• 3 months ago
Transcript
00:00Once upon a time, there were three little girls who went to the police academy, two in Los Angeles,
00:13the other in San Francisco.
00:16And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:27My name is Charlie.
00:30My name is Charlie.
00:32My name is Charlie.
00:34My name is Charlie.
00:36My name is Charlie.
00:38My name is Charlie.
00:40My name is Charlie.
00:42My name is Charlie.
00:44My name is Charlie.
00:46My name is Charlie.
00:48My name is Charlie.
00:50My name is Charlie.
00:52My name is Charlie.
00:54My name is Charlie.
00:56My name is Charlie.
00:58My name is Charlie.
01:00My name is Charlie.
01:02My name is Charlie.
01:04My name is Charlie.
01:06My name is Charlie.
01:08My name is Charlie.
01:31Don't you ever talk to me like that, Patricia.
01:36Now, let's try it again.
01:38You came here with Liz to place an order, right?
01:42Wrong.
01:44I'm not doing business with you, Donna.
01:47Come on, Patty. Bye.
01:49You'll enjoy.
01:51Yeah, quit being such a prude.
01:54I'll do the talking, though.
01:55Is she your idea of a new customer?
01:58You know you're not making points, Liz.
02:01Hey, Patty, wait a minute.
02:03Please, I want to talk to you.
02:05Good, Liz. Good. Grovel a bit.
02:07You know, your little game's about over, Donna,
02:10because I'm going to call Mr. Blackmore.
02:12If she calls Blackmore, you'll regret it, Patty.
02:17You'll regret it.
02:19You'll regret it.
02:21You'll regret it.
02:23You'll regret it.
02:25Liz, believe that.
02:27It's okay, Donna.
02:29I'm going to talk to her right now,
02:31and I'm sure I can change her mind.
02:33Okay?
02:37Patty, please. I thought you were my friend.
02:40You don't use your friends, Liz.
02:43Oh, you and your stupid Victorian morality.
02:46Patty...
02:56I see you're a tea drinker, too.
03:00Tea's got tannic acid.
03:02It soothes the insides.
03:04They put it on burns.
03:06Did you know that?
03:09You sure don't use caffeine.
03:13You'd think them coffee drinkers
03:15would get the message, wouldn't you?
03:17Why don't you turn off
03:19that country bumpkin mouth of yours?
03:21I don't care about you or your coffee.
03:22Why don't you turn off
03:24that country bumpkin mouth of yours?
03:26I don't care about you or your tannic acid.
03:53Hello, Mr. Blackmore, please.
03:56Yeah, this is Patty Cantwell.
03:59I'd like to talk to him
04:01about something that's been going on.
04:04Will he be in his office later on?
04:10All right.
04:12Oh!
04:14Oh!
04:16Oh!
04:18Oh!
04:20Oh!
04:23The police found no clues,
04:25no fingerprints, no witnesses.
04:27None of the girls heard anything
04:29or saw anyone.
04:31And Mr. Blackmore doesn't know
04:33why Patty was trying to reach him?
04:35No.
04:37Sounds like the call and the Patty's death
04:39could be related.
04:41A distinct possibility.
04:43Charlie, those two girls
04:45who left Blackmore College last month
04:47claim to have been frightened
04:49by a potential strangler.
04:50Well, where do we start?
04:52Chris, you and Bosley go to Hillhaven.
04:54That's right near Blackmore College.
04:56You'll be met by Victor Hoagland,
04:58a school employee
05:00in charge of maintenance.
05:02Chris, you'll be a new student.
05:04Now, Jeffrey Blackmore
05:06has made the arrangements
05:08and he's the only one
05:10who knows your true identities.
05:12What have you got for me, Charlie?
05:14Well, since the killing,
05:16two teachers have quit.
05:18You and Sabrina will replace them.
05:20You think you can handle an art class?
05:22Well, if I don't get my expressionism
05:24and my abstractionism mixed up,
05:26I think I can probably muddle through.
