Sueños de Libertad - Capítulo 111
Transcript
00:00How would you feel if you brought the disease here?
00:09If Julia falls sick or worthy?
00:12It's okay.
00:14I'm not going to bring my mother, don't worry.
00:15But I'm going to find another solution.
00:16I swear.
00:17I've seen you in the office before.
00:18Together.
00:19And I would swear they were about to kiss.
00:20Is it possible that you are misinterpreting a situation that is not?
00:22I hope.
00:23You're really never going to forgive me?
00:24I doubt it.
00:25And what do you expect?
00:26For us to live under the same roof like that?
00:27Unfortunately, yes.
00:28We are married and we cannot throw each other aside.
00:29Well, you're wrong.
00:30Because if that's what it is, I'll be packing this afternoon and I'm going to live peacefully.
00:31I'm not going to move from here.
00:32Look, I'll talk to your husband, and you can tell him everything.
00:33I'm not going to leave you.
00:34I won't leave you.
00:35I'm not going to leave you.
00:36I'm not going to leave you.
00:37I'm not going to leave you.
00:38I'm not going to leave you.
00:39I'm not going to leave you.
00:40I'm not going to leave you.
00:41I'm not going to leave you.
00:42Because if this is what there is, I'll pack my bags this afternoon and I'm going to live comfortably.
00:47I'm not going to move from here.
00:50Look, I'll talk to your husband, I promise.
00:53But please don't go.
00:55Really.
00:58Thank you.
00:59That child has to be above everything.
01:02Especially if what is interposed has so much to lose.
01:06Begoña would come out scalded and you will be guilty of it.
01:12I love you.
01:42I love you.
02:12I love you.
02:34Hello, my love.
02:35Have you ordered yet?
02:36No.
02:37Hurry up, please, we're a little late.
02:40What are you doing?
02:41Always in a hurry.
02:42Well, today we have the rice with chicken and the complete stew.
02:45Well, I'll have the rice, which later makes me very heavy in the afternoon.
02:48Add a little vinegar, it gives less gas.
02:50The stew.
02:52You.
02:53Tassio.
02:54Tassio.
02:55What are you doing here waiting? What do you want to eat?
02:56I don't care, I have the same as Carla.
02:58Well, the rice with chicken too.
02:59I'm surprised you don't want the stew.
03:01But you're good at eating, huh?
03:04Good at eating, he says.
03:05The chickpeas and the rice.
03:07Well, what's that coming?
03:09You've always loved the chicken stew.
03:12Carmen, I'm not saying I don't like it.
03:14But as much as it's good food for poor people, it's not.
03:17Good food is what they eat at the queen's house.
03:20Have you seen how these people live?
03:22Look, it seems a lie that, having the same blood, we have such a different life.
03:32Look, Mateo, look how beautiful.
03:34When I was little, I always went to the field with my father to pick wild flowers.
03:39I liked it a lot.
03:40And my mother also loved it when we took her to the field.
03:42We would take acinto, margarita, everything.
03:45We would mix everything and put it.
03:47Everything mixed.
03:48Everything mixed.
03:49That was the fun.
03:51My mother loved them, but there came a time when she found out they were weeds and forced us to throw all the flowers.
03:56What are you saying? But how are the flowers going to be weeds?
03:58Because in my town, all that grows where nobody wants it to grow is called weeds.
04:02And what?
04:03Because the flowers always grow in the middle of the roads that are badly paved and those things.
04:08And then they are called weeds.
04:10Come on, your mother cared more about where they grew than their beauty, right?
04:14That's my mother.
04:16The truth is that you don't stop surprising me.
04:19Me?
04:20Yes.
04:21For everything you know about flowers.
04:25In my house, for example, they were bought at a florist, but we didn't know much about them.
04:31Well, at least you would know that they had to have long stems.
04:34Of course, man.
04:37Well, to see if I can pick up a few more flowers later and take them to my father for the table.
04:41Sure.
04:45Ah! Ah! Did something bite me?
04:47Ah! A viper! A viper bit me! A viper bit me!
04:50What?
04:51A viper bit me, Claudia.
04:52Mateo, what are you saying?
04:53Calm down. What's wrong?
04:54Call the hospital. Call Dr. Borrell.
04:56I'm sweating, I'm shaking.
04:57Call Dr. Borrell.
04:58Mateo, calm down, please.
04:59I can't feel my arm.
05:00How was your head? Round or flat?
05:02I don't know. Round, round.
05:03Mateo, let me see it.
05:05Mateo, for God's sake, this is a bite from a snake.
05:09You scared me, really.
05:10It hurts.
05:13Here you go. Rice with chicken and chicken with rice.
05:16Thank you, dad.
05:17Thank you very much.
05:21We have a hard time covering the expenses, Carmen.
05:23We can't even save.
05:25Have you really noticed them?
05:28Why would I compare you to them?
05:30To make me look bad like you?
05:31Besides, I don't understand you.
05:32You were the first one to defend Mr. Damián.
05:34Yeah, but after talking to you, I saw him.
05:38Do you know what he's going to do this afternoon?
05:39What?
05:41He's going to make new shirts for the tailor shop.
05:43And he gave them back to me.
05:44I'm his son.
05:45I only have two shirts.
05:46One for work and one for Sundays.
05:48Do you think I don't care?
05:51I also feel small.
05:53When a client enters the store and spends everything I earn in a month.
05:57Yeah, but the client isn't your mother.
05:59The client isn't your mother.
06:02You know what?
06:04I'm grateful.
06:05Because we both have a job.
06:06And an honorable job that allows us to live well.
