• 5 months ago
Transcript
00:00Once upon a time, there were three beautiful girls.
00:07Two of them graduated from the police academy.
00:11The other graduated from a top school for models.
00:16And they each reaped the rewards of their exciting careers.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
01:26I said again, and won!
01:54Fifteen past midnight, lying on your back.
02:08Staring at the ceiling.
02:10At six you're watching, hoping dawn will crack.
02:14Heart lost feeling.
02:16That fella's got you on a sleepless jag.
02:22Might as well get up and do the sleepless rag.
02:27Here's how you do it.
02:29Put on the coffee, give the girls a call.
02:32He'll come cracking.
02:35They'll tell you he ain't worth it at all.
02:38Send him packing.
02:40But if they can't convince you, cause suffering's your bag,
02:46Then you better learn to do the sleepless rag.
02:50Here's how you do it.
02:51There's nothing to it.
02:53Come on and do it.
02:57Get up, just do it.
03:02Fifteen past midnight, lying on your back.
03:05Staring at the ceiling.
03:07At six you're watching, hoping dawn will crack.
03:11Heart lost feeling.
03:13That fella's got you on a sleepless jag.
03:19Might as well get up and do the sleepless rag.
03:23Here's how you do it.
03:24Put on the coffee, give the girls a call.
03:27He'll come cracking.
03:30They'll tell you he ain't worth it at all.
03:33Send him packing.
03:35But if they can't convince you, cause suffering's your bag,
03:40Then...
03:53If they can't convince you, cause suffering's your bag,
04:01You better learn to do the sleepless.
04:05You better learn to do the sleepless.
04:09You better learn to do the sleepless.
04:13You better learn to do the sleepless.
04:24There!
04:42I'd like to tell you all how good that was.
04:45I'd like to, but I'd be lying.
04:49Listen, I did this number in Reno and in Vegas,
04:54And it always worked.
04:56Well, it doesn't work now.
04:58Well, if it doesn't, it's because of these klutzes behind me.
05:01Ladies, I hardly think all this rancor's gonna help get the show ready.
05:06Darian, you'll get your show ready when you start surrounding me
05:09With some people that know what they're doing.
05:11I mean, this dummy over here keeps watching her feet just like an amateur.
05:15Listen, I don't need this from you.
05:17I'll handle the lady, jessica.
05:19Oh, and fancy nancy is messing up half the steps.
05:23I just don't know all the moves yet.
05:25You're never gonna know the moves.
05:28I noticed you messed up on a couple of moves yourself, smart mouth.
05:31Well, if I did, it's because of your dumb choreography.
05:35Who the devil ever told you you were a choreographer anyway?
05:38Because I'm here to tell you that you're not.
05:40Renee, you're out of line.
05:42No, darian, they're out of line, all of them.
05:45Now, I am a pro, and I expect to work with pros.
05:52Look, why don't you just get your act together and them,
05:56And then when you're ready, you can call me to do this again.
06:06All right, let's call it a night.
06:08We'll get a fresh start in the morning.
06:14Uh, don't you worry now, mrs. trainer.
06:17This is all part for the course when you're putting the show together.
06:38Oh, my god.
06:56You scared me for a minute.
07:08Oh.
07:27Now, mrs. trainer, let me get this straight.
07:30You've put up the money for darian mason's production?
07:33Yes, over $150,000.
07:37You said this is a vegas show?
07:39That's right. Thank you.
07:42Well, aren't vegas shows usually put together in vegas?
07:45As a rule, yes.
07:47But darian mason feels that if we put a show together on speculation,
07:51Then audition it, we can get a much better deal.
07:54So that's the deadline you were talking about?
07:56An audition for the vegas people?
07:58Yes, in four days.
08:01And now we've suffered our second major setback.
08:04Your second? What was your first?
08:06Our choreographer.
08:08A week ago, she also disappeared.
08:11Did you contact the police?
