Charlies Angels S03E10
Transcript
00:00Once upon a time, there were three little girls who went to the police academy.
00:06Two in Los Angeles.
00:13The other in San Francisco.
00:16And they were each assigned very hazardous duties.
00:22But I took them away from all that.
00:25And now they work for me.
00:27My name is Charlie.
02:01I'm telling you, you're going back to Boston with me.
02:04Now, there's no reason to shout.
02:06This can all be settled.
02:08There's nothing to settle. Let's go.
02:12You cannot be as dense as you look.
02:15I'm offering you a great deal of money.
02:18You want me to cuff you?
02:21I'm not going to do it.
02:23I'm not going to do it.
02:25I'm not going to do it.
02:28You want me to cuff you?
02:33No.
02:34No, I don't think that's going to be necessary.
02:36I'll go.
02:57Let's go.
03:27How did you get inside this penthouse?
03:30Hairpin this time.
03:32I could have used one of my credit cards to split the lock.
03:35You know a Lloyd.
03:37You're in the crime business. You absolutely cannot know that.
03:40She has credit cards.
03:42Well, they're more fun to play with than dolls.
03:44I haven't played with dolls since I was practically a child.
03:48Samantha, didn't anyone ever tell you
03:51if you were to play with a doll,
03:54Samantha, didn't anyone ever tell you
03:57it's not nice to break and enter?
03:59Well, I would have used Aunt Charlotte's key,
04:01but she took it with her to Europe.
04:03Samantha, how does your Aunt Charlotte happen to have a key
04:05to this, uh, Buckley person's penthouse?
04:07Well, they used to be lovers.
04:09Aunt Charlotte has absolutely tons of them.
04:14Oh. Uh, what we don't know
04:18is what you were doing up there.
04:20Well, I just went up to feed the green monster.
04:22There wasn't anything else to do.
04:24See, I had a Buster burger for lunch and some leftover.
04:27I have a feeling I'll regret asking,
04:30but, uh, Samantha, what is the green monster?
04:34A Venus flytrap. They love hamburger. It's protein.
04:36Oh, boy.
04:38Oh. Uh, you like that.
04:41You eat hamburgers, don't you? Why shouldn't a poor plant?
04:44I mean, it's not like I was feeding them live bugs or anything grotty like that.
04:47You're right. Oh, you're right. You're so right.
04:50And I love the way you anticipate the stoplight.
04:52Uh, hi, guys. How'd you get here so fast?
04:55Have you ever taken Sunset Boulevard
04:57with somebody that came in third at Le Mans?
04:59No, I don't think so.
05:01You must be Samantha.
05:03I haven't seen you since you were a toddler.
05:05I was never a toddler.
05:07I'm inclined to agree with that.
05:09They're not taking me seriously,
05:11and they're gonna be absolutely embarrassed, humiliated even.
05:15Oh, it looks like things haven't been, uh, going too well.
05:20Uh, Sam, how did you happen to call me?
05:22I haven't been in the country in months.
05:24I found your number in Aunt Charlotte's private phone book,
05:26squished between 25 men.
05:29What?
05:31Oh.
05:33I, uh, worked on a jewel theft case for her aunt.
05:36Uh-huh.
05:38Good afternoon, Bosley, angels.
05:40I trust you've all had an opportunity
05:42to become acquainted with Samantha.
05:44We certainly have.
05:46A very lively imagination, Charlie.
05:49You're not a very subtle factotum, Mr. Bosley.
05:52Factotum, me?
05:55Watch out, Bosley.
05:57Let me give you the background, angels.
05:59Sam's Aunt Charlotte is a very old and, uh, and close friend of mine.
06:04I bet she is.
06:06She just called me from Paris, where Sam had called her.
06:09Oh, she also called me at the beach, Charlie.
06:12Well, then I take it you've all heard the story.
06:14Good.
06:16In that case, I'm going to leave it up to you, angels.
06:19If you think there's merit in the case, we'll take it on.
06:22Otherwise, well, that's up to you.
06:25Have a nice day.
06:27Well, Char...
06:29Char... Charlie?
06:31What's he doing to us?
06:33Charlie Thompson, you cop-out.
06:35He doesn't believe me either, does he?
06:38Well, uh, Sam, honey, it isn't that.
06:41It's just that, well, the, uh, the, uh, circumstances are a little odd.
06:45All right, you don't have to help me.
