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00:00♪♪
00:30¿Y has pensado en cómo pagarle al celador?
00:33¿Crees que esta pulsera serviría?
00:38El señor Castillo creó que la señora Darre ha muerto.
00:40Irá al pueblo a comprobar que está la lápida
00:42y cuando la vea, la señora Darre estará fuera de peligro.
00:45Pero eso pueden pasar días y yo necesito verla antes.
00:48¿Investigar, dices?
00:50Pues ya me dirás cómo lo haces, porque yo no te veo mover un dedo.
00:52Petra, ambos queremos llegar al fondo del asunto
00:56y he oído que tú tienes alguna información.
00:59¿Yo?
01:06¿Es eso cierto, Petra?
01:08¿Por qué demonios no me has dicho que habías averiguado algo
01:11sobre el envenenamiento?
01:13Bueno, realmente, señora, yo...
01:16¿Yo qué? ¡Basta ya de misterios! ¡Habla!
01:21Sería la palabra de una criada contra la de un conde
01:24y ya no tienes a Cruz a tu lado para que te defienda.
01:27¿Qué piensas que van a creer?
01:30Tendrá usted que disculparme, señora,
01:33pero no sé nada nuevo del asunto.
01:38¿Acaso lo que dice Ignacio es una invención?
01:41No, no, no, es exactamente así, no.
01:43Pues explícate bien, porque esto no es un asunto para andar de broma.
01:47No, desde luego que no lo es.
01:51El caso es que en algún momento dado yo comenté
01:55en presencia del conde mi intención de investigar a fondo
01:59las causas de su envenenamiento.
02:02¿Investigar tú? ¿Cómo?
02:05Bueno, señora, al ser el ama de llaves,
02:08tengo acceso a la información del servicio y a sus rumores.
02:12Ya, me parece que se te ha subido un poco el cargo a la cabeza.
02:16El caso es que, a pesar de mis pesquisas,
02:19no he conseguido dar con nada que pueda arrojar luz a lo sucedido.
02:24No me digas. Así que nos has generado una expectativa para nada.
02:28Bueno, para hacernos perder el tiempo.
02:30Deberá usted disculparme, señora.
02:33Y ahora, con su permiso, tengo mucho trabajo que hacer.
02:37Sí, mejor será.
02:41Desde luego, esta mujer no es ni la sombra de lo que era.
02:45Lamento haber levantado la liebre por nada.
02:48Pensaba que tenía alguna información jugosa, la verdad.
02:54No sé si puedo contarte
02:59Las cosas que han pasado desde que te vi
03:03Las luces que han bailado por nuestro jardín
03:07Los rumores nuevos entre el corazón y las murallas
03:13En la promesa
03:15Habrá partículas de amor en movimiento
03:19En la promesa
03:21Habrá partículas de amor en movimiento
03:25Habrá secretos que nunca saldrán ahí fuera
03:29Será tan bello como el vuelo de un avión
03:35En la promesa
03:37Las despedidas son girones por el suelo
03:41Hasta las flores bailarán a su manera
03:45Equilibristas entre el miedo y la pasión
03:51Somos como un salto a la D3
03:55Somos el amor cuando se vive a vida o muerte
03:59Un camino largo a recorrer
04:03En la promesa ya serás cuestión de suerte
04:08Somos como un salto a la D3
04:12Somos el amor cuando se vive a vida o muerte
04:16Un camino largo a recorrer
04:20En la promesa ya serás cuestión de suerte
04:43Son unos dulces portugueses. Se llaman pasteles de Belén.
04:48¿Y de quién es la receta? ¿De Lopillo?
04:51Que va. Es un dulce tradicional del país vecino.
04:55¿Sabes esa muchacha Bruna, la portuguesa, que vive en Luján?
04:58¿Así una que es muy buena gente?
05:00¿Y esto cómo se prepara? Porque esto parece masa de hojaldre.
05:04Así es. Hojaldre, relleno con crema pastelera.
05:08¿Pero nosotros hemos puesto natillas?
05:10Para aprovechar las sobras, Candela. Cocina de aprovechamiento.
05:14Tú di que si quería comida, eso es pecado mortal.
05:17Además, la crema pastelera y las natillas llevan leche, azúcar, yema de huevo.
05:21¿Quién va a notar la diferencia?
05:23López, por ejemplo.
05:25¿Qué más da?
05:27Este dulce está de bandera.
05:31Guárdeme uno mío, entonces.
05:33¿Cómo estás, hija?
05:35Pues ahí. Espero que el día de hoy sea mejor que el de ayer.
05:39Que acabó como el rosario de la aurora.
05:42¿Qué te pasó?
05:44A última hora de la tarde, doña Petra me mandó a capítulo a su despacho.
05:48A esta mujer no se fatiga a la hora de echar rapa porbo.
05:52Mira que ayer le pidió disculpas al señor Pellicer.
05:55Por un momento yo pensé que se había relajado.
05:57Esa siempre está dispuesta a broncar personal.
06:00Bueno, ¿y qué te dijo la Mari Mandrejos?
06:02Pues nuestra querida ama de llaves no estaba muy contenta con cómo había fregado las escaleras.
06:08¿Qué tonterías esas? Están relimpias.
06:11Pues según ella, no les había sacado brillo y estaban todas sorroballadas.
06:15¿Esa palabrita te dijo? Ella sí que está sorroballaperdida.
06:18A ti lo que te diga Petra es que te entre por un oído y te salga por el otro.
06:22Lo sé, pero justo hice todo lo contrario.