05:29Bosley, as for your cover...
05:32Yes, Charlie, history, anthropology,
05:34anything you say, I'm ready.
05:36Something closer to animal husbandry.
05:38Yes, you'll report to Victor Hoagland
05:40as a groom in the stable.
05:47Cheer up, Bosley.
05:48Maybe the strangler
05:50will turn out to be a dark horse.
06:18Well, I guess we better look for Victor.
06:20Yeah.
06:49It's heavy.
06:51Don't drop it, Sissy.
06:53I'm trying.
06:58Easy.
07:02Ready?
07:04Yeah.
07:06Wait.
07:19Dying Hall's a black market.
07:21One big transfusion tonight.
07:27Come on, let's get back to school.
07:29There's too many eyes around here.
07:49Hey.
07:51You Chris Munro?
07:53Yes.
07:55I'm Victor. I came to meet you.
07:57Hi, Victor. Nice to meet you.
07:59Welcome to Blackmoor.
08:01Thank you.
08:02Victor Hoagland, Blackmoor.
08:04Nice to meet you.
08:06I'm Victor Hoagland.
08:08Nice to meet you.
08:10I'm Victor Hoagland.
08:12Nice to meet you.
08:14I'm Victor Hoagland.
08:16Nice to meet you.
08:18Welcome to Blackmoor School.
08:20I'm John Bosley.
08:22Well, I'm glad to meet you, John.
08:24Mr. Bosley, I'm Chris Munro.
08:26I saw you on the bus. Are you a teacher?
08:28Well, actually, I'm a maintenance engineer
08:30in the equestrian area.
08:32Oh, a groom.
08:34That's another way of putting it, yes.
08:36Being a groom is just as important
08:38as being a teacher.
08:40Now, come on, let's get your baggage
08:42and get going.
08:44Shall we tell them about the box
08:46those three put in the van?
08:48Let's see who they are first.
08:50They look like students.
08:54From what I could gather,
08:56Patty and a girl named Liz Marshall
08:59had been visiting three of the other girls.
09:01Who were the other three girls?
09:03Cissy Canfield, Donna Rossiter,
09:06and Bo Fleming.
09:08Did the police question them?
09:10They could offer nothing.
09:14It's about time for my English class.
09:16If you come up with anything else,
09:18let me know.
09:20Oh, there is one more thing.
09:22What's that?
09:24Patty's parents said that a valuable emerald ring
09:26was missing from her personal possessions.
09:28Oh, really?
09:30Well, that could be worth checking into.
09:32We'll see you later.
09:34Thank you very much.
09:49Mr. Blackmore expects you,
09:51so you can just go right on in.
09:53Oh, thank you.
09:55I'll put your bags in your room.
09:57Great, I really appreciate it, Victor.
09:59Any time.
10:01Hey, listen, if you need anything
10:03or even if you need anything,
10:05just let me know,
10:07and I'll get it for you.
10:09Thank you, Mr. Blackmore.
10:11Thank you, Mr. Blackmore.
10:13Thank you, Mr. Blackmore.
10:15Thank you, Mr. Blackmore.
10:16If you need anything
10:18or even if you don't,
10:20you can come to me.
10:22Now, you remember that.
10:24I will, thanks.
10:29There's a really nice girl.
10:31No uppity snob
10:33just because her daddy's got a million or two.
10:35Seems real nice
10:37for a rich girl.
10:42Oh, you must be Chris Monroe.
10:44Mr. Blackmore, hello.
10:46Well, you've really captured
10:48the Blackmore look.
10:50I've put you in a room
10:52with Sissy Canfield.
10:54She was one of the three girls
10:56Patty was with before she got killed.
10:58Ah, well, I'm happy to know
11:00you've done your homework.
11:02I'll talk to you later.
11:15What's wrong?
11:34Something wrong?
11:38I was looking for my pencil.
11:42Oh, let's see.
11:45Is this it?
