Historia completa de Marta y Fina - Mafin
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Short filmTranscript
00:00The delivery is called.
00:01The packing house is called.
00:03Yes?
00:07This is so quiet.
00:09It was not so busy this afternoon.
00:11The shop is empty now.
00:13But a car is coming. I almost need reinforcements.
00:15Good.
00:18Oh, Mrs Marta, I wanted to show you something.
00:21Look.
00:26This bottle is damaged.
00:28Can you see?
00:30He must have hit himself when he took it out of the warehouse.
00:35Put it as a sample.
00:41Did I say something strange?
00:43No, no, that a few days ago I would have accused myself of threats and have broken it.
00:48No, really, I'm very sorry about the hardness with which I have treated you.
00:51That's it, that's it, we already talked about it and it's clear.
00:54Don't put it as a sample, keep it to yourself.
00:57Are you serious?
01:00Yes.
01:04Let's see.
01:08How wonderful.
01:10I love all perfumes, but this one, this one is magical.
01:13Magical?
01:14It's magical.
01:16Look, depending on the person, you can notice more nuances or others.
01:20The citrus notes stand out in you.
01:42Instead, you smell sweeter.
01:51Well, how's your birthday? How did it go?
01:55I imagine you had a meal in good condition with the family.
01:58Well, everyone is always very busy and I'm not very good at celebrating.
02:02Oh, what a shame.
02:04It should be a very special day, one of those that is celebrated to the fullest and remembered until the following year.
02:09Maybe next year.
02:11Why do you have to wait so long?
02:13You still have a long way to go.
02:16The truth is that I was thinking about whether or not to go to an opera recital.
02:20Very good, very elegant.
02:22It's just that the soprano is an old friend of the family and she sent me two tickets.
02:26The concert is tomorrow, but I don't know.
02:28Of course, you have to go. Yes or yes. Don't think about it.
02:32No, in this city it's not very good to see a woman going to certain events alone.
02:38Well, she doesn't have to go alone.
02:41She can invite her father or her brother AndrƩs.
02:44Adigna.
02:46And you?
02:50Me?
02:52Would you like to accompany me?
02:55It would be my way of thanking you for the detail you had with the apron.
03:00The truth is that I've never been to the opera.
03:05Then don't even doubt it.
03:07Adigna, when you hear those voices, you get something in here and you can't breathe.
03:16Like when you fall in love?
03:19Something like that.
03:26Yes, yes.
03:29It's better not to comment on it with the rest of the workers.
03:33Be careful.
03:34I wouldn't like you to think that there is a favorable treatment.
03:37No, no, no, be careful, be careful.
03:40It will be our secret.
03:57Come in.
03:58Hi, Fina. Have you seen Claudia? She should be in the store, but she has left her unattended.
04:02No, I haven't seen her, but if I want to, I'm going to look for her.
04:05No, don't worry. She must have gone to the bottled area or one of the warehouses.
04:10Well, what do you think?
04:12Look.
04:14Do you like it? It's nice, isn't it?
04:17This is different.
04:19It was my mother's. The truth is that I loved it when I saw it on.
04:22And I've fixed the sisa a bit and I've twisted some part that was loose, but it's like new.
04:28You shouldn't have the uniform by now.
04:30Ah, yes, yes, I'll change right now and go down to the store.
04:33But I wanted to try it on to see if it was suitable for this afternoon.
04:38Fina, this afternoon won't be possible.
04:41We won't be able to go to the concert.
04:44Ah, why?
04:46Has it been suspended?
04:48No, no, it hasn't been suspended.
04:50It's because of the dress, isn't it? It's not elegant enough.
04:52Ah, what nonsense.
04:54In fact, it's very nice.
04:56I'm waiting for a call from Jaime.
04:58You see, yesterday he was calling me to congratulate me on my birthday and we couldn't talk.
05:02And my father told me to call him.
05:04And I think it would be very ugly not to be there.
05:06He's my husband.
05:08And after the sacrifice he's making, spending so much time away in Altamar,
05:11the least I can do is answer a call. I'm his wife.
05:15Of course.
05:17Obligations are the first thing.
05:19But I thought I could postpone them for an afternoon.
05:24Well, I'm afraid I can't.
05:27Sorry if I bothered you with my comment.
05:29No.
05:30But if you don't mind, go change and go to the store.
05:33And look if you can find Claudia.
05:35She's going to hear me.
05:47Carmen?
05:48Fina?
05:50I'm coming, one moment.
05:57I'm sorry.
06:12On the other hand, you smell sweeter.
