Sto para 5 - S01E14 - Greek subtitles
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00:00Mmm, it suits you very well. Here's the pants.
00:05Can I try it on?
00:06Yes, of course. Come in.
00:20Ah!
00:22Excuse me.
00:26Well done, Dylan!
00:30I don't want this. I'm dying. I don't want yoga. I feel like I'm dying.
00:34I'm going to die in here. This is the end.
00:37Calm down. Don't get up again.
00:39If you knew a little yoga, do you know how much it would help you relax?
00:42What are you talking about? Look where I'm sitting.
00:44This way I won't get you out of bed and I won't hit you against the wall.
00:47I don't want anything else. That's it.
00:49And I don't want to die.
00:50Shh! Quiet. He's talking to you.
00:53What's going on? Is he still outside?
00:55I'm going to see.
00:56No, no, no.
00:57Shut up!
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04:24Thank you very much!
04:25Bye!
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07:20So, on Monday, we'll go to the office of the newspaper again.
07:24Early this time, to have more time.
07:27It may take us days.
07:29Let it take us.
07:30We'll look for anything to do with the murder of this woman.
07:33If there were any suspects, what evidence does the police have, all that.
07:36Would you ever dare to tell someone what's happening to us?
07:39No, because he wouldn't believe me.
07:42But the things we don't believe, doesn't mean they don't exist.
07:46I'll take Angela to see what she did with the others.
07:50Let's go.
08:08She hung up.
08:10Pick up the phone.
08:20She hung up.
08:30Now she hung up, too.
08:32I don't like this.
08:33Calm down.
08:34It may not work.
08:35The battery may die.
08:36Both of them?
08:37Pick up the phone.
08:46What's going on?
08:48Tell me.
08:49The office is talking.
08:50They'll get us.
08:51I'm hanging up.
09:03Did you find it?
09:14I threw it far away.
09:15It's Marilena.
09:16Pick it up and tell her not to go again.
09:19Yes?
09:21Lea, what is this?
09:22Do you want me to talk to you like you do in your village?
09:25Marilena, it's me, Dahlia.
09:27What?
09:28What are you doing?
09:29It's none of your business.
09:30Give me the other one.
09:32She can't talk to you right now.
09:34Why?
09:35Because...
09:37We went shopping.
09:39We're at the store.
09:41She's in the test tube.
09:43Tell her I've been waiting for her for an hour.
09:45What's going to happen?
09:46I have to go.
09:47She can't come for the baby today.
09:49What kind of responsibility is this?
09:51I have a date with my pedicurist.
09:53Yes, yes.
09:54You're right.
09:55I'll tell her.
09:56Why are you whispering?
09:58Where are you?
09:59I'm...
10:00I'm at the test tube.
10:01I'm at the hospital.
10:02At the same place?
10:03Yes.
10:04What are you doing?
10:05Give me the other one.
10:07She can't talk.
10:08How can you?
10:10I...
10:11I can because...
10:13I'll tell you.
10:15I can because I can.
10:17But Zumbulia can't because...
10:19She's lost her memory.
10:21We've spread her out on the floor with her legs up and her head down.
10:26You?
10:27What's new?
10:28Zumbulia told us that you're a dancer.
10:30Well done.
10:31When you say you've spread her out...
10:33Who has spread her out?
10:35Me and Angela.
10:37Is there someone else at the test tube?
10:39Yes.
10:40Me, Angela and Zumbulia.
10:42I see.
10:43Is there anyone else?
10:44No, no, no.
10:45It's them.
10:46Who are you working for?
10:47Get me out of here!
10:48Mariana, I'm telling you the truth.
10:50What do you mean, it's them?
10:51Did Ilias make you tell me all this?
10:53Couldn't he find a better excuse?
10:55It's not an excuse, Mariana.
10:57So you expect me to believe that there are three of you,
11:00in one test tube,
11:01both of you are straight,
11:02and one of you is lying on the floor?
11:04Do you take MMS?
11:06What?
11:07Shh!
11:08I'm going to lock the door.
11:12I'm going to lock the door.
11:19I've put her on her two feet in a shoe for so long.
11:22But she, she, she...
11:24She's the one who's been messing with Alexandra's head.
11:27If you don't know me well,
11:29we're in a test tube,
11:31and she's lost her memory.
