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Short filmTranscript
00:00:00The phoenix and the albatross
00:00:30I'm tired of waiting
00:00:37But you still need everything a little
00:00:42You still need everything a little
00:00:47I'm tired of waiting
00:00:50I'm tired of waiting
00:01:00Welcome
00:01:10Thank you
00:01:11I need screws Some store around here
00:01:14There is one at the end of the dock Ask around here
00:01:16I would accompany you, but I'm leaving
00:01:18You should not navigate They say it will rain
00:01:25And that Italian asked us how we had met.
00:01:29And we answered in unison.
00:01:31I said, Kayseri.
00:01:33And at the same time, he said, Paris.
00:01:39And suddenly, in a very romantic way,
00:01:45he began to narrate the meeting.
00:01:49And then it was raining in Paris.
00:01:52It was raining. It was a storm.
00:01:55It rains almost every day in Paris.
00:01:58It always rains in Paris.
00:02:01Then I passed in front of a cinema.
00:02:03He loves going to the cinema.
00:02:05He likes art. You can tell at first sight.
00:02:07Of course.
00:02:08I lined up to buy a ticket and in front of me there was a girl.
00:02:16I was hypnotized by her perfume.
00:02:18Intense. Elegant.
00:02:20The most beautiful perfume I had ever smelled.
00:02:29And then I saw her.
00:02:31It was dark and she was with her back to me.
00:02:34So I didn't see her face.
00:02:37And suddenly, she turned slowly.
00:02:42We looked at each other and...
00:02:44It was Zanel.
00:02:51Zanel?
00:02:55When I looked him in the eye,
00:02:57I knew I would never be able to leave him.
00:03:12Does anyone have a question?
00:03:15The title of the book is The Phoenix and the Albatross.
00:03:18You talk a lot about the albatross, but...
00:03:20What is the story of the phoenix?
00:03:22Tell the story...
00:03:25Of the birds that must cross more than seven valleys.
00:03:28Self-esteem. Jealousy.
00:03:30Memories. Love.
00:03:33After completing these tests,
00:03:35there is only one bird surviving.
00:03:38If it manages to cross the seven valleys,
00:03:41it will be able to see the truth.
00:03:44The rest is in the novel. Thank you for coming.
00:03:47So you're the phoenix.
00:03:49Would you say you were reborn from your ashes?
00:03:52I am fire forever.
00:03:54May it not be extinguished.
00:04:01At the end of the novel, the couple gets married.
00:04:04They have three children and live happily ever after.
00:04:07Could you tell us something about this?
00:04:10Did this happen to you in real life?
00:04:16Unfortunately, life is not a fairy tale.
00:04:38Thank you all for coming. Sanem is a little tired.
00:05:01The day was excellent.
00:05:03I'm sure you loved talking to your readers.
00:05:06Yes, thank you very much.
00:05:08It was a pleasure.
00:05:10Sanem, do you want to eat before the flight?
00:05:14In fact, I prefer to be alone for a while.
00:05:17Of course, if you don't need me.
00:05:19No, no, I'm fine.
00:05:21As you wish.
00:05:23Very well.
00:05:24See you at the airport in four hours.
00:05:26Very well.
00:05:36I'm burning.
00:05:39My ice is melting.
00:05:41Love.
00:05:46My heart is falling.
00:05:48I can't hold it.
00:05:50I'm afraid.
00:05:52When your eyes hit me.
00:05:58Alev alev.
00:06:00I'm burning.
00:06:03My ice is melting.
00:06:06Love.
00:06:10My heart is falling.
00:06:12I can't hold it.
00:06:15I'm afraid.
00:06:17When your eyes hit me.
00:06:22If only we hadn't been late for each other for a few years.
00:06:28The bad king.
00:06:30If only we hadn't been tired after the wrong ones.
00:06:38If only we hadn't been late for each other for a few years.
00:06:46If only we hadn't been tired after the wrong ones.
00:06:54Alev alev.
00:06:56I'm burning.
00:06:58My heart is falling.
00:07:02I can't hold it.
00:07:04I'm afraid.
00:07:06When your eyes hit me.
00:07:10I'm burning.
00:07:12My heart is falling.
00:07:14I can't hold it.
00:07:16I'm afraid.
00:07:18When your eyes hit me.
00:07:22If only we hadn't been late for each other for a few years.
00:07:29Oh baby.
00:07:32Whatever you do, do it.
00:07:50If only we hadn't been late for each other for a few years.
00:07:58If only we hadn't been tired after the wrong ones.
00:08:06If only we hadn't been late for each other for a few years.
00:08:14If only we hadn't been tired after the wrong ones.
00:08:21Alev alev.
00:08:23I'm burning.
00:08:25My heart is falling.
00:08:29I can't hold it.
00:08:31I'm afraid.
00:08:33When your eyes hit me.
00:08:38I'm burning.
00:08:42My heart is falling.
00:08:44I can't hold it.
00:08:46I'm afraid.
00:08:49Whatever you do, do it.
00:08:55I'm burning.
00:09:00My heart is falling.
00:09:26Hello, Zanem.
00:09:28I saw her.
00:09:30Her shadow.
00:09:32I know I saw her.
00:09:34I'm going crazy.
00:09:36I don't know what's wrong with me.
00:09:38Denise, help me, please.
00:09:40Calm down first.
00:09:42What do we do when we're like this?
00:09:45Inhale, exhale.
00:09:47Breathe deep, Zanem.
00:09:49Tell me what happened.
00:09:51Tell me what happened.
00:09:55I don't know if what happened was real.
00:09:58I don't know what to think.
00:10:00It was raining a lot.
00:10:03And I went to watch a movie.
00:10:05And he was there.
00:10:08What was he doing inside?
00:10:11I'm sure I saw his shadow.
00:10:14But are you sure you didn't imagine it?
00:10:17Denise, what kind of therapist are you?
00:10:19Why do you think I would invent it?
00:10:21It wasn't my intention to say that.
00:10:23But sometimes your imagination can deceive you with this.
00:10:28Are you sure about that, Zanem?
00:10:30No.
00:10:31No.
00:10:32I know I saw him.
00:10:34This time I saw his shadow.
00:10:36It was his shadow, Denise.
00:10:38But what do you mean his shadow?
00:10:40Like a ghost?
00:10:41Whatever, Zanem.
00:10:42It doesn't matter.
00:10:43You must protect your emotions, what you feel for him.
00:10:46What matters is your feelings.
00:10:50I promised myself I wouldn't feel like that again.
00:10:53For him.
00:10:56For a man like him.
00:10:58I swore to myself.
00:11:01That I wouldn't cry again.
00:11:03He's the one who burned my notebook, who left me and turned my life into hell.
00:11:07I know.
00:11:08That's it, Zanem.
00:11:09What you say is true.
00:11:10You don't have to cry for him anymore.
00:11:12You've suffered enough.
00:11:13It was enough.
00:11:15He'll be fine.
00:11:16Yes.
00:11:17He'll be fine.
00:11:19It was my imagination.
00:11:25By the way, during my presentation...
00:11:29I had a strange feeling.
00:11:31Strange?
00:11:32Did you dream about him again?
00:11:34Yes.
00:11:38We were on the beach.
00:11:40With our three children playing in the sand.
00:11:45The children were almost the same age.
00:11:49They were all happy.
00:11:53One was a blond boy.
00:11:55An adventurer with a lot of energy.
00:11:58The girl had brown hair, just like me.
00:12:03She was reading.
00:12:06She had an imaginary friend.
00:12:08And she was more introverted.
00:12:10And there was another girl.
00:12:12A beautiful and happy girl.
00:12:15With curly hair.
00:12:17Blue eyes and very smiling.
00:12:22We were very happy.
00:12:24The five of us were so happy.
00:12:27We were happy together.
00:12:30I don't know why I'm telling you this.
00:12:38I feel better now.
00:12:42Have you taken your pills, Sanem?
00:12:44Are you sure you're okay?
00:12:46Is Yigit with you?
00:12:48No, I'm going to see him at the airport.
00:12:51When I get home...
00:12:53I'll be fine.
00:12:55Okay, honey. See you soon.
00:12:57See you later.
00:13:05Sanem.
00:13:07Here.
00:13:08You'll like it.
00:13:12Honey, do you miss your mother?
00:13:14Do you want me to call Medkib?
00:13:16No.
00:13:17I feel the control of my mother and my sister.
00:13:19They don't let me breathe.
00:13:21A mother doesn't want to see her daughter sick.
00:13:24So I understand Medkib.
00:13:26The doctors recommend being in contact with nature.
00:13:28It's for the best.
00:13:30If you went back to your neighborhood, you'd be more stressed.
00:13:32Am I wrong?
00:13:34If I go back home, would you come with me?
00:13:36Of course.
00:13:37You know I'm not going to leave you.
00:13:39Besides, we're both just as crazy.
00:13:41It's the truth.
00:13:43Besides, I think you're very lucky to have a psychologist as crazy as you.
00:13:46Don't you think?
00:13:48It's true.
00:13:50Um...
00:13:52Do you want to face your fears?
00:13:54No, I can't right now.
00:13:56I feel like I'm not ready to do it yet.
00:13:58Okay, then...
00:14:00We'll do it step by step.
00:14:04It'll be when you're ready.
00:14:06Don't worry.
00:14:07You'll see that all the problems will be solved, Sanem.
00:14:10The coffee is very good.
00:14:12I'm glad you liked it.
00:14:14Of course, J.J.
00:14:15You're a master in advertising.
00:14:16I have no doubt about that.
00:14:17Yes, but don't think...
00:14:18What a talent!
00:14:19We want people to understand the campaign.
00:14:22We're not looking for anything else.
00:14:23Besides, my ideas are great.
00:14:25You know me.
00:14:26Yes, of course.
00:14:27You're the best at this, J.J.
00:14:29My final touch will be perfect.
00:14:30Perfect, really.
00:14:31Good evening.
00:14:32I know we're late, but we bring you good news.
00:14:35Yes.
00:14:36Sanem.
00:14:37J.J.
00:14:38Dennis.
00:14:39J.J.
00:14:40Josephine.
00:14:41St. Jis.
00:14:44Very good.
00:14:45Do we count to three, or do we say it like this?
00:14:47Like this.
00:14:48Directly.
00:14:49It's best if we don't make them wait.
00:14:50We got the agency's rights!
00:14:52Here it is!
00:14:53Fee Crearica.
00:14:54Thank you, Sanem.
00:14:59Sanem, without your help, we would never have been able to do this.
00:15:02And without your financial help, neither.
00:15:04Of course, it would have been impossible.
00:15:06Fee Crearica.
00:15:07That's right.
00:15:08Your help was important, but it wasn't enough.
00:15:10Thank goodness you had the money to pay Luz,
00:15:12but since I didn't pay her, they cut her off.
00:15:14But that doesn't matter anymore.