06:26No pude más y acabé soltando lo que pienso de ella.
06:30Dios bendito. ¿Todo?
06:33Pues no sé si todo, pero desde luego sí mucho.
06:36Las verdades del barquero, vamos.
06:38¿Y qué te dijo ella?
06:39Que no iba a darme explicaciones porque total.
06:42Para el poco tiempo que me queda en la promesa.
06:45¿Será mala y dañina?
06:47Mejor me voy a callar porque si no, que me van a llevar a los demonios.
06:51¿Pero eso lo dijo para fastidiar o es que está al tanto de todo?
06:55Pues no sé cómo, pero se ha enterado de mis intenciones de ir a trabajar a la casa del enfermero.
06:59Qué lacartija. Para mí se me ocurre quién la ha podido oír con el cuento.
07:03Eso lo de menos. Candela, lo importante es que ahora está prevenida.
07:07Y yo creo que es capaz de dejarme en la calle antes de que pueda irme a trabajar con el cura.
07:11No, eso no lo puede hacer.
07:13Sí puede. Es Petra.
07:15La niña tiene razón. Poder, no sé si va a poder.
07:19Pero ganas no le van a faltar.
07:21El señor Baeza no lo va a permitir. No te preocupes, hija.
07:25Tengo miedo de quedarme sin casa, sin trabajo, sin el dinero que me reclaman mis suegros y, por supuesto, sin mi niño.
07:33Eso no va a pasar, ¿estamos?
07:35Mira, hija, incluso el día más oscuro tiene su rayico de sol.
07:41Eso es muy bonito, madre.
07:43Y una verdad como un templo.
07:45But yesterday Salvador and Hanna came up with the idea that, among all the servants, we can raise the money your in-laws ask you for.
07:56But how are you going to do that?
07:59Well, putting everything on the line. And it's not the first time.
08:03We already did it a long time ago to cover Salvador's eye surgery.
08:07But Salvador is Salvador and I just got here, who says?
08:10No, you've been here longer than Salvador when we paid for his eye.
08:15You've been one of us for a long time.
08:19And you're Simona's daughter. We love your mother very much. And you, therefore.
08:24Are you serious?
08:27God bless you, you are the most beautiful thing there is. Well, you and all the service of the promise.
08:40Can you tell me what the hell is Ignacio playing at?
08:54Why did the number you set up last night come?
08:57What's wrong, Petra? Don't you like challenges?
09:00Are you aware of what could have happened to you if I came to talk?
09:05Are you aware of what could happen to you?
09:07Trinidad, stop cleaning the rooms. They're not going to clean themselves. Let's go.
09:14Yes, Mr. Count. I will take into account your instructions for the return.
09:19I told you. I knew that the relationship between you and Cruz was not at its best and that you would not speak.
09:26I, that you would watch, because my relationship with the Marquis will be what it was again.
09:33I assure you.
09:35You've already talked about that. Stop humiliating yourself.
09:39Whatever you do will hurt you more than me. Don't intimidate me.
09:44You don't even scare me, Petra.
09:46Besides, we both know perfectly well that you don't care what happens to Martina.
09:53You won't risk a hair to help her.
09:56You may be right.
09:59And that Miss Martina is not a saint of my devotion.
10:02And that she believes that a little discipline would be good for her.
10:06But I still think she is a young woman.
10:09With her whole life ahead of her. Full of dreams.
10:14And that makes it easier for me to put myself in her place.
10:19You, putting yourself in someone else's place?
10:24Put me to the test, Ignacio.
10:27If Miss Martina doesn't come back in a prudent time,
10:31I'll talk and tell her everything I know.
10:35Because I don't care about the consequences.
10:53I don't care about the consequences.
11:11Miss.
11:15Take it. I hope no one misses it, but I thought you would like to know what's going on in the world.
11:20Thank you, Hanna. It's good to know what's going on outside these four walls.
11:24Well, being locked up here, well ...
11:27Well, locked up by your own will, I remind you.
11:30In any case, I wanted to know what was going on in the news.
11:33Excuse me if I have violated you with the subject.
11:36It's just that I'm a little sorry that I'm back here.
11:39Well, I went to investigate.
11:42To prevent them from locking up my cousin, but I have failed.
11:46My position in La Promesa no longer makes any sense.
11:49I'm sorry for you, the service.
11:52No, I have nothing to blame you for.
11:55So I guess Descartes has to blame his family.
12:00That's right.
12:02And there is a particular member who monopolizes most of my reproaches.
12:06Let me guess. His stepmother?
12:09It wasn't a very difficult riddle, was it?
12:12Well, I'm still sorry that I stopped seeing the others for her.
12:16I am very afraid that there is nothing to do about it.
12:19The situation has reached a point where,
12:22the less we cross paths with each other, the better for everyone.
12:25Anyway ...
12:27How are things around the palace?
12:29Do you know anything about my cousin?
12:31Well, no, not for now. There is no news from the sanatorium.
12:34As far as I know, of course.
12:36It's horrible.
12:38Unfair.
12:40I know, and you're right, but ...
12:42At least Mrs. Margarita says that it is beautiful here.
12:45And that it is already receiving all kinds of attention.
12:48Yeah, that's what they say.
12:50But it's a shame that we can't check it ourselves.
12:53Anyway, apparently they are very strict with visits,
12:56and they don't allow them until several weeks after their arrival.
13:00And that doesn't inspire confidence in me either.
13:03But on this matter we can't do anything either.
13:06Especially if there is no one investigating what happened.
13:09Well, you were doing it until I returned to the hangar.