11:43I'll call you back, but I'm telling you now,
11:45so you don't worry.
11:46We did it!
11:47He put us in the safe!
11:48Angela searched his phone.
11:50She found something.
11:51I don't know what it is.
11:52A card from a video club.
11:53Ah, a card from a video club.
11:54Unfortunately, he didn't have any other signature
11:56or identity with him.
11:57In the meantime, the zombie forgot.
11:59Which one?
12:00The zombie.
12:01The zombie detective.
12:02Now I got him.
12:03As soon as we find her,
12:04we'll come back from there.
12:05What did you do?
12:06Did you find anything?
12:07I'm sorry, when did all this happen?
12:09This morning.
12:10This morning?
12:11Didn't you say you were going to go shopping?
12:13Yes.
12:14We didn't find anything.
12:15She didn't like anything.
12:16I don't know what's going to happen now.
12:17Maybe she's going to try something else.
12:19In the meantime, I found a wonderful dress for her,
12:21but it's making her dizzy.
12:22She's gone.
12:23Ah, come on.
12:24Let's go, let's go.
12:26Zubi!
12:27Zubi!
12:28Ah, what was that, my God?
12:30What was that?
12:32As soon as he said,
12:33I'm going next door,
12:34he cut my legs off.
12:36My legs were paralyzed.
12:38Zubi!
12:39Everything was dark.
12:40And the next thing I remember
12:42is my dad yelling,
12:43Zubi! Zubi!
12:45Zubi!
12:46How do you say that?
12:48How did you find his bags?
12:50I guess I'm looking for some evidence.
12:52The manager who gave us the bag doesn't have one.
12:54I looked for it when we were in the country.
12:56Was there anything other than this card?
12:59No.
13:01Forget it, don't say that.
13:03I'll use it on something.
13:05On what?
13:06We're not buying DVDs.
13:08Let me think about it.
13:14Wait a minute.
13:16Wait a minute.
13:18What are you doing?
13:20Don't answer. I'm asking them.
13:22Take this and read it.
13:24First of all,
13:26since when did we start this story again?
13:28Today.
13:30Don't talk. I said it.
13:32What did you say?
13:34And now you're talking.
13:36You said it.
13:38I don't have anything to say.
13:40If you want to stay out, stay.
13:42But this morning,
13:44if you were alone in the store,
13:46I don't think you'd get away.
13:48As long as these people are free,
13:50we are in danger.
13:52Either we look for them or not.
13:54Zoumboulia is right about that.
13:56Yes, but we don't provoke our luck.
13:58We don't provoke it, it provokes us.
14:00What job does he have to be in front of you today?
14:02Should I talk now?
14:04Go ahead.
14:06Let's see what you're going to say.
14:08Do you remember when we were tied up in the storeroom?
14:10What did we say?
14:12To stay together until the end.
14:14And then there were five of us
14:16who thought we had nothing in common.
14:18Now that you know what ties us together,
14:20leave me alone if you can't explain it.
14:22Now you want to leave and leave us?
14:24Don't go, Zoumboulia.
14:26Whoever leaves Mandri,
14:28Liki takes him.
14:30That's what you say in your village, isn't it?
14:34We say it.
14:36Exactly, Zoumbi.
14:38And you didn't think of anything else.
14:40The story is full of examples
14:42of successful guys who broke up
14:44and then didn't have anything in common.
14:46You'll tell me,
14:48Kostantinos Christoforou has a great career
14:50and he does it all by himself.
14:52But when they all went to Eurovision,
14:54six of them went and when he went alone,
14:56eighteen went. Is it the same?
14:58And when Jerry Holliwell leaves,
15:00he sings a couple of songs for his grandma
15:02for a month and then nothing.
15:04And I ask you, Zoumbi,
15:06where is Jerry today?
15:10Even Kimela Nissi, who seemed to be doing better,
15:12is in the abyss.
15:14But the main thing is,
15:16where is Jerry, Zoumbi?
15:18He left first.
15:28Sit down, Maria.
15:30I can't hear you.
15:32I don't understand what you're telling me.
15:34And Zoumbi, why do you keep telling me?
15:36Zoumbi, I found out today
15:38that you have a great sense of humor.
15:40When?
15:42When you were a minor.
15:44Are you an antipathetic?
15:46I was a student and you made fun of me?
