Movie
  • 5 months ago
Transcript
00:00Once upon a time, there were three little girls who went to the police academy, two in Los Angeles,
00:13the other in San Francisco.
00:16And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:27My name is Charlie.
00:30My name is Charlie.
00:32My name is Charlie.
00:34My name is Charlie.
00:36My name is Charlie.
00:38My name is Charlie.
00:40My name is Charlie.
00:42My name is Charlie.
00:44My name is Charlie.
00:46My name is Charlie.
00:48My name is Charlie.
00:50My name is Charlie.
00:52My name is Charlie.
00:54My name is Charlie.
00:56My name is Charlie.
00:58My name is Charlie.
01:00My name is Charlie.
01:02My name is Charlie.
01:04My name is Charlie.
01:06My name is Charlie.
01:08My name is Charlie.
01:30Come on, move it!
01:33This is safe for woman.
01:36That's odd.
01:38Ghosts haunt the night.
01:41I'm looking for the lost and the lonely.
01:44But it's okay for a woman.
01:48A woman.
01:50A woman.
01:52A woman.
01:54A woman.
01:56A woman.
01:58A woman.
02:00A woman.
02:02A woman.
02:31I was born a soldier.
02:35I was born a man.
02:39And I'm on the ground.
02:42I was born a man.
02:46And I'm on the ground.
03:00I was born a man.
03:04I was born a man.
03:08I was born a man.
03:12I was born a man.
03:16What's going on, Pop?
03:18I wouldn't want to make you look bad.
03:20I was born a man.
03:24I was born a man.
03:27I was born a man.
03:31I was born a man.
03:35I was born a man.
03:39I was born a man.
03:42Oh, sure, Mr. Heston.
03:44Mario's got the attention, but the real star is up there.
03:47Harry Owens.
03:49Oh, I know, I know. You pay the bills and I just handle the publicity.
03:52But I'd be selling myself short if I didn't give you my input, right?
03:54You're right about one thing, Lanny.
03:56I run the show.
03:58And that's this club.
04:00It's got charisma, class, and that's what pulls them in.
04:02And that's just what I told Harry when he said he wanted his name up out front.
04:06See, a man is a guy.
04:10It's a what and a you.
04:12And there is no place for you to go.
04:17Dig it.
04:19Dig it.
04:21Dig it.
04:22Dig it.
04:28Hey, you.
04:30Hey, I told you not to hang around here.
04:33I ain't doing no harm.
04:35You're doing me harm. Now get out of here, you old crumb.
04:37You turned my stomach. Now get out of here.
04:39You think you're something.
04:41Well, you're nothing.
04:43This place is nothing and the people are nothing.
04:47Get out of here, you old crumb.
04:48Get out of here, you old crumb.
04:54Come on, move them out of here.
04:56Come on now, inside, everybody.
04:58Come on, boys, moving along here.
05:00Get this out of here.
05:02Come on inside, everyone.
05:04More excitement inside.
05:06Come on now, move it in there.
05:09Excitement all over now.
05:11Move it in, boys.
05:18Move it in.
05:48Move it in.
06:18Move it in.
06:49The dead man's name was James Hanna,
06:51that makes three victims in four months.
06:54Now, angels, you can appreciate
06:56why the Committee for Concerned Elder Citizens
06:59needs our immediate help.
07:01And there isn't anything to go on.
07:03There's not a clue, an eyewitness,
07:05or even a second-hand description.
07:07No, just what you've got there.
07:09The M.O. is a killer who strangles disadvantaged men
07:11who ride the bus from the beach at night.
07:13Now, this psycho could be riding the bus
07:15or following it.
07:16This is not exactly an assignment
07:18I'm looking forward to.
07:20Neither is the next victim,
07:22which leads me to where you'll begin.
07:24With the next victim?
07:26No, with the last three.
07:28The first one's name was Barkowitz,
07:30Sam Barkowitz.
07:36Look, honey, I already told what I know,
07:39like a dozen times, to the police.