06:47I'll catch the murderer myself, and I hope I get killed doing it.
06:50Then you'll have my blood on your hands and your dresses and your face and your...
06:54Okay.
06:56All right, all right!
06:58Uh, look, uh, Jill, as long as you two are old friends,
07:01why don't you and Chris just look into that?
07:03Yeah, that's a good idea.
07:05Yeah, good idea.
07:07You know.
07:09Sure. Thank you.
07:11See you all later. Yeah.
07:15Oh, yes, it's times like this you find out who your real friends are.
07:19Ciao. Thank you.
07:21Bye.
07:29What can I...
07:31Samantha! Where have you been?
07:33I've brought some detectives, Nanny, even though they don't look like it.
07:37I've been so worried about you.
07:39You come inside right away.
07:44Mrs. McNaughton, I'm Jill Monroe.
07:46This is my sister, Chris.
07:48Hello. Samantha's been at our office, Townsend Associates.
07:51Uh, yes, her aunt wanted us to look into a little matter for her.
07:55I know all about that nonsense.
07:58Please come in.
08:00Thank you.
08:03You won't think it's nonsense when they prove it.
08:07Now, there's a box of cookies in the kitchen.
08:10Get yourself some milk and let the grown-ups talk.
08:13I'm afraid I'll miss something.
08:15Oh, now, go along, dear.
08:17Do as you're told.
08:19Otherwise, no television for a week.
08:21I don't care. Television's grotty.
08:24She only stuffs me with cookies to keep me from the sherry.
08:28Oh, that child.
08:30Yeah, she's quite a handful.
08:32She's not a bad little girl, really.
08:34She's got a good heart.
08:36It's just the circumstances of her upbringing.
08:39Well, I know what you're here about.
08:43She told me the whole silly tale.
08:46I should never have allowed her to call her aunt.
08:49Then you don't think there's any truth in it at all?
08:51Oh, my goodness, no.
08:53She's always telling me the truth.
08:55Well, you have never heard such things.
09:00Um, do you know this Victor Buckley?
09:02Oh, certainly.
09:04He has the penthouse here, you know.
09:06He's a charming man and very, very wealthy.
09:10His hobby is horticulture.
09:13Oh.
09:15Did, um...
09:17Did you also know that Samantha broke into his penthouse?
09:21Well, I had heard it had happened before.
09:25Anything that you say will be confidential.
09:27Well, you see, Samantha's aunt, my employer,
09:33was once very close to Mr. Buckley,
09:36if you understand my meaning.
09:38Yeah.
09:40And, uh, Samantha, although she's only 11,
09:44she is, in many ways, open to the world.
09:4811.
09:49She is, in many ways, overly mature,
09:53and so she was jealous of their relationship.
09:58Wait a minute.
09:59Are you saying that Sam had a crush on Mr. Buckley?
10:03Ah.
10:05It went so far that she once sneaked in
10:09and wrote something on his bedroom mirror,
10:13something that no young lady of her age
10:17should even know about.
10:19How sad.
10:21Yeah, it is.
10:23But I think we know what's behind all this now.
10:33I hope we did the right thing leaving Sam there.
10:36Well, it's her home. What else are we gonna do?
10:39I know, but something's not right.
10:42Something's nagging me.
10:44Oh, come on, Jill.
10:45You don't believe that story, do you?
10:49I mean, that kid's really got problems.
10:51Yeah, I know. I know.
10:53Look, you take the car.
10:55I'm gonna stay here and check things out.
10:57Sam said the victim was a big man
10:59and that she remembered him saying something about Boston,
11:02so if he had a car here, I might be able to find it.
11:06Hmm.
11:07Well, it may be pure chauvinism,
11:09but I always trust a woman's intuition.
11:12I'll see you later.
11:13See you later.
11:22Max?
11:23Yeah.
11:24Come in.
11:34Where did you put the body?
11:36We got it stashed.
11:38Now, don't worry about it, Vic.
11:39I got everything taken care of.
11:41Man, the guy was big.
11:43You know, he broke the trunk of my car
11:45while I was stuffing him in.
11:47Hey, you know, I'll have to have that fixed.
11:49I'm paying you enough for that.
11:52Now, Max, wait until it's dark enough
11:54before you put him on the boat
11:56and then take him way out.
11:58It's gonna make a lot of fish happy.
12:01The next thing I want you to do
12:03is find Robin's car and get rid of it.
