of us, photos of the house, photos of the company.
36:30Come on, the idea is to transmit an image of a solid and united family.
36:35That is an example for society.
36:37But we are going to leave in the echoes of society.
36:40The truth is that it would give us some visibility to be for all of Spain.
36:44But it is always that it is something serious and nothing frivolous.
36:47Darling, these things have to be frivolous, it's the grace.
36:50People from AP will love to see how we live.
36:53At first I had my reservations.
36:56But it can be a great publicity for the company.
37:00And if the article is made with good taste, even the brand of the queen can acquire some prestige.
37:07Those reports are only made to the royal families.
37:10It is because of the queen, then.
37:14I admit that you have been funny, brother.
37:16Let's see, they have the idea of opening a new section with us.
37:20And from there they will take out the most influential families in this country every week.
37:25Are you sure about this, son?
37:27Of course, it is a great opportunity for the family.
37:30And you, father, what do you think?
37:32I don't know, advertisements, but ...
37:35Listen to me, father.
37:37It is an opportunity to show ourselves as a great exemplary family in front of all of Spain.
37:42Let's go.
37:48Okay, we'll do it.
37:50But be very careful.
37:53This type of journalist takes out dirty rags even under the stones.
37:58Go ahead with the report.
37:59Yes.
38:00They will come tomorrow to do an inspection, but they have not confirmed to me if they will also do the interviews and the photos tomorrow.
38:06But well, be prepared for whatever it is.
38:07Tomorrow already? How nervous.
38:12Wait.
38:14Do you think the report is good or not?
38:17Yes, it is good for the company.
38:18Good for the company and for you.
38:20That you are going to be the star.
38:22Don't worry, I'll tell them not to tire you too much.
38:25I wanted to tell you something.
38:27Tell me.
38:28I signed up for a nursing congress.
38:31And it starts tomorrow in Madrid.
38:33Tomorrow?
38:34Yes.
38:35But tomorrow is when the reporters come, haven't you heard me?
38:37Don't worry, it's in the morning.
38:39In the afternoon I can be back and take the photos without a problem.
38:42They can start with the rest and then leave me for the last one.
38:45But I don't know if they will be here all day either.
38:49Do you really want to go to that congress so much?
38:51Haven't you had enough with going to the dispensary today?
38:53Well, actually, I just have to sit down and take notes.
38:56At the dispensary I get much more tired.
39:00You're right.
39:02And besides, it will be good for me to get rid of this feeling of guilt that I have with my mother.
39:05Begoña, you are not guilty of anything.
39:08But I understand you.
39:10The problem is who is going to take you to the congress, I mean.
39:12Because I will have to be here for the report.
39:15Don't worry, I have spoken with a nurse from Toledo who is also going.
39:18She picks me up and then brings me back right away.
39:21Perfect, then.
39:23All I want is for you to be happy.
39:27Thank you.
39:28Bye.
39:41Luz, I'm sorry.
39:42I hope I didn't bother you.
39:46Yes, I intended not to see you, but since I knew Begoña would be there, I gave up.
39:51No, I have no news.
39:54But I keep thinking about it.
39:57Do you think we should meet tomorrow?
40:02I appreciate it.
40:04You are the only person I can talk to about it.
40:09Okay, see you tomorrow.
40:15Who were you talking to at this time?
40:16Joaquín.
40:18He called me to ask me about some papers that I have to send tomorrow at the first hour.
40:21What's going on?
40:22It's your cousin.
40:23Look who's calling at bedtime.
40:25Hey, we have the report tomorrow.
40:28We have to be radiant.
40:29And I need to sleep my eight hours.
40:32You are always radiant.
40:34And since you are pregnant, even more.
40:37You don't know how important that report is for the company and for the family.
40:42You are overestimating all those readers.
40:46And on top of that, in a national newspaper.
40:48That they will see us everywhere.
40:50Can you imagine what they will say in Huesca when they see me?
40:53Well, it will be wonderful.
40:55I have called the hairdresser who did my hair for the wedding.
40:57And Carmen, so she can do my make-up.