06:20Fina.
06:22I'm sorry.
06:25Fina.
06:27What's wrong?
06:28I made a mistake.
06:30It's not right. Before...
06:32I didn't want to...
06:34What didn't you want?
06:36That I was sick.
06:38That I don't want...
06:40That you don't want what?
06:41That you're going to think I'm crazy and right.
06:45Do you still want to come to the concert with me?
06:48Did you call your husband?
06:50No.
06:51But he's right.
06:53You've given him the obligation and...
06:55And to live.
06:56Of course.
06:57But since I saw him so convinced to cancel the concert, I...
07:00You see, Sara, I'm convinced we should go.
07:08You're not going to pick up.
07:10Yes.
07:15Perfumeries of the Queen, tell me.
07:19For me.
07:24It's from the station. They say I have a visitor.
07:32Yes?
07:38Hello.
07:54Hello.
07:57It's been a long time, hasn't it?
08:01But I didn't know you were here.
08:03No, no, no. Of course, of course. I'm glad.
08:08To eat today?
08:12But you're in La Colonia.
08:14I'm sorry, I'm working and I can't talk.
08:17But we'll see each other in a while, right?
08:20Yes, yes, yes. No, I'm fine.
08:24I'll see you there.
08:29That's it.
08:32I'm sorry for calling at work hours.
08:35It's fine, woman.
08:36Especially if it's to receive good news, as it seems to be the case.
08:40Yes, it's a friend who lives in Paris and is visiting.
08:43Paris, nothing less.
08:45Yes, it was quite a surprise.
08:47It seemed so.
08:49She must be a very good friend if she came from so far away to see you.
08:52Well, she's not here to see me, she's here to see the family.
08:55But yes, we're very good friends.
08:58Or at least we have been.
09:01So she's from Toledo.
09:03From Fuensalida.
09:05In fact, she worked here at the factory.
09:07We met here.
09:09So maybe I know her. What's her name?
09:11Esther.
09:13Esther PĆ©rez.
09:15It doesn't ring a bell.
09:17It's normal.
09:18She was working only a few months in a packaging company.
09:21I'm sure she has a lot to tell me about Paris.
09:24We have to eat in the canteen.
09:26Well, there are only ten minutes left until it's your turn to eat.
09:29So hurry up.
09:31I'll cover you and I'll check the boxes.
09:33Yes, thank you very much.
09:35I'm sure she has a thousand stories to tell me.
09:38Paris doesn't leave anyone indifferent.
09:40No.
09:41The truth is that she was very brave going to live there.
09:44To pursue her dreams.
09:46You know, why don't you take the whole afternoon off?
09:49So you're with her.
09:51No, no, no, no, no.
09:53I can't do that.
09:55It's my turn and it wouldn't be fair for my colleagues.
09:57I'm looking for someone to cover you. Go with her.
09:59I'm going to eat with her for a while and then I'll come.
10:02As you prefer.
10:04Come on, what are you waiting for?
10:05Yes, I'm coming.
10:09Mrs. Marta.
10:11What time do we meet?
10:13What do you mean?
10:15To go to the recital.
10:17Well, I thought that with your friend's visit,
10:19you might prefer to take advantage of the afternoon to chat with her.
10:22No, no, no.
10:23I would understand.
10:24No, no, no, no, no.
10:25Not at all.
10:26It's been a long time since you've seen us. It would be normal.
10:29Don't worry, I'll be there.
10:32Besides, I really want to go.
10:36Well then, see you at the Teatro de Rojas at nine o'clock there.
10:40Perfect. Do you want to go together?
10:42No, better not.
10:43No, of course.
10:44No, I say it because at five o'clock I have to go to Toledo to look at some stores.
10:47Yes, yes.
10:48See you there. What do you think?
10:50I think it's great.
10:52Aren't you going to wait for your Parisian friend?
11:02Good afternoon.
11:15Good afternoon.
11:17Ma'am, what time do we meet?
11:20What do you mean?
11:22To go to the recital.
11:24Well, I thought that with your friend's visit,
11:26you might prefer to take advantage of the afternoon to chat with her.
11:29I would understand.
11:30No, no, no, no, no.
11:31Not at all.
11:33It's been a long time since you've seen us. It would be normal.
11:36Don't worry, I'll be there.
11:40Besides, I really want to go.
11:45Well then, see you at the Teatro de Rojas at nine o'clock there.
11:49Perfect. Do you want to go together?
11:51No, better not.
11:52No, of course.
11:53No, I say it because at five o'clock I have to go to Toledo to look at some stores.