07:42Tell you, I'm really not too wild
07:44about going through it again
07:46when he was alive.
07:48I take it you and your father
07:50didn't get along then.
07:52Stepfather.
07:54I see.
07:56Come on, he walked out on me
07:58and my mother years ago.
08:00Kestrel.
08:02Salami?
08:0480 cents.
08:06Here you go.
08:08I'm sorry, you were saying?
08:10When did you see him last?
08:12Oh, it was the night he was killed.
08:14Four months ago,
08:16doing what?
08:18Well, following me.
08:20He followed me from job to job,
08:22he was mooching for money
08:24until a social security check came in,
08:26and then he'd go and gamble it away
08:28in any penny-ante card game
08:30he could find around the beach.
08:32Salami?
08:34All right.
08:3690 cents.
08:38Did you give him the money
08:40that he asked for the night he was killed?
08:42Yeah, sure, but just to get rid of him.
08:44Can you remember what time that was?
08:4611.30?
08:4811.30, it was just about the time he got on the bus.
08:50Where were you working that night?
08:52Freddy's, it's a disco.
08:54I see.
08:56Well, thank you very much.
08:58Hey, no matter what anybody else thinks,
09:00he owed enough people enough money
09:02to guarantee getting himself killed.
09:07Salami?
09:09That's a dollar.
09:13You know, Salami's gone up
09:14from 80 cents to a dollar
09:16since I've been standing here.
09:18Yeah?
09:20Seems there's a run on Salami.
09:22Hey, it's whatever the market'll bear, right?
09:24Man, I'm not hungry.
09:26Yeah, well...
09:31So it seems we have a new common denominator, angels.
09:34Both victims had been at Freddy's
09:36before they were murdered.
09:38The last one had a run-in
09:40with the owner, Fred Heston.
09:42So until we hear from...
09:44He's been all over the beach.
09:46Come up with anything?
09:48Well, our second victim, Mike Hootin,
09:50he didn't have any relatives,
09:52but he had lots of friends at the beach,
09:54and they said he pretty much stuck around down there.
09:56Now, the bus driver said
09:58that he picked him up at the same place
10:00at approximately the same time every night.
10:02Well, that shoots holes through your theory
10:04about the disco, doesn't it?
10:06Chris, where exactly was Mr. Hootin picked up?
10:09About Pico and Ocean, I think.
10:11Just one block from Freddy's.
10:12Well, then that's three for three.
10:14All the victims were near Freddy's.
10:16Which makes Freddy's the target for now.
10:19Angels, Bosley will work out covers for you
10:21before you check in.
10:42♪
11:03♪
11:09Speak to me.
11:11How's everything, Harry?
11:13Everything is okay.
11:15Listen, I've got a little problem, Harry.
11:18Don't we all?
11:20Well, I need a favor.
11:22You want a favor from me?
11:24Look, if anyone asks,
11:26I drove you home last night between 1 and 1.30.
11:28Sure, why not?
11:30Except for one little thing.
11:32Yeah?
11:34That little discussion we had about my career.
11:36I figure you give and you get.
11:39Sounds like blackmail, Harry.
11:41Hey, I'm not asking any questions about how or why
11:44you drove me home last night.
11:46Give and you get. Right, Mr. Heston?
11:48Yeah, right, Harry.
11:50Okay, you got it.
11:52The raise and the publicity, the whole number.
11:54Just like we discussed.
11:56Just like we discussed.
12:04Well, all right.
12:06Let's get with it, children.
12:08Now, Harry is watching you!
12:39That's the one.
12:41I checked, he's on Fred Heston's payroll.
12:44Sort of a dance shill.
12:46Keeps the action going.
12:50He's terrific.
13:05Oh!
13:06Oh, wow, me.
13:08Thank you.
13:10Aren't you two going to dance?
13:12Oh, I don't think so.
13:14He has the gout.
13:16It's unfortunate.
13:18Perhaps...
13:20Yes?
13:22Well, I thought you and I, we might dance.
13:24Wonderful idea.