08:13Yes.
08:14Unfortunately, they haven't been able to come up with anything.
08:17Darian grabbed an aspiring choreographer from the chorus,
08:20Put her in charge.
08:22Mrs. trainer, since you've come to us,
08:24I assume that you feel the disappearance of renee last night
08:27And the choreographer are somehow related.
08:30I'm not sure what I feel.
08:34At the prospect of losing $150,000,
08:38My thinking is getting a little muddled.
08:41So you believe somebody is deliberately trying to destroy this production?
08:45Well, it's a possibility, isn't it?
08:47What does darian mason think?
08:49Well, naturally, he's quite shaken up.
08:51But he didn't want me to hire a detective.
08:54He feels that it would demoralize the cast
08:57If they thought there was any real and imminent danger, as he put it.
09:00He's afraid they'd all panic and run.
09:02Well, how did he explain the two disappearances to the cast?
09:05He told the cast they just quit.
09:08So we'll have to investigate without darian mason's knowledge.
09:11Yes.
09:12Well, that's going to make our establishing of a cover a little more difficult.
09:16Angels, I'm afraid you're going to have to pull out your dancing shoes.
09:21Charlie, my dancing shoes are very, very dusty.
09:24Well, that's all right. I'll dust them off for you.
09:27Really?
09:28Yeah.
09:29As your agent manager, it's the least I can do.
09:32Clever.
09:33But what about your dancing shoes?
09:35Oh, no.
09:36A little ballroom, a little disco.
09:38I can handle that.
09:40Chorus line, no thanks.
09:42I'll think of something else.
09:43Can you arrange an audition for kelly, mrs. strainer?
09:47I think so.
09:48With one girl gone, maybe dead,
09:51Well, somebody will have to take her place.
09:55Well, I wish you'd phrase that another way, mrs. strainer.
10:07A five, six, seven, eight.
10:09One, two, three, four, five, six, seven, eight.
10:12One, two.
10:13All right, got that?
10:14Okay, try that with me.
10:16A five, six, seven, eight.
10:18One, two, three, four, five, six, seven, eight.
10:21One, two.
10:23Going up.
10:24Six, seven, eight.
10:25One, two, three, four, five, six, seven, eight.
10:28Okay?
10:29All right, add those two sections together.
10:32A five, six, seven, eight.
10:34One, two, three, four, five, six, seven, eight.
10:37One, two, three, four, five, six, seven, eight.
10:40One, two, three, four, five, six, seven, eight.
10:43You better do some fancy promoting.
10:45I think this girl is in a little bit better form than I am.
10:49Attitude.
10:50Blind them with attitude.
10:52The flick kick.
10:53Okay.
10:54Right?
10:55Okay, but take it from the top.
10:56Okay.
10:57A five, six, seven, eight.
10:58One, two, three, four, five, six, seven, eight.
11:01One, two, three, four, five, six, seven, eight.
11:03If you're going to do that, could you try to do it in tempo?
11:06What?
11:07I'm going to rattle those pages.
11:09Would you just do it in tempo?
11:11Oh, uh, I don't know how to do it.
11:13You don't what?
11:14Uh, no, how to do it in tempo.
11:18Then don't do it.
11:20One, two, three, four, six, seven, eight.
11:23One, two, three, four, five, six, seven, eight.
11:26One, two, three, four, five, six, seven, eight.
11:30No, no, wait, wait.
11:34Put it together.
11:35That's it.
11:36Here.
11:37Seven, eight.
11:41What are the estimated set costs?
11:43Um, 82,000.
11:47It's too low.
11:48What?
11:49It's too low.
11:50It can't be done at a big price.
11:52One, two, going on.
11:54Six, seven, eight.
11:55One, two, three, four, five, six, seven, eight.
11:57Mr. Mason?
11:59Darian Mason?
12:00Yes.
12:01Chris Monroe.
12:03Well, you're a pretty one.