11:56Yes, yes.
11:57See you there. What do you think?
11:59I think it's great.
12:02Good afternoon.
12:03Good afternoon.
12:06Is something wrong?
12:08It looks like you've seen a ghost.
12:10No, nothing's wrong, Mrs. Marta.
12:12And Claudia?
12:14She had an emergency.
12:16An emergency?
12:18She had to go to the hospital for indigestion.
12:21Indigestion?
12:22Yes.
12:23She had a very bad night and she went to the hospital this morning.
12:26And why didn't she go to the dispensary?
12:29I'm sure Dr. Borrell would have given her something for the discomfort.
12:32Well, because it was very early and she didn't want to bother the doctor.
12:35But it's her job.
12:37We pay her to be at the dispensary.
12:39I've already told Carmen that it was very early.
12:41And besides, we told her not to worry.
12:44That we would cover for her.
12:46Very kind of you.
12:48But things don't work that way.
12:50I know.
12:51We hoped you would understand.
12:53When she comes back, tell her to come see me.
12:55Lately it's impossible.
12:57Yesterday I left the store alone and today this.
12:59It's better to have a good excuse.
13:01Well, we're telling Mrs. Marta.
13:03Well, let her tell me.
13:05She's taking me by the nose.
13:08I'm going to have to take measures.
13:15Why is the phone off?
13:17I don't know.
13:19Have you called from the store?
13:21No, no, of course not.
13:24I'm going to...
13:27I'm going to...
13:30Maybe your French friend has called again.
13:33No, she hasn't called again.
13:43Why are you alone in the store now?
13:45Where is Carmen?
13:47She's gone to the general warehouse to check some orders
13:49that we have to send to LogroƱo.
13:53Mrs. Marta.
13:55Yes?
13:58I wanted to apologize for the recital.
14:02I left it in.
14:04That.
14:06It doesn't matter.
14:08I had a great time.
14:11I waited for you just enough and I came in.
14:13I didn't want to miss the beginning.
14:15And was it good?
14:17It was really splendid.
14:20Although, of course, you have to like that kind of music.
14:23And it's clear that you're not interested.
14:27No, I've never been to a recital like that.
14:31But I'm glad I didn't miss it and that I enjoyed it.
14:35The truth is that that kind of music is much more enjoyed in solitude.
14:39Yeah, but I didn't want to stop apologizing.
14:42Well, that's it.
14:44You've already done it, you've already apologized.
14:47Although, in general, apologies usually come with some kind of explanation.
14:51Which is clear that you don't want to give me.
14:55Deep down, I appreciate your silence.
14:59Much better than humiliating you and giving you another excuse, like with Claudia.
15:04Indigestion.
15:06Don't think I'm sucking my finger.
15:08Mrs. Marta, I really wanted to tell you...
15:09So, with your French friend, it's fine, right?
15:12Why was that what happened?
15:14I invite you to dinner and...
15:16Well, your boss will take care of it.
15:18You have a lot to put up with.
15:20The impertinence and bad mood all day long.
15:24They say that whoever is silent gives in.
15:29I don't know why I thought we were starting to be friends.
15:33But well, now that everything is clear,
15:36I hope we can keep the cordiality on a professional level.
15:43And when the store is empty, clean the windows.
15:47Excuse me.
16:07Don't move from here.
16:09If you need anything from the warehouse, ask for it.
16:12Don't go alone.
16:13That's it.
16:14And if you're tired, sit down.
16:16No effort today.
16:17If a client comes in, Carmen and I will take care of it.
16:21Do I look so bad?
16:23No.
16:24No, because I put a kilo of paint on you.
16:27Yes.
16:28But let's see if with a little luck Mrs. Marta doesn't show up today.
16:31It's okay.
16:33Let me see what I'm talking about.
16:35Blessed are the eyes.
16:38Hello, Mrs. Marta.
16:40Yesterday I had to go to the hospital because...
16:42Because...
16:45Because I had indigestion.
16:47That's what your colleagues told me.
16:49Do you feel sick at dinner?
16:51Well, the truth is that...
16:52What did the doctor tell you?
16:55She has prescribed rest and a soft diet.
16:58And yet she decided to come to work.
17:00So it seems that it was not so serious.
17:02You could have gone to the dispensary.
17:03Why didn't you go?
17:04Well, as we told you...
17:05Let her answer me.
17:11Look, Claudia.
17:13I don't care if you have to quit.
17:14But you can't do it without my permission.
17:17And I'm going to tell you something.
17:18And this is for all three of us.