13:13And there is nothing. I assure you.
13:16But I am convinced that my cousin is innocent.
13:19We all know she didn't do anything.
13:21And I wish we could prove it.
13:25Well, I'll let you read the newspaper.
13:27I'll clean up there if you think it's okay.
13:29Thanks for everything, Hanna.
13:43Hanna?
13:48Hanna?
13:50What's going on?
14:02My God.
14:14What a kitchen, yes.
14:16I ordered a tisana to be prepared for Mr. Márquez.
14:19He read the news in the newspaper and left him completely upset.
14:27Mr. Pellicer.
14:28Mr. Baeza.
14:29I just wanted to ask you how everything is going.
14:32Has he fully adapted to the routines of La Promesa?
14:35I think if it hadn't been like that, he would have kicked me out.
14:38Yeah.
14:40Mr. Baeza, I have you for a man who speaks clearly.
14:43And that's why I think he wants to talk to me about a matter that he doesn't dare to address.
14:47You are right, Mr. Pellicer.
14:50And I don't know why, but I also have the impression that someone has come to me with the story
14:54about an incident in which Vera is involved.
14:57Well, you're right again.
14:59And who has been the kind informant?
15:01Who do I have to thank for such a disinterested gesture?
15:04My father?
15:06Maybe López.
15:07That's the least of it.
15:09He has been in charge of La Promesa for many years and, well,
15:12he has found a way to have eyes and ears in every corner.
15:16I understand.
15:17Have they both been?
15:19Look, I'm going to be direct.
15:21Do you want to tell me your version of this matter?
15:25The truth is that no.
15:27I already told my father everything in detail and he took it for granted.
15:30Okay, well, nothing.
15:31Case closed.
15:34Before you go, I would like you to remember something.
15:40Do you remember why you are here?
15:43Excuse me?
15:44Do you know who made you call La Promesa here?
15:48Yes, I think it was his commitment.
15:51Exactly.
15:52And not everyone agreed.
15:55And have you ever wondered why I did it?
15:59Look, if I wanted to have you here at La Promesa,
16:03it was because I always believed that you were a young man with great potential.
16:08And I thank you for your trust.
16:10Don't thank me with words, but give me back the trust that I placed in you.
16:16Of course, of course.
16:18What do I have to do to ...?
16:19Well, what you have to do is take advantage of the opportunities that life gives you
16:24and continue with that drive and that courage that characterizes you.
16:27But without forgetting that the path to follow is probably not the easiest.
16:32Mr. Baeza, I suggest that it be a little clearer.
16:36A good understander, a few words are enough.
16:39And you are better than good, Mr. Pellicer.
16:42If so far I have wanted to convey my trust in your worth,
16:46know that this can change at any time.
16:50I will do my best because that does not happen.
16:52Focus on avoiding conflict and disagreement.
16:56Disagreement?
16:57Yes, with the rest of the service.
17:00With Mr. Ruiz, with his father and even with Miss González.
17:06Did I explain myself well?
17:09I think so.
17:10Because otherwise I would be forced to dispense with your services.
17:15And that is something that neither you nor I want, right?
17:18Of course not.
17:27The explosions not only affected the center of cities like Nancy,
17:31causing hundreds of civilian victims, but also the surrounding forests,
17:36where the deployed battalions have registered the highest number of casualties
17:40since the confrontation began.
17:43My God.
17:45And in those forests is Manuel.
17:47From there he wrote the letter, the last one that arrived.
17:50Cruz.
17:51That region is as extensive as the entire province of Córdoba.
17:54It is most likely that neither Manuel nor Curro have been affected by that bombing.
17:58You can't bomb an entire province, right?
18:00Of course not.
18:05I have the feeling that this news is only the confirmation of all my feelings.
18:10From there so many nightmares and bad omens.
18:12Cruz.
18:14Please, don't make conclusions that have no logic.
18:16But I saw it, María Antonia.
18:18I saw my son in danger, I saw him drowning in the rough waters of a river.
18:22But we already talked about it yesterday, Cruz.
18:25There are a thousand reasons that can cause those nightmares.
18:27Don't you think that's consolation for me?
18:29The image was very real.
18:31María Antonia, very vivid.
18:33My son was dying before my eyes and I couldn't do anything to help him.
18:36Leave it, Cruz, please.
18:38Manuel will be fine, you'll see.
18:40This is a premonition.
18:42My son is really needing my help right now.
18:45Be reasonable, please.
18:48You can't spend the day entangled in such funereal thoughts.
18:52Come on, let's go for a walk and get some fresh air.
18:55Now?
18:56Why not? It's a great day.
18:58No, no.
18:59The other day I went out and a wasp bit me.
19:01And now you're going to stop going for a walk because you're afraid the wasps will bite you?
19:03I told you no, please.
19:07Forgive me.
19:09I'm very distressed, I don't feel like doing anything.
19:12This situation is getting the better of me.
19:14But Cruz, I have a bad feeling that something bad is going to happen.
19:19If it hasn't already.
19:29I don't understand.
19:30They wanted to have a good time with us.
19:32Instead of being at the game, they were arguing with each other all the time.
19:35You'll see it on Saturday.
19:36And we play without money?
19:38That bad guy has a very bad temper.
19:40Very bad, but...
19:42Yeah, but he pays for it with his girlfriend.
19:45That's another thing I'll never understand, that those two are together.
19:48Come on, love is blind, but not stupid.
19:51No, it doesn't apply.
19:53And all the time they've been together, I've never seen them have a fun time.