00:15:16Why?
00:15:17Because what matters here are the businesses,
00:15:18and I also contributed as a shareholder.
00:15:20I have 1%, St. Jis has another,
00:15:22and you have...
00:15:23You have 98%.
00:15:25Great, but please don't insist.
00:15:27You guys take care of the agency.
00:15:29Why do you say that?
00:15:30I think it's an excellent idea,
00:15:32and it will help you to be busy with something.
00:15:34Tomorrow I plan to go with Bulut to some yoga classes.
00:15:37It will be great to work with them while I'm away.
00:15:40Of course.
00:15:41Yoga isn't bad at all.
00:15:42If I could, I would go too.
00:15:44It wouldn't be inconvenient, really.
00:15:46But work is more important.
00:15:48This is a unique opportunity.
00:15:51I already told you I'm not interested.
00:15:53I don't want to.
00:15:54You guys take care if you want to.
00:15:55So what do we tell her?
00:15:56Calmly.
00:15:57Don't stress her out.
00:15:58Calmly.
00:15:59Yes, Sanem.
00:16:00She's very delicate.
00:16:01Sanem, there's something else you should know.
00:16:03Let me sit.
00:16:04Come here.
00:16:05Step aside.
00:16:06Step aside.
00:16:07You see, you just have to put a signature here.
00:16:10There are a couple of signatures where you say Sanem Aidin.
00:16:13Of course, to formalize the purchase of the rights,
00:16:16they asked us for an address and we put the address of your house.
00:16:19And there's one more detail left.
00:16:21It's not that important,
00:16:23but we need an office for the agency.
00:16:26There's a lot of space here.
00:16:27Yes, I know.
00:16:28But it can't be just any office.
00:16:29It has to be something formal.
00:16:31Of course.
00:16:32Okay, fine.
00:16:33There's a cabin back there.
00:16:34Use it.
00:16:35The cabin back there?
00:16:36But what are you saying?
00:16:37The cabin doesn't represent the image we want to give to the company.
00:16:40We'll work in the house.
00:16:41In fact, I'm thinking that in the windows,
00:16:43we'll make the rain of ideas and nature will be our source of creative inspiration.
00:16:47What do you think?
00:16:48All right?
00:16:49Yes, Sanem.
00:16:50Imagine that a client comes to see us.
00:16:51What do you say?
00:16:52How are we going to receive a client there?
00:16:53Sanem, what do you say?
00:16:54Go to the cabin.
00:16:55There we can have it.
00:16:56The house is a more presentable place than the cabin.
00:16:59Yes, it will look much more beautiful.
00:17:00It has more presence.
00:17:01It's fine.
00:17:02Yes.
00:17:03Seriously, Sanem?
00:17:04It's serious.
00:17:05Very good.
00:17:06Yes, I agree.
00:17:07I have to take the papers with the notary.
00:17:08Yes, he already signed me.
00:17:09Hey, and you?
00:17:10Don't get tired of it.
00:17:11It's fine.
00:17:12It's fine.
00:17:13I love your ideas.
00:17:14But I can't think of anything.
00:17:15And where are we going to hang this?
00:17:17We're going to look for a place that...
00:17:18It's a good idea.
00:17:19You're the best.
00:17:20Everything will be fine.
00:17:21I don't think I'm the only crazy one.
00:17:23What do you think of this place?
00:17:25If you like it, I love it.
00:17:32I love it.
00:17:33I love it.
00:17:34I love it.
00:17:35I love it.
00:17:36I love it.
00:17:37I love it.
00:17:38I love it.
00:17:39I love it.
00:17:40I love it.
00:17:41I love it.
00:17:42I love it.
00:17:43I love it.
00:17:44I love it.
00:17:45I love it.
00:17:46I love it.
00:17:47I love it.
00:17:48I love it.
00:17:49I love it.
00:17:50I love it.
00:17:51I love it.
00:17:52I love it.
00:17:53I love it.
00:17:54I love it.
00:17:55I love it.
00:17:56I love it.
00:17:57I love it.
00:17:58I love it.
00:17:59I love it.
00:18:00I love it.
00:18:01I love it.
00:18:02I love it.
00:18:03I love it.
00:18:04I love it.
00:18:05I love it.
00:18:06I love it.
00:18:07I love it.
00:18:08I love it.
00:18:09I love it.
00:18:10I love it.
00:18:11I love it.
00:18:12I love it.
00:18:13I love it.
00:18:14I love it.
00:18:15I love it.
00:18:16I love it.
00:18:17I love it.
00:18:18I love it.
00:18:19I love it.
00:18:20I love it.
00:18:21I love it.
00:18:22I love it.
00:18:23I love it.
00:18:24I love it.
00:18:25I love it.
00:18:26I love it.
00:18:27I love it.
00:18:28I love it.
00:18:29I love it.
00:18:30I love it.
00:18:31I love it.
00:18:32I love it.
00:18:33I love it.
00:18:34I love it.
00:18:35I love it.
00:18:36I love it.
00:18:37I love it.
00:18:38I love it.
00:18:39I love it.
00:18:40I love it.
00:18:41I love it.
00:18:42I love it.
00:18:43I love it.
00:18:44I love it.
00:18:45I love it.
00:18:46I love it.
00:18:47I love it.
00:18:48I love it.
00:18:49I love it.
00:18:50I love it.
00:18:51I love it.
00:18:52I love it.
00:18:53I love it.
00:18:54I love it.
00:18:55I love it.
00:18:56I love it.
00:18:57I love it.
00:18:58For Albatross, he left me, wrecked my dreams and burned my pages.
00:19:28It didn't work out, it didn't work out again
00:19:32I was fooled by the smiles, I thought you were mine
00:19:38It didn't work out, it didn't work out again
00:19:58It didn't work out, it didn't work out again
00:20:22I don't get tired of looking at the sign, it's a piece of art. I love the sign!
00:20:26It's the most beautiful thing I've ever seen!
00:20:27Don't you like it?
00:20:28Fi criarica!
00:20:29Huh?
00:20:29Yes!
00:20:30Yes!
00:20:30Tell me...
00:20:31What?
00:20:33You also heard Deren's voice, right?
00:20:35Pass me the olives, Yeye.
00:20:37I thought I heard Deren's voice.
00:20:38By the way, I thought you wouldn't be able to sleep
00:20:40if you didn't hug your adorable sign.
00:20:43Don't remind me of it, Amiensita.
00:20:45Don't do it, I beg you!
00:20:46I've spent the night watching him.
00:20:48He took the sign and there was no way I would let him go.
00:20:51Besides, I spent the night reciting the story of Fi criarica!
00:20:54I already know it by heart!
00:20:55That's unbearable!
00:20:57Foundation!
00:20:58May 25, 1970, at 9.30.
00:21:02Ooh, great.
00:21:03I told you.
00:21:06Ah!
00:21:06A sign of Fi criarica!
00:21:09Where are you all?
00:21:11Yeye!
00:21:13Oh, this is full of mud, for God's sake!
00:21:15Yeye!
00:21:17Is that Deren?
00:21:20Incredible!
00:21:20He invoked her and she appeared!
00:21:24Hi, Deren!
00:21:25Yeye!
00:21:26What happened to you, Deren?
00:21:28Yeye!
00:21:29I'm fine, I just had a little accident.
00:21:31Nice to see you.
00:21:35Sanem!
00:21:35Nice to see you.
00:21:37Hi, Deren.
00:21:38I'm all muddy, forgive me.
00:21:41Well, then, this is the plan, right?
00:21:43We're going to open here, Fi criarica,
00:21:46in the middle of the field.
00:21:47You think so?
00:21:49Yes.
00:21:50Well...
00:21:51Yeye, you could have told me this over the phone.
00:21:54If I had known, I would have come dressed for the occasion.
00:21:57So, it's your fault.
00:21:58I'm late for my first day of work,
00:22:01and that's something I'm not used to.
00:22:04Listen to me, Deren.
00:22:05Technically, you're not late,
00:22:06because we're still in the opening process,
00:22:08and there may be some problems.
00:22:10Now it's as if we were a baby learning to crawl.
00:22:12You're right.
00:22:13It's a very good analogy,
00:22:14and I have to ask you something, Muzafer.
00:22:17What do you have to do with the company,
00:22:18which wasn't just yours?
00:22:21Actually...
00:22:23Muzafer is a shareholder and a partner of the company.
00:22:25In fact, the three of us are shareholders.
00:22:27We are Fi criarica.
00:22:31Actually, I'm not an active partner.
00:22:33I'm not interested in this.
00:22:34I'll serve you something to eat
00:22:35while you digest the good news.
00:22:39Well, he hasn't made a final decision.
00:22:41He's still thinking about it.
00:22:42Very good.
00:22:54Oh, why is he still calling me?
00:22:56I can't concentrate and work much less.
00:23:04Hi, Mom.
00:23:05Ah!
00:23:06Hi!
00:23:07Sweetie, how are you?
00:23:09I'm fine, and you?
00:23:10Here in the store with your mother.
00:23:12What are you doing?
00:23:13What am I doing?
00:23:14Well, what else?
00:23:15My sister calls me all the time.
00:23:17She always does.
00:23:18I'm trying to work, but I can't.
00:23:21Zanem, tell me the truth.
00:23:23Are you taking your vitamins?
00:23:25Don't forget the lemon water.
00:23:27Let's see.
00:23:27Come closer to the phone.
00:23:29You're pale.
00:23:30I'm fine.
00:23:32Mom, I'm fine.
00:23:33Oh, and the doctor said you'd be fine with fresh air,
00:23:36but being here wouldn't leave you alone.
00:23:38Don't say that, Mevkiveh.
00:23:39Leave her alone, please.
00:23:41Just seeing her makes me happy.
00:23:43Oh, Zanem.
00:23:44Sometimes I think you miss the neighborhood.
00:23:46Look.
00:23:46Oh, yes, yes.
00:23:47I'm going to show you.
00:23:52Dad, listen.
00:23:53I have to go to work.
00:23:55Could we talk later, please?
00:23:57I'll call you later.
00:24:00See you.
00:24:01Oh, oh.
00:24:03I think she hung up on us.
00:24:05Oh.
00:24:06At least we saw her and heard her voice.
00:24:10No, I can't.
00:24:22Zanem!
00:24:26Mrs. Remede.
00:24:27Zanem!
00:24:36Welcome.
00:24:37How are you?
00:24:38Mrs. Remede.
00:24:39I'm fine, thank you.
00:24:41How are you?
00:24:42I'm fine, thank you.
00:24:45Mrs. Aziz.
00:24:46Hello, Zanem.
00:24:47How are you?
00:24:48I'm fine, thank you.
00:24:50Hello, Zanem.
00:24:52Remede and Emre have told me a lot about you.
00:24:55They told me how you went from being an enthusiastic
00:24:59trainee writer at the company,
00:25:01and how you later started a successful career as a writer.
