Rohan at the Louvre
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Category
🎥
Short filmTranscript
00:01:30I'm sorry.
00:01:38Sir?
00:01:41Sir, are you looking for something?
00:01:46Yes.
00:01:49I don't see many people who can walk past a shop like this.
00:01:55It's rare.
00:01:57If you don't mind, I'll help you.
00:02:00It's like this.
00:02:04I'm doing an interview about art.
00:02:10I want to see the real thing, not the picture.
00:02:14Interview?
00:02:16TV or something?
00:02:18Manga.
00:02:23Manga?
00:02:27You're a mangaka.
00:02:31Famous?
00:02:33I don't know.
00:02:36There was a color paper in the corner.
00:02:40I don't remember writing it.
00:02:43You're kidding.
00:02:45If you're going to write a manga, it's a waste to buy the real thing.
00:02:51To be honest, I sell duplicate copies.
00:02:55This teapot is from the Momoyama era, but it's well made.
00:03:00You can buy it as a mangaka.
00:03:03I don't know if it's real or fake.
00:03:06Stop it.
00:03:08It's Kishibe Rohan.
00:03:10Kishibe Kishibe.
00:03:12Kishibe Rohan can't tell the difference between real and fake?
00:03:26If I draw the teapot and the judge sees it, he'll think it's fake.
00:03:36It's not because I draw it like a fake.
00:03:39The color, shape, touch, feeling, weight, and sound.
00:03:47It's because I draw what I feel is real.
00:03:51That's why I draw.
00:03:53Manga needs that reality.
00:03:56I don't just want art.
00:03:58I'm looking for the reality of art.
00:04:01Yes.
00:04:03Well, the real thing is in the back.
00:04:09Another one is selling stolen art.
00:04:15I want to know about that, too.
00:04:18Yes.
00:04:22Yo!
00:04:28Kobayashi.
00:04:31I mean, it's about you three.
00:04:35Let me interview you.
00:04:37What?
00:04:39That is...
00:04:41What are you talking about?
00:04:45Forget it.
00:04:47I won't do interviews.
00:04:49Hey, let's go home.
00:04:52Heaven's Door.
00:04:54Now, the door to your heart will open.
00:05:02What?
00:05:04What is it?
00:05:19Now, this is my ability.
00:05:30I can read people's minds and memories like a book.
00:05:34Heaven's Door
00:05:48The human body has memories of everything it has ever lived.
00:05:52Even if the person has forgotten, there are memories that cannot be erased.
00:05:56This is a 100% reality that cannot be erased in an interview.
00:06:00This reality is the energy that breathes life into the work.
00:06:06This is the ultimate form of entertainment.
00:06:13I'm not the police.
00:06:16But...
00:06:21All my works are treated with the utmost respect.
00:06:29I will never disobey the written orders.
00:06:34Of course, not at all.
00:06:58Heaven's Door
00:07:28I'm Izumi from the company you contacted the other day.
00:07:31Thank you for allowing me to interview you in your busy schedule.
00:07:35Thank you.
00:07:38I'm sorry to have kept you waiting, sir.
00:07:41The reception is over.
00:07:44It's easy to participate in the auction, isn't it?
00:07:47Participation is free.
00:07:49That's surprising.
00:07:51I thought only the rich could participate.
00:07:53That's why I wanted to wear something more like a dress.
00:07:57But I quit because it was an interview.
00:07:59I'm glad you didn't give up.
00:08:01But when I heard it was an interview for a manga, I was a little worried at first.
00:08:06But when I heard it was a Pink Dark Boy, I immediately accepted it.
00:08:10As expected of you, sir.
00:08:11Did you say my name?
00:08:12Please give me three autographs later.
00:08:14Izumi, there's no end to giving autographs for an interview.
00:08:18My autograph is not a tissue.
00:08:20I know that.
00:08:21But you said you wanted to see the actual auction, right?
00:08:24You said you wanted to see the actual auction, right?
00:08:26You said you wanted to see the actual auction, right?
00:08:28I see.
00:08:30Thank you very much.
00:08:32By the way, I received this.
00:08:34It's a pedal used for auctions.
00:08:37If you want to kill yourself, you can raise it like this.
00:08:43It's a paddle.
00:08:45What?
00:08:48It's a paddle.
00:08:49What's a pedal?
00:08:53That's right.
00:08:56Sir, are you going to buy something?
00:08:58I want to experience it anyway.
00:09:00And there's a picture I'm curious about.
00:09:10Wow, it's black.
00:09:12Noir.
00:09:14Was it black?
00:09:16It's a strange picture.
00:09:19It was drawn by Maurice Legrand of France.
00:09:23Is he a famous painter?
00:09:25No, not that famous.
00:09:30I just remembered something.
00:09:37I don't think there's a super famous painting.
00:09:41Like Goff or Da Vinci?
00:09:43It'll be a big deal if it comes out.
00:09:45That's right.
00:09:46By the way, I've been thinking about it.
00:09:48You look a little like him.
00:09:51Izumi, why don't you go home?
00:09:54No, no, no.
00:09:56I want to upload your interview diary on my homepage.
00:10:00So please interview me normally.
00:10:03I'll interview you.
00:10:08Kishibero, are you going to join the auction?
00:10:11I'm sure the readers will be happy.
00:10:13¥750,000.
00:10:15This is for No. 5.
00:10:17¥750,000.
00:10:19Excuse me.
00:10:21Thank you.
00:10:24Next is No. 124.
00:10:27It's a work by Fujifuta.
00:10:31This is for No. 30.
00:10:35¥300,000.
00:10:37This is for No. 5.
00:10:39¥300,000.
00:10:40¥300,000.
00:10:41¥300,000.
00:10:43¥300,000.
00:10:45¥300,000.
00:10:47¥300,000.
00:10:49You make me want to buy things.
00:10:51¥300,000.
00:10:53¥400,000.
00:10:55¥400,000.
00:10:57It's originally for No. 29.
00:11:00¥400,000.
00:11:02¥400,000.
00:11:04If you can't find the others, it's your loss.
00:11:06This is for No. 29.
00:11:08420,000 yen.
00:11:11Thank you very much.
00:11:14Next up is No. 125, a work by Céolisse de Grand.
00:11:20Let's start with 200,000 yen.
00:11:23200,000 yen, 200,000 yen, No. 17 for 200,000 yen.
00:11:27200,000 yen, 200,000 yen, No. 9 for 200,000 yen.
00:11:30200,000 yen, 200,000 yen, 200,000 yen, No. 9 for 200,000 yen.
00:11:36200,000 yen for No. 17.
00:11:37200,000 yen, 200,000 yen.
00:11:40200,000 yen for No. 9.
00:11:43200,000 yen for No. 13.
00:11:46200,000 yen for No. 14
00:11:49No. 14 for projection of center view to be 25,000 yen.
00:11:51290,000 yen for No. 9.
00:11:53260,000 yen for No. 25.
00:11:56270,000 yen for No. 27.
00:11:58Currently No. 9 has 270,000 yen.
00:12:00280,000 yen for No. 20.
00:12:03That guy is really good at this.
00:12:15500,000 yen.
00:12:211,000,000 yen.
00:12:271,100,000.
00:12:331,500,000.
00:12:41I'm so nervous.
00:13:03Did you give it to him?
00:13:05The person in charge told me.
00:13:07The artist of this painting is gone,
00:13:09so it's a little more valuable.
00:13:11But 1,500,000 yen is...
00:13:13I didn't buy it for investment.
00:13:15I bought it because I wanted it.
00:13:17Why are you so interested in this painting?
00:13:21It's not a painting.
00:13:23To be exact, it's a color.
00:13:25Color?
00:13:27But it's mostly black.
00:13:29That's why.
00:13:33Let's go.
00:13:39What is this?
00:13:41It's an old pigment.
00:13:43It's made of paint.
00:13:45Paint?
00:13:47All of this?
00:13:51Wow.
00:13:59This is like a thin rice cracker.
00:14:03Do you want to try it?
00:14:05I'll tell you what it is.
00:14:07It's a shell bug.
00:14:09Is this a bug?
00:14:11Crush it, boil it,
00:14:13and soak it in cotton.
00:14:15Wow.
00:14:19It was common in the Edo period,
00:14:21but it's not made anymore.
00:14:23I see.
00:14:25I'm glad you found it.
00:14:27I happened to find it.
00:14:29At the antique shop.
00:14:31Antique shop?
00:14:33That's why it's so popular.
00:14:53Wow.
00:14:57This is Ganboji.
00:14:59Ganboji?
00:15:07Wow.
00:15:09It's so beautiful.
00:15:11Interesting.
00:15:13I didn't know
00:15:15trees and bugs could be this colorful.
00:15:17It would be interesting
00:15:19to use this to draw color pencils.
00:15:21I'm looking into
00:15:23how it would work with pencils.
00:15:25I see.
00:15:27There are so many.