19:57Like the ones you and I have, for example.
20:00Well, to have a fun time like ours, you have to love each other a lot.
20:04Salvador, that's not what I mean.
20:06We're always thinking about the same thing.
20:10I don't know what they're going to do in their privacy, I don't care.
20:14I just have a knot in my stomach that tells me that something weird is going on.
20:20And especially with Vera.
20:22Well, something weird does happen.
20:24I can't get my head out of the face of anguish from Vera the day of the funeral.
20:29Yeah, it didn't seem like she was having a great time.
20:32No, she was looking at us as if we were a lamb about to be taken to the slaughterhouse.
20:36Come on, as if she were watching from afar with a knife in her hand.
20:40Now that you mention it, Maria, I have to tell you something.
20:44I talked to Lope and ...
20:46Salvador, I was looking for you.
20:49Do you need help with any task?
20:51What I need is to thank you.
20:54Well, you and everyone else.
20:56Thank you for what?
20:58Because this morning my mother and Candela told me about the crêpe that was made for your operation.
21:03And that you are going to repeat the same thing to get the 550 pesetas and get my son back.
21:09Yes, well, the truth is that it was more Hanna's initiative, but I have also put my grain of sand.
21:14Well, and we're all going to put it.
21:16Even fill a desert if you do.
21:18Come here.
21:20What a good idea, Salvador, if you have a golden heart.
21:23It's not that much.
21:24If we manage to get the eye operated on, then what less than to gather quarters to bring your creature, right?
21:29And how nice they left it.
21:31Look at him, just like Ico.
21:33What is clear is that together we can do anything.
21:36That's it.
21:38Thank you.
21:40From the heart.
21:43I don't know, you're going to get excited and you're going to shed a tear.
21:47It makes me so excited to think that I can get my Adolfito back.
21:52Although I prefer to be cautious, that something always arises that complicates everything.
21:59No, you're going to get it.
22:01You just have to believe.
22:04You're right, Maria.
22:06I have to make an effort and start seeing life in a different way.
22:10More positive.
22:12Of course.
22:13Even if it's just to adapt to our height.
22:17Let's go.
22:26550 pesetas is not a piece of cake.
22:29No, but it won't be hard for us to try.
22:31I'm going to be a hurricane.
22:33A coin that shines, a coin that hits the target.
22:47The press speaks of an intense bombing, but it does not specify the specific areas.
22:52And even if I did, I wouldn't be sure of anything.
22:57That's how it is.
22:58There is no way to know if my brother and my cousin are well or not.
23:01Yeah.
23:04Do you know when the bombing was?
23:07Yesterday.
23:09So it's too soon to know about them.
23:13I'm sorry, Catalina.
23:17It must be hell to live with that uncertainty.
23:22And I would like to be able to help you.
23:26No one can do anything to get Manuel back to work.
23:31Maybe there is something that can be done.
23:34What?
23:36I could entertain you or try to do it.
23:42I know a few phrases and my father taught me a song from a tavern that is not very soft.
23:50I'm sorry, I just wanted to help you.
23:52I'm a jerk.
23:54Thanks for trying.
23:56But hey, tell me something about you that I haven't stopped talking about since you arrived.
24:01I don't know, the only thing I can tell you is that I'm quite exhausted.
24:05I never imagined that my father's business would involve so much work.
24:08I remember when I was a kid, he would get up at dawn and go to bed shortly after sunset.
24:13And he never complained.
24:15And now you arrive ...
24:16And I cry that I walk like a child on my chest the first days of work.
24:19Come on, I deserve all the stones that Rando finds me.
24:23You'll get used to it.
24:27And the work will be more bearable.
24:30I hope that one day I can take things more calmly.
24:33Even face new projects.
24:37Like the tavern songs?
24:40No.
24:42I meant something more fruitful.
24:46Like ...
24:48Restarting your jam business.
24:51Let's see, I know you don't aspire to so much, but you could be one of its fruit suppliers.
24:55Man, you have plenty of fruit trees.
24:57Oh yeah?
24:59You know what?
25:01I'm curious to know how your company started.
25:04Well, it all started with the talent of one of the servants of La Promesa.
25:07López.
25:09A lackey who didn't stand out like a lackey, but he has a gift for the kitchen.
25:14And he made the first jams?
25:16That's right.
25:18Although saying that it was all his merit would not be fair.
25:21He contributed to the innovation, but without the good work of Simona and Candela,
25:25making the jams would have been impossible.
25:28I suppose you would also do your part.
25:31And then there is how much the women of Lujan helped.
25:34Although I suppose you are aware, a company is a collective task.
25:49Close the door and sit down, Santos.
25:53Thank you very much for coming so quickly to my call.
25:56I had no choice, given that another Rapapolo is waiting for me.
26:01In this case you are wrong, Cabo Rau.
26:03I don't intend to upset you or anything like that.
26:07In fact, I would love for us to leave all that behind.
26:12Oh yeah? Without further ado?
26:14Yes, and I know that you are a man of your word.
26:19Oh yeah? Without further ado?
26:21Yes, and I know it won't be easy.
26:24But if we could start over, at least in this palace,
26:28nothing would make me happier than you stop seeing me as an enemy.
26:36I don't see him as an enemy, Father.
26:39I understand that from time to time he has to keep up with me.
26:42After all, he is my superior and I suppose that goes implicitly in the position.
26:46Do you really understand that?
26:49Neva, Ronto, it shouldn't be easy.
26:54No, it isn't.
26:57It's hard for me to separate my feelings towards you
27:00and to forget that above all we are father and son.