41:00I want to shine, Andrés.
41:02I want to attract everyone's attention.
41:04I want to be a real lady of the kingdom.
41:08Don't look at me like that.
41:10You are starting to be an open book for me.
41:13My legs are shaking.
41:15I understand that you will have a justification for the gesture of fear that you have had with the issue of the article.
41:21He worries too much, father.
41:23Naturally.
41:24Especially considering the recent events.
41:27I don't know what you're thinking.
41:29Father, let him meet the journalist and say whatever I want him to say.
41:32It's just that he doesn't see it.
41:34And it is our opportunity to clean up the past.
41:36So that they forget all that tragedy that marked our family six years ago.
41:42Trust me.
41:43From now on, they will see us as a united family.
41:48Digna.
41:49Sorry.
41:50What are you doing here? It's too late.
41:52I came to tell you that I'm staying to sleep.
41:55If the press comes, I prefer to be here.
41:57Very good. How glad I am.
41:59Jesús, tomorrow the house will be perfect, don't worry.
42:02Well, I'll leave you. I don't bother you.
42:04No, no, yes.
42:06My son and I had already talked about everything we had to talk about.
42:09Right, Jesús?
42:10Yes, of course.
42:12Good night to both of you.
42:15Good night.
42:21Turn off the light.
42:22Wait.
42:23Do you know what makes me sad?
42:25That they don't do the report when our son was born.
42:28It would be the best presentation in the world.
42:30It's a very special memory for life.
42:33Yes, I guess.
42:34Did you know that Gracia de Monaco presented her daughter Carolina like that last year?
42:37No, I didn't know.
42:38Turn off the light.
42:39No.
42:41I prefer to look at you.
42:52So you're tired tomorrow?
42:55Your kisses make me feel better every time I do anything else.
43:05Well...
43:07How are you doing?
43:09Perfectly.
43:11And I've missed you a lot these days.
43:26You were a bit upset when you saw Jesús, weren't you?
43:30A bit, yes.
43:32I came to tell you that I want to stay today and a few more days if you don't mind.
43:36Until the paint dries.
43:38My son Luis says that the paint has lead.
43:41And I tell him that the lead is him.
43:43Well, bravo for Luis.
43:45And bravo for the lead.
43:48You're so beautiful when you smile.
43:50Oh, no, please.
43:51It's the truth.
43:52It's the truth.
43:54You're very beautiful when you smile.
43:56You're beautiful when you're sad.
43:59You're beautiful even when you're angry.
44:03I'm going to stop behaving like a teenager.
44:06I confess that I'm staying here...
44:10...also because I'm getting addicted to our night chats.
44:14Even if we go out for a drink sometime.
44:16That sounds like you've forgiven me.
44:19I like the way you're behaving with Tassio.
44:22I spoke to him this morning in the kitchen.
44:25We had a great time.
44:27Well, I'm starting to look a bit more like the Damien you used to appreciate so much.
44:33A bit, yes.
44:35You don't know how it comforts me to hear that.
44:38You said before that you were behaving like a teenager.
44:42Well, there are two of us now.
44:44Two? Why?
44:45Because neither of us wants to openly admit what we feel.
44:51Well, to be fair, I'm more than you.
44:53I have insinuated to you.
44:55Well, and sometimes more than insinuated.
44:58What I feel for you.
45:01What I like about you.
45:02You know how much I like what you say, what you think, how you advise me.
45:09I like how I feel when I'm with you.
45:19I think...
45:21...it would be better if I leave.
45:23Why? Are you afraid?
45:25Yes.
45:27I'm afraid, yes.
45:28I'm starting to recognize what you feel for me.
45:32This is crazy.
45:35I don't know what's happening to me.
45:38This is not right, it's not right.
45:39No, don't go.
45:41Let's talk. Let's clarify what we feel for each other.
45:45You know I've loved you for a long time.
45:49Damien.
45:51Our families are far apart.
45:54There's a lot of resentment.
45:56Your son can't stand mine, and neither can I.
46:00It's not about what we feel for each other.
46:05It can't be.