00:15:31I was wondering
00:15:33about the color of this painting.
00:15:37Black is...
00:15:39Squid?
00:15:41Squid is sepia.
00:15:43Black is...
00:15:47charcoal or charcoal.
00:15:49Charcoal.
00:15:51I see.
00:15:53This
00:15:55Moritz Lugran
00:15:57also tried
00:15:59using Japanese charcoal,
00:16:01but
00:16:03it didn't work.
00:16:05What?
00:16:07It didn't work?
00:16:13Izumi.
00:16:15Have you ever seen
00:16:17the darkest color?
00:16:19The darkest?
00:16:23Charcoal?
00:16:25Charcoal?
00:16:27Black is popular
00:16:29these days.
00:16:31I have one, too.
00:16:33It's cute.
00:16:35Look.
00:16:37Isn't it pretty dark?
00:16:41It's dark.
00:16:43No way.
00:16:45It's so dark
00:16:47I can't see the wings.
00:16:49It's like a black hole.
00:16:51This is a species from Gokurakucho.
00:16:53It absorbs light
00:16:55almost 100%.
00:16:57It doesn't reflect light,
00:16:59so you can't see it.
00:17:01It's probably darker.
00:17:03This is the darkest color.
00:17:05No.
00:17:09It's probably
00:17:11darker.
00:17:15There is a black color
00:17:17that doesn't exist in this world.
00:17:21And there is a black painting
00:17:23that was drawn using it.
00:17:27The artist's name is
00:17:29Nizaemon Yamamura.
00:17:31About 250 years ago...
00:17:41Yamamura
00:17:45Yamamura
00:17:47Nizaemon
00:17:53I can't find it.
00:17:55It's useless.
00:17:57There is no record
00:17:59of his name or painting.
00:18:01It's like a urban legend.
00:18:03That's why
00:18:05I can't remember it.
00:18:11Who told you that?
00:18:15Yamamura
00:18:21I forgot.
00:18:45Yamamura
00:18:53No way.
00:18:55Did he chase me
00:18:57to my house for that painting?
00:19:11Mizumi
00:19:13What's wrong?
00:19:15I was caught in a hole.
00:19:17A man came in.
00:19:19Mizumi
00:19:21Mizumi
00:19:51No.
00:20:21No.
00:20:51No.
00:21:21No.
00:21:47Did you get it back?
00:21:49No.
00:21:51I threw it away.
00:21:53The back is torn.
00:21:55It's terrible.
00:21:57It's terrible.
00:22:01Something is written.
00:22:05Is this
00:22:07the black color
00:22:09I saw in Louvre?
00:22:11Regret
00:22:13Regret
00:22:19Regret
00:22:37Do I really have to
00:22:39contact the police?
00:22:41It's troublesome to call.
00:22:45But what is
00:22:47this painting?
00:22:49The artist is gone.
00:22:57The black of Louvre
00:23:01Is it
00:23:03related to
00:23:05the blackest house in the world?
00:23:17The next location
00:23:19has been decided.
00:23:21It's Louvre.
00:23:23Is it
00:23:25in Paris?
00:23:29Is there anything else?
00:23:31It's the Louvre Museum.
00:23:48What?
00:23:50No.
00:23:52It's a painting in India.
00:24:18What is it?
00:24:20What is it?
00:24:47It's a painting in India.
00:24:49What is it?
00:24:51It's a painting in India.
00:24:53It's a painting in India.
00:24:55It's a painting in India.
00:24:57It's a painting in India.
00:24:59It's a painting in India.
00:25:01It's a painting in India.
00:25:03It's a painting in India.
00:25:05It's a painting in India.
00:25:07It's a painting in India.
00:25:09It's a painting in India.
00:25:11It's a painting in India.
00:25:13It's a painting in India.
00:25:15It's a painting in India.
00:25:33Paris.
00:25:45Paris.
00:25:47Paris.
00:26:14That summer,
00:26:16I had just made my debut.
00:26:18In order to concentrate on manga,
00:26:20I stayed at my grandmother's house.
00:26:25That year, my grandfather passed away.
00:26:27My grandmother decided to
00:26:29rent out the old inn
00:26:31as a guest house.
00:26:33She sold everything
00:26:35except the things around her.
00:26:39Mr. Kawadori.
00:26:41I don't need
00:26:43your kakejiku.
00:26:45Yes, sir.
00:26:47Sometimes, I would go out
00:26:49to the small shops,
00:26:51but there were so many rooms.
00:26:53The buildings were spacious
00:26:55and quiet.
00:26:57It was an environment
00:26:59where I could concentrate on manga.
00:27:15I'm home.
00:27:23I'm home.
00:27:25Welcome home.
00:27:45Welcome home.
00:27:57I'm sorry. I made a mistake.
00:28:05No.
00:28:07It's my grandmother's fault.
00:28:09It's hard to understand.
00:28:11It's hard to understand.
00:28:13Why is it so hard
00:28:15to tell a man from a woman?
00:28:33She was the first resident
00:28:35of my grandmother's guest house.
00:28:37She told me
00:28:39that it was inconvenient
00:28:41for her to live alone.
00:28:43She laughed at me
00:28:45as if I was her servant.
00:29:11Her name was
00:29:15Nanase.
00:29:41I'm home.
00:30:11I'm home.
00:30:25Are you looking for me?
00:30:31What?
00:30:35Are you peeping at me?
00:30:41What is this?
00:30:47Wait.
00:30:53Is this
00:30:55a manga?
00:30:57Do you draw manga?
00:30:59No, it's a misunderstanding.
00:31:01No.
00:31:03This is a manga.
00:31:05I'm drawing it,
00:31:07but I'm not peeping at you.
00:31:09You were looking at me
00:31:11the whole time.
00:31:21The other day,
00:31:23the publisher's editor
00:31:25said that
00:31:27the girl I drew
00:31:29wasn't cute.
00:31:31Even though
00:31:33a cute girl
00:31:35has nothing to do with the manga.
00:31:37That damn editor
00:31:39thinks that manga won't sell
00:31:41unless she draws a cute girl.
00:31:47But
00:31:49she's a professional.
00:31:51She has to accept it
00:31:53because she was pointed out.
00:31:57So,
00:32:01she drew you
00:32:03and studied you.
00:32:07I was rude.
00:32:09I couldn't
00:32:11refuse you.
00:32:21Are you
00:32:23a mangaka?
00:32:27No, I'm not.
00:32:31I'm not famous yet.
00:32:33Not enough to be a mangaka.
00:32:37I see.
00:32:43I
00:32:45don't know much
00:32:47about drawing or manga.
00:32:49But
00:32:51I'll tell you
00:32:53something.
00:32:55Something.
00:33:03Next time,
00:33:05I want to read your work.
00:33:13She said
00:33:15she wanted to read it,
00:33:17but she wasn't serious.
00:33:19She thought so
00:33:21and left it as it was.
00:33:27One night,
00:33:29she asked me to show her the manuscript.
00:33:31I let her in
00:33:33and she came in.
00:33:45Rohan.
00:34:03Rohan.
00:34:05Rohan.
00:34:07I'll do it another time.
00:34:09It's late.
00:34:11I don't want to
00:34:13be a crybaby.
00:34:15I'm not a crybaby.
00:34:17I'm a man.
00:34:19I'm a man.
00:34:21I'm a man.
00:34:23I'm a man.
00:34:25I'm a man.
00:34:27I'm a man.
00:34:29I'm a man.
00:34:31I'm a man.
00:34:33I'm a man.
00:34:35I don't want to
00:34:37be a crybaby.
00:34:39I don't care
00:34:41if it's good or bad.
00:34:43I don't care.
00:34:45I just
00:34:47want to see
00:34:49your best drawing.
00:34:53But it's not finished yet.
00:34:55I can't show you
00:34:57unfinished drawings.
00:34:59Really?
00:35:05I'm sorry.
00:35:07I'm sorry.
00:35:09I'm sorry.
00:35:11I'm sorry.
00:35:13I'm sorry.
00:35:15I'm sorry.
00:35:17I'm sorry.
00:35:19I'm sorry.
00:35:21I'm sorry.
00:35:23I'm sorry.
00:35:25I'm sorry.
00:35:27I'm sorry.
00:35:29I'm sorry.
00:35:31I'm sorry.
00:35:33I'm sorry.
00:35:35I'm sorry.
00:35:37I'm sorry.
00:35:39I'm sorry.
00:35:41I'm sorry.
00:35:43I'm sorry.
00:35:45I'm sorry.
00:35:47I'm sorry.
00:35:49I'm sorry.
00:35:51I'm sorry.
00:35:53I'm sorry.
00:35:55I'm sorry.
00:35:57I'm sorry.
00:35:59I'm sorry.
00:36:01I'm sorry.
00:36:03I'm sorry.
00:36:05I'm sorry.
00:36:07I'm sorry.
00:36:09I'm sorry.
00:36:11I'm sorry.