06:10And wouldn't you like to have a little more?
06:13Well, yes.
06:15But it will come.
06:18When we start making numbers at home,
06:20I think of us.
06:23And I feel a crazy desire to continue working with more income.
06:27For us, for our family.
06:29For our future.
06:33Doesn't that make you happy?
06:35Of course it does.
06:37That's what you have to think about.
06:39And not the people who make with everything given away.
06:42Because you know what I'm telling you, my love?
06:44That many times, those people have the least important thing.
06:49Happiness.
06:52And we have plenty of that.
06:57You're right.
07:00Well, let's eat.
07:01Otherwise, this delicacy will get cold.
07:10Let's see.
07:14Don't move.
07:15What are you doing?
07:16No, no, no.
07:17Yes, it's just a little bit of water.
07:18Mateo, please.
07:21Mateo.
07:22A little bit of water, so it goes away.
07:24Oh, it's so hot.
07:26Come on, I'm going to add a little bit of garlic.
07:28Garlic?
07:29No, no, no, no garlic, no, no, no.
07:30Antiseptic garlic.
07:31The garlic is spicy, isn't it?
07:32No.
07:35That's it.
07:37You have to calm down, huh?
07:42Claudia.
07:46Hey.
07:48Do you promise me that nothing will happen to me?
07:50What you have to do is calm down.
07:51I'm not going to know what to do with you.
07:54Come on, get up.
07:58Here, drink some water.
08:04Better?
08:06Yes, better.
08:09Go away.
08:10Hey.
08:11What?
08:13How did you know how to act like that?
08:16Because when I was a girl,
08:17one day I went with my father to Proserpina.
08:20And we were having a great time
08:21until he bit me in the crotch.
08:23What?
08:24Yes, there are a lot of crotches in that reservoir.
08:27And then, as I started to cry and cry and cry,
08:29my father had to make a natural remedy to cure me.
08:32And since then, he told me a lot of remedies
08:35he made with calendula, with lavender,
08:37so that when I went out to the field,
08:38I could play with the animals.
08:40But come on,
08:41this is not the first snake I see.
08:44Come on, this is a terrible ridicule, isn't it?
08:46A little bit, yes.
08:50Do you promise you won't tell anyone?
08:53No, I'm not going to tell anyone.
08:54But come on,
08:55I'm not going to forget that in my life, Mateo.
08:57Come on.
09:03You're so bad, huh?
09:06It's been great, Mateo.
09:09Come on, help me pick it up.
09:10I want to pick my father's flowers before I go.
09:13That's it.
09:14In honor of your father,
09:15because, come on,
09:16if it wasn't for what he taught you,
09:18I would probably still be scared.
09:22Come on, girl, what else do you have to say?
09:25You're going to wear long socks, aren't you?
09:27I'm not saying that,
09:28because sometimes a nail will prick you in the ankle.
09:30Hey, you're done with Eo, aren't you?
09:34Stop it, Mateo.
09:35It's as if you don't want to be from Madrid.
09:37Well, yes, I'm from Madrid.
09:42I have a proposal for you.
09:44But first you have to know
09:45that what I'm going to propose to you
09:46may mean an increase in expenses in the medium term,
09:49although I think that in the long term
09:51it may mean a revolution for Perfumerías de la Reina.
09:54Get to the point, Marta.
09:56Over the past few years,
09:57we've been growing and developing the company,
10:01but the truth is that I think we've hit rock bottom.
10:04What do you mean?
10:05That we should be more ambitious
10:07and expand the market.
10:09And that's where your proposal is going, I suppose.
10:12It's an idea that Luis brought to us,
10:14with the idea of expanding the lab
10:16to open up to the international market.
10:18More specifically, to the French market.
10:20Someday.
10:22I think that before expanding the lab
10:24or increasing production,
10:25we should first make that idea feasible.
10:28Basically, find a door to get out of.
10:31And I think I've found that door.
10:33Well, don't keep us waiting any longer,
10:35and surprise us, come on.
10:38Does the name ring a bell?
10:39Patricia Lambert.
10:42No, not to me.
10:44But I suppose she's the woman in the photo.
10:47She's Spanish,
10:48and she's the wife of an important French businessman.
10:50In addition to being influential in high society in Paris
10:53and in the business world.
10:55Yes, I know Monsieur Lambert.
10:58I've noticed that I've helped other Spanish businessmen
11:01to enter the French market before.
11:04I think I understand where you're going,
11:05but we have no relationship with this good lady.
11:08You're wrong.
11:10I've contacted her.
11:12What?
11:14Yes, well, I got ahead of myself.
11:16Bravo.
11:17Did I bother you?
11:19I thought you'd be excited to see that I follow your example.
11:24The most important thing is that she has conveyed her interest
11:26in putting us in contact with the Mogot warehouses.
11:31It would be a perfect place for our products.
11:35She is also interested in getting us an advantageous deal.
11:38And the most important thing is that she is also interested
11:41in visiting our factory,
11:43so I've decided to arrange a visit for her.
11:47Taking advantage of the fact that her husband is in Madrid for meetings,
11:50she will come to visit Toledo tomorrow.
11:52So I've taken the liberty of booking a suite for her
11:55at the Ambassador Hotel in Toledo
11:57and to invite her to dinner at home.
12:01What do you think?
12:03Daughter, I can't do less than congratulate you for your initiative.
12:07Yes, you had a very good idea.
12:09And you've managed it very well.
12:14Jesus?
12:19You've given us a good surprise.
12:22You were so quiet, sister.