27:04There is something that I have never told you
27:09because I didn't dare to share it with you.
27:12It's about your grandfather, my father.
27:15No, I've never talked about him.
27:17You didn't get to meet him.
27:19And what was he like?
27:21Well, he was a person with iron principles,
27:27obsessed with hard work
27:30and very marked by the bitter experiences he had in his youth.
27:34I understand that it was in other times.
27:36And that's why he was so determined to instill those values in me.
27:40But our relationship was ...
27:47complicated.
27:49I didn't know.
27:51Well, that's how it was.
27:52I wasn't in the mood to follow his dictates.
27:55I wanted him to keep working in the family farm.
28:00A farm?
28:02Yes, I didn't want to work the land or milk cows.
28:07If it comforts you, I don't imagine my father either.
28:11As far as I can tell,
28:13my dream has always been to work in a farm like this,
28:16serving great gentlemen.
28:18And his father opposed it.
28:20He didn't understand that I preferred to work for others
28:25having a farm on my property to get ahead.
28:28And that's why we argued.
28:31We talked about a strong argument.
28:35Yes.
28:36Yes, so strong that I ended up leaving forever.
28:39And I left with one hand in front and the other behind.
28:42I never imagined, father, that you could be
28:46rebellious and rebellious.
28:48You have always been so ...
28:50correct.
28:52Well, you see.
28:54So I went to Cordoba
28:56and soon I started working on what I wanted.
29:00Serving?
29:02Yes.
29:03I was always tenacious and persevering, like you.
29:07And that's why I've always done well from the beginning.
29:10And thanks to that, where are you now?
29:13Well, the ...
29:16The thing is that ...
29:20being away from home,
29:23there I understood that, despite our differences,
29:28my ...
29:31my father always ...
29:33always wanted the best for me.
29:38So, some time later, I tried ...
29:42I tried to look for him to reconcile us.
29:46And could you make peace?
29:50No.
29:52No, I can't anymore.
29:54He had died.
29:57And ...
29:58And I didn't know.
30:02I could never thank him for all the values he instilled in me.
30:09How sorry, father.
30:13And I don't want that to happen to me with my son.
30:24I guess Cruz is very affected.
30:27Me too.
30:29How should you be? After all, our children are in danger.
30:33I prefer to think that they are in the front carrying out a heroic gesture.
30:38It seems that that bombing was a massacre.
30:41What do you think, as a militant?
30:43No matter how much experience you have, it is difficult to shed some light on this matter,
30:47only from the information of the newspapers.
30:51And do you have more data?
30:53Grave silence.
30:55Although judging by the ammunition used by German aviation,
30:59I intuit that the consequences have been devastating.
31:04I feared it.
31:06Although I also tell you that it takes many horses to destroy the forests of Alsace and Lorena.
31:12But a single projectile to end the lives of our children.
31:18Not knowing anything else makes me feel very powerless.
31:22Couldn't you find out something?
31:24Let's do one thing.
31:26I'm going to put you in contact with the superior with whom I dined the other night.
31:30Maybe when he notices your desperation, he will come to tell you something else.
31:33Yes, give me the signs. I'll call him.
31:37And about Martina, do we know anything?
31:40No.
31:41I hope her stay in that sanatorium is less regrettable than Cruz says.
31:46She, better than anyone, should know that those places are not as terrible as they seem.
31:51Maybe I should take notes on the matter.
31:54Do you also want to know my opinion?
31:56No.
31:57But you're going to give it to me anyway.
32:00You see, as I see it, one has to breastfeed with what he does.
32:05And that girl has tried to poison Ayala.
32:07That is to prove.
32:08Whatever you say.
32:09Whether it is proven or not, what is true is that Ayala was right to say that
32:14that place is much better for Martina than jail.
32:17Any place is better than jail.
32:19Better than the French front?
32:22Not everything is black and white, Alonso.
32:25At this point, you should know.
32:35So much effort trying to get that business going,
32:38and he goes and puts it in the hands of that captain who, from what I see, doesn't trust a bit of him.
32:43That's right.
32:45Things are like this, Adriano, but I prefer to leave it be.
32:48I don't want to stir it anymore.
32:52As he did with the management of his farm, which you used to take care of, right?
32:57Yes, as you said, that was before.
33:02Past water does not move mills, as the saying goes.
33:05That's right.
33:07But he also says that the waters return to their course.
33:10And in his case, it seems inevitable.
33:14What do you mean?
33:16Well, sooner or later he will be in charge of his farm's management again,
33:20as well as the marmalade business.
33:24Now I see it complicated.
33:28Oh my God, I think I'm a little late.
33:31I'm sorry to have entertained you.
33:33I just wanted you to take a book to read.
33:35A book?
33:37You already know that books and I are not good friends.
33:41Well, it's time for you to start doing them.
33:43Any recommendations?
33:46Do you intend to fill the whole hangar with books?
33:51I don't fit in all the ones I brought on my last visit to the palace.
33:54I know how to keep them like this, but my shelf has broken and I don't know where to put them.
33:58So, I insist, take one.
34:02If I can think of something better, let me set up a shelf.
34:06You don't want to read either? Do you prefer to set up a shelf?
34:10Will it be more practical? Let me do it. It's my way of helping you.
34:15Okay.
34:17You'll see how I do it in a moment.
34:19And in the meantime, you can keep telling me things.
34:22Well, you're smart if you think I'm going to let you do it alone.
34:33As I told you, Santos was very cordial and willing to start over.
34:39Without so much friction.