00:36:13I'm sorry.
00:36:15I'm sorry.
00:36:17I'm sorry.
00:36:19I'm sorry.
00:36:21I'm sorry.
00:36:23I'm sorry.
00:36:25I'm sorry.
00:36:27I'm sorry.
00:36:29I'm sorry.
00:36:33200 years.
00:36:39It's been 250 years.
00:36:43It was written by
00:36:45Yanagura.
00:36:51He was a painter named Nizaemon.
00:36:53He was obsessed with black.
00:36:55He found the ideal painting.
00:36:57It was a very precious piece of wood.
00:36:59If you hurt it,
00:37:01you can't get the painting back.
00:37:03But he still
00:37:05wanted to paint.
00:37:07He wanted to paint.
00:37:09He wanted to paint.
00:37:11He wanted to paint.
00:37:13He wanted to paint.
00:37:15He wanted to paint.
00:37:17He wanted to paint.
00:37:19He wanted to paint.
00:37:21He used
00:37:23the black
00:37:25to paint
00:37:31and died.
00:37:35That was
00:37:39the blackest painting.
00:37:41I see.
00:37:49Where
00:37:51is it?
00:37:55In Louvre.
00:38:01Louvre?
00:38:03Paris?
00:38:07It's a mirror reflecting light.
00:38:09It's a mirror reflecting light.
00:38:15What is the absolute black
00:38:17reflecting?
00:38:23Don't look at it.
00:38:27Don't touch it.
00:38:39You
00:38:43are looking at it.
00:38:55I'm sorry.
00:38:57You can go.
00:38:59What?
00:39:01It was fun.
00:39:09It was fun.
00:39:29What?
00:39:31Are you peeping at me again?
00:39:39I'm sorry.
00:40:09I'm sorry.
00:40:39I'm sorry.
00:41:05It's a big trouble.
00:41:07Mr. Kawadori suddenly disappeared.
00:41:11He was supposed to be here.
00:41:15Then I'll go get him.
00:41:18I guess so.
00:41:37I'll go get him.
00:41:57Mr. Kawadori!
00:42:03Mr. Kawadori!
00:42:07Mr. Kawadori!
00:42:33I want to help you.
00:42:38I want to protect you...
00:42:43from all the fear.
00:43:07I want to protect you from all the fear.
00:43:11I want to protect you from all the fear.
00:43:15I want to protect you from all the fear.
00:43:19I want to protect you from all the fear.
00:43:23I want to protect you from all the fear.
00:43:27I want to protect you from all the fear.
00:43:31I want to protect you from all the fear.
00:43:34I want to protect you from all the fear.
00:43:38I want to protect you from all the fear.
00:43:42I want to protect you from all the fear.
00:43:46I want to protect you from all the fear.
00:43:49This?
00:43:52This?
00:44:03I promised to show you this before.
00:44:06The manuscript.
00:44:10This...
00:44:12is me?
00:44:17This woman...
00:44:19is me?
00:44:25I'm not...
00:44:27completely convinced yet.
00:44:33Kuro...
00:44:46You...
00:44:50What are you doing?
00:44:55You can't write me!
00:44:57You're so stupid!
00:45:00You're so stupid!
00:45:04Kuro...
00:45:07Kuro...
00:45:11Kuro!
00:45:13Why?
00:45:19Why?
00:45:26Rohan...
00:45:30I'm sorry.
00:45:34I...
00:45:37really...
00:45:49really...
00:46:19Kuro...
00:46:44She...
00:46:46never returned.
00:46:49She never returned.
00:46:54Even when she visited her grandmother,
00:46:57she couldn't help herself.
00:47:00Nanase.
00:47:04I wonder...
00:47:07if he's still alive.
00:47:10Anyway,
00:47:12I'm going to ask someone to draw
00:47:15the picture in the warehouse.
00:47:19I heard...
00:47:22he's a foreigner.
00:47:47Is this it?
00:47:49Yes, it's perfect.
00:47:50This one's good.
00:47:52Thank you very much.
00:48:05From a room with almost no objects,
00:48:09the trace of her disappeared.
00:48:13When I returned,
00:48:15I wondered
00:48:17if she was really there.
00:48:42To be continued...
00:49:13Why did her memory
00:49:16come back with the black picture?
00:49:23It may be just curiosity.
00:49:27But I have to go.
00:49:32To the Ruble,
00:49:35the blackest picture in the world.
00:49:42To the Ruble, the blackest picture in the world.
00:50:05Emma.
00:50:07Don't you remember the Japanese visitors I told you about last week?
00:50:10They're here today.
00:50:11That's true.
00:50:13I received an email from Japan with specific questions,
00:50:16but I didn't have time to take care of it.
00:50:18Leave it, I'll take care of it.
00:50:21I'll transfer it to you right away.
00:50:24Emma.
00:50:26This manga author is famous here too.
00:50:29I'm sorry,
00:50:30you're the only one I can trust.
00:50:32Don't worry,
00:50:33count on me.
00:50:34Emma.
00:50:39Everything will be fine.
00:50:40Are you sure?
00:50:41Yes.
00:50:56About these artists and their works,
00:50:59Maurice Legrand,
00:51:01Nisaemon Yamamura.
00:51:02Nisaemon?
00:51:03Who is he?
00:51:04A Japanese painter.
00:51:06Nisaemon.
00:51:08Nisaemon.
00:51:12I'm sure I've heard that name somewhere.
00:51:20Wow!
00:51:21Amazing!
00:51:23So cool!
00:51:25Sensei!
00:51:26One picture!
00:51:27Izumi-kun, I'm not here for sightseeing.
00:51:30This is what's important.
00:51:32This is where the most interested readers
00:51:34and journalists in Paris are.
00:51:37You'll definitely have more access and it'll be clearer.
00:51:42Excuse me,
00:51:43is the Champs-Élysées still far away?
00:51:46No, ma'am.
00:51:50Of course, I'm beautiful.
00:51:53Do you see that?
00:51:54That's the Place de la Carte.
00:51:56The Place de la Carte?
00:51:57Yes, ma'am.
00:51:58I can do anything!
00:51:59Dolores.
00:52:03It's beautiful!
00:52:04Shut up.
00:52:10Hello.
00:52:12Nice to meet you.
00:52:13I'm Emma Noguchi from the Louvre Museum of Culture and Media.
00:52:17Nice to meet you.
00:52:18This is Kishibe Rohan, a manga artist.
00:52:21I'm the editor, Izumi Kiyoka.
00:52:23Nice to meet you.
00:52:24This is my car.
00:52:25This way, please.
00:52:28Thank you for your help with the interview.
00:52:32Thank you for coming all the way here.
00:52:34It's our job to convey the charm of the Louvre.
00:52:39Wow, it's so cute!
00:52:41Paris is still fashionable even for children.
00:52:44Is that so?
00:52:45You're dressed so casually, but it's still fashionable.
00:52:48Actually, I've always wanted to come to Paris since I was a kid.
00:52:53Do you live in Paris all the time?
00:52:55Yes.
00:52:56It's like Parisienne.
00:52:58What should we do?
00:53:00The Louvre is closer than the hotel we're staying at.
00:53:03Would you like to check in?
00:53:05Oh, then...
00:53:06We'll go to the Louvre.
00:53:07What?
00:53:08I've always wanted to go on a plane.
00:53:10I want to change.
00:53:11We only have a limited number of days.
00:53:13Let's interview first.
00:53:14Okay.
00:53:23Wow!
00:53:32It's bigger and wider than I expected.
00:53:37It takes a few days to get around.
00:53:40That's why it's better to interview efficiently.
00:53:43I hope I can see the backyard.
00:53:45I was told to show you around.
00:53:47That's very kind of you.
00:53:49Excuse me.
00:53:50Could you take a picture of this pyramid?
00:53:53Yes.
00:54:20No, I don't know him.
00:54:22It's not Rohan.
00:54:24Rohan Kishibe.
00:54:25It's Rohan Kishibe!
00:54:26Yes, it's him.
00:54:27I'm hallucinating.
00:54:29Mr. Rohan!
00:54:30Mr. Rohan, please!
00:54:32Rohan, please!
00:54:33I'm sorry.
00:54:35Rohan Kishibe, he's...
00:54:38I don't know him.
00:54:39Are you a fan of manga?
00:54:41Yes, of course!
00:54:43It's a joke.
00:54:45How are you dressed?
00:54:47This is the temple of art.
00:54:49Show some respect.
00:54:51Mr. Rohan, work.
00:54:53Heart, signature.
00:54:55Sorry.
00:54:56Really?
00:54:57Just a little signature.
00:54:59What about my autograph?
00:55:03It's already done.
00:55:04Thank you, sir.
00:55:06Look, look!
00:55:07Look what he did!
00:55:08What?
00:55:09Look!
00:55:10You did it!
00:55:13Hey, hey!
00:55:14Your jacket!
00:55:15Hey!
00:55:27It's amazing.