12:04You going to dance for me?
12:05No.
12:06I hope I'm going to shake your hand.
12:08Oh.
12:10Then what are you going to do?
12:12I explained to you why I'm here.
12:15Go ahead.
12:16I'm listening.
12:17Well, I'm a reporter, and I'd love to do a story about you.
12:20A story?
12:22I'm from the Omaha dance unit.
12:25Do they dance in Omaha?
12:27Very well.
12:29And we're very impressed with the way you dance here.
12:32If you don't mind, I'd like to just hang around and observe you.
12:39Well, I'm not dancing.
12:41Well, whatever it is you're doing, you do it very well.
12:44I'll bet they do other things very well in Omaha.
12:47Such as?
12:50Schmooze.
12:52Schmooze?
12:54You schmooze me.
12:56Am I doing it well?
12:58Very well.
13:01Does that mean I can stay?
13:03You know that's what it means.
13:07Well, we'll get some more water.
13:09Can you do it in tempo?
13:13Two, three, four, five, six, seven, eight.
13:16Great.
13:17Now, if you'll add that other section.
13:19I think you're better than all of them.
13:21I'm not as good as any of them.
13:23I think you are.
13:25Well, you don't count.
13:30You sure you don't want some more coffee?
13:32No, thank you.
13:34Would you stop bugging me?
13:35You're driving me crazy.
13:39Just try to be nice.
13:41Well, don't be.
13:42Don't do me any favors.
13:44From you, I don't need any favors.
13:46You know, you really ought to be nice to me.
13:52Considering what I know about you, you really ought to be nice.
13:56Okay, okay, lighten up.
13:59Get me some coffee.
14:05Cream, no sugar?
14:08Right.
14:12One, two, three, four, five, six, seven, eight.
14:15One, two, three, four, five, six, seven, eight.
14:18One, two, three, four, five.
14:21All right, thank you.
14:23Thank you.
14:29Darian, listen, since we're fighting the clock,
14:32why don't you just hire this girl and end the audition and get back to work?
14:39No, I don't think so.
14:41Darian, she can outdance any of the other girls we've hired so far.
14:45She dances very well, but she doesn't have the look that we need for a Vegas show.
14:51I want you to hire the other girl.
14:53What's her name?
14:55Garrett.
14:56Kelly Garrett.
14:58We haven't even seen her dance yet.
15:00I've seen her move.
15:02I love her look.
15:04Hire her.
15:05She has no experience.
15:07She doesn't even have a resume I can check out.
15:10I'm sure she'll be fine.
15:12Darian!
15:14Hire her.
15:31How did you do it?
15:32Do what?
15:33Get to Darian.
15:35Get to him?
15:37Don't play dumb with me.
15:41I think the lady's trying to tell you something.
15:43She's not doing it very nicely.
15:45No, she isn't, is she?
15:47Clever little routine you two have got going here, but I don't buy it.
15:52Look, I think you better get to the point.
15:54The point is, Darian just insisted that I hire you.
15:57Insisted?
15:58She hasn't even danced yet.
16:00Now look who's playing dumb.
16:02Look, I don't know Darian well enough to get to him, as you put it.
16:05If you want me to audition for you, I'm ready.
16:08It'd be a waste of time because, as I said, he insisted.
16:14Looks like we work together.
16:16You got the right word, honey, work.
16:18And I better get a lot of it from you.
16:24Whew.
16:27Well, looks like you got the job.
16:31Lucky me.
16:54We're going to all hang tough.
16:56We're going to wing it in the group.
16:59Pretend we got every move.
17:02And if our act starts to cave in, well, at least we never gave in.
17:08Going to fly free of his nest.
17:10Playing it close to the vest.
17:13Giving the best of our best.
17:16And the hell with the rest.
17:18In case you missed it, at least hit again.
17:23We're going to be pals and friends and buddies to the end.
17:31We're going to be pals, buddies, and friends.