15:58What are you doing?
16:08What are you doing, Frida?
16:12Are you talking to me?
16:14Yes, of course.
16:16Do you see any other Frida around here?
16:18Not this again.
16:24Do you want to say the first news today?
16:26What?
16:28I said, do you want to start the news?
16:32Should I bring everything?
16:38Do you want to say the second news?
16:40Do you want something?
16:42I want a favor.
16:48What favor?
16:56What favor?
17:00So?
17:02He won two DVDs three days ago
17:04and he hasn't returned them yet.
17:06One with this talentless woman,
17:08Gwyneth Paltrow, who is on fire.
17:10But it's not about that.
17:12The hours she stays open.
17:14They gave her an Oscar.
17:16That's how Shakespeare plays, ma'am.
17:18If I had that role...
17:20Look here.
17:22The hours she stays open.
17:24Ma'am, I meant the hours she stays in the office.
17:26Go again and tell me.
17:28Don't tell me.
17:30I don't think you'll take your word back
17:32and ruin our deal.
17:34I said no.
17:36Go and learn the hours she stays open and tell me.
17:38Fine.
17:40What are we going to do next?
17:42Nothing. We're going to have a meeting.
17:44What? Are you crazy?
17:46We're going to his house. He's going to kill us.
17:48Listen to me.
17:50We're going to stand outside the videoclub
17:52and wait for him.
17:54In order to return the DVDs he has rented,
17:56he'll have to issue a new card.
17:58So we already know
18:00that there's going to be someone there.
18:02Meanwhile,
18:04we're going to do a stake-out.
18:06What's that?
18:08A stake-out.
18:10Two police officers in a car
18:12with coffee and doughnuts
18:14watching a suspect.
18:16Well, you don't see that in American movies.
18:18What are you doing here so late?
18:20I have to deliver an episode tomorrow.
18:22Knowing his address,
18:24we're going to his house.
18:26Let him lead us to his boss.
18:28Gustavo!
18:30Guys, this is very dangerous. I'm not doing it.
18:32It's not dangerous. We're just going for the big bang.
18:34Our heads.
18:36Guys, we're going to make it.
18:38We're going to make him pay
18:40like we did with Zana.
18:42I'm in.
18:44Why don't we continue our search in the archives?
18:46There's a shorter route.
18:48There's no such thing as a shorter route.
18:50But everyone gets a chance.
18:52Fine. I say we vote.
18:54Who wants one plan and who wants the other?
18:56Dirty, naughty,
18:58gluttonous.
19:00Hey, don't eat. We say we vote.
19:02Yes, yes, yes. I'm sorry.
19:04The stars.
19:06So, who votes for Fotis' plan?
19:08Raise your hands.
19:10Fortunately,
19:12she cut it.
19:14I see.
19:16We're going to make it.
19:18We're just going to look for it in the archives.
19:20Obviously, the three of us.
19:22Marie.
19:24What?
19:26Your ass got up.
19:28For what? Black and white.
19:30We say we vote.
19:32Yes, yes.
19:34We won.
19:36Wait, wait.
19:38Who are you voting for?
19:40Those with the donuts and the coffee.
19:42What?
19:46What?
19:52What are the others coming for?
19:54First, Dalia is coming to vote for you.
19:56Then, Spyros is coming to vote for me.
19:58And finally, Zumbulia
20:00is coming to vote for Dalia.
20:02Tomorrow's plan will be ready by the afternoon.
20:04If it's necessary.
20:10Weren't you afraid to come here alone before?
20:12Imagine if I fell here.
20:14I didn't go inside.
20:16Did you see my sister?
20:18The anxious one?
20:20We know her.
20:22Don't worry, we've already paid her.
20:30Ladies and gentlemen, good morning.
20:32This is the Central News Network
20:34with the central presenter
20:36of the Central News Network,
20:38Frida Papaparaskeva.
20:42First news.
20:44The Central Presenter of the Central News Network
20:46of TVOA
20:48from today, January 20th
20:50will be interviewed by the following people.
20:52Let's watch a video
20:54of my journey on the channel.
21:00What?
21:02Are the others coming?
21:04For Zumbulia and Spyros,
21:06I have my vaccines.
21:08He didn't want to give us the car because he was afraid.
21:10I'm sure about Dalia.
21:12Will she come?