00:55:36Not just the artwork,
00:55:38but the buildings are overwhelming.
00:55:42It's a medieval fortress.
00:55:45It's been used as a royal palace.
00:55:51It's so cute.
00:56:12It's amazing.
00:56:33I didn't know you could do that.
00:56:36Louvre has always been
00:56:38committed to the development of culture and art.
00:56:41Moscha is a part of that.
00:56:44Of course, there are strict rules.
00:56:47Moscha experts...
00:56:50Oh, by the way,
00:56:52did you have a question via e-mail?
00:56:54Yes.
00:56:55First of all, about Maurice Louvre,
00:56:58he used to do the same thing.
00:57:02Moscha.
00:57:05I see.
00:57:07So what you saw in Louvre
00:57:11was a copy of the Black House in Louvre?
00:57:18About this painting...
00:57:24I think this is his original.
00:57:27After he died,
00:57:28all the nobles were disposed of.
00:57:32Actually,
00:57:34I thought he saw
00:57:36another painter,
00:57:38Nizaemon Yamamura.
00:57:41I'm looking into it.
00:57:44I mean...
00:57:46There's no Japanese in Louvre.
00:57:48Is that so?
00:57:50Yes, but...
00:57:52it's still there.
00:57:55It's possible.
00:57:59Do you know about the project
00:58:01to move Louvre's collection
00:58:03to a new storage center?
00:58:05To protect it from the Seine?
00:58:08It started a few years ago.
00:58:11More than 1,000 pieces of art
00:58:14were found in the basement.
00:58:17That's amazing.
00:58:19Really?
00:58:20It was a collection
00:58:22from the early 20th century.
00:58:24It was lost in the war.
00:58:26It was a very valuable collection.
00:58:29It contained over 100 pieces
00:58:31of East Asian art.
00:58:33Could it be
00:58:35the Black House of Nizaemon?
00:58:39The Japanese descendants
00:58:42were trapped
00:58:44in the Black House.
00:58:46They were sent to the Seine
00:58:48and were sent to the Seine.
00:58:52This is the letter
00:58:54Goho wrote to his brother.
00:58:56It's like...
00:58:58it's about you,
00:59:00Mr. Kishibe Rohan.
00:59:04Mr. Tatsumi.
00:59:10Mr. Rohan.
00:59:12Ms. Izumi.
00:59:14This is Mr. Tatsumi Ryunosuke.
00:59:16He's a professor
00:59:18at the Institute of East Asian Art.
00:59:20Hello, I'm Tatsumi.
00:59:22I'm sorry for the sudden visit.
00:59:24I saw your book the other day
00:59:26and became a fan.
00:59:28Did you read
00:59:30Pink Dark no Shounen?
00:59:32No.
00:59:33I read the cover at the bookstore.
00:59:35Well, I know most of it.
00:59:40Nice to meet you.
00:59:41It's rare to see a foreigner
00:59:43in a Louvre curator.
00:59:45I'm a temporary tenant
00:59:46because I'm short-handed.
00:59:47No, no.
00:59:48Mr. Tatsumi is famous
00:59:50as a curator.
00:59:52He asked me to help him
00:59:54with his collection.
00:59:58I see.
01:00:00I don't remember
01:00:02the Nizaimon collection,
01:00:04but I know about
01:00:06Maurice Leblanc.
01:00:08He was a passionate painter.
01:00:10He didn't sell well,
01:00:12but his painting skills were excellent.
01:00:15I'm sorry he died.
01:00:17Was he sick?
01:00:19No.
01:00:21It was an accident.
01:00:35Jacques?
01:00:41Stop!
01:00:43What do you want?
01:00:45Stop!
01:00:47Please!
01:00:49Help!
01:00:51Help!
01:00:53Help!
01:00:55Help!
01:01:04Jacques?
01:01:06Jacques, are you okay?
01:01:08Ambulance!
01:01:10Someone, please!
01:01:12Ambulance!
01:01:14Jacques?
01:01:16Spider...
01:01:24Spider...
01:01:26I...
01:01:28I want...
01:01:40I'm glad you're okay.
01:01:42I'm glad you're safe.
01:01:46Did you really jump?
01:01:48Why?
01:01:50Didn't you hear
01:01:52what he said?
01:01:56He said it was a spider.
01:01:58Yes.
01:02:00Look at this.
01:02:02It's from Maurice.
01:02:06It's a spider.
01:02:08And look at this line.
01:02:10Doesn't it look like hair?
01:02:14You're good at reading.
01:02:16Did you notice?
01:02:18Yes.
01:02:20It's too vague to say it's related.
01:02:24But it was an accident
01:02:26when Maurice died.
01:02:30Something...
01:02:32Something...
01:02:34Maurice painted something
01:02:36that he saw in Louvre.
01:02:38And...
01:02:40He regretted it.
01:02:46Something he saw in Louvre.
01:02:50He regretted it.
01:02:54That French word...
01:02:56That French word...
01:02:58It's not regret.
01:03:00It's regret.
01:03:02I thought it was regret.
01:03:06You're a good girl.
01:03:08What?
01:03:10I'm not good at writing.
01:03:12I studied a lot before the test.
01:03:14You're a good girl.
01:03:16In other words,
01:03:18he regretted it.
01:03:22He regretted it.
01:03:36Marie?
01:03:38Did Jacques use this computer
01:03:40last year?
01:03:42I think so, yes.
01:03:44Jacques was doing the research
01:03:46you asked him
01:03:48about Japanese paint.
01:03:50He said his name
01:03:52meant something to him.
01:04:07Thank you for calling.
01:04:09Did you find Nizaemon's painting?
01:04:11Jacques was doing the research
01:04:13about Nizaemon Yamamura.
01:04:15He checked the management record
01:04:17for the staff.
01:04:19It was a hit.
01:04:24Here it is.
01:04:27The painting's title is unknown.
01:04:29The author is Nizaemon Yamamura.
01:04:31Z13 is the number of the basement
01:04:33in this museum.
01:04:35Nizaemon's painting
01:04:37is in the Z13 basement.
01:04:39Is this the black painting?
01:04:41The Z13 basement
01:04:43hasn't been used
01:04:45for more than 20 years.
01:04:47Of course,
01:04:49there's no artwork there.
01:04:51It's called the abandoned basement.
01:04:53Someone left it there.
01:04:57Marie,
01:04:59Jacques said he heard
01:05:01about Nizaemon.
01:05:03He said it was a long time ago
01:05:05and he had to check something.
01:05:07Then he left.
01:05:09I think he left at 7.13.
01:05:23I'll do my best.
01:05:27It's okay. Let's go.
01:05:33Emma,
01:05:35have you seen
01:05:37Nizaemon's painting?
01:05:39What?
01:05:41Mr. Rohan,
01:05:43I was surprised.
01:05:45I looked it up
01:05:47but I couldn't find
01:05:49Nizaemon's painting
01:05:51in the collection.
01:05:53It's true.
01:05:55I didn't expect
01:05:57to find it.
01:05:59Emma,
01:06:01I'll go with you.
01:06:03The Z13 painting?
01:06:05It's related to Japanese art.
01:06:07Okay.
01:06:09Let's go.
01:06:19I'm Yugo and Nicholas.
01:06:21It's an old painting
01:06:23and it looks like a maze.
01:06:25I'll ask you to give me
01:06:27your phones, cameras
01:06:29and tools.
01:06:31You can damage the paintings.
01:06:33Bricks, flammable objects,
01:06:35pens, knives,
01:06:37and keys.
01:06:39You're a firefighter.
01:06:41Firefighters are in charge of Louvre.
01:06:43When something happens,
01:06:45they evacuate the artwork.
01:06:47They know all the secret passages
01:06:49and the keys to all the doors.
01:06:51The Z13 painting.
01:06:53Of course.
01:06:55Let's go.
01:06:59Let's go.
01:07:13The Z13 painting
01:07:15is downstairs.
01:07:19I'm sorry.
01:07:23It's from Marie.
01:07:25I found out who
01:07:27the painter is.
01:07:29Gaucher Bigotin.
01:07:31He was a curator at the Louvre
01:07:3320 years ago.
01:07:35According to the records,
01:07:37he registered the painting
01:07:39in the Z13.
01:07:51Is the curator still here?
01:07:53No, he disappeared
01:07:55a few days ago.
01:08:01Have you seen him?
01:08:03No.
01:08:05That's the painter.
01:08:11Sir.
01:08:25Sir.
01:08:55The Z13 painting
01:08:57is downstairs.
01:09:17It's a strange darkness.
01:09:21I can't believe the painting
01:09:23is still here.
01:09:25Something moved.
01:09:27It must be a rat.
01:09:29Do you think so?
01:09:31I think so.
01:09:45Tatsumi.
01:09:47Tatsumi, look.
01:09:53This is...
01:09:57This is...
01:09:59No way.
01:10:01Do you know this painting?