12:25I was waiting to have him tied up before telling you anything.
12:27I see.
12:29And I can't deny that it's an interesting idea,
12:31especially because, for now,
12:33it will only cost us a night at the hotel and a meal at home.
12:38Well, now the important thing is that we all go together
12:41so that Mrs. Lambert gets the best impression of our products from the factory.
12:45That's what it's about.
12:47You've done an excellent job, Marta.
12:50Now, what we have to do is, as they say in Taurian terms,
12:54finish the job.
12:57And I think Luis wanted to show us a new perfume in the laboratory.
13:02That's right.
13:03Come with me, please.
13:12Wow, wow.
13:14So now you're dedicating yourself to copying the queen's Jesus style.
13:20Moving forward without entrusting anyone to you.
13:23Very good.
13:24Learning the worst of the best.
13:27Aren't you coming?
13:29Yes, yes, but go ahead. I have to make a call.
13:31I'll be right there.
13:42Jesus of the Queen
13:51Rodolfo, good afternoon. I'm Jesus of the Queen.
13:55No, I have nothing to tell you.
13:57I'm calling to ask you a favor.
13:59I need you to look for all the information you can about a Mrs. Patricia Lambert.
14:07From Paris.
14:09Listen to me.
14:10I need, above all, the most juicy information.
14:13Do you understand me?
14:15Well, get it there and maybe you'll have a good exclusive for Spain today.
14:20I'll be waiting.
14:21A hug.
14:34But, really, there's no way I can move her to my mother.
14:39Yes, yes, yes, I understand.
14:43I agree.
14:44Thank you, anyway, for your time.
14:49Another negative?
14:51Begoña, what have they told you?
14:52You've already heard it, Luz.
14:56How many sanatoriums have we called already?
14:58Well, everyone in the province of Toledo and Madrid.
15:00But no one wants to admit my mother because they're afraid she's infected with the Asian flu.
15:04I don't know who to go to.
15:05I don't know what to recommend.
15:07I've already given you the number of everyone I know.
15:10I'm dying of anguish to think that my mother is in the cells and that she could get infected.
15:14Don't worry, Begoña.
15:15Think that it's not just any sanatorium.
15:17They want to take care of her reputation and they'll do everything possible to prevent infections.
15:20Well, that's what we suppose.
15:22But I need to be sure that my mother is out of danger.
15:24And I won't have her until I get her out of there.
15:27Don't worry about me.
15:28Come here, come on.
15:37Mother of God, Luz.
15:39I don't know how to thank you for everything you do for me.
15:43You don't have to thank me anymore, woman.
15:45You're like a sister to me now.
15:48I know you are, yes.
15:50And you don't stop exposing yourself because of me.
15:53The other day you did it again with Jesús.
15:55When I was in the cabin with Andrés.
15:59By the way, I didn't want to ask you.
16:02I imagine that if you didn't want to tell me anything, it's because it didn't go well.
16:08We both witnessed it.
16:10A man and a woman.
16:15In love.
16:18They can barely resist temptation.
16:38I love you.
16:42Well, it didn't go wrong.
16:44Or...
16:45Or yes, I don't know.
16:48I don't know, what's clear is that...
16:50For me, that cabin has completely changed the meaning.
16:55No...
16:57I don't understand you, Begoña.
16:58Well, that...
17:01For me, before it was the place where I was about to die.
17:04And now it's the place where...
17:07Where what? What are you trying to tell me?
17:16Andrés and I couldn't stop what we felt for each other.
17:22Do you mean that...
17:24We made love.
17:29That's what I call overcoming a trauma.
17:32Forgive me, I...
17:33I didn't think it through.
17:35You've left me in pieces.
17:37Don't worry, it's normal that you didn't expect it.
17:39I didn't expect it either.
17:41Well...
17:43Do you know what I'm telling you?
17:45That I think it's exactly what you needed.
17:48Luz, please, don't start.
17:49You're getting very rude.
17:51How are you?
17:52How do you feel?
17:56The truth is that with everything my mother...
17:58I haven't even had time to think about it.
18:01You must be thinking about something.
18:06It's been a while since I've been so happy.
18:11I'm very glad to hear you.
18:13I mean it from the bottom of my heart.
18:16It's been a while since I've felt so free.
18:20Without worries that tormented me.
18:22Without...
18:23Without anguish.
18:24And I don't know what will happen to me in the future, Luz.
18:27But no one will be able to take what's coming to me from that cabin.
18:38Good morning.
18:41Don't be scared, woman.
18:43I'm just a client.
18:46Forgive me, Digna, but as a client,
18:48I don't know what to do.
18:50I don't know what to do.
18:52Forgive me, Digna,
18:53but since we haven't won for scares lately,
18:55I've seen it and I've thought, that's it.
18:57That's it. We're done with some story.
18:59I hope you understand me, right?
19:01I understand you, yes.
19:02We know that your father has been very serious.
19:04And that he's still in danger.
19:05And you can't get that out of your head.
19:07But you can't live in anguish all day
19:09thinking about what could happen.
19:10Because that's not living.
19:11Yeah, yeah, yeah.
19:12I should have taken it another way.
19:15But hey, he says he's a client today, right?
19:18Well, it's actually nonsense.
19:20Well, tell me.
19:21Let's see if I can help you.
19:22The truth is,
19:23since the day you put make-up on me
19:25with the chest,
19:26I've been thinking that
19:28I could change it.
19:30Something with a new color,
19:33lipstick.
19:36And that interest in the new cosmetics
19:38won't have to do with
19:40a man whose last name is La Reina.