00:25:04I wanted to congratulate you in person.
00:25:06What you've achieved has been incredible.
00:25:08Congratulations.
00:25:15Zanem!
00:25:16Zanem!
00:25:18Your hand!
00:25:19Thank you very much, Mr. Aziz.
00:25:21I appreciate your words.
00:25:22You're welcome, Zanem.
00:25:26Very good.
00:25:27Yes, Zanem.
00:25:29You have to sign this, please.
00:25:31Here, Zanem, under your name.
00:25:33The purchase process is important,
00:25:35and we still have things to do.
00:25:37That's it.
00:25:39Perfect.
00:25:40Good.
00:25:41We have reached an agreement that benefits all parties,
00:25:44as is reflected in writing in this precise contract,
00:25:46and the distribution of shares is as follows.
00:25:49I...
00:25:50I have 1%,
00:25:52and Muzafer also has 1%.
00:25:5549% for Zanem,
00:25:57and 49% for him.
00:26:02I hope you have no problems, Zanem.
00:26:05I would like to be a partner in my old company.
00:26:08I learned that you will be the owners,
00:26:10and I would also like to be part of this project.
00:26:16Of course, sir.
00:26:17The agency will always be yours.
00:26:19You invested a lot of time.
00:26:21Although now it's just an empty place,
00:26:23it's a fact that it could be the agency it was before.
00:26:25That's nothing.
00:26:27You should have seen the first day of the company 40 years ago.
00:26:30It's much better.
00:26:31Besides, you have the advantage of having an expert partner.
00:26:37I don't want to get involved.
00:26:40Right now, I have a lot to think about.
00:26:43I need to focus on other things.
00:26:46Yayaya insisted that I buy it,
00:26:48and I couldn't say no.
00:26:51Don't worry, Zanem.
00:26:52It's not like she wants to grow up quickly.
00:26:54Besides, she's gone.
00:26:57That's not a problem.
00:26:59I just want to support my friends.
00:27:02When we have everything organized,
00:27:04we can move to another place.
00:27:08It's Yan.
00:27:09She sent me a message.
00:27:11I'm sorry, but I have to go for a walk.
00:27:16Changus.
00:27:21I'll send you the address.
00:27:22Very well.
00:27:23Yes.
00:27:24Yes.
00:28:17I'm sorry.
00:28:18I'm sorry.
00:28:19I'm sorry.
00:28:20I'm sorry.
00:28:21I'm sorry.
00:28:22I'm sorry.
00:28:23I'm sorry.
00:28:24I'm sorry.
00:28:25I'm sorry.
00:28:26I'm sorry.
00:28:27I'm sorry.
00:28:28I'm sorry.
00:28:29I'm sorry.
00:28:30I'm sorry.
00:28:31I'm sorry.
00:28:32I'm sorry.
00:28:33I'm sorry.
00:28:34I'm sorry.
00:28:35I'm sorry.
00:28:36I'm sorry.
00:28:37I'm sorry.
00:28:38I'm sorry.
00:28:39I'm sorry.
00:28:40I'm sorry.
00:28:41I'm sorry.
00:28:42I'm sorry.
00:28:43I'm sorry.
00:28:44I'm sorry.
00:28:45I'm sorry.
00:28:46I'm sorry.
00:28:47I'm sorry.
00:28:48I'm sorry.
00:28:49I'm sorry.
00:28:50I'm sorry.
00:28:51I'm sorry.
00:28:52I'm sorry.
00:28:53I'm sorry.
00:28:54I'm sorry.
00:28:55I'm sorry.
00:28:56I'm sorry.
00:28:57I'm sorry.
00:28:58I'm sorry.
00:28:59I'm sorry.
00:29:00I'm sorry.
00:29:01I'm sorry.
00:29:02I'm sorry.
00:29:03I'm sorry.
00:29:04I'm sorry.
00:29:05I'm sorry.
00:29:06I'm sorry.
00:29:07I'm sorry.
00:29:08I'm sorry.
00:29:09I'm sorry.
00:29:10I'm sorry.
00:29:11I'm sorry.
00:29:12I'm sorry.
00:29:13I'm sorry.
00:29:14I'm sorry.
00:29:15I'm sorry.
00:29:16I'm sorry.
00:29:17I'm sorry.
00:29:18I'm sorry.
00:29:19I'm sorry.
00:29:20I'm sorry.
00:29:21I'm sorry.
00:29:22I'm sorry.
00:29:23I'm sorry.
00:29:24I'm sorry.
00:29:25I'm sorry.
00:29:26I'm sorry.
00:29:27I'm sorry.
00:29:28I'm sorry.
00:29:29I'm sorry.
00:29:30I'm sorry.
00:29:31I'm sorry.
00:29:32I'm sorry.
00:29:33I'm sorry.
00:29:34I'm sorry.
00:29:35I'm sorry.
00:29:36I'm sorry.
00:29:37I'm sorry.
00:29:38I'm sorry.
00:29:39I'm sorry.
00:29:40I'm sorry.
00:29:41I'm sorry.
00:29:42I'm sorry.
00:29:43I'm sorry.
00:29:44I'm sorry.
00:29:45I'm sorry.
00:29:46I'm sorry.
00:29:47I'm sorry.
00:29:48I'm sorry.
00:29:49I'm sorry.
00:29:50I'm sorry.
00:29:51I'm sorry.
00:29:52I'm sorry.
00:29:53I'm sorry.
00:29:54I'm sorry.
00:29:55I'm sorry.
00:29:56I'm sorry.
00:29:57I'm sorry.
00:29:58I'm sorry.
00:29:59I'm sorry.
00:30:00I'm sorry.
00:30:01I'm sorry.
00:30:02I'm sorry.
00:30:03I'm sorry.
00:30:04I'm sorry.
00:30:05I'm sorry.
00:30:06I'm sorry.
00:30:07I'm sorry.
00:30:08I'm sorry.
00:30:09I'm sorry.
00:30:10I'm sorry.
00:30:11I'm sorry.
00:30:13What are you doing here?
00:30:28Why did you come back?
00:30:33You said you were going.
00:30:36Go.
00:30:38You're not real.
00:30:44Did you know?
00:30:53What?
00:30:55That you were here.
00:31:02¿Por qué?
00:31:07No lo sabías.
00:31:24Pues, olvida que estoy aquí.
00:31:32Puedes irte de nuevo.
00:31:55No creo.
00:31:56Sí, ahí está.
00:31:58Ahí está.
00:32:02Zanem...
00:32:05Tengo que decirte algo.
00:32:06Tal vez no sea el momento,
00:32:07pero tengo que decírtelo.
00:32:08Regresó Yandivit.
00:32:12Cállate.
00:32:13¿Cómo se lo dices de esa forma?
00:32:14Porque tú jamás lo ibas a mencionar.
00:32:16Ya lo sé.
00:32:18¿Ya lo sabes?
00:32:19¿Cómo?
00:32:20Lo vi hace un rato, cuando se iba.
00:32:23Y espero que no vuelva.
00:32:27Muzafer, ve con Zanem.
00:32:28Intenta ayudarla.
00:32:29Yo buscaré a Yan.
00:32:30Sí, yo me encargo de Zanem.
00:32:32Ve tú.
00:32:33Dime, Muzafer, te dije que estoy bien.
00:32:34Sí, pero es que...
00:32:35¿Qué pasó?
00:32:37El señor así se sintió muy mal de repente.
00:32:39Le faltaba el aire.
00:32:41No podía respirar.
00:32:42No sabemos si le quería dar un infarto o algo parecido.
00:32:45Tampoco está tan mal.
00:32:46Ya se encuentra un poco mejor.
00:32:48Estoy bien, estoy bien, Zanem.
00:32:50Tranquila.
00:32:51Creo que estoy un poco cansado.
00:32:54Es la edad.
00:32:55Sí, eso es lo que pasa cuando uno está viejito.
00:32:57Los años no pasan en balde, por eso se siente así.
00:33:00Bueno, yo ya me voy.
00:33:01Y dígale a Yeyey que no llegue tarde porque no me gusta calentar tres veces la cena.
00:33:06Le diría que con los años uno se acostumbra a él, pero sigo sin entenderlo.
00:33:10Es verdad.
00:33:13Yo tengo que ir a trabajar porque no he podido escribir nada en todo el día, pero cualquier cosa puede llamarme.
00:33:18Tú eres mi mejor medicina.
00:33:20Gracias.
00:33:22Hasta yo me la creí.
00:33:24Sí, lo está haciendo muy bien, pero debe actuar más enfermo.
00:33:42Mi padre se puso mal.
00:33:45Ya se siente mejor.
00:33:46Está en la sala.
00:33:54Mi padre quería agua.
00:34:25¿Es la calma antes de la tormenta?
00:34:28¿O ya no hay nada de qué hablar?
00:34:31No tengo palabras.
00:34:33Estoy cansada.
00:34:35No puedo hablar.
00:34:37¿Y tú?
00:34:39¿Y tú?
00:34:41¿Y tú?
00:34:43¿Y tú?
00:34:45¿Y tú?
00:34:47¿Y tú?
00:34:49¿Y tú?
00:34:52Estoy cansada.
00:34:54No puedo más.
00:34:55No me creíste.
00:34:57No soy nada sin ti.
00:35:00Solo soy una sombra de lo que fui.
00:35:02Tú me abandonaste.
00:35:04No soy nada sin ti.
00:35:06Soy solo una sombra de lo que fui.
00:35:09Se terminó.
00:35:11No puedo volver.
00:35:13Se acabó.
00:35:15No puedo volver con él.
00:35:21No puedo volver con él.
00:35:34¿Cómo estás, señor Aziz?
00:35:36Estoy mucho mejor.
00:35:38El doctor me dijo que tal vez podría pasarme algo así.
00:35:42Lamento dar tantas molestias a Nemo.
00:35:45No diga eso.
00:35:46Déjeme arreglarle la almohada.
00:35:49Ya verá que con este té se sentirá mucho mejor, señor.
00:35:52Muchas gracias, Sanem.
00:35:56Huele muy bien.
00:35:58¿De qué es el té?
00:35:59Es mi receta especial.
00:36:01De tomillo silvestre.
00:36:02Lo recojo yo misma.
00:36:03Es exactamente lo que me recomendó el doctor.
00:36:06Naturaleza, aire fresco.
00:36:09De hecho, estoy muy cansado de estar en el hotel.
00:36:12¿Crees que pueda rentar algún lugar por aquí que no esté muy lejos?
00:36:16No quiero hacer una molestia, Sanem.
00:36:25Usted no se irá de aquí hasta que se sienta mejor.
00:36:28Así que concéntrese en recuperarse y luego platicamos de eso.
00:36:32Gracias, cariño.
00:36:33Yan, si quieres, puedes quedarte.
00:36:36Si Sanem acepta, por supuesto.