17:20We all have problems here.
17:21And when I say all, I mean all.
17:24Sometimes you think I don't have a personal life.
17:26And that's not why I quit my job.
17:28Because I feel like it or without giving explanations.
17:30Not even when it's an emergency.
17:33It was, Claudia.
17:35Tell me the truth.
17:38What a disappointment, isn't it?
17:41I don't want to see you in the store today.
17:43Go to the dispensary and check the orders for the big warehouses.
17:47Dispensary?
17:48Dispensary. Are you going to give me trouble with that too?
17:50Don't worry, I'm on my way.
17:51Can you tell me what's wrong with all three of you?
17:52And why are you in there?
17:54Claudia, have you heard me?
18:03I don't know what happened to you today.
18:05But I warn you one thing.
18:07I'm not in the mood for nonsense.
18:09Good morning, Mrs. Concha.
18:14I'm so glad to see you here again.
18:17What can I do for you?
18:18Tell me.
18:19Mrs. Marta, I'm going inside to ask for the silk that is missing.
18:22Okay.
18:24Mrs. Marta, I'm sorry I interfered with Claudia's matter before.
18:42I know she's upset with me.
18:44Me? Why would she be upset?
18:46It's obvious.
18:48But if she has a problem with me, it's not fair that I pay for it with Claudia.
18:53I don't know why you all care so much about her.
18:57Lately, I think I've given you too much confidence.
19:00And I think you're abusing it.
19:03Well, if that's the case, I apologize.
19:06But I think I'm right about Claudia.
19:08It's obvious you don't know me.
19:11I thought I was starting to do it.
19:13But it doesn't occur to me that someone who has been so kind to me these last few days
19:17can do something so unfair right now.
19:18My deal with Claudia has not been unfair at all.
19:21You know she hasn't been doing her job for a long time.
19:23She's nervous, out of her mind.
19:25She doesn't get the job when she needs it the most.
19:28She's not reliable, Fina.
19:29She's having a bad time.
19:32Look, I'm going to be clear.
19:34I'm not an unfair person.
19:36But I have to be pragmatic.
19:37And right now, Claudia is not in a position to continue in her position.
19:40Are you going to fire her?
19:42And she's not going to shake my hand.
19:43No. No, no, no. She can't do that.
19:47Claudia needs this job.
19:49It's very important to her.
19:51She can't fire her after everything that's happened because...
19:55You can't imagine why...
19:57What can't I imagine?
19:58No.
19:59Explain it to me.
20:00I can't.
20:01Yes, you can.
20:02I can't tell her.
20:03You can and you must.
20:04What are you hiding from Claudia?
20:08That she's been in the hospital.
20:09Yes, you've told me that a thousand times,
20:11but you can't even tell me what the doctor told you.
20:13Because it was indigestion.
20:15Because it wasn't indigestion.
20:16She tried to kill herself.
20:20What are you saying?
20:23Claudia didn't want to tell you because...
20:25She was afraid you'd fire her.
20:27But anyway, if she's made the decision, what's the big deal?
20:33She's very good.
20:35A lot.
20:36And she doesn't deserve everything that's happening to her.
20:39If I had seen her in...
20:41In bed, lying down, with the pill box empty...
20:45I thought she was dead.
20:46It was horrible.
20:47God.
20:50You were with her all afternoon.
20:53And with Dr. Borrell.
20:56She can trust all that if she doesn't trust me.
20:58She helped us take her to the hospital
21:00to have her stomach washed.
21:03I'm angry because I thought you'd given me a shot.
21:05If I felt ridiculous before, imagine now.
21:08You trusted me, it's normal.
21:10No, stop talking about trust or stories.
21:12Claudia is your friend and she needed you.
21:14It was an emergency and you left everything to go with her.
21:17It's normal.
21:19How awful.
21:32At the end, she almost came with me last time.
21:35Really?
21:36Well, in the end, she stayed.
21:38I guess she has her roots here, her family, her job.
21:42The truth is, I see her very happy here.
21:44If that's the case, why is she willing to come with me to Paris?
21:49I didn't know.
21:50She's coming with me.
21:54In the warehouse, they were wrapped...
21:56Esther, Marta, this is the friend who...
21:59Yes, we've already set the date.
22:01Congratulations on your new life.
22:04What?
22:05Well, I imagine that when you defend yourself with the language,
22:08Esther will get you a job in the warehouses.
22:10You seem to have very good contacts there.
22:12I haven't decided anything yet.
22:14And I understand you.
22:16You can't compare the Galeries d'Amain
22:18with a perfumery in the provinces.