12:05And how are we gonna find...
12:06It ought to have Massachusetts plates.
12:12Hmm.
12:25Is that your car, lady?
12:27Uh, is it yours?
12:29Hey, that's none of your business, honey.
12:32Why don't you go to Beverly Drive
12:33and spend some of your daddy's money, huh?
12:35Come on, beat it.
12:36If it's yours, let me see your license.
12:38Who are you?
12:42Hey, why don't we take her in private
12:44and talk to her some ways, Max?
12:57Hey, come on, stop it!
12:59Where'd she go?
13:01Come on!
13:12Hey, did you see your car, lady?
13:14No comprendo, senor.
13:15Una avion de...
13:17Oh, un cigarro!
13:28Gracias, amigo.
13:35Fantástico.
13:42You have any idea who she was, Vic?
13:44No, I have absolutely no idea.
13:47Maybe it was Robin's girlfriend.
13:49But one thing I am sure of,
13:51there was somebody out here on this terrace
13:53when I hit him.
13:55If there was,
13:56maybe you better start thinking about moving on.
13:58I should, Max.
14:00But I'm not going to.
14:02I've got too much here,
14:04and I've worked too hard.
14:06I don't have time for this.
14:08I've got too much here,
14:10and I've worked too hard to get it.
14:12Hey, why don't you just relax, huh?
14:14I mean, she didn't go to the cops yet,
14:16so it's, uh, probably be just fine.
14:19Maybe she's got blackmail on her mind, huh?
14:21We got the body and we got the car.
14:23Now, it's really going to be tough to make a case against you.
14:26Exactly.
14:28Just make sure there's no trace of that car left.
14:39Look at this.
14:41We're getting rid of it fast.
14:43Huh?
14:45Now, don't mess with me.
14:47You got that, pup?
14:51Hey, Al, this is next up.
14:55Yeah.
15:07It sounds to me like we've got a case after all, angels.
15:10I know there were Massachusetts plates.
15:12Why can't I remember the number?
15:14That's all right, Jill. The thing now is to find it again.
15:17Chris, you look into that.
15:19Sure. Do we have any info on this Buckley
15:21so we know what we're up against?
15:23Only that he's been here for five years.
15:25He lives luxuriously on no known income
15:28and is very, very social.
15:30Very, very social?
15:32Sounds like a weakness.
15:34It is, Kelly, one that you're going to exploit.
15:37His hobby is horticulture,
15:39so get over to the library, Angel, and dig in.
15:41Okay.
15:43Uh, just how big are those Venus flytraps that love protein?
15:48They're...
15:51What's my assignment, Charlie?
15:53To get Buckley's fingerprints.
15:55Fortunately, his maid is about to take a long trip.
15:58How do you know that?
16:00Charlie talks to leprechauns. Trust him.
16:03Ah-ha. You're getting weird, Bosley.
16:08What about Sam? Now we have proof she might be in danger.
16:12You're right, Jill, and it's thanks to you that we know that.
16:15I'm going to put you in charge of guarding her.
16:18You have your assignments, Angels. Good luck.
16:21Me and my big mouth.
16:23Mother Jill.
16:25Oh, it'll be fun. She'll teach you about life.
16:28That's what I'm afraid of.
16:31Factotum.
16:39Bridget?
16:41Is it me you're talking to?
16:43Come over to the car a second. I have something I want to give you.
16:46What would you be after giving the likes of me? I don't even know you.
16:50What would you like most of all in the whole world?
16:57To see Galway Bay again.
16:59Lay eyes on me or die. You'll be 85 this very month.
17:03What would you say if I gave you a ticket on a plane...
17:06that leaves at 5 o'clock this afternoon?
17:11Uh-uh-uh.
17:13Uh-uh-uh.
17:17I'd be inclined to discuss it further.
17:20Hmm.
17:34Bridget?
17:36Could you do that some other time, please?
17:40Oh, I am sorry, sir. I didn't mean to disturb you.
17:47Who are you? Where's Bridget?
17:49Katie McGuire, sir. Bridget returned to Ireland, from what I'm told, sir.
17:53But she was just here on Friday.
17:55Well, I wouldn't be known about that, sir. You see, the agency sent me down.
17:59Although I don't know if I'd have come if I'd known you live so high.
18:02I've never worked above the fourth floor.
18:04And why a man as wealthy as yourself...
18:06would prefer to live like a squirrel among the trees beyond me, sir?