21:14What do you think?
21:16Money!
21:18Bring money, I'm going out.
21:20Where are you going, Mrs. Dalia? We have work to do.
21:22What work? I finished it yesterday.
21:24Pepita was hit by a truck.
21:26I'm done with this.
21:28There's only Pepita in this house.
21:30Don't you have other businesses?
21:32Of course I do.
21:34What should I wear?
21:36Where are you going?
21:38What is this?
21:40You don't know anything about this.
21:42This is what you should wear.
21:44No, no. Last time, I was hit by a truck.
21:46I don't even have a jacket.
21:48Why don't you have one?
21:50I'm going to bring it.
21:52I have to do something with the hair.
21:54It shouldn't look so thick.
21:56What do you suggest?
21:58The lawn mower.
22:08I'm going to bring the lawn mower.
22:38I'm going to bring the lawn mower.
22:40I'm going to bring the lawn mower.
22:42I'm going to bring the lawn mower.
22:44I'm going to bring the lawn mower.
22:46I'm going to bring the lawn mower.
22:48I'm going to bring the lawn mower.
22:50I'm going to bring the lawn mower.
22:52I'm going to bring the lawn mower.
22:54I'm going to bring the lawn mower.
22:56I'm going to bring the lawn mower.
22:58I'm going to bring the lawn mower.
23:00I'm going to bring the lawn mower.
23:02I'm going to bring the lawn mower.
23:04I'm going to bring the lawn mower.
23:06I'm going to bring the lawn mower.
23:08I'm going to bring the lawn mower.
23:10I'm going to bring the lawn mower.
23:12I'm going to bring the lawn mower.
23:14I'm going to bring the lawn mower.
23:16I'm going to bring the lawn mower.
23:18I'm going to bring the lawn mower.
23:20I'm going to bring the lawn mower.
23:22I'm going to bring the lawn mower.
23:24I'm going to bring the lawn mower.
23:26I'm going to bring the lawn mower.
23:28I'm going to bring the lawn mower.
23:30I'm going to bring the lawn mower.
23:32I'm going to bring the lawn mower.
23:34We came here to sleep.
23:36What time did she leave?
23:38One o'clock.
23:39If she comes again, she'll change you.
23:42Ah, Kotafoni!
23:45What are you doing?
23:47Did something happen?
23:48I'm so glad you came.
23:49I wasn't sure.
23:51You put it on?
23:53Ah, don't start now.
23:54I put it on and I put it on.
23:55I put it on so you wouldn't have to tell me.
23:58Donut?
23:59Donut?
24:00No, no, no.
24:01Thank you.
24:02I'm in a hurry.
24:03I'll put it in your mouth, OK?
24:05All this goes in here.
24:07So…
24:08Hi!
24:11We're having a great time.
24:13Wait, I'll call Zumbi.
24:15Hold this.
24:24Hello?
24:25Zumbi, we're having a great time at the Steakout.
24:28Leave me alone.
24:29I'm a surround.
24:30You fooled me, didn't you?
24:32I don't want you to call me that.
24:33What time are you coming?
24:34I'm finishing at…
24:35What time am I finishing?
24:37At five.
24:38At five?
24:39When are you coming?
24:40I'll be there.
24:41Zumbi?
24:42I'm hanging up.
24:45He hung up.
24:46He said he wasn't coming.
24:48I was afraid to tell him the truth.
24:51OK.
24:52The best thing to do is to do my own guard.
24:54That way I'm having a great time.
24:56OK.
25:02Let's look from here.
25:05Let's go.
25:06Let's go.
25:25Tell me, Leah.
25:27What are you doing here?
25:35I'm a tester, Simethera.
25:37And what are you testing?
25:38If you can do it at the top level?
25:40No, Simethera.
25:41I'm just…
25:42Just what, Leah?
25:43No!
25:44Why do you care what I do when I go out?
25:46I care because everything you do has an impact on me, Leah.
25:49It's time for you to start discussing the differences in your own fertility.
25:53What do you mean, Simethera?
25:55I mean that I bring a name to society.
25:57You won't blacken it for me because that's how you smoke.
26:00Oh, are we going to fight now?
26:02Thank you very much.
26:03But in here.
26:04Because you won't go out again.
26:06First you'll find out where the feet are and where the head is.
26:09And then you'll ask me for permission to go out.