13:26Will you excuse me?
13:28Sure.
13:30See you later.
13:36See you later.
13:54Are you all right?
13:56You should give lessons.
13:59Thank you.
14:01Here?
14:03But I'm not in class.
14:04Class?
14:07Law school.
14:09Busy fellas.
14:14When do you play?
14:18I'm playing. I'm playing.
14:34Boop, boop, boop, boop, boop!
14:37Boop, boop, boop, boop, boop!
14:41Boop, boop, boop, boop, boop!
14:45Ooh, what a treat!
14:47This is sweet!
14:49That body kick!
14:53We're dancing with my baby,
14:55Just amazing!
14:57Makes me hazy!
15:00How about you throw me the jowl?
15:02Boggling?
15:04Always harmless and fun.
15:06Very comfortable.
15:09Pop, Chris Monroe.
15:11You are a delight.
15:13Well, thank you, Mr. Monteiro.
15:15Would you do me the honor?
15:17You told me everything I know.
15:19Okay, I'm up to you.
15:34Dance, dance, dance
15:36Keep on dancing
15:39Dance
15:41Dance, dance, dance
15:44Keep on dancing
15:46Dance
15:49Dance, dance, dance
15:52Keep on dancing
15:55Dance
15:57Dance, dance, dance
16:01Now never mind why I changed my mind about Harry.
16:04Where's your toe? Give him the marquee.
16:05Sure. Whatever you say.
16:08Yes, come in.
16:10Miss Duncan would like to see you, Mr. Heston.
16:12She's with Disco Magazine.
16:13Disco!
16:14I told her Mr. Press was the one to see.
16:16Well...
16:17Uh, no. Uh, see you later, Lanny.
16:20Ah.
16:24Maybe I can cut through some of the red tape.
16:26Well, thank you very much.
16:28What can I do for you, Miss Duncan?
16:29Well, I'm gonna do a story on the local scene,
16:32and I would very much like to include Freddy's.
16:34Why not?
16:36Doing a disco story and not mentioning Freddy's
16:38is like talking about the Home Run record
16:40and not mentioning Babe Ruth.
16:42I think Hank Aaron holds that record, doesn't he?
16:44Oh, well, it's just a figure of speech.
16:46Oh, well.
16:54Excuse me, Fred, I didn't know you were busy.
16:58Uh, excuse me, Miss Duncan, my wife Marion.
17:02Oh, well, hello, I'm...
17:08I can wait, if I have to.
17:11Well, uh, listen, uh, maybe, uh, Miss Duncan
17:13should speak with Mr. Press after all.
17:15Probably so, absolutely. Thank you very much.
17:17Thank you, sir.
17:18Talk later, Miss Duncan.
17:19Talk later.
17:22Can't you leave me some dignity, Fred?
17:24Is that too much?
17:27A little family squabble.
17:28I see.
17:32Yeah!
17:35That's just unfair to me!
17:37Feel the heat!
17:39All over my feet!
17:43Headin' towards the goal, put it down!
17:46Woo!
17:49Let me get this straight.
17:51You teach disco dancing to senior citizens?
17:53Oh, it just gives me some extra money, that's all.
17:57You don't enjoy?
17:58Enjoy?
17:59Those aged fools?
18:01I can't stand them.
18:02Always complaining or gasping.
18:04That's all they have in their minds.
18:06No, those senior citizens, as you say,
18:08will all be better off
18:11without
18:12all of them.
18:31Hi.
18:32Abby!
18:33Kelly Garrett.
18:34I'm from Angelic Records.
18:36Can you have a
18:38fantastic group with an exciting new sound
18:40and you'd like for me to give it a spin, right?
18:42You said it all.
18:43Well, then, stick around, sweetheart.
18:45During my break, we'll give it a try.
18:47Okay.
18:54Whoa!
18:56I gotta tell you something.
18:58I think I'm too old for your father.
19:00Yes, he's got a thing about older people.
19:02Well, he's not exactly a teenager himself, you know.