18:10If you don't mind my saying so.
18:12Do you think you'll be able to adjust?
18:15Well, I don't know, sir.
18:17You see, then there's the matter of the naked statue, sir.
18:20I'd prefer not to be cleaning it.
18:22I mean, being a well-brought-up Irish girl, if you understand, sir.
18:25Well, I hope you don't expect me to clean it.
18:28Well, well, sir. Maybe the wind.
18:31Is it your boat, sir? Your very own?
18:35Yes.
18:37Ah! Well, a man with a C in his blood can't be all bad.
18:41Could I sweeten your drink for you, sir?
18:43If it won't offend your morals.
18:45Oh, no, sir. Not if you knew me farther.
18:53That's scotch and water.
18:55Aye, sir. The devil invented scotch to make the Irish poor.
19:00You're a very unusual maid, Katie.
19:04Yes, sir. That I am.
19:10Okay, let's try that one.
19:13I have seen enough mutilated tin to hate cars for life.
19:18We got some many darn cars in here, little lady.
19:21I'll tell you, my memory's so bad, lately,
19:24I've been thinking about retiring to Fort Lauderdale, Florida, one of these days.
19:28Soon we'll get enough money together.
19:31Ah! Well, perhaps.
19:34Well, we'll see about that.
19:36I'll see you later.
19:38Good-bye.
19:40Good-bye.
19:42Good-bye.
19:45Well, perhaps we could make a contribution to your pension fund.
19:54You know, the strength of my mind is returning.
19:57Come on, I'll show you.
20:07There it is.
20:09Where?
20:11Here. This is it.
20:14Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
20:19Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
20:23If I'd have caught you interested in a license plate, I'd have mentioned it to you sooner.
20:27Well, we would have preferred to have the car attached to it,
20:30but, uh, we'll take what we can get.
20:33Hey, you can take the car, too. You know, you paid for it.
20:37Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
20:45Look, just because I'm bodyguarding you doesn't mean we have to stay here.
20:50In fact, I can't think of a safer place to be than Disneyland.
20:54That's for absolute children.
20:57Oh.
20:59Okay, let's go swimming. I have a beach house.
21:02I don't even own a swimsuit.
21:05I have a ton of them there.
21:07I'd certainly look terrific in one of your bathing suits with my figure.
21:11Look, Sam, you're not supposed to have a figure at your age.
21:15You're supposed to enjoy the water.
21:17Listen, you don't have to entertain me out of guilt, you know.
21:20Why don't I entertain you? Just because I like you.
21:24Well, there is something I'd like to do.
21:27What?
21:28Come on, I'll surprise you.
21:42I'm gonna check in on the car phone and let them know where we are.
21:45You don't move from that spot, understand?
21:47Of course.
22:11Come on.
22:37You've interrupted me vacuuming.
22:39Yes, miss?
22:41Mr. Victor Buckley, please.
22:43Mr. Buckley's resting, miss.
22:46Might I inquire as to what business it is you're about?
22:50Personal business.
22:52Ah, well, you wouldn't be selling something, would you, miss?
22:55You don't need no encyclopedias.
22:57I beg your pardon.
22:59Will you please tell Mr. Buckley that I'm here?
23:01I'm not used to being questioned by the servants.
23:05Servants, is it, miss?
23:08Whom shall I say is calling?
23:11Kelly.
23:13Oh, Tulip's.
23:17What is it, Kelly?
23:23Who is that?
23:25Says her name's Kelly O'Tulip, sir.
23:27She's a good looker, but no manners.
23:31O'Tulip?
23:32Yes, sir.
23:35I thank you, sir.
23:46What are you doing here?
23:48Oh, you startled me.
23:50Who are you?
23:52I'm Kelly Garrett, and I'm from the National Horticulture Association.
23:56But if you're Mr. Buckley,
23:58I must tell you seem to be as rude as your maid.
24:01No, wait a minute, please.
24:04I am Victor Buckley,
24:06and I'm sorry.
24:08I just didn't understand.
24:10And, uh, I'm afraid she's temporary
24:14and a bit peculiar.
24:16She certainly is.
24:19Well, miss Garrett, what can I do for you?
24:23Well, the society has heard of your work,
24:26particularly your cymbidiums.
24:28We hoped that you would consider
24:31a display at our charity flower show.
24:34It's at Brookings Estate next month.
24:36I am so flattered.