19:42Oh, Fina, please.
19:44You're going to make me blush.
19:46Digna, it's just that sometimes I forget
19:48that I've known you since I was a teenager.
19:51So what?
19:53Did something happen between you two or not?
19:58Well,
20:00I've shared so many things with Damián.
20:03We've known each other for so long that...
20:07He also said that he wouldn't have a future with you,
20:09but the other day it seemed like something else.
20:11Yeah.
20:14Do you know
20:16that I've been living in the big house for a few days?
20:19Well,
20:20that has made me
20:22go deeper into the relationship
20:25and we've become more intimate.
20:28And well, that has led to...
20:32To what?
20:34I don't know why I'm telling you this,
20:36but I'm going to tell you.
20:38That has led to...
20:41to him asking me to marry him.
20:42What?
20:43But I haven't answered him yet.
20:45But why? Why, woman?
20:47But if there's nothing else than seeing the glow in his eyes
20:49to see the excitement he's feeling.
20:51Because it's not that easy.
20:52Of course it's easy.
20:53The thing is that we insist on doing the difficult things.
20:55No, it's not that.
20:57The relationship in our family is complicated.
20:59We have to count on our children.
21:01I don't know how they're going to take it.
21:02Well, they can take it however they want.
21:04Both of them are adults and they have their own lives.
21:08Fina, he's my brother-in-law.
21:10What are people going to think?
21:11What?
21:12And now he's going to think about what others think.
21:14Really.
21:15And you?
21:16What do you feel?
21:17What?
21:18It doesn't matter.
21:21I could try this one.
21:24Of course.
21:28Take this out of here, please,
21:30and take it to room 14.
21:31Go on.
21:33Quickly.
21:38Hello.
21:39Hello.
21:40What are you doing here?
21:41Didn't you have a meeting with Gerifaltes?
21:43Yes, but it's over.
21:45And how are you?
21:46How's work?
21:47Well, how can it go?
21:48It's the same as it always is, having a routine job.
21:52You don't need to think, right?
21:55And that funeral face?
21:58It's for Gema, right?
22:00Any news?
22:02He says he's going back to Benavente.
22:05What?
22:07He's leaving home?
22:08He's going back to his town?
22:10Yes.
22:11If things are still like this, that's what he says.
22:15Well, Joaquín, you know what to do.
22:17Change them.
22:18No, Luis, I don't have to change anything.
22:20She was the one who went to a party with a stranger.
22:23Let's see, brother, let's see.
22:25Are you going to let her go back home just like that?
22:28Luis, I don't care what she does.
22:32No, you don't care?
22:33You don't want to see it now, but you want to.
22:35Look, Gema has always made me feel like someone insignificant.
22:41Because she always wants more and more, and I can't give it to her.
22:43So go fry asparagus.
22:46Well, when she leaves, you'll regret it.
22:49No, Luis, when she leaves, I'm going to rest for the last time.
22:52And I'm going to stay wider than long, without intentions or reproaches.
22:57You're making a mistake.
22:59Look, if you're going to keep talking about my wife, I think I'd better go.
23:05Joaquín, one moment.
23:10I wanted to discuss another topic with you.
23:13What do we do with Mario's letters?
23:15What do you mean, what do we do?
23:16Yes.
23:17Well, I don't know.
23:19Get rid of them.
23:21I don't even want to think about what would happen if my mother found them.
23:23I don't think it's a good idea.
23:24After all, they are part of his memory.
23:27What do you think if we give them to Mario?
23:31I don't know, Luis.
23:32Do whatever you want.
23:33I've had enough with my marriage.
23:35Hello, María.
23:36Hello.
23:37If you're looking for Andrés, he just left.
23:40No, no, no.
23:42I was looking for Joaquín.
23:44If you're not very busy, can we talk for a moment?
23:49Yes, of course.
23:52Well, I'm going to go have a coffee.
23:54See you later.
23:55See you later.
23:59Well,
24:00how can I help you?
24:02No, it has nothing to do with me.
24:05It has to do with Gema.
24:11She's beautiful.
24:13Beautiful, beautiful.
24:15She lights up your eyes.
24:19Digna, look.
24:20If you want my opinion,
24:24I think love
24:26is a gift that makes you happy.
24:28It's a gift that makes your life and it's not easy to find.
24:32That's why when you find it, you can't let it go.
24:35That sounds very nice, but...
24:36Digna, please.
24:37For once in your life,
24:38be selfish and think only about yourself.
24:42You're right.
24:45But I'm not a young girl anymore.
24:46Oh, no, no, no.
24:47Don't give me that stuff now.
24:50If you're full of life, look at yourself.
24:55Tell me what you see.
24:58Do you want me to tell you the truth?
24:59What do I see?
25:02Well, I see an older woman
25:04with painted lips
25:07thinking that makes her special.
25:11With painted lips or without painting,
25:13what I see is a very beautiful woman
25:16with a lot of charm,
25:18with a sparkle in her eyes, happy.
25:21Well, I'm not surprised that Don Damián has fallen in love with her.
25:26You are beautiful.
25:27Inside and out.
25:29Think a little about what I said.
25:31Yes, I will.
25:32But I have to think about other things too.
25:34Well, I just hope he listens to me,
25:35that I'm almost like his daughter.
25:37No.
25:38You're not almost.
25:43For now, I'm going to make her,
25:44if possible, more beautiful.
25:49Digna.
25:51Don't tell your boss about this.
25:55No.
25:56Let's not get her involved.
25:57No, no, no, no.
25:58I'm a tomboy.
26:00I promise.