46:06Yes, it can be.
46:08Of course it can be.
46:10If it's what you and I want.
46:11If it's what you and I want.
46:24By the way, I spoke to the journalist from Spain today.
46:27He wants to finish the photos and interviews tomorrow.
46:31Tomorrow?
46:32But that's too soon, isn't it?
46:35Yes, I don't know. He says they want to postpone the publication.
46:38Apparently, there's a lot of interest among the press.
46:42In fact, he says they want to finish it tomorrow, if possible.
46:47Tomorrow?
46:48Yes.
46:50Then I won't be able to be there.
46:53Honey, but you're essential in the family.
46:57How am I going to talk about me if you're not by my side?
47:00Jesus, you know that this conference is very important to me.
47:03Much more than appearing in the news.
47:05I understand. Don't think I don't.
47:07But this conference is so important that...
47:09But all the others are there.
47:11And the important ones are you three, the brothers.
47:15I see.
47:18Look, you know what?
47:20It doesn't matter. It's okay.
47:22I'll call them and tell them that if it has to be tomorrow, there's no conference.
47:26For me, personally, it was important because...
47:28Yes, because of the promotion of the company. You've said it before.
47:31No, Begoña.
47:32Because Julia, you and I are going to show ourselves as the family we're rebuilding.
47:38I don't know. Julia is very excited.
47:41I've talked to her before.
47:44But of course, if you're not there, I don't know what I'm going to tell her.
47:47It doesn't matter. We won't do it and that's it.
47:50Look, I don't want the girl, because of me, to stay in the news...
47:53It's not your fault. It's not your fault.
47:55You go to that conference. It's okay.
47:58Besides, I know you're still jealous of me and...
48:00I understand that...
48:02It's good that you're taking advantage of this occasion to punish me.
48:04I deserve it. Yes.
48:05Jesus, I'm not punishing you.
48:07If I had agreed to do the report, it's bad luck that it coincided with the congress and that's it.
48:12Let's not turn it around, really. That's it.
48:14It bothers me that you think that, because I'm not punishing you.
48:17Well, I'm sorry. I'm sorry. I don't know why I said that.
48:20It wasn't fair and sometimes I'm better off quiet, yes.
48:30It's okay. I won't go to the congress.
48:32I won't go to the congress.
48:34I'll do the report.
48:37No, please. I don't want you to...
48:38No, no, no. That's it. That's it.
48:40You don't have to say anything to Julia or cancel anything.
48:50Thank you, love.
48:52Thank you.
48:54You're...
48:56Really...
48:58I'm going to do my fusion.
48:59Very well.
49:02Bye.
49:32Rodolfo.
49:33I'm Jesus de la Reina.
49:34I'm sorry for being late.
49:35Listen.
49:36I know you told me that it would have to be tomorrow.
49:39But no.
49:40It has to be tomorrow.
49:44Organize yourself as best you can.
49:46Either it's tomorrow or there's no deal.
49:48Understood?
49:50Good night.
49:57Let's get together a little bit and...
49:59Big smile, yes?
50:02Very good.
50:03Mom, what are you doing here?
50:04But you had to be calm at home.
50:06How can I be calm?
50:07You don't know anything about me.
50:09Thank God I called.
50:10And Marta told me what was going on.
50:12For weeks now, you've been writing to me.
50:14How can I not be worried?
50:16I'm not going on Tuesday.
50:17I'm not going to ask you for anything in return.
50:19But I've done things for you that make me sleepy at night.
50:22So don't get confused.
50:24You have no right to question my relationship with Digna.
50:27We don't hurt anyone.
50:29And you're able to do everything with a splendid look and an enviable style.
50:34It's not always like that.
50:35If I had come a couple of weeks ago, I would have found myself here with Valeciente,
50:38dedicated to...
50:39dedicated to...
50:41a family man.
50:42Unwilling.
50:44Ah, but has something happened?
50:46Look, since we read the letters,
50:49the questions are piling up.
50:51Was she happy with us?
50:53Or her suicide?
50:56Did that double life she led have anything to do with it?
50:59I don't know.