24:39I've never been asked to show my work at Brookings.
24:43That's wonderful.
24:45Well, you have now.
24:47Miss Brookings just happens to be my aunt.
24:49Oh.
24:51Well, miss Garrett, may I show you my cymbidiums?
24:54Why not?
25:02Oh.
25:16The minute I was gone, they said she just ran out the back.
25:20I'm sorry. I feel terrible about this.
25:23You can't always protect people from themselves, Jill,
25:26even children.
25:28Any idea where she might have gone?
25:30Yeah, I can guess.
25:32She was mad because we wouldn't let her work with us.
25:35Buckley's place.
25:37Bad news.
25:58Oh, my God.
26:00Oh, my God.
26:26Samantha, what do you think you're doing up here?
26:29I've been lots of times, Mr. Buckley.
26:31Yes, you have.
26:33With your Aunt Charlotte, or with my permission.
26:36But this time, you broke in, didn't you?
26:38Well, the door was open, but if you want me to go, I would.
26:41No. No, I don't.
26:44Come in. We'll have a little talk.
26:49You don't have to hold on to me.
26:51You must think I'm positively a burglar or something.
26:54Sit down.
26:57Where's your Aunt Charlotte right now?
26:59In Paris.
27:04Does she know that you sneak up here like this?
27:07She wouldn't care. She thinks you're a nice man.
27:10What do you think?
27:12Hmm?
27:18You used to like me quite a lot.
27:21That was before.
27:24Before what?
27:27Before you broke up with Aunt Charlotte.
27:36You were going to say something else, weren't you?
27:39Maybe I was. I've forgotten.
27:42You've been up here recently?
27:44If I say yes, you'll get mad at me.
27:46And if I say no, you won't believe me.
27:49So I think I'll take the fifth, if you don't mind.
27:52Ah, but I do mind.
27:54I want an answer.
27:56I definitely don't think my aunt will appreciate the way you're speaking to me.
28:02You were here, weren't you?
28:06Hmm?
28:08Weren't you?
28:10What did you see?
28:16You'd better tell me what you saw.
28:22You...
28:28Aren't you going to answer it?
28:46Oh, Victor, I hope you don't mind my simply dropping in on you like this.
28:50No. No, of course not.
28:53You did say I could take some photos of those gorgeous imbidiums.
28:57Thank you for the tea and cookies, Mr. Buckley.
29:00What a charming little girl. Is she yours?
29:03Uh, no.
29:07No, no, she's not.
29:09But she lives here in the building.
29:13Her aunt is a friend of mine.
29:16Oh.
29:18I bet you have lots of female friends.
29:22Kelly, why don't you decide what pictures you'd like to take,
29:25and I'll be with you in just a moment.
29:27Well, I'll be on the terrace.
29:37Max, get over here right now.
29:49Okay, young lady, you've had it.
29:59What are you doing here?
30:01Uh, might we ask where you have been?
30:04You really gave us a scare, you know.
30:06I can take care of myself.
30:09Sam, I saw your face when you came through the door.
30:12You were scared.
30:14I was little.
30:15You know, it's not very nice to sneak away when Jill's responsible for you.
30:18It makes you feel awful.
30:20I didn't sneak. I walked.
30:24Well, I guess it wasn't very nice.
30:27I know.
30:29I just wanted to be a detective like you guys.
30:32I wanted to help.
30:33Well, you have helped. You're the only witness we have.
30:36Without you, we haven't got a case.
30:38Listen, honey.
30:40We didn't believe you at first, and I know that that hurt.
30:44But we really want to help you.
30:47Please trust us.
30:49Okay, go get your things together.
30:51We're going out to my beach house and stay there.
30:54Jill, I'm sorry.
30:57I'm not.
30:58I'm happy you're still alive.
31:01Okay, come on.
31:14Come on.
31:44No murder weapon. No body.
31:47No ID on the victim.
31:50Well, we don't even know who this Buckley is for sure.
31:52What about the fingerprints on that glass that I took?
31:55No, no luck there either.
31:57He either used acid or had surgery performed on them.
32:00Wiped as smooth as a fat man's smile.
32:02Well, that tells us something about him.
32:04He's a fugitive, whoever he is.
32:06What about the license plate, boss?
32:08Well, that is our hope.
32:10Charlie's following up on it.
32:12It seems that it belongs to a man named Tommy Robbins.
32:15He's a bounty hunter for bail bondsmen.