19:04Don't tell Pop.
19:05Think young, stay young, that's him.
19:07He'd rather be here.
19:09He is whenever he's not teaching.
19:11Ah, I bet he jogs all the way over here.
19:13No, he takes the bus.
19:15Saves the energy for the dancing.
19:17Did I hear someone say bus?
19:19I thought everybody in California owned a car.
19:21Sorry to disappoint you.
19:23And you take the bus, too?
19:25I'm sorry.
19:27And you take the bus, too?
19:29I'm saving every penny I can for law school.
19:31I see.
19:57Oh, no, I got an angle.
19:59It's a little sensational, but I think it's nice.
20:01Just so you spell the name right,
20:03that's, uh, F-R-E-D-D-I-N.
20:05Disco.
20:07Right.
20:09Now, you see, what I'd like to do is,
20:11I would like to tie it in with the three old men
20:13who were killed by the bus train.
20:15What?
20:17Well, you see, they were all at the club or in the area.
20:19Now, I got some pictures here.
20:21I wonder if you, uh, you happen to have seen
20:23any of these men?
20:25I don't know anything about them.
20:27I don't want to know anything about them.
20:29Perfectly understandable, and I'm sorry.
20:31Forget it.
20:33The angle that you want is up there.
20:35Harry Owens.
20:37That is an art.
20:39Building the music, creating a mood,
20:41orchestrating the effects.
20:43Look at this.
20:45He's got this crowd in the palm of his hand.
20:47I've been after the boss for weeks to use him in our ads.
20:49Feature him out front.
20:51But, no, not when I suggested it.
20:53And then, from nowhere, he gives me the green light.
20:55Just like it was his idea.
20:57Huh. When did he do that?
20:59Today.
21:01Just before you came in.
21:03Big turnaround. Doesn't make sense.
21:09Marion, will you please keep your voice down?
21:11I mean, I do have a business to run.
21:13A business to run?
21:15Is that what you were doing at 2 o'clock
21:17yesterday morning?
21:19Running a business?
21:22I'm sorry, Fred. I'm not that stupid.
21:24Just what do you think you're doing out here?
21:26I'm waiting to talk to Mr. Heston.
21:28Through the door?
21:30What's the trouble here?
21:32Winkletoes is just standing out here listening.
21:34I wasn't listening. I just didn't want to interrupt you.
21:36I need to talk to you about something.
21:38Well, what do you want to talk about?
21:40If I could come in just for a minute and explain.
21:42See, I want to do you a favor.
21:44You want to do me a favor?
21:46Right. See, I'm really terrific at what I do,
21:48which is disco dancing.
21:50And I noticed you noticing me out there with Mario.
21:54Yes, well?
21:56Well, don't get me wrong. Mario is a terrific dancer.
21:58But he needs a terrific partner to make it really work.
22:00So I figured
22:02that I could work here for four hours a day.
22:04I don't think we need a partner.
22:06But I think you do.
22:08Listen, I belong to this international singles club.
22:10And right here in our local, we have a thousand members.
22:12So if just my friends came,
22:14your business would really pick up.
22:16Oh, okay, okay.
22:18Give it a try. One week.
22:20I don't think it'll do any harm.
22:22Great.
22:24Don't count on it.
22:30Oh, gosh.
22:32I'm really sorry.
22:34I hope I didn't say anything wrong.
22:36Listen, you won't regret this.
22:38It's going to be terrific.
22:40I really appreciate it. Thank you.
22:48No.
23:06It's nice. I dig it.
23:08Then that means you'll give it some play.
23:10It means I'm thinking about it.
23:12But you just said...
23:14I know, but, uh, see,
23:17there's one thing that my father
23:19taught me that I believe in.
23:21Nobody gives or gets nothing for nothing.
23:25I'm talking about fringe benefits.
23:31Well,
23:33I'll have to give that some thought.
23:35It's all right.
23:37Take your time.
23:39No pressure.
23:41I'll tell you what.
23:43In the meantime, I'll put this in cold storage
23:45for a while.