34:41That's great news, Ricardo. I'm very happy for you.
34:44Yes, of course. But the funny thing is that I had already tried to get close to him many times
34:50and I had never succeeded. What could have changed in his attitude?
34:53What else? Today was the day and that's it.
34:55Yeah, but I don't quite understand why.
34:58I don't know. Did you tell him something that made him reconsider?
35:02I told him about my father. I had never talked about him before.
35:06And I told him about all our differences and how things ended.
35:10That must have been it.
35:12For the first time, he put himself in your shoes.
35:14And he understood that being a son is not easy, but being a father is not easy either.
35:18Much less being welcome.
35:21Yes, I think so. I think for the first time he looked at me in a different way.
35:28And that smile?
35:29Nothing, I'm happy for you.
35:32Well, it seems to me that you have been surprised quite a bit,
35:34considering how Santos always makes me difficult things.
35:38Well, it's a matter of time. What to fix and your differences.
35:41Well, it doesn't always happen. My father and I don't go any further.
35:44That's good for you.
35:45Well, but the fact that he listened to me without interrupting me scares me.
35:50You don't have anything to do with it, do you?
35:52Me?
35:53Have you talked to him?
35:54No, not at all.
35:56Are you afraid to deny it? It makes you suspicious, doesn't it?
35:58No.
35:59Let's finish.
36:01It seems to me that I have just caught the impeccable Romulo Baeza in a lie.
36:08Come on, confess it. Have you talked to him?
36:11The only thing I told you was that I had to soften things with the service, including you.
36:15Despite the fact that I asked you, I would take care of it.
36:19Thank you very much, Romulo. You are a very good friend.
36:22Now the important thing is that we recover that good boy who is under that armor of pride.
36:52Thank you for waiting for me with the lights on, Hanna.
37:04If I don't pee before going to bed ...
37:06I know.
37:09What's wrong with you? I feel sad.
37:13I'm tired.
37:16What about the news of the bombing in Sasia and Loretta, right?
37:21The truth is that it has me with the soul, Milo.
37:23The newspaper has said that ... that it was an authentic butcher shop, so ...
37:30How much it has scared people.
37:32Couldn't they put more beautiful news in the newspapers?
37:36Well, it must have been really terrible.
37:39All wars are, Hanna.
37:41But don't get into the worst, I'm sure Manuel and Mr. Curro won't be there.
37:45Or at least yes.
37:47Because the last time I wrote a letter to Manuel, he came from that area.
37:52Well, don't say too much because if I don't, I'll turn off the light and we both won't go to sleep.
37:56If you dare to turn off the light, I don't want to close my eyes.
37:58In the end, I'm going to end up imagining horrible things.
38:01Do you know what I'm going to do? I'm going to go down to the kitchen for a glass of milk.
38:05They say it's good for you.
38:06Do you know what I'm going to do? I'm going to go down to the kitchen for a glass of milk.
38:10They say it's good for you.
38:13Maria, I really don't think ...
38:14You shut up and obey.
38:15Because you'll agree with me that you can't spend the whole night in bed.
38:18No.
38:20Well, then you stay here quiet and I'll be right back with the glass of milk.
38:36Yes.
38:43And did you find out anything I told you?
38:47That's right.
38:49And?
38:52You were right.
38:54Really?
38:57I went to the town of Pia and visited the cemetery.
39:02His grave had the earth removed.
39:06What?
39:08I waited for it to be done at night to make the relevant checks.
39:13Did you dig his grave?
39:16No, Mrs. Narcos, I didn't dig any grave.
39:21Because when I opened the coffin, it was empty.
39:27Wow.
39:28Jesus, Maria and José.
39:32Yes, for being extravagant, everything indicates that you were right.
39:39Pia lives and will be hidden somewhere near here, probably taking care of that intruder Hanna.
39:50And what are you going to do now?
39:53Follow that maid, naturally.
39:56Find out where she goes when she leaves the palace and goes to my wife's funeral.
40:01For her I need your help.
40:04Count on it.
40:06I have already started to do my part.
40:09What do you mean?
40:11Well, yesterday I apologized to everyone for my attitude lately, but as you will understand, I only intended to lower the guard.
40:19It seems to me right.
40:22I need you to be my eyes and my ears in the promise.
40:28Count on them, Mr. Castillo.
40:30But now leave.
40:32It is convenient that no one sees you around here.
40:50Hanna.
40:54Hanna.
40:55I'm sorry, Maria.
40:56Don't you see that you're not letting me sleep in peace?
40:58I was surprised to see Petra on the garden stairs talking to Gregorio.
41:03What? Gregorio is here?
41:05Yes, I saw him with these two eyes.
41:06They were talking in the dark and those two can't get any better.
41:10But where are you going in such a hurry?
41:11To talk to Don Rámulo.
41:13But you are crazy until now.
41:15Maria, there is no time to appear, this is very serious.
41:17Maria, there is no time to appear, this is very serious.
41:20I'm coming.
41:26It will hardly be an escape.
41:28A few days away from the promise, away from all this noise.
41:30I just don't know if it's appropriate, Ignacio.
41:33I think that after everything that has happened, you and I deserve it.
41:37I just don't feel like doing a leisure trip when my daughter is hospitalized in a sanatorium.
41:42Precisely.
41:43This trip is to compensate you for so much suffering.
41:46Really?
41:47And who will compensate her?
41:50You know she can't receive visits in the first few weeks.
41:52Your suffering doesn't help her at all.
41:56Let's go far away.
41:57Let's recover energy.
41:58You will need it when they finally let you visit her.