26:03I like that one, okay?
26:04Let's try this one.
26:06Look, Joaquín,
26:07I don't want to get into your privacy,
26:10but
26:12I know what happened between you two.
26:14I don't know why I imagined it.
26:16And I'm sure you served him well, right?
26:18Your little trips around Madrid.
26:20Gemma is having a very bad time.
26:22And she is very sorry.
26:24What happened with Ernesto didn't mean anything.
26:26That's why I think you should forgive her.
26:31Yes, I witnessed those meetings,
26:33and there was really only discomfort.
26:36Well, she saw him many times with that guy
26:38to be so uncomfortable.
26:40She asked him to leave her alone.
26:43But he wanted to sink her.
26:46Please, what he told you were lies, exaggerations.
26:49If Gemma loves you madly,
26:50she was unlucky enough to meet a man without scruples.
26:57Aren't you going to tell me anything?
26:59Look, Maria,
27:00the only thing I can tell you, without offending you,
27:03is that you don't meddle in my life.
27:05No, please, don't take this conversation so badly.
27:08I would never have taken this step
27:09if it weren't because I don't want Gemma to leave.
27:12And why is that?
27:13Because she's the only one who's helped me since I got to Toledo.
27:16The only one I consider my friend.
27:18Because she's a good person and frank.
27:20She's a bit of a snitch, yes,
27:21but why does she speak without scruples,
27:23with that wisdom that only some people have in their nature?
27:25Well, very well.
27:27I see that you really appreciate her.
27:28But here, the only important thing is that my wife has betrayed me.
27:31Please, I ask you to reconsider your attitude.
27:33No, Maria, I don't have to reconsider anything.
27:35This conversation ends here.
27:38It makes no sense to discuss my intimacy with you.
27:41Joaquín, please, listen to me.
27:42I have nothing to listen to.
27:44I'm not going to forgive my wife
27:45because you didn't listen to me.
27:46I'm not going to forgive my wife
27:47because you don't want her to leave.
27:49I'm asking you to think about her.
27:51Did she think about me
27:52when she was with that moron?
27:54Besides, how do I know that it's not a mess of yours
27:56so that your friend doesn't leave?
27:58Because I'm telling you the truth.
28:00I don't care, Maria.
28:03And this conversation ends here.
28:05Agree?
28:07I have a lot of work.
28:09So if you'll excuse me.
28:17What are you doing here?
28:19I finally find you.
28:20I've been looking for you everywhere.
28:22And Luis told me you were here.
28:25Yes, this is the only place
28:26where I can think calmly lately.
28:28How are you?
28:30It's not my best day, really.
28:32I keep thinking about my mother.
28:35You can leave it closed
28:36because I have good news for you.
28:38What news?
28:40I have news for you.
28:42What news?
28:43I have news for you.
28:45What news?
28:47I've been calling my old colleagues
28:48and I managed to get them to take care of your mother
28:50in a military hospital.
28:51Really?
28:53Yes, but only until the Asian flu outbreak
28:55in the Tarros happens.
28:57Of course, that's enough for me.
28:58All I want is to get her out of there as soon as possible.
29:01The hospital is in Madrid
29:02and it has a very good psychiatric unit.
29:08I don't know how you do it, Andres,
29:09but you always show up when I need you the most.
29:13Thank you.
29:14You don't have to thank me.
29:16We can't let your mother run the risk of getting infected.
29:21And I would never leave you alone with a problem like this.
29:23Thank you.
29:24Thank you.
29:35Wait.
29:36Wait.
29:40There's something else I wanted to tell you.
29:44What is it?
29:46I already told you what happened here was very important to me.
29:51I was very sincere when I told you and...
29:55I want you to know that I don't regret anything.
30:00But...
30:02I don't think I like what you're going to say.
30:05I wish it were different.
30:09I wish everything we dreamed of together that day
30:13hadn't happened.
30:17But...
30:19even if it breaks my heart,
30:24I'm going to leave you.
30:28Again?
30:30I'm going to be a father and it wouldn't be fair.
30:31Andres, you don't have to give me explanations.
30:34I understand you perfectly.
30:37One of us had to be a little...
30:40sensible in all this.
30:44And this time it's your turn.
30:48I hear you say this and...
30:51even though I think it's the right thing to do,
30:56I can't help but feel what I feel for you.
31:01Me neither.
31:02I love you.
31:06I love you madly.
31:09I love you too.
31:13And this breaks my heart.
31:21I'm sorry.
31:33I love you.
31:46Is everything ready?
31:48Yes.
31:49I've also taken the liberty of ordering a flower center
31:52and a large reserve bottle to receive Mrs. Lambert in the suite.
31:56If you think it's okay, of course.
31:58All this at the Ambassador Hotel?
32:00Yes, where you told me, in the best suite.
32:02Perfect.
32:03And thank you for paying attention to the details.
32:09I've been looking for you.
32:11Do you have the sales report for next quarter ready?
32:14I'm finishing it, but I've been very busy with Mrs. Lambert's visit tomorrow.
32:19She doesn't have it then?
32:21She'll have it soon.
32:22I asked you to give priority to Mrs. Lambert's visit agenda.
32:26I don't think there's anything more urgent.
32:28Well, I also asked for that report urgently.
32:31Isabel only followed my orders.
32:33Now she'll take care of your case.
32:38Don't just stand there and do what I've asked you to do.
32:43Right away, Mr. de la Reina.
32:55I think we've hired the right person.
32:57Oh, yes. What are you going to tell me?
33:00Don't even look at me.
33:03Have you found your shoehorn?