01:10:03I'm sure it's
01:10:05by Vermeer.
01:10:07Vermeer?
01:10:09Is he famous?
01:10:11Maybe.
01:10:13But
01:10:15there's no such painting.
01:10:17There is.
01:10:19It's in the collection.
01:10:21I'm sure
01:10:23it's by Vermeer.
01:10:25If it's released,
01:10:27it'll be a sensation.
01:10:31But this painting
01:10:33should be in the storage.
01:10:35Why?
01:10:37Did you forget it?
01:10:39No way.
01:10:41Then
01:10:43it's a fake?
01:10:47That's right.
01:10:49Wake up.
01:10:51She's right.
01:10:53It's not real.
01:10:55It's a fake.
01:10:57Nicely done, though.
01:10:59Nikola, check.
01:11:01Yes, sir.
01:11:05Perseverance.
01:11:11So there was no tension then?
01:11:19No.
01:11:23This painting is original.
01:11:25No way.
01:11:27This painting
01:11:29has a real reality.
01:11:31I'm sure
01:11:33it's by Vermeer.
01:11:35That's right.
01:11:37But
01:11:39what's in the storage?
01:11:41M...
01:11:43Le Grand?
01:11:45Maurice Le Grand?
01:11:47It's a fake?
01:11:49Since the original is here,
01:11:51it's not a fake
01:11:53that Maurice painted.
01:11:55It's an original.
01:11:57No way.
01:11:59If it's a fake,
01:12:01it must be 20% bigger
01:12:03than the original.
01:12:05It's impossible.
01:12:07It's impossible.
01:12:09There's a rule
01:12:11to change the size of the painting
01:12:13to 20% bigger than the original.
01:12:15The original is only allowed
01:12:17to be exhibited.
01:12:19But this Vermeer
01:12:21is not even on display.
01:12:23It's impossible.
01:12:25That's why I used this place.
01:12:27No one comes here.
01:12:29A forgotten warehouse?
01:12:31Izumi-kun,
01:12:33I came up with a new plot.
01:12:35What?
01:12:37Maurice was
01:12:39a member
01:12:41of the art-consumption group.
01:12:43What are you going to do?
01:12:49I'm going to use
01:12:51this unused Z13 warehouse
01:12:53to create a successful
01:12:55original painting.
01:12:57I'm going to use
01:12:59this Z13 warehouse
01:13:01to create a successful
01:13:03original painting.
01:13:09I'm going to send
01:13:11the original painting
01:13:13to the warehouse.
01:13:19Maurice will take
01:13:21the original painting
01:13:25and hide it
01:13:27overseas.
01:13:29If you buy Maurice's painting
01:13:31at an auction overseas,
01:13:33there will be a famous painting
01:13:35behind it.
01:13:37What do you think?
01:13:41It's interesting,
01:13:43but I don't think I can do it.
01:13:45I can't do that with just the author's permission.
01:13:47What if you had a partner?
01:13:49A person who can
01:13:51freely go around the Louvre.
01:13:53A fireman
01:13:55or
01:14:01a curator.
01:14:07I was caught from the beginning.
01:14:09I was caught from the beginning.
01:14:11I'm not a fan,
01:14:13but I came to see the artist
01:14:15and got close to him.
01:14:17but I came to see the artist
01:14:19and got close to him.
01:14:21However,
01:14:23it's too unrealistic
01:14:27to live like that.
01:14:35It's a boring plot
01:14:37that even Mr. Rohan can't think of.
01:14:39No, I'm sorry.
01:14:41But I'm disappointed.
01:14:47What are you doing?
01:14:49Don't you see me?
01:14:51What are these fucking soldiers doing here?
01:14:53What are you doing here?
01:14:55Nicolas!
01:15:01Nicolas!
01:15:03What's wrong with him?
01:15:05I don't know.
01:15:07They shot him.
01:15:09Nicolas!
01:15:11What did you do?
01:15:13What did you do?
01:15:15He's not dead.
01:15:17Don't lie to me!
01:15:19We were working in Japan.
01:15:21They told us to watch out for you.
01:15:23Hugo!
01:15:25So the auction guys were connected.
01:15:27Sensei!
01:15:37Stop it, Hugo!
01:15:49Stop it!
01:16:03Hugo!
01:16:05Hugo!
01:16:07Hugo!
01:16:09Hugo!
01:16:11Hugo!
01:16:13Hugo!
01:16:15Hugo!
01:16:17Mr. Rohan.
01:16:19I knew it.
01:16:21You knew something about us.
01:16:23That's why you came here.
01:16:25That's why you came here.
01:16:27You bought Boris' painting
01:16:29at the auction house
01:16:31and came all the way to Paris.
01:16:33No.
01:16:35I just came here
01:16:37to look for Nizaemon's painting.
01:16:39Boris suddenly went crazy.
01:16:41He started laughing.
01:16:43He started laughing.
01:16:45Maybe he saw something here.
01:16:55That is
01:16:57Nizaemon's
01:17:01darkest
01:17:03and
01:17:07most evil painting
01:17:09in the world.
01:17:15Boris?
01:17:17You...
01:17:19Why?
01:17:29Don't look at it.
01:17:35Don't touch it.
01:17:37Sensei!
01:17:39Don't look at it.
01:17:41Don't look at me.
01:17:43Boris!
01:17:45Stop it!
01:17:49Stop it!
01:17:57Pierre?
01:17:59Is that you, Pierre?
01:18:01Is that you?
01:18:05Pierre?
01:18:07What's going on?
01:18:09I'm scared.
01:18:11What's going on?
01:18:13It's a hallucination.
01:18:15They are hallucinating.
01:18:19Hallucination?
01:18:23If I didn't
01:18:29let go of his hand
01:18:35Pierre
01:18:37It's all my fault.
01:18:41It's all my fault.
01:18:45Forgive me.
01:18:55Emma!
01:18:57Don't look at it.
01:18:59Emma!
01:19:03Emma!
01:19:07Emma!
01:19:15Emma!
01:19:19Izumi, get out.
01:19:21Take her outside.
01:19:23Hurry up!
01:19:25Yes!
01:19:27I'm sorry.
01:19:29I apologize.
01:19:31I'm sorry.
01:19:35I deceived you.
01:19:39But
01:19:41I didn't mean to kill you.
01:19:45It wasn't on purpose.
01:19:53Dicky...
01:19:57Dicky and
01:19:59Wait.
01:20:01Wait.
01:20:03Stop!
01:20:05Wait.
01:20:07Back off!
01:20:09Wait.
01:20:11Wait!
01:20:13Wait.
01:20:15Wait.
01:20:19You died because of Grandpa, didn't you?
01:20:21You died because of Grandpa.
01:20:23He was crazy.
01:20:25He was crazy.
01:20:27He was crazy.
01:20:29He was crazy.
01:20:33The reflection of light
01:20:35reflects people.
01:20:39But what does absolute black
01:20:41reflect?
01:20:45That is
01:20:51the past.
01:20:57And
01:21:01what attacks you
01:21:05is the sin
01:21:07you committed
01:21:09in the past.
01:21:13And
01:21:15the regret
01:21:17you have in your heart.
01:21:19That's not all.
01:21:21Probably
01:21:23even the sin
01:21:25you committed in the past
01:21:27attacks you.
01:21:31No one
01:21:33can escape
01:21:35the bond of blood.