11:52Thank you.
12:15Put your papers on my desk
12:17as you leave, please.
12:31You coming, Bill?
12:33No, go ahead. I'll catch up.
12:45I don't know what to say.
12:48I mean, you could have made
12:50a big deal in front of everybody,
12:52but you didn't.
12:55Your name's Bo, right?
12:58That's an unusual name.
13:00It's short for Bonnell.
13:04Why did you come to Blackmore, Bo?
13:08To get an education.
13:10And what did you get?
13:11To get an education.
13:13Then why are you denying it to yourself?
13:17Think about that, okay?
13:30Hey, Bo! Hey, Bo, wait!
13:32Bo!
13:42Wow, Miss Garrett's
13:44really something special.
13:46I will never cheat in her class again.
13:49You?
13:51Not cheat?
13:53Not lie?
13:55Not likely.
13:57I mean it. I won't.
13:59Of course you will.
14:01You can't help yourself.
14:03Look, nobody understands you
14:05like I do, Bo baby.
14:07I'd advise you to hang on
14:09to that thought.
14:11I can't wait to face
14:13the new Ants Talk Daryl doubt.
14:20Well, I see I'm not
14:22the only new member of the class.
14:24You have a new classmate.
14:26Would Chris Monroe stand up, please?
14:28There you are.
14:30Okay, I tell you what,
14:32I'm gonna ask you to model
14:34for the class today.
14:36That'll give you all a chance
14:38to get acquainted.
14:40Would you step up
14:42on the platform, please?
14:44Okay.
14:47All right, everybody,
14:49I would like for you
14:51to sketch Chris
14:53in the style that most appeals to you.
14:55Now, this isn't for a grade.
14:57I just want to get an idea
14:59of your artistic and or aesthetic interest,
15:01all right?
15:03So all I ask is a sincere stab at it.
15:05Any questions?
15:06Uh, do you think that Chris
15:08could move her hair
15:10so we could see her face better?
15:16Now she's all tensed up.
15:18No, I'm very relaxed.
15:20All right, everybody,
15:22let's get to work.
15:24Oops, now your hair's
15:26in the way again.
15:32Miss Duncan.
15:34Yes?
15:36I hate to be so fussy,
15:38but she looks so stiff
15:40from my perspective anyway.
15:42I mean, it makes me feel uncomfortable.
15:47She looks all right to me.
15:49I really don't see
15:51what's bothering you, Donna.
15:53Maybe it's the angle of her head.
15:55Um, would you mind
15:57if I helped her a bit?
15:59All right.
16:01Thank you.
16:06Ahem.
16:17There, that's better.
16:19Ouch!
16:21Oh, how did I do that?
16:23Yes, how did you get your finger
16:25twisted around my hair?
16:27It was an accident.
16:29Sure.
16:31I'm terribly sorry.
16:33Why don't you just sit down, Donna?
16:34You must have snagged on my ring.
16:37Donna, take your seat, please.
16:40Well, I just don't want you to think.
16:42Sit down, Donna.
16:46Very well, Miss Duncan,
16:48if you insist.
16:50I do insist.
16:53Sit down.
16:56Thank you very much.
17:00All right, ladies,
17:02let us get to work.
17:04Thank you.
17:22Ranching used to be really great.
17:24Good friends around,
17:26all interested in each other,
17:28all equal.
17:30But they all moved away.
17:32It was lonesome as sin out there.
17:34So I moved too.
17:36I've been here about a year.
17:38You know, Victor,
17:41I saw three girls from here
17:43put something in the back of your van
17:45while you were in the depot.
17:47Were you aware of that?
17:49No.
17:51Let's go see what it is.
17:55I just can't imagine
17:57what that could have been.
17:59Well, I don't know.
18:01I just thought you'd want to know.
18:03Well, I...
18:05I just don't understand that.
18:07I mean, I saw them.
18:09It was a rather good-sized,
18:11heavy-looking box.