33:05Don't fool around with this one.
33:07Yes, you're in charge of that.
33:09It's dedicated to you exclusively.
33:11Preparing the visit well for tomorrow is a priority, and you know it.
33:15So I'm not covering up for the secretary.
33:18If that's what you mean.
33:20What you're doing is clear.
33:22You're trying to intimidate me, sister.
33:24Oh, you have the exclusivity of ambition.
33:26Well, well, my sister, that stranger.
33:29But the truth is coming to you.
33:31You've been keeping the subject of that French woman a secret
33:34so you can be the first to tell it to your father
33:36and so point you out. Am I wrong?
33:38Well, yes.
33:39Look, I haven't learned that from you.
33:42In fact, I had already told Luis about it
33:44and if I didn't tell him anything in advance, Andrés,
33:46it's because he didn't listen to me.
33:48I see.
33:49It's all against me.
33:51And as an extra, you're looking for a secretary
33:53to the extent of your interests. Bravo.
33:55And who's got you down.
33:57She's perfect.
34:00Look, if there's someone who's always wanted to appear
34:02and take all the honors,
34:04that's always been you.
34:06I have to remind you of the fabulous report
34:09in which you are the undisputed star.
34:11Come on.
34:12That report has nothing to do with this.
34:14But I see you've chosen.
34:16Well, of course.
34:17Because it's another of your machiavellian maneuvers
34:19to be left alone in the middle of the stage.
34:23It's funny that you tell me that.
34:25You.
34:26Your role in today's scene has been from Hollywood actress to the top.
34:29Come on, what a way to expose arguments.
34:31My God.
34:32You even had the detail of stabbing me.
34:34All thoughtful, ma'am.
34:36Jesus, when I make decisions,
34:38I do it in favor of the company and the family.
34:43You don't know how tired I am of your envies and your grudges.
34:48And those ways of a half-haired thug that you spend.
34:53Come on.
35:17Hello, darling.
35:18I
35:20Missed the other two spas eos por el campo
35:25Kareem our contigo
35:29Maria lo siento
35:33Siento como te traté ayer
35:38Fui egoísta y desconsiderado
35:41No tuve en cuenta todos sentimientos
35:44Tenía razón estaba con la cabeza otra parte
35:47Que te preocupa Andres
35:51No puedo pagar yo siempre por tus preocupaciones y menos si no les compartes conmigo ya lo sabes
35:57cosas de trabajo y la relación con mis hermanos
36:00En fin cosas que tú no tienes la culpa
36:04Todo lo contrario tú siempre estás ahí pendiente de mí
36:11Soy tu mujer
36:14Somos una familia
36:17Y a veces lo olvido
36:21Y por eso quiero que me perdones por favor
36:26Andres a veces tengo la sensación de que no significó nada para ti maria eso no es así eres mi presente mi futuro
36:36Te prometo que no volverá a pasar te mereces toda mi atención
36:40Es
36:43Prometido esto tantas veces y después siempre pasa lo que paso
36:49Siempre tropiezo que la vida me pidiera estoy harta de esperarte Andres
36:54De perseguirte
36:56De hacer malabares para que me prestes un poco de atención
37:00No sé a veces pienso que debería ponerme dura contigo y entonces las cosas me irían mejor
37:04Y
37:06La razón
37:09Es así como funcionáis los hombres me tengo que poner seria
37:16Porque aquí la única que se entrega soy yo
37:19Y siempre recibo mucho menos de lo que doy
37:25Y no te culpo porque desconfiar es de mí
37:29Pero te prometo que no te voy a fallar
37:34Te quiero muchísimo Andres
37:37Pero a veces me lo pones muy difícil. He sido un idiota
37:44Pero te aseguro que te voy a compensar
37:52Entonces te perdonas
37:54Y
38:02Siento interrumpir torta listos. Ah, no, no, tranquilo. Llevas en el momento justo
38:07Y eso me ha pasado
38:10Llevo días pensando en el embarazo de María
38:13El médico que la trata está en Madrid y me gustaría que alguien de cerca la vigilara y he pensado que igual podrías tú
38:19encargarte
38:20Amor y yo estoy muy bien atendida de verdad y seguro que Jaime tiene muchísimo trabajo no no no María por eso no te preocupes
38:27De verdad estaré encantado de hacerte un seguimiento
38:31Gracias por la confianza muchas gracias a ti y me dejas mucho más tranquilo y también a ti, ¿verdad, cariño?
38:38Claro
38:40Gracias
38:49Joaquín
38:51¿Estás sola?
38:53Sí, claro. Qué sorpresa que vengas a verme. ¿Sorpresa? ¿Sorpresa la que me he llevado yo hoy en el trabajo? ¿Adivinas el motivo?
39:01Imagínate María ha ido a hablar contigo. Eso es, tu queridísima amiga ha venido para darme consejos sentimentales
39:08Y te has sentado mal. ¿Que si me has sentado mal, Gemma?
39:11¿Pero cómo se te ocurre meter a la mujer del patrón en nuestros problemas conyugales?
39:16No, Joaquín, que yo tampoco lo busqué. Simplemente pasó sin querer. ¿Pero cómo que pasó sin querer?
39:21Gemma, que es mi jefe, que no te das cuenta. Pero que también es tu primo y María y yo nos tenemos confianza. Estaba desesperada
39:27Pero lo que pasa entre tú y yo queda entre tú y yo. No pinta en nada, tercero. Lo siento
39:33No sabía qué hacer
39:35Lo único que haces
39:37es estupearlo todavía más. Ya has metido a mi hermano, has metido a Gaspar. ¿Quién va a ser el próximo, Gemma? ¿El cartero?