26:12You're making me jealous.
26:14I'll ask you for permission?
26:16Exactly.
26:17Especially if you're going to go out to Kolonakiou's shops.
26:20You're free to go wherever you want.
26:22Even better if you set up a tent in Agia Barbara.
26:26It's a good thing you weren't seen by Gelli, Tina and Donty
26:29who were drinking coffee in the square.
26:32What are they? Dogs?
26:34My friends, you idiot.
26:36And what names do they have?
26:39And yours?
26:41Zougoulia.
26:42You'll call me Zoubi.
26:44What?
26:45What you heard.
26:46And shut your mouth or I'll put an apple in it.
26:48And now I'm going to rest because I have a meeting this afternoon.
26:51Don't bother me.
26:52Where are you going?
26:53I've been invited to a...
26:56Wait, I'll tell you.
27:00Steak-out.
27:06I'm fed up.
27:07When will you come back?
27:09You don't eat anymore.
27:10When will you eat one and when will I eat another?
27:12It hasn't even been half an hour.
27:14And how can I eat more of these?
27:16I've already eaten three.
27:17I think I'm full.
27:18Stop it then.
27:19I have nothing to say.
27:20I've been here since this morning.
27:22And if Spyros doesn't come to change me, where will I go at night?
27:25Why doesn't he come?
27:26I don't know.
27:27Maybe he's busy.
27:32It's...
27:33Yes?
27:34It's a city.
27:35Yes.
27:36How do you know this city?
27:38I've been there.
27:39When?
27:40The day before yesterday.
27:41It's Livadia.
27:43This woman will drive me crazy.
27:45Spyros!
27:46Sophie!
27:47Come and see.
27:53What is it?
27:54Livadia.
27:55It's beautiful.
27:57What beautiful?
27:58This is the Guernica of Picasso.
28:00What is Guernica?
28:01A city in Spain.
28:02Does it look like Livadia?
28:03No, it doesn't.
28:04It has nothing to do with Livadia.
28:06How do you know?
28:07Who?
28:08Doesn't it look like it?
28:09Have you been to any of these?
28:11No.
28:12Then what?
28:13Grandma, we're serious.
28:15Theopoula is not well.
28:16That's for sure.
28:17There you go.
28:18How can I be well with the maid at home?
28:21Leave the maid alone.
28:22We're not talking about the maid.
28:24This is Picasso's painting.
28:26Eh?
28:27Picasso?
28:28You've been painting since this morning.
28:30Weren't you here?
28:31It's Picasso's famous painting.
28:33And Theopoula, I don't know how,
28:35has made the perfect copy.
28:36Just like she painted Davinci's Mona Lisa.
28:38She saw them somewhere and painted them.
28:40There's no virginity in art.
28:42You won't say that to me either.
28:44I'm telling you, she's not well.
28:45We have to bring a doctor for Theopoula.
28:47I don't want a doctor.
28:48Bring me an architect.
28:50No, let's get you married,
28:51to see how you are.
28:52I'm a doll.
28:53How is he going to be?
28:55Is he going to be tall?
28:57I don't agree.
28:58Calm down, Spiros.
28:59How can you do this?
29:00Picasso and Davinci painted them.
29:02Did you bring a doctor?
29:03They did it first.
29:05One more reason.
29:08Leave it.
29:14It's true.
29:15It's the virginity.
29:17I know, Theopoula.
29:18You painted the musk, too.
29:20The virginity.
29:21The city was fertilized.
29:32What's wrong?
29:33I've been trying to explain to you and to the others...
29:36Stop it, Theopoula.
29:37What have you explained to Tzita?
29:39Nothing.
29:41You're talking to me, aren't you?
29:43How can you, Giagia?
29:45What?
29:46How can you do all this?
29:49You're leaving for Paris.
29:50You're learning to draw.
29:52In French.
29:53You're going to the stadiums.
29:56Aren't you afraid?
29:58Should we be afraid to live?
30:00Death is what people are afraid of, not life.
30:02Some of these things are dangerous.
30:05Two big women, alone, in a foreign country.
30:07Because if I lock myself in the house
30:09and I start crying,
30:11will God let me cry forever?
30:13What can I do?
30:15Even if I were a machine, I'd get bored.
30:17I don't care about pregnancy.