00:36:40Prefiero quedarme en el barco, papá.
00:36:42Si necesitas algo, llámame y vendré de inmediato.
00:36:46Quiero decirte una cosa, Sanem.
00:36:49Desde el primer momento que te vi en la oficina,
00:36:52supe que eras una persona muy especial.
00:36:55Muchas gracias por todo.
00:36:57Le hará bien descansar.
00:37:40¿Hermano?
00:37:41Hermana.
00:37:42Hola, Sanem. ¿Estás bien?
00:37:43Yan está aquí.
00:37:44¿Dónde estás?
00:37:45En el barco, cerca de la casa de Sanem.
00:37:47¿Cómo que cerca de la casa de Sanem?
00:37:48¿Qué?
00:37:49¿Y qué haces ahí?
00:37:50No puede ser.
00:37:51¿Yan?
00:37:52¿Por qué?
00:37:53Me olvidó. No me hace caso.
00:37:55Ni siquiera me mira.
00:37:56No me hace caso.
00:37:58Ni me mira. Me olvidó.
00:38:00No quiero quedarme aquí ni un minuto más.
00:38:02Pues entonces vete, hermano.
00:38:04No quiero que se quede aquí ni un minuto más.
00:38:07Pues entonces dile que se vaya.
00:38:09No puedo irme. Papá está aquí.
00:38:11No se puede ir. Su padre está aquí.
00:38:13¿Su padre está en tu casa?
00:38:14¿Papá?
00:38:15Mira, no entiendo nada.
00:38:17Estoy comiendo con unos amigos. En cuanto acabe, iré para allá.
00:38:19Sanem, en un rato llego a tu casa. ¿De acuerdo?
00:38:32Sanem.
00:38:33Hermana, ¿cómo estás?
00:38:38Bien. Intentando tranquilizarme.
00:38:41Aunque algunas veces se me olvida respirar.
00:38:44Claro, respira.
00:38:48¿Es el barco de Yan?
00:38:51¿Quieres que lo hunda?
00:38:53Tal vez. Lo he pensado, pero...
00:38:56Si hundimos el barco, se quedará más tiempo aquí.
00:39:00Cierto.
00:39:05¿Lo viste?
00:39:06Sí, lo vi.
00:39:08Parece un hombre de las cavernas.
00:39:10Todo un pirata.
00:39:12Ya sé. Todo ese cabello, la barba larga, se ve terrible.
00:39:16No estoy segura.
00:39:22Hermana.
00:39:26Mira, no creo que sea bueno para ti que estés aquí.
00:39:30Le diré a Emre que encuentre otra solución.
00:39:32Ahora no es posible.
00:39:35El señor Aziz no puede moverse. Necesita reposo.
00:39:40Hay una casa preciosa vacía al otro lado de la bahía.
00:39:43¿Se pueden quedar ahí?
00:39:44Lo entenderán perfectamente, te lo aseguro.
00:39:47Está muy cerca, así el señor Aziz podría recuperarse.
00:39:50Y no tendrás que ver a Yan.
00:39:51Es de la señora Mirivan. Tendríamos que preguntárselo.
00:39:54Dile que son tus invitados y verás como te dice que sí enseguida.
00:39:58Todo sucedió muy rápido.
00:40:01Ni siquiera siento el cuerpo. Nada.
00:40:05Todo el día estoy temblando.
00:40:07Dijo que no vino por mí, está aquí por su padre.
00:40:11Eso está bien.
00:40:13Deja que se vaya.
00:40:15Sí, ese hombre te destrozó la vida.
00:40:18Zanem, recuerda que estoy aquí contigo.
00:40:22Pase lo que pase, nunca se te olvide.
00:40:26Ven.
00:40:28Perdona.
00:40:39Mi amor.
00:40:40Amor.
00:40:44Zanem, ¿estás bien?
00:40:47¿Qué te pasa?
00:40:48Mi madre, siempre igual.
00:40:50Ven, vamos a ver a mi padre.
00:40:54Estando en Cuba, aprendí a bailar salsa.
00:40:57Tranquilo, cuando me recupere te enseñaré.
00:41:01¿Papá?
00:41:02Mira quién está aquí.
00:41:03Qué sorpresa, no puedo creerlo.
00:41:05Pues vaya, qué alegría verte.
00:41:07Pero si es mi Leila, mi niña hermosa.
00:41:09Hola, señor Aziz, ¿cómo está?
00:41:11¿Cómo que señor Aziz, hija?
00:41:13Por Dios, me quedan solo cuatro días de vida.
00:41:16¿Y no me quieres llamar papá?
00:41:18De acuerdo, como quieras.
00:41:19No quiero que te sientas obligada.
00:41:21Ay, pero no digas esas cosas.
00:41:23Claro que quiero llamarte papá.
00:41:25Hija pequeña mía, mi Leila bonita.
00:41:31Emre, este regalo es lo mejor que me pudiste dar.
00:41:34Estoy muy feliz.
00:41:35Gracias.
00:41:37Yan, tendrás que encontrar un amor como el de tu hermano.
00:41:42Oye, ¿qué ocurrió con esa chica que me contaste por teléfono?
00:41:45La chica que habías buscado por todo el mundo y que encontraste en Estambul.
00:41:49Ah, hijos míos, solo tengo una cosa segura en la vida.
00:41:54Cuando uno encuentra el amor, no debe dejarlo escapar.
00:41:57Hay que cuidarlo y luchar por él.
00:42:00Yan, recuérdame cómo se llamaba tu gran amor.
00:42:19¿Sanem?
00:42:49¿A qué veniste?
00:42:50¿Quieres arruinar mi vida?
00:42:53Ya me rompiste el corazón y te fuiste.
00:42:55Sanem no existe, no queda nada de ella.
00:42:57¿Qué más quieres de mí?
00:42:59Fuiste tú quien no confió en mí.
00:43:01Me acusaste de quemar tu libreta.
00:43:04¿Cómo creíste eso?
00:43:06Me sentí herido.
00:43:08Entonces deberías decirme quién lo quemó.
00:43:10¿Yigit?
00:43:12¿Pretendes que crea que quemó lo que iba a publicar?
00:43:14¿Por eso lo empujaste?
00:43:19Vivo torturado por el daño que le causé, Sanem.
00:43:23Llevo un año con ese peso sobre mi conciencia.
00:43:26Y sé que nada puede justificar lo que hice.
00:43:30Es un mentiroso.
00:43:32Pero aún así tú le crees.
00:43:34¿Por qué te fuiste si eres inocente?
00:43:37Tú me lo pediste.
00:43:38Pues pudiste haberte quedado.
00:43:41Aunque te pedí que te fueras, traté de llamarte.
00:43:44No sabía si estabas vivo o muerto, pero en cambio tú no me llamaste ni una sola vez.
00:43:48Porque estoy muerto.
00:43:54El amor me convirtió en un hombre horrible.
00:43:57Celoso, iracundo y violento.
00:44:03Yan murió.
00:44:04Yo lo maté.
00:44:09Ya olvídalo.
00:44:14Yo lo olvidé.
00:44:19Pero lo pagué muy caro.
00:44:23Cuando conviertes a un hombre en el centro de tu vida, te derrumbas cuando desaparece.
00:44:29Cuando te fuiste, mi vida se hundió sin remedio.
00:44:35Nos iremos esta noche.
00:44:41Tu padre debería descansar, le gusta estar aquí.
00:44:45Y puede quedarse todo lo que quiera.
00:44:48No.
00:44:58Mevki, ve, que bien cocinas, de verdad todo está delicioso.
00:45:02Muchas gracias.
00:45:04Yan no quería venir.
00:45:07Dijo que estaba lleno, pero como insistí tanto, al final vino.
00:45:10Buen provecho.
00:45:12Todo te quedó delicioso.
00:45:13Muchas gracias, Nihat.
00:45:15Cada día cocinas mejor.
00:45:16Gracias, hijo, que lo disfrutes.
00:45:17Todo está estupendo.
00:45:18Buen provecho, mi vida.
00:45:20Te quedo como nunca.
00:45:21Qué bueno, hija.
00:45:23Estas dolmas están exquisitas. Gracias, Mevki, ve.
00:45:26Bueno, todos me han agradecido por haber preparado la comida, así que ahora a callar y a comer.
00:45:35No quería ser desagradable.
00:45:38No te preocupes, Mevki, ve.
00:45:40Al fin y al cabo, es algo que forma parte de nuestra tradición.
00:45:44Honestamente, extrañaba mucho la comida casera.
00:45:49Yo también extrañé la comida.
00:45:52No lo digas a la ligera.
00:45:54Extrañar a alguien implica que anhelas algo que no puedes tener.
00:45:58Algo prácticamente inalcanzable, imposible.
00:46:01Referente a la comida, no dice nada.
00:46:09Oye, Sanem.
00:46:11Jan, solo quería enfatizar lo buena que está la comida.
00:46:15Por eso lo dijo, ¿verdad?
00:46:17Bueno, al menos eso creo.
00:46:19¿Ah, sí?
00:46:20Sí, sí, sí. La comida está increíble, como siempre. Gracias.
00:46:23No creo que de pequeños comieran esto, pero toma.
00:46:31En casa, siempre nos pasa lo mismo.
00:46:33De tanto hablar, se nos olvida comer.
00:46:35Hasta que... ¡Ah!
00:46:37Nos damos cuenta de que tenemos la comida en el plato y empezamos a comer.
00:46:41¿Qué te parece si después de esta deliciosa cena, nos jugamos una partida de bacamón?
00:46:46¿Bacamón?
00:46:49Sanem, ¿tienes ese juego en casa?
00:46:52No lo sé. Tal vez.
00:46:54Me encantaría, por supuesto.
00:46:56El caso es que nuestra casa está lejos y no queremos llegar tarde.
00:47:00¿Nos vamos?
00:47:01Ven a vernos cuando quieras, Aziz.
00:47:03Ya sabes dónde estamos.
00:47:04Qué lástima que haya sido tan breve.
00:47:06Pero bueno, adiós.
00:47:08Nos veremos otro día.
00:47:09Hasta luego.
00:47:10¿A dónde vas a dormir?
00:47:11Dormiré en el barco.
00:47:13No quiero dejar a papá solo.
00:47:23Ven.
00:47:30Jan.
00:47:32¿Podemos hablar un momento?
00:47:35Por supuesto, Niad.
00:47:36Por aquí vamos.
00:47:39Ya sabes que no soy un hombre de muchas palabras, así que iré directo al grano.
00:47:45Te quise como a un hijo.
00:47:47Confiamos totalmente en ti.
00:47:50Mefkive y yo te abrimos las puertas de nuestra casa.
00:47:55Pero tú hiciste muy infeliz a nuestra hija.
00:47:59Además, cuando tú te fuiste, Sanem enfermó gravemente.
00:48:04Tuvo que ir a terapia, luego ingresó a una clínica.