18:13Well, there's nothing there now.
18:15There's probably some other van, John.
18:19Let's get back to the chores.
18:21How'd it go, Teach?
18:23Pretty good.
18:25I decided to try my own variation
18:27of the inkblot test,
18:29and I think I found a monster.
18:31Chris was the model for that.
18:33Yeah, you did find a monster.
18:35Mm-hmm.
18:37Hi.
18:39Speak of the devil.
18:41Did someone capture my unique
18:43inkblot test?
18:45I don't know.
18:47I don't think so.
18:48Did someone capture my unique radiance?
18:51What do you think?
18:53Well, the skin tones are a bit off,
18:55but otherwise, I...
18:57Looks like the creature
18:59from the Black Lagoon.
19:01Donna, right?
19:03Right.
19:05How'd you guess?
19:07It's my hair.
19:09I don't think she likes my hair.
19:11I don't think she likes
19:13anything about me.
19:19Hello.
19:21Come to pull my hair again?
19:23You seem moderately intelligent, Chris.
19:26And I'm sure you wouldn't want
19:28to lose any more of that
19:30beautiful blonde mop,
19:32so I suggest you listen very carefully.
19:34I believe this is the part
19:36where I'm supposed to tremble.
19:38I want you to forget
19:40you saw me at the bus depot.
19:42I want you to forget everything
19:44you saw at the bus depot.
19:46And don't give me any trouble,
19:48because I'm avoiding it.
19:50Now, that sounds like a threat.
19:52Only because it is.
20:08Boss. Yeah?
20:10Listen, did you find out anything
20:12about the box that the girls
20:14put in the back of Victor's van?
20:16Yeah, when Victor and I
20:18were out, Madonna just
20:20laid a real heavy trip on me
20:22about forgetting everything
20:24that I saw at the depot.
20:26Well, that seems to give
20:28some importance to the contents
20:30of the box, wouldn't you say?
20:32I'd say so.
20:34Maybe it's tied to
20:36Patty Cantwell's death somehow.
20:38Yeah, well, let's hope so.
20:40I'd like to wrap this thing up
20:42before somebody else gets killed.
20:44Uh, carry on.
20:49You're late.
20:51I couldn't help it.
20:53I had three collections to make
20:55and I just...
20:57Excuses.
20:59Always excuses.
21:01You know, Liz,
21:03I'm not sure I can trust you.
21:05In fact, we were just talking
21:07before you came in.
21:09Where were you the night
21:11Patty was strangled?
21:13I don't know.
21:15I don't know.
21:16Where were you the night
21:18Patty was strangled, Liz?
21:20I was in bed.
21:22You say that,
21:24but how do we know it wasn't you
21:26who wrapped that nylon
21:28around her throat?
21:30Oh, you've got to be kidding.
21:32Patty was my good friend.
21:34Well, she certainly
21:36didn't act like a friend
21:38that night, did she?
21:40And you were very angry.
21:42Lay off, Donna.
21:44This isn't funny.
21:46Well, you're being cruel.
21:48You better remember
21:50who you're talking to, Bo.
21:53Give me your orders, Liz.
22:05Two bottles of booze,
22:07one bottle of happy pills,
22:09one bottle of downers.
22:13Well, don't just stand there.
22:14Make your deliveries.
22:28Donna, why are you so mean to her?
22:32She loves it.
22:34She needs it.
22:36She needs to be told what to do,
22:38just like you two need to be told.
22:41I'll get my share later.
22:42You'll get your share now.
22:44I don't want it.
22:46Oh, yes, you do want it.
22:48It's your share.
22:50It is your commitment to me.
22:52Donna, she doesn't want the money.
22:54What's the big deal?
22:56We're in this together, Bo.
22:58The three of us.
23:00All the way.
23:02Do you understand, Sissy?
23:04Yes, Donna.
23:06I understand.
23:08Good.
23:10You may leave now.
23:12Okay.