42:02I don't know, maybe you're right.
42:05It's just that this topic is driving me crazy.
42:07It will be wonderful for you, you'll see.
42:10Let's go to the coast, near the sea.
42:13Well, it may be fine, yes.
42:16I have some friends, the men from Escañuela, Mr. Antonio and Mrs. Bárbara,
42:19they have a palace in Sanlúcar de Barrameda.
42:23I'm not in the mood.
42:24It's just a charm.
42:25They recently wrote to me and invited me to spend a few days with them.
42:29It's not far away.
42:30What do you think?
42:33I don't know, Ignacio, I have doubts about this whole thing.
42:37Cruz.
42:38Good evening.
42:39What are you doing up so late?
42:40At this time we were sleeping.
42:42I can't continue the dream.
42:44I suspect that neither do you.
42:46But you have to rest, dear.
42:48I prefer to be up.
42:50I refuse to turn around in bed.
42:52Do you want us to make you a herbal tea? Maybe that way you can reconcile the dream.
42:55No, you don't understand, Ignacio, I don't want to sleep.
42:58For nothing in the world I would like to have one of those nightmares again.
43:02Well, stay with us then.
43:10What were you talking about?
43:12Nothing important, we were making plans.
43:15What kind of plans?
43:17Little, given the current circumstances with Martina, who has just been admitted.
43:21Have you heard anything else from her?
43:23No.
43:25The truth is, no.
43:27We can't keep calling day in and day out.
43:29I already told you.
43:31Until a few days pass and the doctors see how she adapts, they won't be able to tell us anything.
43:35This is another issue that doesn't allow me to continue the dream.
43:38There were no plans.
43:40You took her from here, from the palace, at midnight, without even allowing me to do anything about it.
43:46You shouldn't have done anything, Cruz.
43:48Oh, no? Not even say goodbye to her?
43:50We did the right thing.
43:51You acted without heart and with a lot of selfishness, that's the truth.
43:55Well, enough, I'm a little tired of so much hypocrisy.
43:57You're a lynx looking at the straw in someone else's eye and not looking at the beam in Cruz's own.
44:01Don't talk to me in that tone.
44:03Well, as I've been told, you did exactly the same with your brother.
44:06In fact, you did exactly the same with your sister Eugenia on the last visit.
44:10You took her out of the palace, drunk, in the middle of the night, without letting her say goodbye to her son.
44:15My poor sister has a real disorder.
44:17She has no point of comparison.
44:19That doesn't justify how you behaved.
44:21Well, in our defense, I would say that we follow the recommendations of the specialists.
44:26They advised us to spare Martina the disgust of saying goodbye to her family.
44:30Exactly.
44:31Nothing to do with depriving Curro of a deserved farewell from his mother.
44:34Well, enough already.
44:35And stop mentioning Curro.
44:37That spoiled brat.
44:38You have no right to talk about him like that.
44:40No, yes, yes, I have the right.
44:41And do you know why?
44:43Because if it weren't for that capricious man who got between his eyebrows,
44:46going to the front,
44:47right now my son would be in La Promesa, safe and sound.
44:51What do you mean Mr. Castillo was in La Promesa?
45:05Maria Fernández saw him.
45:06When?
45:07A moment ago, he went down to the service floor for a glass of milk and saw him talking to Mrs. Petra,
45:12who were on the stairs leading to the garden.
45:14Maria Fernández is completely sure it was him.
45:18She couldn't have confused him with someone else.
45:20Mr. Baeda, it was him.
45:21And I think we should wake everyone up to see if we catch him.
45:24No.
45:25I'm sure he's already left.
45:27The same as he came in.
45:28Giving the voice to the soul,
45:29the only thing we're going to get is to put Mr. Arco on alert.
45:33Yes.
45:34Now I understand about his apologies.
45:36If he asked for forgiveness, it was to lower the guard.
45:39That's right, that's right.
45:40And he has achieved it.
45:41That man has entered a palace, it shows how exposed we are.
45:46But what are we going to do?
45:48Because it is clear that we have to continue bringing food and supplies to Mrs. Pia.
45:51Well, that's out of the question.
45:53Yes.
45:54But Mrs. Petra is watching us.
45:57And now we know who is going to tell her anything if she finds out something.
46:00We will have to be extremely careful if there is a hobbyist.
46:05They also have their point of view on me.
46:07And in fact, I'm convinced that Gregorio knows where I'm going, so ...
46:11Yes, of course.
46:12You are in grave danger.
46:14That man may be on the lookout to follow you next time.
46:18You don't have to go back to that cave.
46:21No, no, no, no.
46:22Because you are not only putting yourself in danger, you are also putting the lady in danger.
46:28And then what is the supply going to take?
46:30I don't know.
46:31Well, we have to think about it quickly.
46:33Because we are straining the rope too much and Mrs. Pia has neither water nor food.
46:37You are absolutely right.
46:40What are we going to do?
46:42For now, take a deep breath and relax.
46:44It is clear that this man is not going to do anything tonight.
46:47It is true that we have to act quickly, but it is essential to do things cautiously.
46:53I'll think about it tonight, we'll talk tomorrow.
47:13Lope.
47:15Good morning.
47:16Good morning.
47:18Can I steal your moment?
47:19Of course.
47:20What do you need?
47:22I haven't been able to get my head out of the conversation we had.
47:27And I have come to the conclusion that you are right.
47:29All the reason.
47:32That I can't go on like this and that ...
47:35I don't know.
47:37I don't know.
47:38I'm sorry.