00:48:08Afortunadamente, ahora está mucho mejor.
00:48:12Y espero que continúe mejorando porque...
00:48:17no quiero volver a verla en ese estado.
00:48:20Así que te lo advierto.
00:48:22No te acerques a Sanem.
00:48:25¿Estuvo en terapia?
00:48:26Mantente alejado de Sanem.
00:48:29Es lo único que te estoy pidiendo.
00:48:31No te preocupes, entiendo.
00:48:36No quiero que Sanem sufra.
00:48:39No quiero lastimarla ni ahora ni nunca.
00:48:42Solo vine a ver a mi padre.
00:48:45Créeme.
00:48:49Y en cuanto se recupere, volveré a irme.
00:48:53No debes preocuparte.
00:48:54No quiero volver a ver a Sanem...
00:48:57temblando en mis brazos como un pajarito.
00:49:01Da igual.
00:49:06Que tengas un muy buen viaje.
00:49:24Adiós.
00:49:54Adiós.
00:50:25¿Sanem?
00:50:27¿Yigit?
00:50:29¿Qué haces aquí a esta hora?
00:50:32No contestas mis llamadas. Estaba preocupado.
00:50:35Siéntate.
00:50:55Jan...
00:50:57Aquí está Jan.
00:50:59¿Cómo aquí?
00:51:03¿Aquí, en tu casa?
00:51:05No.
00:51:07Ahora está en su barco.
00:51:10¿Y para qué volvió?
00:51:12Es una larga historia.
00:51:17Pero no vino a verme a mí. Eso es seguro.
00:51:21Se marchará en unos días.
00:51:24Sanem, no debes dejar que te vuelva a hacer sufrir.
00:51:27Sé por todo lo que pasaste este último año.
00:51:30Cómo volviste a la vida y escribiste tu libro.
00:51:32Construiste una nueva vida.
00:51:34Y lo hiciste sola. Es mérito tuyo.
00:51:36Sin tu ayuda...
00:51:38no lo habría conseguido.
00:51:40Jamás habría tenido éxito si no fuera por ti.
00:51:43No hubiera construido mi vida.
00:51:45Todo saldrá mejor si lo hacemos juntos.
00:51:50Pero no deberías...
00:51:51No volverá a pasar.
00:52:04Además, cuando tú te fuiste, Sanem...
00:52:07Enfermó gravemente.
00:52:09Tuvo que ir a terapia.
00:52:11Luego ingresó a una clínica.
00:52:13Afortunadamente, ahora está mucho mejor.
00:52:15¿A qué viniste?
00:52:17¿Quieres arruinar mi vida?
00:52:19Ya me rompiste tu vida.
00:52:21Te rompiste el corazón y te fuiste.
00:52:35Casi se me olvida.
00:52:37Tengo noticias muy importantes.
00:52:39Nos hicieron una oferta de España.
00:52:41Quieren que vayas a hacer una lectura y hablar de tu libro.
00:52:46No puedo, chiquito.
00:52:48Sanem...
00:52:49El libro se publicó en todo el mundo.
00:52:52La gente te adora, quieren verte.
00:52:54Tenemos la posibilidad de explorar el mundo entero.
00:52:56¿Por qué rechazas esta oportunidad?
00:52:58Porque antes de viajar por el mundo, necesito resolver mis problemas.
00:53:03Me...
00:53:05Conoces, chiquito.
00:53:07Nos hemos ayudado a recuperarnos durante este último año.
00:53:12No puedo irme ahora.
00:53:14Este lugar en verdad me ayuda.
00:53:16No quiero irme, entiéndeme, por favor.
00:53:22Te propongo algo.
00:53:24Empezaremos la gira por Grecia y Hungría.
00:53:26Son países que están más cerca.
00:53:28¿Qué te parece?
00:53:30Son viajes más cortos.
00:53:32Voy a preparar café. ¿Quieres uno?
00:53:36Sí, gracias.
00:53:47¿Te recuperaste?
00:53:49Qué bueno.
00:53:51¿Qué estás haciendo aquí, Jan?
00:53:53Yo solo vine...
00:53:57...a pedirte una disculpa.
00:53:59No me pidas perdón.
00:54:01Te hiciste mucho daño a toda la gente que te rodea.
00:54:04Creí que nunca te volvería a ver.
00:54:07No vine a verte a ti, Yigit.
00:54:09¿Por qué?
00:54:11¿Por qué?
00:54:12Creí que nunca te volvería a ver.
00:54:14No vine a verte a ti, Yigit.
00:54:16Si no quieres verme, no te acerques al lugar donde estoy.
00:54:19¿Crees que este es tu lugar, estúpido?
00:54:21¿Cerca de Sanem?
00:54:43Sanem.
00:54:46Yigit, por favor, quiere estar sola.
00:54:49Yigit.
00:54:51Yigit.
00:54:53Yigit.
00:54:55Yigit.
00:54:57Yigit.
00:54:59Yigit.
00:55:01Yigit.
00:55:03Yigit.
00:55:05Yigit.
00:55:07Yigit.
00:55:09Yigit.
00:55:10Yigit, por favor, quiere estar sola.
00:55:15En cuanto él llegó, nuestra vida empezó a desmoronarse.
00:55:19Yigit.
00:55:21Entiende.
00:55:24No me parece bien.
00:55:27No debería ser así.
00:55:40No.
00:55:48Porque estoy muerto.
00:55:51El amor me convirtió en un hombre horrible.
00:55:53Celoso, iracundo y violento.
00:55:58Jan murió.
00:56:00Yo lo maté.
00:56:03Ya olvídalo.
00:56:07Yo lo olvidé.
00:56:09Pero lo pagué muy caro.
00:56:12Me olvidé de ti.
00:56:34Déjame hacerte una pregunta.
00:56:36¿Crees que estás loca?
00:56:38¿Me lo preguntas como terapeuta o como amiga?
00:56:41Da igual, la respuesta es la misma.
00:56:43Estuve un día afuera y permitiste que ese tipo se quedara en tu casa.
00:56:45¿Te das cuenta de lo que hiciste?
00:56:47¿Cómo pudiste hacer algo así?
00:56:49¿Por qué te descuidaste tanto? ¿Por qué deberías pensar más en ti?
00:56:51¿Cómo permitiste que se acercara a ti?
00:56:53Te digo esto como tu amiga.
00:56:55Que te quede claro.
00:56:57Porque como terapeuta, debería animarte a enfrentarte a tus problemas.
00:57:00En serio. Te lo juro.
00:57:02Él quería ver a su padre enfermo y no fui capaz de negarme.
00:57:04No podía decir nada.
00:57:06¿Cómo iba a decirle que no?
00:57:09Me hago pipí de la risa.
00:57:11¿Aún no han cargado el auto?
00:57:13Vamos chicas, por favor. Échenle ganas.
00:57:15O se va a estropear antes de llegar al mercado.
00:57:18¿Y saben qué? La tierra absorbe las negatividades.
00:57:24¡Es que no puedo detenerme!
00:57:39¿Quieres que te ayude?
00:57:41No.
00:57:44No, gracias. De lo agradezco.
00:57:46No hace falta.
00:57:48De hecho, tenemos a un muchacho muy fuerte que vendrá a ayudarnos mañana.
00:57:51Tenemos todo muy bien organizado.
00:57:53El sistema aquí es perfecto.
00:57:55Así que no te molestes. Gracias.
00:57:57¿Verdad, Sanem?
00:57:59Claro que sí.
00:58:09Si no te importa, iré a ver a mi padre.
00:58:13Claro. Cuando quieras.
00:58:32¡Ya no lo mires!
00:58:34Bueno, pero es que tenías toda la razón.
00:58:36No puedes dejar de verlo.
00:58:38Es que ya no es tan encantador que no le quitas la mirada.
00:58:41Oye.
00:58:43Perdóname, por favor. No tenía que haber pronunciado su nombre.
00:58:45¿De dónde sacaste a este tipo tan guapo?
00:58:48Es decir, es obvio que es un rompecorazones, ¿verdad, amiga?
00:58:51¿Por qué será que todos los hombres guapos son unos rompecorazones?
00:58:55¿Pero qué tipo de terapeuta eres?
00:58:57¿No me estás ayudando?
00:58:59¿Cuántas veces te lo tengo que decir?
00:59:01No soy terapeuta. Soy licenciada en psicología.
00:59:03Una psicóloga.
00:59:04Me ingresaron en una clínica cuando me volví loca,
00:59:07y allí nos conocimos, y luego vinimos a...
00:59:09Fíjate si nos está mirando.
00:59:11¿No nos está mirando?
00:59:13No, no está mirando.
00:59:15¿Nos está mirando?
00:59:17No, no está mirando. Mi caso nos está haciendo.
00:59:19¿Está mirando?
00:59:21¿Qué no?
00:59:25El hombre de las tres letras nos mira.
00:59:27¿Sí está mirando?
00:59:29Ay, por Dios. Qué guapo está, la verdad.
00:59:31Pero bueno, es mejor que se vaya. Rápido.
00:59:36Ya no nos mira.
00:59:46Sí, muy bien.
01:00:02Zanem.
01:00:04Zanem.
01:00:06Zanem, vuelve en ti. Vuelve, Zanem.
01:00:08Me estás asustando para allá.
01:00:10¿Has vuelto a soñar que tienes tres hijos con él?
01:00:12No. No, esta vez fue otra cosa.
01:00:14Bueno, pensé que te habías vuelto a perder en tus pensamientos.
01:00:17¿Estás alucinando de nuevo, Zanem?
01:00:19No alucino.
01:00:21De repente tengo una visión que parece real.
01:00:24No lo hago a propósito. Me sucede de repente.
01:00:26Pero una vez me dijiste
01:00:28que tus sueños siempre se hacían realidad.
01:00:32Y era verdad.
01:00:36Ahora ya no se hacen realidad.
01:00:38Ya no me pasa.
01:00:41Perdóname, solo pregunté para animarte, pero veo que no.
01:00:47Zanem, ven aquí.
01:00:49¿Ya estás listo? Vámonos.
01:00:51Sí. La limonada es fantástica.
01:00:54Señor Aziz,
01:00:56la dueña de las tierras tiene una casa vacía.
01:00:58Vendrá a casa a recoger la limonada.
01:00:59Si quiere, puede hablar con ella.
01:01:01Vamos a esperarnos.
01:01:03Como quieras.
01:01:08¿Qué tienes ahí?
01:01:10Limonadas.
01:01:12Las hago yo.
01:01:14Si quiere, puedo darle una.
01:01:16¿Quiere una?
01:01:18Será un placer.
01:01:23Me encantan estas cosas.
01:01:26No, no, no.
01:01:28No, no puedo creerlo ya.
01:01:30Huele esto.
01:01:33Qué maravilla.
01:01:46Tu olor me está volviendo loco.
01:01:50Loco.