23:18Someday, Donna,
23:20you're going to meet somebody
23:22who isn't afraid of you.
23:24Not like you, huh, Bo?
23:26Miss Duncan doesn't think that you're so hot.
23:28Maybe she'll be the one.
23:30I'll take care of Miss Duncan
23:32my way,
23:34in my own time.
23:36And you keep your mouth shut, understand?
23:39Go on, get out of here.
23:42Okay.
23:54Hi.
23:56Hi.
23:58Where's Sissy?
24:00I don't know. I haven't seen her.
24:02Look, I'm sorry about what happened in our class today.
24:04It was really mean what Donna did to you.
24:06Listen, I've had my hair pulled by experts.
24:08I was going to get some juice.
24:10You want some?
24:12Is that it?
24:14Well, if Donna accepts you,
24:16the others accept you.
24:18If she doesn't, you're out.
24:20And without friends around here,
24:22it gets a little lonely.
24:24I suppose it does.
24:26Come on.
24:28Well, it sounds to me like
24:30she has herself a little
24:32totalitarian set-up here.
24:34She has.
24:42She has.
25:13Patty was my good friend
25:15no matter what Donna says.
25:17What does Donna say?
25:19Well, she didn't actually come out and say it,
25:21but she implied that I killed Patty.
25:24I mean, I don't know why she'd say that
25:26or why she'd think it.
25:28Well, maybe just putting too much importance
25:30on what Donna says.
25:32Chris, I want to belong.
25:34You know, everybody needs to belong somewhere.
25:37Well, I just think you have to
25:39belong to yourself
25:40before you can belong anywhere.
25:44I guess you're right.
25:48Anyway, I'm very glad you came to Blackmore.
25:51I'm glad, too.
25:55Cheers.
25:57Cheers.
26:08Hi.
26:10I promise I won't stop unpacking
26:12until I'm all moved in.
26:14Would you like some help?
26:16Sure.
26:18You want to hang up these pants for me?
26:20Sure.
26:22You know, I thought you worked here
26:24when I first met you.
26:26Whatever gave you that idea?
26:28Well, when I was at the depot,
26:30I saw you and Donna and Bo
26:32loading a crate into the school van.
26:35I don't know what in the world
26:37you're talking about.
26:38It's true.
26:57Patty's parent said the valuable emerald ring
27:00was missing from her personal possessions.
27:08Hello?
27:10Bree?
27:11Chris.
27:13Well, I found Patty Cantwell's ring.
27:16My roommate had it.
27:17You sure it's Patty's?
27:19Well, it has a big PC on it.
27:22All right, then that puts Sissy at the top of the list.
27:26Yep.
27:27Maybe you should call Charlie and we should have the police come and get her.
27:31No, no, no, it's too circumstantial.
27:34I mean, somebody could have planted it.
27:36Yeah, I guess you're right.
27:38Well, I'll just put it back and...
27:41Bree, wait a minute.
27:53My God, Bree.
27:55Sissy's a kleptomaniac.
27:58She even took that plastic bottle that was on my computer.
28:02She even took that plastic bottle that was on my keychain.
28:06I have to get back to you.
28:08All right.
28:09Bye.
28:25Sissy.
28:27Listen, I'm sorry I upset you about mentioning the van and the box and everything.
28:32If Donna finds out, you know, she's gonna be very upset.
28:37She'll be sure I told you.
28:39Well, why? I mean, what's the big deal?
28:42What's in the box, anyway?
28:44I can't tell you.
28:46Well, no wonder Donna was so upset.
28:49You know, when she found out that I was watching you at the depot,
28:52she told me very emphatically to just forget it.
28:57Then I suggest it's best you do.
29:01Okay, I'll tell you what.
29:03I'll never bring it up again, okay?
29:11You know, Chris, having you here is kind of like having a sister.
29:17I think it's gonna be real nice to have somebody to talk to.
29:23I'll tell you what, we'll make a deal.
29:25What?
29:26Anytime you feel like talking, you just ask me.