23:53See you around, Harry.
23:55Look, uh,
23:57let me give you my address
24:01just in case you want to contact me
24:03at my place.
24:05All right.
24:15I think I don't know
24:17what's going on around here.
24:19I bet I do.
24:25Hey, you.
24:27Listen to me.
24:29Pay attention.
24:33You don't have to listen to me.
24:35You don't have to listen to me.
24:37You don't have to listen to me.
24:39You don't have to listen to me.
24:41Pay attention.
24:43You don't have the right
24:45to ignore me.
24:47She's getting there.
24:51I think she's arrived.
24:57Well, Annie tells me you're gonna do
24:59a story on Harry.
25:01Oh, I'm fooling around with the idea.
25:03Nice good copy.
25:05Yep, so are you to some people.
25:07I'm not exactly unknown in this business.
25:10Word has it that you had a run-in
25:12with James Hannah last night
25:14just before he was killed.
25:16What are you driving at?
25:18Oh, nothing.
25:20But you know how the newspapers are.
25:22They get a thing like that,
25:24and the next thing you know,
25:26you're right there on the front page.
25:28Is that why you're here?
25:30Oh, no, not me.
25:32But since I am here,
25:34I did have a good idea.
25:36Why don't you tell me your story
25:38and twist it around?
25:40No, it was nothing.
25:42Anyway, I was driving Harry Owen's home
25:44when Hannah was killed,
25:46and I'll sue anyone who prints otherwise.
25:50Well, you don't have a thing
25:52to worry about then, do you?
25:54Hey, let me tell you something, honey.
25:56It wasn't your talent
25:58that got you that job.
26:00I know my husband
26:02is the way
26:04you wiggle that cutie.
26:24And that's it!
26:26We have a liftoff!
26:28We are going!
26:30We are going!
26:32We are...
26:34gone!
26:46I think you'd better
26:48get rid of the new girl.
26:50Any reason in particular?
26:53She's dangerous,
26:55and I have a feeling that she
26:57and the one with Disco Magazine
26:59and the girl who's been in the booth all day,
27:01they're all together,
27:03and not because they belong
27:05to some international singles club.
27:07I have the same feeling,
27:09but I want them here
27:11where I can keep my eye on them
27:13until I'm sure of what they're up to.
27:15Until you're sure?
27:17I mean, you have an idea?
27:19Look, I have a hysterical wife
27:21You mean detectives?
27:23Yeah, something to think about, isn't it?
27:31Just to get you in the mood, angels.
27:33Incidentally, that's the next record
27:35you'll pitch to Harry Owens, Kelly.
27:37They like it, Charlie.
27:39More important, I've got a rundown
27:41on Mr. Fred Heston.
27:43Arrested twice for assault and battery,
27:45no convictions.
27:47I wonder if his alibi about being with Harry Owens
27:49If it is, it would make Owens a co-conspirator.
27:51Which reminds me,
27:53he doesn't have a police record,
27:55and he does own a car.
27:57No sign of ever using a bus.
27:59He's beginning to sound like Snow White,
28:01except for his weakness for fringe benefits.
28:03Uh-huh.
28:05That's what this second record is for.
28:07Oh, we got company.
28:09Hello.
28:11Hi, Mario.
28:13Oh, these are my friends, Kelly Garrett, John Bosley.
28:15Yeah, it's in your eye.
28:18Well, I hear you're working for Fred, too.
28:20We're gonna be partners.
28:22I hope you don't mind.
28:24Mind? Of course not.
28:26But I didn't know you taught disco.
28:28Uh, yeah, is that what he told you?
28:30Mm-hmm. He sold on you.
28:32How about a walk?
28:34Okay, sure.
28:36How's your gout, sir?
28:38Gout?
28:40Oh, oh, well, he's feeling much better.
28:42Come on.
28:48Drinking is very bad for gout, Bosley.
28:50Yeah, but it hurts less.
28:52I'm gonna go set the record straight with Harry.
28:58Gout.