01:21:41And
01:21:45Morris
01:21:47was
01:21:53tormented
01:21:55by the sin
01:21:57and wrote
01:21:59a poem
01:22:11about black
01:22:13and was
01:22:17tormented
01:22:19by the sin
01:22:21and wrote
01:22:23a poem
01:22:25about black
01:22:27and was
01:22:29tormented
01:22:31by the sin
01:22:33and wrote
01:22:35a poem
01:22:37about black
01:22:39and was
01:22:41tormented
01:22:43by the sin
01:22:45and wrote
01:22:47a poem
01:22:49about black
01:22:51and was
01:22:53tormented
01:22:55by the sin
01:22:57and wrote
01:22:59a poem
01:23:01about black
01:23:03and was
01:23:05tormented
01:23:07by the sin
01:23:09and wrote
01:23:11a poem
01:23:13about black
01:23:15and was
01:23:17tormented
01:23:19by the sin
01:23:21and wrote
01:23:23a poem
01:23:25about black
01:23:27and was
01:23:29tormented
01:23:31by the sin
01:23:33and wrote
01:23:35a poem
01:23:37about black
01:23:39and was
01:23:41tormented
01:23:43by the sin
01:23:45and wrote
01:23:47a poem
01:23:49about black
01:23:51and was
01:23:53tormented
01:23:55by the sin
01:23:57and wrote
01:23:59a poem
01:24:01about black
01:24:03and was
01:24:05tormented
01:24:07by the sin
01:24:09and wrote
01:24:11a poem
01:24:13about black
01:24:15and was
01:24:17tormented
01:24:19by the sin
01:24:21and wrote
01:24:23a poem
01:24:25about black
01:24:27and was
01:24:29tormented
01:24:31by the sin
01:24:33and wrote
01:24:35a poem
01:24:37about black
01:24:39and was
01:24:41tormented
01:24:43by the sin
01:24:45and wrote
01:24:47a poem
01:24:49about black
01:24:51and was
01:24:53tormented
01:24:55by the sin
01:24:57and wrote
01:24:59a poem
01:25:01about black
01:25:03and was
01:25:05tormented
01:25:07by the sin
01:25:09and wrote
01:25:11a poem
01:25:13about black
01:25:15and was
01:25:17tormented
01:25:19by the sin
01:25:21and wrote
01:25:23a poem
01:25:25about black
01:25:27and was
01:25:29tormented
01:25:31by the sin
01:25:33and wrote
01:25:35a poem
01:25:37about black
01:25:39and was
01:25:41tormented
01:25:43by the sin
01:25:45and wrote
01:25:47a poem
01:25:49about black
01:25:51and was
01:25:53tormented
01:25:55by the sin
01:25:57and wrote
01:25:59a poem
01:26:01about black
01:26:03and was
01:26:05tormented
01:26:07by the sin
01:26:09and wrote
01:26:11a poem
01:26:13about black
01:26:15and was
01:26:17tormented
01:26:19by the sin
01:26:21and wrote
01:26:23a poem
01:26:25about black
01:26:27and was
01:26:29tormented
01:26:31by the sin
01:26:33and wrote
01:26:35a poem
01:26:37about black
01:26:39and was
01:26:41tormented
01:26:43by the sin
01:26:45and wrote
01:26:47a poem
01:26:49about black
01:26:51and was
01:26:53tormented
01:26:55by the sin
01:26:57and wrote
01:26:59a poem
01:27:01about black
01:27:03and was
01:27:05tormented
01:27:07by the sin
01:27:09and wrote
01:27:11a poem
01:27:13about black
01:27:15and was
01:27:17tormented
01:27:19by the sin
01:27:21and wrote
01:27:23a poem
01:27:25about black
01:27:27and was
01:27:29tormented
01:27:31by the sin
01:27:33and wrote
01:27:35a poem
01:27:37about black
01:27:39and was
01:27:41tormented
01:27:43by the sin
01:27:45and wrote
01:27:47a poem
01:27:49about black
01:27:51and was
01:27:53tormented
01:27:55by the sin
01:27:57and wrote
01:27:59a poem
01:28:01about black
01:28:03and was
01:28:05tormented
01:28:07by the sin
01:28:09and wrote
01:28:11a poem
01:28:13about black
01:28:15and was
01:28:17tormented
01:28:19by the sin
01:28:21and wrote
01:28:23a poem
01:28:25about black
01:28:27and was
01:28:29tormented
01:28:31by the sin
01:28:33and wrote
01:28:35a poem
01:28:37about black
01:28:39and was
01:28:41tormented
01:28:43by the sin
01:28:45and wrote
01:28:47a poem
01:28:49about black
01:28:51and was
01:28:53tormented
01:28:55by the sin
01:28:57and wrote
01:28:59a poem
01:29:01about black
01:29:03and was
01:29:05tormented
01:29:07by the sin
01:29:09and wrote
01:29:11a poem
01:29:13about black
01:29:15and was
01:29:17tormented
01:29:19by the sin
01:29:21and wrote
01:29:23a poem
01:29:25about black
01:29:27and was
01:29:29tormented
01:29:31by the sin
01:29:33and wrote
01:29:35a poem
01:29:37about black
01:29:39and was
01:29:41tormented
01:29:43by the sin
01:29:45and wrote
01:29:47a poem
01:29:49about black
01:29:51and was
01:29:53tormented
01:29:55by the sin
01:29:57and wrote
01:29:59a poem
01:30:01about black
01:30:03and was
01:30:05tormented
01:30:07by the sin
01:30:09and wrote
01:30:11a poem
01:30:13about black
01:30:15and was
01:30:17tormented
01:30:19by the sin
01:30:21and wrote
01:30:23a poem
01:30:25about black
01:30:27and was
01:30:29tormented
01:30:31by the sin
01:30:33and wrote
01:30:35a poem
01:30:37about black
01:30:39and was
01:30:41tormented
01:30:43by the sin
01:30:45and wrote
01:30:47a poem
01:30:49about black
01:30:51and was
01:30:53tormented
01:30:55by the sin
01:30:57and wrote
01:30:59a poem
01:31:01about black
01:31:03and was
01:31:05tormented
01:31:07by the sin
01:31:09and wrote
01:31:11a poem
01:31:13about black
01:31:15and was
01:31:17tormented
01:31:19by the sin
01:31:21and wrote
01:31:23a poem
01:31:25about black
01:31:27and was
01:31:29tormented
01:31:31by the sin
01:31:33and wrote
01:31:35a poem
01:31:37about black
01:31:39and was
01:31:41tormented
01:31:43by the sin
01:31:45and wrote
01:31:47a poem
01:31:49about black
01:31:51and was
01:31:53tormented
01:31:55by the sin
01:31:57and wrote
01:31:59a poem
01:32:01about black
01:32:03and was
01:32:05tormented
01:32:07by the sin
01:32:09and wrote
01:32:11a poem
01:32:13about black
01:32:15and was
01:32:17tormented
01:32:19by the sin
01:32:21and wrote
01:32:23a poem
01:32:25about black
01:32:27and was
01:32:29tormented
01:32:31by the sin
01:32:33and wrote
01:32:35a poem
01:32:37about black
01:32:39and was
01:32:41tormented
01:32:43by the sin
01:32:45and wrote
01:32:47a poem
01:32:49about black
01:32:51and was
01:32:53tormented
01:32:55by the sin
01:32:57and wrote
01:32:59a poem
01:33:01about black
01:33:03and was
01:33:05tormented
01:33:07by the sin
01:33:09and wrote
01:33:11a poem
01:33:13about black
01:33:15and was
01:33:17tormented
01:33:19by the sin
01:33:21and wrote
01:33:23a poem
01:33:25about black
01:33:27and was
01:33:29tormented
01:33:31by the sin
01:33:33and wrote
01:33:35a poem
01:33:37about black
01:33:39and was
01:33:41tormented
01:33:43by the sin
01:33:45and wrote
01:33:47a poem
01:33:49about black
01:33:51and was
01:33:53tormented
01:33:55by the sin
01:33:57and wrote
01:33:59a poem
01:34:01about black
01:34:03and was
01:34:05tormented
01:34:07by the sin
01:34:09and wrote
01:34:11a poem
01:34:13about black
01:34:15and was
01:34:17tormented
01:34:19by the sin
01:34:21and wrote
01:34:23a poem
01:34:25about black
01:34:27and was
01:34:29tormented
01:34:31by the sin
01:34:33and wrote
01:34:35a poem
01:34:37about black
01:34:39and was
01:34:41tormented
01:34:43by the sin
01:34:45and wrote
01:34:47a poem
01:34:49about black
01:34:51and was
01:34:53tormented
01:34:55by the sin
01:34:57and wrote
01:34:59a poem
01:35:01about black
01:35:03and was
01:35:05tormented
01:35:07by the sin
01:35:09and wrote
01:35:11a poem
01:35:13about black
01:35:15and was
01:35:17tormented
01:35:19by the sin
01:35:21and wrote
01:35:23a poem
01:35:25about black
01:35:27and was
01:35:29tormented
01:35:31by the sin
01:35:33and wrote
01:35:35a poem
01:35:37about black
01:35:39and was
01:35:41tormented
01:35:43by the sin
01:35:45and wrote
01:35:47a poem
01:35:49about black
01:35:51and was
01:35:53tormented
01:35:55by the sin
01:35:57and wrote
01:35:59a poem
01:36:01about black
01:36:03and was
01:36:05tormented
01:36:07by the sin
01:36:09and wrote