29:29Thanks.
29:31Drawer?
29:32Yeah.
29:39Dear Dr. Blackmore, I think you should know
29:42Bo Fleming cheated on her exam in Ms. Garrett's class yesterday.
29:46Obviously, I can't sign this.
29:50A dedicated student.
29:53You wrote that note to the dean, didn't you?
29:56You told him that I cheated!
29:58Donna was right.
30:00All that friendly understanding was just an act.
30:02If I wanted to report you, Bo,
30:04I wouldn't have to do it with an anonymous note.
30:07And Donna is wrong. It isn't an act.
30:11I do care about you.
30:22I know who did it then.
30:24Liz.
30:26She's the one that told me to cheat in the first place.
30:29I'd be careful about another hasty conclusion.
30:36We're friends again, aren't we?
30:38I never stopped being your friend.
30:42I'm glad.
30:46See you later.
30:53Don't you ever...
30:55Don't you ever mention Patty Cantrell's name again.
30:58Am I getting through?
31:00You're getting through, Donna, but I'm not sure I care anymore.
31:04Patty was right. You're...
31:09Keep that mouth of yours shut.
31:13I'm sorry.
31:15I'm sorry.
31:17I'm sorry.
31:19Shut it.
31:35Yoo-hoo.
31:37Hiya. Hi.
31:39I just saw our friend Donna in action.
31:41She slapped Liz and threatened her
31:43because she was talking about Patty Cantwell.
31:46I think we're close, and I think Donna is a big part of it.
31:49I agree. Donna can't afford to have anyone in authority around her.
31:53She can't con.
31:55Right. I don't know.
31:57See ya.
31:59All righty.
32:01Let's go.
32:03Come on.
32:13All right, ladies. Have some juice.
32:16Okay.
32:23Hi, Bo.
32:25You really stooped low this time, Liz.
32:27What are you talking about?
32:29The note that you sent to the dean saying that I cheated.
32:32What are you talking about? I don't know anything about a note.
32:35Don't lie. I'm gonna get even for that stab in the back.
32:39Bo, wait a minute. What are you talking about?
32:41This is crazy.
33:03It's pretty, huh?
33:05Hard to believe a girl was killed here last week.
33:08Yeah.
33:24No! Oh, no!
33:33Liz? What happened?
33:36What happened? What is it?
33:39I don't know. I just got here.
33:42Liz, who was in here?
33:44I don't know.
33:46Liz, can you tell us what you saw?
33:49Nothing. I felt something around my neck.
33:53Did anyone see anyone or hear anything?
33:57I was asleep till I heard her scream.
33:59Liz, are you all right?
34:03I don't know.
34:15Just a minute, Bo. I want to talk to you.
34:17Look, Victor, I'm in a hurry, all right?
34:19I still want to talk to you.
34:21You can meet me in the tack room right after dinner tonight.
34:23Don't be ridiculous, Victor.
34:25I have no intention of meeting you anywhere.
34:27Now, I wouldn't act so high and mighty if I was you.
34:30I heard you threaten Liz yesterday
34:32just before somebody tried to strangle her.
34:35I think you'd better come to the tack room,
34:38and you'll talk to me.
34:40Um...
34:49Bo?
34:51Oh, hi, Miss Garrett.
34:53Hi. What was that all about?
34:55Oh, uh, I just forgot to clean my tack
34:58and Victor got a little upset, that's all.
35:00I see.
35:02Well, I gotta go. Okay.
35:10I finally found the box
35:12behind some of the bales of hay in the stable.
35:15Oh, my heavens.
35:17Yeah, Bramby and pills.
35:19But why?
35:21None of these girls need to sell anything for money.
35:23Well, for kicks.
35:25Liz on kicks?
35:27What kind of kicks?
35:29I mean, did she kill Patty, try to kill Liz?
35:31Well, you couldn't convict her on what we've got so far.
35:35All right, we need a motive and a girl tied to it.