30:21Death, my boy, is another kind of fertility.
30:24Don't worry.
30:25He knows what he's doing.
30:27We are fertility for our lives.
30:29Because we make it as beautiful as possible.
30:33And more adventurous.
30:35Exactly.
30:36You should be afraid of difficult things,
30:39not difficult and interesting ones.
30:41Take, for example, Theopoula.
30:45Instead of painting the cup on the table,
30:48she painted this one.
30:50Doesn't she look like Maria?
30:51Guernica.
30:52This one.
30:53God knows where he saw her,
30:55when he saw her and how he remembered her.
30:58If he painted the cup in front of her,
31:01he would put it in the closet.
31:03And now he made a house above and below.
31:07As you say, it's something.
31:09Maybe.
31:10Exactly.
31:11What do you say, should I prepare food?
31:15No, I won't eat here.
31:17Will you go out?
31:18Yes.
31:19Here you go.
31:21In my blessing.
31:40Did you come?
31:41Yes.
31:42Why didn't you come alone?
31:44I've been waiting for you for hours.
31:47Why didn't you come?
31:48Where is he?
31:49In a shop over there.
31:51He's in the toilet.
31:52Why?
31:53He's been eating a bag of donuts since morning.
31:55Did he drink four coffees?
31:57He's a greedy man.
31:58Let's go.
32:02You know how it is to see a soap opera after another.
32:06You don't know how it is to see a little bit of Vangelatopas.
32:09I suffer.
32:10I'm leaving you.
32:11Bye.
32:12Bye.
32:20So, tell me, what are we doing?
32:40Ah!
32:50It was nothing.
32:54Zoupoulia.
32:55Yes?
32:56I think we should relax a bit.
32:59Yes, yes.
33:00Do you feel dizzy?
33:01Not at all.
33:03Where is the synopsis?
33:04Here, here.
33:05Do you want to read it?
33:06No, no.
33:07No, sir.
33:10Do you know what I'm thinking?
33:11What?
33:12Should we leave?
33:13That's the first thing.
33:14But also the other thing, sir.
33:16Don't let him find us here.
33:17Don't let him find out that we're here.
33:19We're here, we're here.
33:20No, please, please.
33:21No.
33:25How did we end up like this?
33:28Fotis believes that all of this is happening so that we can give justice.
33:32Justice that wasn't given to us and to the people we lost.
33:35That's right.
33:36Fotis believes that it's a conspiracy.
33:38If I take it so seriously that Fotis believes it,
33:40ask him where we were.
33:42That's right.
34:06Everything.
34:18Who?
34:19Us.
34:22What happened?
34:23We caught him.
34:24We gave him two punches.
34:25A wooden hand.
34:26He promised us that he wouldn't do it again.
34:28Look what happened, Maris.
34:29It's a mess.
34:30But it doesn't matter.
34:31Tomorrow is the day.
34:32But it doesn't matter.
34:33Tomorrow is the day.
34:35Where are the others?
34:36They're sick.
34:38You see?
34:39There's a God after all.
34:52How are you?
34:54I'm fine.
34:55I'm eating the food.
34:56Here you go.
34:58Al Pacino has never had this in any movie.
35:00Why?
35:02I don't know.
35:03It's a secret.
35:05How can I come?
35:06I won't be left alone.
35:07I don't care.
35:08You will come.
35:09Psyphus is a saint.
35:10Find a way.
35:17I still don't understand what we're doing here.
35:19It's not necessary.
35:24Enough with the signatures.
35:25Let's eat something.
35:26I have to go.
35:27Bring the food.
35:28Why are you giving it to me one by one?
35:31What have you prepared?
35:32Salmon fillet with a little bit of lemon and olive oil.
35:36Don't fill it with oil.
35:38These papers will go to the prison in Kenya.
35:40It doesn't matter.
35:41It will have a little bit of the scent of Greece.
35:43An ointment is always ready.
35:46This salmon was a medicine today.
35:50To Germany, huh?
35:52How is it there?
35:53Cold?
35:55The Germans are even colder.
36:00Who do you work for?
36:01That's not important.
36:02You tell me.
36:03Tell me.
36:05It's the same.
36:06I work for a politician.
36:07I'll be back in a month.
36:10Did you make any money?
36:11I have no complaints.
36:16I saw my mother yesterday.
36:18You know what she thinks?