29:00Charlie.
29:18Well, hello.
29:20Hi.
29:22I just wanted to drop this new recording by to you.
29:24It'll give you a chance to hear it
29:26before you get to the club.
29:28Sure, come on in, relax, have a drink.
29:30You have plenty of time.
29:32Oh, I don't think you understand.
29:34I still haven't made up my mind
29:36about those fringe benefits.
29:38No problem.
29:40Certain things are worth waiting for.
29:42Oh, I'm sorry.
29:44I didn't mean to interrupt.
29:46Certain things are worth waiting for.
29:48Then I'll just be running along.
29:50No, no, wait.
29:52Look, you don't have anything to be frightened of.
29:54Besides that, you could do me a favor.
29:56If you didn't mind.
29:58What's that?
30:00My car is broken.
30:02I wonder if you could drop me off at the club.
30:04All right.
30:06Well, then, come on in, sit down, relax.
30:08I'll get you that drink.
30:10Thank you.
30:12How long has your carpet laid out?
30:14A couple days.
30:16It seems a whole lot longer.
30:18Yes, sir.
30:20Harry here.
30:22Hello, Mr. Heston.
30:24Harry?
30:26Yeah, sure, go ahead.
30:28I thought you should know
30:30there's a chance my wife has hired
30:32some detectives to check up on me.
30:34That girl that's been hanging around your booth
30:36could be one of them.
30:38Harry, do you read me?
30:40Yeah, sure, I read you loud and clear.
30:43Well, you better, because if Marion finds out
30:45it'll blow the cover of who was where and when
30:47for both of us, which means you lose your future
30:49and I lose everything.
30:51Well, you have nothing to worry about.
30:53Everything is gonna be okay.
31:06Is something wrong?
31:13You know something?
31:15I think I've been all wrong about you.
31:17What do you mean?
31:19You know,
31:21all that stuff about fragile,
31:23handled with care,
31:25less than touch,
31:27hands-off.
31:29I think you'd respond a lot better
31:31to firm hands.
31:33I bet
31:35that's what you're thinking.
31:37I'm not.
31:39I'm not.
31:41It's a lot better to tougher men.
31:43Hey, hey, hey!
31:45I hit you just fine.
31:53If you don't open it up,
31:55I'll yell my head off.
32:11Oh.
32:19Harry,
32:21you're not expecting me?
32:23Why would I be expecting you?
32:25Today,
32:27on this day.
32:29Oh, my God.
32:33I'm sorry. I forgot.
32:35Why didn't you remind me?
32:37I didn't think I had to remind you.
32:40We see your mother
32:42and bring flowers
32:44every year,
32:46on this day.
32:48Look, come in, please,
32:50and then we'll go to the cemetery together.
32:52Never mind. I'll go alone.
32:54You're probably better that way.
32:58Look, this is private.
33:00I was just leaving.
33:02I'm sorry.
33:05I was just leaving.
33:07Look at yourself,
33:09laying around all day,
33:11drinking, wasting your life,
33:13playing records at that club
33:15for fools who never work.
33:17Please, stop.
33:19You want the truth, Harry?
33:21You make me sick.
33:23I'll take a rain check, Harry.
33:25Wait.
33:31Now, what you made me do?
33:33Goodbye, Harry.
33:37No, look, please, please, stay.
33:39Someday, when I'm not ashamed.
33:56I'm gonna kill you again, Pop.
33:58I said I'm gonna kill you
34:00again.
34:03I'm gonna kill you.
34:05I'm gonna kill you.
34:07I'm gonna kill you.
34:25Hey!
34:27Hey!
34:33Hey!
34:45Very good, very good.
34:47You know, I think you'd rather
34:49I become a dancer instead of a lawyer.
34:51Now, listen, if your courtroom manner
34:53is anything like your dancing,
34:55you can take your choice.
34:57Miss Monroe, could I speak to you
34:59for a minute, please?
35:01I've been watching you, Miss Monroe.
35:03Oh, well, that's nice.