01:36:11a poem
01:36:13about black
01:36:15and was
01:36:17tormented
01:36:19by the sin
01:36:21and wrote
01:36:23a poem
01:36:25about black
01:36:27and was
01:36:29tormented
01:36:31by the sin
01:36:33and wrote
01:36:35a poem
01:36:37about black
01:36:39and was
01:36:41tormented
01:36:43by the sin
01:36:45and wrote
01:36:47a poem
01:36:49about black
01:36:51and was
01:36:53tormented
01:36:55by the sin
01:36:57and wrote
01:36:59a poem
01:37:01about black
01:37:03and was
01:37:05tormented
01:37:07by the sin
01:37:09and wrote
01:37:11a poem
01:37:13about black
01:37:15and was
01:37:17tormented
01:37:19by the sin
01:37:21and wrote
01:37:23a poem
01:37:25about black
01:37:27and was
01:37:29tormented
01:37:31by the sin
01:37:33and wrote
01:37:35a poem
01:37:37about black
01:37:39and was
01:37:41tormented
01:37:43by the sin
01:37:45and wrote
01:37:47a poem
01:37:49about black
01:37:51and was
01:37:53tormented
01:37:55by the sin
01:37:57and wrote
01:37:59a poem
01:38:01about black
01:38:03and was
01:38:05tormented
01:38:07by the sin
01:38:09and wrote
01:38:11a poem
01:38:13about black
01:38:15and was
01:38:17tormented
01:38:19by the sin
01:38:21and wrote
01:38:23a poem
01:38:25about black
01:38:27and was
01:38:29tormented
01:38:31by the sin
01:38:33and wrote
01:38:35a poem
01:38:37about black
01:38:39and was
01:38:41tormented
01:38:43by the sin
01:38:45and wrote
01:38:47a poem
01:38:49about black
01:38:51and was
01:38:53tormented
01:38:55by the sin
01:38:57and wrote
01:38:59a poem
01:39:01about black
01:39:03and was
01:39:05tormented
01:39:07by the sin
01:39:09and wrote
01:39:11a poem
01:39:13about black
01:39:15and was
01:39:17tormented
01:39:19by the sin
01:39:21and wrote
01:39:23a poem
01:39:25about black
01:39:27and was
01:39:29tormented
01:39:31by the sin
01:39:33and wrote
01:39:35a poem
01:39:37about black
01:39:39and was
01:39:41tormented
01:39:43by the sin
01:39:45and wrote
01:39:47a poem
01:39:49about black
01:39:51and was
01:39:53tormented
01:39:55by the sin
01:39:57and wrote
01:39:59a poem
01:40:01about black
01:40:03and was
01:40:05tormented
01:40:07by the sin
01:40:09and wrote
01:40:11a poem
01:40:13about black
01:40:15and was
01:40:17tormented
01:40:19by the sin
01:40:21and wrote
01:40:23a poem
01:40:25about black
01:40:27and was
01:40:29tormented
01:40:31by the sin
01:40:33and wrote
01:40:35a poem
01:40:37about black
01:40:39and was
01:40:41tormented
01:40:43by the sin
01:40:45and wrote
01:40:47a poem
01:40:49about black
01:40:51and was
01:40:53tormented
01:40:55by the sin
01:40:57and wrote
01:40:59a poem
01:41:01about black
01:41:03and was
01:41:05tormented
01:41:07by the sin
01:41:09and wrote
01:41:11a poem
01:41:13about black
01:41:15and was
01:41:17tormented
01:41:19by the sin
01:41:21and wrote
01:41:23a poem
01:41:25about black
01:41:27and was
01:41:29tormented
01:41:31by the sin
01:41:33and wrote
01:41:35a poem
01:41:37about black
01:41:39and was
01:41:41tormented
01:41:43by the sin
01:41:45and wrote
01:41:47a poem
01:41:49about black
01:41:51and was
01:41:53tormented
01:41:55by the sin
01:41:57and wrote
01:41:59a poem
01:42:01about black
01:42:03and was
01:42:05tormented
01:42:07by the sin
01:42:09and wrote
01:42:11a poem
01:42:13about black
01:42:15and was
01:42:17tormented
01:42:19by the sin
01:42:21and wrote
01:42:23a poem
01:42:25about black
01:42:27and was
01:42:29tormented
01:42:31by the sin
01:42:33and wrote
01:42:35a poem
01:42:37about black
01:42:39and was
01:42:41tormented
01:42:43by the sin
01:42:45and wrote
01:42:47a poem
01:42:49about black
01:42:51and was
01:42:53tormented
01:42:55by the sin
01:42:57and wrote
01:42:59a poem
01:43:01about black
01:43:03and was
01:43:05tormented
01:43:07by the sin
01:43:09and wrote
01:43:11a poem
01:43:13about black
01:43:15and was
01:43:17tormented
01:43:19by the sin
01:43:21and wrote
01:43:23a poem
01:43:25about black
01:43:27and was
01:43:29tormented
01:43:31by the sin
01:43:33and wrote
01:43:35a poem
01:43:37about black
01:43:39and was
01:43:41tormented
01:43:43by the sin
01:43:45and wrote
01:43:47a poem
01:43:49about black
01:43:51and was
01:43:53tormented
01:43:55by the sin
01:43:57and wrote
01:43:59a poem
01:44:01about black
01:44:03and was
01:44:05tormented
01:44:07by the sin
01:44:09and wrote
01:44:11a poem
01:44:13about black
01:44:15and was
01:44:17tormented
01:44:19by the sin
01:44:21and wrote
01:44:23a poem
01:44:25about black
01:44:27and was
01:44:29tormented
01:44:31by the sin
01:44:33and wrote
01:44:35a poem
01:44:37about black
01:44:39and was
01:44:41tormented
01:44:43by the sin
01:44:45and wrote
01:44:47a poem
01:44:49about black
01:44:51and was
01:44:53tormented
01:44:55by the sin
01:44:57and wrote
01:44:59a poem
01:45:01about black
01:45:03and was
01:45:05tormented
01:45:07by the sin
01:45:09and wrote
01:45:11a poem
01:45:13about black
01:45:15and was
01:45:17tormented
01:45:19by the sin
01:45:21and wrote
01:45:23a poem
01:45:25about black
01:45:27and was
01:45:29tormented
01:45:31by the sin
01:45:33and wrote
01:45:35a poem
01:45:37about black
01:45:39and was
01:45:41tormented
01:45:43by the sin
01:45:45and wrote
01:45:47a poem
01:45:49about black
01:45:51and was
01:45:53tormented
01:45:55by the sin
01:45:57and wrote
01:45:59a poem
01:46:01about black
01:46:03and was
01:46:05tormented
01:46:07by the sin
01:46:09and wrote
01:46:11a poem
01:46:13about black
01:46:15and was
01:46:17tormented
01:46:19by the sin
01:46:21and wrote
01:46:23a poem
01:46:25about black
01:46:27and was
01:46:29tormented
01:46:31by the sin
01:46:33and wrote
01:46:35a poem
01:46:37about black
01:46:39and was
01:46:41tormented
01:46:43by the sin
01:46:45and wrote
01:46:47a poem
01:46:49about black
01:46:51and was
01:46:53tormented
01:46:55by the sin
01:46:57and wrote
01:46:59a poem
01:47:01about black
01:47:03and was
01:47:05tormented
01:47:07by the sin
01:47:09and wrote
01:47:11a poem
01:47:13about black
01:47:15and was
01:47:17tormented
01:47:19by the sin
01:47:21and wrote
01:47:23a poem
01:47:25about black
01:47:27and was
01:47:29tormented
01:47:31by the sin
01:47:33and wrote
01:47:35a poem
01:47:37about black
01:47:39and was
01:47:41tormented
01:47:43by the sin
01:47:45and wrote
01:47:47a poem
01:47:49about black
01:47:51and was
01:47:53tormented
01:47:55by the sin
01:47:57and wrote
01:47:59a poem
01:48:01about black
01:48:03and was
01:48:05tormented
01:48:07by the sin
01:48:09and wrote
01:48:11a poem
01:48:13about black
01:48:15and was
01:48:17tormented
01:48:19by the sin
01:48:21and wrote
01:48:23a poem
01:48:25about black
01:48:27and was
01:48:29tormented
01:48:31by the sin
01:48:33and wrote
01:48:35a poem
01:48:37about black
01:48:39and was
01:48:41tormented
01:48:43by the sin
01:48:45and wrote
01:48:47a poem
01:48:49about black
01:48:51and was
01:48:53tormented
01:48:55by the sin
01:48:57and wrote
01:48:59a poem
01:49:01about black
01:49:03and was
01:49:05tormented
01:49:07by the sin
01:49:09and wrote
01:49:11a poem
01:49:13about black
01:49:15and was
01:49:17tormented
01:49:19by the sin
01:49:21and wrote
01:49:23a poem
01:49:25about black
01:49:27and was
01:49:29tormented
01:49:31by the sin
01:49:33and wrote
01:49:35a poem
01:49:37about black
01:49:39and was
01:49:41tormented
01:49:43by the sin
01:49:45and wrote
01:49:47a poem
01:49:49about black
01:49:51and was
01:49:53tormented
01:49:55by the sin
01:49:57and wrote
01:49:59a poem
01:50:01about black
01:50:03and was
01:50:05tormented
01:50:07by the sin
01:50:09and wrote
01:50:11a poem
01:50:13about black
01:50:15and was
01:50:17tormented
01:50:19by the sin