17:35To the end, to the end.
17:38Pals, buddies, and friends.
17:40To the end, to the end, to the end.
17:44In case you missed it, let me say it again.
17:50We're going to be pals, buddies, and friends.
17:54Pals, buddies, and friends.
17:56Pals, buddies, and friends.
17:58To the end, to the end, to the end, to the end, to the end.
18:05Okay, okay.
18:07Let's see if we can get this thing on its feet.
18:12Hi.
18:13Hi.
18:15Well, what do you think?
18:17They all seem to care, and they're trying real hard, but...
18:21An audition in three days, then.
18:24Unless it gets better quicker.
18:26Our client, Mrs. Trina, stands to lose a bundle.
18:29Okay, this is basically an ensemble number,
18:32but I will need one of you to do a featured bit.
18:35Nancy, did you volunteer?
18:37Well, I'll try, as long as it's not too featured.
18:42And Darian would like you to volunteer.
18:45And what do you want?
18:47Whatever Darian wants.
18:50Okay, let's line up.
18:52Girls in front, you four boys in back of the girls, please,
18:57and the rest of you lay out until I can figure out where to put you.
19:00Okay, right over here.
19:03All right, this starts on the right foot on the count of one.
19:06Ready?
19:07A five, six, seven, eight.
19:09One, two, three, four, five, six, seven, eight.
19:12A one, two, three, four, five, six, seven, eight.
19:15Okay.
19:16The first part looks pretty good, but now it needs more style.
19:20It's got to be sharper.
19:22And when the legs are in this position, they pop forward.
19:25Jessica, why didn't you speak up and volunteer?
19:30Are you kidding? I can barely keep up as it is.
19:33Take it from your entrance, okay?
19:36I don't understand you.
19:38You get an opportunity and you don't take it.
19:42Will you lay off, you little creep?
19:48How old are you not to talk to me like that?
19:50That's it. Okay, good.
19:52You better remember what I said.
19:59Be nice to me.
20:01I'll tell them what I know.
20:04I mean, I don't want to.
20:12But if you make me, I'll do it.
20:15But if you make me, I'll do it.
20:45Okay, let's take it from the top.
20:47Nancy, you try it first.
20:49You sit out.
20:50Okay. Come on, let's go.
20:54A five, six, seven, eight, a one.
21:04Hold it. Hold it.
21:08Nancy, what are you doing?
21:10I'm trying to do what you ask.
21:12Trying doesn't make it.
21:14Trying is for amateurs.
21:16Doing is for professionals.
21:18Well, look, I'm not a quick study.
21:21I need a little more time.
21:23Time we haven't got, Nancy.
21:25Elephants have time and they dance just about as well.
21:32Okay, once more.
21:34Kelly, this time you try it.
21:45One thing first.
21:47What?
21:48You lay into me like that and I'll climb down your throat.
21:51From the top.
21:53A five, six, seven, eight, a one.
22:09Patty, Janet, may I see you in your starting marks, please?
22:14Take your back out...
22:16Hi.
22:18You gonna take a shot at me, too?
22:21Maybe with my camera.
22:23Should be a great picture, the Texas dancing elephant.
22:27She was pretty rough on you.
22:29Yeah, but the only problem is she's right about me.
22:34Now you're being rough on you.
22:37She's right about all of us.
22:40Come on, I can't buy that.
22:42It's true, we're all a bunch of misfits.
22:48My daddy bought me this job.
22:50He just did it to help,
22:52but I lit him because I wanted it so badly.
22:55What do you mean your dad bought you this job?
22:58Oh, it doesn't make any difference.
23:01I guess we both made a mistake.
23:03I should have stayed in Texas.
23:05By the way, who are you anyway,
23:07and why are you asking me all these questions?
23:10Oh, my name's Chris Monroe.
23:12I'm with the Omaha Dance Review.
23:17Listen, you gotta keep the faith.