35:38Bo thinks Liz reported her for cheating,
35:40but I don't think Bo's really bad.
35:42Not that bad.
35:44Well, I'm afraid that Sissy's a klepto,
35:47and she and Bo are Donna's constant companions.
35:50I'm just afraid that Donna can get him
35:52to do anything she wants.
35:54And that all three of them could be connected with the Stranglieds?
36:14Boss, did Victor know about the liquor and pills?
36:16Not that I know of.
36:18Why?
36:20Well, it seems that Bo and Victor were arguing this morning.
36:23I asked her about it.
36:25She said it was because she hadn't cleaned her tack.
36:27Well, that's very odd, because I saw her cleaning it.
36:30I figured she was lying.
36:32Do you suppose that Victor discovered the box,
36:35and that's why he's so angry?
36:37Look, Chris and I have an art class in ten minutes.
36:39Why don't you talk to Victor?
36:41Okay. Check you later.
36:43All right. Be careful.
36:53By selling this stuff to the other girls,
36:55Donna gets a hold over them, too, huh?
36:57No wonder she runs a pecking order around here.
36:59Yeah, a rule by intimidation.
37:01Strange that none of that dark side shows up, though,
37:05in that pretty face.
37:07I think she's coming from a very strange place.
37:10Well, that little picture she drew of me
37:12after she taught some care in art class
37:14gives you a pretty good idea where her head's at.
37:20Well, it's not that face anymore.
37:23Bosley!
37:28I can't get him out!
37:30Get it, Bosley!
37:32Marie, let's try the window.
37:34Yeah.
37:36Can you get up there?
37:52Come on.
38:23Hmm.
38:48Let's save the horses.
38:52Aah!
39:08Hey, hey! That's Donna's horse!
39:10What's it doing out here so safe and sound?
39:12It was in the bar with all the rest of them
39:14when I went to the tack room.
39:16We'll take care of Donna. You take care of these horses.
39:18Okay, okay.
39:21Oh, hold on.
39:26Get out of there! Come on, come on!
39:28Let go! Come on!
39:33Yeah, I'm kind of hard to locate.
39:35They keep me so blasted busy.
39:37Well, if you have a little time, I'd like to talk.
39:40About what?
39:42The box the girls smuggled into school in your van,
39:45full of liquor and pills.
39:48You been talking to Donna?
39:50No.
39:52I've been talking to Bo Fleming.
39:57How about a drink?
39:59No, thank you.
40:03You knew about their little racket?
40:05Miss Garrett, Bo lies.
40:08You can't believe anything she says.
40:11You seemed relieved just now
40:13when you found out I hadn't talked to Donna.
40:15Relieved?
40:17I don't know what you mean.
40:19Maybe I should see Donna.
40:21Seems to me like you're getting pretty far
40:23out of your department, teacher.
40:26Maybe too far.
40:28How come I get the feeling we're talking about
40:30more than just liquor and pills?
40:32I ain't in no mood to play mouse
40:34while you play cat.
40:36Ah!
40:38Stuck-up, spoiled little snob.
40:40Treat me like I was some tuck-tailed curd dog.
40:43You ain't gonna do no more talking to nobody, pretty lady.
40:46Uh-uh.
40:48No more talking at all.
40:50Oh!
41:11I'd like to talk to you, Donna, alone.
41:14Gee, that's too bad
41:17because I'm not leaving my friends.
41:19You see, we stick together.
41:21Share and share alike, right, girls?
41:23Donna set the chat room on fire with three people in it.
41:25Would you like to share a murder with her?
41:28I don't believe you.
41:32Well, she's lying, isn't she?
41:34Of course she is.
41:39You know, you've got some nerve
41:41trying to make my friends believe a story like that.
41:45We don't have to listen to her. Let's go.
41:47Now, wait a minute.
41:49Now, we know about the liquor, and we know about the pills,
41:52but next to attempted murder, that's really nothing.
41:55They're lying.