22:20And Paris, who wouldn't want to live there.
22:23I haven't decided anything yet.
22:25Well, don't doubt it.
22:26Opportunities like that can't be rejected.
22:30Nice to see you again, Esther.
22:32Nice to meet you.
22:37Now we talk.
22:38Good afternoon.
22:39How can I help you?
22:47The sales went down yesterday.
22:49We were doing well.
22:50I hope the fury hasn't cooled down
22:52because of the essence of the queen.
22:54No, in three weeks, people go out less to buy.
22:56From Thursday, Friday, things start to cheer up.
22:59Yes, but sales also went down in stores.
23:03I think I should think of something for the campaign
23:05before things cool down.
23:09An ad on TV would be great.
23:12Yes, Carmen would be gorgeous.
23:14She'd do it so well.
23:16I was thinking of Carmen, but also of you.
23:19The two of you together, here in the store.
23:21Of me?
23:22Why not?
23:24It was hard for me to decide
23:25between Carmen's photos and yours.
23:27You're very photogenic.
23:29What do you think?
23:31Well...
23:35Maybe I'm not here anymore
23:36for when the ad comes out.
23:41Oh.
23:42Have you made up your mind?
23:45I saw your friend Esther,
23:46I was sure you'd go with her,
23:48but I saw you hesitating.
23:52There are things that hold me back here.
23:55Your father, right?
23:57My father.
23:59Yes.
24:02Do you think it would be best for me?
24:06That's something you have to decide,
24:08without anyone influencing you.
24:10Neither Esther, nor your father, nor me.
24:12No one.
24:13I've been thinking about it for years,
24:15since the first time he proposed to me.
24:18But I couldn't give my father that disgust.
24:22And now you do.
24:24My father is very upset
24:25that I have to get married, and I...
24:30What if I don't want to get married?
24:33Maybe it would be a bigger disgust for him.
24:37And besides, it's time for me to think about myself.
24:41And according to Esther,
24:42living in a modern country like Paris
24:44would be the best thing that could happen to me.
24:46Maybe you're right.
24:49But there are more things that hold me back here,
24:50apart from my father.
24:55And I think...
24:57I could work here all my life
24:59and still be happy.
25:00And that's where my doubt arises.
25:05This isn't Paris, Fina.
25:09No one can offer you what Esther offers you.
25:13You know that.
25:15Then I think I should leave.
25:17You'll have more opportunities there
25:19to build a professional and personal future.
25:22But I'd have to study more French.
25:24You're very smart.
25:25And I could feel alone.
25:26You can learn from that too.
25:27And you could always come back.
25:30I'd hire myself again.
25:31Without a doubt.
25:34But I know that if you leave, you won't come back.
25:37Because you'll become a modern, sophisticated woman.
25:41And happy
25:43for having found your place.
25:45It's a shame to have to go so far to do it.
25:57Anyway...
26:00Thank you for being so honest with me.
26:03Your opinion means a lot to me.
26:05In fact,
26:07it's the most important thing right now.
26:10You have to be happy, Fina.
26:14There's nothing I want more.
26:27I love you.
26:58Hello.
27:02I'm sorry, I fell asleep with my father
27:04and I was preparing an infusion for...
27:06Don't worry, it's your house.
27:28Oh my God, she's going to fall.
27:30Yes.
27:32We'll have to close the windows properly.
27:37I suppose you'll have the luggage ready.
27:41I'm not leaving.
27:44To Paris?
27:46You're not leaving?
27:49Has something happened?
27:53My father...
27:55What's wrong with him?
27:58Tell me.
28:00Is he sick?
28:03He's dying, Marta.
28:06He's dying and he doesn't want me to be with him.
28:12I'm sorry.
28:16I'm sorry, Fina.
28:22Don't take it seriously.
28:23Men act strong when they're terrified.
28:28Listen, your father adores you.
28:32I'm sure he'll ask you to be by his side in the end.
28:36I hope you'll play along.
28:39A tray of Swiss cheese.
28:43With chocolate.
28:45To get wet.
28:47With whatever you want.
28:50Thank you for being there.
28:54Thank you for letting me be.
28:57Thank you.
29:08I'm sorry, I can't.
29:11I can't.
29:27I can't.
29:29I can't.
29:31I can't.
29:33I can't.
29:35I can't.
29:37I can't.
29:39I can't.
29:41I can't.
29:43I can't.
29:45I can't.
29:47I can't.
29:49I can't.
29:51I can't.
29:53I can't.
29:55I can't.