01:50:21and wrote
01:50:23a poem
01:50:25about black
01:50:27and was
01:50:29tormented
01:50:31by the sin
01:50:33and wrote
01:50:35a poem
01:50:37about black
01:50:39and was
01:50:41tormented
01:50:43by the sin
01:50:45and wrote
01:50:47a poem
01:50:49about black
01:50:51and was
01:50:53tormented
01:50:55by the sin
01:50:57and wrote
01:50:59a poem
01:51:01about black
01:51:03and was
01:51:05tormented
01:51:07by the sin
01:51:09and wrote
01:51:11a poem
01:51:13about black
01:51:15and was
01:51:17tormented
01:51:19by the sin
01:51:21and wrote
01:51:23a poem
01:51:25about black
01:51:27and was
01:51:29tormented
01:51:31by the sin
01:51:33and wrote
01:51:35a poem
01:51:37about black
01:51:39and was
01:51:41tormented
01:51:43by the sin
01:51:45and wrote
01:51:47a poem
01:51:49about black
01:51:51and was
01:51:53tormented
01:51:55by the sin
01:51:57and wrote
01:51:59a poem
01:52:01about black
01:52:03and was
01:52:05tormented
01:52:07by the sin
01:52:09The title of this documentary is
01:52:13Kishibe Rohan
01:52:15Rue Break
01:52:27Keep your wrist at 90 degrees
01:52:29Don't bend your fingers
01:52:31Keep them straight
01:52:39Hands in front
01:52:41Keep your wrist at 90 degrees
01:52:43Don't bend your fingers
01:52:45One, two, three
01:53:09Keep your wrist at 90 degrees
01:53:11Don't bend your fingers
01:53:13Hands in front
01:53:15Keep your wrist at 90 degrees
01:53:17Don't bend your fingers
01:53:19Hands in front
01:53:21Keep your wrist at 90 degrees
01:53:23Don't bend your fingers
01:53:25Hands in front
01:53:27Keep your wrist at 90 degrees
01:53:29Don't bend your fingers
01:53:31Hands in front
01:53:33Keep your wrist at 90 degrees
01:53:35Don't bend your fingers
01:53:37Keep your wrist at 90 degrees
01:53:39Don't bend your fingers
01:53:41Hands in front
01:53:43Keep your wrist at 90 degrees
01:53:45Don't bend your fingers
01:53:47Hands in front
01:53:49Keep your wrist at 90 degrees
01:53:51Don't bend your fingers
01:53:53Hands in front
01:53:55Keep your wrist at 90 degrees
01:53:57Don't bend your fingers
01:53:59Hands in front
01:54:01Keep your wrist at 90 degrees
01:54:03Don't bend your fingers
01:54:05Keep your wrist at 90 degrees
01:54:07Don't bend your fingers
01:54:09Keep your wrist at 90 degrees
01:54:11Don't bend your fingers
01:54:13Keep your wrist at 90 degrees
01:54:15Don't bend your fingers
01:54:17Keep your wrist at 90 degrees
01:54:19Don't bend your fingers
01:54:21Keep your wrist at 90 degrees
01:54:23Don't bend your fingers
01:54:25Keep your wrist at 90 degrees
01:54:27Don't bend your fingers
01:54:29Keep your wrist at 90 degrees
01:54:31Don't bend your fingers
01:54:33Keep your wrist at 90 degrees
01:54:35Don't bend your fingers
01:54:37Keep your wrist at 90 degrees
01:54:39Don't bend your fingers
01:54:41Keep your wrist at 90 degrees
01:54:43Don't bend your fingers
01:54:45Keep your wrist at 90 degrees
01:54:47Don't bend your fingers
01:54:49Keep your wrist at 90 degrees
01:54:51Don't bend your fingers
01:54:53Keep your wrist at 90 degrees
01:54:55Don't bend your fingers
01:54:57Keep your wrist at 90 degrees
01:54:59Don't bend your fingers
01:55:01Keep your wrist at 90 degrees
01:55:03Don't bend your fingers
01:55:05Keep your wrist at 90 degrees
01:55:07Don't bend your fingers
01:55:09Keep your wrist at 90 degrees
01:55:11Don't bend your fingers
01:55:13Keep your wrist at 90 degrees
01:55:15Don't bend your fingers
01:55:17Keep your wrist at 90 degrees
01:55:19Don't bend your fingers
01:55:21Keep your wrist at 90 degrees
01:55:23Don't bend your fingers
01:55:25Keep your wrist at 90 degrees
01:55:27Don't bend your fingers
01:55:29Keep your wrist at 90 degrees
01:55:31Don't bend your fingers
01:55:33Keep your wrist at 90 degrees
01:55:35Don't bend your fingers
01:55:37Keep your wrist at 90 degrees
01:55:39Don't bend your fingers
01:55:41Keep your wrist at 90 degrees
01:55:43Don't bend your fingers
01:55:45Keep your wrist at 90 degrees
01:55:47Don't bend your fingers
01:55:49Keep your wrist at 90 degrees
01:55:51Don't bend your fingers
01:55:53Keep your wrist at 90 degrees
01:55:55Don't bend your fingers
01:55:57Keep your wrist at 90 degrees
01:55:59Don't bend your fingers
01:56:01Keep your wrist at 90 degrees
01:56:03Don't bend your fingers
01:56:05Keep your wrist at 90 degrees
01:56:07Don't bend your fingers
01:56:09Keep your wrist at 90 degrees
01:56:11Don't bend your fingers
01:56:13Keep your wrist at 90 degrees
01:56:15Don't bend your fingers
01:56:17Keep your wrist at 90 degrees
01:56:19Don't bend your fingers
01:56:21Keep your wrist at 90 degrees
01:56:23Don't bend your fingers
01:56:25Keep your wrist at 90 degrees
01:56:27Don't bend your fingers
01:56:29Keep your wrist at 90 degrees
01:56:31Don't bend your fingers
01:56:33Keep your wrist at 90 degrees
01:56:35Don't bend your fingers
01:56:37Keep your wrist at 90 degrees
01:56:39Don't bend your fingers
01:56:41Keep your wrist at 90 degrees
01:56:43Don't bend your fingers
01:56:45Keep your wrist at 90 degrees
01:56:47Don't bend your fingers
01:56:49Keep your wrist at 90 degrees
01:56:51Don't bend your fingers
01:56:53Keep your wrist at 90 degrees
01:56:55Don't bend your fingers
01:56:57Keep your wrist at 90 degrees
01:56:59Don't bend your fingers
01:57:01Keep your wrist at 90 degrees
01:57:03Don't bend your fingers
01:57:05Keep your wrist at 90 degrees
01:57:07Don't bend your fingers
01:57:09Keep your wrist at 90 degrees
01:57:11Don't bend your fingers
01:57:13Keep your wrist at 90 degrees
01:57:15Don't bend your fingers
01:57:17Keep your wrist at 90 degrees
01:57:19Don't bend your fingers
01:57:21Keep your wrist at 90 degrees
01:57:23Don't bend your fingers
01:57:25Keep your wrist at 90 degrees
01:57:27Don't bend your fingers
01:57:29Keep your wrist at 90 degrees
01:57:31Don't bend your fingers
01:57:33Keep your wrist at 90 degrees
01:57:35Don't bend your fingers
01:57:37Keep your wrist at 90 degrees
01:57:39Don't bend your fingers
01:57:41Keep your wrist at 90 degrees
01:57:43Don't bend your fingers
01:57:45Keep your wrist at 90 degrees
01:57:47Don't bend your fingers
01:57:49Keep your wrist at 90 degrees
01:57:51Don't bend your fingers
01:57:53Keep your wrist at 90 degrees
01:57:55Don't bend your fingers
01:57:57Keep your wrist at 90 degrees
01:57:59Don't bend your fingers
01:58:01Keep your wrist at 90 degrees
01:58:03Don't bend your fingers
01:58:05Keep your wrist at 90 degrees
01:58:07Don't bend your fingers
01:58:09Keep your wrist at 90 degrees
01:58:11Don't bend your fingers
01:58:13Keep your wrist at 90 degrees
01:58:15Don't bend your fingers
01:58:17Keep your wrist at 90 degrees
01:58:19Don't bend your fingers
01:58:21Keep your wrist at 90 degrees
01:58:23Don't bend your fingers
01:58:25Keep your wrist at 90 degrees
01:58:27Don't bend your fingers
01:58:29Keep your wrist at 90 degrees
01:58:31Don't bend your fingers
01:58:33Keep your wrist at 90 degrees
01:58:35Don't bend your fingers
01:58:37Keep your wrist at 90 degrees
01:58:39Don't bend your fingers
01:58:41Keep your wrist at 90 degrees
01:58:43Don't bend your fingers
01:58:45Keep your wrist at 90 degrees
01:58:47Don't bend your fingers
01:58:49Keep your wrist at 90 degrees
01:58:51Don't bend your fingers
01:58:53Keep your wrist at 90 degrees
01:58:55Don't bend your fingers
01:58:57Keep your wrist at 90 degrees
01:58:59Don't bend your fingers
01:59:01Keep your wrist at 90 degrees
01:59:03Don't bend your fingers
01:59:05Keep your wrist at 90 degrees
01:59:07Don't bend your fingers
01:59:09Keep your wrist at 90 degrees
01:59:11Don't bend your fingers