39:43Es que ya no sé qué hacer, no sé quién pedir ayuda. ¡A nadie! ¡A nadie! ¡Porque yo no te voy a perdonar en la vida!
39:49Así que, por favor, haz las maletas y te vas a Benavente o a Madrid a hacer tus cursitos de costura
39:54Gemma no se va a ninguna parte
39:58¿Y qué son estos gritos? ¿Qué queréis? ¿Que toda la casa se entere de vuestras intimidades?
40:03Gemma, voy a ver si los señores necesitan algo más
40:19La verdad es que Andrés ha pecado de exceso de celo
40:22Lo ha hecho con buena intención, pero creo que tienes demasiado trabajo como para molestarte con esto
40:26No, no, no. No es molestia
40:28Además, ya te dije que el seguimiento de mi embarazo lo llevaba mi obstetra de confianza
40:32Y no quiero que te molestes, pero no... tú no eres especialista
40:35No, no, no lo soy. Tampoco pretendo sustituir a tu médico. Solo hacerte unas pruebas rutinarias para saber que todo está bien
40:42Estoy muy bien cuidada, Jaime
40:44No lo pongo en duda. María solo es una revisión
40:47Tu médico va a entender perfectamente que si tu cuñado también es médico, quiere hacer un seguimiento
40:53Es que ese es el problema, precisamente
40:56No, te sigo
40:58No, te sigo
41:00Mira, Jaime, tú eres mi concuñado
41:04Y yo no sé si alguien de la familia y además hombre es la persona adecuada para hacer ese tipo de seguimiento
41:11Ya
41:13El trato con un ginecólogo es algo muy íntimo para una mujer
41:17Y no sé si tener ese tipo de relación contigo viviendo en la misma casa y... entiéndeme
41:22No, no, lo entiendo perfectamente
41:24Yo quería decirlo delante de Andrés porque me daba pudor, pero creo que no es necesario fingir
41:29Y yo siento mucho haberte puesto en esa tesitura. No era mi intención
41:32Lo siento yo no haber sido más sincera. De verdad. No sabía cómo abordar el tema
41:38Bueno, pues ya está todo aclarado. Y en cualquier caso, lo que necesites, ¿sabes dónde estoy?
41:44Por supuesto. En la habitación de al lado
41:46Sí
41:47Y eso me da muchísima tranquilidad. Gracias
41:49No, no hay de qué
41:51Te dejo
41:54Gracias
42:04María, ¿puedo pasar?
42:08Gemma, ¿qué pasa?
42:10Pues que no ha sido buena idea pedirte que fueras a hablar con Joaquín
42:15Que ahora no quiere ni verme
42:18¿Qué hago? Por favor, ven aquí
42:20¿Qué hago?
42:25Lo que pasa entre Gemma y yo, madre, queda entre nosotros dos. No es asunto suyo
42:29Ni hablar. Si crees que me voy a quedar con los brazos cruzados viendo como tú destrozas tu matrimonio, es que no me conoces
42:35Tengo motivos
42:37Tienes la hombría herida y eso no es motivo ni razón para tirarlo todo por la borda
42:41Tenga un poco de cabeza, por Dios. Haya hecho lo que haya hecho, Gemma. Ha aprendido la lección
42:46Y ahora está desesperada porque la perdones
42:49Ah, ya veo que también le ha ido usted con su carita de cordero degollado para pedirle que la defienda, ¿verdad?
42:54Tiene sus recursos, ella...
42:55¡Basta ya, Joaquín!
42:57Estás muy equivocado. Es todo lo contrario
43:00Me ha pedido que no me metiera para que no te enfadaras más
43:03Pues ya veo que le ha hecho caso
43:04Pues claro que no
43:06No puedo soportar cómo estáis sufriendo, sabiendo como sé que los dos os queréis
43:11Pero ¿cómo puedes decir eso, madre?
43:13Esto no es amor
43:15Esto es una lucha diaria
43:18Y yo me esfuerzo cada día
43:19Llevo esforzándome años y solo recibo reproches
43:22Y más reproches
43:23Y siempre quiere más
43:25Y a la primera de cambio se ha ido con un fulano
43:27Pero es que no lo ve que yo ya no puedo más
43:30Pero la quieres
43:32Hijo, el amor no siempre va por un camino recto
43:37Pero no deja de ser amor
43:39No, yo no puedo hacer como usted y padre
43:41Yo no puedo aceptar que mi mujer no me quiera y seguir con ella
43:49Discúlpeme, yo no quería decir eso
43:53Perdóneme
43:55Creo que es mejor que dejemos esta conversación
43:57No, madre, de verdad que yo...
43:58Por favor, déjame a Soles
44:01Por favor
44:18¿Qué pasa?
44:34Sí, mire, soy la hija de Mercedes
44:36Le comentaba a su compañera que quería trasladar a mi madre de centro
44:39Hasta que se resuelva el brote de gripe asiática
44:42Pues mañana mismo me gustaría
44:44¿Cómo?
44:47¿Cómo?
44:49¿Pero desde cuándo?
44:52¿Y cómo está?
44:54¿Pero cómo no me habían dicho nada?
44:56Está bien, está bien, gracias, gracias
45:05¿Pasa algo?
45:07Que me acaban de decir que mi madre se ha contagiado de gripe asiática
45:10No me digas eso
45:11Justo ahora que había encontrado otro centro donde trasladarla
45:13y me acaban de decir que no, que es imposible el traslado ahora mismo
45:17¿Y a dónde ibas a trasladarla?