35:05I'm flattered that you're taking such an interest.
35:07Well, don't be.
35:09Whatever you say.
35:11The bits and pieces don't quite fit together
35:13with a little girl who wants to get in here
35:15and hustle all day.
35:17Well, what can I say?
35:19I just love to dance.
35:21You are a phony.
35:23You are a phony.
35:25You are a phony.
35:27You are a phony.
35:30You are a phony.
35:32And I know who sent you.
35:34I don't know what you mean.
35:36Oh, come on.
35:38Wipe that silly look off your face.
35:40Start talking about why you're really here.
35:42You know, my mama used to say
35:44when people start throwing around wild accusations,
35:46they usually have something to hide.
35:48You are accusing me after what you did?
35:50You two-faced little fink.
35:52Oh!
36:00Oh!
36:08Stop it.
36:10Stop it.
36:12Leave me alone.
36:14She certainly has a temper, doesn't she?
36:16Now, what's this all about?
36:18She's fired, her and her friends.
36:20Now, wait a minute.
36:22I don't care.
36:24I don't want her snooping around here anymore.
36:26Look, I was just dancing with Mario.
36:28So, that's what you phoned Harry about.
36:30That's why he started chasing me
36:32all around his apartment.
36:34Yeah.
36:36Yeah, I felt that Harry should be warned
36:38that you and your friends are working for my wife.
36:40Look, you can tell Marion she can have the divorce, everything.
36:42Wait.
36:44You think we're working for your wife?
36:46Well, what's the difference?
36:48I've had it.
36:50I'm fed up with her boozing.
36:52She's finally driven me to what she's always been accusing me of.
36:54She can have it, club, everything.
36:56Wait a minute.
36:58You're going to give her the club?
37:00Now, look, look.
37:02We'll work everything out.
37:04Excuse me.
37:06Can you work out the settlement later?
37:08How did you get Harry involved in all this?
37:10I had to.
37:12I needed an alibi.
37:14I was with Connie the night
37:16that that beach bum, James Hanna, was killed.
37:18After my argument with him, I was a suspect.
37:20I couldn't tell the truth to anyone.
37:22Well, I'm sorry to disappoint you,
37:25but we are detectives, but your wife is not our client.
37:27She's not?
37:29No.
37:31Oh.
37:33I mean, that puts a different light on things, doesn't it?
37:35Does it?
37:37Well, look, there's no need to be rash about these things, huh?
37:39Oh, right, like not getting a divorce.
37:41I mean, no need to run into things
37:43and give up the club and everything.
37:45Didn't I just say that?
37:47Look, I hate to interrupt at this delicate point,
37:49but what we're doing here is very important.
37:51And if you don't mind, we need your cooperation.
37:53In fact, we insist on it.
38:09Hey, I don't want to see you hanging around here anymore.
38:11Well, that's too bad.
38:13Because she works here, and I'm her guest.
38:15We'll see what Mr. Heston has to say about that.
38:17Why don't you just stick to your background music?
38:19Well, just stay out of this,
38:21because as far as I'm concerned,
38:23you're expendable around here, too.
38:25Get out of my way, old man.
38:27Go ahead, get him fired.
38:29Mario.
38:31It's all right, let him go.
38:33He's a fellow with a bad temper.
38:35Best he cool off first.
38:37This job is nothing.
38:39He's not like you.
38:41He does belong here.
38:43He is going to be something important.
38:45A lawyer.
38:47Hello?
38:50Mr. Heston about that girl who pitches records
38:52and her friend.
38:54Oh, there's nothing to worry about, Harry.
38:56I was mistaken.
38:58They are not working for Marion.
39:00In fact, they're after the bus strangler.
39:04The bus strangler?
39:06Yeah, so you don't have to lie for me.
39:08I told them they could hang around,
39:10but they'd probably be wasting their time.
39:12Yeah.
39:20Hello?
39:22Hello?
39:32Hello?
39:34Hello?
39:50In today, troops,
39:52there are vibrations out there.
39:54Keep it going.