41:57You know Chris hates me.
41:59Can't you see what they're trying to do? They're just trying to break us up.
42:02Before you go any further, let me say something else.
42:04Now, Chris, Miss Garrett, and I are private detectives.
42:06We're not talking about an infraction of the rules here.
42:08We're talking about a deliberate attempt to burn three people to death.
42:12I couldn't set anybody on fire.
42:14I didn't know anything about it.
42:17And she made us sell the pills in the...
42:19Quiet, Sissy.
42:21No. It's time we started talking.
42:24She blackmailed us into doing these things.
42:27Shut up, Bo. I'm warning you.
42:29It's not gonna work anymore, Donna.
42:31See, we know that Sissy's a kleptomaniac, and we know that Bo lies.
42:35But you're different.
42:37Oh, now, wait a minute.
42:39You can't lay it all on me.
42:41I'm not taking the blame alone.
42:43She stole Patty Cantwell's emerald ring.
42:47And one of her lies got the history teacher fired.
42:52Then there's Victor.
42:54Real nice fellow, till he gets out his black gloves and nylon stocking.
42:58Victor's the strangler?
43:00Donna, are you sure?
43:02Of course I'm sure. I caught him coming out of Patty's room.
43:06Why do you think he went along with all our deliveries?
43:09Yeah, I know.
43:11I just saw them in the jeep heading down the road towards the lake.
43:14When, Bo?
43:16Just a minute ago. There's a shortcut straight north over the hills.
43:19Do you want me to show you the way?
43:21Yeah, let's go.
43:23Bo, stay here. We'll be all right as long as we stick together.
43:26Sissy, listen to me.
43:28No, Donna. I don't want any more of your...
43:30Wait!
43:32I didn't need to anyway.
43:34I should have made Victor kill you.
43:36I should have made Victor kill both of you.
43:41Bodley, it's Victor.
43:43Listen, he's got Kelly in the jeep.
43:45Is it the answer to that thing?
43:47Yeah, I think so.
43:49Donna's gonna try to get away.
43:51Okay, I'll take care of Donna.
43:54Come on!
43:56Come on!
43:58Come on!
44:24Come on!
44:43You stupid fool! Get that thing out of my way!
44:46Feeble-minded, hazy...
44:48I can't hear a thing with that motor running.
44:50Now move it so I can get out of here!
44:56Please get out of that car.
45:00Move!
45:07I didn't mean to kill her.
45:09Just scared like the others.
45:12I mean, they think they are.
45:14Never done a day's work.
45:16More than they're over people.
45:47Hold it static.
45:49I'll try to hit the tire.
46:17Kelly, are you all right?
46:19I'm okay.
46:21Go after him.
46:47Guess what, Victor?
46:49You just flunked out of Blackmore.
47:01I'm glad you're back, angels.
47:03I hope your brush with higher education was beneficial.
47:07Well, if Blackmore is typical,
47:09I understand why they call it finishing school.
47:11Yep, it seemed like some of those girls
47:13were majoring in mayhem and blackmail.
47:15And minoring in lying, thievery and intimidation.
47:18What's going to happen to them, Charlie?
47:20Well, Victor is in custody, and so is Donna.
47:23Jeffrey Blackmore was so happy with the job you did,
47:26he sent you each a gift.
47:28They're under the desk, Bosley.
47:30Hey, look at that.
47:33Here you are, Bosley.
47:35Thank you very much.
47:37No presents.
47:39No presents.
47:48Not my style.
47:50Well, it's nice, but...
47:52But square.
47:55What did you expect? The man's an educator.
47:58You are now honorary graduates of Blackmore.
48:02Graduates of a girls' school?
48:04How was I going to tell that to the guys in the locker room?
48:07Well, maybe you'll find something more to your taste
48:10in, um, in Acapulco, angels.
48:12Look in the boxes. Your tickets are there.
48:15If you hurry, you can just catch the next plane.
48:19I love it!
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