23:20Besides, all you have to lose is a job.
23:23See that lady over there?
23:31She stands to lose an awful lot of money.
23:34What are you talking about?
23:36Well, I heard that she put up all the money for the show.
23:40Where'd you hear that?
23:42Oh, I don't remember, but I think it's true.
23:47Um, maybe I'll talk to you sometime, okay?
23:515, 6, 7, 8.
23:532, 3, 4, 5, 6, 7, 8.
23:551, 2, 3.
23:57Better, better, much better.
23:59Your double air turn to the knee ends on 8.
24:02Up 2, 3, and kick on 4.
24:05Passe through, twist, 6, 7, 8.
24:08Triple pirouette, open 4, step, 5, kick, 6, step, 7, kick, 8.
24:14Okay, one more time, all together.
24:18A-5, 6, 7, 8.
24:20A-1.
24:32A-2.
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26:52You said you're a reporter. Well, I've got a story for you.
26:54Can I meet you somewhere?
26:56Sure. Where?
26:58How about that little coffee shop around the corner from where we're rehearsing?
27:01It's open all night.
27:03Okay. Okay.
27:05Give me about 45 minutes, okay?
27:07Bye.
27:17Operator!
27:20Why?
27:44Angels, have the police come up with anything on Nancy's disappearance?
27:48No, Charlie. And she hasn't gone back to Texas.
27:51They checked with the Texas authorities.
27:53Chris, Nancy didn't give you any idea
27:55what this story she was going to give you was about, did she?
27:58No, Charlie, but she sure seemed anxious to talk about it.
28:01Since she didn't show up, we have to assume someone stopped her.
28:04Was Nancy having trouble with anyone in the production?
28:07No, but she was a little upset
28:09because the choreographer Marsha had leaned on her.
28:11Was she considering quitting?
28:13Oh, no, I don't think so. She really wanted to work.
28:16One thing does puzzle me, though.
28:18What's that?
28:20She said that her father bought her the job in the show.
28:23Bought her the job?
28:25I couldn't figure out what she meant,
28:27and she certainly wouldn't elaborate on it.
28:29Maybe I should contact her father
28:31and see if I can find out what she meant.
28:33Good idea, Bosley.
28:35Angels, the choreographer Marsha,
28:37does she have anything to gain
28:39by the disappearance of these girls?
28:41She's a dedicated professional, very demanding.
28:44Since this is her first job as a choreographer,
28:47she wants everything to look good.
28:49Even if it means getting rid of people
28:51that she thinks are untalented?
28:53Hard to tell.
28:55I think we should check out that guy
28:57who pushes the broom at the rehearsal hall.
28:59He's got something going with, uh...
29:01Oh, that girl, Jessica Todson.
29:03Something going? You mean a romance?
29:06Well, he has eyes for her, all right,
29:08but she can't see him at all.
29:10Then I heard him say she better be nice to him
29:13or he'd tell what he knew.
29:15Well, we'll check him out.
29:17Uh, what's his name?
29:19John Summers.
29:21John Summers and Jessica Todson.
29:24Well, Angels, the picture's not getting any clearer, is it?
29:27No, it isn't, Charlie.
29:29The clock's ticking, my feet hurt,
29:31and tomorrow I have some heavy washing.
29:33Oh.
29:43ΒΆΒΆ
29:51ΒΆ Dancing lady in the night
29:54ΒΆ Turning
29:56ΒΆ To the left, to the right
29:59ΒΆ Turning
30:02ΒΆ If you should chance to glance to me
30:07ΒΆ Please tell me if you chance to see
30:12ΒΆ Am I in your eyes through the night
30:16ΒΆ Turning
30:19ΒΆ To the left, to the right
30:21ΒΆ Turning
30:24ΒΆ Surely you can guess
30:27ΒΆ I don't live on this
30:29ΒΆ I'm in your sight
30:31ΒΆ Dancing lady in the night
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