36:20That I'm a business consultant.
36:22Not that she knows what that is.
36:24But think about what my job is.
36:27Your job is to clean up society.
36:29To clean up people, you mean?
36:31No.
36:32To clean up society.
36:34Or rather, to make sure that it doesn't look dirty.
36:37And here, and in Germany, and everywhere, it's the same.
36:41Anyway.
36:43What's new with you?
36:44Now what? Silence?
36:46With those five, we didn't have anything newer.
36:50Newer from where?
36:51From another world?
36:52Because that's where you think they are.
36:55Where else?
36:56You're asking me that?
36:57Listen.
36:58We went to the warehouse together.
37:00Did you see anything I didn't see?
37:02A corpse?
37:03Something that showed that there were people in there?
37:05Since everything happened on the spot.
37:06No, everything.
37:08That's what we told each other.
37:10And that's what happened.
37:11Don't start that conversation again.
37:12Fine, I didn't say anything.
37:14If they had known then that they could escape,
37:18we would have been dead by now.
37:20Don't you understand what kind of people we have to deal with?
37:23Will you ever tell him?
37:25Does it make any sense?
37:28It's been three months and they haven't given any sign of life.
37:31Even if they live, they live.
37:33Even if they live.
37:36But they have stopped.
37:40It's better that they put us up all day.
37:42Why? So we can show up?
37:44It's morning and night.
37:47Don't tell me.
37:48Who's going to make the show?
37:49Angela.
37:50I'm going to get her from Mali,
37:51and I'm going to get her from Zoulou.
37:52You'll see what I mean.
37:57Anyway, we're calmer today.
38:00And we have Kola.
38:05Good luck.
38:06Call me if you need anything.
38:22What?
38:46Where the hell is he?
38:51I don't know.
39:02Are you here?
39:03What's up, Mari?
39:04We're not leaving you alone.
39:06And you're here today.
39:08What's going to happen? Are we going to eat?
39:09No.
39:10And if you don't want to tell me, I'm leaving too.
39:12I'm going to Antichrist. Don't call him.
39:14Come on, Zouboulia.
39:15Now that there are five of us,
39:17it's an opportunity.
39:18That's why we're here.
39:20What happened?
39:21Look.
39:39Did he come on foot?
39:40Yes.
39:43What do we do?
39:45As soon as he gets out,
39:46we get out of the car and follow him.
39:49Let's go.
40:20You're such a catcher.
40:28Go, catcher, go.
40:33Go, catcher, go.
40:39You're such a catcher.
40:45What are you doing here?
40:46Nice.
40:48Now that we've found the floor,
40:49let's go.
40:50We have to find the apartment too.
40:51I agree.
40:52I'm going to look for it.
40:53Zoubi, relax.
40:54Don't talk to me like that.
40:56Someone's coming down.
41:12I don't think they fit.
41:13It's okay.
41:14I'm with you.
41:15I won't go down again.
41:16I've got the keys.
41:17I'll call you.
41:19I'll call you.
41:45Nice.
41:46What do we do now?
41:47We look for her name in the kitchens.
41:49And then we leave.
41:50Amen.
41:52What?
41:53Shut up.
41:54The light is off.
41:55There's nothing to do.
41:56There's no switch anywhere.
41:57Let's go.
41:59Ah, the doorbell.
42:00Let's go.
42:01Let's go.
42:02Let's go.
42:03Let's go.
42:04Let's go.
42:05Let's go.
42:06Let's go.
42:07Let's go.
42:08Let's go.
42:09Let's go.
42:10Let's go.
42:11Let's go.
42:12Let's go.
42:13We can't.
42:14Someone's coming.
42:15And I'll tell you who.
42:16Who?
42:17It's us, Marie.
42:18We're here.
42:19You hit the button.
42:28Run!
42:37Move!
42:44Move!
42:45Move!
42:46Move!
42:47Move!
42:48Move!
42:49Move!
42:50Move!
42:51Move!
42:52Move!
42:53Move!
42:54Move!
42:55Move!
42:56Move!
42:57Move!
42:58Move!
42:59Move!
43:00Move!
43:01Move!
43:02Move!
43:03Move!
43:04Move!
43:05Move!
43:06Move!
43:07Move!
43:08Move!
43:09Move!
43:10Move!
43:11Move!