47:40That I can't go on like this and that ...
47:42I have to face Santos.
47:44Are you serious?
47:48I was naive not to want to face him and I can't delay it any longer.
47:54I agree.
47:55I have to stop him.
47:57Because if not, all this will go further and ...
47:59And I'll end up going crazy.
48:02So ...
48:03I have decided that I will try to solve all this for good.
48:08And if Santos doesn't agree?
48:11Well ...
48:12He will have to accept my decision.
48:14And if he doesn't, Vera?
48:16And if he decides to reveal the secret of your past, what?
48:19Well then I will have to assume the consequences.
48:22If only you told me what it is about.
48:27Lope, I appreciate that you have supported me so far without knowing it and ...
48:30At the moment I prefer you to continue being like this.
48:34Okay.
48:35As you wish.
48:38You know you have me for whatever you need.
48:41You know, right?
48:44I don't know.
48:50I'm glad about that decision you're making with respect to Santos.
48:54You are being very brave, Vera.
48:57I'm really very proud of you.
49:00Well ...
49:03I wouldn't have achieved all this if it weren't for your help.
49:07In fact, I haven't achieved anything yet.
49:11But you will.
49:14You'll see.
49:20And ...
49:21If you want ...
49:24After I solve all this ...
49:27We can get back what was between us.
49:32Sure.
49:36Because I need you to breathe, Vera.
49:41But I'm very scared.
50:07You didn't have any problems with the sealer, then?
50:10I already told you no.
50:11Come on, I had tears in my eyes when I saw Marra's bracelet.
50:15You don't know how much I appreciate it.
50:17It has been a pleasure to help you, friend.
50:19You can't imagine how happy I am to know that that letter is traveling.
50:22I can't believe it.
50:23It's only a matter of time before it arrives at its destination.
50:26Well, now, with all this war, things are going slower than usual, but ...
50:30But yes.
50:31But it will arrive.
50:32You'll see.
50:33And that's what matters.
50:34God, I hear you.
50:35And when that letter reaches Curro's hands, he will know where you are
50:38and he will know that you still love him despite everything.
50:41I hope so.
50:45Uh ...
50:47One moment, uh ...
50:49Do you know his name?
50:53Curro?
50:54That's his name, right?
50:55Yes.
50:57Yes, but I haven't told you how you know his name is Curro.
51:00He must have escaped you.
51:01Otherwise, how was I supposed to know?
51:02No, no.
51:03He didn't escape me.
51:04How do you know?
51:06Maybe I read it in the envelope.
51:08When you gave it to me.
51:09To send it.
51:10Yes, I know you put Francisco, but ...
51:12Curro is a diminutive of Francisco, isn't it?
51:14Yes.
51:15And it's also Fran, and Cisco, and Paco ...
51:17How do you know it's Curro?
51:19Good luck.
51:21You'll introduce him to me, won't you?
51:24Let's continue with the walk.
51:26Is it my bracelet?
51:28No, it's mine.
51:29No, no.
51:30It's the bracelet you were going to give the jailer so he could send the letter to Curro.
51:33What are you talking about?
51:34This bracelet is mine.
51:35It's Martina's.
51:37Yes.
51:38And Martina is me.
51:39That's not true.
51:40I'm Martina.
51:41I'm Martina and Curro is my boyfriend.
51:42What?
51:43Juana, please give me the bracelet.
51:44It's mine.
51:45It's mine.
51:46It's mine.
51:47It's mine.
51:48It's mine.
51:49It's mine.
51:50It's mine.
51:51It's mine.
51:52It's mine.
51:53It's mine.
51:54It's my bracelet.
51:55It's mine.
51:56I'm Martina.
51:58You can't imagine how much I miss you, Curro.
52:00And how much I want to hug you.
52:03I pray every day that you end that war and come back safe and sound.
52:07Have you read my letter?
52:08It's my letter.
52:09No, it was an intimate letter.
52:10It was my letter.
52:11What is this game about?
52:12I don't understand it.
52:13It's my letter.
52:14Martina's letter.
52:15My bracelet.
52:16Martina's bracelet.
52:17What?
52:18Curro, my boyfriend.
52:19Martina's boyfriend.
52:20What are you doing?
52:21Are you crazy?
52:25Juana, Juana.
52:26Juana, look at me, please.
52:27Juana.
52:30Juana, please.
52:39Since Martina is recovering in the sanatorium,
52:43you and I should definitely seal our love.
52:46Are you talking about getting married?
52:49Yes.
52:50Are you rejecting a gift from me?
52:53I could accept it on one condition.
52:55And what is that condition that you want to put?
52:58That she accepts my invitation to dinner.
53:00When I call to explain what happened,
53:02they kick me out.
53:03It torments me to think about what is happening to my niece there, locked up.
53:07How did it happen that Gregorio came back here?
53:09Has he made any decision about it?
53:11He has decided that María Fernández and you will leave here.
53:15And me?
53:16What do you mean we're leaving?
53:17Where are we going?
53:18Those days you say, how many days are they?
53:20And above all, Hanna, why are we leaving?
53:23No matter how hard you try to hide it,
53:25you notice more and more that something is happening to you.
53:27Well, even if it is,
53:29I ask you, please, not to meddle.
53:31There are things that it is better not to meddle.
53:33I am offering myself to help you.
53:35Maybe it would be good for me to vent.
53:38Of course it would be good for you.
53:39It seems that there have been several attacks by the enemy
53:42in the place where Curro and Manuel were.
53:46And there are many dead.
53:50The problem is that many of them are unidentified.