32:19Fugitive angle again, huh?
32:22You know, we have a time problem here.
32:24I mean, Buckley does have a 60-foot yacht,
32:26and he could take off whenever he wants to.
32:29Yeah, well, we have another problem.
32:31What?
32:33Buckley knows that Sam witnessed the murder.
32:36Mm-hmm.
32:39Oh.
32:55I talked to the neighbors,
32:57but they didn't seem to know the blonde very well.
32:59They say they just got back from Europe,
33:01been over there for a while.
33:03Her name is, uh, Joel Monroe.
33:05But what does she have to do with the child, Max?
33:08I don't know, except she's got the kid hidden out.
33:11Hmm. Maybe she's holding it for ransom.
33:14That seems to be the thing nowadays.
33:16Will you shut up, Richie?
33:18You don't know much, do you?
33:20Come on, now. Give me some time. We'll find out.
33:22I don't have time!
33:31The way I see it, it is very simple.
33:34The girl saw me. I know that now.
33:37We just have to get rid of both of them.
33:39Oh, I mean, you're putting us on.
33:42No, he's not.
33:48That's got a bit of a risk to it, you know.
33:50I'm gonna want more.
33:52I expected you would.
33:54Bring them to the boat, Max.
33:58And then we'll all take a nice long ocean voyage.
34:03Just as soon as it's dark enough.
34:08My parents were in Africa on a safari when they were killed.
34:11It was a plane crash.
34:14My Aunt Charlotte was the only one willing to take me.
34:17She's not really mean, you know.
34:20She's just not home very often.
34:22Well, from what I hear about Charlotte,
34:25she's not really the mother type,
34:27but I think she's doing the best she can.
34:30Let's decide on a hairstyle for you.
34:32How should we do it?
34:33Like yours.
34:35Well, I think everyone should have a style
34:38that's best for them, don't you?
34:40Well, then can I do yours?
34:41Of course you can.
34:43Here, hold this.
34:46And this.
34:48Thank you.
34:50What do we do when we're done doing our hair?
34:52Well, I have some popcorn.
34:54We can roast it in the fireplace.
34:56Great.
34:57Okay.
34:59I'm gonna have a glass of wine.
35:01What would you like?
35:02I'll have wine, too.
35:03Dry white.
35:05You'll have cider.
35:08Fortunately, I like cider.
35:21Cheers.
35:22Yeah.
35:27Samantha,
35:29what's wrong with being a child?
35:32What do you mean?
35:34Well, you work so hard at being grown up,
35:36you don't have any fun.
35:38I'm having fun tonight.
35:42So am I, honey.
35:45I know.
35:46There's a really grossed-out horror movie on TV tonight.
35:49We can watch it together.
35:51Well, first we have to see what time it's on.
35:53Then we have to see just how grossed-out it is.
35:57Jill?
35:58Mm-hmm?
35:59Can I ask you about something?
36:01Sure, anything.
36:03Even if it's about boys?
36:06Um, yeah.
36:09Go ahead. I'll do my best.
36:32Hold it, baby.
36:33You want to get somebody killed?
36:35Come on, get her, get her.
36:39Just take it easy. Sit down.
36:41Where's Buckley?
36:43That you don't want to rush.
36:46Jill, I'm scared.
36:47It's okay.
36:48You two go in there and put on some street clothes.
36:50It'll be better for us that way.
36:52Come on.
36:53One at a time.
36:54Leave the kid here.
36:55You stay here. It'll be all right.
36:57Just do what they say.
36:58It'll be all right.
37:01Come on.
37:32Just stay cool.
37:34Don't make any noise.
37:36I'll be right outside.
38:02The padlock.
38:05You know, Max, I mean, the hustling around is one thing, right?
38:08But I never killed a kid before.
38:10Don't worry about it.
38:11Now, you're not gonna have to do anything.
38:13Vic.
38:14Yeah, it's Max.
38:15We got him down here in the boat.
38:16Yeah, I bet.
38:17Say, we got a problem about...
38:19Yeah.
38:20All right, you be down here the first thing in the morning.
38:23Okay.
38:26What'd he say?
38:27He said he's gonna do it himself.
38:29He said he's gonna do it himself.
38:31Now, I'm gonna hold him to it.
38:33Okay, as long as that, uh...
38:57Nothing.
38:58Look, it's probably the same two headbusters who grabbed Robin's car.