01:01:52Ese olor se queda por donde pasas.
01:01:55Y me sigue a todas partes.
01:01:58Jajaja.
01:02:09Huele, huélelo.
01:02:21¿Y?
01:02:23¿Crees que si me lo pongo, me traerá buena suerte?
01:02:25Jajaja.
01:02:27Ya está aquí.
01:02:29Primero llega su risa y luego llega ella.
01:02:31Claro que sí, tonto.
01:02:33Oye, tengo que colgar.
01:02:35Tienes que creerme, estoy en casa de Sanem.
01:02:37Ay, Sanem, Sanem.
01:02:39Qué bonitas flores.
01:02:41Qué día tan soleado.
01:02:51No digas nada, por favor.
01:02:53Después te lo contaré todo.
01:02:55Justo hablábamos de ti.
01:02:57¿En serio?
01:02:59Sí, déjame presentarte.
01:03:01Señor Aziz.
01:03:05Aziz.
01:03:07Mirivan.
01:03:21Vaya, entonces el señor Aziz fue tu primer amor, ¿no?
01:03:24No puedo creer que me lo haya perdido.
01:03:26¿Por qué me pierdo de todo, Sanem?
01:03:29Porque siempre estás mirando en otra dirección.
01:03:32Todas las cosas pasan aquí y tú miras hacia el otro lado.
01:03:37Pásame un tazón, por favor.
01:03:39Siempre hay que mirar hacia el amor, que no se te olvide.
01:03:42Mirar siempre hacia el amor.
01:03:45Eso nunca falla.
01:03:49Mirivan, es...
01:03:50la primera vez que te veo así de feliz y contenta.
01:03:55Esto es gracias a sí.
01:03:57Solo él produce este efecto en mí y me hace sonreír.
01:04:00Vaya.
01:04:02¿Por qué me miran así?
01:04:04¿Quieren saber por qué nunca me he casado?
01:04:06Pregúntenme lo que quieran.
01:04:08¿Por qué no te has casado?
01:04:10Sí, queremos saber.
01:04:12Bueno, en realidad, lo que quiero preguntarte es...
01:04:14¿Por qué el señor Aziz se casó con Uma si estaba...
01:04:17tan enamorado de ti?
01:04:19Sí.
01:04:21Pues no lo sé.
01:04:23La verdad, no sé cómo explicárselos.
01:04:29No lo sé.
01:04:31Miren, chicas.
01:04:33Cuando eres joven, crees que las cosas son blancas o negras
01:04:36y nada más.
01:04:38No existe el término medio.
01:04:40Es decir, o simplemente amas a alguien con todo tu corazón
01:04:42o lo odias a muerte.
01:04:44Ya saben lo que quiero decir.
01:04:46Porque esta vida es extremos.
01:04:48Y las diferencias entre el blanco y el negro
01:04:50son los intermedios.
01:04:52¿No les parece?
01:04:54Pero eso se ve mucho más claro
01:04:56cuando empiezan a salir de las canas.
01:04:58¿Qué quieres decir?
01:05:00No lo entiendo.
01:05:02La vida es maravillosa,
01:05:04aunque pase tan rápidamente.
01:05:09Pero una vida sin amor...
01:05:13no es nada.
01:05:15Nada.
01:05:19Bien, da igual.
01:05:21Vi a Aziz otra vez.
01:05:23No puedo creerlo.
01:05:25Me siento como si tuviera 25 años.
01:05:27No sé qué me pasa.
01:05:32Por cierto, el señor Aziz no se quiere ir.
01:05:35Planea quedarse en este sitio.
01:05:38Sí.
01:05:40Puede que rejuvenezcas aún más.
01:05:42Qué exagerada.
01:05:44No.
01:05:46Cuando Uma sepa que estoy aquí,
01:05:48seguro le dará algo.
01:05:51Me quiere mucho.
01:05:53A mí también.
01:05:56Con locura.
01:05:58La señora Uma...
01:06:00me quiere mucho.
01:06:03Eso está muy bien.
01:06:05Haremos terapia de contraste.
01:06:07Vamos a fingir que algo que ha pasado
01:06:09en realidad no ha pasado.
01:06:11Vamos a dar un paseo.
01:06:15Tranquila, todo está bien.
01:06:17Lo sé.
01:06:46Llegué.
01:06:48Hola.
01:06:50Soy la mujer de aquí.
01:06:52Soy la mujer de aquí.
01:06:54Lo sé.
01:06:56Yo también lo sé.
01:06:58Yo no lo sabía.
01:07:00Yo también lo sabía.
01:07:02Yo no sabía que estaba aquí.
01:07:04Yo no sabía que estaba aquí.
01:07:06Yo no sabía que estaba aquí.
01:07:08¿Qué pasó?
01:07:10¿Qué pasó?
01:07:12Nada.
01:07:13Hello. How are you?
01:07:16A little tired, but fine, thank you.
01:07:19How are you?
01:07:21Tired.
01:07:24Oh, yeah? How are you?
01:07:27I have the notebook open, but I can't think of anything.
01:07:31Oh, yeah?
01:07:33I remind you that the New York publishing house gave us an advance for two books.
01:07:37I don't want to pressure you, but it's been two months.
01:07:40We should at least send you a synopsis.
01:07:43I'm sorry, Chiquit.
01:07:46I have a blank mind.
01:07:50And on top of that, about Jan.
01:07:54Anyway...
01:08:06What if we go to New York?
01:08:09To New York?
01:08:11Yes. In fact, they invited us to go to a residence at the Center for Contemporary Artists.
01:08:16They are organizing a great literary convention.
01:08:19A biennial where many international writers of fame will be.
01:08:23You can participate in the seminars, readings.
01:08:26It's a place that is very worth visiting.
01:08:29And all they want is the draft in six months.
01:08:32Really?
01:08:33That's right.
01:08:36I want to thank you from the bottom of my heart.
01:08:39I mean, what you've done for me.
01:08:42Thank you for your support.
01:08:44And for so much trust.
01:08:46You deserve it.
01:08:47This success is all yours, nothing more.
01:08:49For a writer who's just starting.
01:08:51It's a great opportunity to be six months in New York.
01:08:55I thank you very much.
01:09:05So, do you accept the invitation?
01:09:09I would be happy to accept it.
01:09:11But I can't even breathe well.
01:09:14Here I have the peace and calm that I need.
01:09:16I love being in this place.
01:09:18I can't leave now.
01:09:20Do you really think that's the reason, Sanem?
01:09:23What are you talking about?
01:09:25I'm telling you what I'm offering you.
01:09:27The opportunity to be an international writer.
01:09:29And you reject it?
01:09:31Jaged.
01:09:32I don't want to be an international writer.
01:09:36I just want to be a good writer.
01:09:38That's enough.
01:09:42Okay.
01:09:44I won't insist anymore.
01:09:46Do you want coffee?
01:09:48Yes, please.
01:09:49Good.
01:09:50Thank you.
01:09:51Let's see if in the meantime I get the inspiration.
01:10:01Sanem.
01:10:24This place is wonderful.
01:10:31Can I take it?
01:11:01Thank you.
01:11:11Aren't you going to say anything?
01:11:18I have nothing to say to you.
01:11:27I'm happy.
01:11:31I love you.
01:11:49If you don't mind, I'll go see my father.
01:11:52Sure.
01:11:53Whenever you want.
01:12:01I love you.
01:12:07Forget Sanem.
01:12:08There's nothing left of her.
01:12:09What else do you want from me?
01:12:11We're leaving tonight.
01:12:17Why did you come back?
01:12:19Go.
01:12:23He's going to leave.
01:12:31I love you.
01:13:01I love you.
01:13:31I love you.
01:13:53The phoenix and the albatross.
01:13:58I said I had no words.
01:14:00The truth is I don't need them.
01:14:02I was his and he was mine.
01:14:05He was my world.
01:14:07In the noise of the waves,
01:14:09in the darkness of the shadows,
01:14:11in the brightness of the stars,
01:14:12and in the perfume of the flowers,
01:14:13he was always there.
01:14:15Only him.
01:14:17He was in my body,
01:14:18and in my soul,
01:14:20and in the blood that runs through my veins.
01:14:22He was in every beat of my heart,
01:14:25and I'll be the last one.
01:14:27I had no words to say,
01:14:29because he was in every word.
01:14:32In every word.
01:14:34And together we pronounced his name.
01:14:59In every word.
01:15:01And together we pronounced his name.
01:15:03In every word.
01:15:05And together we pronounced his name.
01:15:07In every word.
01:15:09And together we pronounced his name.
01:15:11In every word.
01:15:17Give me that.
01:15:18Why?
01:15:19Wait, put this here.
01:15:22Take it.
01:15:23Ready?
01:15:24What do you want?
01:15:25For you to start reading.
01:15:27I don't understand.
01:15:28Why don't you read it yourself?
01:15:29Because I don't like to read. I want to hear the author's voice.
01:15:32It's a kind of audio book.
01:15:34That's better. You read very well.
01:15:36Please, come on, do it for me.
01:15:38I think you need therapy.
01:15:46In the Valley of Faith,
01:15:49the birds crossed the Valley of Faith
01:15:53and they had stopped believing in anything they hadn't seen.
01:15:59However, they had to believe in what they didn't see or understand.
01:16:05The emotions that guide us make us who we are.
01:16:08We don't see them, but we undoubtedly believe in them.
01:16:18Sometimes fairy tales become reality.
01:16:23It's in the moments of great despair
01:16:27when a phrase, a look, a touch can change absolutely everything.
01:16:37The birds will not cross the valley until they grow up.
01:16:41Otherwise, they would be trapped forever.
01:16:44They would be afraid to move forward and return.
01:16:48Until they learn to trust their feelings,
01:16:50they won't understand what they don't see.
01:17:21In the Valley of Faith,
01:17:24the birds crossed the Valley of Faith
01:17:27and they had stopped believing in anything they hadn't seen or understood.
01:17:32The emotions that guide us make us who we are.
01:17:36It's in the moments of great despair
01:17:40when a phrase, a look, a touch can change absolutely everything.
01:17:45The Valley of Faith
01:18:16You didn't leave.
01:18:19It's just that...
01:18:23You wanted to leave.
01:18:32Well, what about you?
01:18:35Do you want to leave?
01:18:37If you want me to leave,
01:18:41I will.
01:18:46This doesn't take us anywhere.
01:19:03I couldn't.
01:19:16It was a mistake.
01:19:21That's why.
01:19:25I see.
01:19:46Sanem
01:19:57Jigget, if you had told me you were coming, I would have helped you.
01:20:01I'm fine, Sanem. You don't behave like my mother.
01:20:05I can take the folders.
01:20:07What is that?
01:20:09They are the critical articles and compliments that have been written about you and your book.
01:20:12And I have a surprise for you, but I'll give it to you later.
01:20:23Hello.