45:19Pues a un hospital militar que me había encontrado Andrés
45:23No sé qué hacer
45:30Lo siento mucho, cariño
45:32¿Le han dicho cómo se encuentra?
45:34Solo me han dicho que está estable, nada más, pero...
45:38Pero ves cómo yo tenía razón
45:40Era mejor no traerla
45:42Si ha caído enferma ahora, seguramente lleva ya días contagiada con el virus
45:48¿Eso qué quiere decir?
45:49Pues que evidentemente era un riesgo para todos aquí
45:54Mañana mismo cojo mi coche y voy a por mi madre, te pongas como te pongas
45:57Pero Begoña, que no puedes hacer eso
45:59¿Por qué no?
46:00¿Cómo que por qué no? Porque podrías contagiarte
46:02Que me da igual, mi madre me necesita, Jesús
46:04No lo voy a permitir
46:05Eres mi mujer y no te vas a poner en peligro por ir a verla
46:08¿Qué vas a hacer? ¿Me vas a encerrar?
46:11Tienes que ser razonable, te lo estoy diciendo por tu propio bien, por el bien de Julia y por el bien de todos
46:18Ahora mismo lo único que me importa es mi madre
46:21Y voy a hacer lo que es mi obligación, que es atenderla
46:24Así que a primera hora voy a ir a verla
46:26Me da igual lo que digas
46:28¿Cómo puedes ser tan cabezota?
46:30¡Begoña!
46:32¡Dios!
46:39Veo tu reflejo en el cristal como una aparición en un cuento de Alan Poe
46:45Se me ha hecho eterno el día esperando este momento
46:47¿Qué tal en Toledo?
46:48Bien, he encargado un par de camisas nuevas al sastre
46:51He arriesgado con los colores, cosas del amor
46:54Y he estado a punto de decirle que empezará un traje nuevo
46:58De novio
47:00No, pero me he frenado porque todavía no tengo el sí de la novia
47:05¿Has tenido tiempo de pensarlo?
47:08Claro que sí
47:10Claro que he pensado en lo que me dijiste
47:13Pero, ¿te pasa algo?
47:15Te veo seria
47:17Pues sí
47:19Pero no tiene nada que ver contigo
47:22Gemma y Joaquín están pasando por un mal momento
47:25Gemma y Joaquín están pasando por un mal momento en su matrimonio
47:29¿Y qué les pasa?
47:30No, no quiero hablar de eso ahora
47:32Llevo toda la mañana dándole vueltas a ese problema
47:36Siento mucho que tengas esas preocupaciones
47:39No tengo más preocupaciones que mucha gente
47:43La vida no es fácil para nadie
47:46Aunque yo, hoy he tenido mi momento dulce
47:50Gracias por los bonbons
47:52Me alegro de que te hayan gustado
47:54Los vi en el escaparate de la perla y pensé que estaban hechos para ti
47:59En el día tenemos que encontrar algún momento de paz
48:04Incluso de algo parecido a la felicidad
48:07Yo esta mañana he tenido bonbons
48:11Y estas noches nuestros ratos de charlas aquí, en la galería
48:16Para mí también son momentos maravillosos
48:18Por eso quiero tener más como estos
48:22Deseo tanto que estés siempre cerca de mí
48:27Yo también
48:30Por eso...
48:33Quiero casarme contigo
48:46Creo que es uno de los días más felices de mi vida
48:49Bueno, nos casaremos cuanto antes
48:52Mañana mismo encargo el traje
48:53Tú puedes encargar el vestido a quien quieras
48:55Tengo que hablar con don Agustín
48:56No, mejor con Mateo, que es más como de la familia, ¿no?
48:59Es el chico
49:00Y también tenemos que pensar dónde hacemos el convite
49:02Para
49:04Tranquilízate
49:06Te he dado el sí
49:07Pero quiero que vayamos paso a paso
49:09Todavía no se lo he dicho a mis hijos
49:12Por eso aún no me he puesto ni el anillo
49:14Perdón, me he dejado llevar
49:17Tienes razón
49:18Yo tampoco he hablado con los míos
49:20Pero de mañana no pasa
49:21No, no pasa
49:25Es que no puedo esperar ni un día más, Dina
49:28Yo tampoco
49:29Estoy loco por ti, te deseo
49:52Tengo el honor de presentarles a la señora Patricia Lamberto
49:56Jesús de la Reina
49:58Encantado de conocerla
49:59¿Tú qué te traes con el curilla ese?
50:01¿Que me he traído de qué?
50:02Claudia, que nos conocemos
50:04Que a ti solo te entra en la risa floja cuando te gusta un niño
50:07¿Pero qué dice?
50:08¿Estamos ya?
50:09No, solo un par de cuestiones más
50:12¿Has sufrido dolor pélvico o hinchazón de pierna?
50:14Mira, estoy perfectamente de verdad
50:16Y esto es una pesadez
50:17No, no la molesto más
50:19Si quiere puede darme el teléfono de su obstetra y hablo yo directamente con él
50:23Ahí va una pregunta directa
50:26¿Vendrías conmigo a, no sé, visitar algo?
50:29Y tal vez cenar después
50:35Mamá
50:37Ya estoy aquí
50:39Gervasio me vendió su parte porque quiso
50:42Y en plenitud de sus facultades
50:44Y en plenitud de sus facultades
50:47Y sigo sin entenderlo
50:50¿Qué hiciste?
50:52O te vas de aquí ahora mismo
50:55O todo el mundo se enterará de que eres un inverno