39:56Stay young.
39:58Stay young.
40:00Age abuses God's patience.
40:02We know, don't we know,
40:04that the wind out there is sighing.
40:06The old man
40:08is dying.
40:10Yeah.
40:12Yeah.
40:14Hello?
40:16Hi.
40:18Did Charlie check on Harry's car?
40:20And you were right.
40:22It didn't get laid up.
40:24He lost his license for drunk driving.
40:26When was this?
40:28About four months ago.
40:30Just before the bus strangler
40:32killed his first victim.
40:34I'm gonna go talk to her.
40:36You better go with her.
40:38Uncle, Harry loves you.
40:40Yes.
40:42Keep it moving.
40:44Let it in.
40:46Rock and roll!
40:48I'm always here.
40:50Every minute, keep it smooth.
40:52Because I'm nothing.
40:54I make it.
40:56I like a rock and roll.
41:02Fill Bosley in on what's happening.
41:04I'll mail it to Mario.
41:06Mario?
41:08Yeah.
41:10Do you know where your father is?
41:12Taking a walk on the beach.
41:15What's happening?
41:17Nothing.
41:21Did you find Harry?
41:23No, and Mario's father isn't here either.
41:25What, are you worried about the fight
41:27that Hector had with Harry?
41:29Yes, I am.
41:31If you could have seen Harry with his father,
41:33he was like an angry child.
41:35Are you suggesting that Harry
41:37has transferred that anger
41:39to other men, older men?
41:41Men that remind him of his father?
41:43Maybe four.
41:45Hector.
41:47Let's go.
41:49Why don't you cover the outside
41:51and the two of us stay and look around here?
41:53Okay.
42:13Thank you.
42:43♪ ♪
43:13Which way is the Senior Citizens Center?
43:15He said across the park.
43:17Let's go.
43:19♪ ♪
43:43Do you see anything?
43:45No.
43:47Come on, let's go.
43:49♪ ♪
44:13Oh, Mr. Monteiro.
44:15You should be on your way to desk, lass.
44:17If I take the time to go there,
44:19the least you could do is to show up.
44:21It's too nice out here.
44:23Maybe Friday.
44:29Did I say something wrong?
44:31With him, you never know.
44:33♪ ♪
44:44♪ ♪
45:10Maybe Mr. Monteiro took the bus.
45:12He had to come this way.
45:14The parking attendant saw him.
45:16Well, that doesn't mean that Harry did.
45:18It doesn't mean he didn't.
45:20Come on, let's go.
45:22♪ ♪
45:30Hi.
45:32Listen, did a gentleman go by here
45:34about your age, nice-looking?
45:36He'd be walking that way?
45:38No, only the Latin Fox.
45:40Mr. Monteiro, he teaches dancing at the center.
45:42Was there another man, a younger man, following?
45:44That's what it looked like, yeah.
45:46Thanks.
45:48Thank you very much.
45:50♪ ♪
46:04Look!
46:06Mr. Monteiro!
46:08♪ ♪
46:38All right, hold it, hold it!
46:40♪ ♪
46:44Did I say it?
46:46A bomb I sent you was nothing!
46:48Did I say it?
46:50Yes, you did, Mr. Monteiro.
46:52I'm gonna kill you again!
46:54I'm gonna kill you again!
46:56I'm gonna kill you again!
46:58♪ ♪
47:00♪ ♪
47:06You don't understand!
47:08The troops back there, they need me!
47:10Without me, they're nothing!
47:12Nothing but puppets!
47:14Without me, they are...
47:16Nothing!
47:18They are nothing!
47:20Without me, they are...
47:22Nothing!
47:24Without me, they are nothing!
47:26Without me, they are nothing!
47:28Without me, they are...
47:30Nothing!
47:52That's it, troops!
47:54I'mma down there with ya!
47:56Dig that beat. Don't be shy. I see you. I hear you. And I'll never let you down.
48:08That's right. You're Aquahari. It is watching you.
48:56I'm Aquahari.