01:20:27Mr. Aziz, this is Jigget, the owner of the publisher who published my book.
01:20:32Nice to meet you, Jigget.
01:20:34Likewise. It's a pleasure.
01:20:36Jigget is also Polen's brother.
01:20:38Polen.
01:20:40I assumed you had left.
01:20:42It turns out his boat ...
01:20:44I'll stay a while.
01:20:47Great, me too.
01:20:50So we'll see each other.
01:20:53Sanem, the surprise is that a very important jury chose you as the writer of the year.
01:20:59Yes, really?
01:21:01What a joy, Jigget.
01:21:03Thank you very much for everything.
01:21:05Congratulations.
01:21:06Well done, daughter.
01:21:08Thank you, what a joy.
01:21:10It is a great honor. You are the writer of the year.
01:21:15Congratulations.
01:21:17You deserve the best.
01:21:20Thank you very much.
01:21:26We should get to work. We don't have much time. We have to write a brochure.
01:21:31Okay, I'm just going to take the creams to Bulut. Wait inside, I won't be long.
01:21:34Excuse me.
01:21:46Did you read Sanem's book?
01:21:49I'm on it. I just started it.
01:21:52Very well.
01:21:54I'll be back later, okay?
01:22:04Okay.
01:22:20I saw a cabin near here. Do you know who it belongs to?
01:22:24Mirivan.
01:22:27Until they repair the boat and I can leave, could I stay there for a while?
01:22:34Do you think Mirivan would mind? Or maybe you?
01:22:38Not at all.
01:22:42I mean, will you be comfortable there?
01:22:46Our old cabin...
01:22:50I mean, my cabin...
01:22:52It was the same style. Do you remember?
01:22:56I'm sure I'll be fine, no problem.
01:23:00My father wants me to stay.
01:23:02He would like me to be with him.
01:23:05He must have missed you a lot.
01:23:08I'll help you with that.
01:23:26How long will it take to repair?
01:23:31If you want to know when I'll leave...
01:23:35It won't take long, don't worry.
01:23:40I heard your conversation with Chiquit.
01:23:45I know you're going to New York.
01:23:47Six months.
01:23:49You must have misunderstood.
01:23:52For some, it's not easy to leave those you love behind.
01:24:02Now the sun hits hard and is heating the stones on the road.
01:24:06Yes, I see.
01:24:08Jan!
01:24:10I can't believe what my eyes are seeing!
01:24:13Welcome, Jan!
01:24:17Jan!
01:24:19Super friend!
01:24:21You came back for me!
01:24:23I love you so much!
01:24:25What a surprise!
01:24:26Do you know what that means?
01:24:28That with your return, the customers will also return.
01:24:30I'm sure everyone will come back!
01:24:32Of course!
01:24:34My boat sank.
01:24:36Okay, we're going to the market.
01:24:38We have a lot of work to do.
01:24:40We sell vegetables.
01:24:42Musa, is everything ready?
01:24:44Yes, we have everything ready.
01:24:48Put it there.
01:24:50Thank you.
01:24:52I'll help you.
01:24:54Don't worry.
01:24:57Your face looks familiar.
01:25:02The scarecrow!
01:25:04Jan, right?
01:25:08Yay, yay.
01:25:10Tell me.
01:25:12If you find a hardware store, would you buy this?
01:25:14Yes, of course I can, Jan.
01:25:16Let's see what you need.
01:25:18I'll get everything on the list.
01:25:20Jan, do you want me to go with you?
01:25:22No need, Deryn.
01:25:23The clothes you're wearing are not the most appropriate to go to the market.
01:25:26What's wrong with my clothes?
01:25:28I use a casual, elegant style.
01:25:30You'll never see me in sportswear.
01:25:32Okay, everything's ready.
01:25:41I'll catch up with you later.
01:25:43Don't come with us!
01:25:45Hey, why are you yelling? I won't be long.
01:25:47Go on.
01:25:49Okay, bravo for you, Sanem.
01:25:51And don't be late.
01:25:53Okay.
01:25:57Is he back?
01:25:59But not for me.
01:26:01That's clear.
01:26:03I don't care if he leaves in the end.
01:26:05I think you need to talk about it.
01:26:07Come on, let's go in and do some therapy.
01:26:09I don't want to.
01:26:11The scarecrow therapy is important.
01:26:13You have to tell him that you're not able to talk to the man you can't mention.
01:26:16Let's go.
01:26:21No.
01:26:23I'm not ready yet.
01:26:25I won't be able to.
01:26:28No.
01:26:30He already forgot me.
01:26:32I want to forget him too.
01:26:34Well, say it to his face.
01:26:36Tell him you don't want him here.
01:26:38Tell him to leave immediately.
01:26:40I can't do that.
01:26:42He says I asked him to leave, but I never did.
01:26:45And well,
01:26:47one part of me wants him to leave,
01:26:49and the other
01:26:51wants to ask him to stay.
01:26:53I want to ask you something.
01:26:55You told me it was
01:26:57totally impossible
01:26:59for you to go back to him.
01:27:01Yes.
01:27:03I'm completely sure.
01:27:05I suffered a lot.
01:27:07And I built a wall in my heart.
01:27:10Come here.
01:27:12Come.
01:27:14It's over.
01:27:16Do you understand me?
01:27:18It's part of the past.
01:27:20You're a strong woman, and you know what?
01:27:21Mint leaves.
01:27:23Will it help me?
01:27:25Sure. Eat it.
01:27:27You have to reinforce that wall around Jan.
01:27:29How?
01:27:31It's called being civilized nowadays.
01:27:33You have to treat him as if he were a friend.
01:27:35Look, you have to treat him
01:27:37as if he were a guest who is passing by.
01:27:39As if he were not Jan,
01:27:41but an ordinary person.
01:27:43Someone normal and ordinary.
01:27:45Do you understand?
01:27:47These leaves are not mint.
01:27:49Maybe not.
01:27:51What I want
01:27:53is to see him as if he were
01:27:55an old schoolmate
01:27:57whom I haven't seen for years
01:27:59and whom I don't remember well.
01:28:01Yes, I want to look at him carefully
01:28:03to try to remember him
01:28:05like saying,
01:28:07who is he?
01:28:09Something like that.
01:28:11Do you think I can do it?
01:28:13Let me see you?
01:28:15Well, of course.
01:28:17I have full confidence in you.
01:28:19You can get everything you want.
01:28:21Perfect.
01:28:23This is mint, understood?
01:28:25Try it.
01:28:27Good.
01:28:29Chiquit is waiting for me.
01:28:31We have a lot to do today.
01:28:33Then I'm going to the market.
01:28:35Yes.
01:28:37Is this sentence okay?
01:28:39Yes, very good.
01:28:41Is it okay?
01:28:43Perfect.
01:28:45And add that part.
01:28:47It's very nice.
01:28:49Very good.
01:28:51Now we are deciding
01:28:53the concept of the text.
01:28:55Ah.
01:28:57Yes, in addition to artists
01:28:59who have been awarded by the association
01:29:01in other disciplines.
01:29:03The brochures will be distributed
01:29:05by the companies
01:29:07to participate in a charity campaign.
01:29:09Wow, wow, wow.
01:29:11A brochure about the life of San Emel.
01:29:13How wonderful.
01:29:15Yes, actually
01:29:17it's not important at all.
01:29:19We have to prepare a text
01:29:21that has been published
01:29:23for the charity campaign.
01:29:25Well, that's great, San Em.
01:29:27And if instead of making a brochure
01:29:29for each artist separately,
01:29:31I gathered them all
01:29:33in one book
01:29:35with a wonderful design,
01:29:37wouldn't it be better?
01:29:39I think it's a great idea.
01:29:41No artist would be left out.
01:29:43And it would be very useful
01:29:45to raise funds.
01:29:47Sure.
01:29:49Yes, it's a great idea.
01:29:51But we have to make changes.
01:29:53Sure, I understand.
01:29:55It doesn't matter.
01:29:57It was just an idea.
01:29:59I'll leave you to keep working.
01:30:01It was a good idea.
01:30:03For the next one.
01:30:05What do you think of this?
01:30:07What was this association called?
01:30:09It's the women entrepreneurs.
01:30:11San Em,
01:30:13tomorrow we have to go to the city
01:30:15for a photo shoot.
01:30:17Ah.
01:30:18I can't go to the city.
01:30:20I get very nervous
01:30:22every time I go.
01:30:24No, but everything is organized.
01:30:26We go and come back the same day.
01:30:28Have a good day.
01:30:30See you later.
01:30:32Shall we add this?
01:30:34Good.
01:30:48Good.
01:31:18Good.
01:31:43San Em,
01:31:45how are you?
01:31:46You look very tired.
01:31:48Could you write something?
01:31:50I couldn't.
01:31:54I can't write.
01:31:56When you forget.
01:31:58When you forget?
01:32:03What I mean is
01:32:05that when you spend a lot of time
01:32:07without writing,
01:32:09you almost forget how you do it.
01:32:16Good.
01:32:34Shall we add this?
01:32:36These flowers are very beautiful.
01:32:38Yes.
01:32:41It's my mother.
01:32:43Again.
01:32:45Mom.
01:32:47Daughter, how are you, my life?
01:32:49Good.
01:32:51Yes, I'm fine.
01:32:53Jigget tries to paint a picture,
01:32:55but he can't.
01:32:57And I'm trying to write something.
01:32:59Hi, Jigget.
01:33:01How's your leg?
01:33:03Do you feel better?
01:33:05Yes, I'm better.
01:33:07Thanks for asking.
01:33:09It's San Em.
01:33:11Hi, Dad.
01:33:12This is beautiful.
01:33:14The weather is perfect, look.
01:33:16Look.
01:33:20Who's behind you?
01:33:22The Unnamed?
01:33:25Yes, Mevkibe,
01:33:27but don't worry,
01:33:29I'm always here with San Em.
01:33:31What is he doing there?
01:33:33Mom, his boat broke down,
01:33:35so he couldn't leave.
01:33:37That's why.
01:33:39And what does it have to do with you?
01:33:40I'm here to be close to his father.
01:33:42Mevkibe, San Em is always here with me,
01:33:45and he never talks to that guy.
01:33:47Daughter, you are the light in our eyes,
01:33:49what else can I tell you?
01:33:51Wife, you told him what you had to tell him.
01:33:53Don't worry, San Em knows it very well.
01:33:55No one can hurt you, daughter.
01:33:57I know, Dad.
01:33:59Good.
01:34:01Hey, daughter, look, stay away from him,
01:34:03don't come near him,
01:34:05you don't even greet him.
01:34:07But, well, it's too much, Mevkibe.
01:34:09And we're leaving, kisses.
01:34:11Goodbye.
01:34:13Anyway, it's over.
01:34:15Let's walk for a while,
01:34:17and I still have to write something.
01:34:19Let's go.
01:34:20Let's go.