39:01Let's just don't touch anything, okay?
39:03Look, they must have taken her by surprise.
39:06I bet they...
39:07I bet they threatened to hurt Sam.
39:09It's a mess.
39:10It's a mess.
39:11But we'll believe that they're all right and we'll find them, okay?
39:14Okay.
39:15Any news?
39:16No, no, we were waiting for you.
39:18Look, we know that they got rid of Robin's.
39:21They're probably gonna do the same thing to Jill and Sam.
39:24But where?
39:26The boat.
39:27Buckley's boat.
39:28That boat was at the marina, I'm sure of it.
39:31It's worth a try.
39:32Yeah, come on.
39:54Jill, I can get through there.
39:56It's too dangerous, Sam.
39:58Chris will have gone to the house by now and she'll figure out something.
40:01He'll be all right.
40:04We're all cramped up in here, you know?
40:06I mean, where is he, Max?
40:07I wanna get out of here.
40:09He said he'd be here, now he'll be here.
40:11What are you doing?
40:12I'm just warming up.
40:16Jill, please let me try.
40:21I've gotta break the glass.
40:24Get me a blanket.
40:27Okay.
40:28You get back.
40:56Okay, let's give it a try.
41:27See anyone up there?
41:29No, nobody.
41:30Well, go on. Get out of here.
41:32What about you?
41:33Don't worry about me. Would you go on?
41:57How'd you ever get tied up with Buckley?
42:00Ah, I was working for a friend of his.
42:03Skipper and his boat, we were running some dope at a bar.
42:06Oh, I bet you got busted.
42:09Yeah, you'd believe that, we got busted.
42:12Coast guard, God.
42:13Coast guard?
42:14What happened?
42:16Well, we were running the night without any lights,
42:18you know, I hear these guys come in and out of the house.
42:20I said, I'm gonna get you out of here.
42:22I said, I'm gonna get you out of here.
42:24We were running the night without any lights,
42:26you know, I hear these guys come in and out of the house.
42:28Jill.
42:29Sam, what are you doing?
42:31I think I can get this lock open.
42:33I told you to get out of here.
42:35I can't leave you.
42:37Go on, run.
42:44Jill, I got it.
42:46I got it.
42:48Come here, hurry.
42:51Okay, give me this.
42:53Ow.
43:24Take care of it?
43:26Us? What are you, crazy?
43:28Listen, if you want to cancel their tickets, then you do it.
43:31That was the deal.
43:33Let's just pay them off, Vic, let's get out of here.
43:36Let's first see the merchandise.
43:43Hey.
43:44Hey.
43:45Hey.
43:46Hey.
43:47Hey.
43:48Hey.
43:49Hey.
43:50Hey.
43:51Hey.
43:52Hey.
44:19Where'd they go?
44:23There.
44:24Cut them off.
44:25When they get to the road.
44:53Try to get to the road.
44:55You can do it.
45:14Get the kid.
45:22Come on.
45:36Come on, little girl, I don't want to hurt you.
45:38Come on, make it easy on yourself, all right?
45:40I've got the kid.
45:49Come on.
45:52Let's go.
45:54Hold it.
45:58Sam.
46:00Hurry, Mr. Dudley's after Jill.
46:02Come on, honey.
46:22Come on.
46:49Are you all right?
46:50I was so scared for you.
46:51I'm okay.
46:53What'd you hit him with?
46:55All of me.
47:10And Victor Buckley's real name is Darryl Francis Hanrahan.
47:13Now, that goes back about five years ago in Boston,
47:16when he was the brains behind one of the biggest jewel robberies in history.
47:20The kid was never recovered.
47:22Did he do time for it?
47:23No, that's just the thing.
47:25He was arrested, and he jumped bail.
47:27And Robbins worked for the bail bondsman.
47:29Right.
47:30Sam, we all owe you an apology for doubting you.
47:33I especially want to apologize, Sam.
47:36No hard feelings?
47:37No hard feelings, Mr. Bosley.
47:39In fact, I brought you a present.
47:41You did? A present for me?
47:43Mr. Bosley loves presents.
47:45In fact, he starts to get excited about Christmas somewhere in June.
47:51It's a Venus flytrap.
47:54Oh, is that vicious? I mean, does it snap or anything?
48:00It's so small, Boz, it won't eat nearly as much as your cocker spaniel.
48:07Well, do you like it?
48:14Hey, gross out!
48:50You