01:34:38Well, come in.
01:34:43What a beautiful place, it's great.
01:34:46I made this cabin with my own hands,
01:34:47and when I want to get away from the world,
01:34:49the phones and the noise,
01:34:51I always come here.
01:35:17I love you.
01:35:47I love you too.
01:36:17I'll get out of here.
01:36:21But it's so uncomfortable to travel in this.
01:36:23Mom?
01:36:25I can't believe it, the food.
01:36:27Here it is.
01:36:29Close the door.
01:36:31Mom, how are you?
01:36:33But what a surprise.
01:36:35Good, daughter.
01:36:37Hello.
01:36:39Welcome.
01:36:41Hey, where's Jan?
01:36:43Where?
01:36:45In a cabin, he's not around here.
01:36:47Your brother's an adult now.
01:36:49I'm sure he already ate something.
01:36:51Uh, from here I can smell the dolmas.
01:36:53They smell delicious.
01:36:55Thank you very much for bringing them.
01:36:57You're welcome.
01:36:59Well, let's all eat together.
01:37:01Yes, of course.
01:37:03Let's sit here.
01:37:05Here, daughter, help me.
01:37:07Yes, give it to me, mom.
01:37:09Sorry.
01:37:11They smell very good.
01:37:13Wait until you try them.
01:37:15Well, I'll go get something to drink.
01:37:17Try them.
01:37:19Eat.
01:37:24Hey, mom.
01:37:26You shouldn't have bothered.
01:37:28It wasn't necessary.
01:37:30I'll help you.
01:37:32It's not a bother.
01:37:34Instead of drinking those cappuccinos,
01:37:36you can go make them yourself.
01:37:38No, I already had one,
01:37:40but thank you for your consideration.
01:37:42I have to go.
01:37:44Mom?
01:37:45I already saw what I had to see.
01:37:47Now I have to go.
01:37:49What are you talking about?
01:37:51I have to go, please.
01:38:15I brought you something to eat in case you're hungry.
01:38:29Thank you.
01:38:37Are you done?
01:38:38Almost.
01:38:41I'd offer you some tea, but I don't have any.
01:38:44I don't drink tea anymore.
01:38:48Goodbye.
01:39:03I love you.
01:39:05I love you too.
01:39:07I love you too.
01:39:15What do you think he'll tell us?
01:39:17How would I know?
01:39:19He was his former boss.
01:39:21This has nothing to do with the agency.
01:39:23We run it now.
01:39:25If it were a family matter, he wouldn't call us.
01:39:27Ladies and gentlemen.
01:39:29Welcome, Mr. Assis.
01:39:31I have excellent news for everyone.
01:39:34Are you having a meeting?
01:39:36Benji, come in.
01:39:38I have something to tell you.
01:39:40It's also about Twitter.
01:39:42Sit down.
01:39:46Well...
01:39:51Freaky Arika is about to take charge of an important campaign for a social project.
01:39:57That's great, bravo!
01:39:59That's great!
01:40:01Sanem is the writer of the year.
01:40:04And the association that grants him the recognition wants to produce some brochures for all the awarded artists.
01:40:13And I called the director, who is an old friend of mine.
01:40:16Sure.
01:40:18So, I decided to make an interesting proposal about it.
01:40:21That instead of those brochures, we can make a book with a modern and also elegant design.
01:40:27To be able to distribute it with the companies.
01:40:30And he said yes.
01:40:31Bravo!
01:40:33That's great!
01:40:35I knew this day would come.
01:40:37Sure.
01:40:39We've already talked about that, Mr. Assis.
01:40:41I think you should have informed me before all those changes.
01:40:44I'll inform you now.
01:40:46That's right, my friends.
01:40:48We're going to start from scratch.
01:40:50And the goal is to make Sanem and writers like her get all the possible donations from the companies as you planned.
01:41:00And then expand the campaign throughout our beautiful country.
01:41:06What do you think?
01:41:08Oh, yes, it's a great project.
01:41:10Congratulations, I'm glad you're back.
01:41:12It's practically the first project of the new agency officially.
01:41:16We have the campaign for the railway, Mr. Assis.
01:41:19We managed to...
01:41:21Can I say something?
01:41:23First of all, thank you.
01:41:25Because that project is a great idea.
01:41:26But this agency is new.
01:41:28And it wants us to go from making brochures to making books.
01:41:31It won't be too complicated.
01:41:33We don't have staff.
01:41:35Deren, JJ and I will take care of all the agency's work.
01:41:39Mr. Assis, don't forget the mere mere.
01:41:41I want to participate.
01:41:43Of course.
01:41:45Deren, JJ, Muzafer and I will take care of all the agency's work.
01:41:51By the way.
01:41:52By the way.
01:41:54We will leave the decoration and all the wardrobe, of course,
01:41:58in the beautiful and talented hands of Miss Mirivan.
01:42:03Sanem's photographs.
01:42:05Sarah Jan's.
01:42:07With that we have everything.
01:42:09What do you think?
01:42:23Sanem might feel uncomfortable, Dad.
01:42:25Find another photographer.
01:42:34I'll take care of that.
01:42:38Well, in fact,
01:42:40in the agency we had many photographic sessions
01:42:43and Jan and Sanem worked together.
01:42:45And they did it very well.
01:42:47I don't see why they don't do it again.
01:42:49It's true.
01:42:50They are together and they are used to doing it like this.
01:42:53Besides, it will only be a quick session.
01:42:55It will only be a moment.
01:42:57I know you are committed, Sanem,
01:42:59with the charity campaigns and we can do it like this.
01:43:02Please accept to do it.
01:43:04What do you say?
01:43:06So.
01:43:10Yes, Sanem.
01:43:12Yes.
01:43:14It will be something quick.
01:43:16Yes, it's fine.
01:43:18Organize it yourselves.
01:43:20I'll do what you ask.
01:43:22Very good.
01:43:24Let's hurry up.
01:43:37Let's work.
01:43:39Very good.
01:43:41We have a lot of work to do.
01:43:44My love.
01:43:51Good.
01:43:53After discussing it,
01:43:55we decided that Jan will do the photographs.
01:43:57Let's talk about the details of the session.
01:43:59Where do you want to do them?
01:44:01I suggest renting a studio.
01:44:03It's better...
01:44:07It's better to do them outdoors.
01:44:09Yes.
01:44:11I'll write it down.
01:44:14The agency, where was it founded?
01:44:16It was founded in a cabin, JJ.
01:44:18How easy.
01:44:20In 1979.
01:44:22You almost got it wrong.
01:44:24It's true.
01:44:26Don't worry, I'm nervous.
01:44:28I'll classify everything.
01:44:33Well.
01:44:35I think we should divide the book into episodes.
01:44:38That's what I think.
01:44:40This is the story of a true love story,
01:44:42as it happens many times in movies.
01:44:44We should take photos inspired by that.
01:44:47I think the protagonists should come out
01:44:48like the characters in those movies.
01:44:50It would be the best, don't you think?
01:44:53What's wrong?
01:44:55Nothing.
01:44:57Let's continue with the subject.
01:44:59Let's see what we should focus on
01:45:01in the last years of the protagonists.
01:45:03I don't know.
01:45:05They are birds.
01:45:07That's right, birds.
01:45:09A book about birds.
01:45:11Then we would focus on the image of those birds.
01:45:14We would put an albatross and a phoenix.
01:45:16We have to make their personalities
01:45:18be reflected in the photos.
01:45:20That's what the reader is looking for.
01:45:22Forget that, Yei-Yei.
01:45:24We're not there yet.
01:45:26Don't worry.
01:45:28No one will listen to me?
01:45:30Then I'm leaving.
01:45:32Where are you going?
01:45:34Far away.
01:45:38Sanem will want details about your life.
01:45:41Maybe you can talk about your creams.
01:45:43Or maybe about the perfume you make for yourself.
01:45:46It's very personal information.
01:45:48I think it's a great idea.
01:45:50Jan, how do you think we can include this in the project?
01:45:54I don't think Sanem wants to talk about it.
01:45:57I don't think so.
01:45:59It's my perfume.
01:46:01It's always been mine.
01:46:03I don't want anything to be published about it.
01:46:05Okay.
01:46:07It won't be published.
01:46:10Let's talk about the phoenix.
01:46:11That bird.
01:46:13Miraculous.
01:46:15It's abandoned.
01:46:17But in the end it comes back
01:46:19to resurface from the ashes.
01:46:24And the albatross?
01:46:27It's in the book.
01:46:32About the albatross...
01:46:36He has big wings.
01:46:37He loves his freedom.
01:46:40He likes to fly.
01:46:42He always does.
01:46:45But the truth is he likes to fly alone.
01:46:48I'll write it down.
01:46:50Okay.
01:46:53Right now I'm very happy
01:46:55because it's like when we were working together at the agency.
01:46:58From the first day we made a great team.
01:47:01I think...
01:47:03Well, it's been a long time.
01:47:04I think...
01:47:06Well, we missed this.
01:47:09That's all for today.
01:47:19Shun'en...
01:47:21Are you okay?
01:47:34Shun'en...
01:48:04Shun'en...
01:48:34Shun'en...
01:48:36Shun'en...
01:48:38Shun'en...
01:48:40Shun'en...
01:48:42Shun'en...
01:48:44Shun'en...
01:48:46Shun'en...
01:49:04Shun'en...
01:49:06Shun'en...
01:49:08Shun'en...
01:49:10Shun'en...
01:49:12Is this your medicine?
01:49:15A lot of things happened in your absence.
01:49:34Shun'en...
01:49:36Shun'en...
01:49:38Shun'en...
01:49:40Shun'en...
01:49:42Shun'en...
01:49:44Shun'en...
01:49:46Shun'en...
01:49:48Shun'en...
01:49:50Shun'en...
01:49:52Shun'en...
01:49:54Shun'en...
01:49:56Don't think I didn't feel it, San'en.
01:49:59It was very difficult for me.
01:50:02San'en, I'm sorry.
01:50:06To think...
01:50:08That you were in a hospital...
01:50:15Don't be sorry.
01:50:18I've already been sorry enough, Yan.
01:50:23You weren't there.
01:50:25You weren't there.
01:50:31In fact...
01:50:33You're still not here.
01:50:38You didn't come back for me.
01:50:42You're not staying for me.
01:50:43You're not staying for me.
01:50:52That's what you wanted.
01:50:54For me to leave.
01:50:56You didn't want to see me.
01:50:58You didn't trust me.
01:51:00And you didn't trust me either.
01:51:02You never believed in me, Yan.
01:51:05You distanced yourself from me too much.
01:51:08And you said...
01:51:10That you were leaving.
01:51:13Instead...
01:51:17I stayed.
01:51:21And I went crazy.
01:51:28If you had trusted me, I wouldn't have left.
01:51:36If you loved me, you wouldn't have left.
01:51:43If you loved me, you wouldn't have left.